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الخصائص الفنية الزخرفية في المدرسة المغربية == Decorative Artistry Characteristics In Moroccan School

Author name: لؤي نزيه مطلك
Supervisor name: كريم حواس علي الساعدي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الفنان المسلم استلهم مفرداته من الطبيعة ومن الاشكال البسيطة كالمستقيمات والمربعات والمثلثات والدوائر، وقد كان هناك اوجه تشابه واختلاف في الوقت نفسه بين المدارس الزخرفية، مما جعل الامر يلتبس على كثير من المزخرفين لا سيما الدارسين في حقل الاختصاص، وقد ات | Muslim artist inspired his vocabularies from the nature and from simple forms such as straights , squares , triangular and circles. At the same time there was similarity and contrast in decorative school which led to confusion for many of those practice decoration (decorators ) specially the specialists. Due to exploratory studying and continuation upon research society represented in Moroccan Islamic Architecture through photographs and images in books and references concerning Moroccan decorations of Islamic architecture , it was obvious to the researcher that artistry and scientific necessities required identify those artistry characteristics of Moroccan school and the most prominent characteristics and features of Moroccan school.Accordingly the researcher formulated the problem of the research through the following question : " what are the artistry characteristics in the Moroccan decoration " ? The importance of the research has embodied in identifying the artistry characteristics of the decoration and all its kinds ( plants , geometrical and linear ). The researchers exposed the contributions of Moroccan school in designing and execution o decoration upon Islamic architecture. The objective of the research is to answer the mentioned question within the problem of the research. The research was defined with decorative artistry characteristics in Moroccan school with its kinds ( plants , geometrical and linear ) in mosques , schools , shrines and those executed on ( stone , gypsum , wood , vitrified tiles ) from the period of ( 745H - 1345A.D )to ( 1390H - 1971 A.D ). The second chapter included the following subjects : The stages of development of Moroccan decoration , architectural decorative components , Islamic architecture elements, areal divisions of the decorations , besides the design foundations of architecture decoration , construction relation , raw materials and execution techniques. followed by theoretical framework and previous studies.The researcher followed in conducting the research descriptive method ( analyzing the content ) in order to reach the objectives of the research. The samples were chosen intentionally. The researcher chose ( 6 ) six samples for his research and the total number of the sample were ( 60 ) sixty samples represented the society of the samples. The analyze form was in accordance theoretical framework and exposing it to several experts to confirm its validity. According to the analyzing form, the selected analyzing sample, where showed a collection of results as follows : - 1 - Single work of one decoration type( engineering), which is based on steroid shapes, which originated non - steroid shapes resulted from the crossed lines and their reflections represented by the straight and vertical ,horizontal and diagonal, which shaped multiple shapes amongst semi - steroid elements and rhombus shapes and irregular shapes.2 - Dual two types decoration work ( plan and engineering), the plant decorations have involved cupped indentations of single, double and triple pods as for the geometrical shapes inspired from bees hives and the Muslim artist has inspired these shapes to express the accuracy and regularity via repeated of geometrical shapes regularly.3 - Three decoration work( plant, geometry, writing)the basic unit included texts with Al - Thulith and Al - Nasakh Moroccan calligraphy due to sequenced line distribution system interspersed by plant decorations whose construction leaves and single double and triple cup items in addition to geometrical decorations represented by steroid and non - steroid shapes, as for the steroid shapes which included eight steroid and non - steroid shapes represented by irregular geometrical shapesBased on the results , the researcher have reached to a collection of conclusions represented by the following : - 1 - The development and the maturity that the Moroccan decoration art has reached along the development stage, does not come emptiness but connected series extended to be integral period for the previous one and it is an evidence to the innovation mental development extent, and the skill decoration expertise of the Moroccans at the same time.2 - The plant, geometrical and writing decorations of the arts widely used in the Moroccans Islamic architecture and has come the most distinguished elements and gains the Moroccan decoration attention via various the historical eras of the ancients fundamentals, also has dominance in a lot of architecture land marks.3 - The diversity in the decoration items( plant, geometrical and writing) of general appearance and the interior stuff and with colored diversified outcomes whether for single , double and triple types have contributed in add the diversified and multiplicity of the decoration items in one connected design unit.According to what the researcher has reached of results and conclusions and to complete the benefit and knowledge, the researcher has viewed to specify to a collection of recommendations most important of which are : 1 - To get benefit from the current research results to enhance curricula for the concerned Dept. amongst calligraphy and Islamic decoration Dept. in the institutes and colleges of fine arts.2 - Paying attention with the Moroccans school in the field of decoration of its various types of their aesthetic distinguished richness, on the executed works of Islamic architecture. And to complete the requirement of the research and to realize the scientific benefit, the researcher has presented a collection of suggestions ,benefited to be successive studies as follows : - 1 - The artistic characteristics of the Moroccans decorations on the pottery.2 - Aesthetic of the Moroccans decoration on the plate form

دور الة الكونترباص في الموسيقى والغناء العراقي == The Role of The Contrabass Instrymint Iraqi Music And Singing

Author name: وسام محمود عبد الزهرة عطية
Supervisor name: فراس ياسين جاسم
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعـــــ(الــــــــ الكونترباص),احــــــــدى الات العائلــــة الوتـــــرية القوسيــــــة, المؤلفة مــــــــن ( الكمان, والفيولا, والفيولنسيل ), فقد لعبت (الة الكونترباص) دورا مهما في تكوين الفرق الموسيقية العالمية, من خلال مجالها الصوتي الواسع, وطبقتها | The double bass is a member of the string family, beside the violin, viola, and cello. It has played an important role in the formation of orchestra ensembles, and this is because of its wide musical range and its low pitch. These tow features support the performance of the harmony and counterpoint by other musical instruments. The importance of this instrument encourages composers to create a specific music for the double bass such as Sonatas and Concertos.Despite the great importance of this instrument, it has not received sufficient attention in the Arabic and Iraqi academic research field. This prompted the researcher to adopt his experience as a performer on this instrument in this research to explore the role of the Doublebass in the Iraqi music and singing.This study consists of five chapters, list of references and annexes. The first chapter is the methodological framework of the study, which includes the research problem and the purpose of the study. The position of the Double Bass was explained, as it is an essential instrument in the Iraqi musical ensembles. In addition, it has participated in the recorded songs in the 1970s. The role of the Double Bass was recognised because of its tone colour and its rhythmic style, which fits the requirements of the Iraqi songs. For this role, it is important to study the function of the Double Bass in the Iraqi music and singing. In this chapter, the importance of the study was explained and the aim was identified, which is the role of the Double Bass in the musical ensemble that accompany the Iraqi music and singing.The second Chapter consists of the literature review and the previous studies. The literature review includes three sub - chapters; the first one discusses the history of the Double Bass. The second one deals with the parts, performance and the techniques of the Double Bass. The third explains the participationof the Double Bass in the Iraqi music and singing. The results of the literature review were discussed and there was no previous academic study regarding the role of the Double Bass in the Iraqi music. However, there is only one study that might be close to this study as both studies have the same singing form of the 1970s.The third chapter explores the field of thisstudy, which is the songs of the 1970s. In addition, experts were identified,samples were chosen, equipment was mentioned, musical standards were explained and the methodology of the study was discussed.The fourth chapter includes the analysis of the chosen samples. The fifth chapter discusses the results and the conclusions of the study. Additionally, a set of recommendations and proposals were presented, and were followed by a list of sources and references.

دلالات المكان في الرسومات المنفذة على الخزف الاسلامي == Connotations of Place In Graphics Executing On Islamic Ceramics

Author name: ثائر حاتم هاتف احمد الجباوي
Supervisor name: جبار حنون مهاوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة (دلالات المكان في الرسومات المنفذة على الخزف الاسلامي), والذي يقع في اربعة فصول : تضمن الفصل الاول عرضا لمشكلة البحث والمحدد بالتساؤل الاتي : ما هي الدلالات الفكرية والبنائية المرتبطة ببنية المكان في الرسومات المنفذة على الخزف الاسلام | This research deals with the study of (connotations of place in graphics executing on Islamic porcelain), which fall in four chapters : the first chapter include presentation to the research’s problem and specified with following questioning : intellectual and structural connotations associated with the structure of the place in graphics executing on Islamic porcelain? came the importance of the research and the need for it, in terms of it represents theoretical and practical reading to the products of Islamic porcelain in Fatimid era through analytical level to connotations of place and bear of artistic necessaries connect in intellectual content to the image of the artwork and the impact done in porcelain ,to sheds the current research light cognitively and scientifically on connotation of place in graphics executing on Islamic porcelain though out the Muslim artist on the nature of place as a space and turn it into symbols and signs of spatial. the need for this research it’s being represents attempt by the researcher to fill the vacuum in this important space of artistic forming fact that the subject needs to be enriched in this field of research , down to the desired results, The objective of the study lies in : ( know connotations of place in graphics executing on Islamic porcelain ). And identifies research in study outcomes the Fatimid porcelain executing materials and different oxides on the surfaces of these porcelain productions in Egypt, within the specified of time period between (969 AD - 358 AH), (1171 AD - 567 AH). The second chapter : has included theoretical framework and previous studies , and which contained three sections : the first section deals and which included two axes ,the first axis significance between the concept and terminology , the second is understood place and the data in the arts , the second section deals with study of the structure of place in the art of ancient civilization ( Iraqi and Egyptian ), the third section included two axes the first axis deals with the study of the place in Islamic art while the second axis deals with approaches of place in products of Islamic porcelain. And seal the theoretical framework with set of indications and previous studies. the third chapter deals with procedures of research which include identifying research community and selection of the research sample the amount of (15) porcelain work, then the search tool and description and analysis of sample. While the fourth chapter included the research results and conclusions, as well as the recommendations and suggestions, Among the findings of the researcher is : 1. The aesthetic connotation for place plays prominent role in the Islamic porcelain products and through osmosis properties the shape and meaning where mobile. 2. Islamic porcelain products showed clear interest in the nature of visual of the realistic place as in the models ( 11, 12, 13 ) and the imagined as in models (2, 9) and symbolic as in models (1, 3)3. Affected by the nature of the place in graphics executing on the products of Islamic porcelain, what is essential to the formal inclusion of the structural units (linear and colorimetric and volumetric and touch and space) as in models of search sample. And the conclusions reached by the researcher is : 1. Influenced the nature of the technical characteristics for systems formation the Islamic art and specifically (photography) on methods produce porcelain Islamic in terms of unity and diversity , lack of interest manddour, and stay away from materializing animate beings , abstraction , repetition and vacuum processing. 2. Manifested structure of place technically, on level of materials and raw materials and oxides, to expression of the characteristics demonstrated of image, as well as the fact pattern of connotation aesthetic that are associated with type of place and nature reveled. 3. Not limited to the place indication in Islamic porcelain within the two dimensions aesthetic and functional, but only becomes touching the regulatory nature of the graphics or graphic scene executing on the porcelain surfaces , link to substantial data of the place, nature and philosophy

