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الفصــول والغايات لابـي العلاء المعــري : دراسـة اسلوبيـة

اسم المؤلف: سعد عزيز القطراني
اسم المشرف: عبد الواحد زيارة اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

التداخل المنهجي في طرائق تحليل النص الشعري - السيميائية انموذجا == Curricular Interference In Poetic Text Analysis Modalities - Semiotics As A Model

اسم المؤلف: سراج محمد يعقوب
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study entitled “Curricular Interference in Poetic Text Analysis Modalities - Semiotics as a model” examines one of the most controversial and problematic contemporary criticism curricula amongst modern criticism studies. Semiotics at its theoretical form is an old existing science which was emerged from the womb of knowledge theory; hence it contributed to philosophy, logic, mathematics, human and social sciences. Its critical importance lies by the fact that it stands at the border between human and social sciences; as well as its integration of the direction that accredited linguistic aspect (linguistics) and the direction of philosophical aspect that accredited the new phenomenology. The value of this critical study rises as it monitors the shifts of knowledge and intellect arguments of this approach, their transfer into the field of applied methodology, the way Arabic critical studies dealt with such shifts, the nature of receiving such mechanisms by Arab critics, and the methods of applying and representing them in Arabic poetic texts. This thesis is composed of an introduction, three chapters and a conclusion. The first chapter - made of two sections - deals with the intellectual and philosophical fundamentals of semiotics, and examines their origins and approaches as presented by semiotics pioneers; American Philosopher Charles Sanders Peirce and Swiss Linguist Ferdinand de Saussure. In the first section of the chapter, we focus on the image of semiotics in ancient Greek philosophy, as well as different other philosophies followed. In addition, we examine deeply the way Arab and western critics had dealt with the nature of that image. In the second section of the first chapter, we review in details the hypotheses of Peirce’s and Saussure’s theories analyzing their philosophical and intellectual arguments; as well as explaining relevant attitudes of Arab and western critics.The first section of the second chapter examines semiotics in terms of its developed theoretical boundaries and its applied methodological image. Also, we detail the period that followed the foundation stage, and account for modern semiotics approaches that we present by the approaches of semantics, communication and culture. Then we scope the light on literature semiotics as being the theoretical and applied image of general semiotics. In the second section of this chapter, we review the mechanisms of applied semiotics, the ways of Arab and western critics’ interaction with that mechanisms, how they were put into application, and the reasons that lead to curricular interference amongst applied models. As for the third chapter, it deals with Arabic applied models as we examine the phenomenon of curricular interference within those models following the criticism - of - criticism mechanism. In conclusion, the study was culminated with a series of findings reached through our research

الاساليب البلاغية في شعر السيد جعفر الحلي (ت1315هـ) == Rhetorical Devices In The Poetry Of Said Jafar Al - Hilli

اسم المؤلف: امنـة احمـد عباس المطـوري
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Said Jaafar Al - Hilly is considered as one of the alawis Iraqi poets whose poetry is characterized by its richness at the artistic and semantic levels. His poems also shed light on the political and social reality with a dominant alawian sense. Thus, it is essential to investigate about these aspects with close inspection. This poet was not paid any considerable attention concerning his verse only in scattered articles and papers. Even in modern literary works, there are little references to his art, further, these references do not contribute in showing his artistic and aesthetic writings in verse that may put him in competition with other great poets of his time. This study mainly focuses on the rhetorical perspectives in his poems in an attempt to show the deep meaning of his lexical and syntactic choices in addition to his manipulation of cadence and poetic structure as well as imagery. The current study consists of a preliminary, three chapters and a conclusion. In the preliminary, rhetorical branches are introduced and explained and how these branches are shown to have a role in exposing the poet's artistic writings. This chapter also includes the poet's biography and the themes that he addressed in his verse. Chapter one is attributed to inspecting the cadence level in his poetry. It comprises three sections. Section one is concerned with alliteration. Section two is devoted to explaining repetition and its types and effects in relation to cadence. Section three comes under the title " Other Rhetorical Aspects" that contribute to make rhythmical patterns prominent. Chapter two is essentially devoted to the structural level of his poetry. It comprises three sections. The first one, which is entitled "Recantation in Structure", deals with things such as foregrounding and back - grounding, ellipsis. Section two is entitled "Recantation in the reporting style", whereas, the third section is concerned with the recantation of requesting style such as questions and command. Chapter three deals with the descriptive level of his poetry and it is compose of two sections. The first one is concerned with the study of images according to their artistic frame. Section two pays attention to the size of these images in that it focused on the single and simple images as well as the compound and the total images. This classification comes as a result of what is found in his poems in an endeavor to simplify their study. Finally, I would like to express my gratitude for the dean of the college of Education for Human science, Dr Hussein and for the two assistants as well as for the head of the Arabic department. Also, I would thank my supervisor for his great efforts in showing me the right way of how to accomplish this work.

مناهج تحقيق النصوص الادبية في مجلة المورد عقد السبعينيات : دراسة تحليلية == Approaches Of Investigating Literary Texts In The Journal Of Al - Mawrid In The Seventies : An Analytical Study

اسم المؤلف: بسام علي حسين العميري
اسم المشرف: قاسم خلف مشاري السكيني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Actually, researchers give a great concern to the field of Text Investigation. Therefore, numerous articles and books come into existence about this considerable field of study. Such contributions identify its characteristics as well as initiate its rules and roots by which investigators attempt to set a remarkable touch that can take role in the characterization of ancient Arabic heritage. However, text investigators should have a great amount of knowledge about approaches of scientific investigation. Their task demands to be patient via working with manuscripts, to be professional about collecting lost poetry of a certain poet. This is so because the ultimate end of investigation is to follow accuracy and objectivity to reflect the poet's book or collection of poems as the poet intends.Concerning this area of investigation, a variety of researchers do their best to study old - fashioned texts. Throughout their investigations, they introduce their attempts as well as sufferings in this field. Their efforts reveal different capacities and distinctive scientific abilities. As a result of this serious work in the field, an apparent role has been observed upon the difference among their approaches of investigation although they agree on introducing texts in the correct way according to the scientific rules with a high degree of correctness and documentation. Their work follows a number of acceptable scientific and procedural bases.As a practical area of these investigations is those periodicals whose specialization is to re - exist the Arabic heritage such as the journal of Al - Mawrid. This journal is a quarterly old - fashioned and it is one of the most important periodicals in Iraq particularly and in the Arabic homeland in general. It is published by the ministry of Culture and Arts - Dar Al - Jahdh. The 1970s and its subsequent years represent its heyday since this period witnesses a great concern of investigations and literary manuscripts. All these achievements led to its publication in 1971. Due to the availability of the textual data of literary investigations in this decade, this dissertation comes entitled "The Approaches of Investigating Literary Texts in the Journal of Al - Mawrid in the decade of Seventies : an Analytical Study".This work involves an introduction, three chapters and conclusions. Accordingly, the introduction gives a preliminary overview about the journal under study including its foundation and historical development in the 1970s. As regards the chapters, the first two deal with the approaches of literary investigations of books and collections of poems which are investigated depending on handwriting manuscripts or printed manuscripts (the second novel). Chapter Three concerns the approaches of criticizing literary investigation in the journal of Al - Mawrid in the 1970s. The study has come with some conclusions. It reveals the amount of the investigated literary heritage including books and collections of poems in the 1970s by this journal. In additions, it shows the difference among investigators' approaches. One group follows the methodological rules of scientific investigation whereas another one ignores such rules through their investigations. Such ignorance is represented by lacking the premises of investigation, neglecting the set - up of the investigated text, the author's name, the title of the book, the identification of the book, documenting well - known scholars, quranic verses, poetic quotations, formatting lists of references and printing reproduction.Finally, the researcher does not claim perfection of this study which is indeed the result of hard work. Thus, in case it reaches the desired end, it is that duty to which Allah conducts me. Therefore, I have no superiority. On the other hand, wherever there is some weaknesses throughout this work, it is of course because of human beings' imperfection. What I do not regret on is that I have followed thinking, purified my intent, looked for truth and reliability. Hence, I hope to obtain retribution as a reward ofthese efforts. Almighty Allah I request to accept my good deeds since he is the Omnipotent.

الدراسات الاسلوبية وتطبيقاتها في النص القراني في رسائل الجامعات العراقية واطاريحها حتى عام 2014 م : دراسة نقدية == The Applicatians Of Stylistic Studies On The Quranic Text In Iraqi University Theses And Dissertations Till 2014 A.D : A Critical Analytical Study

اسم المؤلف: وسام جمعة لفتة المالكي
اسم المشرف: سامي علي جبار المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The aim of the study was to trace the academic stndies in Iraqi universities which had dealt with ( the stylistic method ) in analying and studying the Quranic text Showing at the same time , the significance of the stjlistic method in studying the text an being are of the novelty methods that associated language with literaturc, and showed the mechanisms and horizons of the textual research The stylistic method differs from other method in that it seeks at touching wpon multiple apects like , the special use of language the individual use each writer seeks to adopt,i.e.lis awn special stjleiin addition t.the aes theics that accompanies special use. The study takes on the critical analytical method that depends an the demonstration and crical analysis, beginning from the method local developments that the wuiversity schlars have claimed to use and made use of out of the study of tee Quranic discourse. Accor dingly.we have come acrass the basic visions of the stytistic method , then the mechanisms it depends upon , and how successful it is in applying these mechanisms. The methodology of schars has compelled us to divide the study in to three chaptere; these are the stylistics of theacoustic level, the tylics of the syntactic level , and the stylistics of the semantic level. Chapter One deals with the acoustic phenomena dealt by researchers and their studies , the are the a coutic syllable the stylistics of repetition the stylistics of the Qurani'c intonation Chpter Two tackies the sgntactic level whicl includes the morphological and grammatical levels and also tackles the following topics the stylistics of the morphlogicl level the stylistics of sentence structure and the stylistics of the structural phenomena phraseologg like : predication and style. Chpter Three which entiled The stylisitics of the semantic level involves three titles these are : the individualistic connatalion the contextual meaning and the descriptive meaning

البناء الفني في رسائل ابن ابي الخصال الاندلسي ت540 ه == Construction In Letters Of Ibn Abi Al - Khissal 540 AH

اسم المؤلف: ايمان ناصر حسن احمد المسفر
اسم المشرف: خالد لفتة باقر
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study seeks to monitor a distinguished aspect of Ibn Abi Al - Khissal's literature represented by his prose letters, which have reflected his value and position among other writers at that era. It was taken into consideration letters of Ibn Abi Kissal collected and checked by Dr. Muhammad Ridhwan Al - Dayya, as well as some letters that were attributed to the writer, and found in the body of references and bibliographies. The importance of the topic comes from the fact that Andalusian literature was and still is a rich field of review and study. It was found in the letters of Ibn Abi Kissal what made the Andalusian prose be enlightened, and disclosed the rank of Andalusian prose in the fifth Hijri century, and how it participated in shaping life images in this area, as well as knowing writing styles used and were prominent there.Methodology used in this study was analytical, descriptive and aesthetic. This study of three chapters preceded by a preamble about the writer, his childhood, his educational background, and how his education has influenced his character, and preamble closed up with a brief about the style of the writer and his school in writing. The first chapter is devoted to the study of formal composition in letters of the writer, which was classified into three sections : in the first section, introductions of his letters were dealt with, in the second, its abstracts were discussed and in the third, conclusions were handled. Second chapter is included to study linguistic composition of these letters, which includes two sections; the first deals with lexicon of the writer, its terms' nature and their compatibility to the topic, the second is for styles adopted by the writer represented by the report, composition, objection, anastrophe, synonym, adaptation and implication. As to the third chapter, it is for studying descriptive and audio composition in his letters, which includes two sections, where we discussed an artistic rhetoric used by the writer to shape his images such as similes and metaphors. In the second, literary techniques were discussed which were used by the writer to get the letter's content coated with a beautiful rhythm, enriching semantic issues and consolidating meaning in the hearer's memory.

الاتجاهات النقدية عند مفسري القران الكريم من المحدثين == Monetary Trends · When Interpreters Of The Koran Modern

اسم المؤلف: حميد قاسم هجر المفضل الموسوي
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

اسلوبية اللغة عند نازك الملائكة

اسم المؤلف: جبار اهليل زغير محمد الزيدي المياحي
اسم المشرف: علي ناصر غالب
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: This dissertation is to study stylistic opinions and poetical results of Iraqi wonderful poetess Nazik AL - Mala'ika. The study connects between the old produced and rose to come within the new ones represented by the black - verse that librated the poets from the boundaries of the unique rhythm and two parts of the old verse.The dissertation is divided into an introduction and four chapters. The introduction was just to show preliminary definition of the components of heading of the dissertation and stylistics of the language at Nazik ALMala 'ika.Chapter one concerns with the study of stylistical opinions, entitles "Nazik AL - Mala 'ika and the language of Modern Arabic Poetry", dealing with the deep and surface styles.An indicator of products unique 1 voice, binding with syntactical rule, renewal of language, renovation of utterances, humanity of verb, opposing synonyms in Arabic, refusal foreign utterances in poetry ,objection against Colloquial in poetry. Chapter two deals with linguistic consistency by which the poetess expressed her sadness and pessimism through poetry, like : (Consistency of interrogative, Format of exclamation, format of the appeal and format of repetition) Chapter three names as "Reversed in poetry ofNazik AL - Mala'ika" including sections of deletion, mention, presentation, and delay forming stylistic phenomena ,rising in her poetry like : (deletion of predicate, deletion of subject, mention predicate ,deletion of object , deletion of , preposition, deletion of articles deletion of exclamation instruments ,deletion of distinction.Whereas the sections of presentation and delay were (presenting predicate, presenting subject , presenting object , present clause, presenting adverb, presenting adjective over its noun and presenting the infinitive.).Chapter four studies the linguistic unity at Nazik AL - Mala'ika's poetry among which emerged ; Qur'anic utterances , natural utterances, patterns of irregular plural , patterns of extra verbs, the utter (each) and the verb (return).As for requirements of a stylistic research, the dissertation takes into account the effective factors on Nazik AL - Mala'ika's products particularly the poetic one like : Educational and social living, her influence by other Arab and western poets. I can not help, herein, just to present my great respect and regards to the professors of department of Arabic, in particular, the supervisor professor; Dr. ALI NASIR GHALIB who gave me most of his time, instn1ctions and his great efforts to evaluate this study.

الرسائل الفنية في العصر الفاطمي : دراسة اسلوبية == Technical Messages A In The Fatimi Era Stylistic Study

اسم المؤلف: زمان عطا نجم
اسم المشرف: نضال ابراهيم ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The foundations of the Fatimid state in the Maghreb , as started calling the Fatimid other third century so he played in the history of Egypt and the Arabs and Islam plays an important role for nearly a couple of centuries have left the traces can not be erased , making Egypt occupies a prominent place among the contemporary her, came objective Mentkie and one of the forms of prose that formed the literature in the color Fatimid state , Vansb of the our attention Asasaaly the monitoring of which came in the stylistic and technical implications messages in diverse cultural contexts , and according to that thesis orderd in booting fourchapter.Was entitled boot ( sundry forms in the Fatimid era ) as we were to the study sundry prevailing patterns in the Fatima era The study attempted in the first chapter highlight (Literature messages in the Fatimid era ) and to elucidate their colors through a detailed review of the technical aspects that contributed to the build also addressed the linguistic and terminological , then put a phased evolution through the ages ,literary, and then studied the patterns in some detail.In the second chapter was stood thesis at ( level voice ), which manifested itself in five Investigation , the first spacers,and the second parallel , and the third double , and the fourthin the homogeneity of the voice, and the fifth iteration ,explained Find the detectives that are including T - level voice came T. syndrome, and mutually reinforcing complement each others according to a regular mechanism issued by the inherent elements of the audio level.The third chapter was (level compositional ) included six Investigation , eat first ( installation junctional ) as the center of the pool and meet all elements of the text , while the second part dealt with the method (question mark) , eating Section Ill ( stylistic exchange pronouns ) as a phenomenon of stylistic in the letters of the times Fatimid , while the fourth section has dealt method (submission delays ) and allocated Section V ( for inter interceptors ) and caught the end of this chapter is to style a full knowledge of the condition in terms of theoccurrence of acts and Azemntha in the text.The fourth chapter has dealt with the subject ( the semantic level ), as disclosed on four topics , namely ( lexicon linguistic ) , eating Section II (brown similar and identical ) as a phenomenon reflect the imagination , and settled third section (brown Alastaaria ), and we ended chapter Balambges fourth as We studied faithful ( metonymy style ) and then came the conclusion summarizes the main findings of the research and observations , together with bibliographic study sources and references.I have tried in this thesis to unearth some of the aesthetics of artistic messages in the Fatimid era

نظرية النظم في دراسات المحدثين == Systemic Theory In The Studies Of Modernists

اسم المؤلف: اسعد رزاق يوسف
اسم المشرف: عدنان عبد الكريم جمعة السالم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Seeks thesis titled ( systemic Theory in the Studies of modernists ) to keep track of the products of modern researchers in systemic grammar theory, since the fifth century witnessed the maturity and characterized that it has embarked on a path stretched across the centuries, and the contribution of many scientists boots to her, and supplement founded, which formed the pillars of her theory after that was the idea, they are different faces it lies in the attention of scientists : rhetoric, grammar and literary criticism, as well as the miracle of the Qur'an. Coupled mentioned Abd Alkaher AlJerjani ( D. 471 AH ) , which he penned in its final form; for this reader finds that pairing when most of the studied Abdul omnipotent in general, or systemic grammar theory in particular. These studies have emerged in the twentieth century was a character trying to read aspects of the linguistic heritage, a new reading opted towards the study of systemic grammar theory, as it took place in the orbit of many modern studies and their works are still going on to the atheist and the twentieth century; and lies behind so many reasons, most important of which is owned by the theory first of creative value, but it has expanded to include the areas of research interest in linguistic variety. When the preliminary reading of a representative sample of those studies appeared researcher as having multiple directions in theoretical study, and if possible identify trends, and then was selected on three axes, namely : studies have investigated the authenticity of systems theory, and sought to exploration knowledge assets in other civilizations, namely Elhoudartan : Greek, Indian, as well as the Arab civilization itself. The studies that have attempted to explain the theory of systems according to the Arab vision of self, the last and the direction of the studies that have sought to compare the theory with linguistic curriculum Western modern and contemporary. Accordingly, the research plan is built on three chapters, which included the first subject of the foundations of the theory of cognitive systems, and studied Chapter II grammatical trends and systemic grammar theory, and included the third quarter trends of linguistic theory and systems. Chosen approach texture offer ideas and insights and analysis, was based on an exact reading of the entire studies that formed the pillars of the thesis, and careful reading of positions RDM theory in the books of the Arab linguistic heritage, especially the book (the signs of Miracles), which represents the maturity of the theoretical stage, and wrote non - Arab heritage, and it signed a focus on citizen offered by modern studies and discussed, as well as sources of modern Western linguistics and curricula. Sealed thesis conclusion of the highlights of the results and the presence of a variety of approaches between systems theory, between Greek heritage, and Indian, as well as the Arab heritage, as well as having the features of the convergence between them and the trends of linguistic Western modern and contemporary : the structural and stylistic, and obstetric manufacturing, and deliberative, with the pursuit researchers to attempt to detect grammatical trends included a theory : toward a sentence, and some text, and the pursuit of the most important principles of interpretation of the meanings of a theory as such, it has been interpreted as a distance explanations.

