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اشتغال الخدعة البصرية ودلالاتها التربوية في مسرح الطفل == Operation of The Optical Trick And Educational Implications In Children'S Theater

Author name: منار محمد جميل الربيعي
Supervisor name: قاسم مؤنس عزيز
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The current research was devoted to the study of visual tricks and educational significance in the play made presentations to children's theater. Find comprised of four chapters, the first chapter dealt with the problem of search identified the following question - : - What connotations educational visual trick to children's theater?The second chapter devoted to the theoretical framework and previous studies it.Eat first section visual form components, the picture received by the eye and are affected by built on a visual form and its components in general, either in the theater are associated with this visual plug - in theater, which was divided in this section elements to (representative, decor, fashion, lighting, makeup) or meets and solidarity in order to create a unit subject, and become the greatest value from a mere presence as a valuable elements.In the second section dealt with the (educational privacy of children's theater) For those privacy that is unique to all others in the way of the delivery instructions and the information it contains what regales the child and feeds abilities and insatiable needs of knowledge as well as those values that build character in the long run, the children's theater being The most important breeding methods that utilize audio and visual means to address the minds of these age groups in which science and art methods enjoyable as well as religious and national principles and follow the example of good role model receives. This does not negate the audience indirectly composed of key stakeholders to take this theater messages and methods of handling and processing performance in a theatrical home and school.In the third section dealt with the functioning of the trick and the production of significance, as it was allocated when talk about the visual trick and types in general the production of significance has talked about the human element, which produces meanings as a means continue linguistic and visual through innovation signals and interpret the beneficiary of the most famous thinkers of this comprehensive science not They Fernand de Saussure and the American philosopher Charles Pierce logician who invented the three types of signals, a brand and brand iconography indicative and symbol.Then current research in the relevant section dealing with semantics in the theater that had a special character in the theater because it is derived from the fact it adds greater depth and a broader interpretation in order to convey the human values format aesthetic in theater.Also addressed the topic of educational implications and visual tricks and study the relationship between them through visual deception and receiving processes and the role of the imagination in expanding the ability to think.And the importance of visual trick in children's theater presentations reflected in the aesthetic offer in a fun and interesting addition to the educational implications embedded in the context of the design of those tricks that were in director Samir Dawood in his plays Offers. This is the aspirations of the researcher in the light of the descriptive analysis of the samples in the third quarter of the search and out of the results and conclusions in the fourth quarter.

التحولات الاسلوبية في بنية النص المسرحي العراقي المعاصر

Author name: منتهى طارق حسين جبار المهناوي
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: هناك تحولات واضحة جرت على مستوى الاسلوب واللغة التي انتجها العصر نتيجة حاجات وبواعث اجتماعية وسياسية واقتصادية...الخ. هذه التحولات جرت عبرة سلسلة متواصلة لقرون عدة وصولا الى القرن العشرين الذي احدث انقلابا كبيرا ضد الميتافيزيقيا وصولا الى الحداثة وما بعد | Hare is obvious changes happened on the levees of mode and language that the age produce motive… act. These changes occurred ty continuous series of hundred years access to the twentieth century which make a big revolution against metaphysic get to modernity and what comes after : these changes impact on literature and language which was locked up metaphysic, in view of the fact that language is the agent in embodiment and conduction the literary message and through it, it can be veach to solve the code which represented meaning and symantic levec. Its style tosad on surface meaning on text, so it must be diving in depth to produce style and woven fabril corresponding to what required by modern consciousness. So it must be taking an altions and difterent means in expressing and discovering the meaning of language which elevated power through compatibility of precent and atsent that was established to build advanced language Whig invade the mind of world by his thoughts and realities through several interpretations of a relative expression and interpretation via reading of unlocked text. From here the researcher has an examine glance to observe and chase ( stylistic transfer in framework of modern theater text) it contains four chapters to study that is : The first chapter companies the chief address (systematic frame) which contains a problem of research, targets and its borders, to get finish it by definition of trans fers term and procedure challenge. The it comes the second chapter which reveals to us five subjects, the first one is talking about the style and its historical changes after that it comes the second modifier to be integral and complementary to the first modifier in the address mode of modern text, then it comes the third research which explains, the mode of poetic text and the mode of prosaic text in the forth subject to be the final cheater in the fifth subject which comes with the address of stylistic changes and dramatic speech poetry. Then the research comes out with assigns to establish it her procedures within the third chapter which attributes by the address procedure frame which has analyzed fire samples are respectively : 1 - drama : opera snmar.2 - drama : the clock.3 - drama : the gate.4 - drama : the clown.5 - drama : sedra.6 - drama : republicanism of al jwahery Finally it comes the forth chapter which discover the most important thing by the researcher who discovers the consequences, deduction and recommendation… to complete hev series research by a source of lists which way established on it theoretical frome, to be the final summary of English language out come of research tour.

المعطيات الفكرية للفن الشعبي وانعكاساتها على التصميم الكرافيكي == Intellectual Outcomes of Pop Art And Their Reflection On Graphic Design

Author name: مها مؤيد عبد الحسين الناصر
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

اليات التعبير للتابع البصري في تصميم الفضاءات المتضمنة == Manifestation Mechanics And Visual Succession In Inclusive Space Design

Author name: ميس نصير عبد الرحمن
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان هذا البحث الموسوم : " اليات التعبير والتتابع البصري في تصميم فضاء متضمن " يهدف الى تحديد التوجهات التصميمية لاليات التعبير والتتابع البصري في تصميم الفضاءات المتضمنة التي تحقق النظم الجمالية والجوانب الادائية الوظيفية، تكمن اهمية البحث في محورين : ال | This thesis; titled “manifestation mechanics and visual succession in inclusive space design”, is aimed toward defining design trends for manifestation mechanics and visual succession used in inclusive space design; which insures implication of beauty systems and functional aspects of the space.This research importance revolves around two axes : 1 - Theoretical axis : emphasizes on the importance of interaction between man and interior space, through observation of main functional standards of the space deploying visual hints.2 - Practical axis : developing a knowledge base which will assist interior decorator in the process of understanding space comprehensive and sensual capabilities and deployments of visual hints to enhance the design process of inclusive space.In pursue of research targets achievement; the researcher has developed an analysis form; which covers the following : 1 - Functional and beauty manifestation mechanics, which in turn covers the following secondary aspects : (functional performance - beauty manifestation - space dimensioning blocks “floors, walls, ceilings, openings).2 - Inclusive space relations to surrounding space; which includes secondary aspects of (space design succession with neighboring space(s)), space internal successive design).3 - Visual succession suspense and stimulation, which includes : (basis and principles of “ strangeness, mystery, sophistication, variety, contradiction”, space definition plastic elements” lights, motion, colors, space supplements”). The researcher applied descriptive analysis approach, in analyzing three research samples of airports duty free markets; which were chosen carefully, to represent a wide sample range on international level; samples are duty free market for “Baghdad airport, Dubai airport, Ataturk airport”.To emphasize main of many products of the analysis process : 1 - Activation of space suspense, time illusion, motion and succession illusion, figurative attention of space interior, are all requirements to achieve beauty and functional design values; which are the tools to of visual succession activation.2 - Man tends to change his/her linear motional track often to zigzag, or curvature tracks depending on visible attractive points; this indicates the necessity in reconsidering space linearity, in a way which makes space design focus on applying attraction points proportionally to favorite motional tracks of shoppers; to direct man natural motional tracks toward designed attractive points.

الصورة البصرية وانعكاسها في تشكيل الوعي الجمالي لدى طلبة الجامعة == Optical Image And Its Reflection In The Formation of Aesthetic Awareness Among University Students

Author name: میسون عبد الله عنبر اللامي
Supervisor name: صالح احمد الفھداوي | رعد عبد الجبار
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Is the essence of the visual arts including produced from a new language acquired by the Optical Energy in humans arresting his mind and his imagination and the evolution of the matter to the interaction invisible between the image and awareness of the human picture is Forum Arts and the threshold at which we stand to proceed to the world having witnessed's several transformations affected significantly in the production of concepts New contributed to enrich all the cultural activities and human knowledge, values and aesthetic aided image became a high - level graphical force became dominance and sovereignty characteristic of our time and one of the most important tools of knowledge and cultural institution of human consciousness. The research consisted of four seasons The first chapter research problem and its significance, which summed up by asking the following : • Is there a relationship between attention and awareness of the aesthetic? • Is there a relationship between the visual image and awareness of the aesthetic?• To what extent reflected the impact of optical image formation aesthetic awareness?The aim of the current research was to : - Detect the reflection of the image - forming optical aesthetic awareness. Among university students To achieve this objective research, the researcher sees the need to know the relationship between the basic elements involved in the formation ofaesthetic awareness through a range of measures, namely : 1 - know the real level of attention among the students of the University of Baghdad, depending on the variables A - sex B - SpecializationTo achieve this researcher developed the following hypothesis : (Are there significant differences in the level of real attention to the university students depending on the variables of a - sex - Specialty) 2 - Know abstract level of attention among the students of the University of Baghdad, depending on the variables A - sex B - SpecializationTo achieve this researcher developed the following hypothesis : (Are there significant differences in the level of abstract attention of university students depending on the variables of a - sex - Specialty)3 - know the level of aesthetic awareness among the students of the University of Baghdad, depending on the variables A - sex B - Specialization To achieve this researcher developed the following hypothesis : (Are there significant differences in the level of aesthetic awareness among university students depending on the variables of a - sex - Specialty)4 - known correlation between attention and aesthetic awareness among university students of both typesA - realistic The limits of current research are : - Spatial boundaries : the University of Baghdad - science colleges and humanitarian / Studies morning - Border temporal : the academic year 2012 - 2013 - Human border : third grade students of scientific disciplines and humanities / morning - Objectivity border : ? awareness aesthetic as a preliminary mentality.? fixed optical imageAnd known researcher of the terms contained in the title search and the procedural side, and these terms are : optical image - aesthetic awareness - forming - reflection - attention The second chapter included a theoretical framework and included threesections : - The first topic : Optical Image The second topic : aesthetic awareness Section III : the mechanics of aesthetic awareness of the visual image And hired a researcher with a set of previous studies to benefit them in building the theoretical side and the current procedural Search The third chapter included a search procedures, which included the research community and the research sample chosen by the researcher randomly stratified, and research tools, which included building a measure of attention realistic and abstract and building scale of consciousness aesthetic through visual image and completed researcher validity of the instruments applied to sample reconnaissance and presented to a group of experts and conduct operations to be tools of statistical researcher ready for application on the main research sample's (356) students from the third grade studies morning and humanitarian and scientific disciplines at the University of Baghdad Researcher reached to a set of results of the most important - Baghdad University students enjoy a high level of attention to the quality of realistic and - Baghdad University students enjoy a high level of awareness of the aesthetic - Superiority of females over males in the level of attention and awareness of aesthetic - Outweigh humanitarian scientific specialization in the level of attention and awareness of aesthetic - The prevailing attention among the students of the University of Baghdad is a realistic attention - That the prevailing correlation is the real relationship between attention and aesthetic awareness The researcher then identified conclusions, according to its findings and exited researcher with a set of recommendations including : 1 - the need to prepare a program, giving students in the Department of Education's reading skills and employ optical educationally2 - should not be ignored formal challenges in the field of visual arts because they contribute effectively and active in attracting the attention of the recipient3 - The need to pay attention, including in respect of the messages being reflected on the receiver in the formation of consciousness positively or negatively.4 - The need knowledge of the rapid developments in production techniques and the growing role in the era of globalization, including variables contribute to satiate that serve the goals of human development5 - the need to add optical image aesthetics decision and read methods in undergraduate and taught with jurisdiction.6 - need to take into account the image society's values and customs because of their importance in the social, economic and educational.The proposals identified by the researcher was most important : 1 - to conduct a study aimed at building a training program for university students on reading skills and growing role in the era of globalization variables2 - a study aimed at building a scale to measure the aesthetic awareness through the visual image of a primary school child.3 - conduct a study that includes building a curriculum for aesthetic education based on fixed and mobile.

