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محمود الظاهر : دراسة في فنه القصصي == Mahmood Al - Dhahir : A Study Of His Fiction

اسم المؤلف: ياسمين كريم عبد الرضا
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study deals with narration and the elements of narration in Mahmood AL - Dhahir's stories. This work falls into a preliminary, three chapters and a conclusion following the analytical procedure. Chapter one, which is entitled "Narration and the Structure of Events in Al Dhahir's Stories", starts with a theoretical introduction explaining the importance of narration and events in the story and the between them. It consists of two sections. Section one is about narration divided into patterns such as objective, subjective and interrelated. The second one is devoted to ways narration such as description and dialogue. Section three is mainly about the patterns of structuring the events such as sequences, overlapping, cycling, composing, reiteration,, and paralleling. Chapter two is entitled "Characters in Al Dhahir's Stories". It starts with an introduction showing the importance of the characters. It includes two sections. The first one is about introducing the characters (telling and showing). Section two is about character types according to traits. Chapter three is entitled " Narrative Space in Al Dhahir's Fiction". It also starts with an introduction and two sections. Section one shows time and its levels (order, duration, and frequency). Section two is devoted to the explanation of place and its relations with the characters, situations, events falls into types such realistic, imaginary, main vs. secondary. The conclusion comes finally to show the most important results.

التداخل المنهجي في طرائق تحليل النص الشعري - السيميائية انموذجا == Curricular Interference In Poetic Text Analysis Modalities - Semiotics As A Model

اسم المؤلف: سراج محمد يعقوب
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study entitled “Curricular Interference in Poetic Text Analysis Modalities - Semiotics as a model” examines one of the most controversial and problematic contemporary criticism curricula amongst modern criticism studies. Semiotics at its theoretical form is an old existing science which was emerged from the womb of knowledge theory; hence it contributed to philosophy, logic, mathematics, human and social sciences. Its critical importance lies by the fact that it stands at the border between human and social sciences; as well as its integration of the direction that accredited linguistic aspect (linguistics) and the direction of philosophical aspect that accredited the new phenomenology. The value of this critical study rises as it monitors the shifts of knowledge and intellect arguments of this approach, their transfer into the field of applied methodology, the way Arabic critical studies dealt with such shifts, the nature of receiving such mechanisms by Arab critics, and the methods of applying and representing them in Arabic poetic texts. This thesis is composed of an introduction, three chapters and a conclusion. The first chapter - made of two sections - deals with the intellectual and philosophical fundamentals of semiotics, and examines their origins and approaches as presented by semiotics pioneers; American Philosopher Charles Sanders Peirce and Swiss Linguist Ferdinand de Saussure. In the first section of the chapter, we focus on the image of semiotics in ancient Greek philosophy, as well as different other philosophies followed. In addition, we examine deeply the way Arab and western critics had dealt with the nature of that image. In the second section of the first chapter, we review in details the hypotheses of Peirce’s and Saussure’s theories analyzing their philosophical and intellectual arguments; as well as explaining relevant attitudes of Arab and western critics.The first section of the second chapter examines semiotics in terms of its developed theoretical boundaries and its applied methodological image. Also, we detail the period that followed the foundation stage, and account for modern semiotics approaches that we present by the approaches of semantics, communication and culture. Then we scope the light on literature semiotics as being the theoretical and applied image of general semiotics. In the second section of this chapter, we review the mechanisms of applied semiotics, the ways of Arab and western critics’ interaction with that mechanisms, how they were put into application, and the reasons that lead to curricular interference amongst applied models. As for the third chapter, it deals with Arabic applied models as we examine the phenomenon of curricular interference within those models following the criticism - of - criticism mechanism. In conclusion, the study was culminated with a series of findings reached through our research

الاساليب البلاغية في شعر السيد جعفر الحلي (ت1315هـ) == Rhetorical Devices In The Poetry Of Said Jafar Al - Hilli

اسم المؤلف: امنـة احمـد عباس المطـوري
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Said Jaafar Al - Hilly is considered as one of the alawis Iraqi poets whose poetry is characterized by its richness at the artistic and semantic levels. His poems also shed light on the political and social reality with a dominant alawian sense. Thus, it is essential to investigate about these aspects with close inspection. This poet was not paid any considerable attention concerning his verse only in scattered articles and papers. Even in modern literary works, there are little references to his art, further, these references do not contribute in showing his artistic and aesthetic writings in verse that may put him in competition with other great poets of his time. This study mainly focuses on the rhetorical perspectives in his poems in an attempt to show the deep meaning of his lexical and syntactic choices in addition to his manipulation of cadence and poetic structure as well as imagery. The current study consists of a preliminary, three chapters and a conclusion. In the preliminary, rhetorical branches are introduced and explained and how these branches are shown to have a role in exposing the poet's artistic writings. This chapter also includes the poet's biography and the themes that he addressed in his verse. Chapter one is attributed to inspecting the cadence level in his poetry. It comprises three sections. Section one is concerned with alliteration. Section two is devoted to explaining repetition and its types and effects in relation to cadence. Section three comes under the title " Other Rhetorical Aspects" that contribute to make rhythmical patterns prominent. Chapter two is essentially devoted to the structural level of his poetry. It comprises three sections. The first one, which is entitled "Recantation in Structure", deals with things such as foregrounding and back - grounding, ellipsis. Section two is entitled "Recantation in the reporting style", whereas, the third section is concerned with the recantation of requesting style such as questions and command. Chapter three deals with the descriptive level of his poetry and it is compose of two sections. The first one is concerned with the study of images according to their artistic frame. Section two pays attention to the size of these images in that it focused on the single and simple images as well as the compound and the total images. This classification comes as a result of what is found in his poems in an endeavor to simplify their study. Finally, I would like to express my gratitude for the dean of the college of Education for Human science, Dr Hussein and for the two assistants as well as for the head of the Arabic department. Also, I would thank my supervisor for his great efforts in showing me the right way of how to accomplish this work.

الاتجاهات النقدية عند مفسري القران الكريم من المحدثين == Monetary Trends · When Interpreters Of The Koran Modern

اسم المؤلف: حميد قاسم هجر المفضل الموسوي
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

ابن جني ناقدا == Lbn Jenni As Critic

اسم المؤلف: حيدر كريم هادي الشمري
اسم المشرف: علي محمد حسين الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Al - Atheer (637 A.H.) The study reached many results which can be summarized as follows : Important critical issues attained great attention of bin Jinni, he was not confined to the theoretical aspect only, rather he dealt with the applied analytic aspect. In roost of these issues, his viewpoints were artistic.No less degree of interest was linguistic criticism also, he was not confined to the theoretical aspect, but dealt with the applied aspect, especially his opinions in linguistic criticism of word and structure. As for his rhetorical criticism, it is pretty good, though it is ambiguous in many places and had to be justified. In some other places, it was artistic, in which he depended on the Arab uses of eloquent art and rhetorical style as a critical criterion through which quality of poetry can be measured.The fourth chapter concluded that bin Jinni was one of the critics who are known of various critical methods. He was not confined to one specific method, and this refers to his ability and wide breadth in criticism. While the fifth chapter revealed that he is one of the critics who left great effect on the Arabic criticism, especially on the most outstanding critical movement in the history of the Arabic criticism, of which those aroused against Al - Mutanabbi. This is revealed through his explanation of his poetry, and his affection by three great figures of Arabic criticism who took from his researches, affected by his opinions, and make use of him in their critical discourse Ibn Jinni is one of the scholars who are known of wide knowledge in the Arabic language and its different sciences such as grammar, morphology, phonetics, dialects..... so on.In addition, he was writer, explainer and critic of poetry, especially that of al - Mutanabbi who has close relation with him. He explained his divan twice : the first, which is the greatest, is called "al - Fasr", and the second, the smallest, is "al - Fat'h al - Wahabi". Besides, he has many opinions and critical pauses distributed in his other works, especially "alKhasa'es". On this basis, came the research idea to shed light on an important aspect of bin Jinni i.e., his being one of the fourteenth century critics.Research plan required to be divided into five chapters preceded by a preface, and conclusion. As for the preface, it was about the nature of criticism during his age. The first chapter was devoted to talk about critical issues according bin Jinni, such as literary thefts, form and meaning, old and modem, poetry, religion, and morals. The second chapter studied linguistic criticism, and included poetic license, narrative, and measures of linguistic criticism. The third chapter was devoted to talk about rhetorical criticism, and included criticism of simile, metaphor, and metonymy, in addition to other critical styles such as renovation. The fourth chapter talked about the critical method of bin Jinni, while the fifth chapter discussed effect of bin Jinni on the Arabic criticism : his effect on the critical movement aroused against Al - Mutanabbi, and his effect on the Arab critics as Al

الفكر الاستعاري العربي في ضوء المنهج الحجاجي == Arabic Metaphoric Thought In The Light Of Argument A Pproach

اسم المؤلف: يوسف رسول حسين
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise be to God and tow years after of research and study ,we finished this research that named ( The metaphoric thought in light of curriculum AL Hijaji) through follow up with administrators I adopted in my study on the Arabic resources and its represent in workbooks was the most important one (the important theories of AL - Hijaj from Aristotle to today) with administrators special team in Manoba university in Tunisia ,and AL Hijaj in AL Koran of most important style characteristics Abdullah revolution and ( AL Hijah in contemporary rhetoric) for Mohamed SlemAmeen and(Al Hijaj in Arabic poetry) for Samia Al Doraidi and ( Al HIjaj and the truth and afaq and interpretations )for Ali Al Shaban and dialogue require in circulation lingual and another of Arabic old and new resources This research divided into three chapters and at the beginning of these chapters an introduction and pave and the researcher took in pave the metaphor in Arabic thought , metaphor in western thought and the metaphor in Al Hijaji’stheories and was under this last title another titles , it was talking about definition of Al Hijaj , Al Hijaj’s theories , Al Hijaj in Berleman and Al Hijaj’s metaphor. In the first chapter there are three parts ; the first part was talking about the mechanisms of Al Hijaj in critics and Al Hijaj in poetry and the conversation include Al HIjaji’s pronunciation resource. In the second part is talking about the research of Al Hijaj in Al Amadi and Abulkahir Al Jerjani and itAl Basrah UniversityCollege of literatureArabic departmenttook the delay’s styles and division and rhetorical styles that put by Al Amadi also the researcher in this part talked about Al Hijaj in Abduikahir Al jerjani. In the third part of the first chapter the researcher talking about the circulation dimension in the Arabic critical speech , He was talking about interesting principle and principle of purpose or the meaning and how to employed from the old Arabic criticsIn chapter tow the researcher talked about Al Hijaj for the old Arabic commentators and he took birth of the term explanation for the Arabic and under this title the speech was about definition of the explanation is language, Al Koran Al Kareem and the ignorant poetry and explanation the poetry that owned by Arabs. after that I’m began reading the books of Al Hijaj and its resources. at the end of the closing I extend my thanks and appreciation for Dr.FalehKamelEscandar who was more than teacher and brother to me and I also thanks all my teachers in Arabic department and all thanks for the members of committee discussion.

شواعر العصر الجاهلي وعصر صدر الاسلام : دراسة ايقاعية == Pre - Islam And Islamic Period Women Poets (Rhythm Study)

اسم المؤلف: محمد يونس صالح الجريسي
اسم المشرف: ذنون يونس مصطفى الاطرقجي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: فان الايقاع يعد عنصرا مهما من عناصر الخلق الشعري، ذلك انه يثري النص صوتيا ودلاليا ويمنحه الترابط والانسجام والجمال والانتظام، ولا يقتصر مفهوم الايقاع الواسع سعة تطورات القصيدة العربية، والمتحول تحولات الذات الشاعرة على عنصري الوزن والقافية فحسب، بل م | The ancient and modern Arabic poetry represents an important of the literary arts which relation and belonging with the rhythm in its general concept - internal or external - , there is doubt that rhythm give the poetic text aesthetically and orderliness work on the effect in the reader, as well as it is regard as expressing about poet psychology in the same time.The pre - Islamic and Islam period poetry seems have a rich rhythm texts in the rhythm levels were the most important reasons to make us tend to the rhythm study in poet women's poetry in that two ages. Then we worked on analyzing the rhythm texts in their texts and examining what contain of the senses, we can touch them by texts contexts, and after saw their poetry in the ancient books (resources) I tried to select the texts which agree with the rhythm study, if there is no any text lacking from rhythm in any form.That the rhythm study in three important matters, I tried to follow them in my study that are : reading, statistic, and description, and we must followed an academy method to make the study in arrangement and classified method, so our study as following : The first chapter, including the external rhythm in the poems and the pieces, then we tried in this chapter to citing in texts which poetize on the most common meters in the women poets production. However, the poems were their relation less from the pieces, we cited in less number of the pieces, as we dealt with the relationship of the pieces with the meters according to the modernists' opinion, as we dealing with the rhyme which have absolute and limit pun and effect of each one in the rhythm and sense.But the second chapter, we dealing in it the internal rhythms which are most common, the repetition technology in its all kinds (the beginning repetition, first hemistich repetition, abbreviation repetition, complying repetition, first hemistich repetition), as we dealt the parallel technology which based on the twofold of sense similarity and paradox, in addition to the structural and conjugate parallel and its effect in rhythm and sense, as we dealt with rhetoric parallel which based on the technologies of the inlaying and the harmony.Finally, we dealt in this chapter with the reciting and dialogue rhythm and their effect on the rhythm and sense in general.Our study had benefit from many previous rhythm and style studies was first ( the modern Arabic poem between the rhythm structure and sense structure) for Dr. Mohammed Saber Obied , and the (poetical language) for Mohammed Kanoni and (style characteristics in Omar Bahaa Al - Din Al - Amiri' poetry) for Abdullah Abdul Khaliq Al - Ghanim.Finally, I don’t have any thing except the pray and thank word for my virtuous teacher Dr. Thunnon Al - Atraqchi and for all teachers in the Arabic language department, calling for Allah that I will never forget their favor, and what was right that from Allah, and what was wrong that from myself.

ادب الرسائل الاخوانية في العصر العباسي الاول : دراسة فنية == The Literature Of Brotherhood Epistles In Abbasi Age From 132 A.H To 334 A.H (A Technical Study)

اسم المؤلف: سمير عبد السلام حاجي
اسم المشرف: ساهرة محمود يونس الحبيطي
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: We have chosen the title " Al - Ekhwania epistles in First Abbasid Period / Technical study " after presenting the subject matter to the headship of Arab language Dept. and the committee of high studies. We have aimed at selecting most of Al - Ekhwania epistles (the informal ) which had been exchanged by Al - Ekhwan (the brothers ) and other writers , ministers , and caliphs - sometimes - for personal reasons unrelated to formal matters. We have limited the period from 132 A.H. to 335A.H. the year in which Baghdad , the Abbasid capital , being occupied by Bani Bowaih. The cause of choosing this subject has been the availability of prosaic and poetic texts which were written in the period covered by the study , and revealed the significance of studying and taking care of them for they are considered another aspect of Arabic eloquence in its fruitful period (i.e. the Abbasid period ). We have observed that Al - Ekhwania epistles in this period , which we chose it , deserved to be studied from different aspects.In addition , they should be paid more attention and research by the researchers in the technical Arab prose in Abbasid period - the age of Arabic eloquence and culture.So I have chosen this subject after consulting the supervisor (the assist. Prof. Dr. Sahira M. Younis Al - Hubaiti , as well as consulting the specialists in this field of study like Dr. Ahmad Hussein Al - Sadani , Dr. Aamer Hasawi and Dr. Ali Kama - al - Din Al - Fahadi and others in Arabic language Dept. / college of Arts , and college of education , fundamental education. We have concluded that the subject has not been studied separately yet - as I know , then I decided to register my subject to be a partial requirement for M.A. degree in Arab literature

الادماج في القران الكريم == Integration In The Holy Quran

اسم المؤلف: جاسم الياس احمد الجحيشي
اسم المشرف: هناء محمود شهاب احمد الحمو
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: This thesis aims at studying integration in the Glorious quran : A Rhetorical study. It is a very important subject, because it sheds light on an essential part of the styles of the Holy Qu’ran.The study comprises an introduction, two chapters, and a conclusion. The introduction is a theatrical one, for it discusses the rise of the term and the proble of its overlapping with other terms. It also deals with the term linguistically and termindogically.Chapter one handles integration in semantics. It discusses it within the context of many styles.Chpter two, entitled "integration in the scienced of bayan and rhetoric, consists of two sections. They tachle interation in relation to many styles such as hyperbole, emphasis, and so on.The thesis ends up with the conclusion that the most important aspect which is indicated integration is conciseness through which it is possible to integrate two meanings in one structure or a single item without causing any difficulty to the receptor, a matter which reflects the rheforic of the holy Qu’ran its aesthetics.

