عرض: 25 50 75 100 النتائج

نتائج البحث: 25 من أصل 38

الابعاد الاتصالية في بنية تصاميم المواقع الالكترونية == Dimensional Communicative In Structure Designs Websites

اسم المؤلف: احمد ناجي علي سالم
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد المواقع الالكترونية من ابرز معالم التطور الذي شهدته صناعة الرسائل المرئية خلال السنوات الماضية والتي استثمرت جميع امكانيات وقدرات تكنولوجيا الحاسوب الالي وشبكات الاتصالات ومختلف التقنيات الرقمية المستخدمة في صناعة النشر الالكتروني, مما احدثة الكثير من | Is the websites of the most prominent features of the evolution of the industry messages visual and digital over the past years and which has invested all the possibilities and capabilities of computer technology, automation and communications networks and various digital technologies and electronic used in the manufacture of electronic publishing, which evolved in their design and structure of formal and functional for what it was in the past and have become owns many interactive technologies and a lot of media communication multi Loyalty to excellence in the provision of all services communicative diverse as an exchange e - mail and presentation of audio and video files, animations, text, images, and many of the capabilities and capacities of communication and other functional, and took advantage of these sites features the publishing industry - mail to the user is provided video messages and digital to compete with the means of communication and media other traditional such as newspapers and television stations and space, as characterized by methods designed processors modern technology to combine many of the stimuli and the ingredients visual and auditory in its Design and digital displays on the screen and find where all classes of informatics, to form the world of cultural, intellectual and media integrated and unlimited, and here researcher sees the need to address to study its design and communication and see how The role of the elements formative in achieving dimensional communicative different way communication comprehensive and integrated, so addressed researcher in this research, which included four chapters devoted the first chapter of which to view the research problem and its significance, which came Baltsaullac the following : (what - dimensional communication infrastructure in the design of websites and what the extent to which the design of the structure of these sites for the functional and aesthetic aspects in terms of graphic design and technical performance, and what is the relationship Elements of in the formation of structure and the nature of its design performance and speed browsed) Hence the importance of research, which came as follows : such benefit workers in the field of design and digital output of an optical means of modern technology that opens new horizons for design Graphic future and its contribution to the development of the work of these sites and the realities of technical and communication by providing scientific article based on scientific research studied to handle errors and develop a design and functionally, and also in a supplement branches of scientific knowledge - oriented interactive means of visual communication by digital technology. The aim of the research in (the detection and diagnosis of dimensional connectivity and functional in structure design for websites), either its borders has been identified objectively : the study of dimensions of communicative and functional structure (designs websites) The spatial boundaries he was in (page's main websites Iraqi Network international information (the Internet) and published in 2014 for being the period of time to conduct the study. It then came to identify the most important scientific terms, which came in the title search.The second chapter includes a theoretical framework and most previous studies of the relationship and the researcher who divided into three sections were as follows : First research 1 - (contact and electronic publishing in the websites). 2 (websites on the Internet (concept, origination, evolution). 3 (infrastructure design for websites (foundations, elements, components).Loyalty to the most important indicators that came out of the researcher and was a summary of the literature of spec ialization to contribute to the completion of the research and Sobriety scientific and methodological, and then came the third quarter, which was devoted to the Procedures search, which follow the researcher descriptive analytical approach to suit the objective with the goal of the study is through the selection of (8) Samples research and, deliberately, representing all Iraqi sites electronic on the Internet, either fourth chapter devoted to the display and discussion of results, conclusions and recommendations and proposals of theoretical and applied the researcher reached for a variety of scientific results based on the analysis of the samples, which serve the purpose of research and placed the most important of which include : 1 - Varying interest employing Activations communication in all its forms and types of external and internal in the design of the page header and try to distinguish them through the Post an some of the effects of technical and Manifesting explanatory upon which contributes to strengthening the role of communication in the process of interaction with the receiver and easily governed by the information inside and outside the site.2 - concern employing Activations communication in all its forms diverse body of the page and try the most prominent importance and functional connectivity in the design of the site and in terms of importance and functional connectivity within the page and their contribution effectively to enrich the process of interaction and communication between the page and its contents and components of the site and between the user and the process of sailing - mail it. 3 - Distinguish sites e - recruiting technology links and links activated Communicative all kinds of different as one of the structural elements and the core used in the design and work to be invested in the various parts of the pages of the site, particularly on the home page of them and take advantage of the effectiveness of technology in the service of the browser and liberal of the linear modes in the process of receiving and neglect employ other types of techniques such as active links and buttons still and moving images and video clips and flash in the design of the page header and body and characterized by a high capacity to attract attention and the visual excitement of the browser. 4 - lack of interest in investing techniques multimedia elements well in the design of all websites surveyed and the absence of an effective role in the process of communication and navigation and access to information published and which have an influential role in the increasing polarization of the optical and increase factors tensile strength and gravity of some of the elements on the page and Giving some fun and personality aesthetic therein. 