First pages:

المقاربات الوظيفية بين انظمة تمثيل الخبرة وكفايات طلبة التربية الفنية المطبقين في المرحلة الثانوية == Functional Approaches Among Representation Systems Expertise And Efficiencies of Art Education Students In The Internship Period For The Second Grade

Author name: ندى عبد الهادي مهدي

Supervisor name: رعد عزيز عبد الله

General topic: Fine Arts

Specific topic: Art Education

Degree: Doctorate

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: Today technology and the informational revolution that swept the modern world had raised many challenges imposed itself on the various areas of life. When the education was the cornerstone of the society development and modification, so it became due to have researches to discuss the traditional teaching methods that dealt with students as empty vessels need to be filled. At the same time, technology has become the most influential in a student's life; therefore it became necessary to find a countervailing force to the effects of technology that attract the attention of the learner.In this point the research issue has been launched according to questioner study had conducted by the researcher. The object of the study was to determine the art education students for their represent systems of experience as preferable learning styles, as well as the efficiencies of the diversification of motivation as capabilities should possess by the new teachers (Art education students) for teaching art during their preparing in the internship period.The result of the study was disapproved that. Accordingly, the researcher found the necessity to search in the teaching methods in art education take into account of the internal efficiencies of learners by develop a plan in the search in “Functional approaches among the expertise representation systems and the efficiencies of art education students in secondary level internship.” The sample was chosen among the student of the fourth grade - the department of educational art - Baghdad University, the size of the sample was(107) both males and females. the researcher had justified the variableswhich is the age, gender, and previous experience for the participants - the researcher had used many statistical methods in here procedures and the study result, they are - x2 One Sample test, Ttest For Two independent samples, Weighted mean, and Pearson’s correlation coefficient. The most important findings of the current research is the patterns of the special students acquired experience was formed by the influence of their raising environment which is the foundation of their learning abilities to become a secondary school art teacher in their internship period. The conclusion of the research was about the concept of intelligence for Gardner. The researcher found that concept have lacks scientific basis. Gardner dealt with this concept as skills, outputs and mental processing without thorough scientific explanation. And his procedural concept for the abilities was limited in four abilities represented by visual capability, audio capability, kinetic ability, intuitive ability. It is not 8 ability. Therefore, the researcher believes that the concept of contemporary intelligence that has been raised in the current search is the alternative for the multiple intelligence concept for Gardner.The functional approaches among representation experience systems and efficiencies of the diversification of motivation is a Form consist of four areas for student evaluation while the internship time for the secondary level students. The researcher has recommended a number of recommendations on the basis of what has been inferred, as well as offering some suggestions based on to the new concept of intelligent