جدل الشعر والنحو : دراسة في شروح القصائد العشر الطوال

اسم المؤلف: باسم ادريس قاسم مصطفى السوفاجي
اسم المشرف: بشرى حمدي فتحي احمد البستاني
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:

وصف المعارك والقتال في شعر الفرزدق == The Description Of The Battles And Fights In Al - Farazdaq Pootry

اسم المؤلف: بهجت مهجر حبش الطعمة
اسم المشرف: مصطفى عبد اللطيف جياووك
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The description of the Battles and fights in Al - Farazdaq Poetry : Al - Farazdaq is one of the greater Arabic poets who had a great attention from old and modern researchers, the researchers had study his poetry from many sides by criticism and analysis, but all those studies - as I Know - have been omit an important side of his poetry, that is the description of Battles and fights. Which I will show in this research by mentioning many of this long and short poems wich describe the Battles and fights from his Poetical works.The research shows that the poet's description for Battles devided into tow part’s, the first is a special description to the old and modren tribes Fights, and the second was his description to Al - umawia state Battles wich he has expanded on it. Because of the praising of Al Khulafa and princes and army leaders so he was one of the first's poets who opened the door to the next poets like ABI Tamam and Al - Mutanaby to describe the Battles of the Kings and princes in future.The research also shows the description of Armies and Weapons in Al - Farazdaq Poetry, Explaining the Way's that Armies was organized by in this age. And how does it moved and attacked. And he mentioned the description of the Weapons and the high skills of the fighters.And the research shows the focusing of the poet on some parts of the Battle, specially the movement of the Knight's during the fight, and the Picture of the enemy wich represent the courage of the heroes. The research didn’t stop at the general adjectives of Al - Farazdaq poetry, but it is try to focus on Battles and Fights describtion. Wich the poet used the resembling to drow the pictures of this Battles, Al - Farazdaq poetry was a multi purposes poetry but the main purpose was the Fight events and the description of the fighters hi skills

الرؤية في القصائد العشر == Visibility In The Pre - Islamic Arabic Poetry - Pendants Ten A Model

اسم المؤلف: افراح عبد محمود الصباغ
اسم المشرف: مؤيد محمد صالح اليوزبكي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Poetry was a means to detect the human realities of things 'but detection of objects and symbols, and exposing Astmlae. Poet is best able to call things by their proper names, because it is capable of creation and creativity stemming from the inherent ability of self and maturity of the intellectual and artistic and aesthetic and depth of the horizon of knowledge - Find useful in employment macroscopic and significant or realistic to reveal behind the facts related to the experience of the poet life' and poetry with a vision to confer on the objects and a new reality is possible 'which is different from the reality recognized when people who are rust and obsolescence no longer serve, and to build state of the world new better that they want to go Viosaun thought to the people and their world and their presence which Jmdoh and identified' Understanding to carry out the soles of life and reality Spraguar art and swept up the veil for the truth that lies behind the necessities of life. And poetic vision of linking the visual and the invisible between reality and dream as it revealed the strength and energy to create a virtual tool and knowledge, to enrich reality The bypassing of vision as the border meaning lexical beyond the vision of the seeing and the apparent meaning of things to the awareness and briefing Bhakaigaha to be more inclusive and better able to discovery which can not impaired his vision and take Bhakiqth been overtaken incursion into the depths of things and try Astbtanha the finest exposing and preserved in the feelings and concerns and attitudes through incursion in the depths of the unconscious and The dark depths of truth and thus become Bassurah vision and insight together to and identifies the vision and interfere with them in the meaning by trying to creation of new horizons of thinking is not at the level of topics only But in terms of a holistic view of the world that you are working on a creation that is the task of the vision that binds reality dream and graduated Language Baekr working on the Union form to the content so that is no longer the poet but Seeing which is the same and others in that, Vlgosaidp) Revelation) in the sense that they embody the aesthetic / perfect for the transition poet to express the world to see and how to say it is a vision of the interior. The pendants Arabic poetic form in which the body immortal vision and poetic vision of a strong character because she was the product of human experiences and a broad and multifaceted, embodied the rights and issues raised by both communities and the various ages. The effects of that melted the hearts of the recipients in all forms, government had met a matter of creation and regeneration in the Permanent Technical immortality is a feature unique texts and high - end, which has become an aesthetic structure identifies in detail the vision and keep the vision.

شعر ابن المعلم الواسطي : دراسة موضوعية وفنية == The Poetry Of Ibn Al - Mu'Alim Al - Wasiti : A Study Of Topics And Style

اسم المؤلف: ثائر عبد الزهرة لازم المياحي
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This thesis is a study of an unknown poet who lived in the late era. The Poet concerned is Mohammed bin Ali bin Abdullah bin Al - Hussein bin Al - Qasim, who was called as Al - Harathi - Wasiti,Ibn Al - Mu’alim (Teacher) and referred to as Najim Al - Deen with the family name "Abu Al - Ghana’im”. The study tries to uncover the aspects of seriousness and innovation in his poetry in one hand, and to set the part to serve the whole so as to use the poet as a witness of his time. Thus the group of creative poets, among whom Ibn Al - Mu'alim lived, constitutes a strong evidence of the value and the level of literature at that time. This study tries to present a full vivid picture of the Artistic style of the poetry of Ibn Al - Mu’alim; a question which was very rarely tackled in details by the researchers before. There were only some hints and some quick remarks that were not adequate to provide a sufficient picture of the position and role of this poet at his time.The study starts with an introduction followed by two books. Book one deal with the political, social, religious, cultural, and literary aspects of his time. Book two is devoted to a biography of the poet concerning his name, family name, and year of birth, career and opinion of the critics of his time and the modern ones of his poetry, education and his death.Then, the study contains two parts consisting of nine chapters. Part one is a study of the topics tackled in his poetry such as those of courtship, praise, elegy, correspondence among brothers,…etc. Part two is concerned with the artistic style which includes the language, the rhyme, and the poetic image in Ibn - Al - Mu’alim's poems.The study ends with a conclusion that introduces the most important findings arrived at by the researcher

التوجيه البياني للتعبير القراني عند الدكتور فاضل صالح السامرائي

اسم المؤلف: سعد جمعة صالح الدليمي
اسم المشرف: مشحن حردان مظلوم الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Ph. D. prof. Fadel Al - Sammurai the Iraqi scholar in expression Quran and grammar. And that appeared in his studies. 2. Dr. Fadel Al - Sammurai expanded in his studies in modern material.3. Many of writers said that Dr. Fadel Al - Sammurai return his written the same material but the write that only the main tittle similar but the contents deferent.4. Dr. Fadel Al - Sammurai concentrate upon the level speech in Quran expression.5. The talking about Quran expression from Dr. Fadel Al - Sammurai emphasis the linguistics sides for Quran text; there for it's became better in it's information and more satisfy for the reader.6. Study each expression in the Quran reach us to the right picture which is Quran god put it, so we can know some of that secrts which are surprise the nitive speaker in that time (Arbian).7. Dr. Fadel Al - Sammurai interests with high objectivity and right believe in his translate and transferee. 8. Dr. Fadel Al - Sammurai has great draw in his brain, he make the (Clearness) one of the styles which used in Quran when he talk about medicine, sky and all the humanity science.9. Dr. Fadel Al - Sammurai clears that each word in Quran putting with fine picture and there is no way to sustitnte this word with another.10. Dr. Fadel Al - Sammurai in his books shows more of Qurans secrets which are didn’t discover ago.11. He is found new items in his books.12. He makes from the context and the meaning importance point in Quran expression.

التمرد الاجتماعي والفني في شعر الجواهري == The Social And Artistic Rebelion In The Poetry Of Al - Jawahiry

اسم المؤلف: جلال عبد الله خلف
اسم المشرف: فاضل عبود خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Muhammed Mehdi Al - Jawahiry, agreat Iraqi poet, was born in Najaf in 1899. He studied rhetoric while he was very young and begun composing poetry at the age of sixteen. His first poetic anthology with the title of Halabat Al - Adab (The Circle of Literature) was published before 1927. He edited a number of newspapers and worked as an official in the palace of King Faisel I in 1927. In 1947, he was a member of the parliament for kerbala.In 1948, he taravelled to paris, and then to poland. In 1950, he travelled to Egypt and stayed as a guest of the Egyptian Government. In 1956 he travelled to Syria and returned to Baghdad in 1957. He went to kuwait as a member of the Iraqi Cultural Delegate. Al - Jawahiry migrated to prague in 1961 until 1980. Then he remained in Syria until he died in 1997 and was buried in Damascus. This Al - Jawahiry becamse of a number of factors environmental, psychological, idiological, social and economical. All these factors participated in constructing the personality of Al - Jawahiry. He was very courageous in declaring his points of view in which challenged the dectators using his poetic talent ln his poetry, he defended his people who were suffering from hunger and death because of their bad rulers. This thesis also shows the poet's rebellion against the backward social treatment of women. He called for the freedom of women and their equality with men. The thesis studies Al - Jawahiry's artistic rebellion in which he called for poetic modernism both in form and content. Al - Jawhiry left the unity of the line of verse to the poetic sentence

الحزن في شعر العصر الاسلامي == The Melancholy In Islamic Age Poetry

اسم المؤلف: شيماء صباح %التميمي
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي | مشحن حردان مظلوم الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The concept of Sadness in Arabic Poetry the Islamic Age”This thesis attempts to study the concept of sadness through its causes that excited the Islamic Poet to express this feeling by all its aspects which appeared in his poetry. The Introduction discusses the lexical definition of the term, Sadness, Sadness in the Per - Islamic Age, its causes and its appearances. Chapter one treats the causes of Sadness and it cantions four sections one, “Death” ; section two “Home - Sickness” ; Section three, “Deprivation”, and Section for, “Old Age”. In all these sections the concept of Sadness is treated from its humanistic aspects. Chapter two dectares the appearances of sadness in the poetry of the Islamic age. Sadness was represented by weeping, moaning, watering graves, waking throughout the night and the night appears to be longer. These are the most widely used appearances of sadness through which the poets expressed their feeling of sorrow. And chapter three shows the most important technical abevices which appear in the poetry of sadness. The chapter consist of three sections. The first, “Language”, deals with the poetic lexicon. The words and abstractions from the Holy Quran ; the second, “Style”, contains : Intoragation, Addressing, Oath, repetition. Those devices were employed by the poets to express the images and meanings of sadness; And the third section which deals with the imagery through simile and metaphor which were the most important rhytorical devices that expressed the meaning and appearance of sadness in the Islamic poetry.

رثاء المـدن فـي الشعـر العربي في العصر العباسي (132 - 700) هـ (732 - 1100)م == Elegizing Of Cities In The Abbasid Poetry (132 - 700 A.H.) (732 - 1100) A.C

اسم المؤلف: عبد الله بيرم يونس
اسم المشرف: غانم سعيد حسن الطائي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Elegizing (Rithaa) is generally considered one of the loftier poetic purposes. It is the supreme and superior one. Elegizing of Cities is the more - exalted kind of Elegizing. The poet lets his country and home cry because he loves them and feels unhappy and pain when he loses them. He, by that, does not wait to be rewarded from someone sooner or later. This type of poetry is characterized by sincere emotion and deep feeling of sorrow and sadness.Standing on debris in the ancient Arabic poetry, by which the line of poetry be started, is a great evidence that art of elegizing is closed to the Arabic man's deepness and feelings. This standing was not upon the first origins of cities elegizing art, which was prosperous in the Orient at the Abbassid era by reason of unsettled political situations for some time and of foreign invasion at other times. Poets lamented their cities when they were destroyed because of interior and political troubles and affected by the natural disasters and calamities such as earthquakes and floods as well as occupied by their enemies, crusaders and moguls. Baghdad elegies (197 A.H.) were the oldest cities ones. They were the truest as to sorrow. They preceded well - known Andalus cities. This study showed that the Orient people preceded Andalusians in cities with regard to cities Elegizing.When he was elegizing his city, Abbasid poet was affected by the ancient poetry from which he derived many expressions and forms. Also, he was obviously affected by Islamic principles that imbued all ideas, forms and meanings

مناهج دراسة الشعر العباسي (132 ـ 354هـ) عند الباحثين العراقيين في القرن العشرين == Methods Of The Stndy Of Abbasidian Poetry (132 - 354 A.H.) By The Twentieth Century Lraqi Researchers

اسم المؤلف: نردين رضا كريم العميري
اسم المشرف: مشحن حردان مظلوم الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: تضمنت الدراسة مقدمة وتمهيد، وفصول اربعة. فالمقدمة بينت خطة البحث ومنهجه وما اشتمل عليه من محتويات، اما التمهيد فكان عن اهمية المنهج وتطوره في الفكر العربي والعراقي الحديث. حيث وضح اهمية المنهج وحتميته وقدمه، وحضوره في الفكر العربي الاسلامي، ورسوخ المنهجية | Methods of the Stndy of Abbasidian poetry (132 - 354 A.H.) by the Twentieth Century lraqi Researchers. Submitted by Nerdeen Ridha Kareem, to the Council of College of Education Vniversity of Dyala - 2004. The present stndy consists of an introduction, preface, and four chapters. The introduction is devoted to discuss the outline of the research and its method. While the preface aims at showing the importance of the method and its development in the Arabic thought. It also embodies Sections about the importance of method and its necessity (inevitability) , its attendance in the Arabic Islamic thought, the stability of methodology in Arabic studies, the methods of Arabic ancient studies, the reasons of methodology the Arab researchers poverty at the beginning of the twentieth century; the care for method and methodology in the Arabic studies during the twentieth century, as well as the method of the literary research in Iraq during the Modern Age and the reasons which lead to its development. Chapter One is devoted to discuss the historical backgroud of method; it includes : an explanation of its merits and perits, the care for the Western researchers’ use of it (method) in their studies; as well as this chapter shows an illustration of the priorities of this research in the ancient Arabic composition and its popularity (prevail) in the Arabic and Irqi composition at the beginning of the twentieth century. The chapter is divided into two Sections : the first section presents the regional studies, and includes an entry for these studies, and illustration of their merits and perits (dismerts). Then it shows the existence of the regional in the ancient Arabic composition and the care for it in the modern Arabic studies, as well as the variety of the regional academic studies of the Arab Neo researchers. After that it exposes the regional Studies of the Iraqi.Neo - researchers according to the geographic regions firstly, and the towns secondly. While the second section is devoted to discuss the studies of the literary biography, and also contains an entry to this study and an illustration of the merits and dismerits of its method. Then it shows the variety of the studies of the literary biography of the lraqi Neo - researchers, and its exposure is according to the time - span. Chapter Two is devoted to study the technician (artistic) method and includes an entry to this method, and illustration of its components, merits, dismerits, and the variety the technical university studies of the Arab. researchers in the Modern Age. Neo - researchers. After that these studies of poetic arts of lraqi Neo - researchers are exposed in the following phase : 1. studies of poetic language.2. studies of the artistic construction of poetry. 3. studies of varies artistic phenomenon in poetry.4. studies of the critic tendencies after modernism. Chapter Three is devoted to discuss the method of the studies of arts and poetic subjects. The study of arts consists of an entry to these studies and an illustration of the components merits, and dismerits of their method. Thenit shows the variety of studies of the poetic arts of the Arab researchers in the Modern Age - After that, these studies of poetic arts of lraqi Neo - researchers are exposed in the following phase : 1. studies of the art of Lament (bemoaning).2. studies of satire (Lampoonery).3. studies of the art of ascentism and mysticism.4. studies of the art of admonition and apology.5. studies of the art of hum or and jesting. 6. Another studies of (wine (alcohol), hunt, praise, boast). Chapter four is devoted to study the mixed methods, and includes an enture an entry to this method, showing the nature of the mixing of the various methods in literary studies, popularity of this mixing in the Arabic studies, Then it illustrates and exposes the studies of the lraqi Modern research s in the mixed methods, and They are arranged in the following phrases : 1. studies of the historic technical method.2. studies of the objective technical method.3. studies of the social technical method. 4. studies of the psychogical method, and.5. studies of the cultural technical method. The conclusion sums up the findings of the study. At the end of the study there is a list of sources and references (bibliography) and table of contents, and the summary of the study.

النقد القصصي عند علي جواد الطاهر

اسم المؤلف: ياسمين احمد علي محمود العنبكي
اسم المشرف: فاضل عبود خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: In the name of God the com passionate the merciful.Dr. Ali gawad Al - Tahir is a bright name in the sky of Arabic contemporary literature in Iraq. He sory of identification collected between discussion criticism and references identification and teaching.He clearly contributed in writing of litrary essay and he loved Arabic language as scholar and teacher. Until he passed away on 26 Jam adi First, 1417 A - H of 9/19/1996 A.C.Ali Al - Tahir is known that he loved story reading and criticism. He wrote terso f essays and their studies, theyate formed a contem porary criticism heritage must be studied and fully insigt in its arts to present in its theoritical and practical fram wort, thus I pains take in my the ses which is entitled by my some difficulties face this tueses. Most of which are Ali Al - Tahir essays and hisstories study were shattered in vavious media and magazins but the little copied and books. After the events of nine April/2003. The works in these articals was stopped for the stopping of the public.Of the public libraries also. So I sought special libraries as I intended Ali - Al - Tahir's house to make use of his writing, it was clear that what he puplished in papers and magazines collected and arranged in the hope of issuing by public hous in Lebanon but yet have not been issued.This theses is depended his criticism of stories as well as his most important book is [G.S] consisting of the majority of literature meetings and the magazine which held a meeting with him, in which he expressed his intellectual and criticism stances - His book “introduction in lite rary criticism” This theses includes introduction, four chapters, conclusion and references. The introduction involves study the interesting of the critic in story reading first stage is before the departure to Paris and the second stage after he returned to the country. The introduction also convers conditions put by Al - Tahir for the narrator and critic, and then it convers scheme of critic by which he tries to manifest critics thoughts. Chapter one is an attempt to study the structure of the story in Al - Tahir concept during analysis of his criticism views, This chapter is devided into six researches. During which and attempt to search the mechanism building narration of Al - Tahir, The first research convers the title and initiate, and their infulence within the narration building, while the second research convers thoughts and stances of the critic and conditions of its formation with in the narration building as wellas the situation of the personality and its effect within the article structure for the novel.The fourth research involves the form and content’ of Al - Tahir studies by which the formation of every one serves the narrative text. While the fifth effect in delimitation the narrative work However the final research discusses the conclusion of the narrative work and some views of Al - Tajhir about their successes and foulings - chapter two devotes the study of the structure of the narrative language trying to manifest its influence within the story and the way of formation this language. This chapter divides into five researches, the first one devotes the woven of language to show the stance of critic towards the language and its influence in his criticism. The second research devotes the language correction within the narrative criticism.It was a conspicous stigmatize in Al - Tahir criticism for the research stop here to show the concerning of Al - Tahir.The third research convers the poetic and its role within the narrative text in view of Al - Tahir criticism. The fourth research covers the stance of critic in the discussing and monologue within the narration of the language and the way of formation everyone. While the fifth research anf the final devotes Al - Tahir view about 6 place and rtime 9 within the language building. The third chapter studies building. The third chapter studies the creation of the story as the critic sees. The chapter is divided into sit researches.The first one is devoted the imagination and its effect in the creation of the story in the view of Al - Tahir while the second research is devoted for the importance of humanitarian problem within the story.The third research is a statement for the critic stance over the authority of narrator with in the story. While the fourth research comes under the title of “fermentation” is devoted to wards the maturation of work before it would be published.While the fifth research is the effect of depiation in the creation of the novel and the final research is the influence of the “arts faith” in creation of a successful narrative action.Chapter four includes specific criticism by which Al - Tahir identifies. The research could stand and insight its effect and influence.This chapter is divided into nine researches.The first research is devoted the “terminology identification” Al - Tahir devotes deeply importance to manifestes his view while the second research is devoted another important sign is the 6 criticism of the criticism” the critic assured the practical importance during certain conditions manifests by the research. While the third research covers the “intend” and the role that is played within the criticism operation in aview of Al - Tahir in the fourth research under what is titled the 6 researching for the typical story” it is an important in the criticism of Al - Tahir, while the fifth research covers an eminent stigmatize for critic is the presentation of an abstract of a novel that criticizes. The sixth research covers an important point is the 6 reminisce of critic in narration and its connection between what is read yesterday and today’ while the seventh research under the title the 6 intere sting of the critic in time sequemces” while the eight research is devoted to the priority of advantages oveer the disadvantages”And finally the ninth research is a statement of “the view of the critic in the narrative influence the conclusion of this study includes the following results.I owe a deep dept of gratitude to my supervisor Dr. Fahdil Aboud Al - Timimi in Diala university. College of Education Department of Arabic language.Suggestions and invaluable guidance enable me to carry out the present study