5 - was hired material and textual information in all the pages of the websites researched and differing employed in terms of the types of fonts used, size and colors, Loyalty to the multiplicity of places to invest within the Home and distributed according to the function and performance of communication required With the addition of the diversity of the use of images and colors on the home page and employ mostly as links Soah activated commensurate with their function communicative and aesthetic within the page and display pages on the browser using the system (RGB) chromatography, which depends on the width of all colors that contain page through the rush of three electronics optical color red, green and blue towards the screen and complete the process of vision with the browser.6 - lack of interest in employing all the tools of interaction communication in Home Design for all websites surveyed, and was confined to utilize them on the investment tool e - mail communication and the neglect of the possibilities and techniques and other interactive tools provided by the environment connectivity and diverse Web sites, such as methods of participation and direct vote and arenas of dialogue and debate and mechanisms of the questionnaire the opinion polls, including a negative impact on the process of interaction for the browser. 7 - able researched some websites that check some dimensional connectivity required functionally and Contact means comprehensive communication has contributed to the nature of the communication techniques and tools used in the design of interactive Web sites effectively and significantly enhance the functional roles and communicative and interactive with the browser .The most important conclusions which they came researcher : 1 - contributes to the recruitment technique links active internal and external ones, and all the diverse forms of (icons and still images and animated texts and other communication mechanisms) in the structure of the site to promote and enrich the role of communication to the main page of the site and increase their interaction with the browser. 2 - link the success of Home Design and functionally Communicative interest designer employing Activations communicative diverse in the body of the page and try to highlight their importance communicative and interactive on - site and distributed according to the function and importance of communication with and work on distinguishable from surrounding elements by using one influences electronic and design available. 3 - that the increased interest in employing multimedia such as audio and video clips, animations and other effects flash the other has positive effects on all the functions of the communicative and aesthetic of the website and increase the effectiveness of the performing and design for the process of receiving and fun browsing and contribute to enrich the role of communication and information for the page and to facilitate the process of the transfer of information and integration of the recipient. 4 - contributes to the use of images in all its forms and types, different as one of the elements Graphic key in the design of the structure of the site to promote and strengthen the features of the communicative and interactive and expressive of the page for having some of the functions of expression and reference to topics posted and increase the interest of the browser out and stir up attention and interaction psychological with it. 5 - contribution textual information and Calligraphy to do many of the functions of communication and design and symbolism within the site by employing objective and in terms of information and its impact morphologically and aesthetically pleasing in its design and by way of distribution and employ communication and technical inside it, according to its effectiveness performing and character of the visual for the browser. 6 - provides the use of the system (RGB) color - many of the possibilities of color and visual multi - which may reach to show hundreds of hues and more for each color user Loyalty to his contribution to the effective and influential role in the completion of all events of design and functional in the space of the page and performance design for its formal and technical. 7 - to employ tools to interact communication different, such as the use of e - mail and opinion polls and lines of chat and voting mechanisms within the structure of the design of the web site, particularly on the home page it is one of the reasons the task of enriching and integrating function connectivity of the site and increase its ability to do many of the events and activities communicative multiple which contribute to strengthening ties with communicative browser. 8 - is linked to the achievement of dimensional connectivity of different websites successfully its design and functionally and aesthetically and exploit the advantages of its environment and digital electronic and informatics technically and employ all of its elements and components design of various forms, text, images, multimedia and assorted colors for the benefit of her job design and tools of communication and interactive multi - and highlighting its vital role in The browser needs to achieve his ambitions to meet the different communicative.The researcher also recommended the following : 1 - need to pay attention employing all kinds of links and links activated Communicative and two types of external and internal in all parts of the home page and intensify their use in areas of vital and relevant visual interest, such as the head, neck, and upper parts and the side of the page. 2 - need to pay attention employ multimedia technologies of various kinds within the site's home page and in parts of the mission and the vital and design of them and especially to work on the maximum benefit from the advantages of communication and design to strengthen the multi - functionality and interactive and aesthetic of the site. 3 - interest in employing elements Calligraphy and Graphic inside page and the need to use a design and formally and technically consistent with the nature of the performing and communicative and interactive. 4 - adaptation of all technical possibilities and connectivity offered by the digital environment and technological websites in order to invest and employ various kinds of interactive tools, service and communication with the browser and the increased attention Development work inside Home in particular, and the rest of the parts of the site generally and attention to the nature of the trends connectivity of the web site and work to employ all the possibilities The features and capabilities possessed by the structure design and communication sites in order to achieve the goals and dimensional connectivity and functionality required to do so.As suggested by some studies, the researcher conducting complementary research and Modouh including : 1 - purine body structure designs websites and their role in achieving dimensional connectivity. 2 - recruit in the development of multimedia performance communication infrastructure in the design of websites 3 - Use the abilities of the visual effects in enhancing the communicative functions of the structure to design Web sites. Loyalty to the researcher to provide some suggestions and Applied Post an deems scientific and complementary to the research topic.