المتغير التقني في اساليب التشكيل المعاصر : العراق، مصر، المغرب انموذجا

Author name: ميسر علي احمد القاضلي

Supervisor name: هادي نفل مهدي

General topic: Fine Arts

Specific topic: Drawing

Degree: Doctorate

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: يسلط البحث الضوء على مفهوم يؤكد ان العمل الانساني الاولي يتضمن فكرا يتجذر بمعطى تقني ويصبح الانسان فيلسوفا في عمله ومن هذا المنطلق تكون الثنائية بين العقل والممارسة مكافيء موضوعي لعملية النمو والتعبير، سواء في الفن ام في غيره.وانطلاقا من واقع الحركة الت | The research sheds light on a concept asserts that the primary human action in clouding thinking that deep rooted with technical fact and man becomes philosophical in his work and from this starting point the wedding between mind and the practice is as objective coefficient for growth and expression process. whether in art or in others.Stating from the realty of the plastic movement in said countries and with in the limitation of science and objectively and through transforming from the stationary to changeable and what was abase has become contrast, and these changes has risen a number of inquires most important of which : 1 - Does the modern art depending the median as a message.2 - Dose the modern civilization of artificial dimension in a physical world pushed the artist to take the path of empirical science.3 - Dose technology intervened in specifying the physical concept for the optical surface. In light of these facts the objective of the research specified by the following : - 1 - Detecting the manifestation technology and the formulation components for the optical surface structure of the modern plastic.2 - Detecting the technical variable in modern plastic styles in Iraq, Egypt and morocco.And the research has eliminated with the limitation of objectivity represented by technical variable and time limitation after the second world war (from 1945 to 2008)And then the second chapter ( the knowledge from work) The first category displayed the recognition concept of the style where it deals with some philosophical concepts which confirmed that the creativity progress doesn’t at some extent, but they are continuous trams formation imposed numerous pressures on the artist. Influenced in creative process and examining it and expressional means of thoughts in away suitable with esthetic and knowledge values.Also the research also displayed the technical concept where it links the philosophical concept of the technology with the scientific research in light with the intellectual products and the society and life systems and the consideration values.As for the second category, which discussed the optical product, represented by thought which proceeds physical nature of the application action, and this leads that each artistic work its distinguished nature of its impact, from the reality of optional will and specifying, the for the whole art to be in the logic circle out the artistic work and just entering the optical circle , becomes a will and sensitive, and the raw material has formed a value and underlying bases of the optical surface as an essential base in foundation of the esthetic values and it may exceed this, that the raw material to be the work itself.And the plastic schools are considered of important for the plastic products, where the artist asset, through the construction systems upon the integrity of the product, and its influential, expressional and esthetic, thus and due to this concept, their figures are established , constructive relation figures ,the relation of the whole to the part is judged or vice versa with mode differs with the plastic components.Also the third category of the second chapter included the technology and the performance in art, where the technology is found in the middle of modernization, and the category has displayed the means and the historical changing of technology, we could find the interventions between the industry impacts upon the art technologies, over ages, also the category illustrated the technical transformation from the made to the ready made, the Dadaea'a movement has adopted the art transformations from the made to the ready made and that was a reflection to intellectual and technical uprising seeking for arouse the chaos among various cultural activities and to reduce the interval borders between the art and the other cultural activities, and recourse to construct to the adherence and assembling through using a strange material from art including the valueless ,common and the consumed and food waste to enter new technology in the context of the artistically work or made it afterward isolating it from it's special reality to an artistically works stand upon by itself. Also the research illustrated the assembling art and the unusual technology, the art is striving to deviation of its traditional methods, and the artist seeking the strangeness in away that provoke the recipient regardless from the esthetic values and the academic mimics. As for the third chapter which illustrated the historical root of the plastic art in Iraq. Egypt and Morocco and it deals with the foundation stage, forerunners and the artistic groups which are established due to intellectual concepts leads to technical and stylistic changes, also the chapter has illustrated the most important references through the proceed of the plastic artistic movement of social, cultural and historical references and the effect of the western arts and modern technologies.As for the fourth chapter which illustrated the procedures of the research and choosing the research society and its sample, in which the researcher has depended on the intentional option based on the artistic experiences and the technical changes and the stylistic one each artist depended.The researcher has depended the descriptive analysis procedure to analyze the samples and depending the indications extracted from the knowledge framework that comes within the axes of the optical research of the plastic products and the constructive systems on which the artist depended, and the demonstration technologies and the pressure references, the style and the trend, as for the fifth chapter which included the research results ,and the conclusion, recommendations and the suggestions, and the research has concluded to the following out comes : - 1 - The artists depending a strange technologies in constructing the optical surface and with local implications. 2 - Some humble technologies have appeared, that we could related to the conceptual arts, but I could not find in artists experiences in the three countries that refers to practicing artistic technologies trends after modernization such as the body art, the earth art or the graphic art and the performance….. etc.3 - Some artists trans pass their experiments technology to traditional technology in the concepts of type to non - type through the interrelation of types.4 - Some of artists have mobilized environmental artistic works, act upon the recipient participation, also others act upon to mobilize using of the artistic work ,and water , earth surfaces and environmental spaces were used as a display media.The research was ended to diagnosis some recommendation and suggestions that support the research and expanding the knowledge base.

التحولات التقنية لمناظر المسرح العراقي خارج مسرح العلبة == Technical Moves of The Iraqi Theater Views Outside The Box Theater