النقد الاجتماعي : دراسة في النقد القصصي العربي الحديث تنظير واجراء == Social Criticism Study In Modern Arab Fiction Criticism Theoretical View And Procedure

اسم المؤلف: خالد علي ياس
اسم المشرف: فاضل عبود خميس التميمي | متعب مناف جاسم
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

التشكيل البياني في شعر الصعاليك والفتاك حتى نهاية العصر الاموي == Rhetorical Formation In Ai - Saaleeq And Al - Fattacks Poetry To The End Of Umayyad Ere

اسم المؤلف: خالد جعفر مبارك
اسم المشرف: فاضل عبود خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The study deals with Rhetorical Formation as a critical idiom which works in effective poetry field and it is very clear in procedural use. The picture in the poem or the portrait needs the senses and feelings of the receiver and it colours his experience. Thus the drawer and the post use certain means to fulfil his works.As it is known poetry is based on rhetorical arts and means from linguistic and rhetorical view point to create motivation and astonishment. The thesis aims at revealing the art movement of rhetoric and describing it inside the poem structure and outside it. The poem includes in its multi - understanding. The poem is considered as abase the field for poetic rhetoric. AL - Saaleeq and Al - fattacks poetry was chosen to be the subject of the present study because it has literary importance. it gathers two literary eras.Which are considered the most prominent literary eras for poetry production. They include poetic interest and researchers tackled this rich literature. Since the researcher is interested in old literature and has a great wish to study and read it he chose this topic. The study falls in to the following parts : Preliminary (Rhetorical formation in Language) was studied from two sides , the first studies the formation and its relation with poetry. The second deals with the rhetoric term and its development. The study falls into three chapters. The first chapter deals with assimilation formation and its activity.The decoding assimilation structure was studied in the first part and the rhetoric assimilation structure is studied in the second part.The second chapter studies metaphorical formation. The chapter is divided in to three sections.The first deals with metaphorical structure the second part deals with the body metaphorical structure and the third deals with recognize able decoding structure. The third chapter deals with the exceeding rhetorical formation. The study arrives at the following conclusions and suggestions : - The study identifies formation concept.It investigates its concept deeply. - AL - Saaleeq and AL - Fattacks poetry have a great ability in poetry. - They were able to re form environment from poetic viewpoint. - They deal with poetic language as scientists who know every thing concerning its content. - In the assimilation structure art is mixed with psychology. - Most of Al - saaleeq and Al - Fattacks poctic assimilation pictures are very clear. - Al - saaleeq and Al - Fattacks poctic were able to change the task of the main assimilation structure from being printed on the poets conscience to being printed on the receivers conscience. May - The other studies in future study Al - saaleeq and Al - Fattacks poetry from a semantic point of view. - A study can deal with semiotic formation phenol menon in Al - saaleeq and Al - Fattacks poetry. - Al - saaleeq and Al - Fattacks poetry am be studied from a stylistic viewpoint.

شعر حارثة بن بدر الغداني : دراسة موضوعية فنية == Hair Haritha Bin Badr Algdani Objective Study Of Art

اسم المؤلف: ليث سامي علوان الكرخي
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The thesis is specialized with the study of ( Harith Bin Badr Al - gdani poetry - artistic and objective study ) The poet died in 64 Hijri. The selection of this poet wasn't futilely because he wasn't from those well - known poets and literature books didn't contain him so we studied him to show his poetic subjects.The importance of the thesis is latent that he was a poet trying to treat troubles protesting in his life. The thesis is consist of introduction , prelude , tow chapters and epilogue ( conclusion ) shows the most important results.In the Drelude , the researcher dealt with the poet's life.Parentage , his era and the life effect in developing of the poetry in Al Amawy era , his fluency , eloquence , his place among other notable at that time his death.The first chapter is specified to objective study which contained two topics , the first topic contained main subjects in his poetry (wine - contrast - praise) while the second topic involved in the secondary subjects in his poetry like ( satire - elegy - blame - wisdom - pride - preaching - apology - complain and dispraise). The second chapter dealt with artistic study of his poetry , it included three topic , the first topic studied the structure of the poem and poetic figure ( imagery ). The second topic involved with the music of the poetry ( inner and outer ) , the last topic specialized with pronunciation and structures. The thesis ended with epilogue in which the researcher concluded that ( Haritha Bin Badr ) presented various figures in praise , satire and elegy - He didn't care to the introductions of his poems - His language was distinguished with mildness of express , easy ejections , clarity meaning with stuff of fluency and eloquence.

مظاهر الانزياح في الشعـر الاندلسي : عصر الطوائف والمرابطين مثالا == Aspects Of Stylistic Deviation In Andalusian Poetry : Poets Of Age Of Al - Tawa'If Kings And Al - Murabiteen

اسم المؤلف: لؤي صيهـود فـواز التميمي
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation is an attempt to study aspects of stylistic deviation in the poetic genre, in an introduction and three chapters. The introduction is dedicated to deal with the different terms and Arabic translations of stylistic deviation.The first chapter tackles "Substitutional Deviation", in three sections : Section one : Deviation of characterization structure.Section two : Deviation of simile structure.Section three : Deviation of impersonation and personificationstructure.The second chapter is devoted to study syntactical deviation, in three sections : Section one : Metonymic deviation.Section two : Deviation of hyperbaton, omission and intertextuality.Section three : More syntactical deviation aspects, such as : annexment and shift, apostrophe, interrogation,order, prohibition, swearing and exclamation. The third chapter is dedicated to the musical host of the poetical form, with a theoretical introduction and three sections : Section one : outer music : metres and rhymes.Section two : inner music in forms of : consonance, repetition, fronting, isocolon and lionine rhyme.Section three : Terza rima (Al - Muwashah). The dissertation has come up to a conclusion summarizing the final academic results.

لغة الشعر عند عارف الساعدي == Poetic Language To Arif Al Saidi

اسم المؤلف: عباس عبد الحميد عدنان الموسوي
اسم المشرف: عبد الامير مطر فيلي الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Due to the poetic tendency formed by modern currents towards new poetic horizons that lead to appearing individual creations; poetic prints started the spoiled Iraqi poetic scene limiting its identity as a new style in the achieved text image. Arif Al Saidi was one of the famous experiments that took part in supplying the literary climate in general and the poetic one in specific for what was achieved by this poet of texts with modern and contemporary spirit. Out of this complexity, it is necessary for the poetic language to witness a case of transforming responding for the stimuli of the modern expansion and emergence for it is described as the incubator of more comprehensive for whatever the underlying poetic textual structures imply. This formed a motif which drew me to engage in poetic language. It is one of the Iraqi poetic experiment with its uniqueness of form and content. This is what recognizes it or makes it very close to the nation's experiment. Nature of the study demanded the thesis to contain four chapters preceded by a preface and followed by conclusion included the most important results. The preface has two sections. The first included the poetic language concept and its turn in the poem constructing. The second tackled Arif Al Saidi's experiment and his poetic achievement. That's why it was entitled Arif Al Saidi : the experiment and affiliation. Concerning first chapter which is entitled poetic rhythmical constructing, the researcher talked about rhythm in his poetic texts. Second chapter which is entitled constructing poetic vocabulary, the researcher dealt with studying the poetic vocabulary that is described as basic foundations that the poet built his linguistic building. Third chapter which is entitled structure of poetic construction, the researcher showed the prominent expressive harmonies that participated in the poetic language construction. Fourth chapter that came under the title constructing the poetic image. Here, the most important image devices were mentioned that the poet resorts to incarnate creative experiment. The current study followed the analytical descriptive approach which depends on interrogating the poetic texts and exploration the prominent stylistic phenomena and their analysis to reach the poet's interests and his artistic ability. In brief the real value of Arif Al Saidi's poetry lies in their deviation of the familiar linguistic, ready - made, and repeated forms especially that the Iraqi poet's sensation in particular and of Arif Al Saidi's in specific belonging to a new limited poetic generation or to a particular group ( for example stanza poetry). It was a pushing power towards more privacy and to be distant isolated of rumination, repetition, and fluctuation in the first position of the particular poetic experiment. That was in spite of its privacy and depth. It is the matter that has deep penetration in the daily, marginal, neglected, and the ignored in the Iraqi real movement

التناص الحجاجي في خطب عصر صدر الاسلام والعصر الاموي == Argumentative Intertextuality In The Speech Of The First Islamic Period And The Umayyad Period

اسم المؤلف: امل عبد الرحيم جمعة القره لوسي
اسم المشرف: حسن حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: يجترح هذا البحث مصطحا مهما من المصطلحات الحجاجية الا وهو(التناص الحجاجي) الذي يعنى بالخطاب والتعالقات النصية في خطب عصر صدر الاسلام والعصر الاموي، واثر هذه التعالقات النصية في حجية هذا الخطاب، فالعلاقات النصية التي تقيمها الخطابات تمتد الى ثقافة مختزن | The current research suggests a significant term which is one of the argumental terms that is the arguemental style. It tackles speech act and relative texts in the speeches of beginning of Islam and the Umayyad era and the effect of these relative texts in the argument of this speech act. The relative texts that are evaluated by orations extend to a stored culture in the collective memory which are inflected in departures and changes that are covered always with a modern garnet. This linguistic event is revived through precipitated procedures in the new oration. The text here is a web of linguistic, constructional, and ideological data, all cooperate to form speech acts. After completion, it practiced a great influence so as to produce other texts, so, the text depends on renewal according to its readability and on quantity according to its supplying privacy.The incoming text comes loaded with argumental references charges with pragmatic productive features to penetrate with the current text and melt in its essence, so the incoming text appears in various levels : the explicit and the implicit. This pragmatic fertilization results in new text with a directed argumental dimension. The pragmatic interaction which is established between the incoming text and the current text cannot be of a single path instead it goes towards the giving and taking reference; it grants the incoming a new reference as it grants an argument power to the current text with all its pragmatic referential roots within its environment. So, the coming text may grants old text new interpretation or show them with a new garment that was hidden before. They could not be seen before so long as the style process, that achieves great deeds that practice argumental power which guide the path of speech act.The research results in several argumental style that the orator adopted in the beginning of Islam and the Umayyad era. These speeches were coloured with different stylistic feature that carried the tendencies orientations and how to form the speech and presenting it to the listener as well as their dependence on the textual loadings that differentiate in their argumental guidance.The research plan included an introductory chapter, followed by three chapters, and conclusion included the most important results of this research in which all this term interpretations and details were discussed in addition to its influence on speeches of the beginning of Islam and the Umayyad era.

الحوار في المقامات الحريـرية واللزومية : دراسة موازنـة

اسم المؤلف: امينة ثعبان يوسف نجد الاسدي
اسم المشرف: عدنان محمد ال طعمة
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

المفارقة في مقامات العصر العباسي == Irony In Maqamat Of Abbasside Era

اسم المؤلف: تغريد ضياء مشفي الفخري
اسم المشرف: سامي مكي العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Most of the Abbaside era Maqamat were based on a bitter irony out of a painful and a tragic reality that is full of contradictions and change of standards and values. Axiomatically they had a lot of instances of irony for it is the most suitable among artistic styles. It was , there fore , adopted by Maqamat writers as the artistic styles through which they expressed their suffering and boredom ; it had been a reflection of the time they lived. For them , irony was a defensive means for facing the cruelty , deprivation and misery in their lives ; a purification means , so to say , that would eliminate the deposits of dreadful ideas and would relieve the strains of poverty and need deep inside them. The irony of the Abbaside Era Maqamat is of three main types : 1. Verbal irony : it includes anti expectation , pedantry equivocation , pun , simile and quotation. 2. Irony of situation : it includes the self uncovering , dramatically and event irony. 3. Narrative irony : it includes spatial and temporal , the narrator - hero and the secondary characters irony. These three main types make up the three chapter of the this study , with each chapter being devoted to one type preceded by an introduction that illuminates the lexical and terminological meanings of "Maqama" and "Irony" and also the nature , importance , motives and aims of each one of them. All that followed by a conclusion that sums up the findings arrived at and most important of which are the following : 1. Maqama is a dramatized story that combines the techniques of both fiction and drama. It both narrates and displays ideas. It is based on a dramatic scene with action and dialogue , a matter which tints it with vitality and excitement that it has been an impressive type of art up to the present time. 2. Linguistic irony is produced by one signifier leading to two or more signified ideas. It , then , enables us to practice a multi - reading criticism because it deepens the text , extends its interpretative limits and widens its horizons. 3. The irony of situation embodied the suffering of the Maqamat writers that their Maqamat seemed to be a reverberation of what they lived and co - lived and what they thought and felt. The irony was their outlet to steam off and express their attitudes towards their surroundings. 4. Time and place in the Abbaside Era Maqamat where open. The characters moved about in absolute time and place. That is to generalize the purpose - idea and indicate that it is likely to happen at any time and place and to implicitly indicate the bad conditions and corruption. 5. The narrator in Abbaside Maqamat is an observer who seldom takes part in the events unlike the hero who undertakes the creation and activation of events and through whom the writer pictures what he wants to deliver. Most likely , the narrator represents the writer , whereas the hero represents the socially , politically and ideologically oppressed class

جمالية المفردة والتركيب في مكاتيب الامامين جعفر الصادق وموسى الكاظم عليهما السلام == Aesthetics Of The Word And Expression In The Two Imams' Correspondence, Ja'Afer Al Sadiq And Musa Al Kadhim ( P.B.U.T)

اسم المؤلف: حسين فاضل عيسى الحلو
اسم المشرف: جنان منصور كاظم الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: تداخل مفهوم الجمال مع النقد والفلسفة والفن والبلاغة، ولكنه كسب استقلاله في الدراسات الحديثة فهذه الدراسات قد اعطت ابعاده النهائية حتى بات للجمال مذاهب ومدارس، وتحول الاهتمام بالجمال من الجوانب الفلسفية الى المذاهب الادبية والنقدية.يحاول البحث الكشف عن جم | Aesthetics concept interfered with criticism, philosophy, arts, and eloquence. But it gained its independence in the modern studies, for these studies gave its ultimate dimension, to the extent that it has own ideologies and schools. The interest in aesthetics transferred from the philosophical sides to the literary and critical ideologies. The study tries to discover the word aesthetics and its manifestation hints in the construction by selecting a traditional text and still keeping with a lot of aesthetic and virtual elements. The study tries, in addition to its induction and observation for aesthetic elements in the text, to understand the aesthetic philosophy in content from the function and goal sides, whether it is psychological, social, and so on. Nature of the subject demanded that the study is divided into an introduction, preface, three chapters, conclusion, and a list of references. Concerning the preface, it was entitled ' an introduction to aestheticism with a definition of correspondence'. It was divided into two branches. The first was entitled ' an introduction to aestheticism : roots and concepts'. It tackles some topics such as emergence and definition of the concept in the Old Greek and Arab studies. Then, it stated the concept - aestheticism - in the modern studies. The second part of the preface had an idea about the author of Imams' correspondence book, and definition of Imams' correspondence with clarifying their importance. First chapter which was entitled ' aestheticism of the musical level' was divided into three sections. The first which was entitled 'aestheticism of repetition' dealt with the extent of musical activity that can be achieved by repetition in the correspondence with taking into account of non - separation between this function and other functions of repetition. The second section which was entitled ' aesthetics of rhyme' came to uncover discovering functions of this musical style in the correspondence. The most prominent of these are rhythm and caring of listener's psychological aspect; whereas, the third section was devoted to ' aesthetics of alliteration' that had its influence on the text in the form and content levels. Second chapter was entitled 'aesthetics of structural level'. It has two sections. The first is composition styles. It included interrogative, imperative, and vocative; as well as efficiency of each style and its influence in achieving aestheticism in the text, in addition to efficiency to implement other functions. The second section dealt with the conditional style with clarifying its means and use of every one concerning structure and text coherence. Third chapter was about ' aesthetics of semantic level'. It has three sections. The first is concerned with aesthetics of simile. The study showed other functions that simile implied such as psychological or social functions : the second section tackled aesthetics of metaphor. The study also showed what is the benefit of metaphor. Finally, the third section discussed aesthetics of metonymy.

صورة المراة في الشعر العربي في كربلاء 1950 - 2000م

اسم المؤلف: زينب عزيز هادي الموسوي
اسم المشرف: فاروق محمود عبد الله الحبوبي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

شعر ابن حماد العدوي : دراسة في الموضوع والفن == Ibin Hemmad Al Adewi's Verse : A Study In The Subject And Art

اسم المؤلف: سالم محمد ناصر
اسم المشرف: حربي نعيم محمد الشبلي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Ibin Hemmad Al Adewi is one of the great figures of the fourth Hegira century and one of Basrah scientists. He is considered one of poetry publisher. His verse is loyal to the family of the prophet (p.b.u.t.). the current thesis dealt with his verse under the title (Ibin Hemmad Al Adewi's Verse : A Study in the Subject and Art).The thesis consisted of six chapters preceded by introduction and preface, and followed by conclusion. Concerning the preface, it consisted of two parts. The first tackled a general idea about the situation in Iraq during the fourth hegira century while the second part dealt with aspects of the poet's life and culture. The objective study was divided into two sections. The first comprised eulogy and what relates to the family of the prophet's (p.b.u.t.) laudation and elegiac which includes lamentation of the family of the prophet's (p.b.u.t.).The second chapter was devoted to other poetic purposes, that is pride, satire, complaint, and wisdom. The artistic study was distributed as follows and according to the chapters series in the study. So, third chapter concerned with the artistic construction, that is, constructing the traditional dialogue poem ( poems with introduction) and the ideological which concerns his ideological tendencies towards the family of the prophet's (p.b.u.t.). other introductions comprise complaint, wisdom, and a single erotic introduction of an elegiac poem. The poet expresses his sufferings, pains, feelings, and emotions by these introductions as well as his abilities to attract the listener's attention and to prepare him to receive the main topic, in addition to the conclusion, thus, conclusions were in harmony with the subject nature. Fourth chapter came to discuss poetic language; it was of two sections. The first comprises vocabularies. They are vocabularies of doctrine, proper nouns, sadness, time, place, war, and peace.Constructing was taught in the second section such as interrogative with all its categories, imperative, vocative, negation, and emphasis that refer to attractive meanings in his poetic text. These increase rhythm with fascinating music. Fifth chapter was about the artistic image. It has two sections. The first comprises means of image formation particularly the rhetoric image ( simile with all its types, metaphor with its two types : implicit and explicit, metonymy with all its types : attributed, described, and relative). These images add shining colors of the beautiful music that evoke inspiration and urge the listener to listen and enjoy the poet's verse. Second section had two subsections. The first was the sensory image ( optical, acoustic, tactile, and gustatory, whereas the researcher could not find the olfactory image in the divan). The second comprises the single and compound image.Six chapter discussed rhythm.it was divided into two sections. The first was the external rhythm that contains meters, measures : perfect, long, simple, abundant, absolute, restricted, and rhyme faults. The second section, internal rhythm included repetition, inlaying, rotating, turning second hemistich to the first hemistich, and alliteration that increase musical harmony.Concerning the end was about the conclusion. The researcher depended on a long list of references and resources to complete the study. Some of them were literary, critical, linguistic, historical, philosophical, dictionaries, and university theses and dissertations.