الانتقائية في تصاميم الفضاءات الداخلية لفنادق الدرجة الممتازة == Selectivity In Designs Interiol Spaces For Super Deluxe Hotels

اسم المؤلف: احمد علي هاشم
اسم المشرف: بدريا محمد حسن فرج
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: من المؤكد ان التصميم الداخلي كفن وظيفي يبدا بالتلقي وينتهي بالاستخدام، ان عناصر الشكل ونظام العلاقات المكونة له تاتي من خلال عملية انتقائية قصدية يعتمد فيها المصمم اسس عامة تنطلق من المستخدم والوظيفة، بانطباعات الاول (الواقعية والخيالية) واعتبارات الثاني | Sure, Interior shroud career starts Baltgay and end use, that the elements of shape and system constituent relations come through a selective process deliberate the designer depends general grounds runs from the user and function, first impressions (realism and fantasy) and the second considerations (aesthetic expressive and usability), and embodied in place to return to the user in a process of dial ogue and reactions to this vocabulary purified, the researcher finds that lack a manner agreed between the service requirements in the receive and use spaces in the country Hotels excellent degree. Therefore felt researcher choose the title purely marked : ((selectivity in the designs of the interior spaces of first class hotels)) which is an analytical and directical study on the formal manifestation of the principles and elements of interior spaces in the premium - class hotels for each of Baghdad, Erbil and Basra systems. It sheds light on the selection of the foundations of relations and elements of the appropriate form in the designs of these spaces to serve the function and beauty requirements. Circumscribed Bmchklth in detecting deposits selection designer purified vocabulary that effectively design adequate to the requirements of public service in the provision of physical and moral comfort. And it came Search including four chapters, the first chapter consisted of the research problem and its significance, objectives and limits, and then determine the terms.Upon that, the study includes four chapters. The first included the problem of the study, and its importance which lies in the following : 1. Making use of the knowledge and the information for the specialists in the field or the close fields like the parallel colleges like the college of engineering in the Iraqi universities and the scholars and those specialized and familiar to acquire information in that field for the service of our beloved country (Iraq).2. Making use by the official governmental and non - governmental directorates like the ministries of Habitations and Construction, Planning, Foreign Affairs, Archaeology, Culture , Higher Education and Scientific Research and the related offices. 3. The process of selection of the designing items for the main spaces which concern the visiting users and contribute to fulfill the comfort.4. The importance is manifested in studying the special and private spaces, bedroom entrances, passages and the resting spaces, food wards for clients, in their directors in these hotels in and aesthetic pleasure, in addition to other spaces like the theatres and meeting halls.The current study aims at revealing the items selected from the formative elements in their relationship with the nature of the performance of the function and the aesthetic and the nature of its users, and putting designing suggestions. - The Thematic Limit of the Study : The study of the theme of selectivity in the design of internal spaces. - The Spatial Limits : The Super Deluxe hotels in the middle and northern Iraq, represented in the two hotels of Al - Rasheed and Ishtar in Baghdad and the two hotels of Irbil International Hotel and Royall Hotel in the city Irbil and Al - Basrah International Hotel in city. - The Time Limits : the time limit is from 2003 - 2014 for the tourist openness which Iraqi has witnessed after the event 2003, and then the term definition. The second chapter dealt with the theoretical framework and previous studies, as the researcher did not find the study are directly related to the current study. And ensure that the theoretical framework three sections, the first section dealt with (the selection and Alantqa?ah - fundamentals and vocabulary), the concept of this convention as a field theoretical level and as a verb in the choice of vocabulary design and the forces acting upon launch. While the second section titled (Interior and priority considerations in functional spaces excellent hotels) dealt with the concept of interior design as a field applied in these hotels and the foundations of the backs formal public functions and role between the receive and use. The third section dealt with the (structural system design and relations), structural system between the design, construction, material and techniques backs finished exceptional space frames in public office put it. Then extracted from this chapter indicators set based upon the analysis of selected samples. The third chapter consisted of field research procedures, as defined methodology descriptive approach (case study), and the research community and the samples selected, represented by (5) Samples And 45% of the research community's (11) Hotel, search tool and an observation form and form to determine axes analysis was then ratified by the tool, and finally describe and analyze samples. The fourth chapter has put search field, conclusions and recommendations, and the results of the proposals, and the beneficiaries from this research , and the scientific resources. The most important results can be summarized as follows : 1. Most of the spaces marked by the selection of hotels formal elements and color contracts represented only a semi - circular curved and pointed decades in one of them a sample and a black and gold colors of the cultural heritage in the absence of raw materials that mimic these Selections, and a renewed vision of the future. The other came in the spirit of contemporary confirm these forms.2. Pick formal elements of square and rectangular and semi - circular spaces in the hotel in a relationship with the same simulation elements employed in interfaces. It also invested gene forms mimic the heritage society for foreign visitors.3. overcome the idea of the selection of the design system in the distribution of the internal spaces form a contiguous linear relations and led to the opposite ITSAM movement and distribution system Furniture sin also.4. Constructed Structural closed systems do not change for the most part adopted a change in Siding supplements of its components and furniture, which traditionally appeared frequently in mostly.5. Make sure need operational functions in the remote spaces for vision Assembly Thdadave dream spaces and corridors decks while confirmed the aesthetic and functional considerations in the ground floors and Vdhaeadtha of entrances and corridors and restaurants, and in the absence of these considerations in the spaces of the theater hall meetings.Findings and conclusion, and then the suggestions and the beneficiaries of the study which are the official governmental and non - governmental directorates like the ministries of Habitations and Construction, Planning, Foreign Affairs, Archaeology, Culture , Higher Education and Scientific Research, and the specialists in the field or the close fields like the parallel colleges like the college of engineering in the Iraqi universities and the scholars and those specialized and familiar to acquire information in that field, in addition to the sicnetific sources inn the study.

خصوصية المشاهد البصرية في تصميم الفضاءات الداخلية للمؤسسات السياحية == Theparticularityofvisualsightsin Designingthetouristfoundations Internal Spaces

