Share
لغة الشعر في ديوان حروب الردة == The Language Of Poetry In Divan Of Apostasy Wars
Author name:
زينب حميد عبد الامير عبود النصراوي
Supervisor name:
عبد الامير كاظم السعيدي
General topic:
Arabic Language and Literature
Specific topic:
Literature
Degree:
Master
University:
University of Kerbala - College Of Education For Human Sciences - Department Of Arabic Language
Language:
Arabic
University location:
Karbala
First pages:
01T4349 - p.pdf
Abstract:
Language of the pillar of a poetic text, it is marked by different characteristics which distinguish it from the tools and means of other arts. The research surveyed the essentials of the language of poetry and extensively studied them so as to see their components as to the levels of rhythm, wording, structure and image. Accordingly, the study fell into four chapters preceded by an introduction and followed by a conclusion. The introduction was based on three topics : the first was a viewpoint in the concept of the language of poetry, which depended on the viewpoints of the critics in presenting the concept of the language of poetry and also its function as a semiotic and an emotional language together with how the language of poetry presented as a connecting point between the pre - Islamic and Islamic poetry in addition to the characteristics it had at the early Islamic period in particular. It was followed by reading of the divan of the apostasy wars setting it right through presenting the criteria followed in arranging and ordering the posts' poems in the divan. Little was said about the historical side connected with the poetry of the poets of the apostasy wars regarding the political motives as what was related to such motives was relatively far from the technical sides and they were also studied by others. Then came chapter one with the title ( The Rhythmic Level ) containing the rhythm with the sound it included set by the measure. As the sound is considered the smallest unit of speech and that the rhythm is itself is considered sound in addition to the dependence of poetry in the Islamic period on the system of reciting, therefore it has had superiority in the system of the language of poetry. Chapter on showed the measure, the rhyme and the rhyming letter; it was considered an external music keeping the internal symmetry. Chapter one showed the common characteristics among poets keeping the sound system, such as repetition, setting and rhetorical beautifiers such as alliteration and other aspects which help keep parallelism inside the text such as parallelism and necessitating what was required. The text then started to express itself through utterances and according the ( utterance level ) was set showing what the poetic text was characterized by such as clarity, strangeness, eloquence and suggestion. The lexicon was then presented with the linguistic synonyms it has had presenting the words connected with war, scholars, Islamic doctrine, time place and nature. It showed how the poets employed the vocabularies during the emotional experience the experienced. Utterances ( words ) combine to constitute the text setting the structure and accordingly, came the ( construction level ) starting with showing the most prominent expressionistic styles which contributed to making language of poets. It was of two sections starting with showing the sentence and its styles the "nominative and verbal sentence" swinging in the poetic tissue between the constant and the changeable according to the situation. The narrative ( written) sentence came next including what the poets employed such as the interrogative, the vocative, the imperative, the negation, the supplication and the swearing. This was followed by the states of the sentence with all that it had of fronting, delaying and parenthesis ( objection). Following structuring ( construction) came picturing ( figuration) in setting imagination and emotion under the title ( The Figuration Level ) containing the source of the picture ( figure) such as the psychological motives with its function in drawing the picture, the cultural motive and the environment. And then came the second section to include the most important picturing styles such as the narrative, the mysterious and the communicative which stamped the poetic text with beauty in addition to adding the feature of determination of displaying. The research tried to show the structure of the language of poetry within the poetic text in the divan of the apostasy wars by using a descriptive and analytic method. The thesis ended with a conclusion which included the most important results the researcher came out with before giving the sources and references used in the study.