شعر مديح الخلفاء في العصر العباسي الاول : مقاربة تداولية == Praise Poetry Of Caliphs In The First Abbasid Era Pragmatic Approach

اسم المؤلف: عبد الله بيرم يونس
اسم المشرف: منتصر عبد القادر الغضنفري
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Pragmatics deals with the relation between linguistic activity and its users, and successful methods of using the linguistic marks and different keys and contexts within which the discourse is made. Also it finds out the elements that make the discourse as a successful and obvious massage and it finds out the reasons for failure in communication with natural languages.Since pragmatics has the ability to call for non - linguistic aspects in the process of criticism and analysis in the address, this method has been chosen to approach the praise poetry of Caliphs in the first Abbasid era in a way which is different from most literary studies that deals with this poetry with regard to artistic form only. Praise poetry in general, and of Caliphs in particular isn’t based on the aesthetic conditions only, but also it takes into consideration the pragmatic and social conditions that require forms of speech manner according to tone keys in response to a general law that regulates the human communication and prescribes that the success of communication between speaker and addressee is based only on the response to the pragmatic rules, such as cooperation, politeness, courtesy … etc. Since these rules are characterized by usual communication, it is better that these rules are characterized by poetic speech which requires aesthetic form. So, how do the poets leave the dignity that they seek? The poetry that praises Caliphs requires special types of criticism, so the pragmatics is the most appropriate manner to approach this type of poetry. So, we followed the pragmatic manner in studying and analyzing the praise poetries mentioned in the Abbasid royal palace.

اثر الاسلام في شعر النقائض == Influence Of Isalam In Paradoxical Poetry

اسم المؤلف: ميادة محمد عبد اللطيف المشهداني
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: I handle in my thesis : preface of culture of Arab Islamic Society and how this culture influenced on art level for poetry specially correspondence of poets because it is a source from culture sources, paradox started from this society and was a mean from means that used to make people laugh through humor which its essence was political most of time and declared among people as daily journals to get the component and call him names on sight and hear of ruling authority or by order from it, paradox reach its op and developed in Amawi age on hand of three poets (jarir, Al - Farazdiq, Al - Akhtal) and how Islam influenced in poetry of those poets and Islam influenced in poetry of those poets and how they influenced by it. In the first chapter ,handled influenced of Islam in meanings and how these meanings influenced in poetry of three Amawi poets, we study that they have colors of immaterial influenced which depend on adding properties of faith and good and Justice and mercy and wellness and belief and erasing the Injustice from complement persons of paradox poetry and most of its Islamic meanings were derived from holy Koran.In the second chapter I handled influence of Islam in terms and styles ,or terms and styles of three poets influenced by Islam, where they invested most of their terns from holy Koran ,also their ways influenced in way or another by Islam from style which reflect personality of poet where (style is a man).While third chapter handled poetical image for those three poets from their influence in poetical image by Islam and being derived from holy Koran and how reflect this image the experiences of poet where image connected with experience of poet and some specific emotional thought and related with feelings and control on poem and become apart from it and cooperate with rest parts by this complete experiences transfer and it is exactly structure of Arab poetry and from the most distinguish means which Koran depend upon it imaging meanings to apply feelings of material issues this wade it look like it is live image in movement ,poets used Koran image and refer to tern and Koran idiom and it is aesthetic mean in directing art consequence.

وظيفة الشعر في التراث البلاغي النقدي عند العرب من الـجاحظ (ت255هـ) الى حازم القرطاجني (ت684هـ) == The Function Of Poetry In The Arab Rhetorical Heritage Of Criticism From Al - Jahiz (D.255H) To Hazim Al - Qirtajni (D. 684H)

اسم المؤلف: وســـن عبد المنعم ياسين ال فليح الزبيدي
اسم المشرف: فاضل عبود خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The present study, “The Function of Poetry in the Arab Rhetorical Heritage of Criticism from Al - Jahiz (d.255H.) to Hazim Al - Qirtajni (d.684H.)” Falls into an introduction four chapters and a conclusion A list of references and an abstract in English are also provided. The Introduction pinpoints the concept of function as well as showing the importance of poetry in the Arab rhetorical heritage of criticim and the role of the Arab poet. Chapter One presents a study of aesthtics as a coneept and science related to poetry within the sensational and descriptive frame, as well as the cognitive and semantic frame. Chapter Two shows the poetic benefit (al - nafii al - shiiri)as a term which is not found in the Arab heritage. So, it was the task of the researcher to look for the origins of this term by studying it in formationully and historically Chapter Three studies the concept of ethics linguistically and terminologically. It also includes a study of the poetic ethics beginning with pre - Islamic era. Chapter Four investigates the educational function of poetry which can be classified into general and specific functions. The study ends with the conclusion that shows the results concluded

الطيف في شعر البحتري == Phantom In Al - Bohtri's Poetry

اسم المؤلف: ياسر محمود حسن عواد الحديدي
اسم المشرف: نوار عبد النافع الدباغ
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: This Phantom covered a wide aspect of the Abbasi's poetry in general and Al - Bohtri's poetry in Particular. Al - Bohtri's phantom is restricted in the introductions of his Praises which draws attention to the fact that it is not concerned with a real woman but it was a symbol for what is beautiful and lovable to the poet himself.The facts that contributed to the use of phantom , Social and psychological ones. The poet suffered a lot when he was a way from the Caliph and the minister who loved them and had real friendship and admiration relation ships with them. The happy and nice time , had spent with them , made his life bored and not pleasant when the two characters got killed. These two characters were the central pillar in the phantom of Al - Bohtri's Poetry. The poet was Calliy for thers his old happy and nice days in the Abbasi Calphate Palace. Also , their phantoms were Called whenever he wanted to praise a Caliph or a stateman. The faculty of his poetic imagination helped his link vision with reality and real world with dream. The poet goes back to his memory to get the power from the old happy days. when hard times stand against the poet. He faces the painful present time with the old times.

المصطلح البلاغي في كتاب الكليات للكفوي (1094 هـ) == Rhetorical Term In Al - Kulliyat Book For Al - Kafawi (1094 A.H.)

اسم المؤلف: لمياء حسين حسن حميد الهاشمي
اسم المشرف: محمد سالم سعد الله الشيخ علي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: The terms, being practical and epistemological keys in any area of study, have become an effective tool that helps researchers in a certain discipline to understand them and to trace their true sense. The work on terms has busied a number of scholars in various areas. They exerted great efforts in the cause of illuminating concepts, and defining senses. They compiled dictionaries and encyclopedias which encompassed these terms. One of these books is Abi Al - Baqa Ul - Kafawi's (1094 A.H.) entitled Al - Kulliyat, a dictionary of linguistic differences, which contains a great number of terms that entered different scientific fields. We opted for studying this book for its highlighting of the rhetoric terms. The present thesis comprises four chapters. Chapter One studies the rhetorical term, which had undergone no changes. Chapter Two deals with the overlapping terms. The overlapping terms are those rhetorical terms that were presented by Al - Kafawi as overlapping with such disciplines as grammar, jurisprudence, logic, etc. Chapter Three is devoted to the rhetorical terms that were presented in a rather abridged manner to which we gave the label “condensed rhetorical term”. Chapter Four is dedicated to the rhetorical terms treated by Al - Kafawi away from their rhetorical arena. They were dealt with within grammatical, logical or fundamental frames - or other frames. The findings of the present study are : 1. Al - Kafawi depended on very subtle senses to show the differences among terms.2. Al - Kafawi has deviated from rhetoricians in his coning of some terms especially the term “ tandheem”.3. The obscurity of some terms of Al - Kafawi stems from his adoption of some rhetoricians’ limitations before having matured.4. Al - Kafawi has sometimes cited some concepts in an inaccurate way such as the term “altajnees”5. Al - Kafawi's style was coloured by a philosophical and logical colure, which became one of his distinctive features

جماليات الاستشهاد بالقران الكريم في كتب التراث الادبي العربي

اسم المؤلف: فرحة عزيز محسن
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Quran citing takes a distinctive status in the critical work due to the great importance in determining the cited situations and matters.The writers s and authors are soncerned with citing at cuIturaI , religious and Literary references ( the aesthetics of citing of holy Quran in the Arab literary legacy books ).There are many reasons motivating the writers and critics to cite from the Quran text. This Quranic citing gives the text beauty and magnificence It heIps to discovere context and posside suggestible relations between terms and meanings. The thesis is divided in to three chapters in adduction a preface in which : it has studied the meaning of citing linguistically and idiomatically and its nature ,its motivtes , its reasons and its. It also contained three chapters. In the first chapter : we have studied the linguistic level in three parts, the first part deals with the grammatical level the second is semantica and third one is with morphological level. In the second chapter : we have studied the rhetorical level in three parts : the first part is Al - Badee'a science matters , the second is graphical matters and the third one is on the semantic matters. For the third chapter we have studied other levels , it has four parts. In first part, we have remedied the religious level. The second was concerned on the political level, third was on the intellectual level and the fourth one related to the social level. in the end we have mentioned the results, findings and research references. After all, in the these efforts, the researcher has not claimed that she reaches to perfection in this thesis, perfection only belongs to Allah.

ملامح الدرامية في شعر الاغتراب النسوي العراقي الحديث == Dramatic Structure In Modern Iraqi Female Poetry Of Expatriation

اسم المؤلف: جنان عايد محمد الحسيني
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Poetic drama has been an important subject that draws much attention since lyricism has begun to lessen and be replaced by ways of depicting the different problems that people face in their every - day life. Thus , it is necessary that the poet be aware of this change and the relation between drama and poetry. This depends on his / her view of the dimensions and levels of the text in the discourse and his / her recognition of the artistic work he / she is performing and through which the poet embodies the drama that includes conflicting events and persons who make the temporal and spatial frames of the dialogue in its multi - direction aspects. This study is about the dramatic structure in modern Iraqi female poetry of expatriation. Woman is always considered as the weakest and most narcissist creature who attempts to prove her active existence and presence in a narrow - minded society that once cam cells her identity once establishes it depending on her supremecy on man. She is more skillful especially in poetry of expatriation. While she is away from her homeland , she tries to be a part of the reality of expatriation. She expresses that through her sensitivity and warm feelings and , at the same time , is facing the tragic life and the painful reality. Even though , she is the most able to face all types of political , economic and social expatriation in the society. The researcher has noticed a substantial link between the poetic drama and expatriation and to how the Iraqi female poet expresses that in her poetry. This study consists of an introduction , three chapters and a conclusion. The introduction defines drama and expatriation and establishes the origin of the relation between drama and poetry or one side and between expatriation and loneliness on the other to define and limit those notions in their final form in light of modern studies. The researcher also highlights female poetry and how it responds to the situation especially that the Iraqi female poets live outside their country. The question is how able they are to embody the dramatic structure in their poems and to express the feelings of expatriation. Chapter one is made of three sections and discusses elements of the dramatic performance. The three sections are about the dramatic event , the dramatic characters and dialogue and conflict respectively. Chapter two , " Techniques of contemporary poems " , consists of two sections : The disguise on the level of the symbol and the disguise on the level of the myth respectively. Chapter three includes two sections : the first is about place and the second is about time. The conclusion includes the important results of the study ; among which is the overlap of drama and poetry as for as form and content are concerned. The study also reveals the nature of relation between expatriation and loneliness and their effect on those who are expatriated while they are seeking to prove their human existence against conflicts and crises. The female poet finds in her texts an outlet and escape from her expatriation and a reflection of her inside. She is firstly a woman and then she is a poet. She , as a female , has the characteristics of motherhood and homesickness. All that expressed in the dramatic structure of female poetry of expatriation.

الاخر في الشعر المهجري : دراسة في ضوء النقد الثقافي == The Other In The Immigration Poetry : A Study In The Light Of Cultural Criticism

اسم المؤلف: احمد طعمة حرب
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This Dissertation , entitled ( The Other in Immigration Poetry : A Study in the Light of Cultural Criticism ) , deals with the theme of " The types , Ways of its construction , how far do culture , religious and literary authorities impact its construction. It tries to discover the cultural patterns involved in the aesthetic aspects that contributed in the deterioration of the image of " The Other " , and made the poetic discourse suffer from contradiction , where it shows all that is beautiful and human , but it conceals too much ugliness and non - human intentions.This dissertation uncovers that immigration poets are interested in the aesthetic aspects rather than human aspects. Moreover , it shows how critics contributed in justifying and beautifying this discourse in such an exaggerate way.It falls into three chapters preceded by an introduction and followed by conclusions. Chapter one falls into three sections ;section one deals with the term of " The Other " linguistically and terminologically as well as the impact of the Arabic and Western cultures and religion on its formation ; section two dealt with the image of cultural criticism , its nature , its relation with other approaches and its merits and demerits ; section three was about the cultural authorities of immigration poetry and their role in forming the image of " The Other ".Chapter two is entitled The Recombinant Other. It falls into five sections , the first of which dealt with The National other , the second dealt with The Divine Other , the third introduced The Woman as being considered The Other , the fourth tackled Nature , the fifth is devoted to the transformations of The Recombinant.Chapter Three is entitled " The Different Other ". It is divided into five sections , section one dealt with The National other , section two talked about The Different other in color and religion , section three sheds light on The Invisible other , section four is devoted to The Defiled Other , the fifth section studied the transformations of The Different.In the conclusion we stated the most important results that we reached at. Finally the researcher does not claim having done a thorough study that deals with everything about the topic ; it's a mere try to study the topic.

الخطاب الشعري في لافتات احمد مطر

اسم المؤلف: محمد وليد محمد
اسم المشرف: ضياء راضي محمد الثامري
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

قصيدة الحياة اليومية في شعر عدنان الصائغ == Every - Day Life Poem In Adnan Al - Sa'Igh Poetry

اسم المؤلف: احمد محمد علي حمو الطائي
اسم المشرف: احمد جار الله ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: حظيت الحياة بتفاصيلها اليومية باهتمام في الشعر الحديث، اقتناعا من الشعراء بما تحمله الحياة من مناطق شعرية غنية مضمرة في اعماقها قادرة على منافسة هيمنة الموضوعات التقليدية، عبر المراهنة على جاذبية اليومي البسيط في خلق الشعرية الحديثة، وذلك ياتي استجابة | Life with its minor details captures the attention of modern poetry. It is, as modern poets think, so rich with inherent poetic fields that it can get rid of the grip of traditional themes. Modern poets stress the ability of the simple daily life attraction to dominate modern poetry. They develop this conviction to follow the up - to - date progress and express the concerns of wide walks of life used to be neglected by traditional poetry. The study consists of an introduction and four chapters. The introduction deals with the concept of daily life poem linguistically and idiomatically. It discusses as well the numerous terms used to refer to this concept. It presents a critical historical overview discussing some modern and traditional poems in the light of Arabic and western critical views.The first chapter of the study tackles the patterns of daily life poem structuring. It falls into two sections. The first studies the simple patterns (represented in stanzas, imagery poems and thoughts). The second, however, deals with compound patterns (i.e. narrative structures and dramatic structures). The second chapter studies the techniques of daily life poem. It is also of two sections. The first is concerned with the linguistic techniques of daily life poem. It is tackled at three levels : the dictionary of daily life poetry, unusual collocations and prose performance. The second, however, is concerned with imagery techniques. It concentrates on the techniques of intertextuality, informativity and production.The third chapter is dedicated, however, in its two sections to the themes of daily life poem. The first tackles individualistic themes like woman, family and fear; while the second studies social themes like war, daily affairs and class conflict.Finally, the fourth chapter is concerned with the musical structure of daily life poem. It studies in its first section the cadence of rhymed poem and some of the prominent rhyming features like rhythmic shift, rounding, and rhyming. The second section is concerned, however, with the rhythm of blank verse. It tries to highlight some rhythmic feature through studying the phenomena of repetition, parallelism and sight rhythm. The study ends up with a list of the most important conclusions it comes up with.

خصائص الاسلوب في كتاب نسيم الصبا لابن حبيب الحلبي ت779هـ == Style Characteristics In Nesimu El - Saba Book For Ibn Hebib Al - Helebi (779 AH)

اسم المؤلف: منتهى حسون زيدان الجبوري
اسم المشرف: كريمة نوماس محمد المدني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study is based on examining and analyzing the aesthetic features that are appeared in one of the traditional books and such books shows us the reality of literature that belongs to an era that is described as an age of retardation and darkness so much. In spite of this, relentless pursuit uncovered literary products with high level of poeticism and in such case; these products are on the contrary to melancholic perspective towards the products of this era and its pioneers.IbnNesimu El - Seba book comes as a sample with which we can touch what can appear as distinctive stylistic feature as well as reflexiveto state of literature at such era which is charactized by publicity of ornament, novel and decoration with different manifestations and forms in all these products. The stylistic approach as a mechanism to deal with what looks like as phonetic ,structural or semantic ecarts and violations in texts of the book whether they are poetic or prosaic. The plan of the study involve Preface with which the researcher introduces IbnHebib Al - Helebi, Nesimu El - Seba and the stylistic feature for the literature of eighth century A.D. Three chapters of the study are specified to deal with stylistic feature within Phonetic level, which include assonance, phonetic paronomasia,repetition, parallelism, rhymes, rhythms and duality. Chapter two deals with stylisticfeatures within structural level that include negation , condition , interrogation , call,anastrophe,asyndeton , polysyndeton , brachylogyand circumlocution. Chapter Three is specified to deal with stylistic feature within semantic level, which include cultural referents, simile, metaphor, allusion, and antithesis. The study comes up with conclusionand with some results of the study.