Author name: منى سلمان محمد

Supervisor name: يوسف رشيد جبر

General topic: Fine Arts

Specific topic: Theatrical Arts - Techniques

Degree: Doctorate

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: ساعد النموذج المغلق بوصفه تجربة سابقة على تاسيس تجارب لاحقة وخلق حيز مسرحي يتكشف عن تشكلات جديدة لخطاب عرض يعتمد مشهدية منظرية لا تمت الى مرحلة زمنية بصلة، وان تعدد القراءات يستدعي تحولات ومتغيرات مستمرة للامكنة المتخيلة ضمن صياغات لامكنة مستقبلية، اذ ظه | The closed model helped as a previous experience in setting subsequent experiences and in creating a dramatic apace that discovers new selections for dialogue depending on a panorama that is not related to any era. The many readings require continuous changes for the imaginary place within formulas for future places as there have been diversities to activate the place because it is related with the philosophical idiogy for each era.The Greek texts were characterized by the stability of the panorama without a change and the harmony within the unit as it was related with the political idiology of the era. While the panorama in the Roman stage depended on the shape and style of the Greek panorama until the appearance of the panorama taken in 100BC. The philosophical view of the medival panorama was influenced by the church view of place consisting of three parts : Sky, earth and hell.The foundations of panoramas in the vision and philosophy of the renaissance era came as a result of having a different view of the new world that made it lose its faith in the past through duality in the areas of sciences, philosophy and political doctrine. The panorama changes influenced the spectacle view of each era. The many places expressed the depth of place, their, out, tangeable, imaginative and objective. In addition, the light director helped in inventing big spectacles. Illumination tends to distribute the shadows and to multiply the places and to have changes in vision to turn the equation in the traditional theatre in that it adds a new existence within an extended frame or flexible space. From here transfer is done from "the Achledes place to an undulated extension". The Achledes place has its own characteristics in which it becomes limited away from the subject of research or exploration. But the technical changes through out the theatre eras made the feature of getting away from the tradition of place, its principles and rules among the most important aspirations towards new horizons for a theatre expressing a future vision. Therefore, the theatre worked with optical corners in finding new formulations that changed the vision cites through selectional and portrayal understanding to make the panorama open to modern currents in viewing the era that helped in choosing places for showing in the circus sequares, streets, churches and relics. Accordingly, the research is divided into four chapters. The first includes the systematic frame - the problem, the significance, the importance which sheds light on the dramatic view and its changes. As for the aims, they are set to find out the technical moves of the Iraqi dramatic shows outside the theatre of box. The scope of the research has come through standing the panorama and its technical moves that come according to the special boundaries of Baghdad from 1987 - 1999. This chapter ends with a list of definitions.The second chapter, the theoretical frame and the previous studies, is divided into three sections, the first deals with the technical moves of the international theatre, the second with the technical moves of the modern age and the third with the types of shows of the theatre of outside the box. The third chapter deals with the procedure including, the community, sample, method, tool with an account about the technical moves the Iraqi theatre had and an analysis of the samples. The fourth chapter is about the results and discussion. The research ends with a list of sources and references in Arabic and English.

مقاربات الملحمي والغنائي في مسرحيات جليل القيسي == Approaches Epic And Lyric In Plays Jalil Al - Qaisi

Author name: علي حلو داشر

Supervisor name: عقيل مهدي يوسف

General topic: Fine Arts

Specific topic: Theatrical Arts - Literature and Criticism

Degree: Doctorate

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: تمثل عملية تحديد انماط مقاربات الملحمي والغنائي ومرجعياتهما في نصوص ( جليل القيسي ) المسرحية، ضمن بناء منظومة العلاقات الداخلية للنص وتشكلها وتفاعلاتها وتصادمها، عملية تعرف وازالة غموض عن تلك الانماط التفاعلية لمكونين رئيسيين في البنية الدرامية للنص ا | Represent the process of identifying patterns approaches epic and lyric and Marjayatema in texts ( Jalil al - Qaisi ) play, within the building system internal relations of the text and posed and their interactions and collisions, a process known and remove ambiguity from those patterns interactive two main components in the structure of the dramatic text theatrical local contemporary Iraqi by shedding light on the mechanism enrichment or interaction in order to understand, since this Altsahir leads to the production of the act drama within the structure of the dramatic text, all this and that is recognized through the adoption of local experience is important, replete with accomplishment artistic and literary (texts plays Jalil al - Qaisi), as a model subjected to analysis and study for marking the movement of the epic and lyric, since this analysis is reflected in turn deepen the awareness of the aesthetic techniques of theatrical and dramatic text pointing problematic border artistic and aesthetic in the installation of the dramatic action. The research consisted of four chapters, as was the research problem, approach the epic and lyric drama, in how to build a theatrical text local, and marking the problematic border artistic, aesthetic, installing act drama, the need for research, raising awareness of the aesthetic techniques text dramatic theater, and see the local experience distinctive in the Iraqi theater of contemporary writer (Jalil al - Qaisi), and the importance of research, the need to deepen the search experience local theater " at the level of authoring dramatic, and elevate it, as stating Find playwright, critic, and researcher in this field and all those concerned to study the theatrical text in academic institutions for theater Arts and workers in the fields of media, and the aim of the research, shed light on how the production of the act drama by the interaction between modes literary, epic and lyric, in texts ( Jalil al - Qaisi ) play, the research methodology, and descriptive, and the research community, texts plays ( Jalil al - Qaisi ), and the selection of the research sample, poem, the most important findings, the emergence of patterns of interactive between the epic and lyric, worked to enrich the structure of drama within the events of the play - Qaisi mounting toward the teleological particular, the most important proposals, the adoption of such patterns interactive between the epic and lyric as cases must create them in the production of the dramatic action within the structure of the text theatrical dramas

مؤثرات الجذب البصري في تنظيم التصاميم الاعلانية الحديثة == Visual Effects Attraction In Modern Designs Advertising Organization

