مشاركة
الاشتغال الفضائي في شعر ناصر مؤنس : دراسة سيميائية == Space Engage In Nasser Sociable Hair Semiotic Study
اسم المؤلف:
الاء عبد الامير عيسى السعدي
اسم المشرف:
هيام عبد زيد عطية
الموضوع العام:
اللغة العربية وادابها
السنة:
2014
الموضوع الدقيق:
الادب
الدرجة:
ماجستير
الجامعة:
جامعة القادسية - كلية الاداب - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
القادسية
الصفحات الاولى:
01T4279 - p.pdf
المستخلص:
This study was to trace the precursors first to work on the possibilities of stylistic and aesthetic that is added to the space the paper layout, is another element of interpretation and semantics down to actual experiences of mature, and these possibilities are (charts, paintings, punctuation, whiteness and blackness, reducing bullet shapes iconic and Ready), was being naughty and stand on it to engage in : 1 - Space script, which is in turn directed the read - only represented in the following elements (linear structure, the optical Naber, whiteness and blackness, colors and punctuation). 2 - Space picture, which is in turn directed to read and consider together represented in the following elements (shapes of the vehicle and the vehicle is naked and represented in triangles and squares and circles). This alert to the space (paper layout) and make another element is added to the elements of interpretive and dimensional semantic language, and conscious of the receiver to read and meditate and focus on the poetic text more starting thresholds and appearances the first constituent that space transformed from being spatially environmentally verbally acoustically, to being a hardcopy Tabaaaa Visually, passing a written brief and signs Coding and images accompanying the end of the language and format of linguistic Based on the foregoing became engage in space, addressing the eye, not the ear, and on the basis of that took a slap poetic attention from the presence of poets and became part mainly from the structure of the poetic text.