فاعلية البناء الافتراضي في التصميم الكرافيكي المعاصر == Virtual Construction Effectiveness In Contemporary Graphic Design

Author name: نادية خليل اسماعيل العزاوي
Supervisor name: سعدي عباس كاظم
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تاتي العمليات الابداعية لتجسيد الوجه الجمالية والبنائية في التصميم المعاصر من خلال استقراء التصورات الذهنية للبناء الافتراضي بالدراسة والتحليل، وابراز قيمة وفق المفهوم الفلسفي للبنى والمتغيرات، بحسب مخيلة المصمم وامكاناته ليظهر مايحملة من افكار نحو فعل مؤ | Creative processes come to embody the aesthetic and structural face in contemporary design through extrapolation of perceptions of mental default building study and analysis, and to highlight the value in accordance with the concept of the philosophical structures and variables, according to the imagination of the designer and the capacities to show what one holds of ideas impressively did achieve presumably to show contemporary Graphic designs. The current problem has been identified by asking the following question : What Is the effective default of Graphic construction in contemporary design? In order to reach the desired results through the goal set by the researcher as : - 1. Disclosure of the effectiveness of the default construction in Graphic contemporary design.2. To highlight the design pillars , ideas and visions to show expressive, functional and aesthetic values of the contemporary Graphic design. For the purpose of access to the objectives of the current research was to identify key themes contained in Chapter II (theoretical framework) four Bembagesh (the concept of construction in design and concept of the default construction, determinants and objectives of the default construction, the default design and philosophy of the digital age, trends and con temporary & Graphic.),art movements And support including what was resulted about the theoretical framework of the basic indicators, identified the procedures of research in the third chapter following the descriptive method (content analysis) for the diverse research community and with (150) one hundred and fifty - designed default, the appointed elected dele bersrately with the help of experts to considerations envisaged by the researcher and the related subject matter whith (15) model for advertising (magazine (Marie Claire) and one page and two pages, and interface published Web sites on a global site (Deviant Art). The covers of magazine (Time)) for the year 2014,according to imperatives highlighted by the researcher and identified according to the pillars derived from the Theoretical frame and indicators, and relied upon in the selected sample analysis to show the results discussed in Chapter IV has been reached.The set of results including : - 1. effectiveness embodied the idea of the building to the default output suggestive creative thinking distant from the reality on the hypotheses according to comparisons, and the effectiveness of the creative thinking of the imaginary axis innovative and metaphor.2. Effective default construction components emerged through subsequent dimensional visualization for configurable output showing new and fanciful to imagine the result of the integration and re - installation of new builders.A group of the most important conclusions where added : 1. Default formal building associated according to the perception of(an objective basis) based on the assumption of mental interpretation according to interpretation and to impose on the for drafting language, and the assumption according to the representative analogy to like in the forms elements and characteristics.• The default design. shows the temporal assumption excitation with a view time assumption and call for the past and, present and call for the next a mentally presumption gives dimension to the future thinking. Then it caused a series of recommendations including : The necessity to emphasize the effectiveness of virtual relationships in the virtual construction of the use of Hypertext (Ultra) or multi media impressive to embody the impressive character of and to empress expression its content. And she put forward a set of proposals and the most the important of : A study of interactive philosophy, deliberative designed product in the construction of online advertising. The sources , references, and appendices ,were added to the study and Displayed summary in English.

فلسفة فن التصميم الطباعي في الفر المعاصر النظرية والتطبيق == Philosophy The Art of Graphic Design In The Contemporary Thought of Theory And Practice

Author name: نبيل احمد فؤاد
Supervisor name: حكمت رشيد فخري العزاوي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The cultural level of any nation is measured by the prevalence of philosophising proper there, where indicates promoted Nations and its development on promoted thinking and philosophical evolution at their sons, while leading the deterioration of culture and dystrophy in any community to dissolution of philosophical thinking and rigidity where, from here stemmed the importance of the philosophy of being a the effectiveness of a purely intellectual trying to understand the world as a whole.What characterizes the philosophy of inclusiveness and stripping them of a humanitarian nature pushes the boundaries of nations and nationalities, and making it one of the most important means of understanding, cooperation and brotherhoodbetween ideological human beings on the earth. Therefore, the philosophy supports the self - consciousness of the human being and his understanding of the role of scientific discoveries in the overall development of human culture, and thenprovide a standard for appreciation and linking the separate episodes in one comprehensive theory. There is no doubt that the critical spirit characteristic of philosophy contribute liberation of the human mind from the power of tradition and transport and calls for the development of ideas and beliefs established under discussion and revision and modification, , Through those lines philosophical and stripping logic creative meanings of self - expression and nature, we can say that the design simply means approach the expression of certain ideas using visual aids, this process is more like a translation of the interior feelings with the person through the use of abstract shapes derived from nature within certain relationships such as Unity , balance, and rhythm. Design is emulates a vision or in other words "vision", Valmsamm is fully aware that the idea that wants to communicate to people through a particular design must be seen by the people, then design is to deal with the eye directly, and then made up a sense of aesthetics shapes insidedesign at receiver, where represents Chapter the first, which contained the research problem that came on as two questions, namely : - Is it possible to identify and study the philosophical theories and technical schools and experiences of the designers personal contemporary been affected by the art of graphic design as a concept and what are the ranges to take advantage ofthis philosophical theories and personal experiences in contemporary work of design typographical that appeared during the twentieth century in chronological order in a period of contemporary? - Does the sequence historical art graphic design, referring to deepen the philosophical and artistic vision through schools and concepts that have been affected by political considerations, social and environmental? As well as the statement of the importance of the concepts of contemporary thought effect active in the detection of environmental sources of inspiration, The set a goal to search according to the following : 1 - detection the schools of intellectual, artistic and monetary contemporary designs and their impact on print Through the study and analysis of advertising posters for movies.2 - axes identify theory and cognitive processes The their implications in Applied print designs.The boundaries of research have included the reduction objective study which defines the philosophy of the art of graphic design in contemporary thought theory and practice, and the study identifies Alhaddalmkane posters (movie poster) Qsidia selected from the United States, has been the adoption of the length of time from 1980 to 2000 _. As well as to determine the terms of the philosophy of art, contemporary thought, theory, application. And included the second chapter Anwanat including : Firstresearch About the History of Philosophy Abralkaron, the concept of philosophy at the school of contemporary thought, the concept of philosophy at the school of contemporary art, the concept of philosophy at schools cash in contemporary second topic : the axes of the design philosophy, in the third topic : the philosophy of the art of graphic design , in the fourth section : theory and practice, and then seal indicators theoretical framework, and included Chapter III : action research to identify the research method, the method of selecting the sample, the instrument sample analysis, and then allocated the subsequent pages to analyze and critique the models that included posters movies by (20) Sample , and then search out theresults, including : - The styles expressive and aesthetic design requirements also, as a counterpart to realize the inherent requirements of the three is the perceived value of the sensory and subject value formalism and Altobeiragayma connectivity. - Used the colors as symbols to indicate certain connotations and different, then we can say that the language of expressive colors and symbolic tag representing different feelings and aesthetic goals in humans according to the joy, wonder, fascination. - The latest conceptual art shifts in the quality of the concept of art which relies on technical skill, and aims to produce a beautiful thing, and in the concept of consumer artwork, and means of artistic expression, as well as the role of the artist.Then he went out research conclusions, including : - That all the foregoing philosophy are not facts ready nor knowledge acquired but is the idea of research free and permanent dialogue and the ongoing debate of ideas and opinions, theories and approaches, in order to availability on a clearerunderstanding and skill of the mentality of an enlightened and visionary educator, as the function of philosophy is to learn critical thinking in a different way. Then identified recommendations including : - The addition of the philosophy of art to the curriculum for the branches of the design department of the preliminary study of the effectiveness in the development of creative thinking. Then identified the subsequent pages of sources andsupplements, and display the summary in English

الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي == Significance And Temporal Dimensions of Industrial Design In The Product

