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العتبات النصية في شعر عبد الوهاب البياتي ونزار قباني

Author name: جاسم محمد جاسم الخلف
Supervisor name: ابراهيم جنداري جمعة خليفة الجميلي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: فقد نالت متون الاعمال الادبية باختلاف اجناسهواما تزال حظا كبيرا من اهتمام النشاط النقدي الذي ما انبرى متناولا اياها متتبعا مكامن جمالهوامستبطنا مظاهر (شعريتها)، الامر الذي اشر انغلاق النقد على شعرية تلك المتون دون اهتمام يذكر بما حول تلك المتون من نصوص موازية وعتبات باتت تشكل اليوم ظاهرة حري بالدرس النقدي ان يتناولها بالتحليل خاصة وان تلك النصوص (العتبات) قد قطعت شوطا كبيرا في مجال تطورها . ان العتبات النصية ككيان ليست بالظاهرة الجديدة على الادب عربيا كان ام غيره، فقد ارتبط وجودها بوجود الشعر نفسه ، وتطور في عصر الكتابة، واخذ نصيبا وافيا من التفنن في عصر التقانة والتطور التكنلوجي. غير انها ظاهرة ظل النقد ينظر اليها باستسهال بالغ متعاملا معها بوصفها جوانب شكلية سواء تعلق الامر بنقدنا العربي او بالنقد الغربي الذي كان سباقا الى التنبيه على اهميتهواجدوى دراستها . فكان مجيء الناقد الفرنسي (جيرار جينيت) الانطلاقة الاولى لمحاولة تقعيد دراسة (العتبات النصية) في ضوء ما تتعالق معه من متون فاتحا بذلك الافق النقدي الى ميدان (شعرية الشكل) في ذهابه الى ان شعرية النص تنبع من علاقته بما يحيط به من نصوص موازية بعيدة عنه زمانا ومكانا. او من نصوص محيطة قريبة بحيث يضمها كتاب واحد (غلاف ، عنوان ، رسومات داخلية ، مقدمة ، اهداء ، هوامش .... الخ ) وهي علاقات اكبر من ان يقال عنها انها مجرد امكان تناصي كما سيتضح. وهكذا بدا النقد منذ (جينيت) ينظر الى هذه العتبات بوصفها نظاما سيميائيا دالا. اذ لم يعد الكتاب وحده هو الحامل الوحيد للدلالة ، بل اصبح ينظر اليه بوصفه نظاما نسيجيا متناغما تتازر جميع مكوناته وملامحه الشكلية في تاسيس شعريته بما يلغي عن العتبة مفهوم الحلية النصية او الزائدة التزيينية ويجعل منها معلما بارزا من المعالم التي تساهم في تلقي العمل الادبي بصورة مثلى ، وهو ما نبه اسماء اخرى كان لها مساهمات ليست بالهينة في هذا الموضوع النقدي كـ (هنري متيران) و(فيليب لوجون) و(كلود دوشيه) و(ليو هوك) وغيرهم ممن مزاال امام الدرس النقدي العربي شوطا طويلا لترجمة كتاباتهم في هذا المجال تمهيدا لاستيفاء موضوعة (العتبات النصية) حقها من جانب هذا الدرس ، وان كنا هنا لا نغمط حق جهود ترجمية وتاليفية عربية في هذا المجال كانت ـ على قلتها ـ زادا تزود به هذا البحث نذكر من المترجم منها : الترجمة الرائدة (للمختار حسني) لكتيب (اطراس : الادب في الدرجة الثانية) لـ (جيرار جينيت). وهي الترجمة التي شكلت المنطلق الذي فتح امامنا افاقا جيدة وهيا لنا ارضية امكن التحرك عليها فيما نحن بصدده, وكذلك ترجمة (عبد الرحمن ايوب) لكتاب (مدخل الى جامع النص) للمؤلف نفسه، وايضا ترجمة (غسان السيد) و(وائل بركات) لكتاب (كرستين مونتا لبيتي) الموسوم (جيرار جينيت نحو شعرية منفتحة) ، في حين ظل كتاب (sulits) لـ (جيرار جينيت) الذي لم يتوفر البحث على ترجمة له وثيق الصلة وبعيد المنال الامر الذي فوت الاستفادة منه الا بقدر الاعتماد على مقتبسات مترجمة توفرت عليها بعض المقالات المنشورة في الدوريات والتي عالجت موضوعة العتبات نذكر منها دراسة (جميل حمداوي) (سيموطيقيا العنونة) ودراسة (محمد الهادي المطوي) (في التعالي النصي والمتعاليات النصية) وهما دراستان ركزتا على الجانب النظري دون التطبيقي واعتمادا على (عتبات جينيت) . اما فيما يخص الجهد التاليفي في النقد العربي في هذا المجال ، فلم نعثر في حدود بحثنا على ما يمكن ان يشكل كتابا جامعا يدرس انواع العتبات النصية بصورة تفصيلية , وان وقفنا على دراسات تناولت عتبات بعينهواخاصة عتبة العنوان التي بدات تستقطب جهود دارسين طرحوا دراسات رائدة في مجالها نذكر من هذه الدراسات : (العنوان وسيموطيقا الاتصال الادبي) لـ (محمد فكري الجزار) و(سيمياء العنوان الشعري) لـ (بسام قطوس) و(العنوان في الادب العربي - النشاة والتطور)، لـ(محمد عويس) وكذلك عتبة المقدمة التي افرد لها (عبد الرزاق بلال) دراسة شكلت متكا مهما من متكات بحثنواالموسومة (مدخل الى عتبات النص) يضاف اليها جهود (عبد الملك اشهبون) في اكثر من مقال تناول المقدمة الروائية خاصة تنظيرا وتطبيقا، وكذلك جهود (سعيد يقطين) الذي استاثرت دراسة النص الموازي والعتبات النصية بنصيب وافر منها خاصة في كتابه (انفتاح النص الروائي).ان هذه الدراسات على جديتهواان شكلت جهودا يشار اليها ببنان العرفان وينظر اليها بعين الريادة الا انها مازالت دون استيفاء حاجة المكتبة النقدية العربية ازاء هذا الكم الهائل من العتبات النصية التي بدات تلاقي عناية ليست بالهينة من جانب المبدعين , وهي عناية تتطلب ما يوازيها نقديا - تصديا وترجمة - بما قد يفتح للدرس النقدي افاقا رحبة في التعامل مع جماليات المتون من جهة عتباتها ، لذا شئنا ان تكون دراستنا في ما يصب في هذا المجال البكر واقتصرنا لاسباب منهجية على دراسة خمس عتبات نصية تدخل فيما اسماه (جيرار جينيت) (بالنص المحيط) او (العتبات النصية) هي (لوحة الغلاف، والرسومات الداخلية او اللوحات المصاحبة، الاهداء، التصدير، والمقدمة) كونها تشكل حضورا بارزا عند كل من (عبد الوهاب البياتي) و(نزار قباني)، مستبعدين عتبة العنوان الا بما تستدعيه علاقته بالعتبات المذكورة ، خاصة واننا كنا قد تناولنا هذه العتبة بالدرس في رسالتنا للماجستير الموسومة (عنوان القصيدة في شعر محمود درويش) . واما فيما يخص الدوافع التي رشحنا على اساسها دواوين (عبد الوهاب البياتي) و(نزار قباني) كنماذج تطبيقية فيمكن تلخيصها بدافعين : الاول شخصي يتعلق بـ (صداقة نصوصية) عقدتها ذائقتنا مع شعر الشاعرين, واما السبب الثاني وهو الاهم هنا فهو سبب اكاديمي محض يتمثل بندرة ما كتب عن العتبات النصية بعامة . والعتبات النصية الخاصة بشعر الشاعرين خاصة، ففي الوقت الذي نال (البياتي) اهتماما واسعا من جانب الدرس النقدي عربيا وعالميا وشكلت متونه الشعرية مادة خصبة للمعالجة والتحليل نجد ان خطابه العتباتي قد ظل اسير الاهمال من جانب هذا الدرس على الرغم من الخصوصية الواضحة التي تحملها هذه العتبات كما ونوعا كما سيتبين ، واما (نزار قباني) فقد طاله الاهمال من جانب النقد متنا وخطاب عتبات . اذ على الرغم من الكم الشعري الهائل الذي خلفه الشاعر ومزاخر به من توظيف عتباتي مثير للانتباه . الا ان الملاحظ ان ردة الفعل النقدية تجاهه لم تكن لترقى الى مستوى ذلك الكم وتلك الخصوصية ، وبناء على ذلك يمكن القول اننا ارتاينا في دراسة الخطاب العتباتي لدى الشاعرين استهداف جملة نقاط نجملها فيما ياتي : ـ 1ـ ان يكون البحث متمما للجهود النادرة السابقة وفاتحة لاعمال اخرى تسهم في سد النقص الفادح الذي توفرت عليه مكتبتنا النقدية في مجال تناول الخطاب العتباتي بعامة . 2ـ المساهمة في الخروج بتصور شامل عن شعر (البياتي) الذي اهتم النقد بمتونه دون الالتفات الى خطابه العتباتي . 3ـ المساهمة في دفع شعرية (نزار قباني) الى دائرة الدرس النقدي الاكاديمي الذي يبدو انه على غير وئام مع شعرية الشاعر لاسباب ربما تتعلق بجوانب مضمونية يترفع الدرس النقدي عن تناولها . 4ـ الخروج برؤية ما عن طبيعة العتبات في الشعر العربي باعتماد مدرستين شعريتين مثلهما شاعران قديران وان كانا على طرفي نقيض اسلوبا ورؤى ومضامين الا ان قراءتهما من منظور عتباتي يوقف القراءة على اوجه شبه كثيرة تجمعهما كما وكيفا كما سيتضح . لقد عرف كل من (نزار قباني وعبد الوهاب البياتي) بسعة الكم لشعري الذي قد لايسلم معه دراسهما من التخبط باختيار عينة دراسته مالم ينضبط بضوابط نقدية اعتمادا على طبيعة المادة المدروسة وعلى هذا الاساس التزمنا في هذا البحث الاتكاء على المجاميع الشعرية بوصفها العينات المركزية التي يمكن ان توفر لنا مهادا تحليليا وخاصة في التصدي لعتبة (الغلاف) التي توجب التعامل مع مجاميع شعرية صغيرة بغية دراسة لوحتها الغلافية، في حين لم نتورع عن الاستعانة بالمجلدات الكاملة الخاصة بالشاعرين متى ما دعت الحاجة الى ذلك وقد خلصنا لدى التشاور مع الاستاذ المشرف الى خطة من فصلين ضما مباحث خمسة افردنا خلالها الفصل الاول لما اسميناه بـ(العتبات البصرية) التي استغرقت مبحثين مطولين نسبيا هما على التوالي : (عتبة الغلاف), و(عتبة اللوحات المصاحبة)، فيما انفرد الفصل الثاني بمعالجة ما اسميناه بـ (العتبات الافتتاحية) التي توزعت على مباحث ثلاثة هي على التوالي : (عتبة الاهداء), و(عتبة التصدير)، و(عتبة المقدمة), وقد اشفعت هذه المباحث اسوة بالمبحثين السابقين في الفصل الاول بنماذج تحليلية توزعها ما يخص العتبة المنظر لها من نتاج الشاعرين بطريقة راعت الجانب الكمي ، والتنوع الكيفي في الاختيار . ختاما اتوجه بالشكر الجزيل الى قسم اللغة العربية في جامعة الموصل رئيسا وهيئة تدريسية كما اتوجه بشكر خاص ملؤه الحب والاكبار الى الدكتور (ابراهيم جنداري) الذي وجدت فيه المشرف الحريص والاب الحاني الذي لم يال جهدا في توجيهي وتشجيعي ومتابعتي في كل ما من شانه خدمة البحث قصد الخروج بافضل ما يمكن . كما اتوجه بالشكر الوافر الى كل من ساهم براي او مشورة او توجيه او ارشاد الى مصدر سواء من الاساتذة او الزملاء الذين غمروني بفضل لا يسعني الا ان اذكره - وان غيبت كثرتهم وضيق المقام اسماءهم - واخص بالذكر والشكر هنا الشاعر (محمد جلال الصائغ) الذي لم يبخل علي بمكتبته الخاصة فيما يخص ادب نزار قباني. كما لا يفوتني ان اشكر زوجتي (ام سنن) التي كابدت معي في سبيل انجاز هذا العمل نضو ماكابدت، فاليهواالى الذين من قبلها تقديري وامتناني ، سائلا الله تعالى ان يجعل عملي هذا خالصا لوجهه انه نعم المجيب .