اسم المؤلف: نادرة عبد الرزاق غزال
اسم المشرف: رجاء سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نظرا لما للمؤسات السياحية من اثر كبير في حياة المجتمعات وما لقاعة الاستقبال في تلك المؤسسة من اثر اكبر في تجسيد خصوصية المبنى الوظيفية والزمكانية في توظيف موروث مجتمعها بمنظور حضاري معاصر له سبغة المرونه التصميمية، وذي النظرة الاستشرافية المستقبلية لتحقي | Considering the significant effect of the tourist foundations on the societies lives, and the high effect that reception halls of these foundation have in embodying the building functional and space - time particularity to employ their society inheritance with a modern civilized perspective has designing flexibility, and forward - future sight to achieve the interaction between the visual sight to the internal space design and the their occupants through a designing communication, and nowadays the reception halls in the tourist administrative foundations are suffering a weaknesses in achieving that, thus, in order to upgrade this communication, the research problem brought up the questioning : Do the particularity of visual sights in designing the tourist foundations internal spaces have sensory, perceptual value that contributes with achieving positive receiving process involves meanings related to thought, civilization and values of the nations generally, included in formative effects designs of the internal spaces?The importance of the research lies in its dealing with a subject that was called by the necessity of upgrading the internal designs of visual sights for the local tourist foundations reception hall, and give them the functional particularity with a style that reflects space - time world of their society, and achieve their belonging to it and acquire them a designing identity that makes its mark in scientific artistic world fields.The purposes of the current research aims to make knowledge basis that forms the starting point of revealing the fact of deploying the meaning in the visual sights for the internal spaces designs, and establishes basic designing points that simulates the general idea for the particularity issue in internal design.Chapter Two included the previous studies and the theoretical framework that included three parts : The first part focused on the particularity in the internal space, its aspect and its types with a historical brief about civilizations particularities, while the second part dealt with the formal realization for the meaning and receiving organization, and the third part identified the formal formations structures, and it resulted in some indicators that were depended in forming the analysis form. The third chapter gave the procedures of the research and its methodology, where it depended on the descriptive approach in the process of analyzing three models that were chosen intentionally from the research community, where the tool of research depended on the analysis axis form and indicating the degree of axis fulfilling, in addition to describing the research models and analyzing them, and the analysis process resulted group of conclusions and results that were included in chapter four, some of the most important conclusions are : Combining between the authenticity and contemporary relatively achieved space - time particularity in models (Baghdad, Babylon) and it didn’t achieved in model AL( Najaf) and the performance particularity was achieved in models (Baghdad, Babylon) and relatively achieved in model AL( Najaf).And the formal realization was achieved in both models (Baghdad, Babylon), while it was achieved relatively in model AL( Najaf).And some of the most important conclusions are : Realizing the visual sight particularity perspective, where it is the superior designing idea that the external space included it for a reception hall in a tourist foundation,.There is a role for the designing thought particularity that depends on interweaving the objective particularity and subjective particularity while designing a reception hall in tourist foundations, that role is representing the design of visual sight that has a functional particularity in forming formal structures that meets the desires of the environment occupants and time - space particularity with deploying the inheritance into the technological and technical evolution.Then chapter four the theorizing centers, recommendations, and the general suggestions and the designing suggestion, in addition to the tables, demonstration tools and a list of references and appendix.

تنوع اساليب عرض المنتجات في تصاميم الاعلانات التجارية المطبوعة == Diversity of The Methods of Presenting Products At Printed Commercials Designs

اسم المؤلف: بشرى محمود مصطفى
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد التنوع في الفن عامة، والتصميم على الاخص وجها من اوجه التطور والنماء والاستمرار، فضلا عن وجهه الابداعي، ولولا التنوع لما وصل التصميم الى ما وصل اليه من رقي قل نظيره، واخذ تنوع الاساليب منحى مهما في التعزيز الوظيفي والجمالي في مجالات ع | The diversity in the art is general ,but particularly the design is considered as a one aspect of development, growth and continuation, without diversity the design would not reach the prosperity and development. The diversity took an important role in the aesthetic and functional reinforcement at different scopes of design process. In the field of ad design, the diversity is considered as a condition to activate the environmental marketing, to stimulate the consumer to purchase, and to be in touch with products, therefore the corporations and production companies sought searching for new methods to present products and fulfill the demands of the consumers which are increasing day by day according to the human needs, these companies and corporations found a good way to achieve marketing aims through the experience that designers have in representation of clear ad discourse, the current research is shedding light on these issues, after it shows its demands in the first Chapter which includes the problem statement which comes with the following question : • What advertising methods that designers can approach to present printed commercial products?The significance of this research is : 1. To develop artistic skills of ad designers. 2. Supporting the corporations and public companies in the field of commercial ad, newspapers, magazines, and market advertisements.The aims of the research are : 1. To explore the diversity of the methods adopted by advertisement designers to present printed commercial products.2. presenting practical suggestions according to the results that show the diversity in the ways of presenting the products in the designs of the commercial ads To suggest practical methods according to the results of current research.The scope of this research is divided into three types : 1. Objectivism scope : studying (diversity of methods of presenting the products at commercial ads). 2. Spatiality scope : the commercial ads at Dar - Alhayat magazine, Lebanon. The scientific justification is that the magazine is considered an important Arabic magazine specialized in the women affairs, and the products of cosmetics, accessories, and the nutrition.3. Period scope : printed ads issued in 2013, for that 2013 is being the year which had many editions of the commercial advertisements which showed the diversity in the methods of presenting the products, moreover its relation (2013) to the year of doing this current research.The technical terms, Diversity, Method, and the product have already been defined. The second Chapter (the literature review and past studies) has included many topics : 1. An introduction to advertisement.2. Design of advertisement and the commercial concept.3. Diversity of methods in presenting products.4. Methods of presenting products. 5. The advertisement and the communication process.Then the research continues with data of the theoretical framework, represents a scientific summary for the literatures of theoretical article, then the third chapter which cares for the procedures of the research, Methodologically, the research community, picking samples for analyzing, research tool, and etc. The forth Chapter which dedicated to the results and its discussion, some of them are : 1. Use the style of product presentation or a part of it, this method included all advertising models, and this pattern stylistic meets the recipient who wants to watch the product or parts of it to be sure of its kind and potential requirements and specifications which is important to always look for buyers.2. Using method of presenting product by making the product appears in multi - colors. This method has many benefits through moving the intentions of the customers towards the product, and also its effects on their economical and psychological purchase desires. The research conclusions are : 1. The diversity in the ways of presenting is based on the affectivities of the enterprises ,and the factories locally and internationally , in addition to the technical development which effects on the ways of presenting ads which has been shown clearly in technical , and directorial.2. The diversity of presenting products comes in response to the consumption needs such as matching human interest related to daily activities; these requirements makes an important channel for transmitting the ads ideas.Then the research appended with the following recommendations : 1. The importance of diversity in using the printing methods which are increasing in the world of journalistic and advertising design, that is an important thing for the designers and marketers who communicate with the society in general, and especially with the consumer.2. Opening developing courses for the employers in the field of ads design in order to identify the some problems like structural , ideal ,or technical which appear through direct contact with the working market ,and the consumers. Then the researcher suggested to do the following study : - Reflecting the style of ads design on the way of presenting the Iraqi products.Afterwards the researcher presented practical suggestions according to the aim of the research these suggestions relate to the topic of the study, then a list of sources, appendices, and the summery of the research in English.