الاتجاهات الحديثة في تصميم المنظر المسرحي العراقي == A New Directions In Design The Theatrical View

Author name: دريد هاشم شكور البياتي
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان التطور السريع الذي احاط العالم في هذين القرنين كان لابد اليه ان يؤثر في الفن المسرحي وعلى معطيات الثورة التكنولوجية والتقنية في المسرح ليولد اتجاهات مسرحية حديثة اتسعت في فضاءاتها وتنوعت في اساليبها في اعطاء الرؤية لانجاز جماعي والتي وفرت البيئة للمصمم | The fast development which care or happened in the world in the last years was to vhange or effects in the theater views and its born a new theater directions which effects the all hostery of theater.The imagination that should be composed with The nature of the reading the experience in the modern transfering the idea and the role practiced by the designing operation.This thesis eutitues four chapters.first chapter : In includes the methodical searching, the problem of the thesis and the most important of tee research by eulightening on employing the calio in the theatric view and the visual shape. second chapter : This chapter concluded the cadre visual and the pervious studies and the section of the fram visual to the four topics : the first topic (the stages of developing designing of atheatrical view), where is the function show.The seconfd topic contained two section : first the newlist and what after the new list in designer in the theater view. Seond the change of the designer in the theater view.The third topic (the new technological in the theater.Third chapter : In containcel the section of research as well as from the all search.presenting to the views which presents from the Ass.profs.Drs. in the Arts theatre section in the vollege pf Fine Arts university of Baghdad and I choose the some of these from 1980 - 2003 and the watching of a views, pectures and the personly metting which comtaind five view (the last sendebad dewiery, magbith, herostart and the night of barry im actor). Then comes the forth chapter which containd the result of reserch and the inclusion and the abstract of the thesis in english language

الرؤية الاخراجية للفنان جعفر السعدي : دراسة نقدية == The Directorial Vision For The Artist Jaafer Alsaady : Critical Study

Author name: علي محمد علي العطار
Supervisor name: اسعد عبد الرزاق
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: جعفر السعدي احد الفنانين العراقيين المسرحيين الذين كان لهم دور بارز في العمليه الاخراجية، وكان متاثرا ومؤثرا في الوقت نفسه، اسهم في تطوير التجارب الاخراجية باسلوب واقعي، واعتمد الحياة الاجتماعية الواقعية في مجتمعه بما فيه من تناقضات ليقدمها باسلوب واضح | The study is include four chapter : The first chapter : the symmetrical frame : The chapter is deal with the problem of the research and the necessity for it.Al saady experience of direction has not documented , and that induce the researcher to made a critical and analyze study about al saady Theatrical shows. and that to stand on Al saady directorial vision. the main reason to use the study is to fixed that privation and provide to researcher and critic the experience of one of the Iraqi theatrical movement leaders.Second : - the importance of research : the importance of research is to put the light on one of the Iraqi theatrical leader ,who participated in activate the theatrical movement , and that who was Jaafer Al Saady third : the research target : Deal with directorate vision of the director Jaafer Al Saady Through a critical and analyses study about his theatrical works during his artist life fourth : time and place objective limitations the researcher seeing that it is the period from his super vision (Bait al dummia) team till dead on 2005 , and renewing his acts on Iraq theaters as well as an analyze and critical study about that shows.Fifth : limitations of idioms which compose the directorial vision : - The researchers identify the vision, and put an identification.Second chapter : - theoretical frame. It includes the following : The first research : 1 - the reality concept.2 - the reality in art.3 - the researcher deals with the reality as a concept and trying to find its growth , and its historical , and society march.The second research : 1 - social reality.2 - direction in real style.3 - directorial vision of gustinteen stanslavski the researcher trying to deals with the social reality, and the reason of its appearance , as well as the reality of theatrical directory vision of Stanislavski. showing its effect and effect in the directory process of many directors.The third research : - 1 - The past studies : The research did not find and study that deal , with the directorial vision of the director Jaafer Al Saady as a critical study and that which gives.2 - then the researcher summarize , in the end of the chapter , the significant points which results the theoretical frame.Third chapter : the research procedures include two researcher : The first one is the researcher identify the society , the sample , the methodology and the means , of the research and the researcher made the second chapter to analyze the samples as the following : - 1 - (Bait al dummia) play2 - (shahrazad) play3 - (Ayam zaman) play4 - ( Raqsat Al - Aaqnana )playFourth chapter : the results The researcher made a show of the main results as well as the supplement and sources and the summary in English language.

دراسة في توظيف التقنيات الصوتية الرقمية في الدراما التلفزيونية == Deploying Digital Sound Techniques In Television Drama

Author name: محمد ثائر عدنان ناجي البياتي
Supervisor name: عصام عيسى علوان السامرائي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لقد تناول الباحث في هذا البحث (توظيف التقنيات الرقمية الصوتية في الدراما التلفزيونية) كيفيات توظيف التقنيات الصوتية الرقمية في الدراما التلفزيونية لتعزيز القيمة الدرامية للمجرى الصوتي بكل محتوياته بالعمل مع الصورة لدعم القيم الدرامية التي تنقلها الصورة من | This study is about the Deploying of Modernized Digital Techniques in the Line of Modern TV Production in Order To Increase & Support the Dramatic Parameters in TV Dramatic Searle’s & Series, Which Evolve the Components of the Sound Track (Dialog - Music - Sound Effects). This study consists of five chapters; the first chapter comprises the methodic frame, which handles the themes of the research like; how did the Digital Sound Techniques Employed in the Area of The Sound Track to Enhance the Dramatic Parameters of the Television Image? This chapter also comprises the Fallowing : - 1 - aims of the research, like getting acquainted with the Latest Digital Sound Techniques & the Deploying Methods for it deploying in modern TV Series’. 2 - Significance of the Research.3 - Research Boarders. 4 - Defining Terms. The second chapter tackled theoretical frame which includes Three topics : - 1 - Historical Introduction to the use of digital techniques in TV production. 2 - Deploying Digital techniques To Enhance the Sound Track.3 - The Dramatic Employing of Audio with Video in TV Drama. The 3rd chapter consists of the research procedures including the 1 - research course. 2 - Research s' sample. 3 - The analysis tool. 4 - The research sample included Three (3) TV Series, as follows : - a - Lost - 2003 - 2008. b - Battlestar Galictica - 2003 - 2008. c - Terminator : Sarah Connor Chronicles - 2008. 5 - The analysis tool Validity.6 - The analysis Unit. The 4TH chapter consists of the analysis of the samples using the analysis tool.The 5TH chapter consists of the : - 1 - Results. 2 - Conclusions. 3 - Recommendations.4 - Suggestions.5 - Resources, the appendixes and the abstract.

مؤثرات الجذب البصري في تنظيم التصاميم الاعلانية الحديثة == Visual Effects Attraction In Modern Designs Advertising Organization

Author name: شذى كريم فرحان محمد
Supervisor name: نعيم عباس حسن
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Advertising designer exposed to the pressures of modern opposite, between the producer and the receiver, and marketing, among other factors, between the needs and desires of individuals.That the potential in the design process are subject to attract and influence that can be adopted to overcome the obstacles and those obstacles the basics of building announcement depending on the effects of visual attraction in modern advertising.Here stands the designer to achieve ideas influential in the process of receiving the consumer in the modern effect of advertising, and as a result of technical diversity and differentiation, scientific and technical work in the contexts of intellectual development in the art of modernity, so was the research problem by asking the following : - Are the push and pull processing and influence by relying on relationships (influences visual attraction in modern designs advertising planning).The tools of modern factor directly to the achievement of design idea through regeneration in means, and here lies the importance to the designers and consumers of their relationship, and the key factor for the success of the design at the time underwent a declaration to the effects of globalization and modernity and that affected all the advantages of life.In this research objectives were identified as follows : First : The disclosure about the reality of large designs advertisements and diversity.Second : to develop design proposals for visual effects attractions in the organization of advertising designs Modern.The study included four chapters, the first chapter discusses the cognitive framework, Chapter II has included theoretical framework and previous studies, as the theoretical framework section into three sections are : - The first topic : - the effects of nature and its relationship to receiver.The second topic : - the system and organizing processes in the design.Section III : - modern design of advertising (text, logo, image).Then came the theoretical framework set indicators was several points concerning this framework. Then addressed the research procedures in the third quarter and the analysis of samples. Either the fourth quarter, the results included and discussed design and build proposals and recommendations, proposals and sources (Arab and foreign) and supplements and a summary in English.The search had reached a set of results from the following : - First : - the adoption of domination moot as an element of visual impact and pull the receiver to delve into the contents of the declaration.Second : - The distribution of elements in the optical center of the Declaration as one of the pillars that support the building and distribution of elements in one advertisement.Third : - rely on high - definition through the dark color without interest in the transparent color value.Fourth : - The adoption of the style of the panoramic view of the formal image advertising (advertising entirely).Fifth : - duplication between the picture and the trademark symbol (Asia cell) and the explanatory texts.