التعارض والترجيح في كتب الخلاف النحوي الانصاف - التبيين - الائتلاف == Opposition and Preference In the Contradicted Grammatical BooksAl - Insaf , Al - Tabyeen , Al - Etila

Author name: محمد امين حسن عبو
Supervisor name: حسن سليمان حسين الجميلي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: التعارض والترجيح في كتب الخلاف النحوي : الانصاف - التبيين - الائتلاف )) هذا هو عنوان الاطروحة التي جرى اعدادها لدراسة ظاهرة التعارض والترجيح . واشتملت على مقدمة وثلاثة ابواب وخاتمة وثبت بالمصادر والمراجع وثلاثة كشافات : كشاف للايات القرانية ، وكشاف للاحاديث الشريفة ، وكشاف للاشعار العربية . الباب الاول - يتناول تاريخ التعارض والترجيح ونظريتهما ، ويضم فصلين : الاول - يبحث في تاريخ التعارض والترجيح في اطوار الخلاف النحوي الثلاثة : طور تكون الخلاف ونموه ، وطور التنافس بين المذهبين البصري والكوفي ، وطور الترجيح بين المذاهب المختلفة . والثاني - يبحث في نظرية التعارض والترجيح ، ويقف عند محاورها الرئيسة : مدلول التعارض والترجيح ، وحكم قبول المعارضة ، ومجال التعارض والترجيح ، واركان التعارض والترجيح ، وصور تعارض الادلة النحوية والترجيح بينها . والباب الثاني - يتناول التعارض في كتب الخلاف الثلاثة ، ويضم فصلين ايضا : الاول - يبحث في ركني التعارض ، وهما : وجود مسالة اختلف فيها اثنان او اكثر ، وتقابل دليلين او اكثر وتعارضهما . والثاني - يبحث في مجال التعارض ، وهو الادلة النحوية ، وجرى التاكيد فيه على الادلة النحوية المعروفة ( السماع ، القياس ، الاستصحاب ، الاجماع ) ، مع الوقوف عند صور تعارض الادلة بين البصريين والكوفيين ، وموقف النحاة الثلاثة من هذه الادلة . والباب الثالث - يتناول الترجيح في كتب الخلاف الثلاثة ، ويضم ثلاثة فصول : الاول - يبحث في طرائق الترجيح واركانه ، جرى فيه الوقوف طويلا عند اركان الترجيح ، مع نقد دليل الترجيح عند النحاة الثلاثة . والثاني - يبحث في ادلة الترجيح النحوية ، جرى التاكيد فيه على الادلة المعروفة ، ووجوه الاعتراض على ادلة النحاة . والثالث - يبحث في علل الترجيح النحوية ، جرى التاكيد فيه على سمات العلة وشروطها ، ومسالك العلة وانواعها | This study includes three chapters : the first one deals with the history of opposition and preference and their theories . It also contains two sections . The first one studies the history of opposition and preference in the three contradicted syntactic stages which are as follows : the stage of its appearance and growth , the stage of the competition between the kufi and Basri trends , the last stage contains preference among other varied books . The second section deals mainly with the theory of opposition and preference and its basic elements such as : the sense of opposition and preference , the principle of accepting opposition , its positions , its elements and the forms of opposition among contradicted syntactic evidences . The second chapter concerns the incongruity in the three contradicted books and also falls into two sections . The first one stresses on the two opposing elements which are : the question that has also been discussed and opposed by two or more , and the two equalled or contradicted evidences . The second one deals with the conception of opposition including the syntactic evidences . Emphasis has been focused on some famous Syntactic evidences ( the audile , measurement , constancy , unanimity ) with stress on examples of contradicted evidences between the kufi and Basri schools and the attitude of the linguists towards them . The third chapter deals with the preference in the three contradicted books and includes three sections too : The first one is dedicated to study methods and elements of preference which have fully been analyzed with critical points for the evidence of preference itself according to the three Grammarians . The second section deals with the preferable syntactic evidences , with special emphasis on the famous ones and some objections directed to the evidences of the Grammarians . The third one finally studies the syntactic preferable reasons , their kinds and conditions with much consideration