Author name: مصطفى ابراهيم دحام السهيل
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: هذا البحث الموسوم ) الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي ( يتناول تاثير الزمان في تحديد اهم الابعاد في تصميم المنتجات الصناعية وانعكاس تلك الابعاد في تحديد شكل ووظيفة المنتج واهم المتغيرات والتطورات التي يحدثها الزمان والتي تقوم باحداث | This marked research (significant temporal and designing dimensions of the industrial product) deals with the impact of the time factor in determining the most important dimensions in designing of industrial products Its reflection on those dimensions in determining the shape and function of the product and the most important variables and developments caused by the factor of time which make a designing changes to the industrial products including the technical and technological aspects and what these changes may occur the consequent transformations in finding shape changes to the designing form of the functional prefromance ,the quality of the raw used in the industrial product.The research aims at determining the desining dimensions and the impact of time factor in Its composition which relates derectly in the process of industrial design that might lead to clarifying designing tracks taken by the designer in desingning process as the designing comes through a continueous and changed developing form due to chronological progress and what might this factor affects on linking and classifying things according to (past, present, future).The research sonsisted of four chapters, the first one dealt with the research problems,its importance and purposes,and idioms mentioned in, the second chapter focused on the the previous studies ,theoritical frame which included three introductions , the first one dealt with the temporal meaning and its intellectul dimensions , while the second introduction focused on the designing variables of the industrial product ,through time factor,as for the third introduction ,it dealt with the designing variables and its forming dimensions according to time factor and indications of the theoritical frame which formed the research mean by designing an analysis application which resulted definition of the aspects of an analysis form presented to a group of specialized experts.The third chapter included the research procedures of a society that have expanded capacity relying on (intentional) choice for samples of society of the study and the descriptive style in analyzing the sample by analyzing aspects form after presenting ot a group of experts ,which cosidered the most appropriate method to achieve the purposes of the study, the chapter addressed to descibe and analyze the specimens according to analysis form designed by researcher,while the seventh chapter has included the following results : 1 - Significance has achieved formal variable in the specimens of the body (6,3,2) with an average(50%) and turned in the specimen(2) that it was in than it was in the past which preceded in the specimen(1), the designing shape of the speciemen changed and has been enhanced, while in model (3), the design was directed towards the sculpured mass form, hence ,the design was deffered from its predecessors in the chrononlogical past eras,model (6) has achieved the formal variable as the design derected towards the formal shorthand and became more slim than before.2 - The variables effect of the functional performance was achieved significantly with average (33%) in the specimens (6,3), while achieved with (16%) in the specimen (2),and was achieved to some extent in specimen (5), not achieved in specimen (4,1).The most important conclusions in the research as follows : 1 - The transformation and change in the characteristics of design system adopted functional addition according to the technical development besides maintaining the essential system in some specimens a matter which led to waekness of the expressive power and the apparent conductivity of the system from the innersome design, in addition to the recommendations and proposals then references

البعد التعبيري لبورتريه الخزف الاوربي المعاصر == Dimension Expressionist Portrait of Contemporary European Ceramic

Author name: مياده حسن مرهج الكعبي
Supervisor name: نبراس احمد جاسم الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: دراسه قائمه على التنقيب عن المفاهيم والاصول في قيام العوامل التكوينيه والعليا والوظائفيه بهدف تاطير الانظمه التعبيريه للخزف الاوربي المعاصر. فالتعبيرية الى جانب بواعثها الفطرية لدى الفنانين بما تحمل من دلالات الابداع الشخصي, تنقلنا ايضا الى الحاضن الخارج | Based study exploration concepts and assets in the textural factors and upper and functionality in order to framing regulations expressive of European contemporary ceramicsExpressive motivation along with artists including fungal afford connotations of personal creativity, also Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureake uArtist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitures outside the custodial culturally, and culturally.Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureNow that seen in the art of portraiture European porcelain contemporary offsets Azha and implications in the context of technical and stylistic and aesthetic implications revealed thought Alheiomana which still governs taste new milestones keep pace with progress.from here it seemed the emergence of diversity Graphic showing expressive portrait rights of the reality of cross - fertilization between the past and the goal thought Alheiomana and between the paths of renewal in the framework of modernity and onwards to praise the subject of portraiture new formulas dimension expressionist despite control of quantitative models of the products of different kinds, but the employers doctrine clastic had reached a dimension expressionist the legitimacy of the chaos emerged a clear relationsformalism the most profitable products in portraiture to find this topic rationale for the present study to decode meaning boarder behind diversity in crafting dimension expressionist for portrait porcelain European contemporary in light of the sensitivity of the artist and the expression and contain the aesthetic as well as read the shifts shapes depending on the subject matter of his face and the services of hand in a time of as the body of contemporary portraiture relationship dimensions syntheticAllow to be exploited for artistic expression through various technical treatments in addition to the presence of attributes and Graphic sculptural portraiture of contemporary ceramics from functional integration and aesthetic and associate with everyday life.ln light of the foregoing researcher assumed possession of European porcelain portrait of contemporary characteristics and dimensions of new creative expressive phenomenon influenced the art of modernity and its aftermath a lot of artistic and aesthetic concepts.and offers a researcher fragile study in four chapter included the first chapter the importance of research problem in dimension expressionist porcelain portraiture European comtemporary, have been identified in this chapter bending search time period 2014 - 2000this addition to identifying procedural came in this chapter for the most important termsbasic searchthe chapter has two within the theoretical framework, which included three sections pertalning to contemporary European ceramic portraiture.first research : expressive elements in the art of portraiture and supplements the body. section twante : first concept art of potraiture in formation section third topic of prtraiture contemporary ceramics. the fourth topic : methods of forming ceramic portraiture and techniques. As the third quarter came from search procedures for the busy professionalcontrolled by research community and appointed the fourth chapter select to discuss the results derived from the analysis of samples of research and including checks of this research and included from this study, which ended in a pri acy statement ceramic portraiture European contemporary in terms of its distinguished presance as the value of art and aesthetic affecting the various arts era and in accordance with the regulations , which relied on businessman and big goals in the history of art and ask him pictures of the body.

مرجعيات البناء التشكيلي للقطة في الفيلم السينمائي == References For The Formation Structure of The Shots In Cinema

Author name: نصير حيدر لازم
Supervisor name: رعد عبد الجبار ثامر الشاطي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Formation represents one of the concepts that came from the Plastic Art, which has been effectively Involved in the cinematic shot structure, adapting with the cinematic form that produces motion, although The Formation in the drawing art generally an important reference for film director in the study of the nature of the composition or to suggest movement or flexibility in the usage of colors, and this led to reproduce films for global paintings, from here the researcher put the title of the subject for his research (References for the Formation Structure of the Shots in Cinema).The first Chapter includes (Methodological framework), beginning the problem of research, which is formulated on this question (what qualities which were represented by the References for the Formation Structure of the Shots in Cinema?), And the importance of this research was in addressing important issue of linking the Film Art and Plastic Art, in addition to the benefit of students and scholars in this field of study. The aim of the research has focused on the revelation of representation of References for the Formation Structure of the Shots in Cinema.The research has three limits, the substantive limit addressed feature films that dealt with global Fine paintings as a reference in the construction of the film shots, temporal limit represented by the period between (2004 - 2014), and the spatial limit represented by Films that was produced globally.The second chapter (The theoretical framework and previous studies) in three sections : The First section : Cinema relativity with plastic art.(References for the Formation Structure of the Shots in Cinema) This section has dealt with the chronology of plastic art techniques that helped to develop the Film Art over the years, such as the dark room and Magic Lantern, in addition to the will of cinema to introduce motion to be unique and different from the plastic art, and the Performing relationship between film Art and plastic art and the most important approaches and differences between these two arts.The second section : Formation Structure elements of the Shots in Cinema.Turning topic to Formation Structure elements shared between the art of painting and film art, from the point, line, color, balance and rhythm... etc., have been clarified that the basis for the Formation Structure is not a formative element, but relationships do from this element and make it an interactive capabilities with the rest of the elements for the production of meaning and information, and how the director Employs his tools in ways that leads to a Formation Structure supporting the middle of formative elements and cinematic language elements.The third section : Formation references according to the diversity of performance theories.The Operation types Selected in this section engage in the relationship between cinema and drawing, and joint productions between these two arts, and also addressed to the references of formation art that have had a significant impact in film history, such as classical, surrealism and abstract… etc., in addition to reproduce paintings cinematically, especially those paintings that belong to the global well - known painters, and how they match Formative with the final cinematic image.Finally... the researcher at the end of the second chapter came with indicators that formed the theoretical framework recap, including : that the(References for the Formation Structure of the Shots in Cinema) configuration in the cinematic shots inspires its Formation Structure from the joint proposals between plastic art and film art, and also the motion represents the diversity structure between the painting formation and cinematic shot formation, in addition to Dealing consciously with the optical script as a basic structure between the film shot and formational painting. As for The previous studies the Researcher did not find any study that specializes in his subject (References for the Formation Structure of the Shots in Cinema), except for a few references here and there in a number of books, references and researches related to his subject (The Shots Formation) which the Researcher relied on in his research.Then, in the third chapter, the researcher developed (Research Operations), he used the descriptive method for the analysis of samples in this research and then chose the intentional samples for the purpose of conducting the analysis process through the fourth chapter (Samples of the Research) : 1. Film (The Passion of the Christ).2. Film (Goya's Ghosts).3. Film (The Mill and the Cross).Then the results and conclusions in Chapter five, which the researcher reached what he purports through this research, and the most important results of the researcher is revealed that the film art has the ability to achieve symmetry between the shot and its formational references with pinpoint accuracy, which leads to the production of intellectual and aesthetic level in film structure. Plastic Art theories represent a basic reference that completes Film Art theories in dealing with the raw material (facts).(References for the Formation Structure of the Shots in Cinema) The motion represents the diversity structure between the painting formation and cinematic shot formation. As well as the painting affects the cinematic shots by making them an indication unit with specific features without linking it in the image intellectual context that insures it's formational and dramatic interaction.The recommendations and proposals by the researcher, followed by a list of sources and references which the researcher adopted at his research process, and then the supplements and the Abstract in the English language.

نظم الخطاب في عروض المسرح العراقي على وفق الاتجاهات النقدية الحديثة نماذج مختارة == The Systems of The Iraqi Drama Shows Discourse According To The Modern Directions Critical

Author name: حارث حمزة عبد الائمة الخفاجي
Supervisor name: نصيف جاسم الدليمي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثل العملية الابداعية فعلا تواصليا ناتجا عن العلاقة المتبادلة بين الوعي والوجود، على وفق صيغ وانساق تنتظم داخل فضاءات فكرية، تتجسد على نحو متحول في الاشكال المادية الممثلة للشكل الظاهري في الفن بحقوله المختلفة، التي يشكل الفن المسرحي احد تلك الحقول.وي | The creative process is represented communication active is ruselt from the mutual relationship between awareness and existence according to forms systems orginicing inside mental spaces represented on transform in material forms witch are represented in external shape to art in different in fields and the theatrical art is one of that fields.And the system of theatrical art is represented transforms active pivot or many levels wich is represented on realation ships and advices wich are spread between abstract humanity wich represnted in the text of the writer and what is carrying of elements and relationships wich are organize according to the given of text system, from one side ,and transform , in in side the external according to two levels the audiovisual from another side.And because of the processes of be organized the awareness to include the facts of theatrical field is come from to call for all humenty references and wich it cannot to out of tamely place facts and reflexes include the structural of creativness system theatrical - and its just like to called on it as abstract structural and atoms structural wich it called by those previous vocabularies from briefly of all to name for example : ( mentally, abstract, perfectly, sensitively, materially, externally, …. Ect ).The objectly equal wich is to spread the structural of theatrical system and finely, and charm reading , what this meaning in discourse, it is effect in the text, and criticism systems, in the theatrical art, included the place on the stag.The search it s contain in four chapters : The first chpter : the form a manner : 1. problem of research.2. aim of research.3. 4. Sami A. Al - hameed.5. fahdel khaleel.6. ssalah Al - qasab.7. Aakheel mahdee.After that, the researcher look in some criticism current : 1. structural.2. seismology.3. deference.