توظيف تكوييات فنون الايهام البصري في التصميم الطباعي == Configurations Employ Optical Illusion Arts In Graphic Design

Author name: نجاة قادر محمد علي الكواز
Supervisor name: مها اسماعيل علي الشيخلي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This study seeks to search in the recruitment of configurations illusion Optical in Graphic Design, which aims to spread the idea of a certain system to express the desired goal, considering the fact that the illusion Optical is important within the configuration design of posters, film, what is caused by differences influential and active in the process of cognition that lead to differences in the semantics of design to look like the shapes on the non - reality, and focus current research Gel attention on knowledge of the concepts and ideas that play illusion Optical inside posters film that holds within it the many implications of intellectual and aesthetic and functional, and progress of the overtones variety in the poster Film Festival, and enrolled Search the arrival of several, came first quarter of identifying the problem of search and reflected Baltsaalin the following : 1. Maalah of configurations employ optical illusion?2. What is the role of recruitment optical illusion to demonstrate the functional and aesthetic value in printing designs?The importance of searching through MAP to those related to the design layout and relevant design and art direction, and the possibility of hiring illusion optical designs printing in order to increase thought design with designers, by deceiving the system for visual Ansan ranging from fraud on the eye down to brain by manipulating the size and the shape and length and the use of light and shadow and colors on the constituent elements of the work of art, and the contribution of research in the education of artistic taste among workers in the field of Graphic Design, through Alaihamat optical occurring in the truth when used by the designer to show the functional and aesthetic connotations.Set the goal of search in the recruitment mechanism optical illusion Arts in Graphic Design.The study included limits on film posters designs winner of the Prize for the years (2011 - 2012 AD.)Interested in the theoretical framework of three Detectives, The first topic touched on (date optical illusion, perception, physiology of vision, theories of optical illusion), while interested in the second part (the mechanics employ optical illusion Arts in Graphic Design (movie poster), and which included Toziq the componentsVisual layout design to create the phenomenon of optical illusion, optical illusion and visual components of the layout design, recruitment in the configuration space design to create the optical illusion phenomenon,Employment bases structural formations design to create the phenomenon of illusion Optical, employment relations,constructivism in the show simulated visual space inside design, employing technological Digital Graphic Design to create the phenomenon of illusion optical, and touched third section to the (theory Aljstalt and illusion Optical in Graphic Design (posters), date posters and development of optical components for the design of the label (Items Altibogravekah.)The third chapter included a description and analysis (22) sample research, has singled out this chapter of the procedures, which came descriptive analytical method as a method followed in the search, and the purpose of the analysis of samples, it was a promising form of analysis and approved by experts and came on the basis of paragraphs of analysis, depending on theoretical framework indicators.The fourth chapter, has included a presentation of the results reached by the researcher, namely : 1. characterized most of the film poster designs mainly for color and directly to achieve the optical illusion phenomenon depending on the depth and direction of movement, through the variations and colorimetric Altdadat, and the resulting sense of the progress of warm colors to the Imam and delayed cold colors back.2. Create employ digital technology influential and active role in bringing about the illusion of movement through the formal intensity, and convert images into color values and different light, as well as the use of computer technology to show the aesthetic and functional values through the use of modern technology processors.3. hired contrast Almc to achieve the optical illusion phenomenon through difference the depth of space in order to deliver idea Altsamama to the recipient.4. and hired a design in the relations within the design configuration of the events of psychotropic Aihamah movement and direction through the juxtaposition and overlap seam and penetration and transparency.The fourth quarter also included a set of conclusions of the study, which was the most important are the following : 1. results of the analysis showed employ multiple optical illusion pictures in Graphic Design verification through functional and aesthetic purpose film who designed the poster for him.2. characterized most of the designs for the film posters by adopting optical illusion to convey the idea directly involved in some of the posters, and indirectly in other designs for film posters.3. to color a vital and important role in the design process layout in general and film posters in particular, in terms of the valueof visual and attract attention and show a sense of visual Balaiham.4. designers tried to achieve the optical illusion through structural elements relationship with each other and relate to the content of the design idea that designed the poster for it.5. technical processing of photographs printed using modern techniques (computer technology) to achieve a state of thrill and excitement of the recipient in particular and it is the main components of the film poster.6. to achieve unity within the design configuration of the film poster through the relationship of the part or the part to the whole, to achieve the purpose of functional and aesthetic who designed the poster for it, and create element to attract attention of the recipient.7. made use of photographs and fees within the composition of the poster Film functional and aesthetic purpose for which it was designed poster Film Festival.Then the researcher recommended a number of recommendations, including : 1. to benefit from the employment of optical illusion in the overall design and design of film posters in particular to achieve the purpose of functional and aesthetic, commensurate with the cultural and technical progress of the current era.2. focus on the use of color variations and different values to achieve the optical illusion inside the optical configuration design for film posters.3. to take advantage of digital technology in order to create a sense of visual Balaiham effectively and efficiently within the configuration design of posters to attract film optical tightening of the recipient.4. rely on relations design Kaltrakp and penetration, transparency and juxtaposition to create the optical illusion phenomenon different depths within the space configuration design for film posters.5. stay away as much as possible about the use of symmetrical balance, as a result of raising the monotony and boredom within the design space for posters, which reduces the visual illusion feature film posters.The researcher made possible proposals that are searched in the future, including : 1. conduct a study on the visual aesthetic illusion done with digital technology.2. a comparative study between the visual aesthetic illusion done in the old traditional ways and done with modern techniques of posters.3. Recruitment optical illusion configurations Almc done with digital technology.And then seal Find a list of sources and supplements and summary in English.

السمات الجمالية لفن الفسيفساء وتطبيقاتها في تصاميم اقمشة الازياء المحاكة == Attributes Beauty of The Osaic Art And Applications On Fashion Knitted Fabrics

Author name: ندى محمد ابراهيم النعيمي
Supervisor name: هند محمد سحاب العاني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The knitted fabrics and designs fashion resulting silent language you speak eloquently about the style and human thinking and highlights the depths of his character and reflect the image and culture of the community in which they live, They are two sides of the same coin, the first face is an art that reflects the individual's sense and the sense of when you receive the form of design and the second side is rules, relationships and systems used in this design which made him Achieved coherent within the limits and the removal of associative realized at the level of reaction phenotypic final cloth woven linked on the evolution of design and science and all new fabric hardly.So are designs fabrics knitted among the arts that share its human functionally and aesthetically, the search in the aspects of design is an important goal, especially after he took the technical developments cover a lot of fields and search for aspects of aesthetic require from the designer a sense of art and taste the aesthetic and the ability of the imagination to adapt the material and units diverse constituents to form general in the coordination and balance and coherence of the resulting image integrated check utilitarian need and aesthetic at the same time.Through it introduc ed a lot of concepts and new ideas that I let the field of multi - directional design fabrics for fashion knitted format memorize away functional and expressive and aesthetic as healthy relationships and innovative approach to pronounce the character designer that appear in the components of the design and are derived from sources technical center, which belongs to.Based on the foregoing, it is necessary to put the designer in mind the importance of sources of design what could be an important source of creativity being the outcome of many energies and mental performance that arise is beaten to achieve responses can be realized through the means of expression artistic effects related to her appearance in a physical and concretely.One of these sources may be mosaic art and its sources, trends, and characteristics of strength factors and originality and creativity associated with it and the tag and its aesthetic effect in stimulating those interested in the field of knitted fabrics fashion designs as contribute to the enrichment of the field of cognitive and aesthetic to this specialty.Hence directed to study the subject (Attributes beauty of the mosaic art and applications on Fashion knitted fabrics) who first chapter deals with the problem of existing research on the imposition of the following questions : 1 - what are the attributes of beauty that can be achieved by mosaic art.2 - Is the design verification can process requirements highlight the attributes of eauty through mosaic art elements, rules and design relations?3 - Is it possible to knitted fabrics weaving techniques show that attributes the beauty of mosaic art?The objectives of the research included the following : - 1 - Detection attributes the beauty of mosaic art.2 - Detection techniques and methods of Display design knitted fabrics.3 - Develop proposals include design show attributes the beauty of mosaic art and applications in women's fashion fabrics knitted for the age group (18 - 22 years).The limits of the research has been limited to the adoption of women's fashion knitted completed within the time period (2011 - 2012), which is available in the markets of different origin and according to the selection considerations and research within the limits and procedures.The second chapter of the theoretical framework, including three sections anddistributed as follows : .1 - The first topic : the beauty of the design attributes, which included thefollowing points : • attributes beauty - what it is and cognitive structure.• attributes beauty and effectiveness in the design.• savor the customer to the beauty of the design.2 - The second topic : the beauty of mosaic art, which included the followingpoints : • historical stages of the evolution of the art of mosaic.• Technical diversity of mosaic art.• Effectiveness of mosaic art in design.3 - The third topic : the technical and design characteristics of knitted fabrics andfashion, which included the following points : • reconstructive techniques Knitted Fabrics• configuration designs for knitted fabrics.• the characteristics and advantages of knitted fabrics The researcher has reached to the most important indicators that resulted from the theoretical framework which strengthened from the third chapter. And identified research procedures within the third chapter to take a descriptive approach to analyze models sample of the research community 's number is (64) model especially fashion women's woven ) , as choosing the research community and according to the levels of design objective and executive timeand according to the limits research, has been selected models are deliberate by 25% of ( 16 ) model and selected depending came to serve the objectives of the research. The search tool has been prepared based on field visits and reconnaissance , honesty and select format for analysis. Then analyze the samples , which amounted to 16 based on the analysis of the sample form which is designed to achieve the purpose of research le Chapter Four included the results of research and most notably : . Adopted the raw material in terms of advantages and characteristics to show the1 - design and content adapted to the performance of a Functional use.2 - Most of the designs relied on clear forms such as geometric shapes.3 - Appeared techniques of mosaic art in some models.4 - Multiple and different techniques designs knitted fabrics.5 - Activation of the foundations of design, especially with regard to balance, repetition, movement and direction, a pro - rata.6 - diversity in the use of design relations by ideas.7 - study and discuss Verifier module design Fashion8 - All pro forma effects and technology for exciting and attractions.9 - Activating the design wizards to show aesthetic design.10 - Control of formal relations construction and color to show the aesthetic features of the mosaic.The researcher has reached important conclusions regarding done overall as follows : 1 - - The predominant character came to enhance the qualities of the wool to match qualities of knitted fabrics.2 - Designs relied on the clarity of geometric shapes while other forms came drab and ill - considered manner do not match with what has reached technical design and operational in processing shapes and launch various technical capacity.3 - appeared style formal shredder which is the most important method in the mosaic art technology at high rates commensurate with the advent of geometric shapes in the samples.4 - The knitting pattern (flat) is an actor to achieve the pattern of processors to clarify the technical qualities of knitted fabrics.5 - Most of the samples depended on the weaving method (weft knitting) in the construction of knitted fabric.6 - Most of the models used in the Painting technique show designs knitted fabrics.7 - Relations were used to comply with the chromaticity of raw materials in designs knitted fabrics.8 - Achieved texture of variables method of knitting multiple patterns.9 - Adoption of the designs on the basis of aesthetic design work on the unity and correlation of its various parts.10 - The Design relations such as to seek and its contiguity have extensive manufacturing capacity multiple to design configurations.11 - Organic unity achieved in fashion designs with different ways achieved.12 - achieved the effectiveness of the forces of attraction and excitement in designs by achieving tensile forces and attention.13 - Must deal with modern technologies in order to achieve the form and vocabulary knitted fabrics and designs preserve the beauty attributes which appear.14 - Designs showed variation in the perception of the beauty of mosaic.The fourth chapter deals with the recommendations of the research. The researcher recommended the following : 1 - Attention to sources of design and private fine arts and related trends and schools.2 - . Designs are prepared in accordance with the functional qualities associated with the aesthetic and expressive characteristics.3 - Most attention to modern techniques of knitting, Painting and printing.4 - Most attention to the design elements and of usability in knitted fabrics designs5 - Focus on the importance of the aesthetic foundations design and relationships in the distribution and arrangement of elements.6 - Attention to the unity of the overall shape to suit the vocabulary sizes with the dimensions of the unit design.7 - Amphasis on the role of the Iraqi designer by taking advantage of professors and specialists in the designs of knitted fabrics.The researcher proposed the following : - 1 - Preparation of a study( the effects of technology and methods to show designs knitted fabrics).2 - Preparation of a study( the pillars of design for the design of knitted fabrics ( Crochet Knitting).3 - conduct a study looking at the employment of mosaic art in designs upholstery fabrics and printed furnishings. Also in Chapter Four, the researcher presented proposals designed to Fashion knitted fabrics belong to the third objective of the research, and ultimately researcher presented a list of sources and supplements that contained in thesearch procedures.