صورة الخليفة في الشعر الاندلسي == The Caliph's Image in Andalusia Poetry

Author name: هبة عيسى حسين الحمداني
Supervisor name: منتصر عبد القادر الغضنفري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: بما ان الخليفة هو الذي يقوم بالدور الاكبر في تنظيم امور الحكم ؛ اذ يعمل على تطبيق اوامر الله وشعائره في ظل حكم اسلامي , فقد كان هدفي الاول من هذه الدراسة هو بيان (صورة الخليفة) كمرااها شعراء الاندلس واقعا وتخيلا سواء اكانت الصورة التي رسموها له ايجابية ام سلبية من حيث كون الشعراء بشرا تتحكم فيهم اهواؤهم الشخصية مع ثبات مفهوم الخليفة في الفكر السياسي الاسلامي في الوقت نفسه . وقد اقتضت خطة الدراسة ان تكون في ثلاثة فصول يسبقها تمهيد وتتلوها خاتمة ، اما التمهيد الذي يعد مفتاحا لموضوعها فقد قسمناه على قسمين تناولنا في القسم الاول منه الخليفة لغة , وتناولنا في القسم الثاني الخليفة اصطلاحا على وفق محورين تضمن الاول الخليفة في الفقه الاسلامي , واما الثاني فقد تناولنا فيه مصطلح الخليفة كما فهمه شعراء الاندلس ، ومن ثمة فقد تعددت مرادفات المصطلح كما سيتضح . ثم جاءت فصول الرسالة , فكان الفصل الاول في دراسة (الصورة المعنوية) , وتضمن اربعة مباحث : كان الاول في (الصورة الحربية) وقد قدمناها على بقية الصور ؛ لغزارة الكم الشعري الذي عثرنا عليه في مصادر الشعر الاندلسي , وقد تمثلت هذه الصورة في فن ادارة المعارك ووقائعها , اما المبحث الثاني فقد كان في (الصورة الاجتماعية) ، وشمل مكارم اخلاق الخليفة وعلاقته بالرعية ، واما المبحث الثالث فتناول (الصورة السياسية) التي تركزت في بيان نظام الحكم والسياسة الادارية والاصلاحات ، واما المبحث الرابع فكان بعنوان (الصورة الدينية) المتمثلة بالمعاني الاسلامية ومفاهيم العقيدة السمحاء التي حملها الخليفة وتمثل بها . اما الفصل الثاني فكان في دراسة (الصورة المادية) , وجاء في ثلاثة مباحث : الاول في بيان (هياة الخليفة) كمراسمها له شعراء الاندلس ، واما المبحث الثاني فقد كان في (الصورة الشخصية) من حيث ما تكلم عليه الشعراء من صفات الخليفة من مثل الثقافة الخاصة والحاجات الشخصية. وكان المبحث الثالث في الحديث عن (الصورة العمرانية) بمعنى ما اشار اليه الشعراء من مظاهر التقدم العمراني انذاك مما يعد من منجزات الخليفة .وقد اتبعنا في ترتيب مباحث هذا الفصل التسلسل المنطقي في وصف شخصية الخليفة من حيث الهياة والصفات وانتقالا الى ما احدثه من اعجاز عمراني . ثم جاء الفصل الثالث ليظهر (الصورة السلبية) للخليفة والمتمثلة بذكر الخلافات التي حدثت بين قادة الاندلس فضلا عما اشار اليه الشعراء من ابتعاد عدد منهم , والابتعاد عن منهج الاسلام والاخلاق الاسلامية النبيلة . | The aim of this study is to show the (caliph image) as seen by Andalusia poets as a reality and imagination, whether that image was positive or negative because the poets are humans, who are dominated by their personal passions and with the solidity of the caliph concept in the Islamic thought at the same time. The subject of the study required that this thesis consists of a preface and three chapters.The preface was divided into two parts; the first one tackled the caliph linguistically, while the second part dealt with the caliph terminologically on the basis of two axes. The first axis dealt with the caliph from the Islamic Fiqh point of view, and the second tackled the term of the caliph as realized by the poets of Andalusia.Chapter one studied the moral image and consisted of four sections. The first section tackled the was image of the caliph. But, section two dealth with the social image, the third one tackled the political image and section four dealt with the religious image of the caliph.Chapter two examined the material image and included three sections. Section one manifested the shape of the caliph, the second section tackled the personal image and the third section dealt with the urban and architectural form.Chapter three manifested the negative, image of the caliph and presenting the image of other caliphs other that Andalusia caliphs. Finally, it was shown - after scrutinizing and studying the concept of. the caliph linguistically and terminologically in the Islamic Fiqh and for the poets of Andalusia considering them as the persons who express the society and the environment. So we can see many words, which are synonyms to the word "caliph" and indicating the caliphate as an Islamic concept including : " the prince of believers, the prince of Muslims, the Imam, the king and the Sultan.The research also revealed the attention of the poets to the military role of caliphs through the grand battles that they lead against their enemies such as the battle oiZallaqah, AlArk and Wadl Sulaii battles. Those poets portrayed the positive and good characteristics of the caliphs including high manners. But, the poets also manifested the negative social images of the caliphs if he does anything wrong and that reflects their - the poets - commitment to Islam mentioning their kings and women in the image of the caliph and they employ the nature of Andalusia nature to portray traits and events

شواعر العصر الجاهلي وعصر صدر الاسلام : دراسة ايقاعية == Pre - Islam And Islamic Period Women Poets (Rhythm Study)