تطور البنى الشكلية في تصميم العلامات التجارية == Evolution Frmslism Structures In Branding Design

اسم المؤلف: زيد حيدر خالد فرمان
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: There is no doubt that the history of art movement in the general framework has produced many of the related art of general design indicators, graphic in particular, including the Contact thought, some of which reach the technology, including the Contact be working design, and without a history of design many of the innovations that serious by designers through their history intellectual and practical, posters history, and the announcement date and covers the history, and the signs of history has spilled since the human deal with the human as an individual or group, marks which promised an important part in The evolution of human life and community and economic and trade activities, and was a commercial activity among the most important thing I've worked upon the human mind to it, any brand represented a tool for defining and communicating, where knighted by their goods and products, and this was the documentary position the first thing that happened in the field of design Alameda Abut structure that has evolved over the years of work and production until we got into the modern era since grown and developed companies and institutions that have their own signs to compete in domestic and global market, current research focuses on the stages of the formal structures of trademarks evolution, in the first chapter identified the following research problem by asking : "What mechanisms that have evolved through the structures in designs formalism brands?"While identified the importance of research in : 1. In his contribution to the benefit of interested scholars and researchers in the field of general design, and design brands in particular.2. contribution in providing the scientific library research and studies in the field of specialization, which will be reflected on providing new insights in the field of design, the study is unique discussing the evolution of morphological structures in designs brands, and through researcher Note that he does not exist specialized study in this area.While the goal of the research was to : "Reveal the evolution of morphological structures in designs Trademarks" It also identifies Find the following limits : 1. substantive limit : includes global brands that achieved by the effectiveness of the evolution of morphological structures in designs brands. t globally.2. Spatial limit : includes designs corporate branding and international institutions active in the market.3. Moreover identified the following terms : (evolution, structure, format, tag)The second chapter of the theoretical framework, which over the following axes : (The evolution of designs brands), (structure formalism of marks), (mark), (Global Dimension), (significance expressive of the mark), (functional dimension of the mark), as well as the last axis, which represents (b Bade communication and economic mark), then interpreted Researcher most important indicators that came out of the theoretical framework. As well as his presentation of the previous studies.The third chapter the researcher the actions carried out by then,, Study of the analysis, as the researcher analyzed (15) model according to the axes created of indicators that spawned the theoretical framework, which consisted of the following axes : 1. stages of the development of label design.2. formal structure in the design of the mark.3. recipe and type of tag.4. Dimension Global in the design of the mark.5. functional and expressive significance of the mark.6. communication dimension of the mark.Then singled out the fourth quarter results and discussion, as came from : 1. teamed stages of the evolution of signs according to functional reason, Economic primarily resulted from new insights for owners of companies, or mergers between two or more companies, or for some reason intended to update and renewal, as in the models (1,2, 3, 4,5,6, 7, 8,9, 10, 11,12, 13, 14,15).2. The development did not come all at once, but came according multi including the stages of multiple intervals, as in models (1, 2, 4.6, 7, 8.9, 10, 11.12, 13, 14.15), and this is normally located in him the gradual evolution of the design being linked to the owners of private companies and aspirations of philosophy, and deliberate, and competition.The researcher concluded a set of conclusions, came from : 1. All structural patterns and stages of development of what was happening to not Refuge circumstances that accompanied the establishment of major industrial companies and institutions that have a direct impact on the global economy.2. harmonic and differences in the evolution of designs built marking identify the limits of correlation between the performance of companies and the formal vocabulary constituents and both like the ultimate embodiment of the structure Alabama and put deliberative communication.The conditions and requirements resulting from the strategic changes to institutions and society alike a big role in the evolution of structures and signs consistent with what is going through companies and institutions concerned.Then the researcher recommended that some of the relevant current study recommendations, including : 1. the need to dismantle and analyze the evolution of the stages of design labels to take advantage of the circumstances that passed by, which is mainly related to the organizational and visual structures This is important for workers in the field of design brands.2. Study the structural conditions of each sign of the unity of intellectual and economic fact their references, which led it to a big stages of economic and commercial competition at all levels, an important episode of communication and continue the design catalog.Then the researcher doing the study suggested the following : • evolution working symbolic designs in employment brands.His current research concludes the list of sources and supplements and a summary in English

الاعتبارات الانتاجية والتغيير الشكلي في المنتج الصناعي المعاصر == The Considerations of Productivity And The Formal Change In The Modern Industrial Product