خصوصية المشاهد البصرية في تصميم الفضاءات الداخلية للمؤسسات السياحية == Theparticularityofvisualsightsin Designingthetouristfoundations Internal Spaces

Author name: نادرة عبد الرزاق غزال
Supervisor name: رجاء سعدي لفتة
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: نظرا لما للمؤسات السياحية من اثر كبير في حياة المجتمعات وما لقاعة الاستقبال في تلك المؤسسة من اثر اكبر في تجسيد خصوصية المبنى الوظيفية والزمكانية في توظيف موروث مجتمعها بمنظور حضاري معاصر له سبغة المرونه التصميمية، وذي النظرة الاستشرافية المستقبلية لتحقي | Considering the significant effect of the tourist foundations on the societies lives, and the high effect that reception halls of these foundation have in embodying the building functional and space - time particularity to employ their society inheritance with a modern civilized perspective has designing flexibility, and forward - future sight to achieve the interaction between the visual sight to the internal space design and the their occupants through a designing communication, and nowadays the reception halls in the tourist administrative foundations are suffering a weaknesses in achieving that, thus, in order to upgrade this communication, the research problem brought up the questioning : Do the particularity of visual sights in designing the tourist foundations internal spaces have sensory, perceptual value that contributes with achieving positive receiving process involves meanings related to thought, civilization and values of the nations generally, included in formative effects designs of the internal spaces?The importance of the research lies in its dealing with a subject that was called by the necessity of upgrading the internal designs of visual sights for the local tourist foundations reception hall, and give them the functional particularity with a style that reflects space - time world of their society, and achieve their belonging to it and acquire them a designing identity that makes its mark in scientific artistic world fields.The purposes of the current research aims to make knowledge basis that forms the starting point of revealing the fact of deploying the meaning in the visual sights for the internal spaces designs, and establishes basic designing points that simulates the general idea for the particularity issue in internal design.Chapter Two included the previous studies and the theoretical framework that included three parts : The first part focused on the particularity in the internal space, its aspect and its types with a historical brief about civilizations particularities, while the second part dealt with the formal realization for the meaning and receiving organization, and the third part identified the formal formations structures, and it resulted in some indicators that were depended in forming the analysis form. The third chapter gave the procedures of the research and its methodology, where it depended on the descriptive approach in the process of analyzing three models that were chosen intentionally from the research community, where the tool of research depended on the analysis axis form and indicating the degree of axis fulfilling, in addition to describing the research models and analyzing them, and the analysis process resulted group of conclusions and results that were included in chapter four, some of the most important conclusions are : Combining between the authenticity and contemporary relatively achieved space - time particularity in models (Baghdad, Babylon) and it didn’t achieved in model AL( Najaf) and the performance particularity was achieved in models (Baghdad, Babylon) and relatively achieved in model AL( Najaf).And the formal realization was achieved in both models (Baghdad, Babylon), while it was achieved relatively in model AL( Najaf).And some of the most important conclusions are : Realizing the visual sight particularity perspective, where it is the superior designing idea that the external space included it for a reception hall in a tourist foundation,.There is a role for the designing thought particularity that depends on interweaving the objective particularity and subjective particularity while designing a reception hall in tourist foundations, that role is representing the design of visual sight that has a functional particularity in forming formal structures that meets the desires of the environment occupants and time - space particularity with deploying the inheritance into the technological and technical evolution.Then chapter four the theorizing centers, recommendations, and the general suggestions and the designing suggestion, in addition to the tables, demonstration tools and a list of references and appendix.

خصائص الفضاءات الداخلية لاستوديوهات الانتاج التلفزيوني == Characteristics of Interior Space of TV Production Studios

Author name: نوار عبد الامير حميد
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The interior space has its characteristics in terms of effectiveness involving a design that can be achieved functionally to a specific space but not other space. So that its system controlled by a mechanism which differs due to the space components. And this can be determined at any internal space characterized by factors and limitations by tools identifying the space. This identification comes according to the use of that space. The space of internal TV production studio has characteristics, components and elements which are distributed within the space because of its connection with functional and technical factors aesthetically and psychologically to its occupants.Through reviewing a lot of literature about international design studios, and comparing with what is available of TV drama production, the researcher has identified the following question : Is there any characteristics (Characterized by the local studio) at the interior space of TV production studios that matching its functional aspects?The aim of the research is to identify the characteristics of the internal space of TV production studios, depending on the functional and aesthetical aspects.The scope of the research is the period from 2009 to 2014 as it is characterized by new technologies, globalization and knowledge exchanging. Spatiality scope is Iraqi Satellite TV channels in Baghdad, which have production studios (i.e. Iraqiah, Sumerian and Educational channel).Chapter 2 consists of 4 sections; the concept of the characteristics in the interior design, the artistic interior spaces, specifications of interior spaces of TV production studio, and modern interior design techniques. An observation checklist has been designed by the researcher then viewed on experts in interior design for amendments.The researcher followed a descriptive analytical method, some of the results are : 1. It has been relied on functional components achievements through the performing aspect, and ignoring the functional and aesthetic aspects. This characterized in the samples unevenly.2. All samples lacked of systematic treatment to the aesthetic effects through psychological considerations at a value below the expected level.3. Samples 1 (a - b) and 2, have characteristics of internal space of area, measurement, lighting, and luminescence at an international characteristicslevel, but that internal space is not exploited in a good way resulting a failure in distribution and arrangement processes, while other samples lacked of that characteristic.Some of research conclusions are : 1. The principles of studio internal space characteristics rely on lighting diversity and multiplicity characteristic within the space, depending on its position, direction, automatic movement and temperature.2. The space capacity gives a greater freedom to construct shapes and expand those shapes toward the decoration design, and it provides easiness to the movement of cameras, people and optimum performance for training and performing.The most important recommendations of this research is : We have to get help from interior designer to distribute stable elements to add an aesthetic and expressive aspects, to provide a physical and engineering characteristics for achieving spatial arrangement, taking into consideration changing and redesigning

الحدث السياسي واثره في بنية النص المسرحي العراقي == Political Event And Its Impact In The Dramatic Text Iraqi Structure

Author name: خالد وليد جاسم محمد
Supervisor name: جبار خماط حسن
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الحياة مليئة بالاحداث السياسية والتي تمر على الانسان وتعبر من خلاله ولكنها تترك في وجدانه عظيم الاثر اذا من خلال الاحداث السياسية تتشكل خبرات الانسان وافكاره فالحدث السياسي ربما يكون صانعا للاشخاص ومبررا لهم بعد ان كانوا مهمشين او متواريين لذا يعد الحد | Life is full of political events which pass on the rights and cross through it, but leave it in great conscience impact if through political events of human experiences and ideas of political The event may be the maker of the people and the justification for them after they were marginalized or Mtwarien So is the political event of the texts of intellectual behavior that are formed determined on the images State Administration concepts and identify external and internal relations of the dominated political event on all aspects of life, including the arts of expression KUNA taken from reality arena for Achtgaladtha intellectual and aesthetic, including the performing arts, and because the Arab lining replete with political events that reflect the concepts of internal and external relations, which are reflected in the outcome of the human in the format of these events, including the modern Iraqi lining characterized by political events that expressed the moral, religious and social concepts. The piece researcher found important study the effect of political event on this card including the play card, especially the dramatic text and in order to reveal the search for these aesthetic changes in the theatrical text may Department Finder his research on the four first chapter may include research problem and the need for it.The importance of research in political induction as a springboard to the doctrines and concepts of literary and intellectual new, objective research has focused on the most important political events and their interaction constitute creative achievements in theatrical text.The limits Find Vaguetsrt on the Iraqi theater texts, which lasted for a period of 1985 - 1995 and seal chapter defines key terms. As second chapter contains the theoretical framework and previous studies have this chapter three Investigation included eating the first section of political inhuman phenomenon, social, while the second section has cared for study of political events and their impact on the drama department as important stages of the political events that produced accomplishing morally, and then came the third section in order to Reviews the dramatic structure of the text playwright has devoted the third chapter of the research procedures, which included identifying the research community on according to three layers that include an extension of the political events in Iraq and was the first class, which was the duration of the Iran - Iraq war and the second is peace for Iraq third term is the duration of the economic blockade, has was selected class method intentionality in the selection of sample forms and samples were composed of three plays are distributed on the basis of the expanse of time and the first Valaana is (play back) of the author (Joseph Sayegh) started in 1987, the second sample is play (Speak, stone) of the author (Mohiuddin Zangana) by the year 1989 third sample is (play the descent of Ishtar to a shelter Ameria) writer (Khaz'al Majidi) The samples were presented to a group of experts, either fourth chapter contains the conclusions drawn from the research and then seal this search a list of sources and references, and the title and summary Search in English and supplements.