الخطاب الحجاجي لاهل البيت (عليهم السلام) في كتاب الاحتجاج : دراسة تداولية == Argumentation Discourse Of Ahlulbait (Peace Be Upon Them) In The Book Of Al - Ihtijaj A Pragnaticus Study

اسم المؤلف: عبد الحسـن علي حبيب شبيب الناصر
اسم المشرف: محمد عبد كاظم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Argumentation discourse is a central focus to delivery of ideas and prove purposes in the mind of the listener. As it involves on active role in persuade others. Being a conscious attempt by the speaker to influence the recipient through the means of excitement and influence. There fore ,the study seeks to uncover the mechanisms persuasive in blog intellectual heritage employing some of the findings of the research deliberative of concepts and laws as a principle of the cooperation and the theory of speech acts and the total investment made by the theories of concepts and tools in the analysis and it came study entitled (Argumentation Discourse of Ahlulbait (peace be upon them) in the Book of Al - Ihtijaj A Pragnaticus Study). and but we chose this blog without the others because of it's privacy supportive of this argumentation theory it is the nearest congnitive texts that represent Argumentation theory to posses mechanisms and from and tools. And it was a field of study, research and following the descriptive method of analysis in the description of Argumentation phenomena in the Argumentation discourse and its role in persuasion

الفكر الاستعاري العربي في ضوء المنهج الحجاجي == Arabic Metaphoric Thought In The Light Of Argument A Pproach

اسم المؤلف: يوسف رسول حسين
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise be to God and tow years after of research and study ,we finished this research that named ( The metaphoric thought in light of curriculum AL Hijaji) through follow up with administrators I adopted in my study on the Arabic resources and its represent in workbooks was the most important one (the important theories of AL - Hijaj from Aristotle to today) with administrators special team in Manoba university in Tunisia ,and AL Hijaj in AL Koran of most important style characteristics Abdullah revolution and ( AL Hijah in contemporary rhetoric) for Mohamed SlemAmeen and(Al Hijaj in Arabic poetry) for Samia Al Doraidi and ( Al HIjaj and the truth and afaq and interpretations )for Ali Al Shaban and dialogue require in circulation lingual and another of Arabic old and new resources This research divided into three chapters and at the beginning of these chapters an introduction and pave and the researcher took in pave the metaphor in Arabic thought , metaphor in western thought and the metaphor in Al Hijaji’stheories and was under this last title another titles , it was talking about definition of Al Hijaj , Al Hijaj’s theories , Al Hijaj in Berleman and Al Hijaj’s metaphor. In the first chapter there are three parts ; the first part was talking about the mechanisms of Al Hijaj in critics and Al Hijaj in poetry and the conversation include Al HIjaji’s pronunciation resource. In the second part is talking about the research of Al Hijaj in Al Amadi and Abulkahir Al Jerjani and itAl Basrah UniversityCollege of literatureArabic departmenttook the delay’s styles and division and rhetorical styles that put by Al Amadi also the researcher in this part talked about Al Hijaj in Abduikahir Al jerjani. In the third part of the first chapter the researcher talking about the circulation dimension in the Arabic critical speech , He was talking about interesting principle and principle of purpose or the meaning and how to employed from the old Arabic criticsIn chapter tow the researcher talked about Al Hijaj for the old Arabic commentators and he took birth of the term explanation for the Arabic and under this title the speech was about definition of the explanation is language, Al Koran Al Kareem and the ignorant poetry and explanation the poetry that owned by Arabs. after that I’m began reading the books of Al Hijaj and its resources. at the end of the closing I extend my thanks and appreciation for Dr.FalehKamelEscandar who was more than teacher and brother to me and I also thanks all my teachers in Arabic department and all thanks for the members of committee discussion.

المباحث اللغوية والنحوية في كتاب الشرح الممتع على زاد المستقنع للعلامة الشيخ محمد بن صالح العثيمين (ت1421هـ) == Ibn Al - Authaymean’S Linguistic And Syntactic Effects In Explaining The Book Of Zad Al - Mustaqni

اسم المؤلف: احمد صالح حميد النجماوي
اسم المشرف: محيي الدين توفيق ابراهيم
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: The thesis entitled Ibn Al - Authaymean’s Linguistic and Syntactic Effects in Explaining the Book of Zad Al - Mustaqni.The study consists of an introduction, four chapters and conclusion. The introduction deals with Al - Authaymean biography and the relation between the Arabic language and Shareea. The first chapter falls in two sections, the first of which presents the main sources and references of Al - Authaymean and also the well known scholars whose views appeared in the book. The second sections deals with the auditory sources of language based mainly on the Holy Quran, the Prophet’s sayings, the poetry and Arab prose. The second chapter falls in three sections. The first section deals with types of semantic references, i.e. phonetic linguistic, dictionary meanings, figurative and Islamic. It also talks about the contexts (linguistic, social and contexts). The second section reviewed the semantic relations among words. The third section presents the semantic, non - relations among words. The third chapter falls in two sections. The first one deals with factors and causes, whereas the second one talks about the syntactic aspects. The fourth chapter consists of three sections. The first one deals with markedness rules concerning nouns, the second one contains the rule of verbs. The third section was specified for markedness rules and preposition.

جدل الشعر والنحو : دراسة في شروح القصائد العشر الطوال

اسم المؤلف: باسم ادريس قاسم مصطفى السوفاجي
اسم المشرف: بشرى حمدي فتحي احمد البستاني
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:

الرؤية في القصائد العشر == Visibility In The Pre - Islamic Arabic Poetry - Pendants Ten A Model

اسم المؤلف: افراح عبد محمود الصباغ
اسم المشرف: مؤيد محمد صالح اليوزبكي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Poetry was a means to detect the human realities of things 'but detection of objects and symbols, and exposing Astmlae. Poet is best able to call things by their proper names, because it is capable of creation and creativity stemming from the inherent ability of self and maturity of the intellectual and artistic and aesthetic and depth of the horizon of knowledge - Find useful in employment macroscopic and significant or realistic to reveal behind the facts related to the experience of the poet life' and poetry with a vision to confer on the objects and a new reality is possible 'which is different from the reality recognized when people who are rust and obsolescence no longer serve, and to build state of the world new better that they want to go Viosaun thought to the people and their world and their presence which Jmdoh and identified' Understanding to carry out the soles of life and reality Spraguar art and swept up the veil for the truth that lies behind the necessities of life. And poetic vision of linking the visual and the invisible between reality and dream as it revealed the strength and energy to create a virtual tool and knowledge, to enrich reality The bypassing of vision as the border meaning lexical beyond the vision of the seeing and the apparent meaning of things to the awareness and briefing Bhakaigaha to be more inclusive and better able to discovery which can not impaired his vision and take Bhakiqth been overtaken incursion into the depths of things and try Astbtanha the finest exposing and preserved in the feelings and concerns and attitudes through incursion in the depths of the unconscious and The dark depths of truth and thus become Bassurah vision and insight together to and identifies the vision and interfere with them in the meaning by trying to creation of new horizons of thinking is not at the level of topics only But in terms of a holistic view of the world that you are working on a creation that is the task of the vision that binds reality dream and graduated Language Baekr working on the Union form to the content so that is no longer the poet but Seeing which is the same and others in that, Vlgosaidp) Revelation) in the sense that they embody the aesthetic / perfect for the transition poet to express the world to see and how to say it is a vision of the interior. The pendants Arabic poetic form in which the body immortal vision and poetic vision of a strong character because she was the product of human experiences and a broad and multifaceted, embodied the rights and issues raised by both communities and the various ages. The effects of that melted the hearts of the recipients in all forms, government had met a matter of creation and regeneration in the Permanent Technical immortality is a feature unique texts and high - end, which has become an aesthetic structure identifies in detail the vision and keep the vision.

الشخصية في شعر ادونيس : المرجع، الحضور، التحولات

اسم المؤلف: حازم هاشم منخي عبد السيد
اسم المشرف: سوادي فرج مكلف
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

البحــث اللغــوي عند السيد محمد باقر الصدر == Al - Sayyid Muhammad Baqir Al - Sadr's Linguistic Study

اسم المؤلف: حسين مزهر حمادي
اسم المشرف: عبد الحسين علك المبارك
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This is a study of the linguistic efforts of one of the most significant modern figures in the field of the science of origins and sources of Fiqh;namely, Ayatollah Sayyid Muhammad Baqir Al - Sadr It investigates his works on Sources of Fiqh ,especially his book. Lessons in Science of Sources as well as his investigation of External studies which one of his students, Sayyid Muhmood Al - Hashimi published under the title, Papers in Science of Sources A descriptive approach has been followed here to trace back the linguistic phenomenon on the part of the linguists on the one hand. On the other hand the very phenomenon of language is investigated as part of the work of the scholars of Sources. Finally, this investigation covers the point of view held by al - Sadr to trace the methods followed by such scholars and the their views so as to anchor at the recognition of the seriousness and mastery Al - Sadr practices while discussing and evaluating earlier linguistic view points. As far as the section on the thought and viewpoints of Sayyid Al - Sadr ,is concerned it analyzes these viewpoints into their main components and supporting ideas to pinpoint the sources from which AL - Sadr has drawn his own opinion when developing his view points here and there Then all that is of some relevance to what Al - Sadr suggests whether held by those pioneer linguists preceding or succeeding him has to be matched to arrive at the originality and novelty of his very suggestion or opinion By so doing , the researcher aims at showing the application and value of Al - Sadr ‘s contribution to language and interpretation of certain aspects of the very phenomenon of language. To outline the thesis, one may say that this research work falls into two parts preceded by an introduction on Al - Sadr biography including the features of his linguistic approach. Again, each of these two parts subdivides into two chapters. The thesis ends with some relevant results. Part I is entitled Sound and Meaning. The first chapter of the first part is on the source of meaning This chapter falls into three sections.Chapter Two carries the title of A Variety of Semantic Patterns. This chapter divides into two sections : Factual and Figurative language and Equivalence and Association. Part II is given the title, Letters and Sentences. Chapter One is on letters and it is divided into two sections. On the other hand, Chapter Two is has got the title of Sentences. This is also subdivides into two sections.The first and most important result of the present research work is the description of the theory developed by Al - Sadr. This theory can be added to the two traditional theories of sources of language. In the light of his new linguistic theory, Al - Sadr explains the origin of language and how sound is associated with meaning in the field of semantics. Al - Sadr's novel theory is called “Approved Association”. In this study of Al - Sadr's theory, the researcher has done his best to shed the light on the very linguistic theory under investigation discussing its basic components as well as its knowledge bases and linguistic dimensions within the frame of modern linguistics. Thus, this is a comparative study that seeks the application of such a linguistic theory to the significant interpretation of the initiation of meaning or semantics emphasizing the first connection between word and word meaning. Furthermore, among the other results of this study is the exposition of the various view points held by Al - Sadr. These views cover matters such as reality and fiction, association and equivalence, function words and their meanings, the use of prepositions as well as types of sentences. Al - Sadr's views have dealt with almost all aspects of language; starting with the word and ending with the whole sentence. Al - Sadr's efforts reflect this unique pioneer's own brilliance and innovation.. It is to this man, one may safely relate the invaluable innovation.that can never be matched in linguistics.

النقد الاجتماعي : دراسة في النقد القصصي العربي الحديث تنظير واجراء == Social Criticism Study In Modern Arab Fiction Criticism Theoretical View And Procedure

اسم المؤلف: خالد علي ياس
اسم المشرف: فاضل عبود خميس التميمي | متعب مناف جاسم
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

الايثار الدلالي في القران الكريم

اسم المؤلف: بشرى عبد المهدي ابراهيم التميمي
اسم المشرف: ليث اسعد عبد الحميد
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

التشكيل البياني في شعر الصعاليك والفتاك حتى نهاية العصر الاموي == Rhetorical Formation In Ai - Saaleeq And Al - Fattacks Poetry To The End Of Umayyad Ere

اسم المؤلف: خالد جعفر مبارك
اسم المشرف: فاضل عبود خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The study deals with Rhetorical Formation as a critical idiom which works in effective poetry field and it is very clear in procedural use. The picture in the poem or the portrait needs the senses and feelings of the receiver and it colours his experience. Thus the drawer and the post use certain means to fulfil his works.As it is known poetry is based on rhetorical arts and means from linguistic and rhetorical view point to create motivation and astonishment. The thesis aims at revealing the art movement of rhetoric and describing it inside the poem structure and outside it. The poem includes in its multi - understanding. The poem is considered as abase the field for poetic rhetoric. AL - Saaleeq and Al - fattacks poetry was chosen to be the subject of the present study because it has literary importance. it gathers two literary eras.Which are considered the most prominent literary eras for poetry production. They include poetic interest and researchers tackled this rich literature. Since the researcher is interested in old literature and has a great wish to study and read it he chose this topic. The study falls in to the following parts : Preliminary (Rhetorical formation in Language) was studied from two sides , the first studies the formation and its relation with poetry. The second deals with the rhetoric term and its development. The study falls into three chapters. The first chapter deals with assimilation formation and its activity.The decoding assimilation structure was studied in the first part and the rhetoric assimilation structure is studied in the second part.The second chapter studies metaphorical formation. The chapter is divided in to three sections.The first deals with metaphorical structure the second part deals with the body metaphorical structure and the third deals with recognize able decoding structure. The third chapter deals with the exceeding rhetorical formation. The study arrives at the following conclusions and suggestions : - The study identifies formation concept.It investigates its concept deeply. - AL - Saaleeq and AL - Fattacks poetry have a great ability in poetry. - They were able to re form environment from poetic viewpoint. - They deal with poetic language as scientists who know every thing concerning its content. - In the assimilation structure art is mixed with psychology. - Most of Al - saaleeq and Al - Fattacks poctic assimilation pictures are very clear. - Al - saaleeq and Al - Fattacks poctic were able to change the task of the main assimilation structure from being printed on the poets conscience to being printed on the receivers conscience. May - The other studies in future study Al - saaleeq and Al - Fattacks poetry from a semantic point of view. - A study can deal with semiotic formation phenol menon in Al - saaleeq and Al - Fattacks poetry. - Al - saaleeq and Al - Fattacks poetry am be studied from a stylistic viewpoint.

التصوير البياني في المشاهد الكونية القرانية : دراسة في الانماط والوظائف == Rhetorical Portrayal In Qur'anic Cosmic Scenes : A Study In Patterns And Functions

اسم المؤلف: حميد جفات ثويني الجبوري
اسم المشرف: اياد عبد الودود عثمان الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The present study, which is entitled "Rhetorical Portrayal in Qur'anic Cosmic Scenes : A Study in Patterns and Functions", is in the core of the Glorious Quran studies as it is full of a great number of cosmic verses that are counted by researchers to mount up to sixth of its verses. These verses are dealing with various cosmic elements. When the Holy Quran tackles the (cosmic scene), it deals with it for the sake of accomplishing a variety of functions; ranging from those indicating divinity, an evidence of resurrection, a reminder to humans of Allah's blessings for them, or an identification of the relation of the universe in all its minute details to Allah the Creator. Rhetorical portrayal is regarded on of the phenomena of expression in literary language. The text of the Holy Quran is the apex of such texts. It is characterized by the clear and distinct presence of the rhetorical portrait inside of it along with its distinguished tackling of rhetorical patterns (simile, metaphor and metonymy) in the production of portrait. Of the most significant previous literature is a thesis entitled "The Concluding Sentence in the Qur'anic Cosmic and Humanistic Verses : A Stylistic Study" by Noor H. Mohammed that aimed at dealing with the concluding sentence in the cosmic and humanistic verses with no due reference to the rhetorical portrait except within the scope of her study method.The thesis comprises a preface and four chapters. The preface concentrates on the trilogy of image, imagination and the Qur'anic cosmic scene so as to uncover the concept of image and its relation to imagination among ancient and modern writers. Afterwards, the study moves on from the preface to the practical side. Therefore, the first chapter entitled "Simile in the Cosmic Scenes System" is subdivided into five sections. The first of them is the two sides sense image, the second is the intermingled sense image, the third is the image in the implicit simile, and the fourth is the effectivity of representative image, while the fifth section is the employment of transformational devices in simile. Chapter two focuses on the "Metaphor in the Cosmic Scenes System". It is split into four sections; the first is the employment of personification in the cosmic scenes system, the second is inserting the metaphorical portrait in the cosmic scenes system, thirdly is modes of embodiment in the cosmic scenes system, and the last is the antithesis binaries. The third chapter is entitled "The Mental & Hypallage Trope in Cosmic Scenes System". The researcher favored studying these two types in a separate chapter because they are dangling between metaphor and metonymy as well as due to the huge portrayal energy innate in them that opens forth to both types with regard to their various connotations and relations. I preferred to put this chapter in two sections due to the nature of the analytical, inductive method which is close to descriptive approach of the study; the first is the mental pattern in the scenic system, and the second is the Hypallage pattern in the cosmic scenes system. Chapter four is allocated to the study of "Metonymy in the Cosmic Scenes System". It lies in five sections; the first is the employment of the human and his/her related matters in the cosmic scene, the second is the use of plant and its related issues in the cosmic scene, the third is the usage of time and its related matters in the cosmic scene, and the fourth deals with the metonymy of sighted and chilly cosmic phenomena in the cosmic scene, while the last tackles color implementation in the form of metonymy image. The most significant conclusions perceived from the study are : 1. The letter (Kaaf) comes with the word (mithl/ like) to assure the state of intermingling between the two ingredients of simile.2. The researcher has founded that the rhetorical pattern exceeds the limits of portraying the form into abstract and imaginative worlds, and that the elements forming the cosmic scene participated in the eccentricity of portrait and the activation of its poeticity. 3. Cosmic scenes are mostly count on visual images that are related to natural elements, especially plants. They might address readers' eye to associate more than one human sense with the aim of accomplishing many functions, most importantly, purgation

مظاهر الانزياح في الشعـر الاندلسي : عصر الطوائف والمرابطين مثالا == Aspects Of Stylistic Deviation In Andalusian Poetry : Poets Of Age Of Al - Tawa'If Kings And Al - Murabiteen

اسم المؤلف: لؤي صيهـود فـواز التميمي
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation is an attempt to study aspects of stylistic deviation in the poetic genre, in an introduction and three chapters. The introduction is dedicated to deal with the different terms and Arabic translations of stylistic deviation.The first chapter tackles "Substitutional Deviation", in three sections : Section one : Deviation of characterization structure.Section two : Deviation of simile structure.Section three : Deviation of impersonation and personificationstructure.The second chapter is devoted to study syntactical deviation, in three sections : Section one : Metonymic deviation.Section two : Deviation of hyperbaton, omission and intertextuality.Section three : More syntactical deviation aspects, such as : annexment and shift, apostrophe, interrogation,order, prohibition, swearing and exclamation. The third chapter is dedicated to the musical host of the poetical form, with a theoretical introduction and three sections : Section one : outer music : metres and rhymes.Section two : inner music in forms of : consonance, repetition, fronting, isocolon and lionine rhyme.Section three : Terza rima (Al - Muwashah). The dissertation has come up to a conclusion summarizing the final academic results.