اسم المؤلف: اياس صلاح الدين حامد
اسم المشرف: هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This search deals with the study of (productivity considerations) as it is important to the industrial designers, and its scientific inherent importance in the development of the shapes of their products benefit that presents , The search consists of five chapters , The first chapter includes the research problem , ( what is the role of productivity considerations in determining the shape of the product ? ), the problem will be dealt by searching in the title of (productivity considerations and the change in shapes of the Modern industrial product) The importance of the research is to provide a clear picture, of the concept of productivity considerations and define its role in changing the shape of the product, The aim of this study is to Detected and limit the role of productivity considerations to change the shape of the industrial product.The outline of the this study is the productivity considerations before the design and manufacture of the product for Nikon products of digital cameras and photographs, which is available on the company's site in the international network (the Internet) raised in The second chapter, which contains the theoretical framework and previous studies which include three sections ; the first section is on the structural change by subtracting the causes and factors and the necessary requirements to change the shapeof the product, whereas in the second section represents detection and determine the productivity considerations and how to limit its role in changing the shape of the product, The third section shed light on the strategies used by industrial enterprises in changing the forms of its products in The framework of economic production , and the result of theoretical framework of indicators based on the basis of which the models analysis axes.The third chapter includes research methodology, descriptive analytical method , samples of analytical forms , Forms of information and the reasons for choosing sampling forms, while the fourth chapter consists pictures of samples which are five samples what analyzed according to themes derived from the theoretical framework, Chapter five the latest, includes the results extracted from the analysis samples , Conclusions , recommendations, proposals and beneficiaries, and the most important results are : - - The group who designed for , and competition between industrial enterprises has the role to determine the product form in all models.The main conclusions are : - - The diversification strategy includes most of the samples and , which many of them are variety in more than one level, For example, came chromatic diversity and diversity in this category at the formal level with the knowledge that the technical diversity has had a share is considerable in the diversification strategy. and The kind of group of peoplewho use the product, had a big part to limit the process of standardization , simplification type and miniaturization ,which is restricted in the samples that where determined for a class with a large number, which have ability to follow the changing forms , and the possibility of running multiple experiments with the product, while offset by the qualities of excellence and uniqueness in other samples that do not accept profiling and simplistic in their platforms

اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم == Utopia In Contemporary Industrial Product And Its Impacts On The User

اسم المؤلف: اياد خلف ياسين
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان هذا البحث الموسوم ((اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم)) استهدف الكشف عن المفاهيم المعرفية المتمثلة بـ {بيان اشتغال اليوتوبيا (المثالية واللامكان ) في اداء المنتجات الصناعية المعاصره وانعكاسها على سلوك المستخدم }.من خلال دراس | Targeted this research is marked by ((utopia in contemporary industrial product and its impacts on the user)) detect cognitive concepts of b {statement functioning of Utopia (ideal and nowhere) in the performance of industrial products and contemporary impacts on user behavior.Through evolutionary context, the study of contemporary industrial products to be tapped in the identification between the utopia of contemporary industrial and product relationship to study the modalities by which the development of systems design in light of the impact of job performance industrial products Aluotabih and the reflection of that performance on user behavior, and focus on Aluotabi design privacy in structural aspects. To achieve the aim of the research, the researcher collected the main pillars necessary for the analysis based on the Investigation of the theoretical framework, which included three sections, which included the first part, "utopia concepts and perspectives" and included relationship utopia Qur'an and some other science and relations relational between the concept of utopia and some other concepts. While the second section included "the possibilities of utopia in contemporary industrial product" activities included mental utopia in contemporary industrial and product possible, as well as the process of utopia in contemporary industrial product. The third and final section included "act Aluotabi trends and reflected on the user's" included : the characteristics and mechanisms of utopia, as well as contemporary industrial product and user behavior.With the adoption of theoretical concepts and regulated by the researcher in determining the axes of the analysis, which included a total of the following themes : - Form• reciprocal nowhere and idealism in contemporary industrial product.• Aluotabi dimension to the way of dealing with the user.• Aluotabi act for the performance of the product and its reflection on the user.After the agreement with the specialists from the relationship with the subject of research, according to the time period specified for the selection of a sample of international companies in several countries for the year 2015. Concluded researcher set of results, namely : - 1) Technical impact is affecting the most effective in pushing the design thought to grant approach broader and open with all the theoretical and applied sciences, including the utopia that is proportional to the contemporary technology, in the sense of industrial designs whenever the technology available for industrial product simulates the ideal side, the user has the size of usability and interaction with those larger products and vice versa, it means the user definition of technological progress by contemporary industrial product.2) Investment artificial intelligence by mutant technical time in the formation of utopian thought for systems design environment contemporary industrial product through the concept of nowhere, Find a tradeoff between user and act Aluotabi salary through the performance of contemporary industrial product that technology was the reason be found through technical methods that It reduced the time and effort to achieve high efficiency and ease of use.3) There are no design constants be the tracks that underpin the designer, but it is about the ability to arrange the vocabulary and elements of building design in accordance with the determinants of building modern industrial product, as well as possibilities acquired by the accumulated experience in the sense there is no certainty at all but a relative because science against stability, In fact, the only constant is that all the facts in the case of change

الخصائص الشكلية للفضاءات الداخلية للكنائس والمساجد : دراسة مقارنة == Morphological Characteristics of The Interior Spaces of Churches And Mosques (Comparative Study)

