اسم المؤلف:
حازم عودة صيوان الحميداوي
اسم المشرف:
مصطفى تركي السالم
المستخلص:
ارتبطت البدايات الاولى لفن المسرح، بموضوعات السيرة، وانبنت تلك العروض منذ الاغريق على البنى العميقة لما تحمله شخصيات العرض من منطلقات فلسفية ورؤى تستمد قواعدها من فلسفة كل عصر وتفسيراته بين الذات الانسانية، والموضوع العام الذي يعيش فيه، فكانت شخصيات ا | The first beginnings of the art theater had relating to topics biography, and grew these offers, since the Greeks on the deep structures to afford the display characters from the philosophical insights perspectives derive rules from the philosophy of every age and interpretations of the human self, the public and the subject in which he lives, was the offer and walked figures expressed intellectually aesthetically recline upon the art of theater in a campaign to his statements in every time. And where the actor is the main crossing from those figures, and transferred to the recipient of intellectual and philosophical packages that carried the show, therefore, among the most prominent duties back to authorities relied upon by the formulation of personal, whatever, whether real or fictional legendary, and then employ the capabilities of actor (Voice and motor) in order to achieve reasonable performance, expressing those personal aesthetic formulas and contribute to building a semantics supply and objectives.If pervaded the world stage shows, with these models, the Iraqi theater is the other, many offers that depend of saw (Biography) approach her, and put forward models (mythical and historical, religious, cultural and literary), have had to resonate at the audience, and figured many names directors who have adopted such offers, it is among the most directors prominent is the director (Akil Mahdi), who adopted this experiment, put many of their models, and contemporary vision and dubbed (default Biography) interested in the ideas and principles and directions of these characters, and proceed from which to build a dialectical with contemporary reality in which we live. This artist himself (author - Director), among his peers, in theory to try and establish clear parameters for the experience, and continued this experience and still. Even critics dubbed (leading Biography Theatre).As the actor is the most important element in presentations of this kind, and through the survey a number of offers (Theatre Biography) was found researcher, that there is variation in the performance of the main characters in, and the predominance of diligence Profile in the actors' performance, especially after the spread presentations biography, and what did not finds from previous scholars in addressing the performance of actor and the nature of the formats (audio and kinetic) actors in it according Bending aesthetic function, this research project built in the study, put the artist author's experience - the director (Akil Mahdi), an approach to the analysis of the performance of actors in performances and as a deepening in a theater (the default Biography), Vsag discussed under the heading : (The aesthetics of performance actor in the Iraqi theater Biography Offers) And set the goal of the study to identify the aesthetics of performance actor (voice and kinetic), and the relationship between them to produce a display signs in the Iraqi theater biography.In order to reach the goals of the research, the researcher has studied section into four chapters : Ensure that the first chapter - the methodological framework, where the inclusion of the research problem and its importance and need, objectives and limits, and concluding chapter defines the following terms (Beauty - Biography Theatre).The second chapter - the theoretical framework has been contained to discuss cross - cutting theme of the aesthetics of performance of the actor in the theater curriculum offerings, and previous studies, including three sections : Section I. The aesthetics of performance actor in theater reviewing it : (1) audio system (2) motor system.The second topic - Authorities performance actorWhere he addressed the main references that contribute to the formulation of personal information, and to review the global stage deals and addressed to those references.Section III - actor performance at the World Theater Biography presentations properties, and ensure those elements in these offers, down to the Iraqi theater presentations.This chapter concludes with previous studies and was limited to one study, addressed the researcher, found that the direction was different to the current search path, and the different goals of each other. And finally gave a summary of the most prominent indicators of each to the theoretical framework, which can be counted in the search criteria.The third chapter : the annexation of research procedures, which are from the research community, which was limited to the experience (Akil Mahdi) in the biography theater presentations.The samples of the research, the researcher choose specimens way (simple random).The research methodology researcher on the historical approach has been adopted in the presentation of the theoretical framework, while the descriptive approach adopted in the presentation of the specimens brought by his research community, as for the search tool was based on the researcher to indicators that resulted from the theoretical framework, the research samples are(I) play Jeweler Republic (II) play on the pink and rivals (III) in a play - Hussein Alienation.The fourth chapter, the research results and conclusions.The main conclusions reached by the following : 1. integrated audio system performance techniques derived from the representative of the various personal references with each self, for the production of semantics many dramatic situations and various transformations.2. The motor performance proven techniques congruent with personal references produces dramatic connotations different attitudes and actions in many dramatic situations and their transformations system.3. The consensus performance (audio and kinetic) produces semantics theatrical presentation, according to return to personal references (anthropological, mythological, cultural, historical), using the skills and experience actor self to reach a personal innermost performed.4. dominated (cultural and intellectual references) of the characters in the Offers (Theatre Biography) or (default Biography) at (Akil Mahdi), through put historical models perspective contemporary, inspired by the ideas and culture, in fact, mortgage processing, while not ignoring the rest of the terms of reference (historical, and religious and personal) and thus performance figures model synthesizer that combines references afternoon.5. Turn author - director (Akil Mahdi) to take into account the values, customs and traditions of the community, which to generate a collective awareness among (the sender), (receiver), regulates the display decoder blades and inspired values.6. actor based on performance in default Biography presentations for (Akil Mahdi) to take advantage of (internal references to view) including vision author - director in introducing the character and theme, and (external references) that are related to personality.7. every age recline philosophy of his time to carry around the main characters and be expressive about, is that in Akil Mahdi, the theater has changed the equation, where personal show, including in respect of historical attributes and characteristics to create a dialectic between the concepts of, and contemporary vision.8. The outcome of the performance the most prominent is the three - simultaneous installation : (external references to figures + internal references for the characters within the structure of the text + actor technical capabilities in voice and motor performance, which represents the final product).Then the list of sources and supplements and finally Abstract in English.