ادب فؤاد التكرلي السردي في الخطاب النقدي العراقي الحديث == The Narrative Works Of Fuad Al Tikirli In Modern Iraqi Critical Discourse

اسم المؤلف: فاهم طعمة احمد سبتي
اسم المشرف: سعيد عبد الرضا خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: There is a huge critical movement around the works of Fuad Al Tikirli that can be traced back to the mid - fifties of the past century. This is because of the unique characteristics of Al Takarli's works that are marked by intellectual attitudes of development, renewing, and modernism towards writing fiction. Al Tikirli has an exclusive touch that can be noticed by his stories, novels, plays, and articles. This exclusivity is marked by the various literary genres with the accuracy and incredibility of the style at the same time. Al Tikirli has his special style that distinguishes him from other Iraqi writers of his age. Accordingly, critics had followed his writings from his first short story. Nihad Tikirli is regarded as the first critic who reviewed his successful story "Al Uioun Al Khudhr" (The Green Eyes). Before that, many critics tried to analyze his experience according to their intellectual and academic attitudes towards stories and novels like Dr. Ali Jawad Tahir, Dr. Abdulilaah Ahmed, Dr. Umar Talib, Dr. Muhsin Al Mousawi, Dr. Shuja' Al Ani, and the critics : Fadhil Thamir, Yaseen Naseer, and Basim Abdulhameed Hamoudi.The Tikirlian Experience was a subject of many critical studies. All of which tried to find an approach to describe its nature with different procedural devices. This gave his works a critical richness especially in the intellectual fundamentals and the various vision procedural devices. What encouraged the variety of critical approaches of the narrative experience of Al Tikirl is his humanitarian attitude, artistic beauty, and the definite ideological message. His experience is open yet comprehensive with various attitudes, which is a subject of many interpretations. The most important reason behind conducting this study is the variety of critical topics about Tikirli's fictional experience as one of the leading figures of fiction and novel in Iraq as well as the genuine, deep, and continuously developed experience. Al Tikirli was able to take a prestigious status among the Iraqi and Arab novelists.The strong interest in narrative literature participated in choosing this study. It is well known that Fuad Al Tikirli wrote in various literary genres like story, novel, drama, essay, translation, and diaries, but this study will be devoted to narrative literature. Other genres, especially drama, will be left for two reasons. First, those plays did not reach the desired level. They were sole dialogs in which he aimed at trying to write in other genre near to his type. Secondly, the rarity of critical studies that dealt with his plays. The researcher found about two or three essays on his plays, which means that it is regarded as a secondary to his first interest, i.e., stories and novels.Some of the few essays that were concerned with dramatic criticism are "Fuad Al Tikirli : the Dramatist" by Dr. Dhia Khudhayir which was published in the journal Aqlam 3 (1989). The second essay was entitled "The Structure of Dialogue Scenes in the Plays of Fuad Al Tikirli" by the critic Abid Ali Hassan that was published in his book Drama and Application and republished in the journal Emdha 5,6 (2014). The third essay was written by the researcher Mudhafar Salim Shakir and entitled "The Foreign Shadows in the Plays of Fuad Al Tikirli" which was published in Emdha (ibid). The methodology of the study will be based on the textual analytical approach that utilizes the narrative techniques and their aesthetic achievements and the two main narrative streams : traditional novel and Formal Structural Narrative that dealt with the relations between narrative units in a literary work.The study chapters were based on the elements and components of narration as well as the modern techniques of Fuad Al Tikirli's works. The study consisted of four chapters as well as an introduction, a conclusion, a bibliography, and an abstract in English. The introduction contained two aspects. The first one was concerned with Al Tikirli's biography, his narrative innovation and its sources, and his characteristics according to critics and researchers. The second aspect was an introduction to the most important modern narrative elements and techniques contained in the study. The first chapter studied the components of narrative discourse in the works of Fuad Al Tikirli. It is the longest chapter of the study and contained many sections like style, dialogue, and the narrative setting represented by time, place and characters. All those elements participated in the development of his narrative works through the role played by each element in forming and organizing the structure. Style is regarded as the front of the writers work. Dialogue reveals the extent of the writer's attention to people interaction, as well as the monologue that reveals the inner worlds. Narrative setting (time and place) has a great effect on preparing the circumstances to embrace the characters and affect their role in the novel. Characters represent the main factor in narration. Main and secondary characters are the reason behind the existence of the novel.The second chapter contained the components of narrative discourse that is almost similar to the first chapter except with the analysis and scripts.The third chapter entitled "Criticizing Psychological Structure". It was divided into preliminaries and two sections. The preliminaries dealt with an introduction to psychological approach theory and its way of analyzing literary text according to a comprehensive social vision. It showed the relation between fiction and society and the effect of each one on the other in a controversial relation. The first section discussed the issues of sexuality, woman, and adultery in the works of Fuad Al Tikirli. It also discussed the attitude of critics towards this vital and important issue as an advanced topic in this type of literature. The second section was devoted to study the character of the cultivated in his novels and the critics' explanation of the cultivated psychological and financial problems. The fourth chapter contained the criticism of formal structure. Critics have structurally analyzed the scripts Al Tikirli in a punctual and subjective way in building organized relation between narration techniques. This chapter was divided into preliminaries and three sections. The preliminaries were devoted to investigate the formal structural method and its most important techniques. The first section studied the movement forward and backward in narration time. The second section dealt with narrative novel or writer's perspective towards certain topic. The third section contained the subject of textuality of multiple texts to form a new meaningful text. The researcher would like to express his deepest thank to Assistant Professor Saeed Abdulridha Kamees Al Tamimi Ph. D., the study supervisor, for his valuable observations and his dedication towards the perfection of this study. The researcher also extents his gratitude to the professors of the Department of Arabic Language, especially, Dr. Mohammad Abdulrasoul Salman - the dead of the Department of Arabic Language, as well as Professor Fadhil Aboud Al Tamimi, Professor Ayah Abdulwadoud Al Hamdani, Professor Salah Mahdi Al Zubeidi, and Assistant Professor Ali Mutib Jasim. The researcher also thanks the public libraries for their provision of sources and references namely : the higher study library - College of Arts - University of Baghdad, the central library - University of Baghdad, the central library - Mustansiria University, The National Library - The House of Books and Documents, and the central library in Diyala Province.Finally the researcher expresses his deepest gratitude to the debate committee for their efforts in studying and identifying the pitfalls of the study.

الاصوات عند سيبويه في ضوء علم الاصوات الحديث

اسم المؤلف: عبد العزيز سعيد بن حمان الصيغ
اسم المشرف: حسام سعيد النعيمي
الموضوع العام: اللغة العربية وادابها
السنة: 1999
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التناص الحجاجي في خطب عصر صدر الاسلام والعصر الاموي == Argumentative Intertextuality In The Speech Of The First Islamic Period And The Umayyad Period

اسم المؤلف: امل عبد الرحيم جمعة القره لوسي
اسم المشرف: حسن حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: يجترح هذا البحث مصطحا مهما من المصطلحات الحجاجية الا وهو(التناص الحجاجي) الذي يعنى بالخطاب والتعالقات النصية في خطب عصر صدر الاسلام والعصر الاموي، واثر هذه التعالقات النصية في حجية هذا الخطاب، فالعلاقات النصية التي تقيمها الخطابات تمتد الى ثقافة مختزن | The current research suggests a significant term which is one of the argumental terms that is the arguemental style. It tackles speech act and relative texts in the speeches of beginning of Islam and the Umayyad era and the effect of these relative texts in the argument of this speech act. The relative texts that are evaluated by orations extend to a stored culture in the collective memory which are inflected in departures and changes that are covered always with a modern garnet. This linguistic event is revived through precipitated procedures in the new oration. The text here is a web of linguistic, constructional, and ideological data, all cooperate to form speech acts. After completion, it practiced a great influence so as to produce other texts, so, the text depends on renewal according to its readability and on quantity according to its supplying privacy.The incoming text comes loaded with argumental references charges with pragmatic productive features to penetrate with the current text and melt in its essence, so the incoming text appears in various levels : the explicit and the implicit. This pragmatic fertilization results in new text with a directed argumental dimension. The pragmatic interaction which is established between the incoming text and the current text cannot be of a single path instead it goes towards the giving and taking reference; it grants the incoming a new reference as it grants an argument power to the current text with all its pragmatic referential roots within its environment. So, the coming text may grants old text new interpretation or show them with a new garment that was hidden before. They could not be seen before so long as the style process, that achieves great deeds that practice argumental power which guide the path of speech act.The research results in several argumental style that the orator adopted in the beginning of Islam and the Umayyad era. These speeches were coloured with different stylistic feature that carried the tendencies orientations and how to form the speech and presenting it to the listener as well as their dependence on the textual loadings that differentiate in their argumental guidance.The research plan included an introductory chapter, followed by three chapters, and conclusion included the most important results of this research in which all this term interpretations and details were discussed in addition to its influence on speeches of the beginning of Islam and the Umayyad era.

المفارقة في مقامات العصر العباسي == Irony In Maqamat Of Abbasside Era

اسم المؤلف: تغريد ضياء مشفي الفخري
اسم المشرف: سامي مكي العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Most of the Abbaside era Maqamat were based on a bitter irony out of a painful and a tragic reality that is full of contradictions and change of standards and values. Axiomatically they had a lot of instances of irony for it is the most suitable among artistic styles. It was , there fore , adopted by Maqamat writers as the artistic styles through which they expressed their suffering and boredom ; it had been a reflection of the time they lived. For them , irony was a defensive means for facing the cruelty , deprivation and misery in their lives ; a purification means , so to say , that would eliminate the deposits of dreadful ideas and would relieve the strains of poverty and need deep inside them. The irony of the Abbaside Era Maqamat is of three main types : 1. Verbal irony : it includes anti expectation , pedantry equivocation , pun , simile and quotation. 2. Irony of situation : it includes the self uncovering , dramatically and event irony. 3. Narrative irony : it includes spatial and temporal , the narrator - hero and the secondary characters irony. These three main types make up the three chapter of the this study , with each chapter being devoted to one type preceded by an introduction that illuminates the lexical and terminological meanings of "Maqama" and "Irony" and also the nature , importance , motives and aims of each one of them. All that followed by a conclusion that sums up the findings arrived at and most important of which are the following : 1. Maqama is a dramatized story that combines the techniques of both fiction and drama. It both narrates and displays ideas. It is based on a dramatic scene with action and dialogue , a matter which tints it with vitality and excitement that it has been an impressive type of art up to the present time. 2. Linguistic irony is produced by one signifier leading to two or more signified ideas. It , then , enables us to practice a multi - reading criticism because it deepens the text , extends its interpretative limits and widens its horizons. 3. The irony of situation embodied the suffering of the Maqamat writers that their Maqamat seemed to be a reverberation of what they lived and co - lived and what they thought and felt. The irony was their outlet to steam off and express their attitudes towards their surroundings. 4. Time and place in the Abbaside Era Maqamat where open. The characters moved about in absolute time and place. That is to generalize the purpose - idea and indicate that it is likely to happen at any time and place and to implicitly indicate the bad conditions and corruption. 5. The narrator in Abbaside Maqamat is an observer who seldom takes part in the events unlike the hero who undertakes the creation and activation of events and through whom the writer pictures what he wants to deliver. Most likely , the narrator represents the writer , whereas the hero represents the socially , politically and ideologically oppressed class

المنهج في الخطاب النقدي العراقي المعاصر : تجربة رحمن غركان اختيارا 2003 - 2016م == The Method In Iraqi Contemporary Critic Attempt Of Rahman Gharkan Selectively 2003 - 2016 A.D.

اسم المؤلف: صالح مجيد علي الخزرجي
اسم المشرف: خضير عباس درويش
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study has concluded to a group of results briefly mention as follows : The critical method represents a main element which the critical literature based to reach through to goal from reading that work art of this , the method has been distributed in Iraqi Contemporary Critic two paths : firstly the research method that take the critical literature data at its subjective and art possibilities , this become widespread in academic thesis especially when the researcher or the study deals with literature or literature phenomena or critical case, the dissertations and thesis represent that studies specific cases (subjective art) a model in functioning the literature curriculum, secondly the critical methods that based on dialogue between a particular work art and critical mind in the light of specified critical method , there are four methods used widely that the contemporary Iraqi critic impacted of western methods. so that , known : stylistic critic on multi methods and constructional critic on also multi methods , cinematography critic on vary theories then literature critic on differential set forth. The poesy critic dominates on other prose arts in the contemporary Iraqi critic due to domination the poesy literature on the awareness critic from a part and abundance poesy production , quantitatively and qualitatively from other side. besides the richness of old Arabic critic record by deal with critic poesy. The Iraqi critic beware also researcher and studying to the importance of the critic term conducting with all doctrine apart and connecting with each arts a part , the term in poesy language different from tale or story , thus in other arts and terms in constructional different in stylistic and as in other doctrines. The critical studies are similar in academic critic particularly those using as methods : stylistic , constructional , cinematography or rhetorical , ways to reading works art then similar studies that read : poetry image or poetry language or constructing presentation personality or arguments. this due to little number of diligent critics , large number of studying or familiar researchers which making create new rarely , spreading the familiar or repetitions as familiar. Rahman Gharkan's critic mostly deal with other arts critic, between twenty two books as sample of this study on the poetry as subject for twenty books some of them for other arts and second rank which the tale , story , the play , the sculpture , music and art construction , for the critic art distributed on four books. The stylistic doctrine presented in critical speech of Rahman Gharkan through four books which are the stylistic as being method as describe doctrine and method of Arabic eloquence , the standard of rhetorical method and the components of the stylistics the poetry column for the rhetorical method represents three books which are : Arabic rhetorical theory , the rhetorical critic method and lectures of the rhetorical teaching , most the rhetorical books have the known teaching method in Arabic rhetoric. He was remarked by the new critic method theorization and applied in books (constructive method in view of procedures / towards suggested method in reading the text and receive the meaning ) whereas this method present five forms of application is constrictive structural readings in five arts which are poetry at the second chapter , story art in the third chapter, tale art at the fourth chapter , theater art in fifth chapter , narrative art in sixth chapter , to concluded to possibility to apply6 in other arts. The application prevail on theorizing at the critic speech for Rahman Gharkan so that he was caring with application data of critic method by making critic procedure at his work art mostly attend the literature's methods. His language characterizes with the critical term level also on descriptive and analysis to affiliate to the method so that the method's language was rhetoric : term and analysis other than stylistic method language. His traditional reference composes of his critic mind attended impact and deep impact on imported reference and his using the Arabic tradition most effective of the modern western critic. The method represents a significant sign of his work that produced six books : the tools of curriculum readings and stylistic as being a doctrine, doctrine's language , talk's doctrine and its standards of methodology , the critic rhetoric, and composition's doctrine from view to procedure. At Rahman Gharkan's critic speech in his written in 2017 another field for study other than its specialization in this study : The critic term in critic speech for Rahman Gharkan's and the text materials at speech critic and written language for him.

صورة المراة في الشعر العربي في كربلاء 1950 - 2000م

اسم المؤلف: زينب عزيز هادي الموسوي
اسم المشرف: فاروق محمود عبد الله الحبوبي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

شعر مديح الخلفاء في العصر العباسي الاول : مقاربة تداولية == Praise Poetry Of Caliphs In The First Abbasid Era Pragmatic Approach

اسم المؤلف: عبد الله بيرم يونس
اسم المشرف: منتصر عبد القادر الغضنفري
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Pragmatics deals with the relation between linguistic activity and its users, and successful methods of using the linguistic marks and different keys and contexts within which the discourse is made. Also it finds out the elements that make the discourse as a successful and obvious massage and it finds out the reasons for failure in communication with natural languages.Since pragmatics has the ability to call for non - linguistic aspects in the process of criticism and analysis in the address, this method has been chosen to approach the praise poetry of Caliphs in the first Abbasid era in a way which is different from most literary studies that deals with this poetry with regard to artistic form only. Praise poetry in general, and of Caliphs in particular isn’t based on the aesthetic conditions only, but also it takes into consideration the pragmatic and social conditions that require forms of speech manner according to tone keys in response to a general law that regulates the human communication and prescribes that the success of communication between speaker and addressee is based only on the response to the pragmatic rules, such as cooperation, politeness, courtesy … etc. Since these rules are characterized by usual communication, it is better that these rules are characterized by poetic speech which requires aesthetic form. So, how do the poets leave the dignity that they seek? The poetry that praises Caliphs requires special types of criticism, so the pragmatics is the most appropriate manner to approach this type of poetry. So, we followed the pragmatic manner in studying and analyzing the praise poetries mentioned in the Abbasid royal palace.

حذف المرفوع من الاسماء في الحديث الشريف : دراسة في كتب اعرابه من العكبري الى السيوطي == Omission Of Raised Nouns In Prophet's Says Study Of The Books Of Its Syntax From Al - Uqburi To Al - Syuti

اسم المؤلف: وليد خضر عمر الحماوي
اسم المشرف: عبد الوهاب محمد علي العدواني
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:

العقيدة الاسلامية في الشعر العراقي الحديث == The Islamic Doctrine In Modern Iraqi Verse

اسم المؤلف: سناء جميل حنون العلي
اسم المشرف: سوادي فرج مكلف
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

التقابل في العبارات القصيرة في نهج البلاغة : دراسة تحليلية == The Equivalence In The Short Phrases In Nahj Al Balagha Analytical Study

اسم المؤلف: انوار عزيز جليل الاسدي
اسم المشرف: سليمة جبار غانم
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise be to Allah from Him, we wish completion and acceptance the good works He and His Prophet Mohammed (PbH). During our preparatory and upon reviewing the linguistic curricula taught literatures, we knew that it is in continuous movement never been stopped and in permanent loop never been calm so that it is renewed and released from the old without separation from it as it is in need to quote from it so that studying the text concluded integrated text without division , segmentation or partition; i.e. phonetic level never been studied independently from the grammatical level nor studying syntax away from the phonetic level , but studies all levels together in one subject and on one text. This curricular is the association law or association curricula by its two level : The essence of association ( associating text by its elements present in the text) and the nonappearance ( associating text with absent elements ), the first one is done through distribution while the second is done through election and some of which is characterized with literature behavioral speech and their role in forming and pivoting text. In the second degree after Holy Quran and Hadith of the Prophet (PbH) are studied later pertaining their superiority and their huge status , Approach of Rhetoric( Nahj Al Balagha) is came its speeches were taken from Imam Ali (PbH). In fact, my wish is that my Doctorate study to be in this great proverbs book so that my thesis is titled : Semantic Equivalence in the aphorisms of Imam Ali (PBH) and his sermons In The Approach of Rhetoric. Preliminary is the basis to form the straits of the thesis as it is the theoretical material of the thesis discussing the Equivalence by language and terminology and the twin of equivalence and antithetic and is there twin or both terms are of one meaning. And then the equivalence in Hadith semantics and expansion of term and at last the Prince of Rhetoric and its approach(PbH). In First chapter : I entered in its applications which is the equivalence of two antonyms upon showing the intention by it in language and terminology as it is divided by three parts; the first is real antonyms and the second is metaphor and the third is the equivalence of real antonyms with metaphor antonyms or what is called antonym delusion. Second chapter is about the equivalence of two similarities which is divided by three sections the first was is about the similarity equivalence singular by singular or what is called by the Rhetoric scientists by confusion and the second one is the similarity equivalence sentence by sentence or what is called in the moral creativity ( Al Badee’a) arts by conversion and replacement while the third one is called morale similarity in which the following types of Al Badee’a arts are entered : Consideration the peer, similarity of terms of sentence ( the beginning of the sentence with its end ) and giving sentences of relative meanings ( Tafweef) as I studied all that as it has all its meaning. Third Chapter is about the equivalence of two antonyms which has three pivots the first pivot as the equivalence of negative with positive which is the meaning of negative and positive synonyms and the second pivot is about regression as its meaning is the antonyms and thus I called it the equivalence of antonyms. Third pivot is about the equivalence of two added meaning as a different concept rather than antonyms equivalence. We studied due to the rarity of application on both of them and for other reasons e enlisted in its situ. Last chapter is about with antonyms equivalence including first section. First the apparent antonyms equivalence or moral synonyms and the second one is about the hidden antonyms equivalences ( hidden synonyms) while third one is studied the range of difference of entering two antonyms and added antonyms within it so that the title became added and antonyms confusion equivalence by which the study is concluded. The conclusion or results of the result , it argued the most important points are concluded by the research or study ending with references

جماليات الاستشهاد بالقران الكريم في كتب التراث الادبي العربي

اسم المؤلف: فرحة عزيز محسن
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Quran citing takes a distinctive status in the critical work due to the great importance in determining the cited situations and matters.The writers s and authors are soncerned with citing at cuIturaI , religious and Literary references ( the aesthetics of citing of holy Quran in the Arab literary legacy books ).There are many reasons motivating the writers and critics to cite from the Quran text. This Quranic citing gives the text beauty and magnificence It heIps to discovere context and posside suggestible relations between terms and meanings. The thesis is divided in to three chapters in adduction a preface in which : it has studied the meaning of citing linguistically and idiomatically and its nature ,its motivtes , its reasons and its. It also contained three chapters. In the first chapter : we have studied the linguistic level in three parts, the first part deals with the grammatical level the second is semantica and third one is with morphological level. In the second chapter : we have studied the rhetorical level in three parts : the first part is Al - Badee'a science matters , the second is graphical matters and the third one is on the semantic matters. For the third chapter we have studied other levels , it has four parts. In first part, we have remedied the religious level. The second was concerned on the political level, third was on the intellectual level and the fourth one related to the social level. in the end we have mentioned the results, findings and research references. After all, in the these efforts, the researcher has not claimed that she reaches to perfection in this thesis, perfection only belongs to Allah.

ملامح الدرامية في شعر الاغتراب النسوي العراقي الحديث == Dramatic Structure In Modern Iraqi Female Poetry Of Expatriation

اسم المؤلف: جنان عايد محمد الحسيني
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Poetic drama has been an important subject that draws much attention since lyricism has begun to lessen and be replaced by ways of depicting the different problems that people face in their every - day life. Thus , it is necessary that the poet be aware of this change and the relation between drama and poetry. This depends on his / her view of the dimensions and levels of the text in the discourse and his / her recognition of the artistic work he / she is performing and through which the poet embodies the drama that includes conflicting events and persons who make the temporal and spatial frames of the dialogue in its multi - direction aspects. This study is about the dramatic structure in modern Iraqi female poetry of expatriation. Woman is always considered as the weakest and most narcissist creature who attempts to prove her active existence and presence in a narrow - minded society that once cam cells her identity once establishes it depending on her supremecy on man. She is more skillful especially in poetry of expatriation. While she is away from her homeland , she tries to be a part of the reality of expatriation. She expresses that through her sensitivity and warm feelings and , at the same time , is facing the tragic life and the painful reality. Even though , she is the most able to face all types of political , economic and social expatriation in the society. The researcher has noticed a substantial link between the poetic drama and expatriation and to how the Iraqi female poet expresses that in her poetry. This study consists of an introduction , three chapters and a conclusion. The introduction defines drama and expatriation and establishes the origin of the relation between drama and poetry or one side and between expatriation and loneliness on the other to define and limit those notions in their final form in light of modern studies. The researcher also highlights female poetry and how it responds to the situation especially that the Iraqi female poets live outside their country. The question is how able they are to embody the dramatic structure in their poems and to express the feelings of expatriation. Chapter one is made of three sections and discusses elements of the dramatic performance. The three sections are about the dramatic event , the dramatic characters and dialogue and conflict respectively. Chapter two , " Techniques of contemporary poems " , consists of two sections : The disguise on the level of the symbol and the disguise on the level of the myth respectively. Chapter three includes two sections : the first is about place and the second is about time. The conclusion includes the important results of the study ; among which is the overlap of drama and poetry as for as form and content are concerned. The study also reveals the nature of relation between expatriation and loneliness and their effect on those who are expatriated while they are seeking to prove their human existence against conflicts and crises. The female poet finds in her texts an outlet and escape from her expatriation and a reflection of her inside. She is firstly a woman and then she is a poet. She , as a female , has the characteristics of motherhood and homesickness. All that expressed in the dramatic structure of female poetry of expatriation.

