Share
البنية السردية في روايات سعد محمد رحيم == The Narrative Construction in Sa'ad's Mohammed Reheam Novels
Author name:
نور جواد كاظم الكركوشي
Supervisor name:
رفل حسن طه الطائي
General topic:
Arabic Language and Literature
Specific topic:
Literature
Degree:
Master
University:
University of Kerbala - College Of Education For Human Sciences - Department Of Arabic Language
Language:
Arabic
University location:
Karbala
First pages:
01T4636 - p.pdf
Abstract:
The Narrative Construction in Sa'ad's Mohammed Reheam NovelsThe novel is considered the era epic due to its great significance within all topics it deals with when the writer skilled his work and was able to run his instruments in addition to his simplicity in presenting the case that he indirectly wanted to tackle. Accordingly, the current study got benefit from the modern superfluity method in studying one of the most prominent literary Iraqi men; he is the novelist Sa'ad Mohammed Reheam who characterized by a variety literary product of story, novel, intellectual, economic and literary studies, and journalistic articles. Our interest, in the current study is limited to his narrative product since his story product has already been studied in a master thesis.The study contained a preface and four chapters. Within the preface, the researcher dealt with the narration concept and the narrative construction. Then, the study talked about this concept from the Arabic and Western critical perspective and later a brief about the novelist's life, works, rewards, and his novel translation.First chapter is devoted to the narrative temporal. Second chapter discussed the narrative spatial which is regarded one of the most important base in the novel. third chapter mentions the most important element in the novel, that is the characters. fourth chapter is devoted to the narrator and the addressee (narrated to). The study was ended with a conclusion which contained the most significant results and a list of references and bibliographies that depended on in the current study.