Author name: شذى كريم فرحان محمد

Supervisor name: نعيم عباس حسن

General topic: Fine Arts

Specific topic: Typographic Design

Degree: Master

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: Advertising designer exposed to the pressures of modern opposite, between the producer and the receiver, and marketing, among other factors, between the needs and desires of individuals.That the potential in the design process are subject to attract and influence that can be adopted to overcome the obstacles and those obstacles the basics of building announcement depending on the effects of visual attraction in modern advertising.Here stands the designer to achieve ideas influential in the process of receiving the consumer in the modern effect of advertising, and as a result of technical diversity and differentiation, scientific and technical work in the contexts of intellectual development in the art of modernity, so was the research problem by asking the following : - Are the push and pull processing and influence by relying on relationships (influences visual attraction in modern designs advertising planning).The tools of modern factor directly to the achievement of design idea through regeneration in means, and here lies the importance to the designers and consumers of their relationship, and the key factor for the success of the design at the time underwent a declaration to the effects of globalization and modernity and that affected all the advantages of life.In this research objectives were identified as follows : First : The disclosure about the reality of large designs advertisements and diversity.Second : to develop design proposals for visual effects attractions in the organization of advertising designs Modern.The study included four chapters, the first chapter discusses the cognitive framework, Chapter II has included theoretical framework and previous studies, as the theoretical framework section into three sections are : - The first topic : - the effects of nature and its relationship to receiver.The second topic : - the system and organizing processes in the design.Section III : - modern design of advertising (text, logo, image).Then came the theoretical framework set indicators was several points concerning this framework. Then addressed the research procedures in the third quarter and the analysis of samples. Either the fourth quarter, the results included and discussed design and build proposals and recommendations, proposals and sources (Arab and foreign) and supplements and a summary in English.The search had reached a set of results from the following : - First : - the adoption of domination moot as an element of visual impact and pull the receiver to delve into the contents of the declaration.Second : - The distribution of elements in the optical center of the Declaration as one of the pillars that support the building and distribution of elements in one advertisement.Third : - rely on high - definition through the dark color without interest in the transparent color value.Fourth : - The adoption of the style of the panoramic view of the formal image advertising (advertising entirely).Fifth : - duplication between the picture and the trademark symbol (Asia cell) and the explanatory texts.

توظيف تكوييات فنون الايهام البصري في التصميم الطباعي == Configurations Employ Optical Illusion Arts In Graphic Design