المعالجات الفنية والجمالية لمسرح الرؤى ومقارباتها في العرض المسرحي العراقي == Artistic And Aesthetic Treatments of The Theatre of Vision And Its Approaches In The Iraqi Stage Dramatic

Author name: نور سعيد جبار الخزاعي
Supervisor name: محمد حسين محمد حبيب | عباس محمد ابراهيم
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: انبثقت التجارب الاخراجية الحديثة التي تستند الى الجانب الانتقائي واللغة البصرية الابداعية المتميزة بدينامكيتها الحركية والصورية التي تعبر عن مبادئها الاساسية مقترنة باشتغال الصورة المسرحية ذات الطابع السيميائي والديالكتيكي على الاعراف والقوانين الفنية، وا | The modern trials of direction, which based on selection and creative visual language which is characterized by its motion and image dynamics and reflects its basic principles and associated with the acting of the semiotic , dialectic and revolutionary theatre image on all aesthetic, philosophical and artistic traditions and laws, were emerged to express the directional vision and find a new language that reflects the new era and its needs. The director's means don’t depend on a specific side , but through using creatively all art potentials, modern techniques and staying away from traditionalism and classicality which limit and weaken his expressive potentials. Therefore, there was the theatre of visions which canceled all traditions and laws of theatre and established a theatre depends upon the image that reflects what is in himself and his vision about art and society , generally. Moreover, the Iraqi director worked according to this trial and directive method, he was influenced by previous theatre trials which cleared the way to enter the experimental world to form the theatre image and use it to put the light on the problems in the Iraqi reality and find solutions. Thereupon, the researcher worked on putting the light on the most important theatres , that the Iraqi director was influenced by, the Iraqi director has worked on the system of the theatre image , so there was an approach between the theatre of visions and its functions and the Iraqi theatre and how it is influenced by these theatres from the directional side , artistically, aesthetically and creatively. This research lies in four chapters. The first chapter is the methodological framework of the study, it includes the problem of the research which is "What are the approaches of the theatre of visions in the Iraqi theatre show , artistically and aesthetically speaking? ". The importance of the research is reflected through putting the light on the theatre of visions, its references, how it works and its impact upon the Iraqi director, as a new study dealing with an important subject in the theatre show with a huge impact on the directional method. While the aim of the research is represented in " Identifying the artistic and aesthetic treatments of the theatre of visions and its approaches in the Iraqi theatre show". The research time is limited to the duration between (1985 - 2014) , while the place of the research is in Iraq. The objective limit is limited to " studying the subject of artistic and aesthetic treatments of theatre of visions and its approaches in the Iraqi theatre show within the specified duration of time" , and finally, this research is concluded by identifying terms cited in the title of the research. The second chapter is about the theoretical framework and indicators resulting from previous studies and theoretical framework. So, this chapter lies in three topics : - First topic : references of the theatre of visions Second topic : the beginnings of theatre of visions Third topic : Chaotic aesthetics in the theatre of visions This chapter is concluded with the previous studies and the most important indicators resulted from the theoretical framework. The third chapter includes procedural framework of the research , the research community contains (108) stage shows, within the limits of time and place. Also, it includes the research sample which contains (5) plays which are : " Circus clown's sorrows" , "Karook" , " Doubt" , " Horse of blood" and "Rebuke". These plays are deliberately selected, in a way that fits the research community and to achieve the aim of the research. Furthermore, it includes the research tool , where the researcher formed the tool in its preliminary version by extracting it from the indicators of the theoretical framework. After modification done by the experts committee and applying the operations on it, the final version of the tool was extracted. The researcher has followed the descriptive (analytical )approach, and this chapter is concluded by analyzing the sample. Finally, the fourth chapter is a presentation of the most significant results and conclusions such as : - • The degree of approach differs between the theatre of visions and Iraqi theatre shows due to different directors , their styles in directing , using the theatre techniques and their different ways to create ideas and find treatments. • Display the intermittent theatre images and the way of using them theatrically, occupy the most approaching side to the structure of displaying in the theatre of visions. So, the form of the image, its significance, its symbolism and aestheticism are the approaching side to the theatre of visions

الاضداد في النظم الشكلية للمنتج الصناعي وامكانيتها في استجابة المتلقي == Opposites Formal Systems For Industrial Product And Their Ability In The Response of The Receiver

Author name: نور عباس حسين السعدي
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تشكل الاضداد بالنظم الشكلية في تصاميم المنتجات الصناعية التي تؤدي دورا اساسيا في شكلها ودورها في استجابة المتلقي. ولعدم قيام اي من الدارسين بدراسة موضوع الاضداد في النظم الشكلية ودوره في عملية الجذب والابهار للمتلقي قامت الباحث بطرح الدراسة الموسومة ب ( | Opposites constitute formal systems in industrial designs products that play a key role in its form and its role in the recipient's response. And the failure of any of the students studying the subject of opposites in the formal system and its role in the process of attraction and fascination for the recipient the researcher asking study tagged (opposites in the formal systems for industrial product and their ability in the recipient's response) through the four seasons, the first chapter dealt with the problem of the search centered What is the role of opposites in formal systems and their ability in the recipient's response, then the importance of research in a statement opposites systems formalism for industrial product came as one of the means in the recipient attract, and can benefit from them and put it as a way of moving Bsykologgio receiver to achieve the benefit of the individual and the community, has been the first quarter included the goal of research is to determine the effectiveness of opposites relations and their ability in response Almtgay.vdila eating it identify the terms that Tzmnha search.Chapter II has included previous studies and theoretical framework, the theoretical framework it contains three sections, dealing with the first part, the subject of the idea of spatial contrast broad faithful to the concept of antagonism and Mbdoaltdhad and philosophy of antagonism and theories contrast, while the second topic antagonistic relations and organizational bases (formal systems) for industrial product and explained the foundations of organizational relationships and their types and their relationship contradistinction, while the third section psychology of visual perception and responsive recipient and explaining the cognitive and understandable, and some theories of cognition and the excitement and response and aesthetic judgment.The third chapter included research procedures and methodology that has been through the selection of the research community and choose the descriptive approach in the case study.Chapter IV has included the search results, and most important of these The results : 1. aesthetic values achieved regulatory connotations and at different rates, where the sudden rhythmic patterns in the formal system and color models (1,2,4), while the rhythmic patterns came clades formalism of the model (2.3), either model (5) rhythmic patterns have been achieved in design through raw material (Mca).2. Tmzart formal systems for industrial body product through objective and subjective job performance achieved functional mechanism in the human body models (1,2,3,5), which have the effect of a clearly defined response in the recipient and to realize the function of the product through Almnzawmth formalism.The most important conclusions of the researcher are : 1. The recruitment of antagonism through sudden rhythmic patterns in the formal and tonal system in the industrial product design aesthetic values occur regulatory connotations which they can check the recipient's response.2. antagonism is a goal to create a sense of where the transfer of translational appointed receiver from one area to another investigator continuity, so that the contrast makes winning product design art is visually obvious and makes high - alone form different but interconnected.And the researcher then to set the foundations of the design was the most important : 1. You must sudden rhythmic systems for industrial product adoption in its system of formal and color that affect directly affect the response of the receiver.2. The use of contrast in the system size, shape and direction to enhance highlight the formal systems for industrial product and must be employed is not limited to color spaces equal and flat

فاعلية طريقة الاستكشاف في تنمية المهارات الفنية لدى تلامذة المرحلة الابتدائية في مادة الاشغال اليدوية == Effective Exploration Method In Substantive Skills Development To The Pupils of Primary School In The Subject of Handmade Works

Author name: هالة محجن نعمان
Supervisor name: احلام مجيد سلمان
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: نظرا لما تمتلكة طرائق التدريس من دور مهم في العملية التعليمية يرتكز عليه مختلف الاسس والاساليب والانشطة المختلفه التربوية منها والتعليمية، ولكون طرائق التدريس الحديثة لها اهمية بارزة في العملية التعليمية فان طريقة الاستكشافية وفاعليتها في تنمية المهارات ا | Because of their methods of teaching an important role in the learning process. Based upon various grounds and different styles of educational activities , including learning. The fact that modern teaching method of Prominent importance in the learning process the way of exploration and of activeness in manual skills development, of various material especially material handicraft, and activation of different method to its full Potential and the power of the elements to get to high level of education between students and teachers. This is what the current organized (Effective exploration method in the development of skills for students in primary school ). The research consists of four chapters : - The first chapter : Find deals with problem of cross - crystalline question follow : - Q : How effective exploration method in the development of skills among primary school students?The objective search by : - 1 - Disclosure of the effectiveness of exploration development skills to pupils of primary school.2 - Measure the effective of exploration development skills to pupils of primary school for Hand work. The importance of higher research need to upgrade to high level using modern teaching method to active the educational process - and represented by the objective limits and then spatial and temporal boundaries border as well as identifying terms in the title and exit procedural definition.The second chapter : - It is including the cortical frame work which consisted of three research : - 1 - First section : - The skill and the importance 2 - second section : - included the hand work3 - third section : - included about the importance to teaching method relationship with skill sideThe third chapter : - Included research procedures and methodology adopted the experimental method has been selected sample of pupils of Al - Ashbal primary school fifth grade primary and extent of the use of meta , search teat and tribal tool.The fourth chapter : - Includes findings and conclusions that have been reached and was the most prominent1 - All hand work develop performance skills to students 2 - Conscience and artistic expression and associated operations creation and innovation development3 - Through it is to achieve social cohesion among themselves And then the recommendation and proposal, and list of sources and supplements came.

الاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصاميم الطباعية == Aesthetic Response And Variables In The Process of Communication

Author name: هبة مزهر محجوب
Supervisor name: ادوار الاشقر
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تشكل اهمية هذا البحث مؤشرا لمواكبة التطور للاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصمايم الطباعية، فالاستجابة الجمالية تعد ردود الفعل الايجابية التي يثيرها المثير عند المشاهد اثناء الحكم الجمالي او التجربة الجمالية والنفعية اما عند المتغيرات | The importance of this report considers an index to convoy the development of Aesthetic responsive and its changes in the communicative procees for theprinting design.on scientific foundation of effective with using the facilities available for new technologies wich is available in commercial advertising through the computer which through it the effective responsive achieved Conserning with the problem and through the researcher observationjob and her study for the Aesthetic responsive.ahe found that three was aproblem in dealing eith that subject from the searcher specially for the specil reality of the Aesthefic responsive and is changes and effeeing of the communicative rocess in printing design field and that to achieve receiving the actting letter with designs filld with beautiful vaiues to do the job and to get the responses from the listener and his interaction in this letterSearcch target Discovering the changes of the Aesthetic responsive in the communicative process for printing designs ,graphic designs.The search restricted in studing the Aesthetic responsive and is change in the communicative process for the modern commercial advertisement dealing with the beautiful and creer way and that what concerned withchabter one , but chapter tow covered the oretical frame work and it divided to three investigations ,the first study content concept of Aesthetic responsive and Aesthetic concept and the second study content communicative process and the factors which depends on the success of the communicative process, also the third study is commercial advertising and the target of it functions and types artistic side of the most important things in the announcement since it concern with graphic designers?s abilities in artistic and technical skills.Recommendation and propo sals ;1. That are ative and practical application in the commercial side of the announcement.2. confirmation that the work in the design of ommercial advertising deals with receiving advertising me ssage from the designer to the recriver.Suggestions ;1.Undertake astudy similar aesthetic response for the shope and color characteristics in commercial advertising. 2.Practical study to contrast vole of the image in advertisement and its effect on the recever.

برنامج تدريبي لبناء التكوين في رسوم طلبة المرحلة المتوسطة لمدينة بغداد == A Training Program of Composition Structure In Secondary Stage Students Drawing In Baghdad City

Author name: هند عماد حميد البياتي
Supervisor name: هاني محي الدين محمد النعيمي | رعد عزيز عبد الله
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد التربية الفنية من الدروس المهمة في حياة الطالب وخاصة في مرحلة المراهقة, المهمة في حياته , حيث تسعى الى صقل وتنمية قدراته فكريا واجتماعيا وفنيا, اذ تتيح له التعبير عن افكاره ومشاعره وانفعالاته حيث يصور العالم الخارجي بنظرته الذاتية او الذاتية الواقع | The art education regarded as one of the important lessons in learners life particularly in adolescence period. Because it a tempts to refine and enrich his abilities mentally , socially and artistically.In this way gives him the opportunity to express his thoughts , feeling and emotions through shaping the outside world with his own or realistic vision. The art of drawing considered one of the most important arts that have been used in the artistically expression which is the visual borrowing from environment. This is done by organizing the lines shapes and colors in specific palter of expression in order to be perfect by the Composition structure of the paint.From the observation, we notice that the learner flounders in his subjects and failure to produce his paint with it perfect shape and context. the reason lies, according to the researcher point of view , through her experience in the artistically supervision , the learners lacking the knowledge of the minor elements and founds of the artistically structure which is considered the basic pillar in any artistically perfect work.Depending on what is said above , the researcher has put the following aims : - 1 - Designing truing programmed for Composition the artistic structure in students drawings according to Gagne& Briggs (1988) theory. 2 - Measuring the effectiveness of the training programmed for the artistically structure elements and founds within the (cognitive - skill) dimensions. By applying it on a sample of secondary stage students. to achieve the second aim , four null hypothesis have determined to measure the cognitive and skill performance achievement level. The stay population is limited to second year boys student of the general sector of education in Baghdad city for the academic year (2011 - 2012), the total number is (27824) male student distributed on (50) school. The study sample is (40) male students which have been chosen randomly. Actually (2) classes from total (7) classes in AL - Garbia secondary school. The experimental group have been exposed to the requirements of training program designed according to Gagne& Briggs (1988) Theory which included (3) educational units.While the control group have taught by using the traditional methods. To option data , two tools are designed : - 1 - Cognitive - achievement test : to measure what in formation the students elements before and after applying the training programmed. 2 - Skill - achievement test : - To measure what drawings skill students have before and after applying the training programmed. Anevalution of skill performance list have been used. The presenter have used the suitable statistical tools such as : (mann_whitney) test to equalize the students in age, the cognitive achievement test (pre _ post)and skill performance (pre _ post). the discrimination power and difficulty of items. (Alpha_Cranach) formula to obtain reliability of the test , (Pearson _correlation) and (spearman brown).The most important results that the research have reached at is that the experimental group. exceeds in their performance of the cognitive - achievement test for article structure Composition and skill performance on the control group which shows the effectiveness of using the training programmed according to Gagne& Briggs (1988) Theory. The important recommendations are : - 1 - Adopting the designed training programmed in teaching elements and founds of artistically structure in secondary school because it is one of the important lessons.2 - Enabling teachers of art who are not specialized in art department to be supported by the content of the training programmed in teaching this lesson.The researcher has suggested the following : - 1 - Conducting a fellow up study for this study sample which have been exposed to this programmed anther studying stages to determine the effectiveness of this programmed in future.2 - Conducting a study for training programmed of Composition artistically structure in talented students drawings at Baghdad university.3 - Conducting a similar study on female students in the same stage and make a comparison between male and female students according to the results of the present study.

واقع اداء الة التشيللو عند المؤلفين الموسيقيين العراقيين وامكانية تطويره : دراسة وصفية تحليلية == The Performance Status of Cello Instrument At Iraqi Composers And The Possibility of Development Descriptive And Analytic Study

Author name: وليد غازي فرمان
Supervisor name: حسام يعقوب اسحق
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This Research consisted of five chapters with a list of sources andsupplements : First chapter addressed methodological framework of the research, exhibited research justification, whereas the researcher referred to the status and development of music in ancient communities in both theoretical and practical levels, and its transferring between east and west, whereas many musical issues transferred to Arab world like western musical composition rules and musical instruments, especially orchestral ones, that encouraged many Arab musician, specially Iraqis, to take concern about these instruments and learn how to use them in orchestral compositions, and how that’s led to emergence of some Arabic and Iraqi orchestral compositions. Then the researcher talked about orchestral instruments, which cello instrument considered one ofthem in violin family, and he clarified that orchestral composer must have full knowledge about the characteristic of this instrument, like acoustic range and its performing techniques, whereas the composer writes special symbols on the score refer to these techniques like dynamic, ornaments and articulations…etc. Then the researcher addressed Iraqi orchestral compositions, whereas he observed a weak utilization of Cello capabilities through little usage of performing symbols in the scores. He realized the importance of academic research, and for lack of previous researches dealt with the subject, after he showed his justifications, he issued his research as : (The performance status of Cello instrument at Iraqi composers and the possibility of development).Then the researcher exhibited the importance of his research as follow : 1 - Studying the amount and types of performance techniques used in Cello line in Iraqi orchestral compositions.2 - Showing the role of Cello instrument in Iraqi orchestral compositions.3 - Useful for students and to those who involved in music field, especially the composers.4 - Considered as an academic source in music field, especially about Cello instrument.5 - Considered the first methodological study about cell instrument in Iraq.The performance status of Cello instrument at Iraqi composers and the possibility of development Descriptive and Analytic study A Thesis submitted to the University of Baghdad council of the College of Fine arts In partial of fulfillment of requirements for the Master Degree in Musicology Then the researcher defined the aim of his research as follow : 1 - Exposing amount and types of performance techniques used in Cello line in Iraqi orchestral compositions. 2 - Exposing performing status of musical usage at Iraqi composers.3 - Setting suggestions for developing composing for Cello instrument.After that, the researcher explained the limits of his research and he defined the terms. Chapter tow consisted of the theoretical framework and previous studies. Theoretical framework consisted of an introduction and four subjects; the introduction addressed music importance in community and its relation with human life. First subject addressed string instruments and orchestral composition, where he defined the term, history of the orchestra, orchestral music instruments and grouping, and then he addressed the development of bowing string instruments and violin family over the time. Third subject was about cello instrument, addressing its importance, especially in orchestral composition, its making history and development, some acoustic characteristics, and the most prominent composers and performers in the west, and then he talked about cello transferring to Arab world and Iraq.Third subject addressed for performance notation techniques symbols and their history. Forth subject addressed definition of some performance techniques and specialty on Cello. Third chapter addressed research procedures, where the researcher identified the research approach he taken. Then he chose his research community, which consisted of all orchestral musical compositions, composed within the time limits, (above 2008),involving a cello line, which consisted of 24 orchestral compositions. Then he exhibited the community to experts to choose the suitable compositions, they chose seven compositions as sample according to special conditions. Then the researcher named his research tools and the analytical standard, and his researcher requirements.Fourth chapter addressed musical analysis of the selected samples. Chapter 5 set the results of the musical analysis, then the

برنامج تدريبي لتطوير مهارات الاخراج في المسرح المدرسي لدى مدرسي التربية الفنية == A Training Program To Develop The Skills of Directing In The Theater School'S Technical Education Teachers