Author name: محمد يونس صالح الجريسي
Supervisor name: ذنون يونس مصطفى الاطرقجي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: فان الايقاع يعد عنصرا مهما من عناصر الخلق الشعري، ذلك انه يثري النص صوتيا ودلاليا ويمنحه الترابط والانسجام والجمال والانتظام، ولا يقتصر مفهوم الايقاع الواسع سعة تطورات القصيدة العربية، والمتحول تحولات الذات الشاعرة على عنصري الوزن والقافية فحسب، بل م | The ancient and modern Arabic poetry represents an important of the literary arts which relation and belonging with the rhythm in its general concept - internal or external - , there is doubt that rhythm give the poetic text aesthetically and orderliness work on the effect in the reader, as well as it is regard as expressing about poet psychology in the same time.The pre - Islamic and Islam period poetry seems have a rich rhythm texts in the rhythm levels were the most important reasons to make us tend to the rhythm study in poet women's poetry in that two ages. Then we worked on analyzing the rhythm texts in their texts and examining what contain of the senses, we can touch them by texts contexts, and after saw their poetry in the ancient books (resources) I tried to select the texts which agree with the rhythm study, if there is no any text lacking from rhythm in any form.That the rhythm study in three important matters, I tried to follow them in my study that are : reading, statistic, and description, and we must followed an academy method to make the study in arrangement and classified method, so our study as following : The first chapter, including the external rhythm in the poems and the pieces, then we tried in this chapter to citing in texts which poetize on the most common meters in the women poets production. However, the poems were their relation less from the pieces, we cited in less number of the pieces, as we dealt with the relationship of the pieces with the meters according to the modernists' opinion, as we dealing with the rhyme which have absolute and limit pun and effect of each one in the rhythm and sense.But the second chapter, we dealing in it the internal rhythms which are most common, the repetition technology in its all kinds (the beginning repetition, first hemistich repetition, abbreviation repetition, complying repetition, first hemistich repetition), as we dealt the parallel technology which based on the twofold of sense similarity and paradox, in addition to the structural and conjugate parallel and its effect in rhythm and sense, as we dealt with rhetoric parallel which based on the technologies of the inlaying and the harmony.Finally, we dealt in this chapter with the reciting and dialogue rhythm and their effect on the rhythm and sense in general.Our study had benefit from many previous rhythm and style studies was first ( the modern Arabic poem between the rhythm structure and sense structure) for Dr. Mohammed Saber Obied , and the (poetical language) for Mohammed Kanoni and (style characteristics in Omar Bahaa Al - Din Al - Amiri' poetry) for Abdullah Abdul Khaliq Al - Ghanim.Finally, I don’t have any thing except the pray and thank word for my virtuous teacher Dr. Thunnon Al - Atraqchi and for all teachers in the Arabic language department, calling for Allah that I will never forget their favor, and what was right that from Allah, and what was wrong that from myself.

ادب الرسائل الاخوانية في العصر العباسي الاول : دراسة فنية == The Literature Of Brotherhood Epistles In Abbasi Age From 132 A.H To 334 A.H (A Technical Study)

Author name: سمير عبد السلام حاجي
Supervisor name: ساهرة محمود يونس الحبيطي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: We have chosen the title " Al - Ekhwania epistles in First Abbasid Period / Technical study " after presenting the subject matter to the headship of Arab language Dept. and the committee of high studies. We have aimed at selecting most of Al - Ekhwania epistles (the informal ) which had been exchanged by Al - Ekhwan (the brothers ) and other writers , ministers , and caliphs - sometimes - for personal reasons unrelated to formal matters. We have limited the period from 132 A.H. to 335A.H. the year in which Baghdad , the Abbasid capital , being occupied by Bani Bowaih. The cause of choosing this subject has been the availability of prosaic and poetic texts which were written in the period covered by the study , and revealed the significance of studying and taking care of them for they are considered another aspect of Arabic eloquence in its fruitful period (i.e. the Abbasid period ). We have observed that Al - Ekhwania epistles in this period , which we chose it , deserved to be studied from different aspects.In addition , they should be paid more attention and research by the researchers in the technical Arab prose in Abbasid period - the age of Arabic eloquence and culture.So I have chosen this subject after consulting the supervisor (the assist. Prof. Dr. Sahira M. Younis Al - Hubaiti , as well as consulting the specialists in this field of study like Dr. Ahmad Hussein Al - Sadani , Dr. Aamer Hasawi and Dr. Ali Kama - al - Din Al - Fahadi and others in Arabic language Dept. / college of Arts , and college of education , fundamental education. We have concluded that the subject has not been studied separately yet - as I know , then I decided to register my subject to be a partial requirement for M.A. degree in Arab literature

الادماج في القران الكريم == Integration In The Holy Quran

Author name: جاسم الياس احمد الجحيشي
Supervisor name: هناء محمود شهاب احمد الحمو
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: This thesis aims at studying integration in the Glorious quran : A Rhetorical study. It is a very important subject, because it sheds light on an essential part of the styles of the Holy Qu’ran.The study comprises an introduction, two chapters, and a conclusion. The introduction is a theatrical one, for it discusses the rise of the term and the proble of its overlapping with other terms. It also deals with the term linguistically and termindogically.Chapter one handles integration in semantics. It discusses it within the context of many styles.Chpter two, entitled "integration in the scienced of bayan and rhetoric, consists of two sections. They tachle interation in relation to many styles such as hyperbole, emphasis, and so on.The thesis ends up with the conclusion that the most important aspect which is indicated integration is conciseness through which it is possible to integrate two meanings in one structure or a single item without causing any difficulty to the receptor, a matter which reflects the rheforic of the holy Qu’ran its aesthetics.

شعر الجواهري : دراسة بلاغية اسلوبية == Al - Jawahiri'S Poetry Rhetoric Stylistic Study

Author name: حسن محمد سعيد اسماعيل الحيالي
Supervisor name: محمد حسن مصطفى البياتي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: تقوم فكرة البحث على رصد شعر الجواهري بوصفه حقلا خصبا لدراسة بلاغية اسلوبية، فشعره مشبع بالتقانات البلاغية المتشكلة في اسلوب ابداعي مبني على الوان جديدة في التعبير والتصوير، مع التزام معيارية واحدة في اختيار النصوص الشعرية من خلال تسليط الضوء على تجليا | The research's idea basis on watch al - Jawahiri's poetry because of that poetry is a feracious field for stylistic rhetoric , his poetry full of rhetorical techniques which forming in creative style put up on new colours in expression and imaging, with committing in one normative in choice of poetry texts throughout shed light on poet identity manifestings in Al - Jawahiri's poetry - escribing it express on the sense of superiority and possessing alone - because it forms a big phenomenon in his poetry, then took an enough sample from those texts and made it a matter for analyzing and study, in employing the stylistic method which working on all languages level (phonetic, structural, and sense) because he started from he poetry and don’t care with criteria and solid molds in discovering the rhetorical techniques and stylistics and esthetic aspects which forming he artistic work. This research's importance come from that it is study Al - Jawahiri poetry rhetorical stylistic basis on the description and analyzing in scientific way discovering on rhetorical phenomena and aspect and work the stylistic method which able to defining the artistic lineaments and the apocalypse powers from inside the poetry text's entity. The research aims to establishing a bridge reaching the rhetorical heritage with the modern stylistic, and establish for integrating relationship between the rhetorical techniques and methodology of the stylistic research in attempting to access the traditional reading for the poetry text and impermeability on the surface limits for it throughout taking the hypothesis principles as a means to reaching to the texts' depths ant its deeping build. The research's plan division on preliminary, here chapters, and conclusion : The preliminary divided on two sections, he first one (he rhetorical and stylistic - integrating relationship ( and the second one dealing with (identity manifestings in Al - Jawahiri biography). The first cheaper study (the phonetic level) and I divided it into two themes, the first one dealing with (exoteric rhythm) in its two divisions (meter and rhyme), and the second one dealing with (internal rhythm) and it is divided into two divisions, the first one (iteration) and the second (assonance). The second chapter study (the structural level) and divided it into two themes too, the first one dealing with (parallel) and we observe four kinds of it (full horizontal, partial vertical, full vertical, and partial vertical parallel) and the second one dealing with (turning). The third chapters study the (sense level) and I divided it into four themes, the first one dealing with (idealization) , and the second (metaphor), the third (the dispatcher trope), and the fourth one (metonym). The conclusion including the most important results which reaching by the research