Author name: نجاة قادر محمد علي الكواز

Supervisor name: مها اسماعيل علي الشيخلي

General topic: Fine Arts

Specific topic: Typographic Design

Degree: Master

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: This study seeks to search in the recruitment of configurations illusion Optical in Graphic Design, which aims to spread the idea of a certain system to express the desired goal, considering the fact that the illusion Optical is important within the configuration design of posters, film, what is caused by differences influential and active in the process of cognition that lead to differences in the semantics of design to look like the shapes on the non - reality, and focus current research Gel attention on knowledge of the concepts and ideas that play illusion Optical inside posters film that holds within it the many implications of intellectual and aesthetic and functional, and progress of the overtones variety in the poster Film Festival, and enrolled Search the arrival of several, came first quarter of identifying the problem of search and reflected Baltsaalin the following : 1. Maalah of configurations employ optical illusion?2. What is the role of recruitment optical illusion to demonstrate the functional and aesthetic value in printing designs?The importance of searching through MAP to those related to the design layout and relevant design and art direction, and the possibility of hiring illusion optical designs printing in order to increase thought design with designers, by deceiving the system for visual Ansan ranging from fraud on the eye down to brain by manipulating the size and the shape and length and the use of light and shadow and colors on the constituent elements of the work of art, and the contribution of research in the education of artistic taste among workers in the field of Graphic Design, through Alaihamat optical occurring in the truth when used by the designer to show the functional and aesthetic connotations.Set the goal of search in the recruitment mechanism optical illusion Arts in Graphic Design.The study included limits on film posters designs winner of the Prize for the years (2011 - 2012 AD.)Interested in the theoretical framework of three Detectives, The first topic touched on (date optical illusion, perception, physiology of vision, theories of optical illusion), while interested in the second part (the mechanics employ optical illusion Arts in Graphic Design (movie poster), and which included Toziq the componentsVisual layout design to create the phenomenon of optical illusion, optical illusion and visual components of the layout design, recruitment in the configuration space design to create the optical illusion phenomenon,Employment bases structural formations design to create the phenomenon of illusion Optical, employment relations,constructivism in the show simulated visual space inside design, employing technological Digital Graphic Design to create the phenomenon of illusion optical, and touched third section to the (theory Aljstalt and illusion Optical in Graphic Design (posters), date posters and development of optical components for the design of the label (Items Altibogravekah.)The third chapter included a description and analysis (22) sample research, has singled out this chapter of the procedures, which came descriptive analytical method as a method followed in the search, and the purpose of the analysis of samples, it was a promising form of analysis and approved by experts and came on the basis of paragraphs of analysis, depending on theoretical framework indicators.The fourth chapter, has included a presentation of the results reached by the researcher, namely : 1. characterized most of the film poster designs mainly for color and directly to achieve the optical illusion phenomenon depending on the depth and direction of movement, through the variations and colorimetric Altdadat, and the resulting sense of the progress of warm colors to the Imam and delayed cold colors back.2. Create employ digital technology influential and active role in bringing about the illusion of movement through the formal intensity, and convert images into color values and different light, as well as the use of computer technology to show the aesthetic and functional values through the use of modern technology processors.3. hired contrast Almc to achieve the optical illusion phenomenon through difference the depth of space in order to deliver idea Altsamama to the recipient.4. and hired a design in the relations within the design configuration of the events of psychotropic Aihamah movement and direction through the juxtaposition and overlap seam and penetration and transparency.The fourth quarter also included a set of conclusions of the study, which was the most important are the following : 1. results of the analysis showed employ multiple optical illusion pictures in Graphic Design verification through functional and aesthetic purpose film who designed the poster for him.2. characterized most of the designs for the film posters by adopting optical illusion to convey the idea directly involved in some of the posters, and indirectly in other designs for film posters.3. to color a vital and important role in the design process layout in general and film posters in particular, in terms of the valueof visual and attract attention and show a sense of visual Balaiham.4. designers tried to achieve the optical illusion through structural elements relationship with each other and relate to the content of the design idea that designed the poster for it.5. technical processing of photographs printed using modern techniques (computer technology) to achieve a state of thrill and excitement of the recipient in particular and it is the main components of the film poster.6. to achieve unity within the design configuration of the film poster through the relationship of the part or the part to the whole, to achieve the purpose of functional and aesthetic who designed the poster for it, and create element to attract attention of the recipient.7. made use of photographs and fees within the composition of the poster Film functional and aesthetic purpose for which it was designed poster Film Festival.Then the researcher recommended a number of recommendations, including : 1. to benefit from the employment of optical illusion in the overall design and design of film posters in particular to achieve the purpose of functional and aesthetic, commensurate with the cultural and technical progress of the current era.2. focus on the use of color variations and different values to achieve the optical illusion inside the optical configuration design for film posters.3. to take advantage of digital technology in order to create a sense of visual Balaiham effectively and efficiently within the configuration design of posters to attract film optical tightening of the recipient.4. rely on relations design Kaltrakp and penetration, transparency and juxtaposition to create the optical illusion phenomenon different depths within the space configuration design for film posters.5. stay away as much as possible about the use of symmetrical balance, as a result of raising the monotony and boredom within the design space for posters, which reduces the visual illusion feature film posters.The researcher made possible proposals that are searched in the future, including : 1. conduct a study on the visual aesthetic illusion done with digital technology.2. a comparative study between the visual aesthetic illusion done in the old traditional ways and done with modern techniques of posters.3. Recruitment optical illusion configurations Almc done with digital technology.And then seal Find a list of sources and supplements and summary in English.

السمات الجمالية لفن الفسيفساء وتطبيقاتها في تصاميم اقمشة الازياء المحاكة == Attributes Beauty of The Osaic Art And Applications On Fashion Knitted Fabrics

