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التصوير الموسيقي في الشعر الاندلسي عصر ملوك الطوائف والمرابطين == The Imagery Musical In The Al - Andalusian Poetry : Era Of Al - Tawaif And Al - Moravid Kings
Author name:
محمد عادل جاسم حمادي
Supervisor name:
نصيرة احمد حمزة الشمري
General topic:
Arabic Language and Literature
Specific topic:
Literature
Degree:
Doctorate
University:
University of Baghdad - College Of Literature
Language:
Arabic
University location:
Baghdad
First pages:
01T4212 - p.pdf
Abstract:
تضمنت تلك الدراسة مجموعة الدواوين الشعرية المحققة في عصر ملوك الطوائف والمرابطين , والتي حظيت باهتمام الباحثين في جميع المجالات الادبية والنقدية , ما اعطانا حافزا لدراسة الجوانب الموسيقية التي لم يسلط الضوء عليها سابقا. الفصل الاول : درسنا فيه التصوير | Chapter one discusses musical imagery.In this chapter there are three sections : Section one : assimilation imagerySection two : metaphorical imagerySection three : metonymy imagery The researcher in this chapter discusses the relation between rhetorical imagery and music : was the poet successful in relating rhetorical imagery to music ? Are there discrepancies among poets in the extent of drawing such a relation or not ? ln chapter two , the researcher studies poetic and musical structure. This chapter is of two sections : section one is about poetic functions ,which are eulogy , elegy , love , wine , description , pride , and lampoon. Taking into consideration the different views of critics and prosody specialists , the relationship between meter and poetic functions , verification of authenticity of such views within analysis , and was the poet successful in relating meter and poetic function with musical imagery structure or not , were also discussed in this section. Section two is about the structure of Andalusian terza rima. the functions here were ; eulogy ,elegy , wine ,nature , and love. ln this section the relation between meter and poetic functions , within the structure of poetic imagery concerning Andalusian terza rima was discussed. Chapter three discusses the features of prosodic structure. lt is comprised of two sections. Section one studies external music , including two functions ; meter and rhythm. Section two is about internal music. ln this section , the researcher deals with repetition , paronomasia , relating second hemistich to the first , concord , inlay ,and rotation. these arts have vital prosodic importance in the contribution of the structure of the musical imagery. The conclusion included the outcomes of the study followed by references