Author name: ياسمين عدنان بهجت
Supervisor name: صباح عطية سويبج
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لقد اكدت الدراسات والبحوث التربوية التي تناولت في اجرءاتها موضوع المسرح المدرسي واهميته في العملية التعليمية ضرورة تخصيص مساحة كبيرة له في برامج المؤسسة التعليمية، كونه يخلق حلقه وصل مهمة بينها وبين المجتمع، كما ان المراحل الدراسية الاولى هي التي تخلق جم | We have confirmed the studies and research addressed in procedures Multi school theater and its importance in the educational process should be allocated a large area has programs in the educational institution, he creates an important link between them and the community, and the grades first is to create public school theater and building artist theatrical authentic.So is theater school of media task that can be used in the development and activation capabilities scientific, educational and technical learners through the stages of pre - stage university, as is through the provision of knowledge in the form of art, helps refine educated and make them accept eagerly to accept scientific data that usually be dry sometimes if presented to them traditional methods in the educational process.We started (the researcher) in the process of incorporation to the problem discussed according to the survey conducted by the scientific studies and research that dealt with the subject of school theater. Moreover the study exploratory in the number of secondary schools of the Directorate of Rusafa second to determine the extent of knowledge of teachers of art education the basic principles of the output and its components, rules and mechanisms applied, I survey teachers of art education and administrative cadres and found their need for more practical experience in this area and courses training and development to drive and develop their skills in the field of directing in the theater school.Based on the foregoing and the researcher found an urgent need to study that will develop the skills of directing in the theater school's art education teachers and raise the technical proficiency.Aim of the current research is to achieve : - Develop directing skills in school theater's art education teachers, and to achieve this goal researcher identified the following two sub - goals : - 1. Building a training program to develop the skills of directing theatrical according to model kofmin / 1970.2. Measure the effectiveness of the training program through its application on a sample of teachers and teachers of art education at the secondary level for the academic year 2010 - 2011.To verify the targets laid researcher hypotheses zero.Ensure the research community of teachers and art education teachers who taught soil art at the secondary level for the academic year 2010 - 2011.To achieve the goals of current research, the researcher designed a training program be (5) modules according to a model kofmin /1970. and includes training content in the material directing theater for theater school, and to measure the effectiveness of the training program has been prepared two types of tests (cognitive - skiller) and measured mediated form calendar performance skills.To show search results based researcher Cookson test for one sample and Kjordichardson equation / 20 and the equation of discrimination and difficulty equation Holsta.The main results are : - 1. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in the achievement test cognitive dimensional, reason and clarity phases of the program, and you know teachers and teachers of art education targets training knowledge and skills for each stage of education, making it easier for them follow - up process steps, in chronological order.2. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in test performance skills dimensional skills directing for the theater school, and why it clear steps training through the presentation skills directing and models play was prepared in the training program in order to recognize them members Group the treated After creating or preparing complete ’s Necessary , and the use of tools, and implementation of performance correctly and building phases of training in a logical sequence, and not move from skill to skill other only in mastering the skill previous full and dividing the skills to its simplest form by behavioral objectives performing.The main recommendations are : - 1. Adoption of the training program, which try to train teachers and art education teachers on the skills of directing the school theater, to prove its worth and effectiveness in the Acquisition of information and perfecting their skills during the training session.2. Take advantage of training centers and development of the Ministry of Higher Education and Scientific Research and the Ministry of Education of the training program based on principles and the foundations of instructional design for training of personnel teaching in the disciplines of the arts for the theories and models design training and analysis skills and use them in other subjects varied.

التمثلات الجمالية والتعبيرية للسينما النقية في الفيلم المعاصر == Aesthetic And Expressive Representations of Pure Cinema In Contemporary Film

Author name: خضير عبيس جياد القريشي
Supervisor name: محمد عبد الجبار كاظم
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان البحث الموسوم ( التمثلات الجمالية والتعبيرية للسينما النقية في الفيلم المعاصر) يتصدى لمفهوم السينما النقية كاتجاه طرح في عشرينيات القرن الماضي , وله سمات على المستوى الاشتغال الجمالي والتعبيري , وتعددت مصطلحات السينما النقية الى ( الخالصة , الصرفة, ) ف | The universe is in a constant motion, and the feature of the innovative life is the continuous change and development accompanies it. The philosophical theories has come with hypotheses based on the alteration or displacement of those before them, and giving these theories and validity in experiments on the practical application level. Cinematic art is one of these arts that derived its endurance from scientific development. The devices and equipment have enabled the artist to express and make his private worlds. Cinematic art closer to dream than reality. On the theorizing level, many theories that address the concept of the concept of film picture and the extent to which it reaches whether from the port of reality or through entering from the realistic port in the physical facts have been posed. Cinema has used this physical shortage and formed a tendency that allows the vision as the filmmaker sees. Within this theories, the trend of pure cinema which has seeded the pioneer cinema makers within the first seed. That has become a feature in many of the revolution on the traditional and classical and searching for new expressions towards aestheticism expressing the taken from the symbols, metonymy, and metaphors tools. Also, the search for ranges which the style reaches the pure style in the contemporary.This chapter includes four chapter; chapter one is the theoretical framework of the study which includes the problem. The problem includes the problem in the following questions (What are the manners which impersonate the aesthetic and expressive works of the pure cinema in the contemporary cinema?). The important of the study lies in shedding light on the concept of pure cinema and stating many of the recursions, and the effect which have given entrance to the world of the subconscious and dream to from. The need for such research should in the hands of many theories which researchers and reveal may of the theories that remained only in books. Also, the argument about pure cinema, its basis and rules and features, the limits of the study were open spatial limits because the cinematic innovation has no limits. The time limit is also not restricted as the pure cinema term was first posed in the 1920s and the work is still in pure technique. The purposed samples were chosen for more than one century for the purpose of study, therefore the choice was according to the objective of the study to investigation the features and characteristics of the pure cinema. The researcher has also tackled the concepts determinations which are mentioned in the study.Chapter Two is the theoretical framework in three inquiries : the first inquiry is the theoretical starting point of the pure cinema in the researcher traces the concept of the pure cinema since the moment of conception by the first pioneer theorists, specially the work of the cinematic director Germaine Dolac. We also find the term (the pure cinema) was the French Henri Shomit. Then, the study tackles the search for the roots of the pure cinema and the pioneer trend manifested in Dadaism, Surrealism and Expressionism. The reason leading to the emergence of the pure cinema. The pioneers of this cinema and their theories. The Inquiry was concluded with the theoretical points in the pure cinema. The second inquiry studies the manner of the how elements works in the pure cinema through looking in expressionism of the cinematography through like scenario, montage art which is characterize by special features in the pure style of cinema, Also, the elements that have given the pure style its expression function like fantasy, symbols, metaphor, metonym, dream and hinting. All of these have given a special feature for functioning characterizes the contemporary films. The researcher came up with foundations which characterize the pure style in cinema.The second inquiry tackles the aesthetic representation in the pure cinema in the contemporary films. It draws boundaries in which the pure style in the contemporary films works through marking out the aesthetic representation and its positions, and what the pure style has come up with to break patterns in the level of expression and the aesthetic representation of the foundations of the pure cinema of.the contemporary films. The researcher comes up with indicators of the theoretical framework and also tackles the previous studies. Chapter Three includes the procedures of the study in determining the descriptive - analytical methodology and the community. The researcher used analysis of scene and shot analysis unit. The tool of the study and the resulting indicators from the theoretical framework, and the subjection of these indicators to the opinions of the experts and arbitrator. After taking these opinions, the tools of the study has become : the pure cinema has taken a style between reality and dream. Dream has become life, and life is the film accomplishment. The samples of the study have chosen following films : Mirror, the film Tree of Life, the film Sesso e Fliosofia and the film The Sea Letters for reasons which the researcher mentions in detail.Chapter Four tackles an analysis of the samples of the study according to the tool of study. The study comes up with the findings as follows : the pure cinema style is the result which seeks the pure filmic expression. The motion photograph is the result of innovative of cinematography, taking from employment of the elements of the cinematography language in its fullest extent and the relations among them to achieve the pure style. The study also includes the recommendations and the suggestions and a list of the references and the abstract in English.

السمات النحتية في العمارة التفكيكية == Sculptural Features In Deconstructionist Architecture

Author name: عقيل حسين جاسم حمزة
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Affected by the nature of the fine arts in general, structures its neighboring affected seem like the product of logical, through contact with these arts influences thought compressor socially and religiously and scientifically and psychologically, and this is what makes sure functionally according to the relationship art evolution year which occurs in the human communities throughout history. I have contacted art, including sculpture composition data of the intellectual and aesthetic transformation that has occurred in the structure of the art in a different historical era from arts of ancient civilizations in Iraq, Egypt and Greece, through the art of the Middle Ages and the Renaissance, and ending, including the outcome of the modern arts and beyond.It was the emergence of currents modernist impact evident in the development of coordinated Achtgala a clear distinction between art painting, sculpture, and took the products of contemporary architecture, influenced by and influence, with the result of the achievements of artistic creativity, and it was for the development of the great in the field of technology have a positive impact of the relationship of sculpture, architecture, in terms of employment and similar and metaphor and embedding, and but relativism rise and fall, the vision of the architect or sculptor alike.Hence, the evolution of architecture in the period of modernism connects the idea of switching from level realistic to the level of abstract or symbolic, and it was for this, a role in showing the properties of architectural most relevant features art talk, specifically sculpture, and this similarity or overlap strengthened through the system aesthetics of modern art all related references poignant and mutant methods.The researcher found important to know the most important of these characteristics. So Me Find studying (sculptural attributes in deconstructionist architecture).This research included four chapters : Chapter One : ensure that the research problem and its importance and the need for objective research and its boundaries, and define the

التحولات التقنية واشتغالاتها في الانتاج الدلالي للعرض المسرحي العراقي == Technical Transformations And Its Work In Semantic Production In Theatrical Display In Iraq

Author name: انعام معن ابراهيم
Supervisor name: صلاح مهدي القصب
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Technological techniques have become part of the daily living reality in all joints of social life, both of them, or those that are related to other concepts ,and is no longer a narrow area and inappropriate to make changes that fit the stage.the technological means became the active component in the structure of society and life as it cannot be dispensed with in every forum that artistic activity in the community has the greatest role in shaping and building process of the joints and other life.So it is no longer art in general and theater in particular is able to dispense with these technologies and employ them to suit the listed job to provide all that is fun and useful for its various components.Theatrical field became platform to employ those techniques, which added a lot of aesthetic, intellectual and emotional values, and that made him at the center between the arts.The theatrical art is that art speaking with language and culture of bearer and crossing all his needs and desires and on the light of it researcher felt to shed light on the important topic of those techniques illustrated through the problem posed for dealing to interpret it within the four chapter, which consisted of them the dissertation tagged (Technical Transformations and its Work inSemantic Production in Theatrical display) which dealt in First : the first chapter , which included a research problem, which were represented by a question posed by the researcher and that( are techniques of all kinds Is able across its transforming capacity and its frequencies to produce another meaning in the theatrical display), and then explained the goal of the research is to investigate the effect of moments shifts to those techniques in the production of another meaning for theatrical display.I also showed the importance of research is one of the modest efforts that serve all workers in the field of theater from technicians and technical workers.Then, the researcher determine the limits of this research, which represent between year 2010 and2014, because this period has witnessed many changes in the quality of the presentations that submitted because its area became a broad and open and was conclusion of this chapter with defining the terms contained in the title which is that of (Transformation ,Technique, - Works - Production)Secondly - the second chapter researcher divided into three sections the first with the title of - Technical production in theater, which included three topics in the first one I dealt with the use digital programs in theatrical display, highlighting on the latest technologies that can be used in these offers, such as technology ofdigital actor and the animation technique that is incorporated with the show and during the representation and technique of hyper Tkst and the text to dump into several texts all of it has its meaning and connotations then digital audio technology and finally technology moot, digital influencesThe second topic represents with using techniques of laser light in the theater because of its importance and great benefit in reducing costs and thus produce different meanings in their implications for the meaning to have produced for it.The third topic has been included on the importance of forming three - dimensional drawings or hologram.In the second topic the researcher dealt with the importance of hiring technical elements in building of theater Scenography, which was also divided into four themes dealt with in the first techniques of conventional lighting and their modern projections in the theater.In the second topic highlighted on the theater decor and space configurations.In the third topic researcher dealt with the subject of fashion and accessories, and its role in enriching the display scenography.The fourth topic and the latter has dealt with the music and sound effects and the construction of these offers in the third section researcher explained the importance or instant aesthetic shiftaccording to the relationship between the body and the technical elements that make up the display.This chapter has been terminated with previous studies that shed light on some of them, which focused on the subject of technology, but did not find it close to the subject of her research, which deals with the production of meanings and connotations to offer a statement and then some indicators reached ;Third Chapter, who called the search procedures, the researcher analyzed the five deliberate samples so as to employ techniques offer of theatre with its different images and produce to us more enriching the meanings of these offers and these samples are ;1 - ( Eight week daeis ) Directed by Rassil Kadhum2 - ( Ice ) Directed by Samim Hasseb Allah3 - ( Al - hussain now) Directed by Akeel Mahdi4 - ( Al - Maqam Allowasti ) Directed by Zuhair Kadhum5 - ( question mark) Directed by Qasim MunesEach one of these samples have advantages, especially in recruiting techniques theatrical display clearer and more enriching for the offer.The first sample, the director employed traditional lighting techniques and their modern projections in the theatrical display as making of light another element and an active, participant more than is traditional in his dealings with representative.The second sample was sought by the director to the combination between body technique and audio display technology, in a contemporary vision of despite of age temporal event.The third sample has hired technique of décor and formed by the events of the play and its events, and the fourth sample employed modern techniques with traditional ones in the formation of decorative theatrical presentation, which made clear idea of display from it.The final sample used the human body and instant transformations in the manner of handling with the techniques of Scenography from lighting, accessories and fashions etc. from audio and visual elements.The fourth and final chapter dealt with the researcher's findings with a discussion of each result and then the conclusions and recommendations and then the list of sources and references in Arabic and English, finally summary of research in English