الظواهر النحوية القرانية في دراسات المحدثين : دراسة وتقويم == Quranic Grammatical Phenomena In Modern Studies Of The Study And Evaluate

اسم المؤلف: ميثاق حسن عبد الواحد صالح الصالحي
اسم المشرف: سامي علي جبار المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This Study Tagged Aimed B (Phenomena Grammatical Koranic In Modern Studies Of The Study And Evaluate) To Determine The Achtgalat Modern Scholars, The Manifestations Of Conformation Stylistic In The Quranic Text Adha, Which Bear The Stamp Of Privacy Morphological Characteristic; As Graphical Models Banner Contrasting Sunan Use - Prevailing, And Graduated From The System Provisions Standard Extrapolated, And Deal With Them In Accordance With The Descriptive And Analytical Approach And Linked By Linguistic Thinking Continued, And Research In Curriculum And Procedural Mechanisms And Characterization Of The Nature Of The Readings Stylistic That Emerge For And Extract Values Done Deliberative, Noting The In - Depth Research And Study Grammatical Features; And Take The Data Derived From The Consideration And Monitoring Standard For Balancing The Trade - Offs Readings Between Symmetric And Converged On The Levels Of Procedural Mechanisms And Values Of Stylistic Reading. And Fall Within The Research Goals System Seek To Identify, Over The Independence Of The Layout Communicative Ultimate Studied The Characteristics Of The Appearance Of Conformation Stylistic, Or Comprehensiveness Communicative System Wide Levels, As Well As Trying To Monitor What Has Been Made Available From The Visions And Ideas Of Descriptive And Therapeutic Theory Procedural Relevant, Broadcast In The Literature General Linguistic Studies ; Being Supplements Methodology Unavoidable In A Statement Foundations And Mptnaat Layout Atypical And Clarify Pillars, Finishing In Chapter Calendar To Read The Research Characteristics Of The Studies Modernist And Her Trial, In Light Of What Was Produced By The Data Results That Include Their Values On The Report Of The Advantages Of Congruence Between The Observed Study And Content Address, And Discuss The Attributes Applied Models Employee And Note Expressive Space Properties Relying On Them To Verify Their Eligibility To Embody The Contents Of Common And Regularities, And The Identification Of The Corresponding Winning My Space Between The Theory And Application Potential. The Characteristics Of The Stylistic Reading And Measuring BOUND Borders Functional Area The Model For Levels Share A Clear, From The System Finality To Study Values; Being Of Attention And Care Priorities In The Perspective Of The Research Methodology, And Then Pointing Approach Literacy Site Within The Limits Of Linguistic Advantages Stylistic, The Level Of The Approach Of Synthetic Target.

الاليات النظرية لتحليل الخطاب في ضوء التداولية == The Theoretical Mechanisms Used For Analysing Discourse In The Light Of Pragmatics

اسم المؤلف: حليم موسى كاظم
اسم المشرف: محمد عبد كاظم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: In the seventies of the previous century, linguistics of discourse emerged in reaction to Ferdinand de Saussure's linguistic theories, especially his dichotomies, which studied the internal core of language and neglected “speaking,” i.e. the use of language. De Saussure considered “speaking” as an outsider from the domain of language and this is why he was considered as the father of formalism. Then, linguists shifted their attention to studying the practical facet of ordinary language; i.e. language used in social, historical, cultural, ceremonial, and doctrinal contexts. Accordingly, pragmatics appeared in the second half of the twentieth century.Pragmatics is a philosophical theory that focuses on the principle of use, advantage, and materialism. Though it was theorized by philosophers of different orientations, it is established due to the theories of the philosopher Charles Sanders Peirce and the additions of Charles Morris. However, it becomes clearer in the studies of ordinary language philosophers who are labeled as the Philosophers of Oxford; a group of philosophers who were influenced by Ludwig Josef Johann Wittgenstein's Analytic Philosophy. Wittgenstein also influenced John Austin who attempted to refute the logical binary of saying truth and lying in judging things. Ordinary language philosophers considered language as a means to describe, amend, and change reality. Then, they regarded it as a tool that does linguistic performances. This tendency was adopted by some philosophers after Austen. Paul Grice presented his theory of conversation and interaction rules in addition to cooperative principle among speakers. John Searle, then, completed Austin's theory and developed Speech Act Theory, i.e. how to perform deeds via language using performative verbs.In this study, the researcher has chosen this area of study for its importance in analyzing discourses since analysis previously focused on exploring and deconstructing the internal core of language. This study, being a contemporary one, serves as a link with modern linguistic thoughts and products which open the door for studying Arabic, especially in old sources, because studying the books of old Arabs would show that they had used pragmatic mechanisms theoretically and practically in notion but not in term. This appears in their devotion to the context in which the Holy Quran was descended and the speaker's intentions when they spoke about the difference between utterance and concept. Besides, their studies encompass other epistemological fields such as eloquence, philosophy … etc. This study aims at exploring the mechanisms used for analyzing a pragmatic discourse. In other words, it aims at studying language in context and use.To achieve this aim, the study is divided into four chapters and a conclusion. In Chapter One, a definition is given to the main terms of the title; i.e. discourse, discourse analysis, and pragmatics. Also, an opinion of some researchers about the term “discourse” is presented. Defining “discourse analysis” says much about the concept of analysis and the shift from analyzing the linguistic structure into analyzing the circumstances in which it is said; i.e. speaker, listener, time, place, channel of commutation, context … etc. Similarly, defining pragmatics says much about its different analyzing mechanisms, its diverse theories, and the influence of other areas of knowledge upon it. In Chapter Two, Speech Act Theory is explained. Also, verbs are received a classification and a study is conducted about analyzing the pragmatic meaning. In Chapter Three, the mechanisms used to analyze meaning in the light of Paul Grice's Theory of Conversation are detailed. Also, an explanation is given about levels of discourse, its intentions, presupposition, and conversational implicature. Finally, in Chapter Four, the basic functions of pragmatic discourse, among them are communicative function, contextual function, argumentational function, are discussed. It is worth mentioning that argumentation is a pragmatic theory that has nothing to do with Aristotle's logical argumentation which is related to old eloquence in addition to speeches, and entered into the domain of linguistic study thanks to Oswald Ducrot's researchers.Finally, the conclusion sums up the following conclusions : - The pragmatic mechanisms in analyzing a discourse are an extended pattern which aims at exploring the performative meanings and intentions depending upon shared knowledge among speakers and social contexts. They also aim at exploring customs, doctrines, and ceremonies. - Language cannot perform actions by itself. In other words, it does not have the performative ability because the matter is related to man and his personal action. Hence, language is just a means for performance

الاخر في الشعر المهجري : دراسة في ضوء النقد الثقافي == The Other In The Immigration Poetry : A Study In The Light Of Cultural Criticism

اسم المؤلف: احمد طعمة حرب
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This Dissertation , entitled ( The Other in Immigration Poetry : A Study in the Light of Cultural Criticism ) , deals with the theme of " The types , Ways of its construction , how far do culture , religious and literary authorities impact its construction. It tries to discover the cultural patterns involved in the aesthetic aspects that contributed in the deterioration of the image of " The Other " , and made the poetic discourse suffer from contradiction , where it shows all that is beautiful and human , but it conceals too much ugliness and non - human intentions.This dissertation uncovers that immigration poets are interested in the aesthetic aspects rather than human aspects. Moreover , it shows how critics contributed in justifying and beautifying this discourse in such an exaggerate way.It falls into three chapters preceded by an introduction and followed by conclusions. Chapter one falls into three sections ;section one deals with the term of " The Other " linguistically and terminologically as well as the impact of the Arabic and Western cultures and religion on its formation ; section two dealt with the image of cultural criticism , its nature , its relation with other approaches and its merits and demerits ; section three was about the cultural authorities of immigration poetry and their role in forming the image of " The Other ".Chapter two is entitled The Recombinant Other. It falls into five sections , the first of which dealt with The National other , the second dealt with The Divine Other , the third introduced The Woman as being considered The Other , the fourth tackled Nature , the fifth is devoted to the transformations of The Recombinant.Chapter Three is entitled " The Different Other ". It is divided into five sections , section one dealt with The National other , section two talked about The Different other in color and religion , section three sheds light on The Invisible other , section four is devoted to The Defiled Other , the fifth section studied the transformations of The Different.In the conclusion we stated the most important results that we reached at. Finally the researcher does not claim having done a thorough study that deals with everything about the topic ; it's a mere try to study the topic.

سورة هود : دراسة في مستويات البناء == Surat Houd A Study In Syntax Levels

اسم المؤلف: منى زيدان ذياب صالح المشهداني
اسم المشرف: عبد الله محمود طه المولى
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: ان الدراسات التي تناولت القران الكريم كثيرة ولا تحصى، لكونه نصا فريدا، وبناؤه محكم متلاحم الاجزاء واسلوبه معجز، مثل بناؤه جانبا مهما من جوانب اعجازه، سواء اكان باستعمال اللغة وتوظيفها توظيفا يبهر فحول البلاغة، ام بقصصه التي ضمت بنيات متنوعة جاءت بكل | Studies that dealt with the Holy Quran are much and countless, for It is a unique text, coherently constructed and with miraculous style. Since It has represented an important side of its inimitability, either through using the language and employing it to daze the eloquence laureates, or with its stories which contained different constructions with wonderful things which remained forever by the Holy Quran, so that to be as a lesson or an example. I were deeply interested in studying a subject deals with the Holy Quran and relates to one of Its secrets, so I chose (Surat Houd - A study in Syntax Levels), and I have realized from the beginning the importance of this subject, and the accuracy in determining the remarkable criterion, which have formed a distinguished stylistic remark in the text of sura. Another reason made me to keep searching, is that the term construction represents the most distinguished features of the Holy Quran, and it is one of the terms that got a wide dispute in the critical and literary studies which have dealt with the Quranic text with studying and analysis. After I have finished selecting this subject, I decided to analyze the Quranic verses, that represented practical examples of the stylistic criterion related to the research's subject, depending mainly on the critical curricula, and guiding by the rhetorical analysis. It is worthy mentioning to refer to the most important books which I have used in my research practically and theoretically : The Holy Quran Interpretations, the old and modern Arabic dictionaries, as well as the rhetorical and stylistic books, especially the poetic stylistic books - a reading in Mahmood Hassan Ismaeel's poetry, Dr. Ashtar Dawood Mohammad. Also I have to refer to the most important Quranic academic studies which preceded me in this regard and which I have made use of them in my research : * Surat Al - kahif - A stylistic study - Master thesis, Wasan Abdul Ghani * Speech levels in the Quranic story - Ph.D. thesis - Faiza Mohammad. Regarding the most important problems I have faced in this research, most of them are related to the dispute about the construction term, as well as, the difficulty in getting the modern sources in the modern Quranic studies, especially the ones which have dealt with time in the Holy Quran, where they are little and rare, where the researcher has spent more effort to get them.After relying on Allah, and completing the general form of the subject, I have found the necessity of settling a suitable plan for the applied procedure in this study, so I have chosen the following plan : The research consists of an introduction, a preface, four chapters, a conclusion, an index of resources and contents, and an abstract in English language. The preface has been divided into two axes, the first one deals with Surat Houd, where I have explained its revealing order, numbers of verses, aim and reasons of revelation. The second axis deals with the concept of construction in the Holy Quran due to the ancients and modernists. The first chapter has dealt with studying the phonetic level, it has been divided into three parts : * The first part deals with comas harmony and its effect on the phonetic construction.* The second part deals with the phonetic equivalence.* The third part deals with the phonetic assemblies. The second chapter has dealt with the dictionary level, it has been divided into two parts : * The first part deals with studying the dictionary function of the title's construction.* The second part deals with studying the dictionary function of the great figures constructions. The third chapter has dealt with time sign of the structural constructions, it has been divided into two axes : * Verbs constructions.* Negative and interrogative constructions The fourth chapter has dealt with the semantic level, it has been divided into two parts : * The first part deals with the semantic similarity order.* The second part deals with the semantic adjacent order. At the end of this trip, the researcher thanks the Prof. Dr. (Abdullah Mahmood Al - Moula) who have the honor to supervise this thesis, where he has taken the responsibility of this long trip with his guidance and advice. My thanks are also go to my teaching staff in Department of Arabic Language / College of Arts, and for everyone who guided me and helped me in this research, may Allah accepts from me, thank for Him at the beginning and at the end.

تقنيات السينما في الرواية العربية 2000 - 2015 == Cinematic Techniques In The Arabic Novel From (2000 - 2015)

اسم المؤلف: جبار سلطان حسن
اسم المشرف: يوسف محمد جابر اسكندر
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Arabic novel with its regional orientation has not been isolated from the novel in general, since it employs a lot of cinematic techniques, proving, meanwhile, that it is open to other arts, keeping up the vibe of renewal and development, because many writers wrote with cinematic awareness and cinematic technique. This elicited the researcher to delve deeper into the effort found in the novels to achieve new modes of expression, which rely heavily on the image and the cinematic formation to maintain the tools to elevate the narrative speech, granting it the necessary narrative identity, which is featured with innovation and high narrative performance. The study is preceded by a forward, which tackles the definitions of concepts that are relevant to the study such as technicality, the concept of cinema, its techniques, and its impact on the Arabic novel. It also highlights the term "New Arabic Novel", and the classification of the novels under study according to it. Examining eventually the studied novels and the criteria of selecting them. The study falls into three chapters beginning with theoretic entries giving sufficient idea about each technology. The first chapter highlights the scenario. It is divided into two sections; the first includes types of scenario in the Arabic novel; the second is about the elements of scenario in the Arabic novel. The second chapter highlights the functions of the camera put into application. It falls into three main sections; the first tackles the corners of the camera, the second tackles the movement of the camera and its steadiness, and the third tackles the duration of the shots. The third chapter discusses the impact of montaging on the Arabic novel. It is divided into two main sections; the first is entitled "The Narrative Montage in the Novel in its Four Types : Horizontal, Reverse, Parallel, and Alternative Montage"; while the second tackles the Expressive Montage in the novel in its two types : the ideological and the rhythmic. The Conclusion sums up the findings of the research and the proposed recommendations.

شرح شواهد شرح ابن الناظم للسيد محمد بن علي الموسوي العاملي (ت1075هـ) : دراسة وتحقيق == Sharih Shawahid Of Sharih Ibn An - Nadhim

اسم المؤلف: محمد علي هوبي جواد
اسم المشرف: خميس عبد الله علي التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Thanks be to Allah and the best of prayers upon his prophet, Abi Al - Qasim Mohammed and his Household members and his companions, and everyone who followed the same path as they did. Due to the importance of a syntactic model for grammarians, as grammar has been built on it and syntactic rules have been derived from it, in addition to being the arbitrator for every dispute or disagreement arising between the various, numerous syntactic schools. This reasons, among many, made syntactic models their point of focus. They collect, arranged and explained these models for those interested in syntax, thus creating a new profession and a new discipline of syntactic study, named Syntactic Models Interpretation. AlSaayid Al - Amili's Book falls within this category, as it explained Ibn Al - Nadhim Models used for explaining his father's Alfiya. The reason I chose investigation for my doctorate dissertation is to pick up where I left off in my master study, where I investigated Mussa Bin Azeez Allah Al - Musawi AlJaza’ir’sLisan Al - Muta’ilimeen. I wished to walk down a similar path and master this aspect, an art that needed earnestness, perseverance, and effort; all of whom are sources of joy. Furthermore, this type of study bears a great scientific value in resurrecting our heritage, which has waited long for such resurrection. The most important causes for my choosing this book were the newness rarely found in books of the same category. This is shown in the Book Value heading of the second section in chapter two; its connection with Ibn Al - Nadhum's explanation of his father's Alfiya. The study methodology required that the study was to be divided into two parts : the first, the study part, consisted of four chapters preceded by a preface giving a brief description of the most important notions of this dissertation. The dissertation ends with a conclusion presenting the most notable results reached by this study. As regards the chapters titles and sections, the first one is entitled (Ibn Al - Nadhim and Al - Saayid Al - Amili, and Ibn AlNadhim Models Explanation). It consists of two sections : the first dealt with everything related to Al - Sayid Al - Amili - academic and personal résumé - while the second is used to Al - SayidAlAmili book - its title, attribution, motives for writing, general and special methodology, and other matters. Chapters two and three are devoted for studying the syntactic issues found in the book. Thus, chapter two was entitled “His Syntactic Replies and Preferences”, each of the two aspects of the title was allotted its own section. A number of the issues related to each title are studied and discussed as the study methodology requires. Chapter three, “His Syntactic Views and His Attitude towards the Two Schools”, consists also of two sections. The first one is devoted to his syntactic views, whether they are solely his or are joint with others, while the second dealt with some issues of controversy between the schools of grammar : Basrah School and Kufa School, which were mentioned by Al - Sayid, showing his stands towards them and his syntactic inclinations. Chapter four, “Badr Al - Deen Al - Aini's and Al - Sayid Al - Amili's Explanations : Comparative Study”, consisted of three sections, preceded by a briefing about Al - Aini's life and his book “Fara’id Al - Qala’id”. Section one succinctly discusses the two books mentioned in the chapter title, while making a simple comparison between the two to pinpoint how the former impacted the latter. The second section is devoted for the study of a number of the objections raised by Al - Sayid Al - Amili to AlAini, in accordance with scientific research requirements. Finally, in section three some of Al - Aini's ideas that were inaccurately understood by Al - Amili, with the latter's point of view corrected by proof. The second part of the study contained the investigated script and everything related to it. The latter are divided into two sections : the first provides a description of all the manuscripts found by the investigator, whether incorporated in the investigation or not; whereas the second is used to present the methodology adopted by the investigator and the mechanism used to bring out the final product to the reader. This is given by presenting three copies of each manuscript used in the investigation. The dissertation is concluded by the bibliography and the abstract in English. The most notable difficulties and problems faced while preparing this dissertation can be summarized by the following : not finding the copy written by the author, wrongly attributing a number of manuscripts to the author by some scholars. The latter was especially problematic. I went out of my way to prove them wrong. Another problem was the large number of the author's manuscripts, which made it difficult to select the best ones. Furthermore, the material was large, extensive, and varied. Despite of all of these difficulties, the researcher saved no effort to complete the work in the best manner possible. All credit should be attributed to Almighty Allah what whom without his providence I would not have accomplished any of that. Thanks and praise to no one but Allah. Thanks to Allah first and last, may Allah prayers be upon his Prophet Mohammed, and his infallible Household members

السلب في اللغة العربية == Detraction In Arabic

اسم المؤلف: غانم عبد الحسن رداد
اسم المشرف: مجيد نوط عبيد الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study deals with the aspects of detraction in Arabic language on two levels : the vocabulary and the structural. The research has found out that detraction is a nothingness meaning referring to diminution or completion where there are linguistic aspects in Arabic language that detract the diminution and turn it into completion and vice versa. The pioneer to use the term of detraction was Al - Khaleel bin Ahmed Al - Farahidi in the second century of Hijra. Since that time, no one has ever dealt with the term till the fourth century of Hijra where it was renewed by a linguist named Ibn Jini. Ibn Jini has assigned a special chapter to the term in one of his books entitled (Chapter in Detraction). Since then, the term has become popular and grown and broadened. Another factor which had a role in the growing of the term was the meaning of detraction coming from the Greek philosophy at the time of cultural connection between Arabic and Greek cultures. In the light of the duality of (the existence or nothingness) or (diminution and completion), linguistic detraction has been found in many linguistic fields other than Arabic such as : philosophy, psychology, speech act and anthropology. These fields have been great help in studying linguistic detraction deeply regardless any specific linguistic approach taking advantage of the descriptive, normative, historical and comparative approach. The study is divided into a Preface showing the two aspects of detraction : Existence and Nothingness. Three chapters are followed : Chapter One studies the meaning of detraction and its problem, Chapter Two tackles the singular detraction and Chapter Three deals with the structural detraction.