لغة الشعر في ديوان حروب الردة == The Language Of Poetry In Divan Of Apostasy Wars

اسم المؤلف: زينب حميد عبد الامير عبود النصراوي
اسم المشرف: عبد الامير كاظم السعيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Language of the pillar of a poetic text, it is marked by different characteristics which distinguish it from the tools and means of other arts. The research surveyed the essentials of the language of poetry and extensively studied them so as to see their components as to the levels of rhythm, wording, structure and image. Accordingly, the study fell into four chapters preceded by an introduction and followed by a conclusion. The introduction was based on three topics : the first was a viewpoint in the concept of the language of poetry, which depended on the viewpoints of the critics in presenting the concept of the language of poetry and also its function as a semiotic and an emotional language together with how the language of poetry presented as a connecting point between the pre - Islamic and Islamic poetry in addition to the characteristics it had at the early Islamic period in particular. It was followed by reading of the divan of the apostasy wars setting it right through presenting the criteria followed in arranging and ordering the posts' poems in the divan. Little was said about the historical side connected with the poetry of the poets of the apostasy wars regarding the political motives as what was related to such motives was relatively far from the technical sides and they were also studied by others. Then came chapter one with the title ( The Rhythmic Level ) containing the rhythm with the sound it included set by the measure. As the sound is considered the smallest unit of speech and that the rhythm is itself is considered sound in addition to the dependence of poetry in the Islamic period on the system of reciting, therefore it has had superiority in the system of the language of poetry. Chapter on showed the measure, the rhyme and the rhyming letter; it was considered an external music keeping the internal symmetry. Chapter one showed the common characteristics among poets keeping the sound system, such as repetition, setting and rhetorical beautifiers such as alliteration and other aspects which help keep parallelism inside the text such as parallelism and necessitating what was required. The text then started to express itself through utterances and according the ( utterance level ) was set showing what the poetic text was characterized by such as clarity, strangeness, eloquence and suggestion. The lexicon was then presented with the linguistic synonyms it has had presenting the words connected with war, scholars, Islamic doctrine, time place and nature. It showed how the poets employed the vocabularies during the emotional experience the experienced. Utterances ( words ) combine to constitute the text setting the structure and accordingly, came the ( construction level ) starting with showing the most prominent expressionistic styles which contributed to making language of poets. It was of two sections starting with showing the sentence and its styles the "nominative and verbal sentence" swinging in the poetic tissue between the constant and the changeable according to the situation. The narrative ( written) sentence came next including what the poets employed such as the interrogative, the vocative, the imperative, the negation, the supplication and the swearing. This was followed by the states of the sentence with all that it had of fronting, delaying and parenthesis ( objection). Following structuring ( construction) came picturing ( figuration) in setting imagination and emotion under the title ( The Figuration Level ) containing the source of the picture ( figure) such as the psychological motives with its function in drawing the picture, the cultural motive and the environment. And then came the second section to include the most important picturing styles such as the narrative, the mysterious and the communicative which stamped the poetic text with beauty in addition to adding the feature of determination of displaying. The research tried to show the structure of the language of poetry within the poetic text in the divan of the apostasy wars by using a descriptive and analytic method. The thesis ended with a conclusion which included the most important results the researcher came out with before giving the sources and references used in the study.

مستويات التلقي وانماطه في القران الكريم

اسم المؤلف: ضحى عبد الستار جبار العيسى
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Thus, the receivers of Quran were on different degrees and above them all was the prophet, so he is the ideal receiver and the true receiver for the Quran because he is the target of it and those who came after him of pure Imams, then followed by believers and hen Muslims. The disbelievers class, their chiefs like Walid bin Ottba and Ottba bin Abi Rabee'a and Abu Jabil etc... received the holly text and the Call of the prophet and effected and admired it, more were effected in the frame of the Quran and most were effected by its charm and style and few effected by the Quranic stories and the tales of absence yet, they never be believers and never responded because the Quran never met their lusty deeds and their temporal benefits or it may the abilities of the receiver so weak tounderstand this miracle text. At last we said : The Holly Quran is the speech for both man and Jens and for all the nations Arab or otherwise of Books followers and otherwise and despite the creativeness of this text but it left different effects inside who received it all according to his understanding and knowledge of the text beside the lusty deeds and the benefits which were the reasons for the acceptance or refusal of that Quranic text.where showing the Paradise scenes and the hell and the torture. This was because to rise the en\motions of the receiver, also the mentioning of the dialogue between the paradise dwelt and the hell people leaves its effects in the soul of the receiver and to realize that being never received at the lower life and not responding for the messenger Mohammed (peace be upon him) will face not receiving by God the only Dear at the Account day.Part two includes (the receiver out side the Quran text) : it includes the process of announcing and receiving outside the Quranic spelt, it lies intwo chapters : Chapter one : the included (assumed) receiver : this will be achieved at every receiver automatically, positively and deeply, and it can be explained for both hidden and apparent meanings. He is the assumed receiver who has the ideals features in solving the codes of the text and he is unlimited receiver who fills in his circle all of those who receive the text automatically and positively Chapter two : the real receiver : it divided into two parts : 1. The receiver at the time of descending of the Holly Quran.2. The receiver after the death of Prophet Mohammed (peace be upon him), that is after ending of the aspirator and accomplish of the text (this is out of our research extend). The receiver at the time of the descending of the Holly Quran coulddistributed into : 1. The Deep in Knowledge : they are the prophet Mohammed (peace be upon him) and the pure Imams (peace be upon them).2. The believers.3. The Muslims.4. The maneuvers.pon him) invitation, the messengers and prophets had receiving the divine speech either by way of aspirator or without any device, or by speech from behind abstract. All the prophets had received the divine speech with acceptance and obeying because they had special nature which is recalling and reacting with the speech. What about the receiving level of the people for their prophets, all people were divided into two parts : 1. Positive receiving.2. the negative receiving.Because the Holly Quran consists of direction towards the receiver, it has to make full use of the reaction of the people towards their prophets when they invited them their messages. The positive receiving leads to saving of this class. The second class was destroyed and had tortured because their receiving was negative.Chapter two : the receiving at the time of Message : it includes the Quranic verses which referred to Qoraish receiving and otherwise of the Call to the believing and how was the reaction. We got the idea that the level of receiving in Holly Quran divided into : belief people and other disbelief and other class maneuver. The belief people were positively receive the Call this what the Quranic verses referred to. The disbelief people had received the Call negatively and we reach the reasons which led to this negativity one of which running behind the wrong inheritance and heir denied for God sending man to be messenger. Also Islam and Quran never agree with their benefits which temporal and their lusty.aspects. Finally the people who were maneuvering, this class heard and received Quran from Prophet Mohammed (peace be upon him) but their minds never reacted with the speech because they made the process of the receiving failed to keep their benefits of removal. Chapter Three : the receiving at future : it concentrates on what is mentioned in Quran about announcing and receiving and the Account day he research is studying the theory of receiving and the relation Tbetween the reader, the receiver and the literary text. Holly Quran is the highest and the most creative literary text. The speech of Allah (be highest) is not normal speech, since it enforces the receiver to listen to it and react with. There is strong relation between the reader, the receiver and the literary text. Each of them has the authority. upon the reader because the text has the highest degree of effectiveness, the mature and integrated text can surround the receiver and the later has no way but to stoop to its authority. One of these texts is the Holly Quran and came next the poetic verses which were created by the biggest poets. Thus, any text carries the features of creativeness the receiver has no power to resist but to stoop to it since it launches from the satisfaction of that text. The reader in other side can practice his authority upon the text by hisability on creativeness in understanding the text.The thesis has been organized in preface, two parts and a conclusion.The preface deals with the mention of the linguistic aspect and the pronunciation idiom (for the receiver) and talks about the growth of receiving theory beside the aspects which form it, and mention the levels of the receiver too about the most prominent establishers of it.Part One : it includes (the receiving inside the Holly Quran text). It includes the process of '!.nnouncing and receiving at the Quranic spelt elf, it consist o~~apt' Chapter ~~· thi!"rec~t : " "g before Quran descending : it includes the Quran verses ""~£.~lk about receiving before descending of Quran like what happened to Adams (peace be upon him) at paradise and the earth, and the prophets who were prior to inspiration and Mohammed (peace be

الصورة الفنية في شعر القروي

اسم المؤلف: حامد مردان شروان الشاعر
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
السنة: 1995
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

تقنيات السينما في الرواية العربية 2000 - 2015 == Cinematic Techniques In The Arabic Novel From (2000 - 2015)

اسم المؤلف: جبار سلطان حسن
اسم المشرف: يوسف محمد جابر اسكندر
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Arabic novel with its regional orientation has not been isolated from the novel in general, since it employs a lot of cinematic techniques, proving, meanwhile, that it is open to other arts, keeping up the vibe of renewal and development, because many writers wrote with cinematic awareness and cinematic technique. This elicited the researcher to delve deeper into the effort found in the novels to achieve new modes of expression, which rely heavily on the image and the cinematic formation to maintain the tools to elevate the narrative speech, granting it the necessary narrative identity, which is featured with innovation and high narrative performance. The study is preceded by a forward, which tackles the definitions of concepts that are relevant to the study such as technicality, the concept of cinema, its techniques, and its impact on the Arabic novel. It also highlights the term "New Arabic Novel", and the classification of the novels under study according to it. Examining eventually the studied novels and the criteria of selecting them. The study falls into three chapters beginning with theoretic entries giving sufficient idea about each technology. The first chapter highlights the scenario. It is divided into two sections; the first includes types of scenario in the Arabic novel; the second is about the elements of scenario in the Arabic novel. The second chapter highlights the functions of the camera put into application. It falls into three main sections; the first tackles the corners of the camera, the second tackles the movement of the camera and its steadiness, and the third tackles the duration of the shots. The third chapter discusses the impact of montaging on the Arabic novel. It is divided into two main sections; the first is entitled "The Narrative Montage in the Novel in its Four Types : Horizontal, Reverse, Parallel, and Alternative Montage"; while the second tackles the Expressive Montage in the novel in its two types : the ideological and the rhythmic. The Conclusion sums up the findings of the research and the proposed recommendations.

ادب يعرب السعيدي القصصي : دراسة في البنية السردية

اسم المؤلف: نجوى محمد جمعة البياتي
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2001
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

اتجاهات نقد النص الشعري في مجلة الاقلام 1990 - 2010 == Trends Of Criticizing Poetic Context In “ Al - Aqlam Magazine “ 1990 - 2010

اسم المؤلف: منتظر عبد الخضر ساجت
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise is to Allah, Lord of all creatures, and blessing joined with peace of God be upon the seal of the Prophets and messengers (Mohammad) as well as his faithful Companions. Amen This research deals with literary criticism efforts which have been previously published on an Iraqi magazine "Al - Aqlam" extending to the period 1990 - 2010. It is titled as "The Trends of Poetic text Criticism ", as no unanimous approach deals with the literary criticism; moreover, there are several approaches contribute in one literary trend. Psychological Trend; for instance, has variant approaches : Freud - method, Lacan method, and Yong method. Each approach has its unique view and it somehow differs from another approach even if all approaches contribute on comprehensive view which it is the - psychological view. These fore mentioned methods are achieved on the level of theorization, and they are based on the same environmental rules. What is about the researchers who received the trends through translation?. The critical application in tackling literary texts ensures us that there is no specific enclosed approach can be applied on constant procedures and is applicable on all its details, but the overlap is obvious between all the different approaches. Therefore, it is impossible to depend on a constant inevitable approach because the criticism process is an interaction process between the creative text, the critic and his own literary and critical taste. For these reasons the critical trend is acceptable further than the depending approach. The period , which covers the articles within the research, is between 1990 - 2010, i.e. it extends for about 20 years and the concentration stage of the study was achieved on the last of this period ; in order that the study will be contemporary to the modern - literary criticism movement or to the literary criticism movements which have recently seen the light. This study presently shows unprecedented trends, since it includes for the first time studies about trends of literary criticism never established in the Arabic region; for instance, it includes the Cultural Criticism. For this reason, we'd rather the study be practiced on the recent years of the mentioned period since the Arabic region has witnessed relative stability.This research is established to deal with selective poetical texts, because it is impossible to deal with all the poetical texts published within the specific mentioned period. The plan has been put by researchers into choosing some agreeable poetical poems samples , the selective process had come according a certain view since the research obliged itself not to repeat the critic's name more than once , in order to be obtainable for more additional critics' names contribute on one study. The plan is made not to confine the critic's study to be subjected for unique circumstances whether the critic himself is one the followers of a certain trend or vice versa. These studies published in "Al - Aqlam Magazine" are by no means the best studies; however, the magazine includes between its pages many studies that differ between high significance and low - significance in order to let the reader read the magazine objectively. The research does not display the good studies only but also displays studies under the hopefulness level and the purpose beyond that is to disclose about the defects and to determine its places in order to overcome upon the defects. The research tries to achievean elaborate discussion and an analytic criticism to the under discussion critical context through active imposed dialogue in order to be capable of stopping at each point worthy of discussion , and lastly can classify each discussed point to be ordered and organized to its principal reference depending on the available critical - publications. On the other hand, the research can assay each text, and discloses its contents or stops nearer in order to thrill noticeable questions. The study is distributed among three chapters : the first chapter, "The Contextual Trends ", is related to the critics who made their deep comprehending understandable semantics meanings depending on the external environment i.e. the trends related to the factors are out of the text itself to understand the included meaning of the text. The second chapter, titled as "The Textual Trends", is concentrated on the critical achievements that depend on the text itself i.e. the efforts, which try to isolate the text, from the external factors in their approach. The third chapter, titled as " Other Trends " , includes critical efforts , which can not be ordered under neither the textual nor the contextual relation. Eventually the conclusion comes to conclude what is most significant on this study; moreover, the study has been initiated with preface to shortly introduce the reader to "Al - Aqlam Magazine ". Conclusions : Criticism movements have witnessed many continued turnings and many transformations; each trend may be utilized from the previous - mistaken trends, but after stages of its evolutionism, some of its adopters turn to be exaggerative then the defects occur once more which lead to emerge another trend as a result. The critical approaches, "Al - Aqlam Magzine" displays, are variant and different knowledge wise and type wise. Some of approaches are on the top of skillfulness and technique; while some of them are less significant.In addition, the approaches are variants according to the techniques they follow, so they come as (contextual, textual approaches and others). There is not a perfect application to any trend entirely, but in many - times the procedures violate the application limitedness, or maybe the researcher help himself, by a different approach, which his study adopts , because the creative doing is an art has its own property on estheticism and structure.Moreover, the creative doing is the outcome product of special essence lives on specific society which it has its own traditions and habits passes through specific history of special events and incidents This creative discourse or the creative dialogue is targeted to educated receiver of a good quality on culture and language, etc… Knowing these effecting factors is necessary to the critic of creativity, and it has an active consequence into directing the critical doing; therefore, there is not any critical approach that has the stability and the strictness or may refuse the borrowing from other trends. In addition, any critical doing has its own way in order to achieve its understandable point into the creative doing or to reveal and discover its nature, its esthetic secret, and its specific structure. The literary text has significant relation on the establishing process of the critical discourse and its procedures; because the literary text is the main substance of the criticism essence from which the critical process is formulated ; on the other hand , the discourse is not rooted out from the literary text and its procedures. Finally, praise is to Allah and peace and blessings be upon His honest Prophet. Amen.

نثر الامام الحسين (عليه السلام) : دراسة تحليلية في جمالية بنية النص == Imam Hussein's Prose : An Analytical Study At The Aesthetic Structure Of The Text

اسم المؤلف: حيدر محمود شاكر حبيب
اسم المشرف: نضال ابراهيم ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The aesthetic studies are seen as one of the attempts to investigate the textual structure in the modern criticism. These analyses disclose the relationship between elements of the text and how they are interrelated. Accordingly, the present study entitled Emam Hussein's Prose : an Analytical Study of the Aesthetic Structure of the Text is concerned with the aesthetic, speculative and interpretive analyses in an attempt to pick out those aesthetic aspects and relations from the prospect of their concordance, order, adjacency and similarity. At the same time, these studies reveal the non - correspondences and antitheses of these aesthetical signs of the text.The study falls into six chapters, distributed throughout two parts. The first part comprises three chapters. The first one is an introduction to the aesthetics and textual structure in the contemporary criticism presenting a number of different views about the aestheticism. The second chapter is concerned with the aesthetics of lexical patterns in the texts as being used in Emam Hussein's prose writing and how critics have analysed these patterns. The third chapter discusses the aesthetical applications of the lexical patterns in the contemporary criticism. The second part is also composed of three chapters. The first one is concerned with discussing the aesthetics of similarity or conformity and adjacency and collocation in modern criticism as far as Emam Hussein's prose is concerned. The second chapter presents the aesthetics of the structure of condensing and the nature of its formation in rhetoric and criticism as well as how it is represented in Emam Hussein's prose. The third chapter argues the aestheticism of rhymed prose. and assonance in modern criticism and in Emam Hussein's prose.