خاصية الاختزال والاشتقاق في تكوينات الخط العربي == The Property of Stenography And Derivation In The Arabic Calligraphy Formations

Author name: محمد كاظم حمزة
Supervisor name: جواد عبد الكاظم فرحان الزيدي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Represent the property of stenography and Derivation an artistically act reflect Calligrapher skill in dealing with characters, and gives to calligraphic achieved a structure In terms of aesthetic or design or indicative to provide a favorable environment for characters in terms of its deliberation in the space available to it, Which interpret to subdue characters structure through its relate with what it made approach formality and analogous its sketching , to show alternative calligraphic comparisons and exceptional options for design necessities of a aesthetic output processing resulted in a result of a very ingenuity and skillfulness , and for each of stenography and derivation property an operational technique according to available metaphorical forms participate in establishing this property and allow through it for characters joints and corners to take alternative situation from other characters within artistic justification fit its forms, create in turn productive field of creations and inventions qualified a various of formalism extractions made it available the character ability in response to the formation and compliance and flexibility in recruitment and adaptation according to formative space in written textile which organized as calligraphic achieved , and for the importance which embodied it these two properties which striking apart of interest for what fall below various recruitments in calligraphic formation, so it was worth highlighted in a detailed and focused study to highlight its importance and role, and through that the researcher felt takes upon himself going into this field to study stenography and derivation in calligraphic formation within a study included several chapters represented the main pivots in study of these two properties , the first chapter included the study problem and its significance , objectives , limits and terms.The researcher amplified at the focus on determining the term and to highlight the definition of derivation and stability on the concept meets the purpose of this artistic act and stand on an accurate diagnosis him, after that there were many concepts addressed this term and circulations , causing confusion with the concept of stenography, and dismantling of confusion between them according to their recruitment and operational in the calligraphic achieved.the second chapter included three sections every one include several pivots the first section revealed the historical depth of the concept of stenography property and metaphorical technique for parts of characters structures and what the outcome of the diversity of the functions and operational both in the structure of the character or the entire map directorial calligraphic formation, while the second section has Search in the general concept of derivation through a historical review of early this property and Basic Principles that are based on them, also included the determinants of construction for structural characters and processing of building that fall under it functional inthe calligraphic formation, the third section contained artistry aspects operations for both two properties and their applications in calligraphic formations through their recruitment in a variety of fields and construed to him metaphorical building to both in terms of semantic or aesthetic design.The third chapter, represent study procedures , which included his community on calligraphic sketches embody the stenography and derivation of various calligraphic formations included most of the lines, numbered (110) portrait, the researcher select of them (11) model of the samples were intentional, which represented 10% of the total the research community, as followed by the researcher in his analysis of the descriptive approach (content analysis) based analysis tool of form for analysis, which included vertebrae Prime subset represented the pillars of art that adopted in the analysis of specimens designed according to the outcome of informatics and what came out of the indicators represented trends research was presented to the group of experts to amend paragraphs and suitability statement.The fourth chapter guarantees the results are a summary of what the outgrowth of analysis including : The property stenography among the mechanisms supported in calligraphic formation both in the structure of characters or at the level Systems distribution lines and types, invoked stenography and derivation to the rules of standard and standard officer, indifference side spell and Title ( Reading) as far as the importance it attaches to the side of aesthetic relied upon in the calligraphic formation, represents the stenography and derivation tradeoffs alternative and exceptional in the calligraphic formation both in the Artistic Direction or the need to design or achieve appropriate semantic, the stenography wider than in the derivation which includes the first structure of the characters and distribution systems lines and types The second is limited to the structure and anatomy letters only, represented voluntarily characters and their flexibility and diversity of forms major fountain draws him calligrapher variety in stenography and derivation, the researcher then need attention to the Title (sequence reading) and dispose of the spell, and not excessive in the recruitment of these two property in configuration linearity, focus on the skills of hand workmanship and proper performance and compliance with the rules of art in the structure of the letters or organized and installed in the calligraphic formation, and taking into account their employment in the sacred texts and not hyperbole to act that affects the prestige of the text, the researcher then some of the proposals put forward in the form of studies to supplement benefit envisaged Search : 1. variety to reduce the technical infrastructure design in calligraphic paintings.2. Treatment directorial stenography property and derivation in decorative formations.

المعالجات الدرامية لشخصية الحسين في النص المسرحي العربي == Drama Treatment of Al - Hussien Personality In The Reading Arab Theat

Author name: حميد لطيف مريوش الشريفي
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان شخصية تاريخية مثل شخصية (الحسين بن علي) (ع) برفعة منزلتها ونهايتها الماساوية لابد ان ينعكس تاثيرها النفسي والاجتماعي والديني على الانسان والمسرح حيث مثلت الهاما للمؤمنين والاحرار في جميع ميادين الحياة وعلى مختلف مستوياتها وكان تاثير هذه الشخصية واضحا ج | The historical character like (Al - Hussein Bin Ali) with high dignity and tragic end, hispsychologic, social religious impact reflected on human and theater. He is a symbol of inspiration for faithful and independents people inall aspects of life. He is affected on literature specially theatrical literature.The Arab dramatis deal with this character in a dramatic ways from Karbala events taking from Islamic History.The chapter of Ali - Hussein share in the built of human though. The dramatist dranscript events and chapter in a technical form.This is show us the important of this chapter in the past and its impact in contect poraray human that makes us seek for this chapter and treated in the theater in a technical form.So we look for this character to acknowledge the dramatic feature of this character and the tenses that the Arab dramatist follow it.Therefore the research is divided in to foure parts : 1 - first part : methodical setting included problem and the important of research and the need of the research , the aims of the research, the borders of research.2 - The second part : theoretical setting included three researches : A - First research : the built of tragic character refers to the character in its general shape and its development and the tragic of researcher and different methods.B - second part : historical character : the researcher dealing with the understanding of the historical character in general way and the forms of these character and its important impact on our contemporary human and the utilizing from this character to creat moral worthy and social.c - Third research : dramatic treatment for historical character, the dramatist deals with the treatment of historical character in different tenses, it refers to the treatment of historical character by words and Arabs dramatists.The research tries to collect the different opinions for dramatists and researchers who deal with this subject to stand of the most important opinions about this research.3 - Third part : this part include the steps of research. The researcher counted the dramatic tenses that writing from the character of AL - HUSSAIN since 19131 - 2009 he chooses some sample from research and its three theatrical tenses : 1 - Abdul Rahman Al - Shaeqawi(AL - HUSSIAN MARTYR).2 - Mohammed Ali Al - khafaji(Al - Hussian return again).3 - Abdul Razaq Abid Al - Razaq(Al - Huee AL - Reyahi).4 - Fourth part : this includes the result of the research and discussion, conculion, recommendation and collateral in English language.

البنية التصميمية في الاجازات الخطية == Structure Designing In The Calligraphic Authorization

Author name: حسـين علي يونـس السعداوي
Supervisor name: محمد سعدي لفتة
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: للخط العربي اهمية كبيرة في الحضارة العربية الاسلامية بدات مع النهوض الحضاري في صدر الاسلام، وقد تجلت فضيلة الكتابة والخط ان جعلها الله عز وجل في اول اية نزلت (( اقرا وربك الاكرم الذي علم بالقلم علم الانسان مالم يعلم))( )، فاضاف تعليم الخط الى نفسه وامت | Calligraphy of great importance in the Arab Islamic civilization began with the advancement of civilization in early Islam, has manifested the virtue of writing and calligraphy that make them God Almighty in the first verse revealed, adding the line to the same education and stronger by the slaves, was a witness to the greatest extent writing. The concept began to leave written evolve based on an essential element in the completion, a proficiency in writing and duly written rules, and regulating mechanism of vocabulary and structural elements in order to add value expressionistic, and the goal is linked to the functional and the aesthetic dimension. So it became back and one of the artistic achievements that have been made in the history of calligraphy and helped it spread and keep the rules in place, which is a prerequisite indispensable, has excelled where calligrapher and patterned through the expertise and skill of the design in the output of the artwork beautiful image to fit and the importance of vacation in calligraphy , and shed light on aspects that gave him the permanence and impact of fertility and, because of their structural properties is the originality and uniqueness, which requires a detailed study concerned with showing the structure design in calligraphic leaves. The problem and the search by asking the following : What structure in the design of calligraphic authorization? In order to reach results that aims her current research, which detect the structure design in calligraphic authorization through the known types of authorization, and to identify the pillars of the structure's design leaves calligraphic, defined by the researcher Macs that have emerged in Iraq and Turkey, within the period determined by the year (1219 AH - 1804 AD) and up (1430 - 2010 AD). Dealt with the theoretical framework the following topics; origination degree in calligraphy, in the design of structural foundations leave written, formal structure in the design of calligraphers license, building permits in the text calligraphers, and variations in the structure of the calligraphic authorization. The third chapter devoted to display the search procedures, which included his population on the boards authorization written all kinds, which are (100) sample, researcher selected ones appointed by selective style (10) sample, accounted for (10%) of the community overall, and follow descriptive method of analysis in a way, using the instrument whose form for analysis, which was built on several axes, were presented to the experts to ensure their validity, to achieve the goals. The fourth chapter evolved to include the results of which : 1 - varied Arabic fonts used in the calligraphic authorization by the student, a metaphor (thulth, nusukh, Alle - ns - taliq, Diwani,jele Diwani, and kufi), except ( al - ijaza) calligraphy validity of Licenser only. 2 - changed the structure design of the calligraphic authorization, appeared to them (the board of sin, and patchworks of sin, and the ornament of the Prophet, and the painting Quartet, and painting the all, and painting Almusahfeh), giving high flexibility and complete freedom for the calligraphy to highlight his talent and being able to master the calligraphics in the use of the type of painting that wants access to leave denominated. 3 - Formed calligraphy decoration calligraphic authorization a noticeable improvement in the diversity of design styles, from the use of motifs realism in painting and calligraphic fragment Ornament prophetic and Almusahfeh, to decorative designs in a variety of unites and repetition and symmetry and colors. 4 - The adoption of a particular division to design a symmetrical or asymmetrical design space given various options through a variety of motifs occupancy within the space in a uniform manner. The researcher recommended that invoked to determine the structure design in authorization to Based critical in assessing the achievements of sin, as well as relying on the methods of calligraphic and decorative followed in designs authorization because of its specificity characteristic for the heritage of the calligraphy and decorative, in the relevant departments within colleges and arts institutes. The researcher conducting studies suggested the following : 1. Diversity in decorative formations calligraphic authorization written in the Islamic countries. 2. Relations in the design of calligraphic authorization in other Arab countries. 3. Content approaches in calligraphic authorization for Science and the Arts in Islamic Heritage (comparative study)