اسم المؤلف: اياد طارق نجم عبود الدليمي
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ملخص البحثتتشكل الفضاءات الداخلية للكنائس والمساجد من عناصر تصميمية تحمل في بنيتها الشكلية الظاهرة خصائص ذات قيم ادائية وجمالية تحمل في ثناياها الكامنة قيما اعتبارية ذات خصائص روحية فكرية وعقائدية تكون دافعا وعاملا اساسا في تشكيل الخصائص الشكلية الظاهر | Formed interior spaces of churches and mosques of design elements bear in its formal phenomenon properties with values of advanced functionality and aesthetic carries with it the inherent values of corporate characteristics intellectual and ideological be a motivation and a factor based on the formation of formal qualities phenomenon, and in doing so has the form of a motive for the formulation of the research problem of the following : (What are the formal qualities of the interior spaces of churches and mosques?). Hence research aims to develop a knowledge based cares to reveal the variables that affect the morphological characteristics of the elements of the internal spaces of churches and mosques, and through them we hope to achieve the following goals : 1. detection secured performative and aesthetic and expressive elements in the formal interiors of churches and mosques. 2. to identify the morphological characteristics of the variables and find the similarities and differences between them in the interior spaces of churches and mosques. The importance of research through its product intellectual means to study the morphological characteristics and variables in the internal spaces of churches and mosques. It included the theoretical framework of the two sections, the first dealing with it Heritage properties similar to the formal trappings of churches and mosques, as well as the concept of the characteristics and concepts of churches and mosques. The second section has been dealt with by the formal qualities of the various churches and mosques. As has resulted thereafter theoretical framework for a set of indicators which have been used to build a form for analysis comprised two main pillars : 1. formal qualities similar to the decorative inner space between the Performing and aesthetic. 2. morphological characteristics of various decorative elements in accordance with the formal expressive. In doing so it has adopted a descriptive approach in the process of analyzing the four models were selected as intention of the research community. It resulted in the analysis process on a number of conclusions, including : 1. is the internal spaces of churches and mosques, according to the system being expressive environment addresses the conscience of users, manifested within Astrsal Madrkatena sensual to the world of the divine spirit of worship within the projections symbolic and interpretive vision to promote the ideal of absolute heavenly. 2. accreditation bodies engineering regular and irregular, which lead to the organization of the movement to show the status of consensus and harmony in the interior spaces of churches and mosques decorative shapes between anthropomorphism and products related to the style of movement toward the tracks to generate visual drag the case within the determinants of decorative spaces. 3. use the balance of the distribution of structural elements of the design of the forms and motifs that include overlapping relationship is the balance of colors in terms of value, intensity and balance in terms of geometric shapes and inversion symmetry and structural shapes in terms of the overlap in the form of vertical and horizontal determinants Interior spaces of churches and mosques are formed of design elements carry in its formal phenomenon with advanced functionality values and aesthetic properties carries with it inherent valuable legal personality with intellectual and ideological spiritual characteristics be a motivation factor mainly in the formation of the formal properties of the phenomenon, and in doing so has the form of a motive for the formulation of the research problem of the following (What are the formal characteristics of the internal spaces of churches and mosques?).Hence the research aims to develop knowledge base cares to reveal variables that affect the morphological characteristics of the elements of the interior spaces of churches and mosques, and which can be used to achieve the following : 1. disclosure of content, performance and aesthetic and expressive elements of formal interior spaces of churches and mosques.2. identify morphological characteristics of the internal spaces of the variables by finding similarities and differences between the churches and mosques.The importance of research through its product intellectual means to study morphological characteristics and variables in the interior spaces of churches and mosques.The theoretical framework of two sections included, the first part, it dealt with the heritage of the formal characteristics similar to the trappings of churches and mosques, as well as the concept of morphological characteristics of churches and mosques. The second section has dealt with different morphological characteristics between churches and mosques.The theoretical framework has resulted in a set of indicators which have been used to build form for analysis included two main pillars : 1. morphological characteristics similar to inner space between the body and aesthetic performance.2. different morphological characteristics according to the formal elements of expressionism.Through it adopted a descriptive approach in four models were selected from the community is my intention to search the analysis process.The analysis resulted in process on a number of conclusions, including : 1. The interior spaces of churches and mosques, according to the system being expressive environment addresses the conscience of users, to manifest within Astrsal sensory Madrkatena to the world of the divine spirit of worship within the projection symbolic and interpretive vision to promote the ideal of absolute heavenly.2. Adoption of regular and irregular design bodies that lead to the organization of the movement to show the compatibility and harmony in the interior spaces of churches and mosques case between decorative shapes anthropomorphism and products related to the style of movement toward the tracks to generate the case of visual attractions within the determinants of the internal spaces.3. Use the distribution of structural balance of the elements of the design of forms and motifs that include overlapping relationship is the color balance in terms of value, intensity and balance forms design in terms of symmetry and inversion and structural shapes, from where they overlap in the form of vertical and horizontal determinants.On the basis of the findings of the study findings and conclusions. The researcher to submit a design models (my design proposal) the similarity and difference of churches and mosques, is extracted through scientific and cognitive theories associated with the formal study of the decorative features (performing and aesthetic) for interior design.

التنوع العلامي في بنائية الملصق المعاصر == Diversity of Signs In Constructivism Contemporary Poster