الثنائيات الضدية في شعر ابي العلاء المعري : دراسة اسلوبية

اسم المؤلف: علي عبد الامام مهلهل الاسدي
اسم المشرف: نضال ابراهيم ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

تحول الخطاب الروائي في العراق : دراسة في الشكل == Change ( Shift, Turn Alteration ) Of The Novel Speech In Iraq (Study Of Morphology )

اسم المؤلف: مشتاق سالم عبد الرزاق
اسم المشرف: ضياء راضي محمد الثامري
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Thanksfullness of God of all God 's Pray on the prophet Mohammed the last sender and prophet of God. As well as his family members and his colleague. All human studies surrounded by the human mind and thinking and its descended which give different sort of vision of all fields of science and knowledge of humanity especially the literary side of it. This form and shape the creativity and criticism of mankind. which was and still has the completion stickled and connected to it from the time of until the Hanz Robert saying through which the researcher built this thesis.The Hnze Robert saying describes the relationship between production and recipient as the legend ( enemy brothers) and he has gone further to see the descendant of the legend from the beginning of Marks and finishing with italo Calvino the author of the well - known Novel ( If I was Travelling through a rainy Night ) which Hanz benefit from going through the Novel a lot to explain and declare ) a lot of his thoughts and ideas about the production and the receiving. And from his going through the whole of this Novel and their heroes and stars ( flanrry ) he was able to see the close relationship between time of writing and time of reading without worry of emptiness.The search in the scope of the Novel was compressive as comprehensive of literature that can contain all subjects as the psycharistics Doctor Fruid when he practice his theory on the novels of Dystoviscky and other novels. Many studies appeared later shared to in rich this field of knowledge such as Romantics studies and classical studies and many other studies showing pioneer attempts to discover the nature and essence of the world and followed by many literals ( verbal ) schools according to suggestions of the critics Pectin and Tudororoff as well as the formality schools which they take it as the starting point of their mythology. many other subjects in rich this world upon his fullness of human crisis and human cognitive.This did not stop at this point of those intellectual thinkers and critical but expanded to contain more cognitive and phenomenon as the occupancy echo phenomenon in the novel field of which was suggested by Julia Christina in the literature field or the ideas suggested by Foco which he publicized and employed by other critics and learners of Noval on cognitive basics evaluated for the human mind and his ability to understand those basics.We choose the formality phenomenon as away to study which has the ability upon other phenominons as the linguistic phenomenon or the litriture phenomenon upon studying in which The research depend upon unformal way as in Novel setting up by LizaKasim and Novel formality setting up by Hassan Bahrawee and The noval text lay down by hamid Al - Hamdany and the Arabic Noval art (technical ) setting up in Iraq by Shujaa Muslim Al - Any and many others that in rich this side of the branch of those studies.The first chapter This research depend on the way to connect between all approaches and phenomenon and ideologies to enable the critical mind to penetrate these formal ideology to employ these theories and ideologies on bases thinking according to the principle of those theories and help showing these theories in new look which is great different from its classical look. In another word, the research will study the formal content of in each stage of the critical phenomenon stages as vertical study and tosee how these ideology work in which will make it clear to see the difference from the speech in the two big stages; the recentness speech and the after recentness speech , as well as showing the speech befote recentness ( actual speech ) which look to the novel speech as real and horizontally. that is the speech will look to a community or group of community The second

شعرية النثر العباسي

اسم المؤلف: هالة فتحي كاظم السعد
اسم المشرف: مزهر عبد موزان السوداني | فهد محسن فرحان
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

الاداء البياني في خطب الحرب في نهج البلاغة == The Clarification Performance In Warfare Orations In Nahj Al - Balagha

اسم المؤلف: نجلاء عبد الحسين عليوي الغزالي
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2002
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: The Islamic oration was affected by rhetoric which was enlightened by the Holy Quran and the Prophet's Pure Talks to promote the art mode of the Arabic literature to such a remarkable level that couldn’t be noticed in the pre - Islamic period. Thus, it reached the peak. Oration is the only means of spreading and establishing new thoughts and concepts.At that time the orator became more comparable than the poet because oration was badly needed by people for establishing the principles of Islam and spreading its authority through preaching and directing them in the right way, and finally allow them to win what would enlighten their life on earth and after death. This also helped in uniting society, evoking determination and making enemies fear Islam.“Nahj Al - Balagha” represents a remarkable feature in the Islamic literature, being a unique mode and principle for all. It is a historical literal document second to the Holy Quran and the Pure Prophet's Talks in gaining rhetorical accuracy and magnificent mode.The Communder of the believers, Al - Imam Ali Bin Abi Talib, the henchman of Islam and the Prophet's son - in - law, was a caliph, a leader and a orator. He was the most revered and deliberate in manner; the knight who never hesitated to sacrifice for Islam and establish the good and right. He left behind unforgettable most effective literal inheritance for everyone and as our President Saddam Hussein (Allah may save and guard) said with regard of the evil forces “We are fighting them with the sword of Al - Imam Ali(peace be on him) to protect principles”. Indeed it is the sword of the right and good. And when one looks deeply into his words, he recognizes his rhetoric orations emerging from the bottom of his heart that was not free from pain These features appear in his oral and written orations. The warfare orations of Al - Imam make us feel that we are in front of a perfect magnificent rhetoric wording emerging from the bottom of a heart with some pain, so you find it stressed wording. He included in it what expresses God fearing and God worshipping and good deed. Oration was one of the Imam's weapons in his fights. He used it, owing to its being rhetorical, to evoke his men and encourage them and arousing their feelings and making them reach the aim he wanted them tounderstand and be aware of. I have chosen particularly the warfare orations in Nahj Al - Balagha to be aware of what they have from clarification. This is because those orations were often oral and none - officious, and free from any features of art. They are pure, so they represent the mode of the rhetorics. Some recent investigators have dealt with “The Nahj Al - Balagha” in general, and the orations in particular, but they were in grammatical and linguistic and artistry limitations. “The Clarification Performance in Warfare Orations” has not investigated the altogether content, but there are some bright images I utilized and some others I talked about.The references regard books of rhetoric, criticism and indication; and interpretation books of the Holy Quran and the Prophet's Talks sciences, and the proverbs as well as the Arabic literature cultural inheritance. I depended on Nahj Al - Balagha (Mohammed Abda Explanation) in determining the texts regarding warfare orations; and I also made use of Ibn Abi Hadeed Explanation.My research is arranged in three chapters proceeded by an a relusion and ended by a conclusion and as follows : Chapter one deals with the clarification performance aspects in warfare orations in Nahj Al - Balagha and includes four researches : assimilation, similitude, personification and association. Chapter two deals with the resources of the clarification performance of these orations - warfare orations - . The investigations are about The Holy Quran and the Pure Prophet's Talks and the Arabic poetry and then the Arabic proverbs.Chapter three deals with the functions of the clarification performance which comes in sequence as : the mental function, the psychological function, and the religious function.The conclusion includes : what the results that the research has arrived at. Then comes my whole tool in investigation, analysis, justification, and conclusion. These are the old and the new references. I have done my best and thanks to Allah I ended this research aided by Allah first, and by my supervisor Dr. Hakem Habeeb Al - Guraity who helped me much like a guiding torch in direction and reform. My thanks and respect to all those who never hesitated to offer help.

البحث اللغوي في كتاب التعليقات والنوادر لابي علي الهجري

اسم المؤلف: مديحه خضير كاظم
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

ادب الشهيدة بنت الهدى القصصي : دراسة في الفن == The Fictional Literature Of The Martyr Bint Al - Huda (Study In Art)

اسم المؤلف: قاسم نجم عبد الربيعي
اسم المشرف: علي كاطع خلف المحمداوي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Al - Alwyaa , the martyr , Bint Al - Huda had many novls and short stories.In the Field of novels , she wrote " The Virtue Wins " , " Two women and aman " , " That who looks for the truth " and " A meeting in the hospital ". In the field of short stories , she had three groups " I wish i knew " , The lost aunt " , and " a struggle from real life ".The experience of the Martyrs narrator had a difference in the artistic level , sometimes , in the simplicity of froms inspite of good themes as in her novel " two women and a man " or in her short story " The lost aunt " but in some texts , we find a high artistic work written by a professional writer who knows how to write as in her novel " The virtue wins " and in her short story " The voice of conscience ".Althongh the experience of the writer had a growth in quantity , it witnessed agrowth in quality also. The Martyr narrator and through her understanding for the philosophy of writing stories works to define all the differences in life , its opposites and its basic unities through the credence on many elements , so we find in her stories many historical texts , verses , proverbs and wisdomsThrough the use of those implements , she was able to understand what is found in life and used it in her stories. The story for Bint A - Huda had enumeration directed by an artistic hand and sometimes , we find dialogues, and dramatic scenes and description and the credence on the Poetic language in many of her stories especially the short ones.It is a kind of contrast , the writer used it to reveal and discover the false ideology of the other discourse as adiscourse that produces the loss and poverty.These are some of the artistic features which we noticed through the study and research , but what is important to us is that which is related to the " martyr narrator " herself and her position in the world of literature and art especially in the field of novls and short stories.The martyr narrator has a clear understanding of the circumstances in which she lived. she knew the historical , ideological and social structures in her society and she worked to absorb and re - build them in her stories. This shows us that the writer interacts with those complex circumstances and work with a clear thinking that gives her the chance to destroy the negative aspects and disclose them in her stories and made the reader takes the side of the positive - voices and ideas that the writer wants to explain in her stories.The martyr writer, in all of her stories was interested in the struggle between the good and the evil and she did her best to make the voice of the good , the highest , and make it the basic way in human communication. In her rich experience which contained , what is artistic , scientific and what is political , she was abl to disclose the depths of the humanitic soul in all its kinds which she had known well. we are in front of awriter who watched and understood her socity , so the story for her , is that which looks for the meaning , principles and the virtue in aworld in which the principles had confused. In her novel " The virtue wins ". we find ourselves infront of a trial of the humanstic decay in one of the Moslems houses and in her novel " That who looks for the truth " we find ourselves sympathize with that girl and look together for away that leads us to the bright truth which is represented by Islam.

المعنى في النقد العربي القديم حتى نهاية القرن السابع الهجري

اسم المؤلف: حسين لفتة حافظ الزيادي
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Meanig in its simplest Logical definitions is : the copception or idea on the technical structure of the poem and the poet language a and it became clear that there is un acceptable kind of praising because there is agop between the receirer and the technical effect the same method was followed with the other poetic purposes revealing the goodness and badness elements of the poetic purposes by balancing and throwing lights on the defects and trying to amending it in the second chapter a studied the meaning criticism standards according to the critical opinions that are set by the critics and rhetoricians and how did thes standards became fixed basis on which the scholars depend to deduce the basic principles of studying the poetic texts , the most disting uished standars are, honestg , exaggeration, relingion , clarity and ambiguity , these are relating to the poetic meaning and the poet taste and the effect of civilization on that taste.A throu lights on the civilized development that occur in the abbasid era due to the prosperity of that era the arabic criticism issues and its effect on meaning hare been dealt with in the third chapter emphasizing on orgnizing orgnizing , nature, attribute, ancient,modern and poetic balancing or scaling , in a delition to the types of meaning and its significance, where a noticed that each of these issues has its deep effect on the poetic meaning a ccording to era through which these issues passed , and a stopped with its mostdisting uishd figures suchas al - jahidh , abdul - qhaher al - jerjany and hazim al - qhertajenng.in the fourth and the last chapter a dealt withrhetorics, issues and its effect on meaning the research emphasized on eloquence, summarization , description , metaphor and imagerg, where it becameclear that rhetorics is associated with the arabic criticism and handnever a purted from it till the late ags, and that most of the critics are areb rhetoricians such as ibn selam, al murad. ibnqhutaybah and ibn tabataba. there is no doubt that rhetorics had affeeted the poetic text and meaning because it is away to understand the text and findout its beauty poins by the image. the rheterical studies were fleurished dwe to the holy quren which is the eloquence source and the basic motive of these studies that tried to know the prodigy secret of the quranic text.in the conclusion a set the most important results of this study, such as.1 - the research reveals the critics interesting on ' the meaning of the meaning ' which is on element of the literary theay and the creativeness of linguistics, because the talked about the first branching of meaning aor about including mang meanings which they colled' the other'secend' meanings2 - the research shows that the reason of the less interesting of lamentation poetry is that this kind of poetry did not suit what the arab wanted for himself of strength, because lamentation poem usually involvedthe human emotions which rereals weakness withcraying and sorrow a and the arab refused that due to the societg nature at that time. 3 - the criticism theory is as ancient as arobs themselres, even that it was not with its modern concept, before the third centuty of hejira, it was perfeed within the critical judgement of the pre - islamic are.4 - the critics emphasiza the grammatical ruly and standars in the arabic speah, poetry and prose, because folloing these rules is a conditions for the speech rightness, and in literature we ask what is beyond rightness, it is creativness.5 - one who check the arob critics efforts who deal with the menning , will find that those critics and the poets were aware of this case importness, so they dealt with it early a and its derelopment was due to the arabic educational status, change.6 - through the research of the poetic purpose and the meaning effect which affect the ancient arabic poetry because by it we can define the poem weather it was satir, courtly ….j,e there was akind of independnce and throwgh this purpose the critic presented his ideas and opinions.7 - the research shows that the ancient crities, opinions had aneffect on the ancient arabic poetry a but sometimes these opinions were not accept able by the creative poets who has his own rules that lead him away from the critics judgement.8 - in spite of the quranic emph asis on the moral principel of the poetic text, through the research it appears that the arabic criticism went away from this field that it saperated the arts from morals.9 - the plagiarism standard rereals that it is possible to njudge the writer and his position and interactien with his enviornment. in addition it helps us to know the resoures of the writers and their psyhchological direction and their educational and intellectualsituntien ,so this standerd is abasic one for the literary criticism. 10 - the study shews that praising lexicon in the ummayed era became axiture of the in herited pre. is lamic mennings and the new sslamic mennings as wellas the environ ment effects and the general life development in the ummayad society

اثر التراث الجاهلي في الشعر الاموي == The Pre - Islamic Heritage Effect On The Ummayad Poetry

اسم المؤلف: حسين عبد حسين
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Each nation has its own heritage which it celebrates as it is considered one of its continuation and immortality basis, a heritage that ensure interconnection of its present time with past reaching the future. Our literary heritage, especially the Pre - Islamic one has derived its facts from the nomadic environment to which it belongs, so it portraited it in the truest way of expressing its values, habits, traditions, thought, achievements and exploits. Hence, it has become a mirror in which the life aspects manifestations would be reflexed, and an alive image of the life status prevailing that period.This heritage has remained as a fountain from which the poets drew their need throughout ages of them is the Ummayad Era.The nature of the subject required that the research should be organized in three chapters preced by an introduction and a preface and followed by a conclusion.In the introduction, I referred to the heritage concept linguistically and conventionally, explaining the objective and the artistic causes hidden behind the Ummayad Poets inclination towards the Per - Islamic heritage and investing it in their poetry.In the first chapter, I have deal with the social tradition represented by the virtuous and the habits Arab values ,the Arab days, and the historical personalities and hreed horses and camels.While in the second chapter , I have studied the intellectual tradition and what legends and beliefs it contains such as AlGhurab, Al - Shaqraq, Al - Haman, Al - Sada…etc.In the third chapter,I have deal with literary and artistic tradition.In the literary tradition I stopped at the names of the poets that the Ummayad poets took from ,and educated in their poetry.Also I have stopped at the proverbs as they considered a social art and one of the literary culture's fountains while in the artistic tradition I talked about the poem artistic structure which is comprised the introduction, details and the main purpose. In addition, I have studied the language in words and in structure and stopped at some structures found in the Ummayad poem.As for rhythm, I have explained the nature of the poetic meters that the Ummayad prefer when writing poetry and studied the artistic image explaining the extent of the Ummayad poets’ being affected by their ancestors and their following them whether on thelevel of the single verse or a set of verses, or an the level of the whole poem. In the conclusion, I have reviewed the most important results that the research reached, of them were the following : ?? The heritage of any nation do not stop at the margins of a specific era. It is a continuous series that takes from each era what enriches it as influence and being influenced is acharacteristic accompanying each heritage.?? The literary heritage(artistic objective) is the main source of writer's education in general, and the poet in particular.?? The nomadic Arab values the Arab inherent have taken their to the Ummayad poets under the influence of the party that has blazed again.?? The Ummayad poets have made the pre - Islamic days one of their education sources, and utilized them in their as they were considered a record of their ancestors’ achievements and exploits ,and exploits, and bright pages of the history of their life.?? The Ummayad poets utilized the myths to relive their feelings and sentiments through subjecting then to their artistic experiences and their psychological sufferings.?? The poets’ talk about the poetry finds was not stamina from a belief or faith, but it is an attempt to show their artistic abilities, and their differentiation from their companions.?? The Ummayad poets followed their ancestors’ method in the artistic structure of the poem which is formed of three parts(introduction, details and the main purpose), with stopping at the margins of the sheer imitation, but they strived for renwal inside that arts framework.?? The pre - Islamic language was the basis that the Ummayad a doped in poetizing their poems, as there is no attempts to replace that nomadic language by other one.?? Most of the images that appeared in the Ummayad poetry were derived from the desert environment in which they were brought up or were close to.?? Their being affected by their ancestors’ image has been varied from the sheer negative imitation to perceiving those images and subjecting tem to their personal experiences then adding some adding some artistic touches to them.

اثر التراث في شعر عبد الله البردوني == The Influence Of Inheritance On Abdullah Al - Bardouni's Poetry

اسم المؤلف: فاطمة عبد الله محمد عبد الحبيب العمري
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

شعر كشاجم : دراسة اسلوبـية == Poetry Kashajim ? Stylististic Study

اسم المؤلف: سارة محمد حمزة
اسم المشرف: ياسر علي عبد سلمان الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: The object of this study is to determine the style aspects in the poetry of Abu AL - Fath Kashajim Al - Ramly Muhammad ibn Al - Hussain. It appears in the from of preface and three chapter. In the preface I mentioned something about the poet personal life , his poems and his position among his contemporaries simply , then I Tackett with the stylistics and its concepts , types and its relations with other literary concepts and sainces like language , rhetoric , critisim. Also I tackled with the subject of (style changing) in western studies which was known in Arabic studies as ( Al - Inziyah Al - udnl). The first chapter was to the right matic level and some subjects under lined it. The first the outer thematic level of poems which divided into two parts ( meter , why me scheme ). the second contains the sequence technique with all its types (voice , derivational and introduction ) Also I took alliteration of word ) types ( completed , non - completed ) derivational and other types. the third chapter concerning as pacts found , in the poetical collection of kashajim. Who second chapter is a study of construction level of poetry , and its divided in to three papers. the first is about the styles of poetic discourse (Nida style vocative partich (A - ya) ) , Is tifham (interrogative Amrw , Alnahi , the article "Aya" pat at the first position more than the others used in his poems. The third chapter tackled with semantic level in kashajim poetry , and it has three divisions. The first about similarity level , it contain similarity style and rhetorical borrowing. the second one is about Alknuya wara style ( the nearest meaning not the direct , I talked about (Alkinaya metonymy ) the third paper is about textual derivation intersexuality and this divided in to religions and literal.Religions textual derivation has two divisions , one related with Holy Quran and other with propend Muhammad traditions (Al - Hadeeth). The literal contextual derivation took two types poetic and proverbial , the I condnde my research study with bricf conclusion contained the most important results , with a full bibliography of references I benefited from them

الاشتغال الفضائي في شعر ناصر مؤنس : دراسة سيميائية == Space Engage In Nasser Sociable Hair Semiotic Study

اسم المؤلف: الاء عبد الامير عيسى السعدي
اسم المشرف: هيام عبد زيد عطية
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: This study was to trace the precursors first to work on the possibilities of stylistic and aesthetic that is added to the space the paper layout, is another element of interpretation and semantics down to actual experiences of mature, and these possibilities are (charts, paintings, punctuation, whiteness and blackness, reducing bullet shapes iconic and Ready), was being naughty and stand on it to engage in : 1 - Space script, which is in turn directed the read - only represented in the following elements (linear structure, the optical Naber, whiteness and blackness, colors and punctuation). 2 - Space picture, which is in turn directed to read and consider together represented in the following elements (shapes of the vehicle and the vehicle is naked and represented in triangles and squares and circles). This alert to the space (paper layout) and make another element is added to the elements of interpretive and dimensional semantic language, and conscious of the receiver to read and meditate and focus on the poetic text more starting thresholds and appearances the first constituent that space transformed from being spatially environmentally verbally acoustically, to being a hardcopy Tabaaaa Visually, passing a written brief and signs Coding and images accompanying the end of the language and format of linguistic Based on the foregoing became engage in space, addressing the eye, not the ear, and on the basis of that took a slap poetic attention from the presence of poets and became part mainly from the structure of the poetic text.