Author name: ندى محمد ابراهيم النعيمي

Supervisor name: هند محمد سحاب العاني

General topic: Fine Arts

Specific topic: Industrial Design

Degree: Master

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: The knitted fabrics and designs fashion resulting silent language you speak eloquently about the style and human thinking and highlights the depths of his character and reflect the image and culture of the community in which they live, They are two sides of the same coin, the first face is an art that reflects the individual's sense and the sense of when you receive the form of design and the second side is rules, relationships and systems used in this design which made him Achieved coherent within the limits and the removal of associative realized at the level of reaction phenotypic final cloth woven linked on the evolution of design and science and all new fabric hardly.So are designs fabrics knitted among the arts that share its human functionally and aesthetically, the search in the aspects of design is an important goal, especially after he took the technical developments cover a lot of fields and search for aspects of aesthetic require from the designer a sense of art and taste the aesthetic and the ability of the imagination to adapt the material and units diverse constituents to form general in the coordination and balance and coherence of the resulting image integrated check utilitarian need and aesthetic at the same time.Through it introduc ed a lot of concepts and new ideas that I let the field of multi - directional design fabrics for fashion knitted format memorize away functional and expressive and aesthetic as healthy relationships and innovative approach to pronounce the character designer that appear in the components of the design and are derived from sources technical center, which belongs to.Based on the foregoing, it is necessary to put the designer in mind the importance of sources of design what could be an important source of creativity being the outcome of many energies and mental performance that arise is beaten to achieve responses can be realized through the means of expression artistic effects related to her appearance in a physical and concretely.One of these sources may be mosaic art and its sources, trends, and characteristics of strength factors and originality and creativity associated with it and the tag and its aesthetic effect in stimulating those interested in the field of knitted fabrics fashion designs as contribute to the enrichment of the field of cognitive and aesthetic to this specialty.Hence directed to study the subject (Attributes beauty of the mosaic art and applications on Fashion knitted fabrics) who first chapter deals with the problem of existing research on the imposition of the following questions : 1 - what are the attributes of beauty that can be achieved by mosaic art.2 - Is the design verification can process requirements highlight the attributes of eauty through mosaic art elements, rules and design relations?3 - Is it possible to knitted fabrics weaving techniques show that attributes the beauty of mosaic art?The objectives of the research included the following : - 1 - Detection attributes the beauty of mosaic art.2 - Detection techniques and methods of Display design knitted fabrics.3 - Develop proposals include design show attributes the beauty of mosaic art and applications in women's fashion fabrics knitted for the age group (18 - 22 years).The limits of the research has been limited to the adoption of women's fashion knitted completed within the time period (2011 - 2012), which is available in the markets of different origin and according to the selection considerations and research within the limits and procedures.The second chapter of the theoretical framework, including three sections anddistributed as follows : .1 - The first topic : the beauty of the design attributes, which included thefollowing points : • attributes beauty - what it is and cognitive structure.• attributes beauty and effectiveness in the design.• savor the customer to the beauty of the design.2 - The second topic : the beauty of mosaic art, which included the followingpoints : • historical stages of the evolution of the art of mosaic.• Technical diversity of mosaic art.• Effectiveness of mosaic art in design.3 - The third topic : the technical and design characteristics of knitted fabrics andfashion, which included the following points : • reconstructive techniques Knitted Fabrics• configuration designs for knitted fabrics.• the characteristics and advantages of knitted fabrics The researcher has reached to the most important indicators that resulted from the theoretical framework which strengthened from the third chapter. And identified research procedures within the third chapter to take a descriptive approach to analyze models sample of the research community 's number is (64) model especially fashion women's woven ) , as choosing the research community and according to the levels of design objective and executive timeand according to the limits research, has been selected models are deliberate by 25% of ( 16 ) model and selected depending came to serve the objectives of the research. The search tool has been prepared based on field visits and reconnaissance , honesty and select format for analysis. Then analyze the samples , which amounted to 16 based on the analysis of the sample form which is designed to achieve the purpose of research le Chapter Four included the results of research and most notably : . Adopted the raw material in terms of advantages and characteristics to show the1 - design and content adapted to the performance of a Functional use.2 - Most of the designs relied on clear forms such as geometric shapes.3 - Appeared techniques of mosaic art in some models.4 - Multiple and different techniques designs knitted fabrics.5 - Activation of the foundations of design, especially with regard to balance, repetition, movement and direction, a pro - rata.6 - diversity in the use of design relations by ideas.7 - study and discuss Verifier module design Fashion8 - All pro forma effects and technology for exciting and attractions.9 - Activating the design wizards to show aesthetic design.10 - Control of formal relations construction and color to show the aesthetic features of the mosaic.The researcher has reached important conclusions regarding done overall as follows : 1 - - The predominant character came to enhance the qualities of the wool to match qualities of knitted fabrics.2 - Designs relied on the clarity of geometric shapes while other forms came drab and ill - considered manner do not match with what has reached technical design and operational in processing shapes and launch various technical capacity.3 - appeared style formal shredder which is the most important method in the mosaic art technology at high rates commensurate with the advent of geometric shapes in the samples.4 - The knitting pattern (flat) is an actor to achieve the pattern of processors to clarify the technical qualities of knitted fabrics.5 - Most of the samples depended on the weaving method (weft knitting) in the construction of knitted fabric.6 - Most of the models used in the Painting technique show designs knitted fabrics.7 - Relations were used to comply with the chromaticity of raw materials in designs knitted fabrics.8 - Achieved texture of variables method of knitting multiple patterns.9 - Adoption of the designs on the basis of aesthetic design work on the unity and correlation of its various parts.10 - The Design relations such as to seek and its contiguity have extensive manufacturing capacity multiple to design configurations.11 - Organic unity achieved in fashion designs with different ways achieved.12 - achieved the effectiveness of the forces of attraction and excitement in designs by achieving tensile forces and attention.13 - Must deal with modern technologies in order to achieve the form and vocabulary knitted fabrics and designs preserve the beauty attributes which appear.14 - Designs showed variation in the perception of the beauty of mosaic.The fourth chapter deals with the recommendations of the research. The researcher recommended the following : 1 - Attention to sources of design and private fine arts and related trends and schools.2 - . Designs are prepared in accordance with the functional qualities associated with the aesthetic and expressive characteristics.3 - Most attention to modern techniques of knitting, Painting and printing.4 - Most attention to the design elements and of usability in knitted fabrics designs5 - Focus on the importance of the aesthetic foundations design and relationships in the distribution and arrangement of elements.6 - Attention to the unity of the overall shape to suit the vocabulary sizes with the dimensions of the unit design.7 - Amphasis on the role of the Iraqi designer by taking advantage of professors and specialists in the designs of knitted fabrics.The researcher proposed the following : - 1 - Preparation of a study( the effects of technology and methods to show designs knitted fabrics).2 - Preparation of a study( the pillars of design for the design of knitted fabrics ( Crochet Knitting).3 - conduct a study looking at the employment of mosaic art in designs upholstery fabrics and printed furnishings. Also in Chapter Four, the researcher presented proposals designed to Fashion knitted fabrics belong to the third objective of the research, and ultimately researcher presented a list of sources and supplements that contained in thesearch procedures.