المباحث اللغوية والنحوية في كتاب الشرح الممتع على زاد المستقنع للعلامة الشيخ محمد بن صالح العثيمين (ت1421هـ) == Ibn Al - Authaymean’S Linguistic And Syntactic Effects In Explaining The Book Of Zad Al - Mustaqni

Author name: احمد صالح حميد النجماوي
Supervisor name: محيي الدين توفيق ابراهيم
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: The thesis entitled Ibn Al - Authaymean’s Linguistic and Syntactic Effects in Explaining the Book of Zad Al - Mustaqni.The study consists of an introduction, four chapters and conclusion. The introduction deals with Al - Authaymean biography and the relation between the Arabic language and Shareea. The first chapter falls in two sections, the first of which presents the main sources and references of Al - Authaymean and also the well known scholars whose views appeared in the book. The second sections deals with the auditory sources of language based mainly on the Holy Quran, the Prophet’s sayings, the poetry and Arab prose. The second chapter falls in three sections. The first section deals with types of semantic references, i.e. phonetic linguistic, dictionary meanings, figurative and Islamic. It also talks about the contexts (linguistic, social and contexts). The second section reviewed the semantic relations among words. The third section presents the semantic, non - relations among words. The third chapter falls in two sections. The first one deals with factors and causes, whereas the second one talks about the syntactic aspects. The fourth chapter consists of three sections. The first one deals with markedness rules concerning nouns, the second one contains the rule of verbs. The third section was specified for markedness rules and preposition.

جدل الشعر والنحو : دراسة في شروح القصائد العشر الطوال

Author name: باسم ادريس قاسم مصطفى السوفاجي
Supervisor name: بشرى حمدي فتحي احمد البستاني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:

الرؤية في القصائد العشر == Visibility In The Pre - Islamic Arabic Poetry - Pendants Ten A Model

Author name: افراح عبد محمود الصباغ
Supervisor name: مؤيد محمد صالح اليوزبكي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: Poetry was a means to detect the human realities of things 'but detection of objects and symbols, and exposing Astmlae. Poet is best able to call things by their proper names, because it is capable of creation and creativity stemming from the inherent ability of self and maturity of the intellectual and artistic and aesthetic and depth of the horizon of knowledge - Find useful in employment macroscopic and significant or realistic to reveal behind the facts related to the experience of the poet life' and poetry with a vision to confer on the objects and a new reality is possible 'which is different from the reality recognized when people who are rust and obsolescence no longer serve, and to build state of the world new better that they want to go Viosaun thought to the people and their world and their presence which Jmdoh and identified' Understanding to carry out the soles of life and reality Spraguar art and swept up the veil for the truth that lies behind the necessities of life. And poetic vision of linking the visual and the invisible between reality and dream as it revealed the strength and energy to create a virtual tool and knowledge, to enrich reality The bypassing of vision as the border meaning lexical beyond the vision of the seeing and the apparent meaning of things to the awareness and briefing Bhakaigaha to be more inclusive and better able to discovery which can not impaired his vision and take Bhakiqth been overtaken incursion into the depths of things and try Astbtanha the finest exposing and preserved in the feelings and concerns and attitudes through incursion in the depths of the unconscious and The dark depths of truth and thus become Bassurah vision and insight together to and identifies the vision and interfere with them in the meaning by trying to creation of new horizons of thinking is not at the level of topics only But in terms of a holistic view of the world that you are working on a creation that is the task of the vision that binds reality dream and graduated Language Baekr working on the Union form to the content so that is no longer the poet but Seeing which is the same and others in that, Vlgosaidp) Revelation) in the sense that they embody the aesthetic / perfect for the transition poet to express the world to see and how to say it is a vision of the interior. The pendants Arabic poetic form in which the body immortal vision and poetic vision of a strong character because she was the product of human experiences and a broad and multifaceted, embodied the rights and issues raised by both communities and the various ages. The effects of that melted the hearts of the recipients in all forms, government had met a matter of creation and regeneration in the Permanent Technical immortality is a feature unique texts and high - end, which has become an aesthetic structure identifies in detail the vision and keep the vision.

الدرس النحوي بين ابي علي الفارسي والزجاج في اعراب ما بعد سورة (البقرة) من السبع الطوال : دراسة في كتاب الاغفال == Controversial Grammatical Issues Between Ab? Cali Al - Farisi Al - Zadjadj In Al - Sabc Al - Tiwal (The Longest Seven Quranic S?ras) That Follow S?rat Al - Baqarah (The Cow) : A Study In Al - Ighfal (Inadvertence) Book

Author name: نذير محمد امين مهندس الجبوري
Supervisor name: عبد الوهاب محمد علي العدواني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: The present study investigates some controversial grammatical issues in the book of Mac?ni al - Quran wa Icrabuh (The Meaning and Parsing of the Glorious Quran) by al - Zadjadj. Disagreeing with al - Zadjadj's orientation, al - Farisee reviewed these issues in his book al - Ighfal (Inadvertence). The study is restricted to al - Sabc al - Tiwal (the Longest Seven Quranic S?ras). The seventh of these s?ras, however, is also a controversial issue. Some scholars deem both S?rat Al - Anfal (the Spoils of War) and Surat At - Taubah (the Repentence) the seventh of these s?ras, while others consider S?rat Yunus ([Prophet] Jonah) as the seventh s?ra. The researcher has, however, adopted both views as they are both well - established; the first entertains Prophet Muhammad's (peace be upon him) companions’ consensus, while the second hinges upon well - established scientific evidence. The grammatical issues reviewed by al - Farisee from al - Zadjadj's book amount to twenty three issues out of thirty two tackling other linguistic, morphological and semantic aspects. To investigate these grammatical issues, the researcher tends at the very beginning to provide a brief summary of al - Zadjadj's views concerning each issue. He then presents al - Farisee's view and tries to either support or refute this view building on the well - established Quranic and grammatical literature. The researcher has tried to provide a comprehensive grammatical investigation of these issues and use as simple and direct language as possible. There bound, however, to be some pitfalls and shortcomings - as in any humane work - for these the researcher takes full responsibility.

رثاء المـدن فـي الشعـر العربي في العصر العباسي (132 - 700) هـ (732 - 1100)م == Elegizing Of Cities In The Abbasid Poetry (132 - 700 A.H.) (732 - 1100) A.C

Author name: عبد الله بيرم يونس
Supervisor name: غانم سعيد حسن الطائي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: Elegizing (Rithaa) is generally considered one of the loftier poetic purposes. It is the supreme and superior one. Elegizing of Cities is the more - exalted kind of Elegizing. The poet lets his country and home cry because he loves them and feels unhappy and pain when he loses them. He, by that, does not wait to be rewarded from someone sooner or later. This type of poetry is characterized by sincere emotion and deep feeling of sorrow and sadness.Standing on debris in the ancient Arabic poetry, by which the line of poetry be started, is a great evidence that art of elegizing is closed to the Arabic man's deepness and feelings. This standing was not upon the first origins of cities elegizing art, which was prosperous in the Orient at the Abbassid era by reason of unsettled political situations for some time and of foreign invasion at other times. Poets lamented their cities when they were destroyed because of interior and political troubles and affected by the natural disasters and calamities such as earthquakes and floods as well as occupied by their enemies, crusaders and moguls. Baghdad elegies (197 A.H.) were the oldest cities ones. They were the truest as to sorrow. They preceded well - known Andalus cities. This study showed that the Orient people preceded Andalusians in cities with regard to cities Elegizing.When he was elegizing his city, Abbasid poet was affected by the ancient poetry from which he derived many expressions and forms. Also, he was obviously affected by Islamic principles that imbued all ideas, forms and meanings