اكساب مهارات التشكيل في فن الخزف على وفق النظرية التوسعية == Providing The Plastic Skills In The Art of Ceramics According To The Elaboration Theory

Author name: حسين صكبان علي
Supervisor name: محمد سعدي لفتة
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ادت التطورات العلمية والتكنولوجيا في عالمنا المعاصر الى ظهور تغييرات سريعة في ميادين الحياة كافة حتى اصبح الانسان في حركة دؤبة للبحث عن افكار واساليب جديدة لتحل محل الانظمة التقليدية السائدة وبخاصة بصيغة حديثة تنسجم بروح العصر والسعي لتطوير العملية التعلي | Resulted in scientific developments and technology in the contemporary world to the emergence of rapid changes in the fields of all life to become human in the movement of a vision for the search for new ideas and approaches to replace traditional systems prevailing in particular form a modern fit the spirit of the times and strive for the development of the educational process in order to achieve maximum efficiencies in the field cognitive skills. Therefore, the development of modern technologies in the educational process have an impact in achieving the comprehensive development of the learner and increase the expertise of the educational aspect of knowledge and hand skills has led to the development of the instructional design process which is based on the foundations of philosophical, psychological, intellectual and social Achieving stability depends on primarily the suitability of the nature of scientific article and how to achieve the educational objectives and to meet the specific needs of learners. Among the designs of modern education, the design of an instruction manual on according to the theoretical expansion for (Charles Reigeluth 1983), which imparts education expanded may differ from the rest of the teaching methods, the traditional master, and therefore chose the researcher of this theory in the design of evidence for education based on what he referred to studies and research educational resources and literature that dealt with this theory. Is the material porcelain in a group many of the vocabulary of different starting from the processing tools for the work to prepare for clays to reflect the action steps to build a model ceramic that require mental processes are interdependent and performances skill of formula neat and accurate, so it became necessary to follow the technique technician is subject to the rules and principles of scientific research can be through which the learner access to high performance and accurate in the process of forming the skills of ceramic art. Accordingly, to achieve the goal of current research following : 1 - Design an instruction manual to give the skills in the art of porcelain composition according to the theoretical expansion for (Charles Reigeluth 1983). 2 - Measuring the effectiveness of the educational designer directory with its two dimensions of knowledge and skills through application to the second stage students in the Department of Art Education - College of Fine Arts - University of Baghdad. For the purpose of verification of the objectives, the researcher added eight hypotheses zero to show results and verified. Was necessary to identify the research community who are students from the second stage - Department of Art Education - Faculty of Fine Arts - University of Baghdad, the study for the year (2009 / 2010), numbering (82) students, where the researcher all the research community as a sample for examination as it was divide the sample into four groups to examine each of the skill one has been subject to experience through their teaching according to the educational requirements of the manual which was prepared according to the theory of expansion. To verify that the objectives of current research and access to the results has been building two types of tests, where he was the first collection of knowledge and the second to measure the performance skills which measured performance skills in accordance with the form promised for this purpose was to verify the authenticity and reliability tests. To show the results of the research was the researcher a set of statistical tools, including the equation (Wilcoxon) to verify the validity of null hypotheses and the equation coefficient of difficulty and discrimination of the paragraphs of the achievement test of knowledge, and equation (Cawdor Richardson / 20) for the stability of the test and equation (Holisti) for the stability of the test skill and find a coefficient of agreement between observers. The results to two conclusions : 1 - The adequacy of the sample in the cognitive achievement test which relates to the dimensional aspect of the cognitive content of the contents of the directory of education. 2 - The adequacy of the sample in the test skills which were taught according to the instruction manual skills in the art of forming pottery on the theory of expansion. The recommendations were as follows : 1 - Adoption of the educational guide designed according to the theoretical expansion for (Charles Reigeluth 1983) in teaching ceramics and planned approach in the Department of Technical Education to prove its effectiveness in giving students the skills profile in the art of ceramics. 2 - Working to create the potential supplies of material and human resources to follow the strategy of expansion such as to provide theoretical time and place and to create equipment and provide advanced training means technically and artistically as well as the processing of raw material (clay), which is the basic material for ceramics. And development of the current research studies the researcher suggests the following : 1 - Designing and testing the instruction manual is designed according to the theoretical expansion for (Charles Reigeluth 1983) on the other subjects of the nature of the skill. 2 - A comparative study between the use of the skill composition of learners in the art of ceramics and other technical skills.

التحريض في الخطاب المسرحي العراقي == Instigation In The Iraqi Theatrical Discourse

Author name: حسين رضا حسين
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لقد كان التحريض وما يزال احد الوظائف الاصيلة في التجربة البشرية كما هي في الدراما باعتبارها اداة للتغيير بكشفها عن الزوايا المظلمة في هذه التجربة على مختلف انواعها ومسمياتها واضاءتها، وذلك بالتحريض عليها ورفضها والدعوة لتبني موقفا انسانيا جديدا. وينطوي ال | Instigation has been one of the genuine functions in human experience as well as in drama. this is because it is a tool to discover the dark spot in this experience on its various types names and lighting. By instigation we mean alert and continuous stimulus and by active wishes that intentionally in deep structure of theatrical experience to show a meaning respond to human values. for this reason we find that it's important to explore instigation, in theatrical discourse. this research contain four chapters. The first chapter included the frame approach on research in which we discuss instigation in Iraqi drama as it as an active sign to enrich the structure of the speech so the researcher limits the problem of his research which is to follow the important of instigation in the Iraqi theatrical discourse. this chapter also contains the important of the research and its aim and limits. And reflected the importance of research in approaching the concept of instigation, and effectiveness within the paths of the Iraqi theatrical discourse. The 2nd chapter has three aims. the 1st studied the concept of instigation as it is an active corner in human experience and so in the movement of existence , in addition to its activity in universal theatrical discourse. the 3rd studied instigation in the Arab and Iraqi theatrical discourse. then it comes to the end to show the indicators which were generated by the theatrical frame work and previous studies. The 3rd chapter studies the research procedures, which included the research community and appointed by the researcher selected randomly to comply with the object and purpose of the search. The researcher adopted the descriptive method as an approach to analyise the research. The 4th chapter included the following result; 1. Incitement is embodied in the form of discourse as in (countdown to Macbeth), while aimed Doctor (Mikdv) crown on the head (Macbeth). At the scene of writing the petition (rehearsal in hell). 2.The instigation can be seen clearly and directly in the play" Rehearsal in the hell" and it is codded for the 2nd time in countdown for Macbeth. Then the researcher present the results conclusions recommendation add bibliography.

البنيوية التركيبية كاستراتيجية في التصميم الداخلي == Structural Construction As A Strategy In Interior Design

Author name: حسين جمعة نجم الزبيدي
Supervisor name: نجم عبد حيدر الجنديل
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد فن التصميم الداخلي من الفنون الوظيفية الخدمية التي تهتم بالفضاءات الداخلية لماوى الانسان واستخداماته المتنوعة، والتي تتطلبها الظروف البيئية والمعيشية، بعدها المؤثر الفاعل لدوافع تصميم البيئات الداخلية ومنها بيئات الفضاءات السكنية، التي تشغل اك | The interior design considers of the service functional arts concern to Interior spaces to man shelter and his uses differently, the required by the living and environmental conditions then the effective factor to motives of design like housing spaces environments, that contain more concerns between other environments. interior design means produce man or society as all, it is my specialization depends on study of different science kinds by man directly like general, psychological, social and economical etc. besides opinions role and thought interpretations that treat these subjects and found to their results as sorts designs tuning with man nature or his subjective reality. Because man limit or change with other, tune with developing in all life as now study or activity and relation as its number private receive or group so found different fields especially spaces of group, should be thought systems treat to interfere to perform to mend achieved design. According it is necessary to depend thought to study man use as social creature limited or effected by objective real or his relation to level as fields to these social levels like compounding structure, The structural compound of related structure between Markis intellectual structure in general established by (George Lugash) and (Jan Biajeht) leading by (Lwsian Ghuldman) in the second trend and the importance in this trend or the structural procedure swept Europe in the beginning and mid of the 20th century, moreover of what it presents of intellectual products with their effectiveness in studying and analyzing and orientation of aesthetic applicable systems as in literature and configuration arts, design art being an art depending on configuration structure with intellectual, professional and aesthetic institutions, an important part of from this analytic description, and could be part of work strategic presented by the structure compound to college of Fine Arts which depending analytic and compounding. The researcher study in a deliberate way of (Goldman) that are developed by (Lukash) analyses and (biajeh) of structural mixing by compounding knowledge theory, It has been Found find that this trend of thinking and analyzing could become procedure or strategic Planning for productive actions in the internal design, moreover could be critical tool, by which this production is evaluated. Thus, it has also Found that the outcomes produced by the structuralism, regarded critical and analytic tool, modernization time and what followed considered the optimum stage of artistic production in representing the strategic relation between theory and application or among intellectual interpretation and their reflection in their appearance material, moreover, we find the artistic movement swept and dominated the common aesthetic sense from the early of 20th century, like we find more of future, surrealism, expression and realism. Depending this equation and regarded it as constituent to it as in relation with idealism and the realism with materialism and Surrealism with existence. Towards this, we find the necessity to research it as an intellectual institution affected to a great extent in productive artistic movement among the design arts , the researcher opined to choose the title of the research named (the structural compound) as strategic in the interior design, whereas it cared studying the intellectual of the structural compound procedure And demonstrate their bases in the interior design, specified by residence horizons of the instructor za'farania (the new), Baghdad, the capital / Rusafa, affiliated to technical educational faculty in the Ministry of Higher Education and Scientific Research, and the research aiming at to refer theses givings to the Structure of interior spaces strategic to them and towards that, The research contained four chapters. the first on deals with the research problem and its importance and goals, limitations and assigning the used terms in the research and their definitions. as for the second chapter, displayed the previous studies, so we could not find a study cope with our study and the theoretical frame which is consisted of four categories. the first one, contained the structural thinking trends and its development in general to explain the fundamental and references of the structural compound procedure reliable in this study and the most convergences and divergences between the two structuralism (formal and structure) to know the most important of similarities and differences between the two under the title between the (structure and formal) and the second category theses of intellectual thinking in details, and under title (the structural compounds, the bases and institutions), the intellectual trend deals with, which procedure pursuant, and its role to specify its basics, and then these bases role in specifying the ground adopted to analysis the artistic structure and the third category, under title the interior design, the bases and institution , whereas it displayed sufficient explanation of the interior design and residence spaces in them , at last, the fourth category, which contained the dialectic relation between theory and application, and their role in structure of art design, and under title, between the theoretical strategy and the applicable strategy by referring the bases and intuitions of structure compound procedures to interior structure design of the residence spaces, embodying the truth of intellectual relation between the strategic field of the first and the second applicable field and this chapter has concluded numerous notes that are depending in analytic process to the field procedures of the research. The third chapter contained, the research procedures of programmatic and the research community and the research sample, the research instrument used, which is form of analysis subjects and describing samples and analyzing them. In the end the fourth chapter, included the results that the research reached through analytic process and conclusions with suggestions and recommendations The most important results : 1. Repeat of designing thought in housing society all details as interfere between mind users through similarity of total structure so to hide social differences besides spread social relations by all treatment with one design language.2. The housing unit appeared as closed structure in system firstly determining distribution spaces or elements optical result to loss of develop or change possible.3. The designer concern to total subject without certain to partial structure specialty of activities, depend of spaces distribution to back operational functional relations without concern to environmental regulations to house use, as closure of middle space or open of special rooms or kitchen. This certain on coherence to lay compound structure.4. The bases were not do to like strategic compound course to society or surrounding real, though their presence in achieved redesign as partial or total appeared weak in coherence of mental use randomly relation as space or window opens or depend polish walls or ceilings or functioning units of made one quantity to repeat boring to silence stability, not prefer structure though repeat thought.5. Did not concern or pay attention to characteristics of spaces in general or special, through doors opens near, to distribute suitable locations as indication but determine by relation that come axis opposite with short distance between mentality to used level or structure to that specialty in spaces General and special.6. That come as determine to surround spaces walls did not contain in the front side to interior middle space through central distribution to thither spaces of thought to relations or activities.7. They were not complete of structure relations connecting between parts, or inclusion led to weakness of coherence these designing for users starting from matching thought with applicable field or weakness of link relation with construction elements of design as appeared in the interior space to receiving hall as absence of specifying to three activities that contained by sleeping space or appear moist spaces.