بلاغة المقموعين من الاجراء الى التنظير حتى نهاية القرن السادس الهجري

اسم المؤلف: محمد ياسر فراك الغرابي
اسم المشرف: وسن صالح حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

القرائن واثرها في توجيه المعنى في تفسير البسيط للواحدي == The Presumptions And Its Effect In Directing Meaning With Reference To The Tefseer Al - Baseet For Al Wahidi

اسم المؤلف: حامد حسين حنيحن طعمة الشريفي
اسم المشرف: رجاء خلف عواد التكريتي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Doctorate degree in Arabic and its literature needs many requirements like this research. The theory of the "presumptions support" that Dr. Tammam Hassan puts, new studies appeared and affected with these presumptions. These new studies demon started their impacts in old linguistic studies. Among the old scientists recognized them and incorporate that in their compilation. That resulted in making them a large scientific field in which many studiers and researchers came in. One of those was al - Wahidi the owner of the three explanation : Concise, Intermediate, and Simple. In the simple explanation "the research field" Al - Wahidi recognized the most of those presumptions and he didn't depend only on the "Al - E'arab presumption". Once he used the presumptions clearly. And an other time he indicate them. For example ,some text can not be explained except that explanations depend on the presumptions like traditions and habits as in demonstrating the meaning, and the relation between the pilgrimage (hajj) and coming to the houses from their doors as it is in surah. Al - baqarah, the explanation was according to those traditions which the Arabic community followed in the ignorant age. One of the current age feature is the study in that field thereby various studies appeared and demon started that the presumptions have got effects in their fields. The scientists distributed the presumptions according to what their studies need. But I found that the best distribution could be four fold, to beghn with the word and what happen on it as : E'arab, Tanween, and Harmony. Then some words demand to accompany other words, and also the effect of the words nearness with other words. Afterwards, we come out to what surround these words. The title of the thesis "its field was the simple explanation" was the presumptions and its effect in directing meaning with the reference to the Tafseer al - Baseet for Al - Wahidi (died in 468 H). The thesis was organized into : foreword, introduction, four units and conclusion.For word : As a fore word ,I dealt with the reasons of selecting the subject, the difficulties I found in selecting the subject, the borders of the research, besides the references. Introduction : in the introduction, I talked about the notion of presumption, the meaning in language and convention, and their kinds. I didn’t talk about the book and its author, But they are two large fields for detailed studies, several researchers wrote about them such as those investigators in the author's book, (the simple explanation) headed them.Units : The units are as follows : Unit one : verbal presumptions, I talked about the presumptions which its performance can be in pronunciation like construction , in other words, the word and the effects happen for it. and I distributed this unit into five topics : conjugation construction, E'arab mark, tanueen, harmony, and stopping. Unit two : The presumptions depend on the relations among the words, in this unit , I talked about the presumptions where the words have got relation with the nearby words, their meaning can be got by these words. Each presumption needs connection between two linguistic elements, in other words, the two parts of the sentence demand , each one another in the same sentence or near it, for example : the verb needs the subjects and the preposition needs the noun comes after it that is for demonstration not for enumeration. These presumptions are for : Corres pondence, means, solidarity, connection and rank. Unit three : Incorporeal presumptions, the talking was about the group of presumptions that disclose the contextual relations among the parts of the sentence, therefore this unit was divided into : support presumption, specialty presumption, proportion, and subordination presumption.Unit four : Current Presumptions, The talking was about the group of presumptions that enter the stage of the linguistic text. They deal with the circumstances and the atmospheres that surround the sentence or the text and in which the text was be said. These presumptions can be occurred out the linguistic text where the text born in them. There is no relation between them and the text words excluding the circumstances that surround the to distinct and demonstrate it. Its distribution was as follows : the reasons of the descent ,prophetic hadith tradition and physical movements.As for conclusion… It contained the results that appeared during the research. and grace of Allah to whom be ascribed all perfection and majesty ,that the supervisor on this research is our professor ,Dr.Raja'a khalaf awad al - Tikrity who covered me with her grace and her guiding ,then, she didn't scant me with her advise and instructions.she endured a lot of troubles allah rewards her and bestow upon her with plentiful graces. and praise be to god! thank god.

ابستيمولوجيا علم التصريف العربي == Epistemology Of Science Of Arabic Morphology

اسم المؤلف: جاسم صادق غالب الموسوي
اسم المشرف: حامد ناصر عبود الظالمي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

نثر الامام الحسين (عليه السلام) : دراسة تحليلية في جمالية بنية النص == Imam Hussein's Prose : An Analytical Study At The Aesthetic Structure Of The Text

اسم المؤلف: حيدر محمود شاكر حبيب
اسم المشرف: نضال ابراهيم ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The aesthetic studies are seen as one of the attempts to investigate the textual structure in the modern criticism. These analyses disclose the relationship between elements of the text and how they are interrelated. Accordingly, the present study entitled Emam Hussein's Prose : an Analytical Study of the Aesthetic Structure of the Text is concerned with the aesthetic, speculative and interpretive analyses in an attempt to pick out those aesthetic aspects and relations from the prospect of their concordance, order, adjacency and similarity. At the same time, these studies reveal the non - correspondences and antitheses of these aesthetical signs of the text.The study falls into six chapters, distributed throughout two parts. The first part comprises three chapters. The first one is an introduction to the aesthetics and textual structure in the contemporary criticism presenting a number of different views about the aestheticism. The second chapter is concerned with the aesthetics of lexical patterns in the texts as being used in Emam Hussein's prose writing and how critics have analysed these patterns. The third chapter discusses the aesthetical applications of the lexical patterns in the contemporary criticism. The second part is also composed of three chapters. The first one is concerned with discussing the aesthetics of similarity or conformity and adjacency and collocation in modern criticism as far as Emam Hussein's prose is concerned. The second chapter presents the aesthetics of the structure of condensing and the nature of its formation in rhetoric and criticism as well as how it is represented in Emam Hussein's prose. The third chapter argues the aestheticism of rhymed prose. and assonance in modern criticism and in Emam Hussein's prose.

سور الحواميم القرانية : دراسة في دلالة البنية والتركيب == Qur'anic Surahs Of Hawameem A Study In Semantics Of Structure And Composition

اسم المؤلف: عبد الرحمن فرهود جساس الزيرجاوي
اسم المشرف: فاخر هاشم سعد الياسري
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The choice of studying these holy surahs is not for that they have bonds among each other in terms of shape, as they begin in chopped letters, for example, but for that they have objective unity, the homogeneity of its discourse, and matching of its styles, as if it is a one surah , while every one of them keep a distinguishing character. These surahs (some chapters of holy Quran) reflect the evolution of the meanings that have come out of the Islamic mission and the development of the activities of mission itself in Mecca, how they were received ,accepted and rejected. It is a period focused on that there were two conflicting groups, a group of believers and the other of unbelievers. The discourse was centered upon the bases in the conflict with the unbelievers, about the controversy and protest on the basis of religion, of the doctrine of monotheism in its various dimensions, and the prophecy, the holy Quran, revelation, and the resurrection, and the attempts to persuade whether by intimidation, threats and warnings, or by guidance and direction. And through the Qur'anic discourse and its methods in these sura, the positions of two teams unfolded in detail, showing how Quranic text has entered the element of controversy, and to a large extent, the history by using Quranic stories. There is no doubt that the above characteristics in the sura were reflected in morphological features of the structure and its synthetic. so, the approach of studying them based on the element of choice, according to what the researcher sees of characteristics for structures and compositions chosen, so that they could form a prominent feature unfolding its aesthetics, and its impact on the receiver.The study divided into two parts with four chapters, the first part singled out to discuss the morphological structure, linking between them and the implications of its acoustic semantics on the basis of the principle of integrity between the two structures. The sounds represent the essential components of morphological structure. This part came in two chapters, preceded by a prelude represented a theoretical concise highlighting the importance of morphological structure in linguistic studies of both ancient and modern, as well as showing their relationship to levels of the other language. The first chapter was devoted to the structure of verbs, as the first title dealt with the augmented structure of them, because they are not limited to lexical meanings, but the augment in them refers to signs pointing to the specificity of the holy Sura studied.The second title of the act was devoted to passive and the contexts of its use where as the second chapter discusses names structure, starting with the structure of sources, trilateral and Quartet, the augmented and unaugmented, then came the active participle, and exaggerated structure. the chapter ended with adjective.

الثنائيات الضدية في شعر ابي العلاء المعري : دراسة اسلوبية

اسم المؤلف: علي عبد الامام مهلهل الاسدي
اسم المشرف: نضال ابراهيم ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

تحول الخطاب الروائي في العراق : دراسة في الشكل == Change ( Shift, Turn Alteration ) Of The Novel Speech In Iraq (Study Of Morphology )

اسم المؤلف: مشتاق سالم عبد الرزاق
اسم المشرف: ضياء راضي محمد الثامري
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Thanksfullness of God of all God 's Pray on the prophet Mohammed the last sender and prophet of God. As well as his family members and his colleague. All human studies surrounded by the human mind and thinking and its descended which give different sort of vision of all fields of science and knowledge of humanity especially the literary side of it. This form and shape the creativity and criticism of mankind. which was and still has the completion stickled and connected to it from the time of until the Hanz Robert saying through which the researcher built this thesis.The Hnze Robert saying describes the relationship between production and recipient as the legend ( enemy brothers) and he has gone further to see the descendant of the legend from the beginning of Marks and finishing with italo Calvino the author of the well - known Novel ( If I was Travelling through a rainy Night ) which Hanz benefit from going through the Novel a lot to explain and declare ) a lot of his thoughts and ideas about the production and the receiving. And from his going through the whole of this Novel and their heroes and stars ( flanrry ) he was able to see the close relationship between time of writing and time of reading without worry of emptiness.The search in the scope of the Novel was compressive as comprehensive of literature that can contain all subjects as the psycharistics Doctor Fruid when he practice his theory on the novels of Dystoviscky and other novels. Many studies appeared later shared to in rich this field of knowledge such as Romantics studies and classical studies and many other studies showing pioneer attempts to discover the nature and essence of the world and followed by many literals ( verbal ) schools according to suggestions of the critics Pectin and Tudororoff as well as the formality schools which they take it as the starting point of their mythology. many other subjects in rich this world upon his fullness of human crisis and human cognitive.This did not stop at this point of those intellectual thinkers and critical but expanded to contain more cognitive and phenomenon as the occupancy echo phenomenon in the novel field of which was suggested by Julia Christina in the literature field or the ideas suggested by Foco which he publicized and employed by other critics and learners of Noval on cognitive basics evaluated for the human mind and his ability to understand those basics.We choose the formality phenomenon as away to study which has the ability upon other phenominons as the linguistic phenomenon or the litriture phenomenon upon studying in which The research depend upon unformal way as in Novel setting up by LizaKasim and Novel formality setting up by Hassan Bahrawee and The noval text lay down by hamid Al - Hamdany and the Arabic Noval art (technical ) setting up in Iraq by Shujaa Muslim Al - Any and many others that in rich this side of the branch of those studies.The first chapter This research depend on the way to connect between all approaches and phenomenon and ideologies to enable the critical mind to penetrate these formal ideology to employ these theories and ideologies on bases thinking according to the principle of those theories and help showing these theories in new look which is great different from its classical look. In another word, the research will study the formal content of in each stage of the critical phenomenon stages as vertical study and tosee how these ideology work in which will make it clear to see the difference from the speech in the two big stages; the recentness speech and the after recentness speech , as well as showing the speech befote recentness ( actual speech ) which look to the novel speech as real and horizontally. that is the speech will look to a community or group of community The second

شعرية النثر العباسي

اسم المؤلف: هالة فتحي كاظم السعد
اسم المشرف: مزهر عبد موزان السوداني | فهد محسن فرحان
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

نظرية النحو العربي ومناهج الدرس اللغوي الحديث

اسم المؤلف: عبد علي صبيح خلف
اسم المشرف: سامي علي جبار المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Language is the tool for expressing and understanding in the societies. By the language, we can express about our needs and our desires and can show others our feelings and our senses. Language is the basic element in society and we can consider it as the active tool for developing and growing the society.At any period of the time, the language is the clear mirror of society which reflects the life of this society. The 20th century had the distinguished action on in linguistic and structural fields, and it considers on these studies to produce the different methods. The grammarians' studies took two different attitudes in the grammar field, include : The traditional attitude and the modern one ( deals with grammar in English methods).It is clear, the researchers had the different situations towards this matter. A number of them depended on ancient inherited and neglected one. And another party of them saw that the Arabic grammar should have modern view.We should mention that the material of research in located on the reported descriptive system for the linguistic phenomena.This thesis includes four chapters and conclusion.Chapter one, includes the establishing and completing period, reasons for establishment of grammar, its history and its developments and grammatical schools.Chapter two deals with the linguistic methods and their impact in building the Arabic grammar (comparative historical methods)These methods show the ways in Arabic grammatical studies and clarify the development of the studies which consider on its base, then offers the same answers for solving the problems which relate with parsing, sentence and its references with times, the descriptive methods and its position from the problems and components.This chapter show many sides of Chomsky's theory, its stages and the transformational rules which used for transforming the sentences, also it deals with function according to Prague school and functional attitudes which have offered by Firth.The third chapter offers the restrictions in grammar : parts of speech which presented the dispute point among the classical and modern grammarians.The fourth chapter deals with sides of Arabic application attempts which aim to describe the Arabic grammar on transformational grammar rules.The conclusion includes the important results for the research

الاجمال والتفصيل في التعبير القراني : دراسة في الدلالة القرانية

اسم المؤلف: سيروان عبد الزهرة هاشم الجنابي
اسم المشرف: عبد الكاظم محسن كاظم الياسري
الموضوع العام: اللغة العربية وادابها
السنة: 2006
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: If each research should be based on general hypotheses, this research has been based on central hypotheses : A - What is the exact meaning of the summarized? And do the scientists differ according to their knowledge specializations that meaning or concept? And does the summarized limited to the single term or does it transit to the construction also as well as the linguistic construction, i.e, does it lay on its general significance.B - The quranic performance of significance is either a general obscure or partial limited, as mentioned by most of the books of the sciences of quran. With the general concept, represented by the summarization, absolution and generalization, the researcher tried to find the differences and similarities among them in tools, content and significance inquiring whether this difference is applying on what opposite them i.e., elaboration, specialization and restriction.C - If the researchers have elaborated in explaining the tools of generalization and absolution, they have left us the favor of discovering the tools of summarization. So they obliged us with a scientific duty to find out the tools of summarization and the tools of elaboration to be coincide with their efforts in verifying and adjusting the tools of generalization and absolution, and the tools of specialization and restriction.D - The researcher tries to get a clear perfectness for clarifying the concept of elaboration and elaborated and the parts or division of each one, and find out the differences and similarities between elaboration, on a hand, and restriction and specialization, on another hand, as tools of clarifying in the holy quranic text.E - The researcher tries to pick up the detailed clarifying tools for the summarized and inquiring : does the elaboration come in text which has a summarized only? Or does it come in a separate text. And what are the significances of that elaboration and its effect in supporting the quranic significance. F - The researcher also wants to be satisfied with a question of whether the summarized is submitted to the factor of its meaning's interpretation and preferness, so perseverance will be a kind of its elaborating exhibit? Or it is out of the interpretation scope.The researcher gets a group results throughout his research, some of which are : 1 - The researcher finds that the summarization does not exist only within the single term, but it transits to the construction. Some of the linguistic construction comes summarized with obscure significance, and none of the linguists or rhetoricians had mentioned it, while the grammarians the great favor in clarifying this kind of summarization and exhibiting its concept and exemplified it.2 - The researcher finds that summarization does not share the linguistic construction in its general significance only, it exist also in the relation between the subject and predicate, which will be obscure and needs to be clarified.3 - The researcher was able to find out the point of coincidence between the concept of the summarized, on a hand, and the concepts of the absolute and the general on the other hand, in terms of obscurity, comprehension and significance association. Then he clarified the point of difference among the terms so he identified each concept. 4 - The researcher finds that the definites which are means of clarification of speech may have summarization so it will be of obscure significance, so it will turn into a means of obscurity.5 - The researcher finds that the indefinite that refers to absolution when it comes in affirmative context may come summarized in the same affirmative context, when the indefinite term refers to (a noun) not to an essence.6 - The researcher finds out that the restriction and specialization which are means of clarifying meaning may come summarized and obscure so they will need the explanation of the elaborated, so this elaborated summarized will be more elaborated than the absolute restriction or the general specialization. 7 - The researcher distinguishes between the elaboration on a hand, and the restriction and specialization on the other hand, and finds that elaboration clarifies significance more than the other kinds, followed by restriction, and specialization comes at the end of the rhetorical order of the rhetorical tools or means. The researcher also distinguishes elaboration, restriction and specialization, and shows the point of similarity and coincidence among them. 8 - The researcher finds that elaboration has tools or means by which it is defined in a speech, and elaborations may come as a single term like (in), (differentiation) and (substitution), and it may come also as a complete sentence like the sentence of the whole substitution from the whole, and that the elaboration come in the speech in two types, it may be connected comes directly after the summarized in the same text, or it may be separated comes in another text like the quran elaboration for the quran summarization or the sunna (prophetic law) elaboration for the quran summarization. 9 - The researcher finds out some of the elaborated comes to clarify a summarized term precedes it, and some comes to clarify a summarized sentence precedes it, and here the elaborated will either clarify the rate of the preceded sentence if it is summarized or it will clarify the sentence significance without its rate. 10 - Finally, the researcher reaches a state of satisfaction that the receiver cannot elaborate the summarized, it is the speaker who does so, and no one has the right of perseverance and knowledge to which it aims. Recommendation : The researcher recommends to study the terms of researches and studies for the principles which should be of the subjects that the specialists should study, because studying and understanding these subjects enable them to analysize the quranic text exactly and it is the specialist of Arabic language was able to do so the other texts will be easier. These efforts, also, should be subjects for the master and the Ph.D (doctorate) degree (of Arabic Language) stages, at least in its significance scope, to develop these studies or to use it as a base, or to compare it with the modern and contemporary linguistic studies.

الجواز والمنع في كتاب الاصول في النحو لابن السراج (ت 316 هـ) == Permission And Prevention In Al - Usulfi Al.Naho For Ibn Al - Siraj (D. 3L6 A.H.)