الزمن في الشعر العراقي المعاصر 1990 - 2010 == Time In Modern Iraqi Poetry 1990 - 2010

اسم المؤلف: علي هادي محمد الخفاجي
اسم المشرف: سلام كاظم الاوسي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: Time of more issues that preoccupied the mind of man , past and present , so Anjad aware of Sciences ago its subjects of time, and time gained importance from its association with human existence , man has tried since ancient interpretation of time trying to answer the questions that insisted on his mind. Where did we come from ? Where are we? Where do we go ? What is past is it really exists or is the accumulation of ideas? What the future you will come quickly or slowly Does it mean death and the yard or is it the beginning of a new phase did not realize it yet , and is currently just a moment meeting past and the future , all of these questions tried monotheistic religions interpreted as exhausted these questions philosophers, ancient and modern ( Aristotle, Plato and Plotinus , and Augustine , and Newton , and Einstein , and Cant , and Herbart Spencer , and Abdel - Rahman Badawi (. Poet and more people Achtgala in time because he shared his feelings and emotions with the recipients is mediated by hair trying to everyone involved in the existential his main concern about the time and trying to find answers in the eyes of the recipient. And the importance of the subject of time studied through hair Iraqi poets from 1990 to 2010, and dealt with the dimensions of time various psychological and existential , social and moved away from the meaning physicist of time in my studies , and began to study boot showed a single time in the philosophy and science , and the importance of time for literature , and in the first chapter dealt with remembering which represents the poet 's past and future as a utopia and a dream world , and the second chapter dealt with time as alienation psychologically , socially and intellectually , and the third chapter dealt with the symbol as a milestone schedule.

المفارقة في الادب المسرحي العراقي المعاصر == The Paradox In The Dramatic Literature Contemporary Iraqi

اسم المؤلف: اثير محسن غافل الهاشمي
اسم المشرف: باسم عبد الامير الاعسم
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: The paradoxical is an important technique , main mechanism in the literature in general and theater in particular, in spite of the breadth of the term within the literary movement and the modern critic , but it has not been emphasized in studying the text's theater, whether Arab or Iraqi, so that we directed in studying mechanism paradoxical in some in contemporary Iraqi accomplished playwright, due to be a fertile ground for what are enriched by the value of the objective and technical. We focused in our study of the paradox in the Iraq theater text in some way explain the dimensions and significance, patterns, and their impact through enriching the structure of the theater text , usefulness of symbols and meanings that came in the cases of verbal or positional context , in the light that formed the paradox types, multiple in literature, theater Iraqi in its sections (theater prose, theater poetry and children's theater), where we dealt with irony and types in each section of this stage, and was dominant in clear, with a diagnosis method of each writer in the presentation and content, as varied method of construction and function literary drawn by the irony with its details under each section of the structure theatrical text, and on this basis, we find that our study draw a line chart and clear, monitor the ironic structure of the text in the theater of Iraq through : 1 - chronology of the text of the Iraqi theater, where we studied the play texts time serial since the fifties of the last century to the present day.2 - Studying the irony and types according to the three divisions of the theater (the theater prose, theater, poetry, and children's theater).3 - It is said that the study included the method of construction and function of literary irony.4 - Focusing on methods of irony used in the theatrical text, stopping the pattern predicted by the shock and surprise; any broken the horizon waiting for the recipient, by moving away from direct language, or the use of irony, paradox, or leading to the anomaly

الوثيقة والتخيل التاريخي في روايات علي بدر == The Document & The Historical Imaginary At Ali Badran's Novels

اسم المؤلف: رنا فرمان محمد الربيعي
اسم المشرف: ناهضة ستار عبيد
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: We are trying in this study to reveal of two types of relationships between the historical documents and the text in Ali Badran novels after the change that the relationship witnesses between the history and the novel in the light of the data and visions of postmodernism , the research undertakes the process of narrator Ali Badran with the historical novel , merging within the novel texts , if we could to percept on the interpretation dimensions that he wanted to employ for these documents , as well as shed the light on the techniques that he used to merge the document within the text , the most techniques historigraphic metafication that enable by which repeal the facts after dealing with the event and left it , using parody technique to irony the event and the historical events that the mastery mechanisms , using many documents trying to refer to the narrative text , or subject its signs I order to serve the notation path , his aim was to create a universe able to push the documents , events and historical documents to reveal the unknown in the documents or through them , or in the events that form the framework of the text in general , all that according to novel drafting enable to open imagine more on human universes that history neglect.

القيم الجمالية في الحديث النبوي الشريف == Aesthetic Values In The Hadith Alnabawy Alsharif

اسم المؤلف: حازم كريم عباس
اسم المشرف: شاكر هادي حمود التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: The research found the following results : • The frequency of different types of texts honest did not come Forcibly Dictated by ears, and wish him the soul, but rather spontaneously to savory and in various forms, is the latest variety in the texts, and the comfort and pleasure to the recipient, and that the repetition in the Hadith has exceeded the functional confirmation Incomprehensible, known the public and private, for a different degree of aesthetic technique and manner, as we find colored and changes in the text - Sharif, dressed in sackcloth different every time, and this makes the musical values, including the repetition of the basics of determining the aesthetic value.• was the naturalization of the effects of aesthetic in the Hadith makes it a model for the performance of voice spontaneous skilled team, including representative of the way technical check advantages bell sound of music, working to highlight the hidden of meaning added a new Tagged, Vchuq self to learn the new meaning, and of music generated by the the highest range, which holds the receiver on the vigilance and attention, and sends the wonder and surprise, and take verbal Mokhzha aesthetic consistency of it, standing, so influenced by the text and its interaction with the Prophet's religious scholars fair sentence.• The rhyme in the Hadith Sharif was sweet words, enjoy its hearing on the ears, and tend to him the soul, and approaching his music, hearts, proceed to the meaning of non - him, and greeted from affectation and artificiality, Stay away so the repetition is justified, and return the moral dull, and make the recipient continues with messianic text, as well as to those A - i - aarh sweetness and aesthetic art left behind by the rhyme innate light on the text of Prophet Mohammad.• The Hadith was a direct question - for the most part - of the structure of the surface position to the deep structure of meanings and connotations many explosive through different contexts, depending this shift to stir up the receiver and his participation in the production of meaning, and the realization of his mind in the detection and meditation, and acceptance and satisfaction, Thus, in the text al - estfham Prophet combines the aesthetic beauty of the text and received, the receiver based on the resonances and reactions as an effective and vital, is between him and the text continues the aesthetic and artistic interaction affected by the resulting psychological and emotional surprise. • Although different considerations apply and delays in the text of the Prophet, but it has been used for the purposes of aesthetic and sympathetic, helped the recipient to interact with the text - Sharif and objectives, as discern him to shift stylistic imposed by the presentation and the delay may cause gaps tension in the mind of the recipient led to a surprising causing the lattice, say so alone increased artistic and beautiful and influential.• A violation of the original which is (equality) in the Hadith, and the deviation from the familiar to the unfamiliar, a (brief) has the function of aesthetic and splash pulls the receiver and draws his attention, it becomes a text - Sharif in this brief overview function enables it to activate the thought of the listener and the realization of his mind to realize what behind this overview and shall be ¬ referral to highlight because it is aesthetic values.• metaphor was a way of technical means and aesthetic employed by the Great Prophet peace be upon him and his family and him to influence the recipient, and the consolidation of the meaning and enable it to himself through what is offered by the metaphor of shadows and visions between things and bring one of the other, so he will of the clearest Arts rhetoric and the most capable to portray the meaning is closer to the mind.• The structure of metaphor in the Hadith Sharif represented the summit of congruence between the parties to the analogy, even united by deleting one of the parties to the analogy and the tool and the face; to integrate image on both sides : (improved and reasonable), Vhsalt image Astaaria not simulated, almost meaning - mediated imagination hard, work on restructuring of the particles fact, dissolving elements to each other, Vgesdha influential sensory images in the same recipient, give rise to emotions, up to date the most responsive and fun to have, as well as enrich the semantic and aesthetic.• Try The Great Prophet peace be upon him and his family through photography Alkna?a - as one of the ways the technical and aesthetic that gives the image dimension Tgesemia heavier and imaginary exciting for the mind and conscience - to address the perceptions of mental for the recipient, exciting Baahaath and his references are and very active imagination of the recipient, when transferred perceived moral to the conscious sensuous concrete, and the meaning to the rigid image of simmering with life and movement, Vehtz those images suggestive of conscience, and the impact force penetrates into the depths of the soul; to acquire the expression and function of a strong splash, as well as the role that the function of aesthetic and technical fascinating.

القيم الجمالية في شعر شعراء الطبقة الثالثة الجاهليين == The Aesthetic Values In The Poetry Of The Third Generation Jahili Poets

اسم المؤلف: فاطمة حميد يعكوب التميمي
اسم المشرف: ياسر علي عبد سلمان الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:

الذات والاخر في شعر عبد الوهاب البياتي == Self And The Other In The Poetry Of Abdul Wahab Al - Bayati

اسم المؤلف: رشا عبد الحسن عبد العظيم
اسم المشرف: هيام عبد زيد عطية
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: Not without poem that presents itself scout for itself and visions from the others so desires nilly and keeps hair Iraqi ample room induces cases self - consciousness poetry and see the other, which is a mosaic is intertwined with the details and Taataalq movement filled openness and isolation at the same time, so it received placedself and the other great interest in psychological studies, and literary.... And under consideration to them as part of Aetjze of this integration and integration can not be aware of the individual itself only through knowledge of the other to him as a mirror of the self Therefore , any rupture or separation from the other works to break down the ego and threatened loss and marginalization losing its place among the community. Word when Bayati is part of the same charge the semantics of certain signals and gestures, he wanted Bayati to express his feelings toward the other of which became self - mergers with other one permeate to inside to see his thoughts and behaviors found vary sometimes differ at other times to open up possibilities for different cultural which have an impact onachieve a distinct form of hair.

الفضاء السردي في شعر الاغتراب العراقي 1970 - 2012

اسم المؤلف: وسن علي عبد الحسين الزبيدي
اسم المشرف: صبحي ناصر حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اشعار الحكمة في ديوان الحماسة لابي تمام : دراسة موضوعية فنية == Wisdom Poetries In Enthusiasm (Al - Hamassa) Divan For Abi - Tammam ( Asubjective , Technical Study)

اسم المؤلف: ورود وليد حمود حسين الصراف
اسم المشرف: سعيد عدنان المحنة
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Aperson who observes the research tittle finds that the wisdom subject is acomprehensive because wisdom is an important purpose of Arabic poetry purposes. Aby - tammam suggested to put completed section for the wisdom subject named it wisdom section. We did not use this section alone but We gathered all the divan sections and to find wisdom verses. The wisdom is mixed with other courses as Enthusiasm, elegy, praising and others. So wisdom is independent and also mixed with poetry purposes. Abu - tammam did not choose only the pre Islamic wisdom verses Alon, but he chose Islamic ( ummay ) reign until he reached (Abbasied reign ). this comperehension is an evidence that the poet is Educated and aware of choosing the best of the poetric vesses. We decided to study wisdom poetries Enthusism divon with artificial and subjective study. One who studied the wisdoms subject found that it is ahuman Phenomma comes from asharp sight and accurate thinking. This thinking don’t separate from realistic content. This reality is coming from organizing the relationship between the individual and society. This research cansist of introduction, three chopters and aconclusion. The research has many vesults. The most important ones are : - Wisdom is one of the ancient Arabic poetry purposes, It is aresult of along experiments and asharp sight towords people and their ethics. One who studied the purpose of wisdom, found out that it came from apure natuve motivated by experience. The word wisdom ( AL - Hikma ) does not come in poetry only, but alse in the holy quran and the holy prophet speech which refers to it s elevation, importance and it is wide using among people. The word comes in ninteen quranic verses in twelve sora but in each times it carries adifferent meaning deduced from context. It also comes twenty times in the holy prophet speech. We showed the relationship of wisdom with proverb, since bothe of them are abrief phrase come as aresult of experience or a sight towards things and matters, but they differes in other things of which is that wisdomc comes from a ware mind or reason so its more elevated than proverb. More, Islam rise had the important effect on people lives becaus, it is wisdom and advic guides people to the right way. During Islam begining, wisdom wos not taken from experience only,as in the pre - Islamic period, but it also taken from quran and people interested on the wisdom of the holy quran for its splended meaning. In the Aummayiad era, wisdom was mixed with the other poetic purposes like elegy , praising and AL - Ekhwanyat as in the political and Enthusiasm poetry, wisdom was restricted to the idea of unifying the social relalionships. When we studied the purpose of wisdom in Al - Hamassa divan, we found it as passages said by the poet, for this purpose, in an occasion, So the research studied the most distinguished poets of the divan and the psychology or mentality of each of them and his conditions which reflects on the poet who mentioned it in his wisdom poetry. The subjects of wisdom is poetry goes in two important dimensions and : - the mental or thinking wisdoms and moral wisdom. The first one clerified in life and death , time and its turnings or changings , charity and erils richness and poverity. while the moral wisdoms is represented by patience , ignorance,brother hoods, Frienship, ageness and youth. Each subject of hos its purposes and elevated meanings, which induce the poet psychology when he wrote any of these subjects. The most important of what we reached that all the similarities mentioned in the divan and all the poets of wisdom was connected with the material things that taken from noture and reality on which the poet lived , and all that comes from the real experience and deep Thoughts and feelings. most of the metaphors mentioned in the divan were imagination metaphors. Each poet has apoint of view when he draw his metaphors and connected it with what suit it and all that depended on the education and psychology of each poet. Meters and foots that poets used in Al - Hamassa in all wisdom verses, the most distinguished and more frequent was Al - taweel which half of the divan verses fallowed because it has awide space in which the poet stated his wisdoms throughout the experince he lived. The (AL - Rawy) letters that frequently used or mentioned in the divan poetries were (D) followed by (M) in the rhyme schme.the poets did not use the less frequent letters (h and ta a) or the rare (tha a,dhal,z,shaan,sad,dha a,gheen and w) , because of their difficult field. The meters of the divan verses came in more than one phase or phenomenon like (tasre a and tadweer). The (tadweer) phenomenon in wisdom verses is very clear one in apart of its rhymes, The same with the (Sinad) phenomenon wich considered adefect in the rhyme. These were the most distinguished results the thesis reached

اشكالية الخطاب العربي في (الكتاب) لادونيس == The Problematic Issue Of The Arabic Discourse In The "Book" For Audunece

اسم المؤلف: وداد هاتف احمد وتوت
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: 1 - The study examined the concepts, and the idioms of "problematic, discourse, writing, and copying" in accordance to special curriculum, and that is archeo - geniological curriculum. which is related the French philosopher Micheol Foco. And the curriculum and what are related to it of inspecting the traces of the thoughts, their shaping way, their overrating, and were shown on the body of the society; a new curriculum in Artistic critics, it provided the ultimate way to interpretate Audence accomplish "The book yesterday is the place today". Where the writer pursue the same curriculum in the way of molding his intellectual adoptings, creativeness, and what he wanted to say through this work.2 - After the proving of the study that the accomplish under the study "The book yesterday is the place today", is not mere Artistic text, but it is a speech in what speech is mean in its communicational of comprehensiveness, and big ideal. The reader discourse concept, was very good way in dealing with this accomplish, where the spirit of this concept was represented, in what was contended of cultural codes, and intellectual partteners that worked the production of the texts and directed their interpreting process. 3 - The concept of the writing, as concept by passed the speech of the kind, was the last of what Audence version settled on, and based on his good dealing in the description of modernistic works, especially the creative accomplish - field of study - of writing transfigurations which did not stand in specific cue of creative writings types, in poetry, and in prose. From this point of view this dissertation did not accept the describition of this work as collection of poems, in that it is a kind of writing which is comprehensive for poetry, prosaic, for historic, intellectual, and Artistic, it is the comprehensive speech of the comprehensive vision, which ruled its appearance, and did its speech.4 - The dissertation pick the standing contradiction between foco / foko concept of madness, Audonece, and then to his speech, where the former spoke about the real madness, and how the restrictions of the dealing were limited to types of speech, having no connection temadness, but to some undesirable categories spelled by the western society for the safety of the all, and by this he exposed the arrogance of the western society, while Audonece stance was similar to the Islamic intellectual where madness in the Arabic thing, is a tool in the hands of the group to face oppressive political regimes. And it was another type of madness, it was a metaphoric madness, which was able in its departing for reality space to pass the speech of rejecting, accusing, worning and giving advice in the name of religion, and for the sake of people in addition madness have another vision, in Audonece poetic vision and self discourse. His presence was clear, where its type of unknown similarity in this glob and the search in its hidden places, getting use of surreal vision in this matter. 5 - The study present the discourse of "the book….) as Archeo - geontic vision of the Arab - Islamic thinking, in all its parts. Dived in the roots of the intellectual crises since the starting of Islamic Arabic state since its founding, till nowadays. as well it got benefit of the reader discourse concept in the analysis of the accomplish understanding, where Audunece in his treating for intellectual and poetry issues in "The book…" a discourse reader, and historical symmetric standing in the Arabic discourse speech.6 - The thematic equivalent, represent a basic stand in treating "The book…", where from its beginning, of the Di - pattern, of the little in it main and branch types, its gender indicator, and it authorizing, as well the forms of the writings on the page space were divided in its almost in four writing forms, as equivalent to Arabic foggy thinking, and the loosing of the self between the past which was full in contradiction, burden with constraints and overcame with the control on present day thinking. In addition to the main sample, the motive of the work who is Al - Mutanabbi.7 - Audiences writing in "The book…" came in this variant form, which is full with references to be thematic equivalent for his book the authord to what is a function to concept of the author for Foko - and his rich thoughts and activity variation. In that this accomplish short half century walk, characterized with seriousness and balled, which which was byest to all what were different, and problematic, basing to the exploring, and thematic analysis a way from all before submissives accepted by the foundation - whether they were intellectual, cultural or social, the study did not adopt the concept of the mask, where despite its narrow space and its accupying with the self side of the mask and the person who wearing it, came under the thematic equivalent concept with no doubt.8 - The researcher conclude her research by admitting the fact the book today is the place tomorrow, is a deep study for Arabic - Islamic thinking life history, in all its appearances, identify, its almost biggest crisis, and the most dangerous effect for the presence and the future of this nation. And what distinguish this study is its departure to all what are expected of the writing forms, or research works, that limit its freedom in the search and explore, in that it dives in time and place, and shed light on dark paths to enlighten them in exploring and exposing to show the defects for the audience for treatment that may raise the place and it dwellers.