لفظ الرحمة في القران الكريم : دراسة دلالية == Al - Rahma Term In The Holy Quran Sense Studying

Author name: محمد شكر محمود
Supervisor name: هدى طاهر محمد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: جاء البحث امتدادا للدراسات القرانية متناولا لفظا، مادامت النفوس تستشعره وتصبو اليه الارواح بدراسته، الا وهو (لفظ الرحمة في القران الكريم - دراسة دلالية) وتكمن اهميته في كونه يظهر تناسق الالفاظ وانسجامها في النظم القراني، فهي تشترك جميعها في بيان دلالة | The research comes continuing for the Quranic studies which dealing with term as long as the spirits feeling it and the souls look at it in studying it (Al - Rahma term in the Holy Quran - meaning study), its importance found in it is appear the terms harmony and according in the Quranic regulation which all participate in explaining the term sense which depended on in the research studying.Which make the reader more understanding and thinking with the terms essence , the terms in its stated in vary context and different compounds tell in each time about sense derive from that, it is miracle in its arrangement and essence.Following the linguistic matter of Al - Rahma in the Holy Quran, and after count it I found it occupy 562 position. The stylistic study required that the research structure be divided into two chapters preceding by the preliminary chapter and following by conclusion quoted from the research lights. Showing its marvel in variation of the senses for the one term with beauty of harmony and according of the terms as a collar crowned that harmony in participate all in giving the term sense. I talking in the preliminary about (Al - Rahma in the linguist and legal concept) followed that study by the first chapter studying in it (Al - Rahma in the Quranic using and its relationship with the holy tow terms (Al - rahman and Al - Raheem), dividing it into two themes, the first one, (Al - Rahma in the Quranic using) consist of three axe's : the first one titled ( number of the forms which build on them the matter of RAHMA), and the second one (the apparent cases which the Al - Rahma term mentioned in it), and the third one (Al - Rahma terms' senses in the books of faces and the counterparts).The second theme was titled (Al - Rahma and its relationship with the two holy terms Al - Rahman and Al - Raheem) consist of five axis's, the first one titled (Al - Rahman and Al - Raheem are descriptions not adjectives), the second one , the tow forms of Al - Rahman and Al - Raheem, and their senses and the relationship of Al - Rahman with (Ruhm) and Al - Raheem with (Marhama), and followed by explaining scheme for explain that, and the third one (AL sense in the AL - Rahman and Al - Raheem terms), and the fourth axis ( the sense of cutting and increasing in Al - Rahman and Al - Raheem terms), and the fifth one (Pairing sense between the two holy names Al - Rahman and Al - Raheem), the chapter followed by schemes explaining what we mentioned before, we limit by put name of the chapter (Aya)and the number of the verse (Sura) , dividing it into two themes, the first one is (senses of the mercy of Al - Rahman Al - Raheem) contains 30 senses, and the second theme titled (Al - Rahma sense among the creatures) contains one sense that is the fineness.And the analysis for the Quranic verses shows within the second chapter in the two themes according to the forms which term of Al - Rahma mentioned by it in the one sense, preceding the infinitive form on others , because of the infinitive form is the dominant, taking from the explanation , syntax, conjugate, and the eloquence books.The very important results are : The linguistic and legal concept tell that Al - Rahma has two meanings are compassion and sympathy, and the relationship among Al - Rahma, Al - Rahman and Al - Raheem prove that Al - Rahma in the Holy Quran has two meanings are compassion and the sympathy according to sense both Al - Rahaman and Al - Raheem, and the sense of pairing the holy two terms that its mercy are self actual, comprehensive full, multiplying absolute, non restricted mercy.And the dividing senses of AlRahma recommended within one chapter that Al - Rahma even had two meanings, it is has one origin and make it in two themes confirming to the Al - Ragheb Al - Asfhani speech that Allah focus in the people natures the fineness and He marked by charity.Confirming that and documented it by saying of Allah ((My Mercy broaden everything)) Al - A"Raf chapter / 156. And what came in Albukhary Book in the Messenger Hadith (Allah make the mercy in one hundred parts, catch 99 parts and landing one , from it the creatures be merciful by each other even the mare left its hoof on its child fear of hurt it.Through analyzing for holy verses showed that prefer some senses on others through the Quranic context (charity. Allah order, piety, reward, patience, good, compassion, preservation, rain, perfection, forgiveness, cordiality, ……).Finally, this thesis regards a continuing participation in the knowing of sense of a term in the Quranic context.

شعر مديح الخلفاء في العصر العباسي الاول : مقاربة تداولية == Praise Poetry Of Caliphs In The First Abbasid Era Pragmatic Approach

Author name: عبد الله بيرم يونس
Supervisor name: منتصر عبد القادر الغضنفري
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: Pragmatics deals with the relation between linguistic activity and its users, and successful methods of using the linguistic marks and different keys and contexts within which the discourse is made. Also it finds out the elements that make the discourse as a successful and obvious massage and it finds out the reasons for failure in communication with natural languages.Since pragmatics has the ability to call for non - linguistic aspects in the process of criticism and analysis in the address, this method has been chosen to approach the praise poetry of Caliphs in the first Abbasid era in a way which is different from most literary studies that deals with this poetry with regard to artistic form only. Praise poetry in general, and of Caliphs in particular isn’t based on the aesthetic conditions only, but also it takes into consideration the pragmatic and social conditions that require forms of speech manner according to tone keys in response to a general law that regulates the human communication and prescribes that the success of communication between speaker and addressee is based only on the response to the pragmatic rules, such as cooperation, politeness, courtesy … etc. Since these rules are characterized by usual communication, it is better that these rules are characterized by poetic speech which requires aesthetic form. So, how do the poets leave the dignity that they seek? The poetry that praises Caliphs requires special types of criticism, so the pragmatics is the most appropriate manner to approach this type of poetry. So, we followed the pragmatic manner in studying and analyzing the praise poetries mentioned in the Abbasid royal palace.

ايات السبيل في القران الكريم : دراسة تحليلية == The Verses Of Al Sabeel 'Way' In The Holy Quran : - A Analytic Study