اسم المؤلف: صادق فوزي دباس النجادي
اسم المشرف: عبد الكاظم محسن كاظم الياسري
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: The student of Arabic Language becomes acquainted with many of the linguistic phenomena of the four types : phonetics, syntax, semantics and declension through which he can establish a solid linguistic thought. Of these phenomena are the linguistic rules whichhave a great role in many aspects where the linguists and grammarians, who were interested in the sound speech, correct the speakers of the Quran's language.Of these rules I discussed the rules of prevention and permission which I studied depending on (Al - Osul fi Al - Nahu) by Ibn seraj (died in 316 A.H) for its scientific value and for containing the approach of both schools Al - Basrah and Al - Kufa.The nature of this research involved to be devided into two parts, each of which dealt with one of the mentioned rules. The first chapter is dedicated to permission which came in three chapters. As for the first one, it dealt with phonetic permission which included substitute, assimilation, inflections and el - imala.The second chapter is about the inflectional permission which included pluralizing, duatling femining forms and diminutive.The third chapter is grammatical permission which includes uninflectioning and inflectioning.The inflectioning included the nominatives, genitives accusatives, adverbs and adjectives, while the un - inflectioning included nouns, verbs and articles.The second part is about prevention which also included three chapters, first of which is phonetic prevention including substitution, assimilation and el - imala.The second is diptote declension which included the same themes included in diptote prevention.The third chapter is grammatical prevention which included the inflections and uninflections and all their contents. These parts are preceded by a preface in which I mensioned prevention and permission and their concet in the language and the reason they emerged. A conclusion following the two parts included the most significant results which the researcher reached depending on old and modern references those results are : - 1) Ibn Siraj used many ways of permission and prevention, this is aproof that the Arabic language is very comprehensive.2) Many of the linguistic and grammatical rules could be based on the Quran alone because it is obvious and it needs no discussion or argument but they depended on their standards related to the grammatical issues and they do not quote from the HolyQuran because it is very obvious. Even if they do not depend on it, they build the grammatical base on Quran and they provide examples from Quran to enhance their rules and whenever something in the Quran is against what they believe they try tointerpret it in a way that suits them. As for me I demand rewriting the grammar rules according to what cam in the Quran. I advise my colleagues of researchers to overcome the dispute among the grammatical schools because it is only a dispute over the rule written by the grammarian, if we only take a closer look we will see that there is dispute even among the grammarians of the same school and the same era, so it is better to study the difference and similarity of the same school

المعنى في النقد العربي القديم حتى نهاية القرن السابع الهجري

اسم المؤلف: حسين لفتة حافظ الزيادي
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Meanig in its simplest Logical definitions is : the copception or idea on the technical structure of the poem and the poet language a and it became clear that there is un acceptable kind of praising because there is agop between the receirer and the technical effect the same method was followed with the other poetic purposes revealing the goodness and badness elements of the poetic purposes by balancing and throwing lights on the defects and trying to amending it in the second chapter a studied the meaning criticism standards according to the critical opinions that are set by the critics and rhetoricians and how did thes standards became fixed basis on which the scholars depend to deduce the basic principles of studying the poetic texts , the most disting uished standars are, honestg , exaggeration, relingion , clarity and ambiguity , these are relating to the poetic meaning and the poet taste and the effect of civilization on that taste.A throu lights on the civilized development that occur in the abbasid era due to the prosperity of that era the arabic criticism issues and its effect on meaning hare been dealt with in the third chapter emphasizing on orgnizing orgnizing , nature, attribute, ancient,modern and poetic balancing or scaling , in a delition to the types of meaning and its significance, where a noticed that each of these issues has its deep effect on the poetic meaning a ccording to era through which these issues passed , and a stopped with its mostdisting uishd figures suchas al - jahidh , abdul - qhaher al - jerjany and hazim al - qhertajenng.in the fourth and the last chapter a dealt withrhetorics, issues and its effect on meaning the research emphasized on eloquence, summarization , description , metaphor and imagerg, where it becameclear that rhetorics is associated with the arabic criticism and handnever a purted from it till the late ags, and that most of the critics are areb rhetoricians such as ibn selam, al murad. ibnqhutaybah and ibn tabataba. there is no doubt that rhetorics had affeeted the poetic text and meaning because it is away to understand the text and findout its beauty poins by the image. the rheterical studies were fleurished dwe to the holy quren which is the eloquence source and the basic motive of these studies that tried to know the prodigy secret of the quranic text.in the conclusion a set the most important results of this study, such as.1 - the research reveals the critics interesting on ' the meaning of the meaning ' which is on element of the literary theay and the creativeness of linguistics, because the talked about the first branching of meaning aor about including mang meanings which they colled' the other'secend' meanings2 - the research shows that the reason of the less interesting of lamentation poetry is that this kind of poetry did not suit what the arab wanted for himself of strength, because lamentation poem usually involvedthe human emotions which rereals weakness withcraying and sorrow a and the arab refused that due to the societg nature at that time. 3 - the criticism theory is as ancient as arobs themselres, even that it was not with its modern concept, before the third centuty of hejira, it was perfeed within the critical judgement of the pre - islamic are.4 - the critics emphasiza the grammatical ruly and standars in the arabic speah, poetry and prose, because folloing these rules is a conditions for the speech rightness, and in literature we ask what is beyond rightness, it is creativness.5 - one who check the arob critics efforts who deal with the menning , will find that those critics and the poets were aware of this case importness, so they dealt with it early a and its derelopment was due to the arabic educational status, change.6 - through the research of the poetic purpose and the meaning effect which affect the ancient arabic poetry because by it we can define the poem weather it was satir, courtly ….j,e there was akind of independnce and throwgh this purpose the critic presented his ideas and opinions.7 - the research shows that the ancient crities, opinions had aneffect on the ancient arabic poetry a but sometimes these opinions were not accept able by the creative poets who has his own rules that lead him away from the critics judgement.8 - in spite of the quranic emph asis on the moral principel of the poetic text, through the research it appears that the arabic criticism went away from this field that it saperated the arts from morals.9 - the plagiarism standard rereals that it is possible to njudge the writer and his position and interactien with his enviornment. in addition it helps us to know the resoures of the writers and their psyhchological direction and their educational and intellectualsituntien ,so this standerd is abasic one for the literary criticism. 10 - the study shews that praising lexicon in the ummayed era became axiture of the in herited pre. is lamic mennings and the new sslamic mennings as wellas the environ ment effects and the general life development in the ummayad society

اثر التراث الجاهلي في الشعر الاموي == The Pre - Islamic Heritage Effect On The Ummayad Poetry

اسم المؤلف: حسين عبد حسين
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Each nation has its own heritage which it celebrates as it is considered one of its continuation and immortality basis, a heritage that ensure interconnection of its present time with past reaching the future. Our literary heritage, especially the Pre - Islamic one has derived its facts from the nomadic environment to which it belongs, so it portraited it in the truest way of expressing its values, habits, traditions, thought, achievements and exploits. Hence, it has become a mirror in which the life aspects manifestations would be reflexed, and an alive image of the life status prevailing that period.This heritage has remained as a fountain from which the poets drew their need throughout ages of them is the Ummayad Era.The nature of the subject required that the research should be organized in three chapters preced by an introduction and a preface and followed by a conclusion.In the introduction, I referred to the heritage concept linguistically and conventionally, explaining the objective and the artistic causes hidden behind the Ummayad Poets inclination towards the Per - Islamic heritage and investing it in their poetry.In the first chapter, I have deal with the social tradition represented by the virtuous and the habits Arab values ,the Arab days, and the historical personalities and hreed horses and camels.While in the second chapter , I have studied the intellectual tradition and what legends and beliefs it contains such as AlGhurab, Al - Shaqraq, Al - Haman, Al - Sada…etc.In the third chapter,I have deal with literary and artistic tradition.In the literary tradition I stopped at the names of the poets that the Ummayad poets took from ,and educated in their poetry.Also I have stopped at the proverbs as they considered a social art and one of the literary culture's fountains while in the artistic tradition I talked about the poem artistic structure which is comprised the introduction, details and the main purpose. In addition, I have studied the language in words and in structure and stopped at some structures found in the Ummayad poem.As for rhythm, I have explained the nature of the poetic meters that the Ummayad prefer when writing poetry and studied the artistic image explaining the extent of the Ummayad poets’ being affected by their ancestors and their following them whether on thelevel of the single verse or a set of verses, or an the level of the whole poem. In the conclusion, I have reviewed the most important results that the research reached, of them were the following : ?? The heritage of any nation do not stop at the margins of a specific era. It is a continuous series that takes from each era what enriches it as influence and being influenced is acharacteristic accompanying each heritage.?? The literary heritage(artistic objective) is the main source of writer's education in general, and the poet in particular.?? The nomadic Arab values the Arab inherent have taken their to the Ummayad poets under the influence of the party that has blazed again.?? The Ummayad poets have made the pre - Islamic days one of their education sources, and utilized them in their as they were considered a record of their ancestors’ achievements and exploits ,and exploits, and bright pages of the history of their life.?? The Ummayad poets utilized the myths to relive their feelings and sentiments through subjecting then to their artistic experiences and their psychological sufferings.?? The poets’ talk about the poetry finds was not stamina from a belief or faith, but it is an attempt to show their artistic abilities, and their differentiation from their companions.?? The Ummayad poets followed their ancestors’ method in the artistic structure of the poem which is formed of three parts(introduction, details and the main purpose), with stopping at the margins of the sheer imitation, but they strived for renwal inside that arts framework.?? The pre - Islamic language was the basis that the Ummayad a doped in poetizing their poems, as there is no attempts to replace that nomadic language by other one.?? Most of the images that appeared in the Ummayad poetry were derived from the desert environment in which they were brought up or were close to.?? Their being affected by their ancestors’ image has been varied from the sheer negative imitation to perceiving those images and subjecting tem to their personal experiences then adding some adding some artistic touches to them.

معاني القبول والرفض في القران الكريم : دراسة في الالفاظ والاساليب == Acceptance And Refusal Of Meanings In The Holy Quran - A Study Of Terms And Styles

اسم المؤلف: فضيلة عبد العباس حسن الاسدي
اسم المشرف: علي كاظم مشري الزيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2009
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Praise be to God, Lord of the worlds, and prayer and peace be upon the prophet Mohammad, lord of creatures, and his most honest household.It is well - known that the Quranic semantics has been cared of by the ancient and modern linguists. All the Arabic sciences have been built upon to achieve accurate knowledge of the Holy Quran.The researcher, in this respect, has to read the Arabic lexicons, then the interpretation books of grammarians and rhetoricians, ending with modern semantic books. He will find himself, after all this effort, facing divine abundant outcome, because all that have been related by the Quranic studies and researches are still glowing, giving life to everybody, and supply existence with light to disperse all kinds of gloominess. The researcher is still puzzled, exclaiming what he could say after what had been said by the scholars and scientists, but he will find but through coexisting with. the Holy Quran that Quran is so noble with everlasting gifts. This is because Quran is the creation of Allah, the unlimited power creator Whose words can penetrate all time and spatial limits. The researcher will find out that the Holy Quran opens new horizons every time, because it is a miraculous book that will never be used up by studies, hut increases in glowing and generosity. The evidence is what has been proved throughout the past centuries that assisted its being a continuous source that will not be used up at all... l ike anendless sea.It is well - known by all that the Quranic terms are so significant, so well - formed in an artful intended way in its proper place.. I f any term is omitted, it is done with intention...and if the place is changed, it is done also with intention.The older studies cared of the Quranic pronunciations and : heir semantics. The most important books dealing with this aspect are " al - Ashbah wa al - Nadha'er" for Muqatil bin Sulaiman and others.Acceptance and refusal are the most important motives that make one express them by words or actions, therefore we can Determine man's attitude of an issue by his words and actions. Acceptance and refusal in the Holy Quran deal with points of acceptance and refusal in pronunciation and structures, so the research included four chapters distributed to two sections : the : 1rst is the pronunciation of.acceptance and refusal in the Holy Quran. The first chapter deals with the acceptance pronunciation, and the second deals with refusal pronunciation, The second section deals with the style of acceptance and refusal and is divided into two parts : the first is acceptance and involves the style of command, style of wishing and hope,, style of praising, style of awakening of a desire. The second chapter deals with styles of refusal involving prohibition, terrifying,.use and exclamation.Research ends with the significant difficulties the research faced. among them : the extended scope of the subject, there are : me utterances whose semantics need whole books to talk about and deal with. For that reason I tried to abbreviate as much as possible without default in the investigation research methods. After research has been accomplished, I do not claim its being perfect....Allah is the only perfect.... man has to seek knowledge, and Allah is the granter.

الرسائل والوصايا في نهج البلاغة : دراسة في ضوء علم لغة النص == Letters & Sermons In Nehj Al - Balagha (The Path Of Eloquence)

اسم المؤلف: ورود سعدون عبد
اسم المشرف: تراث حاكم مالك الزيادي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة - النحو
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: ان موضوع الدراسة الحالية هو ((الرسائل والوصايا في نهج البلاغة (دراسة في ضوء علم لغة النص))، وتتسم بكونها دراسة لنص نثري من عصر الاحتجاج مشهود لمنشئه بالفصاحة والبلاغة، وقد درست فيها المعايير النصية السبعة التي اقرها (دي بوجراند) وهي : ((الاتساق، والانسجام | The current thesis entitled "Letters and Sermons in Nehj Al - Balagha (The Path of Eloquence) : A Study in the Light of Textual Linguistics" is a study of a prose from the age of protest whose writer is acknowledged for his eloquence and rhetoric and in which I has investigated the seven textual standards approved by De Poe Grand i.e. consistency, harmony, intentionality, acceptability, publicity, position and textuality. The aim of this study is to prove that those standards are present in the letters and sermons texts. The thesis is arranged in three chapters preceded by an introduction and a prologue and followed by a conclusion contains the findings of the research then a bibliography of its most important sources and reference books.In the prologue, I have dealt with a presentation of the concepts of (text, message and instruction) in order to prove that those letters and sermons are texts; so it is right to be studied in accordance with the textual study. In the first chapter "consistency in the letters and sermons", I have tackled the subject of textual consistency at three levels : Phonetic, lexical and grammatical. In the second chapter "Harmony in the letters and sermons", I have considered the harmony aspects and mechanisms in addition to the semantic relations and top structures. In the third chapter "Other textual standards", I have studied the standards related to the users of the text (addresser and addressee) i.e. intentionality, acceptability, publicity and standards connected with external effects represented by context and textuality. Then, the research is concluded with the findings I have reached which includes : - The letters and Sermons are not at the same level in terms of their being concise or comprehensive as they are shortened and lengthened according to the text topics and circumstances and the nature of the relationship with the receiver though the expansion feature appears generally where the topic is giving lessons and advices. - Instability in certain concepts and idioms discussed in this study for the researchers and scholars of texts reflects variances in their points of view towards those concepts and their different knowledge about them. - Referring is considered the most occurrences in the letters and sermons texts and also the pronoun referring is the frequently occurred cases in those texts. - The elements of consistency and harmony have worked together to build the semantic structure of the texts under study which leads to some kind of easiness in analyzing them and enables us to judge them as coherent and consistent texts. - Intentionality is considered the dominant standard over all textual standard as all words written or selected, expressions mentioned and texts addressed by Imam Ali (Peace be upon him) have the intentionality which the Imam wanted to be either direct or indirect. - Applying this king of study has demonstrated that those letters and sermons are applicable in every time and place and for all people despite their race, class and status differences.

القيم الجمالية في الحديث النبوي الشريف == Aesthetic Values In The Hadith Alnabawy Alsharif

اسم المؤلف: حازم كريم عباس
اسم المشرف: شاكر هادي حمود التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: The research found the following results : • The frequency of different types of texts honest did not come Forcibly Dictated by ears, and wish him the soul, but rather spontaneously to savory and in various forms, is the latest variety in the texts, and the comfort and pleasure to the recipient, and that the repetition in the Hadith has exceeded the functional confirmation Incomprehensible, known the public and private, for a different degree of aesthetic technique and manner, as we find colored and changes in the text - Sharif, dressed in sackcloth different every time, and this makes the musical values, including the repetition of the basics of determining the aesthetic value.• was the naturalization of the effects of aesthetic in the Hadith makes it a model for the performance of voice spontaneous skilled team, including representative of the way technical check advantages bell sound of music, working to highlight the hidden of meaning added a new Tagged, Vchuq self to learn the new meaning, and of music generated by the the highest range, which holds the receiver on the vigilance and attention, and sends the wonder and surprise, and take verbal Mokhzha aesthetic consistency of it, standing, so influenced by the text and its interaction with the Prophet's religious scholars fair sentence.• The rhyme in the Hadith Sharif was sweet words, enjoy its hearing on the ears, and tend to him the soul, and approaching his music, hearts, proceed to the meaning of non - him, and greeted from affectation and artificiality, Stay away so the repetition is justified, and return the moral dull, and make the recipient continues with messianic text, as well as to those A - i - aarh sweetness and aesthetic art left behind by the rhyme innate light on the text of Prophet Mohammad.• The Hadith was a direct question - for the most part - of the structure of the surface position to the deep structure of meanings and connotations many explosive through different contexts, depending this shift to stir up the receiver and his participation in the production of meaning, and the realization of his mind in the detection and meditation, and acceptance and satisfaction, Thus, in the text al - estfham Prophet combines the aesthetic beauty of the text and received, the receiver based on the resonances and reactions as an effective and vital, is between him and the text continues the aesthetic and artistic interaction affected by the resulting psychological and emotional surprise. • Although different considerations apply and delays in the text of the Prophet, but it has been used for the purposes of aesthetic and sympathetic, helped the recipient to interact with the text - Sharif and objectives, as discern him to shift stylistic imposed by the presentation and the delay may cause gaps tension in the mind of the recipient led to a surprising causing the lattice, say so alone increased artistic and beautiful and influential.• A violation of the original which is (equality) in the Hadith, and the deviation from the familiar to the unfamiliar, a (brief) has the function of aesthetic and splash pulls the receiver and draws his attention, it becomes a text - Sharif in this brief overview function enables it to activate the thought of the listener and the realization of his mind to realize what behind this overview and shall be ¬ referral to highlight because it is aesthetic values.• metaphor was a way of technical means and aesthetic employed by the Great Prophet peace be upon him and his family and him to influence the recipient, and the consolidation of the meaning and enable it to himself through what is offered by the metaphor of shadows and visions between things and bring one of the other, so he will of the clearest Arts rhetoric and the most capable to portray the meaning is closer to the mind.• The structure of metaphor in the Hadith Sharif represented the summit of congruence between the parties to the analogy, even united by deleting one of the parties to the analogy and the tool and the face; to integrate image on both sides : (improved and reasonable), Vhsalt image Astaaria not simulated, almost meaning - mediated imagination hard, work on restructuring of the particles fact, dissolving elements to each other, Vgesdha influential sensory images in the same recipient, give rise to emotions, up to date the most responsive and fun to have, as well as enrich the semantic and aesthetic.• Try The Great Prophet peace be upon him and his family through photography Alkna?a - as one of the ways the technical and aesthetic that gives the image dimension Tgesemia heavier and imaginary exciting for the mind and conscience - to address the perceptions of mental for the recipient, exciting Baahaath and his references are and very active imagination of the recipient, when transferred perceived moral to the conscious sensuous concrete, and the meaning to the rigid image of simmering with life and movement, Vehtz those images suggestive of conscience, and the impact force penetrates into the depths of the soul; to acquire the expression and function of a strong splash, as well as the role that the function of aesthetic and technical fascinating.

القيم الجمالية في شعر شعراء الطبقة الثالثة الجاهليين == The Aesthetic Values In The Poetry Of The Third Generation Jahili Poets

اسم المؤلف: فاطمة حميد يعكوب التميمي
اسم المشرف: ياسر علي عبد سلمان الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:

التوجيه السياقي في تفسير مقتنيات الدرر وملتقطات الثمر للحائري (ت1353هـ) == Contextual Directing In Interpreting Of Muqtanayat Al - Durar And Multaqatat Al - Thamar " By Al - Haeri ( Dead 135A.H )

اسم المؤلف: يوسف عبد القادر عبد سلوم الحسني
اسم المشرف: لطيفة عبد الرسول عبد علي الضايفي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: الحمد لله رب العالمين والصلاة والسلام على اشرف خلقه اجمعين محمد واله الطيبين الطاهرين واصحابه الامناء على كتاب رب العالمين ورسالة سيد المرسلين.وبعد.نال جهد المفسرين الاوائل على مر القرون عناية من المفسرين جيلا من بعد جيل وعناية الباحثين الذين حاولوا ال | Praise to Allah , God of all the universe and peace be upon the most honorable of his creatures Mohammed Peace be upon him and his pure and good family who were trustworthy people upon the Holy Quran and the message of master of messengers ,and then : - Efforts of pioneer interpreters over centuries got great care by interpreters generations after generation and the concern of researchers who tried to acquire what were presented interpretation efforts.Knowing that pioneer interpreters had presented an important and unique outcome as they were proactive in offering scientific items and rare interpretations through their abundant knowledge , aware of the secret of that great book. The latecomers of interpreters beneficiated from that great efforts with their outcome. But we did not deny that we got privacy explanatory and unique. This description included Al - Haeri interpretation which was called " Muqtanayat Al - Durar And Multaqatat Al - Thamar " which was complete interpretation of Holy Quran in twelve volumes by Mir Ali Al - Haerti Al - Tahrani in which we studied. This book was verified by Mohammed Waheed Al - Tabsi Al - Haeri and reviewed by Mohammed Taqi Al - hashimi which we saw contextual directing phenomenon as one of its important characteristics that enabled the researcher to justify a method in interpretation exceed partial interpretation of holy Quran interpretation based upon pronunciation and meaning or upon limited sentence to the text of Holy Quran which characterized the current interpretation.Therefore our research did not concentrate upon partial sides in interpretation , but depending on a plan not only concentrate upon single word or pronunciation , sound and morphological formulas , which was the issues studied by two researchers focus on Al - Haeri method and linguistic efforts concerned. Accordingly the title of the study was : " Contextual Directing In Interpreting Of Muqtanayat Al - Durar And Multaqatat Al - Thamar By Al - Haeri ( Dead 1353A.H )". The research was divided into three chapters preceded with preface regarding introduction of the interpreter due to its rareness translation , his method of interpretation , context theory and what were said about it from the pioneers of this trend in linguistic research and their researchers.Regarding first chapter , it was under the title of contextual directing of syntax which dealt with contextual directing multi - aspects syntax and syntax narration and grammatical differences , besides the effects of grammatical instruments in context. Second chapter dealt with the title of contextual directing of grammatical structure which included contextual directing of structure symptoms and grammatical transfer. Third chapter dealt with site directing in Holy Quran speech. Then the circle was expanded to include sentences limitation as directed to discover final guidance.which came as follow : Site directing in communication with prophets , good people , with Muslims and heathens , besides comprehensive speech for others regardless belief status. Conclusion consisted of the most prominent results reached by the researcher which will be useful in studying Holy Quran interpretation such as adopting context directed for interpretation whether grammatical or site ( circulation ) or text.