خصوصية المشاهد البصرية في تصميم الفضاءات الداخلية للمؤسسات السياحية == Theparticularityofvisualsightsin Designingthetouristfoundations Internal Spaces

Author name: نادرة عبد الرزاق غزال

Supervisor name: رجاء سعدي لفتة

General topic: Fine Arts

Specific topic: Interior Design

Degree: Master

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: نظرا لما للمؤسات السياحية من اثر كبير في حياة المجتمعات وما لقاعة الاستقبال في تلك المؤسسة من اثر اكبر في تجسيد خصوصية المبنى الوظيفية والزمكانية في توظيف موروث مجتمعها بمنظور حضاري معاصر له سبغة المرونه التصميمية، وذي النظرة الاستشرافية المستقبلية لتحقي | Considering the significant effect of the tourist foundations on the societies lives, and the high effect that reception halls of these foundation have in embodying the building functional and space - time particularity to employ their society inheritance with a modern civilized perspective has designing flexibility, and forward - future sight to achieve the interaction between the visual sight to the internal space design and the their occupants through a designing communication, and nowadays the reception halls in the tourist administrative foundations are suffering a weaknesses in achieving that, thus, in order to upgrade this communication, the research problem brought up the questioning : Do the particularity of visual sights in designing the tourist foundations internal spaces have sensory, perceptual value that contributes with achieving positive receiving process involves meanings related to thought, civilization and values of the nations generally, included in formative effects designs of the internal spaces?The importance of the research lies in its dealing with a subject that was called by the necessity of upgrading the internal designs of visual sights for the local tourist foundations reception hall, and give them the functional particularity with a style that reflects space - time world of their society, and achieve their belonging to it and acquire them a designing identity that makes its mark in scientific artistic world fields.The purposes of the current research aims to make knowledge basis that forms the starting point of revealing the fact of deploying the meaning in the visual sights for the internal spaces designs, and establishes basic designing points that simulates the general idea for the particularity issue in internal design.Chapter Two included the previous studies and the theoretical framework that included three parts : The first part focused on the particularity in the internal space, its aspect and its types with a historical brief about civilizations particularities, while the second part dealt with the formal realization for the meaning and receiving organization, and the third part identified the formal formations structures, and it resulted in some indicators that were depended in forming the analysis form. The third chapter gave the procedures of the research and its methodology, where it depended on the descriptive approach in the process of analyzing three models that were chosen intentionally from the research community, where the tool of research depended on the analysis axis form and indicating the degree of axis fulfilling, in addition to describing the research models and analyzing them, and the analysis process resulted group of conclusions and results that were included in chapter four, some of the most important conclusions are : Combining between the authenticity and contemporary relatively achieved space - time particularity in models (Baghdad, Babylon) and it didn’t achieved in model AL( Najaf) and the performance particularity was achieved in models (Baghdad, Babylon) and relatively achieved in model AL( Najaf).And the formal realization was achieved in both models (Baghdad, Babylon), while it was achieved relatively in model AL( Najaf).And some of the most important conclusions are : Realizing the visual sight particularity perspective, where it is the superior designing idea that the external space included it for a reception hall in a tourist foundation,.There is a role for the designing thought particularity that depends on interweaving the objective particularity and subjective particularity while designing a reception hall in tourist foundations, that role is representing the design of visual sight that has a functional particularity in forming formal structures that meets the desires of the environment occupants and time - space particularity with deploying the inheritance into the technological and technical evolution.Then chapter four the theorizing centers, recommendations, and the general suggestions and the designing suggestion, in addition to the tables, demonstration tools and a list of references and appendix.

خصائص الفضاءات الداخلية لاستوديوهات الانتاج التلفزيوني == Characteristics of Interior Space of TV Production Studios