Author name: طه محمود احمد العلي
Supervisor name: زاهدة عبد الله محمد العبيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: This thesis entitled (the verses of al sabeel 'way' in the holy Quran : a analytic study) was in the first place a title preposed by the super visor , Dr. Zahida Abdullah Muhammad. Then this title became an idea and finally it turhed into an MA research. It tackles the verses of the Holy Quran where the word of Al sabeel (way) were mentioned (167) times.The choice of this topic is due to the importance of the Holy Quoran as asuorce of. All Quoran and linguistic studies for its well coined texts and the accurate choice of words and their uses in the suitable contexts. It is known that the Holy Quoran in its preposition , words , sentences and verses has been massively studied by researchers , there fore ; We preferred to focus in this research on a specific word mentioned in different contexts where the research material was distributed. The research includes a prelude where the word of Al sabeel (way) was defined linguistically and idiomatically and the difference between the word of Al sabeel and the word of Al tareeq (road) and Ah sirrat (straight way) was also mentioned and two chapyres. The first chapter entitled (Al sabeel (way) in the context of verses of the Jihad (the holy war) consist of there parts. part one tackle verses of Al sabeel within the context of the physical Jihad which treats three issues. The first issue focuses on the verses of Al sabeel within the context of the verses of Al Jihad. The second one tackles verses of Al sabeel within the context of the verses of Al Hijra (immigration). While , the third issue discusses the verses of Al sabeel within the context of the verses of fighting in association with the Hijra (immigration) part two is about the verses of Al sabeel (way) within the context of the financial Jihad while which contains two issues. The first is about the general spending. While the second one is about the verses of Al sabeel within the context of the private spending. This chapter ends in part three which discusses the verses of Al sabeel within the context of the physical Jihad in association with the financial Jihad. chapter two is entitled (Al sabeel) within the context of verses of guidance and misleading.It consists of three parts. part one tackles Al sabeel within the context of the verses of guidance. It focuses on two issues. The first issue discusses Al sabeel in the context of the verses of the materialistic guidance. While , the second issue is concerned with Al sabeel within the context of the verses of religious guidance. This issue consists of two items. The first item tackles Al sabeel within the context of the verses concerning the special religious guidance and the second item treats Al sabeel within the context of the verses of the general guidance. As for the second part , Al sabeel is discussed within the verses of the misleading. It includes two issues. The first issue tackles Al sabeel within the context of the verses concerning the misleading and the misleaders. The second issue is about Al sabeel within the context of the verses related to the punishment for misleading while the third part treats Al sabeel within the context of the verses of rejection It comprises three issues. The first is concerned with Al sabeel within the context of the verses of the disbelievers' and the hypocrites' rejection. The second issue is about Al sabeel within the context of the verses of the devils' rejection. In the third issue , Al sabeel is tackled within the context of the verses regarding the people of the verses rejection. At the end of chapter two , three is an appendix including verses mentioned together with those of chapter one. In fact , chapter one is closer to these verses therefore they are attached to it. These verses are concerned with the Islamic laws and rules which if followed, we would be then on the way of guidance ; Otherwise we would be on the way of misleading. The sources used in this research are new and old. They include interpretation books , language books and dictionaries. I would like to express my deepest gratitude and thanks to all friends of mine and the library staff who helped in this research. The findings of this research shows the following : - Most of what is said about Al sabeel (way) cam as religious not materialistic. - The word Al sabeel (way) is used in the Holy Quran to show the religious matters in materialistic way like religion , guidance and misleading. - Al sabeel (way) is mentioned as singular , plural and added , when it is singular , it refers to good and guidance. When it is plural , it refers to misleading and when it is added , it is meant to honour and glorify the word of Al sabeel. When it is added to people , it is meant to honour and glorify them. - To praise Al sabeel (way) is meant to praise its user and to censure Al tareeq (road) means to censure its user. - The word Al sabeel (way) is used more than both the of Al sirrat (the straight way) and Al tareeq (road) due to its easy letters and its form

ايات العتاب في القران الكريم : دراسة بلاغية

Author name: ابراهيم حسين علي
Supervisor name: احمد فتحي رمضان الحياني
Specific topic: Language - Rhetoric
Degree: Master
Language: Arabic
University location: Mosul
First pages:

الطيف في شعر البحتري == Phantom In Al - Bohtri's Poetry

Author name: ياسر محمود حسن عواد الحديدي
Supervisor name: نوار عبد النافع الدباغ
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: This Phantom covered a wide aspect of the Abbasi's poetry in general and Al - Bohtri's poetry in Particular. Al - Bohtri's phantom is restricted in the introductions of his Praises which draws attention to the fact that it is not concerned with a real woman but it was a symbol for what is beautiful and lovable to the poet himself.The facts that contributed to the use of phantom , Social and psychological ones. The poet suffered a lot when he was a way from the Caliph and the minister who loved them and had real friendship and admiration relation ships with them. The happy and nice time , had spent with them , made his life bored and not pleasant when the two characters got killed. These two characters were the central pillar in the phantom of Al - Bohtri's Poetry. The poet was Calliy for thers his old happy and nice days in the Abbasi Calphate Palace. Also , their phantoms were Called whenever he wanted to praise a Caliph or a stateman. The faculty of his poetic imagination helped his link vision with reality and real world with dream. The poet goes back to his memory to get the power from the old happy days. when hard times stand against the poet. He faces the painful present time with the old times.

المصطلح البلاغي في كتاب الكليات للكفوي (1094 هـ) == Rhetorical Term In Al - Kulliyat Book For Al - Kafawi (1094 A.H.)

Author name: لمياء حسين حسن حميد الهاشمي
Supervisor name: محمد سالم سعد الله الشيخ علي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: The terms, being practical and epistemological keys in any area of study, have become an effective tool that helps researchers in a certain discipline to understand them and to trace their true sense. The work on terms has busied a number of scholars in various areas. They exerted great efforts in the cause of illuminating concepts, and defining senses. They compiled dictionaries and encyclopedias which encompassed these terms. One of these books is Abi Al - Baqa Ul - Kafawi's (1094 A.H.) entitled Al - Kulliyat, a dictionary of linguistic differences, which contains a great number of terms that entered different scientific fields. We opted for studying this book for its highlighting of the rhetoric terms. The present thesis comprises four chapters. Chapter One studies the rhetorical term, which had undergone no changes. Chapter Two deals with the overlapping terms. The overlapping terms are those rhetorical terms that were presented by Al - Kafawi as overlapping with such disciplines as grammar, jurisprudence, logic, etc. Chapter Three is devoted to the rhetorical terms that were presented in a rather abridged manner to which we gave the label “condensed rhetorical term”. Chapter Four is dedicated to the rhetorical terms treated by Al - Kafawi away from their rhetorical arena. They were dealt with within grammatical, logical or fundamental frames - or other frames. The findings of the present study are : 1. Al - Kafawi depended on very subtle senses to show the differences among terms.2. Al - Kafawi has deviated from rhetoricians in his coning of some terms especially the term “ tandheem”.3. The obscurity of some terms of Al - Kafawi stems from his adoption of some rhetoricians’ limitations before having matured.4. Al - Kafawi has sometimes cited some concepts in an inaccurate way such as the term “altajnees”5. Al - Kafawi's style was coloured by a philosophical and logical colure, which became one of his distinctive features

حذف المرفوع من الاسماء في الحديث الشريف : دراسة في كتب اعرابه من العكبري الى السيوطي == Omission Of Raised Nouns In Prophet's Says Study Of The Books Of Its Syntax From Al - Uqburi To Al - Syuti

Author name: وليد خضر عمر الحماوي
Supervisor name: عبد الوهاب محمد علي العدواني
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:

الا في القران الكريم : انساق ودلالات

Author name: وفاء غانم رشاد مصطفى النعيمي
Supervisor name: خزعل فتحي زيدان البدراني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: فقد اخذت الدراسات القرانية مكانا مهما في مصنفات البحوث، قديما وحديثا، وتسعى هذه الدراسات فيما تسعى اليه الى الكشف عما اودعه الله - تعالى - في كتابه من وجوه البيان، وما ضمنه من علمه من اسرار خلق الانسان والاكوان، وتتوالى هذه الدراسات وتتنوع، | This study deals with one of the tools mentioned in the Holy Quran, namely (الا) where it is mentioned in (54) ayah. The study aims at identifying this tool and its important role in the Quranic context. The tools origin, meanings and linguistic uses are dealt with in the study. Then, the structural patterns of the tool and the relation of such patterns with the context are illustrated.