فاعلية الخرائط الذهنية في تطوير بناء الفكرة التصميمية لتكوينات الخط العربي لدى طلبة قسم التربية الفنية == The Efficiency of Using Mental Schfmata In The Development of The Notion of Design Construction For Compone - Nts of Arabic Calligraphy of Co - Llege Students At Fine Arts Departmnt

Author name: عطية وزه عبود الدليمي
Supervisor name: عبد المنعم خيري حسين العاني
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لم تعد طرائق التدريس الاعتيادية قادرة على تادية دورها في توصيل المعارف الى الطلبة وتنمية تفكيرهم، وذلك للتطور المعرفي السريع نتيجة للتقدم التقني التكنولوجي الهائل في مناحي الحياة كافة، وان هذا التقدم والتطور استوجب الاهتمام بتطور عقلية الطلبة وتزويدهم ب | Traditional methods of teaching are no longer able to play its sufficient Role in conveying knowledge to the students and develop their thinking this is so because of the rapid development of knowledge as a suit of the huge technical and technological advancements in all walks of life - these advancements necessitate the development of students' minds by Providing them with mental skills to be capable of coping with all the Developments a round the world. Paying attention to education through using mental mapping has led to the emergence of teaching programs That suit such type of education and achieve its goals. among the most important types of mental mapping is that of schemata because building schemata is considered as a chance for exercising creativity and generating ideas that contribute to the improvement of building mental maps also considered as a chance for developing creative thinking. Therefore, the researcher, in his dissertation entitled the efficiency of mental mapping in development of the notion of design construction for the components of Arabic calligraphy of college student at fine art departments' decides to use mental schemata to contribute to the overcoming the obstacles of teaching Arabic calligraphy.The researcher, in his study , tries to use a modern technique through using mental schemata Tony Boson) to increase the achievement of students at the Department of Fine art Education , College of Basic Education , AL - Mustansiriayah University in Arabic Calligraphy. For this purpose , the research intends to prepare a guide to the teaching of AL - Kufi handwriting (teacher's guide). This guide has been exposed to a jury of experts to calculate its face validity. The study aims to : 1 - know how to use mental schemata in developing the notion of design construction for components of Arabic calligraphy and developing the creative thinking of students at the Department of Fine Art Education College of Basic Education. 2 - know the efficiency of mental schemata in teaching Arabic calligraphy On the achievement of the students at this department. To achieve the aims of the study , the researcher has posed five null - hypotheses to know the efficiency of the mental schemata on the achievement of the students in the pre and post test. The population of the study consists of 309 male and female students, Morning studies , at the Department of Fine Art Education in College of Basic Education \ AL - Mustansiriyah University studying for the academic year 2011 - 2012. Sixty - eight second - year divided into two section have been chosen to be a representative sample. Section no.1 with 34 students represents the experimental group and section no.2 with 34 students represents the control group. The researcher has used total control experimental design with two equivalent experimental and control groups because this experimental design meets the aims of the current study. The researcher has neutralized the variables of age and past experience. The experiment has been applied by using mental schemata (Tony Boson) to the experimental group. The control group has been taught according to the traditional method. To measure the achievement of the students in knowledge and skill of using Arabic calligraphy, the researcher has prepared an achievement test that consists of a written test items and another skill test. Face validity has been measured by exposing the two tests to a jury of experts. As for reliability , it has been calculated by using [Kuder - Richardson] formula. The value of the reliability has been (0.86) after the final administration of the two tests and the statistical treatment if the data using (t - test), the results have been as the following : 1 - There is a statistically significant difference at level of significance of (0.05) between the mean scores of achievement of the two groups in favor of the experimental group in the skill pretest. This shows the effect of using mental schemata on the achievement of the experimental group and develops their notion of design. 2 - There is no statistically significant difference at a level of significance [0.05] between the mean scores of the experimental male group which was taught by using mental schemata and that of the experimental female group which was taught by the same method in the skill posttest. This indicates that the use of mental schemata has effect on the development of the achievement level, help them to sharpen their memory and comprehension of Arabic calligraphy for both male and female students. 3 - There is a statistically significant difference at a level of significance(0.05) between the mean scores of experimental and control groups in favor of the experimental group in the skill post - test. This means that the use of mental schemata has led to the growth and development in the notion of creative design of the experimental group. This is so because mental schemata has made student more apt to generate ample ideas. It enhances the accuracy and speed in creating ideas and comprehend the Arabic calligraphy by exercising mental practice in the production of the components of kufi handwriting. 4 - There is no statistically significant difference at a level of significance of (0.05) between the mean scores of the experimental groups in the pre and post test of both male and female students. This means that there is a great deal of development and growth in the building of the notion of design and creative thinking in the components of kufi Arabic calligraphy. This is confirmed by the similarity of the arithmetic mean of achievement for both male and female students. 5 - There is a statistically significant difference at a level of significance of (0.05) between the mean scores of the experimental group in the pre and post tests. This means that the use of mental schemata is effective in the development and building design ideas and creative thinking in the components of kufi Arabic calligraphy of the students at the Department of Fine Art Education , College of Basic Education. This is attributed to the efficiency of schemata that enhance student to achieve the ability to imagine because human brain uses scattered pictures(schemata) and emerges them together in new unfamiliar frames to enable the imagination process to start its mental activities with experiences of past knowledge. The present study has come up with the following conclusions : *The performance of the experimental group has greatly improved as a result of using mental schemata. *There are growth and development in building the notion of design of Kufi calligraphy components. *Mental schemata make students' decisions more accurate in the production of design notions. *High efficiency and competency of mental schemata have resulted in improving the level of skill performance in the production of creative notions of design of the components of Arabic calligraphy. The researcher has recommended that teachers of calli - graphy should be encouraged to use mental schemata when teaching handwriting. He has also proposed some other recommendations at the end of this study. Suggestions for further Research has been also put forward.

خطاب ميشيل فوكو وتمثلاته في العرض المسرحي العراقي == Michel Foucault Discourse And Its Representation In The Iraqi Dramatic Show

Author name: عمر محمد جنداري
Supervisor name: عبود حسن عبود المهنا
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تمحورت الرسالة حول خطاب ميشيل فوكو وطروحاته الفكرية واهم المراحل التي مر بها هذا الفيلسوف في حياته, وابرز الشخصيات التي اثرت في فكره ومن ثم على نتاجاته التي تضمنت مفهوم الخطاب في مختلف المجالات, وما يتخلله ذلك الخطاب من طروحات ذات حقائق معرفية وسلطوية ماد | The current study dealt with Michel Foucault's discourse, his materialistic psychological propounds, the most important periods of his life and the most prominent characters which affected his thought and consequently affected his products including the concept of discourse and all its fields, and what that discourse contains as propounds characterized with epistemological authoritarian fact whether they were materialistic or psychological, then Finding approaches of Foucault's discourse in some works of a group of international directors reaching to the impact of this thought on a group of Iraqi dramatic shows and experiments. Therefore; the researcher divided the study into four chapters The first dealt with the methodological frame and the problem of the study embodied by the following question : How is the discourse of Michel Foucault represented in the Iraqi dramatic show ?The importance of the research is embedded in studying Foucault's philosophical discourse, as one of 20th century philosophers, and identify his thought and his product concerning discourse, the extent of the benefits that the Iraqi dramatic shows got from those theorizations. As for the need for the study; it is implied in providing advantages to students of Fine Arts colleges and Fine Arts institutions in devising the philosophical thoughts that are embedded in the dramatic show. The purpose of the study is represented in Identifying Michel Foucault discourse and its representations in the Iraqi dramatic shows.The Second chapter (the theoretical frame) included three sections; the first is concerned with the cultural philosophical conformation of Foucault's and his main writings, stages and transferences which he experienced during the period of his discourses theorizations, the most important philosophers, men of thoughts, men of literature, artists and the poets who affected his thought then his philosophical product and his own concept of discourse, then perusing the most important terms he worked on in his writings such as epistemology, Genealogy , archeology, panoptisme in addition to Marxism , structuralism reaching to College De France. In the Second section; the researcher shed light on Foucault's materialistic and psychological thoughts which are represented in various types of discourses to which he relates his propounds such as (the discourse of power, self - discourse, body - discourse, history discourse, epistemology discourse and madness discourse. These discourses took a critical way to show the relation between the total discourses on the one hand and power and epistemology on the other in order to find out the facts whether the matter is concerned with the materialistic visible image or with the invisible mental images. As for the third section; the researcher dealt with Foucault's discourse approaches in the dramatic show referring to some directors, such as(Arto , Erwin Pescator , Cantor , Jozef szajna , Peter Brook , Ariane Mnouchkine , Grotowski , Ojino Barba and Robert Wilson) as models whose products resulted in approaches on the theoretical and applying levels within the Foucault's discourse. Then the researcher talked about the indicators that are resulted from the theoretical frame to conform the tool by which the samples of the research were analyzed. Then the researcher ended the section with reviewing the previous studies. The Third chapter (the procedures of the study) which included the community of the study, that consists of sixty three plays. The researcher relied on the academic dramatic shows which were presented in the colleges of fine arts in Baghdad University, Babylon University and Mosul University from 2005 to 2010, from which the samples of the study were chosen. The samples of the study were analyzed by means of the tool of analysis, its validity, its stability and the approach of the research, choosing the intentional sample; then analyzing the sample that are represented in the following dramatic shows : 1. The Play "Mice and Presses"2. The Play "Either…Or"3. The Play "Ice"The Fourth chapter dealt with the findings which the researcher reached at : 1. The authoritarian discourse dominated the three shows; represented as a moral and materialistic authority as in "Ice", or the authority of power as in "Either…Or" and "Mice and Presses" in which the authorities varied between materialistic and psychological in the characters. 2. The three shows shed a light on the role of the marginalized person in the society and the loss of values which he suffered because of coercion and social injustice considering him, the neglected, as a (non - thought of) category.3. The shows of the two plays "Ice" and "Either… Or" presented the mechanisms of power sexuality and madness through disassembling their themes and relate them to epistemology. While "Mice and Presses" is built on the authoritarian conquer and presenting paste and senseless words to the minds of characters which misguided them in finding the truth.The chapter also included the conclusions and a group of recommendations and suggestions, followed by references and photos. The researcher ended the study with the English abstract.