Author name: نوار عبد الامير حميد

Supervisor name: عباس علي جعفر العبيدي

General topic: Fine Arts

Specific topic: Interior Design

Degree: Master

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: The interior space has its characteristics in terms of effectiveness involving a design that can be achieved functionally to a specific space but not other space. So that its system controlled by a mechanism which differs due to the space components. And this can be determined at any internal space characterized by factors and limitations by tools identifying the space. This identification comes according to the use of that space. The space of internal TV production studio has characteristics, components and elements which are distributed within the space because of its connection with functional and technical factors aesthetically and psychologically to its occupants.Through reviewing a lot of literature about international design studios, and comparing with what is available of TV drama production, the researcher has identified the following question : Is there any characteristics (Characterized by the local studio) at the interior space of TV production studios that matching its functional aspects?The aim of the research is to identify the characteristics of the internal space of TV production studios, depending on the functional and aesthetical aspects.The scope of the research is the period from 2009 to 2014 as it is characterized by new technologies, globalization and knowledge exchanging. Spatiality scope is Iraqi Satellite TV channels in Baghdad, which have production studios (i.e. Iraqiah, Sumerian and Educational channel).Chapter 2 consists of 4 sections; the concept of the characteristics in the interior design, the artistic interior spaces, specifications of interior spaces of TV production studio, and modern interior design techniques. An observation checklist has been designed by the researcher then viewed on experts in interior design for amendments.The researcher followed a descriptive analytical method, some of the results are : 1. It has been relied on functional components achievements through the performing aspect, and ignoring the functional and aesthetic aspects. This characterized in the samples unevenly.2. All samples lacked of systematic treatment to the aesthetic effects through psychological considerations at a value below the expected level.3. Samples 1 (a - b) and 2, have characteristics of internal space of area, measurement, lighting, and luminescence at an international characteristicslevel, but that internal space is not exploited in a good way resulting a failure in distribution and arrangement processes, while other samples lacked of that characteristic.Some of research conclusions are : 1. The principles of studio internal space characteristics rely on lighting diversity and multiplicity characteristic within the space, depending on its position, direction, automatic movement and temperature.2. The space capacity gives a greater freedom to construct shapes and expand those shapes toward the decoration design, and it provides easiness to the movement of cameras, people and optimum performance for training and performing.The most important recommendations of this research is : We have to get help from interior designer to distribute stable elements to add an aesthetic and expressive aspects, to provide a physical and engineering characteristics for achieving spatial arrangement, taking into consideration changing and redesigning

الحدث السياسي واثره في بنية النص المسرحي العراقي == Political Event And Its Impact In The Dramatic Text Iraqi Structure

Author name: خالد وليد جاسم محمد

Supervisor name: جبار خماط حسن

General topic: Fine Arts

Specific topic: Theatrical Arts - Literature and Criticism

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: ان الحياة مليئة بالاحداث السياسية والتي تمر على الانسان وتعبر من خلاله ولكنها تترك في وجدانه عظيم الاثر اذا من خلال الاحداث السياسية تتشكل خبرات الانسان وافكاره فالحدث السياسي ربما يكون صانعا للاشخاص ومبررا لهم بعد ان كانوا مهمشين او متواريين لذا يعد الحد | Life is full of political events which pass on the rights and cross through it, but leave it in great conscience impact if through political events of human experiences and ideas of political The event may be the maker of the people and the justification for them after they were marginalized or Mtwarien So is the political event of the texts of intellectual behavior that are formed determined on the images State Administration concepts and identify external and internal relations of the dominated political event on all aspects of life, including the arts of expression KUNA taken from reality arena for Achtgaladtha intellectual and aesthetic, including the performing arts, and because the Arab lining replete with political events that reflect the concepts of internal and external relations, which are reflected in the outcome of the human in the format of these events, including the modern Iraqi lining characterized by political events that expressed the moral, religious and social concepts. The piece researcher found important study the effect of political event on this card including the play card, especially the dramatic text and in order to reveal the search for these aesthetic changes in the theatrical text may Department Finder his research on the four first chapter may include research problem and the need for it.The importance of research in political induction as a springboard to the doctrines and concepts of literary and intellectual new, objective research has focused on the most important political events and their interaction constitute creative achievements in theatrical text.The limits Find Vaguetsrt on the Iraqi theater texts, which lasted for a period of 1985 - 1995 and seal chapter defines key terms. As second chapter contains the theoretical framework and previous studies have this chapter three Investigation included eating the first section of political inhuman phenomenon, social, while the second section has cared for study of political events and their impact on the drama department as important stages of the political events that produced accomplishing morally, and then came the third section in order to Reviews the dramatic structure of the text playwright has devoted the third chapter of the research procedures, which included identifying the research community on according to three layers that include an extension of the political events in Iraq and was the first class, which was the duration of the Iran - Iraq war and the second is peace for Iraq third term is the duration of the economic blockade, has was selected class method intentionality in the selection of sample forms and samples were composed of three plays are distributed on the basis of the expanse of time and the first Valaana is (play back) of the author (Joseph Sayegh) started in 1987, the second sample is play (Speak, stone) of the author (Mohiuddin Zangana) by the year 1989 third sample is (play the descent of Ishtar to a shelter Ameria) writer (Khaz'al Majidi) The samples were presented to a group of experts, either fourth chapter contains the conclusions drawn from the research and then seal this search a list of sources and references, and the title and summary Search in English and supplements.