قصيدة الحياة اليومية في شعر عدنان الصائغ == Every - Day Life Poem In Adnan Al - Sa'Igh Poetry

Author name: احمد محمد علي حمو الطائي
Supervisor name: احمد جار الله ياسين
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: حظيت الحياة بتفاصيلها اليومية باهتمام في الشعر الحديث، اقتناعا من الشعراء بما تحمله الحياة من مناطق شعرية غنية مضمرة في اعماقها قادرة على منافسة هيمنة الموضوعات التقليدية، عبر المراهنة على جاذبية اليومي البسيط في خلق الشعرية الحديثة، وذلك ياتي استجابة | Life with its minor details captures the attention of modern poetry. It is, as modern poets think, so rich with inherent poetic fields that it can get rid of the grip of traditional themes. Modern poets stress the ability of the simple daily life attraction to dominate modern poetry. They develop this conviction to follow the up - to - date progress and express the concerns of wide walks of life used to be neglected by traditional poetry. The study consists of an introduction and four chapters. The introduction deals with the concept of daily life poem linguistically and idiomatically. It discusses as well the numerous terms used to refer to this concept. It presents a critical historical overview discussing some modern and traditional poems in the light of Arabic and western critical views.The first chapter of the study tackles the patterns of daily life poem structuring. It falls into two sections. The first studies the simple patterns (represented in stanzas, imagery poems and thoughts). The second, however, deals with compound patterns (i.e. narrative structures and dramatic structures). The second chapter studies the techniques of daily life poem. It is also of two sections. The first is concerned with the linguistic techniques of daily life poem. It is tackled at three levels : the dictionary of daily life poetry, unusual collocations and prose performance. The second, however, is concerned with imagery techniques. It concentrates on the techniques of intertextuality, informativity and production.The third chapter is dedicated, however, in its two sections to the themes of daily life poem. The first tackles individualistic themes like woman, family and fear; while the second studies social themes like war, daily affairs and class conflict.Finally, the fourth chapter is concerned with the musical structure of daily life poem. It studies in its first section the cadence of rhymed poem and some of the prominent rhyming features like rhythmic shift, rounding, and rhyming. The second section is concerned, however, with the rhythm of blank verse. It tries to highlight some rhythmic feature through studying the phenomena of repetition, parallelism and sight rhythm. The study ends up with a list of the most important conclusions it comes up with.

سورة هود : دراسة في مستويات البناء == Surat Houd A Study In Syntax Levels

Author name: منى زيدان ذياب صالح المشهداني
Supervisor name: عبد الله محمود طه المولى
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: ان الدراسات التي تناولت القران الكريم كثيرة ولا تحصى، لكونه نصا فريدا، وبناؤه محكم متلاحم الاجزاء واسلوبه معجز، مثل بناؤه جانبا مهما من جوانب اعجازه، سواء اكان باستعمال اللغة وتوظيفها توظيفا يبهر فحول البلاغة، ام بقصصه التي ضمت بنيات متنوعة جاءت بكل | Studies that dealt with the Holy Quran are much and countless, for It is a unique text, coherently constructed and with miraculous style. Since It has represented an important side of its inimitability, either through using the language and employing it to daze the eloquence laureates, or with its stories which contained different constructions with wonderful things which remained forever by the Holy Quran, so that to be as a lesson or an example. I were deeply interested in studying a subject deals with the Holy Quran and relates to one of Its secrets, so I chose (Surat Houd - A study in Syntax Levels), and I have realized from the beginning the importance of this subject, and the accuracy in determining the remarkable criterion, which have formed a distinguished stylistic remark in the text of sura. Another reason made me to keep searching, is that the term construction represents the most distinguished features of the Holy Quran, and it is one of the terms that got a wide dispute in the critical and literary studies which have dealt with the Quranic text with studying and analysis. After I have finished selecting this subject, I decided to analyze the Quranic verses, that represented practical examples of the stylistic criterion related to the research's subject, depending mainly on the critical curricula, and guiding by the rhetorical analysis. It is worthy mentioning to refer to the most important books which I have used in my research practically and theoretically : The Holy Quran Interpretations, the old and modern Arabic dictionaries, as well as the rhetorical and stylistic books, especially the poetic stylistic books - a reading in Mahmood Hassan Ismaeel's poetry, Dr. Ashtar Dawood Mohammad. Also I have to refer to the most important Quranic academic studies which preceded me in this regard and which I have made use of them in my research : * Surat Al - kahif - A stylistic study - Master thesis, Wasan Abdul Ghani * Speech levels in the Quranic story - Ph.D. thesis - Faiza Mohammad. Regarding the most important problems I have faced in this research, most of them are related to the dispute about the construction term, as well as, the difficulty in getting the modern sources in the modern Quranic studies, especially the ones which have dealt with time in the Holy Quran, where they are little and rare, where the researcher has spent more effort to get them.After relying on Allah, and completing the general form of the subject, I have found the necessity of settling a suitable plan for the applied procedure in this study, so I have chosen the following plan : The research consists of an introduction, a preface, four chapters, a conclusion, an index of resources and contents, and an abstract in English language. The preface has been divided into two axes, the first one deals with Surat Houd, where I have explained its revealing order, numbers of verses, aim and reasons of revelation. The second axis deals with the concept of construction in the Holy Quran due to the ancients and modernists. The first chapter has dealt with studying the phonetic level, it has been divided into three parts : * The first part deals with comas harmony and its effect on the phonetic construction.* The second part deals with the phonetic equivalence.* The third part deals with the phonetic assemblies. The second chapter has dealt with the dictionary level, it has been divided into two parts : * The first part deals with studying the dictionary function of the title's construction.* The second part deals with studying the dictionary function of the great figures constructions. The third chapter has dealt with time sign of the structural constructions, it has been divided into two axes : * Verbs constructions.* Negative and interrogative constructions The fourth chapter has dealt with the semantic level, it has been divided into two parts : * The first part deals with the semantic similarity order.* The second part deals with the semantic adjacent order. At the end of this trip, the researcher thanks the Prof. Dr. (Abdullah Mahmood Al - Moula) who have the honor to supervise this thesis, where he has taken the responsibility of this long trip with his guidance and advice. My thanks are also go to my teaching staff in Department of Arabic Language / College of Arts, and for everyone who guided me and helped me in this research, may Allah accepts from me, thank for Him at the beginning and at the end.

بلاغة التقديم والتاخير في الحديث النبوي الشريف : رياض الصالحين انموذجا == Eloquence of Inversion In The Prophetic Traditions Reyadh Assalihin As A Model

Author name: عباس ابراهيم علي
Supervisor name: هناء محمود شهاب احمد الحمو
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: ان هذا البحث التحليلي في اسلوب التقديم والتاخير ما هو الا محاولة للكشف عن باغة هذا الاسلوب في الحديث النبوي الشريف، ومنهجنا يقوم على تحليل التركيب بلاغيا، ونحويا بالدرجة الاولى، ولا يخلو من التحليل الصرفي، والصوتي في الوقت نفسه.واقتضت المنهجية تقسيم ال | This research that dealt with the style of inversion is not but an attempt to uncover the rhetoric of this style in the prophetic traditions. Our approach is based on analyzing the structure rhetorically and grammatically in particular with inflectional

العدد في القران الكريم دراسة دلالية - احصائية == Number in the Quran A statistical study - Tag

Author name: شاكر محمود محمد
Supervisor name: هاني صبري علي ال يونس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:

قواعد التوجيه النحوي وتطبيقاتها في كتاب ارتشاف الضرب لابي حيان الاندلسي == Rules of Grammatical instruction and its application in the book "Iritishaf Al - Dharb" of Abu Hayyan Al - Andalusi

Author name: حسينة محمد طاهر الامين
Supervisor name: امين لقمان محمد امين الحبار
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
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