الفضاء السردي في شعر الاغتراب العراقي 1970 - 2012

اسم المؤلف: وسن علي عبد الحسين الزبيدي
اسم المشرف: صبحي ناصر حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الاحتفاليـة في روايات ابراهيم الكـوني == The Carnivalesque In The Novels Of Ibrahim Al - Koni

اسم المؤلف: وسن عبد السادة جودة محمد
اسم المشرف: فاطمة بدر حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: In this study, we dealt with festive themes in literature novelist Libyan writer (Ibrahim Al - Koni) according to Bakhtin's theory for the ceremonial character which is known as "carnival". The study was divided into introduction and four chapters and a conclusion. In the first chapter (rites and ceremonial appearances) we found in the first section rites, achieved ceremonial primitive in all manifestations of pagan gods, and offerings and vows, both human sacrifice and non - human, then magic and sorcery in primitive societies. As modern celebration was divided into two ceremonial dramas , decorative and ceremonial celebration which was marked by dramatic coherence of the dramatic event and often have to do with the murder festivities (music, dance, singing and population ) The celebration shows the decorating aspects of the celebrations of dancing, singing, music, songs and games ceremonial, which gives rise to heritage and stimulates memory when the receiver will be present in the text conscious and aware of these celebrations, especially if the people of the desert, as it documents the popular tradition for the people of the desert (Touareg). The existence of these festivities decorating artistic necessity in the novel ceremonial; because it is serving a ceremonial meaning in this novels texts. The celebration represents the aesthetic novels and there must be a decorative ornament , formalism and the rhythmic. In the second section (The celebration appearances) it has the celebration appearances in all its forms which came from : the exchange of roles , masquerades , bet and profathin free and the celebration links away from the cost. We have seen in the course of the analysis that the antibody, is the foundation upon which all the celebration appearances which referred to came in the folds of the analysis of model novels in general. In the second chapter (sarcasm celebration), we found that sarcasm is one of the necessities of ceremonial check, wherein the characters and laughter resound smiles different connotations between innocence or abuse and defamation, sarcasm meaning laughter and ridicule include. Therefore, the researcher found that the term of mockery to be inclusive of many of the concepts that led one of the meanings of sarcasm in laughter or ridicule. We identified sarcasms ways by : humor, satire , satirical image and nicknames of the inclusive of these methods in achieving sarcasm methods The third chapter (intertextuality in The celebration) represents intertextuality mechanism to establish linkages and relationships between the various texts. Ibrahim Al - Koni has shown these relationships with diverse texts, whether mythological or religious, historical or literary, past or contemporary, according intertextuality laws the province or absorption or dialogue. Chapter fourth (technical structure in the novel Carnivalesque) studied aspects of technical building elements that are in the concept of Carnivalesque service and help to achieved its presence in the novelist text : narrative, carnival characters (miraculous) , language and dialogue, and the ceremonial place

اشكالية الخطاب العربي في (الكتاب) لادونيس == The Problematic Issue Of The Arabic Discourse In The "Book" For Audunece

اسم المؤلف: وداد هاتف احمد وتوت
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: 1 - The study examined the concepts, and the idioms of "problematic, discourse, writing, and copying" in accordance to special curriculum, and that is archeo - geniological curriculum. which is related the French philosopher Micheol Foco. And the curriculum and what are related to it of inspecting the traces of the thoughts, their shaping way, their overrating, and were shown on the body of the society; a new curriculum in Artistic critics, it provided the ultimate way to interpretate Audence accomplish "The book yesterday is the place today". Where the writer pursue the same curriculum in the way of molding his intellectual adoptings, creativeness, and what he wanted to say through this work.2 - After the proving of the study that the accomplish under the study "The book yesterday is the place today", is not mere Artistic text, but it is a speech in what speech is mean in its communicational of comprehensiveness, and big ideal. The reader discourse concept, was very good way in dealing with this accomplish, where the spirit of this concept was represented, in what was contended of cultural codes, and intellectual partteners that worked the production of the texts and directed their interpreting process. 3 - The concept of the writing, as concept by passed the speech of the kind, was the last of what Audence version settled on, and based on his good dealing in the description of modernistic works, especially the creative accomplish - field of study - of writing transfigurations which did not stand in specific cue of creative writings types, in poetry, and in prose. From this point of view this dissertation did not accept the describition of this work as collection of poems, in that it is a kind of writing which is comprehensive for poetry, prosaic, for historic, intellectual, and Artistic, it is the comprehensive speech of the comprehensive vision, which ruled its appearance, and did its speech.4 - The dissertation pick the standing contradiction between foco / foko concept of madness, Audonece, and then to his speech, where the former spoke about the real madness, and how the restrictions of the dealing were limited to types of speech, having no connection temadness, but to some undesirable categories spelled by the western society for the safety of the all, and by this he exposed the arrogance of the western society, while Audonece stance was similar to the Islamic intellectual where madness in the Arabic thing, is a tool in the hands of the group to face oppressive political regimes. And it was another type of madness, it was a metaphoric madness, which was able in its departing for reality space to pass the speech of rejecting, accusing, worning and giving advice in the name of religion, and for the sake of people in addition madness have another vision, in Audonece poetic vision and self discourse. His presence was clear, where its type of unknown similarity in this glob and the search in its hidden places, getting use of surreal vision in this matter. 5 - The study present the discourse of "the book….) as Archeo - geontic vision of the Arab - Islamic thinking, in all its parts. Dived in the roots of the intellectual crises since the starting of Islamic Arabic state since its founding, till nowadays. as well it got benefit of the reader discourse concept in the analysis of the accomplish understanding, where Audunece in his treating for intellectual and poetry issues in "The book…" a discourse reader, and historical symmetric standing in the Arabic discourse speech.6 - The thematic equivalent, represent a basic stand in treating "The book…", where from its beginning, of the Di - pattern, of the little in it main and branch types, its gender indicator, and it authorizing, as well the forms of the writings on the page space were divided in its almost in four writing forms, as equivalent to Arabic foggy thinking, and the loosing of the self between the past which was full in contradiction, burden with constraints and overcame with the control on present day thinking. In addition to the main sample, the motive of the work who is Al - Mutanabbi.7 - Audiences writing in "The book…" came in this variant form, which is full with references to be thematic equivalent for his book the authord to what is a function to concept of the author for Foko - and his rich thoughts and activity variation. In that this accomplish short half century walk, characterized with seriousness and balled, which which was byest to all what were different, and problematic, basing to the exploring, and thematic analysis a way from all before submissives accepted by the foundation - whether they were intellectual, cultural or social, the study did not adopt the concept of the mask, where despite its narrow space and its accupying with the self side of the mask and the person who wearing it, came under the thematic equivalent concept with no doubt.8 - The researcher conclude her research by admitting the fact the book today is the place tomorrow, is a deep study for Arabic - Islamic thinking life history, in all its appearances, identify, its almost biggest crisis, and the most dangerous effect for the presence and the future of this nation. And what distinguish this study is its departure to all what are expected of the writing forms, or research works, that limit its freedom in the search and explore, in that it dives in time and place, and shed light on dark paths to enlighten them in exploring and exposing to show the defects for the audience for treatment that may raise the place and it dwellers.

الفضاء الروائي في الرواية النسوية العراقية 2003 - 2013

اسم المؤلف: وجدان يعكوب محمود
اسم المشرف: زينب هادي حسن
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

القرائن النحوية بين الاصوليين والنحويين : دراسة موازنة

اسم المؤلف: نور فاضل بنيان محمد
اسم المشرف: لمى فائق جميل العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

تتابع الاصوات في العربية == Phonotactics In Arabic

اسم المؤلف: ندى صالح يوسف السلامي
اسم المشرف: مصطفى كاظم شغيدل
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Phonotactics is the permitted arrangement of sounds in the language based on the language system of a particular language. Each language has a special way in their phonotactics as not all are permitted in the language although they are sounds from the language itself. The Arabic sounds are clustered in a way that distinguishes it from other languages. The other languages have a special way of phonotactics. Some words have Arabic sounds for example but they are not considered Arabic if their clustering do not fit the way sounds ate arranged in Arabic. Like jim (الجيم) and q?f (القاف) as they are Arabic sounds but they do not occur in a word unless arabized. Also the arrangements of sounds as the عain (العين) precedes the h?? (الهاء) if it is adjacent to it in the beginning of the root and that the h?? (الهاء) does not precede the عain (العين) unless separated. Also the pronunciation of Al - Muhandz (المهندز) is not Arabic because the z?y (الزاي) does not come after d?l (الدال) that is why it is replaced to sin (السين) in the Arabic usage but it is still considered arabized. The belonging of a word to a language does not depend on having its sounds in it or not, it depends on their phonotactics and the ability of language is numerous in forming words but many roots and words were neglected. Most of our old and new scientists have discussed these topics about Convergence and divergence of sounds but using some flipping other than others and they did not reach at a reason for negligence. But if we look carefully we find that the way sounds are arranged in the roots ahs an important role in neglecting a big amount of roots like athakh (عضخ) and it is used in a different arrangement Khathaa (خضع) so the reason for neglecting such cases was unclear but if we traced the rules of phonotactics we find AlKhalil saying that the عain (العين) does not precede kh?? (الخاء) and this can be the reason of negligence. Finally we can determine some of the rules that have been relied on based on the sayings of some Arab figures and we can divide sounds into three divisions : First - cluster sound by conditions like the kh?? (الخاء) should precede the عain (العين) and the shin (الشين) should precede whistling sounds sin, s?d, z?y (س, ص, ز) if combined with them, etc. Second - sounds that never cluster like the عain (العين) and h?? الحاء) ), the عain (العين) and ghain (الغين) , and the kh?? ( الخاء) and ghain (الغين), etc of the other examples mentioned in the thesis Third - sounds clustering without condition like the glottal sounds that reoccurred with most of the other sounds

الاتجاه التوافقي بين لسانيات التراث واللسانيات المعاصرة : الدكتورعبد الرحمن الحاج صالح انموذجا == Coherent Direction Between The Cultural Lingnistics And The Contemporaray Linguistics Professer Abed Al - Haaj Salah As An Example

اسم المؤلف: معالي هاشم علي ابو المعالي
اسم المشرف: بان صالح مهدي الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study aims to find the direction of a compromise between linguistics heritage and contemporary linguistics represented by the efforts of the flag of the flags of the lesson lingual modern Arabic in the Arab world and is Dr. Abdul Rahman Al Haj Saleh, who tried to digest contemporary linguistics through a re - reading of the Arab heritage and especially (thought Khalili) , and is the approach adopted by the distinctive collection of Arab linguists, and that the absorption of the tongue of modern science in the West, and to understand and represent, and to fathom the Arab heritage lingual, like what he is doing some linguists in the Arab world, including : Dr. Ahmed Mutawakkil and Abdel - Qader Fassi Fihri from Morocco, Abdul Salam Masdi of Tunisia and Mazen rugged of Syria and Michel Zakaria of Lebanon and Dr. Karim Hussein Khalidi of Iraq and others, he has introduced these researchers thought lingual Arab in scientific dialogue with real thought lingual contemporary determines the location of it, as well as that this dialogue sponsor researcher to enter the Arab world to search lingual to become Arabs Meshmin real output in the lingual and put forward a development; because we have thought for Sanya can develop it, or develop aspects of it to be put forward for contemporary Sanya on a global level. Thus, we can say : It is not a shame that we learn what creativity for others, and do not take them as befitted origins of modernity, but this does not justify Azova for our credit linguistic and do not even cognitive General; and so the best solution to this issue, is to adopt the trend compromise is not excessive and do not overcook it preserves the originality of our heritage, and familiar with the principles of the modern curriculum. And thereby avoid prison of our heritage and a huge cast him into the world, Fteratna thought authentic, and we will not prove this unless Okhrzinah originality to the world, and the world will not undo blades, but what if we used the keys to reading contemporary Evqgaha everyone. And any action that can not be accomplished unless motives, the motives that motivated me to choose this subject, perhaps the most important, cash bitter face of research and linguistic studies that take direction harmonic approach in her research, as well as try some researchers undermining heritage and underrated. It also grew the desire I have to open up the search trends lingual contemporary by rooting for our heritage Arabic language, and identify the most important bases and objectives Portal last of these motives absence of approaches to linguistic between linguistics heritage and contemporary linguistics, take direction harmonic approach her, it is still these studies represent an arena Thera research and study, and deserves - right - multiple efforts to revive the Arab heritage in general and especially the language. And has research found a number of important results are : • The research revealed that the trend is more harmonic presence trends in reading the Arab heritage. • Research has proven that the term (linguistics Heritage) is actually in the arena of search lingual Arab and intended to re - read the linguistic heritage of the Arab in the light of modern linguistic approaches. • To stop the search when (Alhalilih modern theory), which is a direct continuation of the thought - Khalili, as well as it is of the most important experiences of Dr. Abdul Rahman Al Haj Saleh, has promised to this theory, the most important experiences of facilitation of linguistics and rounded specialists in Arabic language studies. • Find relied heavily on the (book Sibawayh) and the contents of the views of the grammatical Sibawayh sheikh of Hebron and in the detection of scientific facts;, and that the adoption of Dr. Abdul Rahman Al Haj Saleh this blog linguistic huge. • research to see Dr. Abdul Rahman Al Haj Saleh in theory Alhalilih modern, which represents the most important key features for the study of ancient sounds linguistic divide them (phonetics) and (phonology) as the author's opinion that each and every one of these sections can be devoted to his study on the unit and be used in the approaches and modern techniques, with great admiration for what was stated in the work of the ancients as the majority of the results of their studies have reached precision to ask. • Find proved the authenticity of Arabic grammar, and response, Dr. Abdul Rahman Al Haj Saleh suspicions argument with emotion as the Arab Aristotelian logic; and so as evidenced by the testimony of the mind and history. • Dr. Abdul Rahman Al - Hajj that the theory of the coolest factor is what scientists invented the Arabs - and especially Hebron and Sibawayh - and found that the theory of global connectivity to Chomsky her Arab roots. • Find demonstrated through his harmonic on the existence of the assets in a deliberative linguistic heritage / Arab rhetoric. • The trend shows harmonic clearly defined when Haj Saleh in his efforts in translation and terminology, as it has always sought to revive the old Arab term; to be the most appropriate for the context in which it is given and the accuracy of the terminology used by the ancients.

سور الطواسين : دراسة بلاغية == The Stylistic Structures Of The Holy Qur’an Tewaseem

اسم المؤلف: مصعب مكي عبد زبيبة
اسم المشرف: مشكور كاظم العوادي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: The holyn Qur`anic text, by the stylistic structure is a subject that worth studying and contemplation. There are many studies that deal with the different aspects of the holy text by analyzing and studying, yet the groups of Hewameem, Lewameem and Tewaseem have distinguish status the matter that involves farther studying for the relations among these groups. Then we can wonder are there any direct relation among the divided or separated letters? The answer would never be conclusive. The term of ( style= Isloob) had developed from the meaning of ( a line of palms) to the aesthetic dimension and the technical procedure. The Arab rhetorical studies represent the base of the stylistic studies as the motive is the holy Qur`an, the study restricted to the holy text only. For its Western aspect, style based on Aristotle opinion who believed that the style should not be trivial, vulgar or common that is to say not to use the usual expressions, then it moved to the advance phase by analyzing and describing certain writer`s language and concluding some notices about his style. The three suras that are started with ( Taa, Seen, Meem) and ( Taa, Seen) are usually called the ( Al - Tewaseem, Al - Tewassn, A`l - Taa seen and Dhewat Taa seen), the correct one is (Al - Tewaseem) because it consists of the letters ( Taa, Seen, Meem) at the beginning of the suras. Selecting process is a main part of the stylistic procedure according to certain fix and affective bases, by selecting the terms and substituting them with each other within the common semantic fields, depending on the linguistic and literary abilities in selecting the best. Selecting process is so obvious in (Al - Tewaseem) due to their everlasting linguistic abilities represented by the terms, structures and derivations and placing each term in its place that if we replaced it by another one the miracle aspect would disappear. The Qura`nic text is a unit of unified parts, this coherence is appear clearly in the suras that are started with divided or separated letters. The common purpose and significance is of the elements that indicate the Qura`nic text unity. The suras of (Al - Tewaseem) have a common purpose; ( al - shoo`araa= the Poets) aims at comforting and solacing the prophet Mohammed ( P.U.H), ( Al - Neml= Ant) aims at comforting the Muslims and portending the disbelievers, and the purpose of ( Al - Qhases= The Stories) complete the previous suras` purpose by announcing the victory of the Muslims even in another time. Coherence is one of the aspects that result in connecting the one text parts on the level of the semantic differences; the tiny meanings that could not be recognized save by the close study indicate the context subjective unity and show some aspect of the Qur`anic text miracle. The figurative speech, in addition to attracting the receiver, supports the significance to be inculcated. Derivation is frequent in (Al - Tewaseem) to clarify the meaning, by been repeated, and to support the musical aspect by the harmonized terms. Narration occupied a great deal of (Al - Tewaseem) with the greatest tario for the story of Moses which was repeated three times in these suras, and that indicate the importance of the story to communicate the objective and technical aim to the receiver. The narration order differs from the chronicle where the focus was on the technical element because the stories are connected with each other; the story of Moses is related to that of Lute and the story of Aad is related with that of Themood and so on. The narration of (Al - Tewaseem) came with time techniques that preceded the modern narration. So we can say that the Qur`anic story agrees with the technical story in containing starting, climax and the end as well as the dialogue and characters, yet it proves it superiority to it with the miracle frame of narrating the historical briefly to communicate the thoughts and lessons.

علل الاختيار عند ابن يعيش (643هـ) في كتابه شرح المفصل : دراسة نحوية == The Reasons Behind Selection At Ibn - Ya’Eesh In His Book Shrah Al - Mofasal

اسم المؤلف: مصطفى فالح صالح
اسم المشرف: رافع اسعد عبد الحليم العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2009
الموضوع الدقيق: اللغة - النحو
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: In the name of god the most merciful. than ks god and the pray and peace upon the god's messen gev. This study is classified in to five parts and the main purpose of this study is to show the reasons at Ibn - ya’eesh , and the results appeared in this study is : Conclusion and Results 1 - Grammatical cause is one of the most eminent issues which attracted many grammarians in the early stages and nowadays.2 - The cause appeared as notes explain a limited phenomenon then appeared strongly in (sehowaih) book , but the grammarians took care of the grammar rule in mind and then to educate that simple causes.3 - Seventh century was considered a stable stage for tge cause it was scare to find a question or a judgment without a grammatical cause. that what (Ibn - ya’eesh) did in his explanation.4 - In spite of many causes mentioned by (Ibn - ya’eesh) , he did not mention the word cause but in specific subjects.5 - Most causes mentioned by him were educational as the Arab way , then cohsensos sauses and then argumental causes by the first grammarians a little bit.6 - There are many kinds of causes mainly assimi lation cause in present tense synonym.7 - His style was comprehensive , clear , logical by using Quran verses and poetry verses in his book besides the educational view by asking and answering.8 - Giving more than one cause for each judgement may make it difficult to understand the question , thatis why he gave morw than one reason ror every one cause.

الايات الكونية في القران الكريم : مقاربة سيميائية == Universal Verses Of The Holy Qur’an : A Semiotic Approash

اسم المؤلف: محمد يونس علوان محمد الدهش
اسم المشرف: ساجدة مزبان حسن علوان
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This thesis concerns itself with applying the theory of the American philosopher Charles Sanders Peirce on one particular type of the Qur’anic verses. That is, the universal verses, which involve references to a number of aspects of the universe i.e., Earth, Heavens, Stars, Seas, Wind, among others.The thesis focuses on the second triadic proposed by Peirce to interpret the Sign. This triadic studies the Sign in relation to its subject, which is embodied in three components. They are : Icon, Index, and Symbol.The thesis falls into an Introduction, three Chapters and a Conclusion. The Introduction deals with such important and pertinent issues as the semiology, its origin, formation and development, its definition, and the semiotic approaches utilized by scholars in both Arabic and Western heritages. The Introduction also sheds some light on the contemporary trends of semiology manifested in the works of the main two philosophers i.e., Ferdinand de Saussure and Charles Sanders Peirce. The main semiotic pillars of Peirce's theory (Sign, Semosis, and Interpretants) along with the main bases upon which the semiotic approach is established are dealt with in the Introduction as well. The first Chapter accounts for the Semiotic Icon of the Universal Qur’anic Verses. In which the Iconic Signs of these verses are tackled. This Chapter begins with an introduction highlighting nature of the Semiotic Icon, its types, and its place in Peirce's sign system.The second Chapter deals with the Semiotic Index of the Universal Qur’anic Verses. In which the Index Signs of these verses are accounted for. This Chapter starts with an introduction underlining nature of the Semiotic Index as proposed by Peirce.The third Chapter attends to the Semiotic Symbol of the Universal Qur’anic Verses. In which the Symbolic Signs of these verses are dealt with. This Chapter begins with an introduction underscoring nature of the Symbolic Sign, its types, its place in Peirce's semiotic theory, and the movement of its interpretants. The conclusion, however, summarizes the main ideas covered in the thesis along with the results arrived at by the present researcher. A list of the sources and references consulted in the study is presented at the end of the thesis.