التدليل العلامي في افلام لارس فون تراير == Semiotic Semantics In Lars Von'S Movies

Author name: حسن قاسم مطشر الساعدي
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ينطلق البحث في محاولة لتاشير اهتمام سيميائي بالتجارب السينمائية المتميزة في السينما العالمية عبر تاريخها الطويل، ابتداء من عفويتها التي سحرت المشاهدين بتصوير وصول القطار الى المحطة، وانتهاء بالدهشة البصرية من افلامها الحديثة التي غلبت عليها تقنيات الغرا | The research stems as an attempt to indicate the natural magic interest in distinct cinematic experiments in the world cinema through its long history, beginning from its spontaneity which fascinated the audiences by shooting the train arrival to the station, and ending with the visual surprise at its modern films dominated by the technical graphics, within two main axes : the trial to associate among those experiments which their indicative features and the indicative structure they represent on one hand, on the other hand observing the new experiment to find different formats of semiotic semantics in new, distinct and good works for analysis and theoretical framing processes which the researcher endeavors to apply them and the trial to find a real example for them through cinematic text which the researcher thinks it represents a suitable sample for search and operation. The movies had been classified on analogical bases (realistic and impressionist) which were two main attitudes within them the cinema began to develop until the structuralism and the sign science appearance at early 1970s. The natural magic borrowed from eloquences its search methods to reveal the semiotic and semantic structure owned by the cinematographic images; therefore, this study represents an attempt to read the semiotic semantics in intended film texts using the natural magic analogical effort. The study entitled (The Semiotic Semantics in Lars Von's Movies) included four chapters as the following : The first chapter (The Methodological Frame) addressed the research problem displaying the avoidance of many studies from studying the cinema unless through deliberative starting points, so they were implicative studies related to what said in the movie and not to how it was saying. Consequently, the way to that was knowing the structure of the semiotic semantics in the cinematic film in which it saw the modern criticism of the natural magic method with semiotic value that could be count. The research addressed the research significance and its analogical location among the natural magic studies in the field of cinema. The chapter contained the aims put by the researcher and the limitations within which the research worked. The second chapter (The Theoretical Frame) came including the rules previously established, which the overall operating on them would be the application of some of them, or with some changes besides preserving the general lines of the critical achievement. The search first would be through the first section (The Natural Magic of the Cinematic Image) on the signalization of the cinematic image which due to its iconism resembling the reality it depicted, referred to or symbolized, formed the secret of its excellence, after an inevitable analysis of the sign in general as being an icon, indicator or a symbol. After distinguishing the weak iconism resembled by the planning, and between the direct iconism and the metaphoric iconism established by the successive and compound images in shots, scenes and chapters inside the movie, through this resemblance embodied by the similarity between the cinematic image and the realistic subject it shot, we could read that image in natural magic. Then the research dealt with (The Indication of the Cinematic Sign) the title of the second section in the cinematic address which arranged its images as its language, the open and closed text, deliberative, perceptive, psychological, social and cultural contexts, and the codes through the association of the cinema functions with its meanings closely due to their being video signs, and the transformation of the perceptive example represented by the signs into an indicative example related to the cinema via its video and audio languages which distinguished it from the remaining arts. The research presented in the third section (The Semantic Elements in the Cinematic Film) the filmic narration, the filmic shape, the operating mechanisms of indications in the elements of the cinematic language through adopting (linguistic - cinematic) inducing techniques contribute in exploding the closed structures at the level of the shape, evacuating the filmic text from the dramatism at the narration level rich of playing with times and multiplicity of viewpoints, and using the repetition and overlapping which restore, paste the text segments with an internal and external vision hanging in time and place, and liberate it from mixing with other text. Then, the researcher discussed a group of previous studies covering the natural magic in the cinematic art and some of their sections mingled with the study sections, afterwards the researcher came out with six indicators, i.e. types of indications constituted from the theoretical frame, the researcher wanted to indicate through them what the research tried to confront by exposing them on a committee of experts and specialists who modified them in a way fitting the research. These indicators were summarized in six types of semiotic semantics : intensified and compound indication, transformed indication, additive indication, individualized indication and the accompanying indication, all of which were applied to the sample. The third chapter (The Research Procedures) consisted of two axes : First : the research method where it was relied on the descriptive analytical method, the analysis unit, elected filmic sample, the reasons behind selecting this sample in a way fitting the research nature, and the reasons laid by the researcher for defining the sample. Second : the sample discussion submitted to the analysis according to the indicators extracted from the theoretical frame. The selected filmic samples consisted of three movies for the Danish director (Lars Von Trier) : 1 - Antichrist movie. 2 - Dancer in the Dark movie. 3 - Dogville movie. These three movies were selected because they were distinguished works, since the second movie was awarded the golden palm prize in Cannes cinematic festival, while the movie song (everything I saw) performed by the movie heroine the singer (Burk) written by the director (Lars Von) was awarded the Oscar prize as a best song. The other two movies were praised among the cinematic and critical circles. For information, the director (Lars Von) gained prizes from Munich cinematic festival and won the golden palm prize twice. The fourth chapter came with the research results, the most important of which were that the image had a tremendous number of signs forming the analogy and contrast processes among them to produce the predominant meaning which the maker wanted to uncover. It was relied on the receiver's awareness in reading the coded structures inside the space of the shot or scene which altogether led to reveal the levels of the semiotic structures producing the meaning. Then, the research arrived at conclusions and suggestions. Finally, the researcher's recommendation came asserting the importance of the natural magic method in the cinematic criticism and the necessity to expand working with it within the department methods for the undergraduate and higher studies. Afterwards came a list of the research references, a group of appendices and an English abstract

سمات الاداء التمثيلي في تجربة قاسم محمد المسرحية

Author name: حسن قاسم محمد
Supervisor name: حسين علي كاظم التكمه جي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ينقسم البحث الموسوم (سمات الاداء التمثيلي في تجربة قاسم محمد المسرحية) الى اربعة فصول تضمن الفصل الاول الاطار المنهجي للبحث عن طريق مشكلة البحث والحاجة اليه، واهميته، وهدفه، وحدوده وختم بتحديد المصطلحات ثم تلا ذلك الاطار النظري للبحث وتضمن ثلاثة مباحث الا

جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة == Aesthetic Employment of Photograph In The Art of Post Modernism

Author name: حسن عطوان كاظم
Supervisor name: كامل عبد الحسين الشيخ خضير
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث الحالي ( جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة ) وقد حاول الباحث التعرف على جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة، من خلال الاجابة على هدف البحث الحالي، وقد اشتمل في بعض جزئياته، بيان طبيعة والية توظيف الصو

انساق العلاقة بين جسد الممثل والسينوغرافيا في العرض المسرحي : ماكبث انموذجا

Author name: جواد كاظم حسن الحسب
Supervisor name: فاضل خليل رشيد
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يرتكز العرض المسرحي الى عدة عناصر تشكل هذه العناصر اساس لغته البصرية، فالممثل وهو العنصر الاساس، وهو صورة العرض الحية الى جانب العناصرالاخرى المتمثلة بالسينوغرافيا، كالاضاءة والديكور والملابس والمكياج والموسيقى والمؤثرات الصوتية والاكسسوارات التي تتحرك في

جمالية الايهام البصري في رسوم سلفادور دالي == Aesthetic Visual Illusion In Paintings of Salvador Dali

