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شواعر العصر الجاهلي وعصر صدر الاسلام : دراسة ايقاعية == Pre - Islam And Islamic Period Women Poets (Rhythm Study)
Author name:
محمد يونس صالح الجريسي
Supervisor name:
ذنون يونس مصطفى الاطرقجي
General topic:
Arabic Language and Literature
Specific topic:
Literature
Degree:
Master
University:
University of Al Mosul - Faculty Of Basic Education - Department Of Arabic Language
Language:
Arabic
University location:
Mosul
First pages:
01T4447 - p.pdf
Abstract:
فان الايقاع يعد عنصرا مهما من عناصر الخلق الشعري، ذلك انه يثري النص صوتيا ودلاليا ويمنحه الترابط والانسجام والجمال والانتظام، ولا يقتصر مفهوم الايقاع الواسع سعة تطورات القصيدة العربية، والمتحول تحولات الذات الشاعرة على عنصري الوزن والقافية فحسب، بل م | The ancient and modern Arabic poetry represents an important of the literary arts which relation and belonging with the rhythm in its general concept - internal or external - , there is doubt that rhythm give the poetic text aesthetically and orderliness work on the effect in the reader, as well as it is regard as expressing about poet psychology in the same time.The pre - Islamic and Islam period poetry seems have a rich rhythm texts in the rhythm levels were the most important reasons to make us tend to the rhythm study in poet women's poetry in that two ages. Then we worked on analyzing the rhythm texts in their texts and examining what contain of the senses, we can touch them by texts contexts, and after saw their poetry in the ancient books (resources) I tried to select the texts which agree with the rhythm study, if there is no any text lacking from rhythm in any form.That the rhythm study in three important matters, I tried to follow them in my study that are : reading, statistic, and description, and we must followed an academy method to make the study in arrangement and classified method, so our study as following : The first chapter, including the external rhythm in the poems and the pieces, then we tried in this chapter to citing in texts which poetize on the most common meters in the women poets production. However, the poems were their relation less from the pieces, we cited in less number of the pieces, as we dealt with the relationship of the pieces with the meters according to the modernists' opinion, as we dealing with the rhyme which have absolute and limit pun and effect of each one in the rhythm and sense.But the second chapter, we dealing in it the internal rhythms which are most common, the repetition technology in its all kinds (the beginning repetition, first hemistich repetition, abbreviation repetition, complying repetition, first hemistich repetition), as we dealt the parallel technology which based on the twofold of sense similarity and paradox, in addition to the structural and conjugate parallel and its effect in rhythm and sense, as we dealt with rhetoric parallel which based on the technologies of the inlaying and the harmony.Finally, we dealt in this chapter with the reciting and dialogue rhythm and their effect on the rhythm and sense in general.Our study had benefit from many previous rhythm and style studies was first ( the modern Arabic poem between the rhythm structure and sense structure) for Dr. Mohammed Saber Obied , and the (poetical language) for Mohammed Kanoni and (style characteristics in Omar Bahaa Al - Din Al - Amiri' poetry) for Abdullah Abdul Khaliq Al - Ghanim.Finally, I don’t have any thing except the pray and thank word for my virtuous teacher Dr. Thunnon Al - Atraqchi and for all teachers in the Arabic language department, calling for Allah that I will never forget their favor, and what was right that from Allah, and what was wrong that from myself.