صورة الكورد في الرواية العربية في العراق ( من 2000 - الى 2015 ) == Picture Of The Kurds In The Arab Novel In Iraq (From 2000 - To 2015)

اسم المؤلف: هديـل حسام الدين احمد
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Novel has been academically occupied for more than a decade in our country as it could expand and take up a place comparable to poetry, and it was the best way which could express a nation that had no stability and for it is the closest to reality, I have found an appropriate way through it to study the nature of the relationships between the components of this country(my country), so I can participate in restoring some of our image on the statement of how it was originally portrayed and what the lines of deformation are or the lines of fake beauty through which it was painted as well as how far it is realistic.The research field was to study the other people (Kurds) and be fully knowledgeable of who they really are.Here we are researching about the Kurds as other people and how the Arabs portrayed and imagine them, the Kurds who are different from the Arabs in terms of nationalism, language and culture and who have in common with each other in terms of living in the same country.How was the image portrayed? Was it negative or positive? How was the relationship between the two people politically inside that unified space? , this is what we are endeavoring to answer through our research relying on the following plan : Preface (portray of the latter (Kurds), concept and representation) : Theoretical presentation, in which we handled the concept of the portray, the latter, representation and idioms related to the latter (Kurds) as well as the ideology as an effective factor in establishing the portray of the Kurds.Regarding chapters and how they are divided, the thesis was in three chapters, each has two sections (researches).Chapter one is entitled as (the political portray of the Kurds and the ideological representation), in which we handled the relation between politics and ideology and literature; therefore, it was classified into two researches (sections) : The first one is (political portray/against the Kurds - with the authority), we stated how the political events affected between the two nationalities in establishing a negative image (portray) about the Kurds and how that taken portray leaked out. We handled novels which could be described as political ones in which there were political portrays formed against the Kurds.The second is entitled as (political portray/ with the Kurds - against the authority), we presented the events which resulted in meeting between the Arabs and Kurds as well as handling novels which contained positive images for the Kurds.Regarding the second chapter, it handled how the social relationships between the two parties (the social image of the Kurds) in the novel and it are divided into two sections (researches) : The first entitled as (Kurds are self participant - peaceful coexistence) in which we presented the meaning of peaceful coexistence and we also handled the novels which depicted the Kurds as participant to the Arabs through presenting portrays of peaceful coexistence between them.The second is entitled as (Kurds are self - paradox - self transformations and persistence) in which we presented an explanation for self concept and we studied novels depicted the selfness of the Kurds which was transformed, changed or dispersed in terms of identity and portrays for characters which were maintained in identity as well as our endeavor to state the formation of women's selfness.As for the third and last chapter, we took a pause at the nature of establishing the portray of the Kurds through establishment of technical studied novels (technical portray of the Kurds in the Arabic novels and it is in two researches : The first is entitled as (place shifts) in which we presented a theoretical presentation about the place and we handled the place shifts (the Kurd or how he is related to it) and its significance in the novels which presented portrays for the Kurdish environment and the places which were the settling ones for them.The second one is entitled as (point of view), it contained a theoretical introduction about (point of view) and then we studied point of view and visions in novels, subject of study as point of view establishes a technical standard in dealing with events from an angle.Eventually, we finished our research reaching to a closure which included all what we had come up with, I tried in my research(study) to answer all the questions that we put forward in the introduction and research them even relatively and prepared a summary for critical reading through which I endeavored to analyze novels and decode them.

المفارقة في الشعر العربي الحديث : محمد مهدي الجواهري انموذجا == The Irony Of Arabic Potery Mohammed Mehdi Al Jawahiri - Model

اسم المؤلف: منتهى حسن محمد علي الانصاري
اسم المشرف: جبير صالح حمادي القرغولي
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Litrerary work is based on the paradoxes of multiple type and closely to related to humans and are often dump thwsw paradoxes between reality and fantasy produce paradoxes overcrowded as a shortcut to the life and existence which creates dimension Tagged couped by myself charged depending on the languge dose not say do not teel Ihave served the term irony area and wide in the arena cash because of its significant impact in the context of a literary work provide him with art card and aewsthetic fantastic as well as what permeates built linguistic elusive art unintended running thought the recipient not to mention their impact emotional and psychological in itself fit As students of science and kneledge we are looking for all that is useful in order to present it a scientifice way and the Academy allws for the largest possible number see it and benefit from at the same time Ihave dealt with many of the graduate student in various universities this topic and Ozvoh in various models they ate study and analysis and are beautifui and under the supervisions of professors qualified which studies in the hair such as : The irony of hair pioneer study in the product of the pioneers in free verse Hamza Faleh University did not understand the irony stands as a stand or graphical format or any case falls under this concept when the fild of hair only of but extended to many other creative races such as the story and novel and shrinesEating boot Investigation for the emergrnce of irony Tgosais historically through the sequence that leads to irony in the reference book but under different name to be crystallized and became a term commonly dealt with critics and researchers in the modern era starting from the age of philosophers Greeks up to the heritage of ancient Arab in which she was irony.The primary sources related to the subject matter was the most important of which was adopted in this research study it was basically the book irony and its characterisvs its author.De Landed academic study of this article on boot chapters branched turn to SSIand then to the demands as required by Article scientific and availability and a conclusion of the most important results of scientific research.1 - boot : included Study : Roots In the first chapter it addressed in a simple and moving away from the repetition and redundancy to avoid boredom when the receiver was the study of his autobiography for knowledge and take it for the purpose of controlling this phenomenon literarynirony in his hair.The events in that period make him about set of contradictions and paradoxes poetic tensions surrounding his work made about a set of contradictions and paradoxes poetic tensions surrounding his work in building traditiol and pome style and Gazetteer Tension between individual content and complexity of the problems because of the values and ideas and names as national and social justice As political events social and cultural : that prompted some poets rid of classical poetry to engage with their hair to address the topics. New purposes required by the need of the times and events. The jeweller found plenty of room for political purposes in creative aspirations with a shift from form to content. Believing that real innovation is in construction and content then it does not matter how old systems or modern to produce a new style do contribute to ridding the Arabic poetry of contrast between from and content. Ihave a balance between the national and artistic commitment through its relationship with reality and his ideas, and social value, as occurred in the jeweller poets and critics amony the paradox does not meet ; tradition and modernity. This heterogeneity has produced an organizational relationship, different linguistic language classical poetry ; a living language realistic, simple , capable of offering professional experience between anomalies and substantive.The suffering of the jeweller because persecution of his regime in the 1930 was the cause of artistic creativity , and has a sharp u - turn in critics counted a jeweller.2 - INorder to learn why literary phenomenon in the entire Cabinet , it is necessary to identify the most important reasons that have had the upper hand in its appearance. As is well known , if the inquiry , you must follow the clues to access knowledge. It included a chapter on the four demands of the task in the life of a jeweller , and arguably credited Preveza poet of irony in the critical period reasons that make him a poet of irony , addressed four topics included life , along the years , until his death.It is also known that the the poet Ibn environment , cannot tell his character only by intensive study of the living environment , and the conditions that encapsulates his life , where areligious man from a family committed to the culture of Najaf. Itried to display why make it personal resents the cleric , with evidence of his selected poetry , every person has a node , make him a poet , so he came a bookworm to show the negative impact of some sick souls in this domain , which worked hard to spread decadence and intellectual underdevelopment society as long as they enjoy the authentic cultural roots , place over millennia.He lived throughout his life Al - jawahiri , either within the home or outside , closely associated with doubt , with his countrymen. So the public image in his poetry , which shows the extent of mzlomiatha , in the time period coincided with the jeweller and the poet at the same time , he devoted himself to claim their rights from the oppressors , the various types of literary and rhetorical methods in order to reach the goal to the right of the disenfranchised. Defending the people standing in the ruling authorities of his time , the ruling was unjust in his poetry the most wonderful pictures and mastered for this hayer autocrat , radio and photographic methods of injustice and oppression , bot in a modern classic Arabic literature through his sincere. all these images in his poetry came with a choice of Cabinet models to show the irony that he wanted. And in the grandest literary way.And so discriminate topic of alienation and longing in a temporal paradox at all time sentimental style , psychological motivation and have varied reasons for resorting to organized in depth. What struck Iraq disasters and tragedies have made him a distinctive ground to produce a color psychologist. The alienation and nostalgia are the paradoxes in the poetic text ; as any alienation and nostalgia of the same coin. Known poets and Iraqi poet especially breathtaking passion and depth of IMDB, and the griel of the successive and significant expression of central systems for various poetry , not his feehings away from events and the paradoxes of his day , often emotional sensations close to ask to read or recite the political reality , and the events and hardships. The exile and alienation are concepts inseparable from the poet in his homeland and the homeland itself , and that alienation is the resulf of alienation and estrangement which both eeird and not vice versa.It has equal opposing the standards has the reality within his homeland Iraq. The temporal paradox achieved by temporal framed , shock and breaking the horizon of expectation , and the time given for the event has tagged a guide , mentioning husband. and that each of the contrast is essential to the existence of the other , Indeed necessary to understand its meaning , and integrated with the show big time paradpx in existence. And the other two facets of the same currency involving life and death , a stream gushing future is sooner or later death majestic.Is present is salvation weistra with time since wanted him no can be prepared by the incapacitated , or left , or an ally , or their death. Life had value because of the inevitability of death. The technical study structure of paradox being rhetorical formula (lumberjackrhetorical and metaphorical). Where anomalies the methods trakibih jeweller linguistic variety came within a method call and question marks , and the irony of all depends on the irony of these methods , through emplpyment in the most poetic purposes associated directly with a jeweller , a lament , and alienation and nostalgia. And within the semantic study of rhetoric metaphor , and simile , we prove that the irony one rhetorical arts , sigle missed far from other arts. As is the case in many metaphors and rhetorical art appear a;ongside the most supported and embellished and ignite beautiful , intellectually dimension helps communicate the message of the poet , his idea to the recipient , such as pervasive in the art of metaphor and simile and a certain God is good

التركيب النحوي في شعر زهير بن ابي سلمى

اسم المؤلف: مصطفى حامد مصطفى الخزرجي
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2006
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

البناء السردي في شعر الحروب في القرن الرابع الهجري المتنبي وابو فراس الحمداني اختيارا == Narrative Structures In Poetry Of Wars In The Fourth Century For Hegira Al - Mutanabi And Abu - Firas Ai - Hamadany

اسم المؤلف: مريم جعفر صادق
اسم المشرف: افتخار عناد اسماعيل الكبيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: In The name of Allah The merciful Praise to Allah , horde of The worlds ,Prayer and peace on The most honorable human being of Allah wholes mohammed. The narrated since The ancient times one of The literary creativities but it met with great in tersest from newly student , where These studies done on The study of Arabic literature according to The old terminology of modernAnd ran it through what wrote in many books dealing with literature poetry and prose.This study is one of The attempts to demon strate the features of The narratiue in the arab Abbasi poetry of the novel of war in AL - Mutanabi and Abu firas - Al Hamadaui poetry, because of their time witnessed internal wars and foreign wars. Abbasi narratiue has been studied in many of the arts such as letters , shrines and stories as well as poetry , so his do coral thesis entitled : narration narrative structure in the poetry after second Abbasid era , and The narrative in bogeyed(tightwads amodel) , and many of the studies The nature of the subject of the letter was re uired according to the three chapters pre ceded by an introduction and boot folioed by a conclusion. so pared the narrative language and idiomatically to the Arabs and the west first and balance between the nature of the narrative and the multiplicity of the terminology news , story , storytelling ,study : personal decided in to the head and secondary in the first section while the second part , came the methods provided by the characters directly and in directly. The second chapter which debit with : circum stantial time and place , asit was the first topic is dedicated to time in accord ance with the chvonological order of Balasthag and retrieval , while the secnd section dealt with by the military place whether open space or enclosed the third chapter looking for : the first about the typesof euent , and howil began and how the narrator of events stamped. And then it ended with a condusion of this study in which the main results were presented that have been reaehed , followed byalist of sources and references approved.It was nat my education free of some of the difficulties experienced by, but l cannot help but offer uery much for each of the supportedme ,with acapacity of issuedand great con fidence and never donating to the guidauce and advice. prasebe to Allah and Allah bless Muhammad and his companions..

شعر الرصافي الرفاء البلنسي : دراسة موضوعية - فنية

اسم المؤلف: خالد شكر محمود صالح الفراجي
اسم المشرف: عبد الرحمن كريم عذاب اللامي
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الخصائص الاسلوبية في شعر ابي فراس الحمداني (ت 357هـ) والمعتمد بن عباد (ت 488هـ) : دراسة موازنة == Style Characters In Poets Of Abi Firas Al - Hamdani And Al - Mu'Tamid Comparative Study

اسم المؤلف: محمود خضر جمعة جربوع الفرهودي
اسم المشرف: فاضل بنيان محمد الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2009
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد الخصائص الاسلوبية من ابرز المقومات اللازمة للدخول الى صميم العوالم الفكرية والنفسية لشاعر، او لطائفة من الشعراء عاشوا ظروفا سياسية واجتماعية واقتصادية وثقافية متماثلة في عصر واحد، او عصور مختلفة، اذ ان الخصائص التي تتوزع على مستويات عدة تدخل في شعي | Thanks to Allah and Pray and Peace on his prophet Muhammad with all his relations and followers.The style characters are considered as a main distinguished necessitate elements to enter in essence of intellectual and psychological worlds of the poet, or for the group of poets those who lived in similar political, social, economic and cultural conditions at the same time or in different times, the characters which are distributed at number of levels, are enter in language details in their pronunciations and structure, also in internal and external rhythmic of this language, in the methods of using them and in indications which are lead by using special individual using in every poet or group of poets, in addition, the study of these characters and to balance between them showed the features of acuity and creation entered in aim of touching the basis of technical creation in pomes of poets.So I dealt in research ( Style Characters at Abi Firas Al - Hamadani and AL - Mu'tamid Bin Abad Poets Comparative study) in style characters in poem of two most greatest poets in sentimental pomes, this study divides to two parts, first one is specialized to study these characters by two chapters first one is on the life of the two poets, to know the conditions of their life, and to specify the main points with reasons beyond saying pomes.Chapter two at the first part specialized for studying the (style characteristic in Abu Firas Pomes) this chapter includes four sections, section one concentrated on the ideas of poets within three main sides which are represented the personality embodying, and to show love situation, and expressing the fascinating experience, section two talked on poems images, section three included the linguistic structures representing by requested and composition styles, chapter three contained the external poem music represented by measure and rhyme, also the interior music represented by repetition, and to bring the rear to the fore, homonym.Chapter three from first part specialized to study the (style characters in Al - Mu'tamid Bin Ebad poet), as in chapter two divided to four sections, first section talked on ideas, second on poetic images, third on studying linguistic structures, and fourth one dealt with internal and external music.Part two shade a light on the balance letter between two poets in one chapter included four sections, first one for the balance between the ideas of two poems, second one specialized to poetic language, when section three for the poem imagination, and at the end the section four dealt with emotion.So in this way, thesis will be finished and researcher arrive to the main important results, that the poem is the nature of the two poets, also the two poets could express themselves and embodied their personalities in their poets, research could also recognized the good using of vocabularies by two poets, and their function, researcher emphasis also on the weakness of imagination at Abu Firas, with over emotions on imagination image than Al - Mu'tamid, and showed the strongest of emotion to every one, which were reached some times to passionation especially in fascinating poets.These are the most important results in research, could researcher showed them by Allah supporting and gratitude, so we thank Allah in achievement of this research.

النزعة الانسانية في الشعر الاندلسي في عصر الطوائف

اسم المؤلف: محمد عبد الرحمن محمود الفضلي
اسم المشرف: سامي مكي العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2006
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: My thesis "Humanitarian Inclinations in Andalusian Poetry during the Age of Princelings" is composed of introduction, preface, and 2 chapters, each includes 2sections. The first section of the first chapter tackles the most important ages Andalusia had undergone before the Age of Princelings, and most prominent poets thereof. As for the second section, it tackles humanitarian inclinations in Andalusian poetry before the Age of Princelings. The first section of the second chapter exposes biographies of most prominent humanitarian poets of that Age, while the second section discusses humanitarian inclinations during the Age of Princelings.The preface includes information about humanity and its meaning in literature, and about sub states and princelings at the Age of Princelings.In short, my thesis exposes the humanitarian problems facing Andalusian poets being spokesmen of typical Andalusians. The problems used to be many whereas their solutions used to be almost "nil" because to fund deficiency due to the events they were exposed thereto subsequent to dividing their country into sub states and princelings as a result of their kings' misbehaviour, tyranny, and plunge in lusts, wine, impudence, effemination and invasion to enlarge their kingdoms. The victim was none but the typical Andalusian having to bear the rulers' tyranny as he was burdened with huge amounts of taxes he had to pay… he would see his money go to rulers squandering the same on their lusts whereas taxpayers were in bad need therefor to provide their families to improve their living… that was very painful. Hence, many found themselves obliged to leave their families, children and homes to get rid of that tyranny. Others were thrown into prisons and expatriated… the reasons were numerous and trivial. Andalusian poets undertook to depict all tragic events and scenes via rime, dictions, and figures of speech. So, they were not safe from the rulers' tyranny. Therefore, many poets emigrated… many were thrown into prisons… many were deported…Once you want to get acquainted with Andalusians' sufferings at that time, my thesis is exposed for you to read its contents and get knowledge thereabout… May God grant us success and prosperity.
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