جمالية المفردة والتركيب في مكاتيب الامامين جعفر الصادق وموسى الكاظم عليهما السلام == Aesthetics Of The Word And Expression In The Two Imams' Correspondence, Ja'Afer Al Sadiq And Musa Al Kadhim ( P.B.U.T)
Author name:
حسين فاضل عيسى الحلو
Supervisor name:
جنان منصور كاظم الجبوري
General topic:
Arabic Language and Literature
Specific topic:
Literature
Degree:
Master
University:
University of Kerbala - College Of Education For Human Sciences - Department Of Arabic Language
Language:
Arabic
University location:
Karbala
First pages:
01T4394 - p.pdf
Abstract:
تداخل مفهوم الجمال مع النقد والفلسفة والفن والبلاغة، ولكنه كسب استقلاله في الدراسات الحديثة فهذه الدراسات قد اعطت ابعاده النهائية حتى بات للجمال مذاهب ومدارس، وتحول الاهتمام بالجمال من الجوانب الفلسفية الى المذاهب الادبية والنقدية.يحاول البحث الكشف عن جم | Aesthetics concept interfered with criticism, philosophy, arts, and eloquence. But it gained its independence in the modern studies, for these studies gave its ultimate dimension, to the extent that it has own ideologies and schools. The interest in aesthetics transferred from the philosophical sides to the literary and critical ideologies. The study tries to discover the word aesthetics and its manifestation hints in the construction by selecting a traditional text and still keeping with a lot of aesthetic and virtual elements. The study tries, in addition to its induction and observation for aesthetic elements in the text, to understand the aesthetic philosophy in content from the function and goal sides, whether it is psychological, social, and so on. Nature of the subject demanded that the study is divided into an introduction, preface, three chapters, conclusion, and a list of references. Concerning the preface, it was entitled ' an introduction to aestheticism with a definition of correspondence'. It was divided into two branches. The first was entitled ' an introduction to aestheticism : roots and concepts'. It tackles some topics such as emergence and definition of the concept in the Old Greek and Arab studies. Then, it stated the concept - aestheticism - in the modern studies. The second part of the preface had an idea about the author of Imams' correspondence book, and definition of Imams' correspondence with clarifying their importance. First chapter which was entitled ' aestheticism of the musical level' was divided into three sections. The first which was entitled 'aestheticism of repetition' dealt with the extent of musical activity that can be achieved by repetition in the correspondence with taking into account of non - separation between this function and other functions of repetition. The second section which was entitled ' aesthetics of rhyme' came to uncover discovering functions of this musical style in the correspondence. The most prominent of these are rhythm and caring of listener's psychological aspect; whereas, the third section was devoted to ' aesthetics of alliteration' that had its influence on the text in the form and content levels. Second chapter was entitled 'aesthetics of structural level'. It has two sections. The first is composition styles. It included interrogative, imperative, and vocative; as well as efficiency of each style and its influence in achieving aestheticism in the text, in addition to efficiency to implement other functions. The second section dealt with the conditional style with clarifying its means and use of every one concerning structure and text coherence. Third chapter was about ' aesthetics of semantic level'. It has three sections. The first is concerned with aesthetics of simile. The study showed other functions that simile implied such as psychological or social functions : the second section tackled aesthetics of metaphor. The study also showed what is the benefit of metaphor. Finally, the third section discussed aesthetics of metonymy.