Author name: شاكر عبد النبي جباره وطبان
Supervisor name: محمد عودة سبتي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: Fill Find beauty of human thought since ancient times, being an important part of his feelings and his sense of the world, which showed the his attempts at making beautiful as he sees fit consistent with the feelings and human identity and social affiliation, and characterized without other creatures of being beautiful pictures and creator maker, this led to allocate some of the search the values of these images and their interpretation, Venco so aesthetics, has produced a lot of art images from the caves to the present day, and the great artists who excelled in this area a significant impact in the technical experience considering that their greatest impact on the thoughts and emotions of the people, and who left a legacy artistically valuable a significant impact later is the Spanish artist (Salvador Dali), which occupied a prominent position and an excellent location in the history of European art.The current research has dealt with (Aesthetic visual illusion in Paintings of Salvador Dali) and containing these fees from the beauty of art through the methods of structural treatments, techniques and technologies.Salvador Dali acquires great importance as an artist, he is an artist Urby singularly in his career, and has a level of privacy on the aesthetic tools and on the level of human and social position.As artist Silvader Dali belongs to the school Surrealism, which emerged and was famous in the early twentieth century and affiliation that did not make it affected the fundamentals of technical classic, but search for himself space to override contrary in outside those limits, making it the most famous surrealist artist from among a number of his peers Europeans.As long as his work is that talk, Salvador Dali has left a number of important works, carrying privacy orientations Surrealism.This research is an attempt to reveal the editorial systems in his art, and the qualities that could be achieved in the aesthetic elements of the plastic painting very magnificence and excitement is not technically part, but in metaphor and embedding elements configuration.The search is over to combine analysis who cares fragmented, examination and induction and formulate conclusions,.Thus adopted research the following question : (What aesthetic the illusion in the Salvador Dali fees?)The research is divided in four chapters, the first chapter included, the problem of the definition of research and its importance and need for, and the aim of the research that has been summed up as : (learn visual aesthetic giving the impression in painting of Salvador Dali). The first chapter also includes a definition of the limits of the search, and determine the terms contained therein.The second chapter, which is the theoretical framework of the research, it has been divided in four sections : 1. The first section Me (perceptive formal in painting between reality and create the illusion).2. The second section Me ( illusion in modern painting)3. The third topic Me (Surrealism, origination, vision and method).Also included a theoretical framework and previous studies indicators.While the third quarter included research procedures, from the research community, and a sample search, search tool, the research methodology and analysis of the research sample.• The fourth quarter included the search results, Among the findings of the researcher : 1. The arguments of Surrealism seemed clear in the works of Salvador Dali imagined and underlying vocabulary that seemed a substitute for logic and reason authority since defected to the fundamentals of building formal relations that would achieve a balance between the painting and the unity and harmony dimensions allowing the artist to form a pattern of Fine relations and Avatar on the surface Photogrammetry which met the elements of alienation, imagination and subconscious.2. How important photo in the works of Salvador Dali appeared by employing them in collage techniques as it appears in the painting (3), or in making it as an essential element for the establishment of his work with elements of playing is reflected in the paintings (9.11, 14, 15) of the sample research.The most important conclusions : 1. Depending on the different themes of the diversity of the latest so that the grapes can be classified into the task of the artist's life stages where it was confirmed on a specific theme which completed a large collection of his works2. create the illusion that the key element in most of the works of Salvador Dali Surrealism within the period in his artistic life form.• recommendations, including : the need to establish cultural and intellectual relations between the global arts colleges and technical institutions) with arts colleges in Iraq to take advantage of the technical expertise and experience and acculturation between them, and interest in the study Surrealist art depending on Salvador Dali techniques in the implementation of his paintings.• proposals, including : the impact of Salvador Dali fees in contemporary art.Then comes after chapter four : sources, supplements index, and abstract in English.

جماليات بنية الخطاب التلفزيوني الموجه للطفل == The Aesthetics of Constructing T.V Discourse For Child

Author name: هناء خضر يوسف
Supervisor name: متي عبو بولص
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يشكل الطفل بنية حيوية يصعب الكشف عن جانب من مكوناته الانسانية دون الرجوع الى البنية الكلية، انه شان الخطاب التلفزيوني، فهو يشكل بنية متكاملة يصعب النظر الى مكون من مكوناته في معزل عن تلك البنية العضوية التي تؤسس وحدته الكلية، وهناك عناصر لا يمكن تجاوزها ع | Child is considered as a vital construction which is difficult to discover any thing about his human components unless go back to his total construction. It is a concern of T.V discourse because it represents a total construction which is difficult to watch any component is aloted from the organism construction which establish his unity. In addition, there are other elements which can not be avoided when searching about the reasons of constructing any discourse especially T.V discourse for child. These elements fall among the audio visual construction and become very important in its communicative - technical role or in its aesthetic - expresional role to add more meaning and contribute to improve the aesthetic teste in child and develop his character.However , the following study is going to study this case and falls in five chapters. The first one is ascribed for the theoritical background, and the problem of the study which Represented by the following question : What are the characteristics of constructing T.V discourse for child, and how to employ the elements of audio - visual construction in this discourse to represent the aesthetic qualities which attract the child interest.The aims of the study concentrate on : - The automation of receiving in child. - The aesthetic - expresion employment of the audio - visual elements in T.V discourse for child.The limitation of the study is confined to T.V films for child within the age 9 - 12 year, regardless with a limited time because the study is studying the artistic aspect of all films away from the date.of its fits productiong or showing.Chapter two comprise the previons studies and the thearitical background, the researcher found two close studies for hers while the thearitical background includes these three sections : - - The psychological receiving in child in which, the researcher shed light on the concept of communication and its effects on the sensational and psychological perception in addition, she studied the age division of child and the factors which effected the efficiency in child. - The elements of discourse construction : This section studied the most important element. of montage and audio - visual. This is to now the impact of expressional and notional emplaymention on discourse for 9 - 12 year child to achieve the cognitive and aesthetic aim of discourse. - The aesthetics of discourse between testing and conception : This section includes the concept of aesthetic, conception and aesthetical testing in child, and how he feel in art. The researcher, then, draw up the theoretical background and the instrument of the study atter they were exposed to ajury of experts.Chapter three includes the procedures of the study which had been adopted by the researcher to analys the selective sanples of the study which were 1 - the film (Garfield) 2 - the film (Bridge to terabithia) 3 - The film (Edde’s cook) and the justification of selecting these samples in addition to the research instrument and the unit of analysis.Chapter four includes the analysis of selected samples and concluding the final results which where included in chapter five, then the results of the study.Which are as follow : - 1 The variaty of discourse ideas for child straint from his essencial needs and the system of educational , social and cognetive values.2 Using the simple plot in which a strugle between mind and intellegent will appear instade of body violent.3 Lighting had an effective role to attract the attention of child and delighted him.4 Concentrating on natural colures as an indication vitality and loving the life.5 Fashion had an effective role to discover the psychological aspect of the character.6 Simplicity were adopted in the language of discourse for child.7 Songs , effects and music play an important role for entertaining and amusing the child.8 Montage is depending on longitudinal style to sequencing the events and employing the process of clipping , cutting and mixing. Finally , the researche state the conclusion according to the results of study , and some necessary recommondation and suggestions for further study to cover all the gaps. this study because it needs a specific researcher. Then the researcher end the study by the lislt of references and appen dences and the abstract in English.

جماليات النظام التصميمي لهيئة جهاز الحاسوب المحمول وعلاقته بالمستخدم == Aestheticisms of Designing System For Shape of Laptop And Its Relationship With User

Author name: مهند جورج الياس فتح الله
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد? جهاز الحاسوب المحمول , من التقنيات الحديثة المهمة والاكثر فعالية وتاثيرا في حياة الانسان. وبما ان الهدف الرئيس لاي عمل في مجال التصميم هو النظام التصميمي المناسب , فقد تناول البحث الحالي دراسة امكانات وضع مرتكزات تصميمية تطويرية لهيئة جهاز الحاسوب | The lap top is consider one of most modern techniques and most influential and activity in life of human , the main aim for any work in field of designing , is fit designing system where present research deals with studying of potentialities set rests of developing designing for shape of lap top in order to contribution of present research with its artistically and scientific materials in finding knowledge base to studying aestheticisms of designing system for shape of lap top in order to achieve designing aspects with concerning with aestheticism formative system and functional aspect which achieve qualification in work with provide security and safety , both from contains of 1st while 2nd consist of three topics , the first was concerning with in designing system ( formative ) , while 2nd topic was deals with what's lap top and relation of its function with designing variables and its components and ways of used connection beside its relation with surrounding circumstances , 3rd topic have introduced explanation in humanbeing engineering ( Anthropometry ) and designing of designing of designing systems , 3rd have concluded measures of research where I depend studying of case in descriptive methodology in order to form base of scientific analysis of for sample of research which represent 50% from community of research through analysis and current descriptive for phenomenon. The researcher have depended on indicators was outcome sources and references were depended by researcher and field visits for shops of lap tops , and also interviews with owners of experiment , beside reconnaissance of researcher through use application of interview to specify how dealing of user with designing system for shape of lap top. 4th chapter have described sample of research and analysis it according to application of specification of axis of analysis. 5th chapter and last to introduce results and conclusions and designing rests and recommendations besides suggestions.Most results were been discovered by research as following : - 1 - Confirming on designing system which concludes well - organized relations which connect parts each other and with public shape which reforming as whole for structure against its functions within one connected idea.2 - key boards become on shape of bowed in outward and with tendency angle fit with direction of hands in order to functional values and getting rid of stress to wrist joint as result its twist towards inward ( where direction of hand of user in direction same or extension wrist joint and in same extension of hand ) , aesthetics value through movement and variety to its designing variables to cope with desired function. 3 - designing shape of lap top with well - organized structural system from ordered relations? between system of structural techniques designing system and operational smaller size , lighter weight and more competence and between forming designing variables to provide desired function and aestheticism value in order to carry out requirements of user. 4 - employing of shape lap top connect with abilities of loading , moving , and facility of treatment and usages in different environments of work with less range from surrounding space.5 - achieve elements of quality , and designing formatval structure through use material of plastic ( type ASB ) in shape of lap top through physical features and requirements of manufacturing and economic consideration. 6 - relying on movement and variety in structural shape in order to achieve renew structural configurations , original and development with aestheticism influences and by dynamic spaces and not similar and nderstanding for certain aims of designing work.
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