اتجاهات النقد المسرحي الصحفي في العراق (1990 - 2008) == The Tendencies of Journalist Dramatic Criticism In Iraq - For The Period 1990 - 2008

Author name: علي حلو داشر
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان النقد المسرحي الصحفي العراقي يمثل احد الانماط النقدية المسرحية العراقية ذات الحضور الواسع والفاعل ضمن حراك النقد المسرحي العراقي، وان هذا الحضور جاء نتيجة لتفاعله النشط مع العرض المسرحي العراقي على مستوى المهرجانات والعروض الفردية داخل المؤسسة الاكادي | The dramatic criticism in Iraq represents one of the dramatic criticism patterns that have crucial impact within the movement of criticism in Iraq. The importance of this thesis is entitled (The Tendencies of journalist Dramatic Criticism in Iraq - for the Period 1990 - 2008). The title bears questions and inquiries. The question is what are the tendencies of journalist dramatic criticism in Iraq for the period 1990 - 2000. The inquiry, on the other hand, is why we are investigating these trends, for this very periods which represent the last period in which journalist dramatic criticism was practiced in Iraq. To answer the question, the researcher shed his analytical efforts on the dramatic shows (plays) by Iraqi directors, and international and local plays attempting to know the trends of criticism and their aesthetic tendencies through analyzing these critical texts, employing the simple and compound cases in the known trends and their uses such as the method of content - analysis after determine the standards critical trends. The units were employed to analyze the sample to get closer to the scientific fact by numbers and statistics in an attempt to get away off the disguised relativity that is not accurate. To answer the inquiry, on the other hand, the researcher analyzes the results employing the descriptive procedure and the method of case study in order to know the scopes of this type of criticism, i.e. journal criticism. Thus, we detect point of strength and weakness through the evaluation of journal dramatic criticism. Thus, we will be able to rise up the aesthesis of society. The research is made of four chapters. The first chapter included the problem of the study, the need for it, objectives and the limits of the study. The second chapter is made of the theoretical framework that consist, in turn, of two inquiries; the first is about the concept of criticism and the second deals with the tendencies of dramatic criticism and aestheticism. The second chapter also contains the indicators and standards that the researcher has come up with such as sample analysis, and the analysis of the conclusions of the study and the discussion. The fourth chapter includes the conclusions, recommendations and suggestions. Then, the references and appendices. The researcher shed light of his analytical effort on what has been published in the Iraqi journals by Iraqi critics about the Iraqi critic shows for world and local texts trying at knowing the reading texts and employing them in the simple and composite critical trends made of the critical method of the content analysis and the use of percentage to derive every critical aspect alone within one critical article after specifying the criterion and indicators as an instrument which the researcher has come up with within the theoretical framework, which the research employed as his method of analytical instrument vis - à - vis the idea taken from the approach of content analysis as the unit of analysis to achieve the highest degree of closeness to the scientific reality by numbers and statistics in an attempt to get away from the illusionary percentage that sprout here and there and mostly, inaccurate.

سمات الحداثة في فن الكرافيك الاوربي == The Features of Modernity In European Art Graphic

Author name: بشير احمد جعفر
Supervisor name: كامل عبد الحسين خضير النداوي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The art is considered one of episodes that produce fresh perspective , Opening a new fields to wards.renew in all life scopes so The modernity does not be the result of a certain moment , but it refers to the many historical stages that are contributed and formed it.The modernity is a new intellectual movement in art in general and in European graphic art in particular. It mainly depends on trying to replace the intellectual reference that govern the human behaviour in life.And according to this fact , the modernity is an active partnership in the intellectual transformation grand witnessed by the humanity.The modernity does not call only for the evaluation of thought and renewal the literature but also to develop the art and out of old to the new style , language and thought without losing its cultural roots, and also its original features which are stemming from human civilization. As ( Audinos ) mentioned that every modern does not mention about a new view of life , man and science through art aesthetic and not be valuable.It is worth mention that Europe has been witnessed modernity in its large meaning which rapidly spread and impact on arts all over the world, among an important things that European modernism confirmed on especially in art : is great tendency toward abstraction or alienation depending on the currents brought by modernity , which made the shape rejects any static image through diversity in technology and style , so this figure appeared clearly in the art , particularly in the graphic artThese changes have led to revision the nature of the vision to art in general and graphic in particular. On art level , these changes represent by new European movements , the researcher has found the importance of knowing the modernism features in European graphic art. The research has focused on ( The features of modernity in European graphic art ). The research has contained four chapters , the first chapter is to show the researches problem which summarized in (What are the features of modernity in European graphic are) and its importance its needs and its aim which sets in (Definition of modernity attributes in the European graphic Art) during (1895 - 1978)and spatial in (Europe) , As objectivity identified by graphic works according to its techniques , and determine the terms contained therein. Chapter two has contained three studies ; the first one concentrated on the concept of modernity in art , the second one contained the grew up of the graphic art and its development through ages while the last one is about paths and directions of European modern graphic. Chapter three has devoted for the research procedures which contained identify the research community and choose the sample which is nearly (18) aprinted work , then the search tool and to analysis the sample.The Chapter four has contained the results , conclusions , proposals andrecommendations. Among the most important results finding by the researcherare : 1. Modernity led the movement changes in the nature of visibility to art ingeneral and graphic art in particular.2. modernity has combined between passion and scientific analysis in shape , colour and movement , and this method has formed the basis for many movements (Graphic art) in Europe.3. Modernity for the impressionists considers as a renewed movement which contributed in great change which accompanied the artist , of this school by their using the technology of ( wood engraving in colour , Lithograph in colour) as in examples (1 , 2 ,4).4. The modernity feature has confirmed for the impressionists by using symbols taken from lived environment which implemented in a style with simple lines as in example (1).5. For the expressionist artists , the modernity has confirmed that they have two levels within two ways : the first , is to determine the shapes by his strict limits of linear up to the point summary which makes the real foundation of forms away from realize , while the second is to look for about the details of the shape within geographical (modeling) strict for colour by using mechanism experimentation chromatography as in examples (3 , 18).6. Modernity for the expressionist artists , shown in colour by using the main colours ( black , red , green , yellow , and violet) with some changes in , with modern technologies (drypoint with aquatint in colour , woodcut in colour) as in examples (3, 18).7. Modernity for the brutality school , affirmed on unusual colour and vision as in examples (11).8. The brutal artist collected a total of technologies in their modern works , and within it ,modernist form has been activated and in modern view unlike the previous forms. And among these important technologies are (sugar lift Aquatint) as in example (11).9. Modernity to the Cubism school is characterized by analysis and forming shape. by returning shapes to the mind concept and meditation for cubists as in examples (9 , 14).10. Modernity to the cubists characterized by using of new technology ( linocut printed in five colours , etching) by these techniques , the features experimentation showed to the cubists as in examples (9 , 14).11. Modernity to the futurists arts is considered as renewed movement which contributed in great change which accompanied the artist of this school by introducing the concept of dynamic cosmic and used it in graphic art fieldas in example (5 ,10).12. Technologies for the futurists arts formed a modern touches through the expression and formal method of treatment manipulates light and shadow within the printed work. It was obvious in techniques of ( Etching ), (Linocut in colour) as in example (5,10).13. Modernity has appeared at abstractionists artists within the geometric abstraction which is the most reductionist level structure of formal and modern colour as in example (8 , 12).14. Abstractionists artists has taken a new formulation of the printed form by using modern technologies different from the previous techniques groups ,which enhanced the shape with modernism , and among the most important of these techniques are ( lithograph in colour , woodcut , Lithograph ) as in examples (6, 8,12).15. Modernity found at aldadanyeen and the surrealists , which comes from the illogic (neglect logic) and we can see through that they set out the visibility in their thoughts and emancipation outside the limits of laws to create forms (abstract forms which have mysterious nature) which consists of the absurd within abstraction as in examples (13 ,17).16. The Modernity has embodiment for alddadanyeen and the surrealists by defining the concepts of dream and realism in a new frame from the reality within dream which means expression of activities over realism in disordered forms or incoherence , one of the most important technologies that have emerged features of modernity they have are : (etching , lithograph , etching with Aquatint ,Aquatint with etching in colour ) as in examples (13, 15 , 16,17).The conclusions reached by the researcher Among the most prominent. : 1. Human dimension appeared in most of the fields of European art especially in graphic art.2. The new printed work considers as text which shows aesthetic relationships through the ordering of structural elements of the graphic art.3. The European artist graphic enabled to find spaces to show the expressive dimension in their works.4. The European artists graphic interested in experimentation which led to show a new technologies in his works.5. The printed work appeared diverse in forms features through diversity in arts fields for the European graphics.The search is over by recommendations and proposals with a list of references and sources and with abstract with English language.
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