اراء سيبويه في (البحر المحيط) : دراسة نحوية == Sibawayh's Syntactic Views In Al - Bahr Al - Muhit : An Analytic Study

اسم المؤلف: محمد منير اسماعيل علوان
اسم المشرف: حميد عبد الحمزة عبيد الفتلي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The present paper discusses the syntactic views concerning one of the most eminent scholars of Arabic language who lived in the second Hegira century; Ab? Bishr ?Amr ibn ?Uthm?n ibn Qanbar known as Sibawayh (Died in 180 A.H). The views are those found in al - Bahr al - Muhit (The Encompassing Ocean) of the commentator Abu Hayyan al - Nahwi (Died in 745 A.H). Al - Nahwi was an eminent scholar in Arabic language and Quran sciences. He wrote many classifications, among which is al - Bahr al - Muhit, which is adopted by commentators and grammarians from that period till present days. It contained many syntactic issues that were not tackled in classifications of such interest. It included the views of many former grammarians. Hence, this study is a record of the development of some syntactic views and continuity of the other views. The study discussed more than seventy syntactic views of Sibawayh which were mentioned by Abi Hayyan in his book. This paper could be the first step in the studying the views of grammarians who followed Sibawayh and who influenced this commentary. Therefore, the study is important for researchers who are interested in this field. The paper includes an introduction and four chapters. The introduction discusses the significance of the study which discusses the methodology adopted by ibn Hayyan in his commentary and former researches in this field. Chapter one, which is entitled Nominative Nouns and Converters, is of two sections. Section one includes nominative nouns; 1 - subject and predicate and 2 - subject of a verbal sentence. The second section discusses convertors; 1 - Kana and sisters and 2 - Inna and sisters. Chapter two is entitled (Inflected and Uninflected Nouns and Verbs). It also is comprised of two sections, section one discusses inflected verbs and the second discusses uninflected nouns and verbs. Chapter three discusses objects and appositives. It is comprised of two sections; the first discusses objects and semi objects, the second discusses appositives.Chapter four is entitled (Genitives and particles). It is composed of two sections; the first is about genitives and the second is about particles. The study ends up with a conclusion included the outcomes of the study, followed by the resources list and an abstract in English

اعتراضات شراح التسهيـل علـى ابـن مالـك : دراســة نحوية == Objections Commentators Easing The Son Of The Owner Grammatical Study

اسم المؤلف: محمد علي عبد الله العنبكي
اسم المشرف: سامي ماضي ابراهيم
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Thankfully praise befits His Majesty, and his power is great, Praise be to God, who honored the humanity, Islam and made us proud, and honored us with AF, and prayed to God to His Prophet Muhammad and his companions and the divine. Almentajabin The best language the language of the Qur'an (Arabic), (down by the spirit secretary. On your heart to be omniscient. (Arab spokesman Amin) (poets 193 - 195) It is the scientists who Ulloa this art sincere devotion, and made his way most of their Ibn Malik (d. 672 AH), he left his book, easing a great impact in the Arab, and held the high status among the authors who wrote in his time; to collect it the grammar in summary, it was a rich students science - sufficient for its lengthy This effect has been demonstrated in a tribute to the scientists, including Ibn Khaldun (d. 808 AH), which decided to book the facility the son of the owner to have absorbed all of the transfer of rule He said his Damamana (d. 827 AH) : "Book collecting benefits collect frequent, and disclosed his words GLT value was every word of it Dora, do not be meddling in the bounty of the income from the door to engage him, and if you count other waste there is no doubt that the mayor Resulting in an idea of choosing the subject of consolidating a set of grammatical issues objectionable to a set of annotations, which invited me to Osgelh subject of my thesis (b objections commentators easing the son of the owner grammatical study), nor would argue that I add to this study to the son of the owner of a male, nor to His glory, glory, it is late in the developed decades in the male and fame, who revived the study as fees and landmarks Tamsh What objections commentators easing the son of the owner, but to complete what was initiated by former grammarians, it is an attempt to discuss their objections with reference to deaden diverse books. Our aim of all this is to reveal the truth of what went to him commentators in their objections to the son of the owner, walked in and whether it is scientifically objective attitude? Or if their objections tend to criticize the abstract without any evidence The previous studies that have taken place on this subject, they are two studies The first study, presented by researcher : the patience of quality, Ph.D., entitled (the annotations easing grammatical study of the budget), submitted to the Faculty of Education, Ibn Rushd, Baghdad University, 2013 The second : the objections of Sheik Khaled al - Azhari the son of the owner in writing (noble connector to about easing), the researcher Mohamed Ibrahim Hassanein, a (research) submitted to the Al - Azhar University, Faculty of Arabic Language in Cairo and study distinguishes this study from others they deal with most of the annotations easing printed, unlike previous studies, they examined the objection explainer explainer on another, as well as so that my work is based on a set of annotations objector by the son of the owner followed by a conclusion and Mazan Thesis are arranged in four chapters and boot, He studied the boot : (objection grammar : The term and concept), and devoted the first chapter of the study (curriculum commentators facility to object grammar of the son of the owner) and consisted of three sections. The first curriculum objection grammar when commentators and the second objection grammar patterns when the commentators, and the third : Types objection grammar when commentators The second chapter : studied (objections in introductions and grammatical nominative or indicative), was in two sections; the first : the objections in the grammatical introductions, and the second : the objections in the nominative or And singled out the third chapter of the study (grammatical objections in Mouncobac), and consisted of three sections, the first lesson : the objections in Mufaullac, and the second : the objections in the exception case, discrimination, and studied the third topic : the objections in the name of that and her sisters and And dealt with in the fourth quarter : (grammatical objections in the addendum and disciples prepositions), and split on the three sections, the first of which he studied : the objections in the addendum, and the second : the objections in the disciples, and the third objections in prepositions. The conclusion, they included the most important findings of the study, followed thesis bibliography of sources and references. The approach taken in this study, it is the historical method balancer through the collection of objections cited by the commentators on the son of the owner, and then I put a title for each issue objectionable and studied grammatical study, turned away from the text of the objection, as reported by son of the owner, and documented from the source, and then submit a summary outlines the substance of the objection, objection and discuss the extension of the views of grammarians, and income statements it is probable or weakening contained objections, as well as the graduation of the different evidence, whether from the Koran, or the hadith, or the words of Arab poetry and prose both suppositions.For this thesis it has objected to a number of difficulties stand in the forefront unavailability of some of the explanations printed, as well as that the large size of the one explanation and the multiplicity of its parts, we find that explanation headmaster army arrived to (a tenth part), as well as so obvious difficulty in the search for the words of objection when commentators and this march, making a trip this thesis uphill was not affordable. And I have to thank him right thanks and praise my teacher supervisor, Dr. Sami past Ibrahim, who provided me with the directives of sound and views bright since the idea of choosing subject so firmly established on its market, and endured with me to read it and follow it, and that persistence with science students, Vdzah God Me the good of what may reward byAs well as to each of did to me known, professors are generous, and dear friends, and make special mention of them d. Raad Karim Hassan, as well as d. Eyad Suleiman, and Mr. Amer apparent Alabadana, ask God to Adzehm richly rewarded I conclude my voice the words of Sheikh Qalqashandi : "To be excused for standing by, the results of ideas on different Alaqraih not come to an but spent every one of the estimated capacity of (God does not burden any soul. But what Otaha) (divorce 7), God and the womb had stood on the omissions or error Vosalehh, Aadhira not Aazla, and Mnala not Naila, it is not acquitted of the absurd, but the shelter of God and Asm, has been said : the book Kalmklv not be extradited from culpability, and brings with him the pen; and God Iqrnh luck! and instructs it to clear through! (and compromise I put my trust in God, but he and I turn to him) (Hood 88. Researcher

التصوير الموسيقي في الشعر الاندلسي عصر ملوك الطوائف والمرابطين == The Imagery Musical In The Al - Andalusian Poetry : Era Of Al - Tawaif And Al - Moravid Kings

اسم المؤلف: محمد عادل جاسم حمادي
اسم المشرف: نصيرة احمد حمزة الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تضمنت تلك الدراسة مجموعة الدواوين الشعرية المحققة في عصر ملوك الطوائف والمرابطين , والتي حظيت باهتمام الباحثين في جميع المجالات الادبية والنقدية , ما اعطانا حافزا لدراسة الجوانب الموسيقية التي لم يسلط الضوء عليها سابقا. الفصل الاول : درسنا فيه التصوير | Chapter one discusses musical imagery.In this chapter there are three sections : Section one : assimilation imagerySection two : metaphorical imagerySection three : metonymy imagery The researcher in this chapter discusses the relation between rhetorical imagery and music : was the poet successful in relating rhetorical imagery to music ? Are there discrepancies among poets in the extent of drawing such a relation or not ? ln chapter two , the researcher studies poetic and musical structure. This chapter is of two sections : section one is about poetic functions ,which are eulogy , elegy , love , wine , description , pride , and lampoon. Taking into consideration the different views of critics and prosody specialists , the relationship between meter and poetic functions , verification of authenticity of such views within analysis , and was the poet successful in relating meter and poetic function with musical imagery structure or not , were also discussed in this section. Section two is about the structure of Andalusian terza rima. the functions here were ; eulogy ,elegy , wine ,nature , and love. ln this section the relation between meter and poetic functions , within the structure of poetic imagery concerning Andalusian terza rima was discussed. Chapter three discusses the features of prosodic structure. lt is comprised of two sections. Section one studies external music , including two functions ; meter and rhythm. Section two is about internal music. ln this section , the researcher deals with repetition , paronomasia , relating second hemistich to the first , concord , inlay ,and rotation. these arts have vital prosodic importance in the contribution of the structure of the musical imagery. The conclusion included the outcomes of the study followed by references

الخلاف اللغوي في ضوء دراسة لهجات شبه الجزيرة العربية == Liguistic Diversity In The Study Dialects Of The Arabian Peninsula

اسم المؤلف: ليلى علي فرج
اسم المشرف: ولاء صادق محسن الاسدي | منذر علي عبد المالك
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The most important results obtained in the thesis it is that the dispute linguistic fertile subject of the Arabic language subjects, said in a boot importance of studying accents suspicion of the Arabian Peninsula in the study of differences of language, and looked at the first chapter voice dispute in the light of the study of the Arabian Peninsula accents Among the most important findings : - 1. The dialects participated in twelve way out of the exits of the votes.2. The origin of the voice (GEEM) to be whispered, described the ancient voice of DH description is true, and the origin of the sound (TAA) Speak out, and voice (QAAF) whispered.3. The Arabian Peninsula accents is consistent in speaking out recipes and whisper amplification and instability in their voices.4. The origin of the movements is long movements, and that the referral is a secondary development of ALLF and YAA and originated from opening a branch of it.5. The (focal point) does not exist in the Arabian Peninsula accents, their movement is not transmitted, and the phenomenon of insults facilitate a common phenomenon in the Arabian Peninsula accents.6. The voice is not a Noon rather than movement, and supports Noon with other letters.7. The scholars differed in some voices which (O Allah)8. Where Meem where the amplification and veneration, and the origin of (even) the eye and is not HAA, and (garlic) in which the original Althae dialects and got rid of it and replaced it in the SEEN and the SHIN.And discussed in the second chapter in the light of the controversy morphological study of the Arabian Peninsula dialects and found : - 1. The doors of the act, which counted abnormal scientists are the origins of these dialects in the present tense, although breaking the old linguistic phenomenon of a character, and share these dialects in Waw deleted from the present tense.2. The opening, which will be the second and third annular feature in the Arabian Peninsula accents characters, and the formula (FAAIL) is origin of the name - acting formulations, though Quartet words derived from bilateral substance in these dialects.3. The weights of the six names of mono and bi assets in these dialects.4. These dialects has not adhered to when combining and Deuteronomy markings to distinguish between masculine and feminine, and there were to Fezta (both, and both) Mtnah in these dialects gathered Aloagamah collection of evocative names in Salem.5. The Hamza appear on the image in these dialects.6. I found (Alta) in all the Arabian Peninsula accents to denote the feminization albeit thousand feminization is only the evolution of Alta which turned out to E and then to a thousand.7. Verb matches actor in the recall and feminine in the Arabian Peninsula accents.8. Rehabilitation of some of the terms that scholars have differed in, and these words of the word (name) in which the original is (Shin and Almim), but the word (human) origin on Flan weight, but the word (Emmen God) is derived from Yemen, but the word (devil) Noon the original, and others of the terms that reported assets in light of the study of the Arabian Peninsula, including accents (rIBA, flood, values, and how much) and others.9. Altmiam subsequent voice in Akkadian corresponds Tanween in Arabic, did not mention to distinguish between the outgoing and unspent, or between the name and the verb, or between singular and added.10. The basic meaning of the Decrease in the Arabian Peninsula accents is belittling.11. AZ catch the six names in the addendum in Hebrew and Arabic condition.Discussed in Chapter III : Grammar dispute in the light of the study of the Arabian Peninsula accents and revealed that : - 1. The syntax is the origin of the nouns and verbs, and that assertion is not in the syntax it is a linguistic phenomenon occur in the language, syntax, and it came to ease on the tongue, and that the collection Almant Salem riveted slot in all the Arabian Peninsula accents.2. The present tense parsed not being similar to the names, but for being a kind of act, and raised in Akkadian despite the entry of the monument factors and boots him, but the word (even) preposition and monument of the verb tense in the Arabian Peninsula accents.3. The Alljhat is barely differentiate conjunctions (but Waw) did not respond to the present tense erected after him, and that the origin of conditional sentence to be a reaction condition past and Answer condition Mdharaa brought.4. The verb is in the Arabian Peninsula dialects derived from the tenses.5. The distraction in the management definition in the Arabian Peninsula accents met Hamza in Arabic, and that the pronouns in which the original conscience as a whole, and (Ia) are the basis for Mufaolah mark originally in the conscience of the separate (you) word as a whole, the common root of the name of the signal (ZAA) in accents the Arabian Peninsula, and the use of reference name instead of conjunctive name out in these dialects, and waw in the word (those) out and not overloaded.6. Complex numbers Mdghamh with each other in Akkadian do not know the number of the boat in. In Hebrew intervention definition on complex number deficit tool.7. Agree accents the Arabian Peninsula in the feminization of the masculine number (3 - 10).8. The ground in the word (one hundred) original and not overloaded.9. Described accents the Arabian Peninsula being the actual accents, which are divided into actions past and PRESENT permanent and done, and cause non emphasis acts Almdharah them.10. Share these dialects in many of the characters, including the character (to) benefit reasoning, and (lam) in which the meaning of consensus (in order), and that the original etymological's (not) and (not) one, and (Seine) part deductible from (you will), responded (Ba) for Tbaad in these dialects, and (lam) in the sense (in a) and (a) indicate the different meanings.11. The scholars differed in some words of them (now) origin in the light of the study of the Arabian Peninsula accents expressing but not built, and (so) did the name, (not) a vehicle of exile character (not) and verb (ACE) in the sense (none), and ( Latt) to Alta which is not for the feminization of it is the origin of the word.

تداخل الانواع الادبية والفنية في شعر الجيل التسعيني العراقي == Overlap Of Literary And Art Genres In The Verse Of 1990s Generation Of Iraqi Poets

اسم المؤلف: كريم عجيل صاحي الهاشمي
اسم المشرف: طالب عويد نايف الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لا يخفى على المختصين بالادب والنقد ان النص المتداخل يمثل وحدة نصية تتسم بالاشكالية الادبية والفنية معا، الامر الذي يؤسس مطلبا لكشفها ورصدها في النصوص الابداعية من هذا النوع، التي تعد مجالا رحبا للدراسة والبحث، لما ينطوي عليه من كثافة لغوية تعبر عن خفاي | The 1990s Iraqi poets generation isconsidered as one of the important generations of Iraqi poets in the field of culture and literary criticism due to the fact that its poets have acquainted themselves with the achievement of the former generations and attempted to comprehend it within adeep artistic vision in order to establish a trend guided by awareness of these visions and broad enough to embrace their different orientations and aspirations on the level of vision and art. This achievement was flexible thanks to its transformational structuralism from the lyrical poetic patterns to the dramatic narrative ones that came as a response to the requirements of denotation through anew formulation springing from the creativity co - occurring with the multiple literary genres. Overlap means that a single genre enters into various interrelations rendering it acceptable by the receiver through utilizing its formative elements and using them as new elements and tools of this new generated art (poetry) in order to create the aesthetic pleasure and to bring verse into the domain of the open text that can embrace fine arts.The verse 1990s generation of Iraqi poets overlapped via a series of stylistic and artistic techniques that consist with the textual content of their poetic texts due to the structural peculiarity of the course of poetic structure in spite of the confusion and looseness inflicted by modernism approaches that seek to remove boundaries separating literary genres, even though they did not cancel the delicate internal characteristics between them. So the approaches mentioned remain in bad need of them and their existence is necessary to identify the amount of displacement that ensues or the new deviation in their generalities that tend by their overlap to formulate and merge with other genres through the flexibility that the 1990s poem providesThe overlap between the poetic and the narrative has become clear. The dissertation came across many details that indicate the kind of this overlap, its methods and styles and these were studied according to the predominant ones of which. It has also become clear that the poem of the 1990s Iraqi generation of poets is a flexible one in terms of its theme and style and embraces the fields of modernism and consequently embraces the ideas and visions of their composers in the midst of hard circumstances surrounding their lives yet the broadness of vision entertained by this generation poets made them overtake the epic without isolating themselves from its painful details.These mechanisms that cope with verse came to be one of its aesthetic foundations that distinguish it and made it a text open to overlap with the other genres in their interaction and communication with each other let alone their consistency with the allegorical poetic discourse structures which represent a concomitant feature of the verse genre. The narrative techniques have become predominant in the text components, for verse represents a pure creative field but it infiltrates to all other fields able to put up with its effectiveness in infiltration and its ability to create a montage that renders the poetic production of images and others consistent with its delicate details through different axes as illustrated in the textual corpora.The 1990s text entails that time is not fixed because it represents a frame of the text and is involved in the crux of the textual structure and its organization.Reading the poetic achievement of the 1990s Iraqi generation of poets, we may conclude the presence of a great interactive recognition in the patterns of setting structure formulation and its prominent presence in their poetic texts on both the single structure and the total structure of H - setting a matter which shrouded their texts with aesthetic and technical features that the receiver can feel in their verse, for its well - known that man by nature deeply related with place. Undoubtedly, the poet, therefore pays special attention to it and his relationship with the place is exceptional and his recognition of its effect is tremendous and this results in a peculiar relation between the poet and the place with an interactive dynamism that generates different meanings. The poets of this generation made use of the interpretive level and its broad scope to embody the theme of event in a concomitant way that combines both the real and the imagined. It may also show the dynamism of the event and highlight it by the role that the characters play in the narrative poetic text and their unity in a relationship that reveals the nature of the event and its type when it relies on different religious and folkloric references.It has also become clear that the 1990s generation of Iraqi poets wanted to introduce a poetic achievement far from adherence to boundaries that separate it from the other artistic and literary genres, their achievement, therefore, was rich with overlap with these arts in a way that opens a large scope of stylistic and technical exchange a matter which characterized it with the feature of interaction through the employment of contextual structure techniques and textual structure styles. It is obvious that the poet was deeply concerned with the overlap between cinema and poetry and it is easy to conclude that the 1990s verse in Iraqi overlapped with cinema art and the fields of imagery that it employs follows the rules and techniques of this art to the extent that its well - known procedural tools allow both on the level of acting and direction. Cinema was one of the most important arts that overlapped with verse and through this overlap, it enables the poet to express his views and ideas in accordance with the features that characterize cinema. It is clear for all those concerned with cinema now important are the audio and the visual effects in the production of the cinematic picture, for these effects play an auxiliary role in the completion of the picture and making it easy to comprehend on the part of the receiver in order to emulate the real life that the cinema clips is tackling.It was revealed that this overlap was based in accordance with apattern of diverse and multiple structure in which poets resort once to following a traditional system of cinematic art and portraying things as they are in real life, and another follows the new trend of this art and avoid the exact imitation of real life in the pictured narrative material. It is not hard, anymore for the literary text receiver to observe that literary arts of various types are overlapping to the extent that it's now possible that they meet and introduce a single creative discourse for they all seek to perform an aesthetic effect on receives via expressive diversification and indication that crystalize the vision of its producer. Literature attempted to make use of painting effects through the diversification that overlap between verse and other arts permits and tried to paint with words. The employment of painting in 1990s verse was not confined to sketching the picture and embodying its dimensions via words alone but the increase in this employment in most their poetic texts so it overtook it in a manner that make it a participant in the acts of characters when they imitate a certain scene
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