اسم المؤلف: ثامر حميد رزوقي
اسم المشرف: شيماء كامل داخل الوائلي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Sign represented a kind of visual language immemorially , which has been long drawn by the old man to express those Moot memory that he has stockpiled for the assets around him exceeded the net assets of around. So he began painted on the walls of caves and has added and deleted portions of the forms previously that its product mentally to give her a tangible dimension and could be the core that merged emotions and feelings, yet over Ages and keep up with environmental changes need to visual language has become an urgent need to document the humanitarian implications as a way to linguistic transfer and document the concepts of civilized several were the interim necessities which manages the changes of events of the most important reasons for this finding language that participated with one goal which is to express ,With the advent of the Industrial Revolution multiplicity of trade exchanges between the peoples and to understand the nature of the products and discrimination issuers of goods and what to use andunderstand the purpose of the acquisition, the mark grew as a means of tariff, and the passage of time and the widening amid the economic environment, which is the prime mover of all that happened and is happening from social and cultural variables, it was necessary for this language to grow and grow to include other areas of life and wide The means of communication that evolve gradually according to a major role in the spread of this visual language, which included formations in the form of countless natural assets and innovative forms of time And considered the intellectual propositions of different types and orientations that are competing in the shortcut receiving time and install the meanings to be delivered to the public reeducates, fast and effective and productive manner as a kind of language which is based in the mark approach contributes to the detection and patterns of expressive implications. And this language is in an existing design on which the communication act, and in the poster is a diversity in the use of these marks one of the main factors that contribute to the interpretation and the interpretation of the hidden connotations with it by holding a series of intellectual and objective factors, the main supporter of the requirement for ad idea. That diversity in the media contributes to design posters to highlight the good and meaningful ideas, as it is an attempt to overcome the prevailing function poster concepts without dropping the social trends of the individual recipient, as well as, this task can it achieve its goals by relying on technical expertise and awareness and to go beyond the limits of art forms and move it to the substantive terms of innovation, which can grow to the growth of the idea within the artistic process The diversity of the mark in the label would be listed from interpretive reading of no compromise biography tells the other features a capacity of its surroundings and the multiplicity of readings So the researcher found a possibility to raise the following questions, and scope to identify the problem of the current search : How can the diversity of marks be shown in the structure of a poster?. he current study is designed into three main chapters, the first includes the problem, aims and definitions of the study. As well as suggested designated models that can illustrate the meaning of the diversity of marks in designing a poster. The study is limited to study the diversity of marks in designing a modern poster as a subject, the posters of the exhibition ( world without violence ) as a special limit and the academic year of the study was (2014).The second chapter of the theoretical framework as it was divided into three sections, the first dealt with the diversity of marks and designing as a concept and approach through the study of diversity of technical and objective dimensions and diversity of an idea and the relationship between unity and diversity. The second topic touched upon the concept of the mark and its nutrients , divisions and their implications and the mechanism selected, composition and factors affected in functioning and exposing tosemantics of those marks and their symbolic dimensions, and the third section was dedicated to the study of structural poster and included the design structure and types and levels of properties achieved, and also structural poster and its objective aspects and its typographic and graphic elements, and the study indicators relating to the ethics of jurisdiction, including : There is no communication by signs without the presence of a poembehind the act of communication and without the presence of creativity or without the presence of synthesis of signs, as the good mark urge to communicate, being considered compromise a vector for the experiences and the culture of a community man - portable inside as cultural connotations..Conversions in the structure of the poster arise from the inside through the forms and spaces of color in them and interacting broadcast interpretive biography that will change the mental image formed by the individual and the creation of an area of broadcast interpreted formula sings advertising message..Marked poster is a way to pay public poignant and expressive and developer of consciousness and have the ability to create ranges of interpretation and enjoy through the implications of what it has of connotations and the ability to blow up new ideas moving towards the overall bias for creativity... And the third chapter include identifying research methodology or procedures to choose the descriptive approach, a chapter on the structural analysis of the signs of mechanisms, then the researcher analyzing search patterns and number (18) a model in the fourth quarter to reach a number of findings. Invoking the mark in the poster to my design a system that has the ability to represent the reality of inhumane retained by a designer to create a structural formula Tagged interact with him, as the structural mark value embodied in the label, according to the formal structurebased approach in the embodiment of intellectual given... Alternate levels, according to the structural analysis of the forms that have been functioned and design a system that is used by the designerand according to the nature of the reality of interim necessities and needed to be embodied, representation iconic or the indicative or symbolic.. The researcher concluded : that embodies some diversity methods the mark resulting from the diversity of formal and chromatography in the implicit and motor and mutual and closed space with the rule of one or more elements and their interaction with fixed and non - fixed elements, in placed and the idea of the poster as well as the selection and production of brand, controlled by environmental factors and community prevailing addition to the psychological factor and cultural heritage and trends interim ruling, as the researcher developed the foundations of design to achieve the second goal.. Then the researcher presented a set of recommendations including : pay attention to what result his brand interaction through the issue with the rest of the labelcomponents with interest in the subject basic idea, and attention element sovereign of the mark in the label because of its role in attracting attention and shorten the reception time, and take care side of the drama of the mark and its role in moving the feelings of the recipient, and focus on the objective aspects experienced by modern man of societal changes and political challenges and security and social in the framework of its environment and the embodiment of its implications technically a way that makes a poster of the importance of graphical directly pose the kind of language that translates it faces daily problems and challenges. The researcher has also drawn a set of proposals, including : .1. Studying the manifesting implementation and selection of the mark in the mark design methods. .2. Studying brand structure in the mark and its role in fomenting the recipient.3..Studying deliberative mark in the poster..Then inflicted Find a list of sources and supplements related to the study.. English abstract..

التمثيل الرمزي الزماني - المكاني في تصاميم الاقمشة النسائية المعاصرة == The Symbolic Representation of Temporal - Spatial of Women'S Fabric Design Contemporary

اسم المؤلف: زينب عبد علي محسن الزبيدي
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: جاء موضوع الاطروحة الحالي للاجابة عن تنوع تصميم الاقمشة كنشاط ابداعي يتضمن الرابطة للزماني_المكاني لكي يتاسس في ضوءها التمثيل الرمزي للجمالية او الوظيفية وفي ذلك تضمينا عن الحقائق والقضايا الحياتية ليتحد شكلا ومضمونا تجديديا قائم على هوية وثقافة الم | Design as a science has its aspects Fine and functional, and has taken form and content new express the spirit of talking through the use of the all - new data the development of scientific and technological era, so the design is a creative activity includes innovative data in the fields of humanitarian needs, which may be aesthetic or functional, is Method on two types of varieties stuff their relationship Fates symbolic representation through this link and be Taming expressing the facts and issues of life Aloha based on the identity and culture of the community in a particular place and time and therefore have the symbolic representation expressing these cultural artifacts, including General Arts and designs fabrics in particular Time, place and in printed forms manifested leads us to the symbolic representation. Intends to research problem in the symbolic representation of the absolute and not subject to the laws of age to understand the full understanding of science. It is almost human understanding of the meaning of existence to go to the knowledge that endless expressed stretch between the outer his world and his world creative represents things and meanings in different modes of Altmthel.ohms creative activity is a set of mental skills like thinking, accompanied by a high sensitivity that will contribute to creating suitable climate to imagine or visualize innovative form, and is subject to building shape of the operations of the mental and visual thinking to organize the vocabulary of lines and spaces, colors and spaces are manufactured pattern is visible, and in accordance with the foundations and private elements of this figure comes out in the form of aesthetic organization, stages of thinking is based design in two phases of two thinking mental thinking (mental) and think mental is the first design stages as directed and motivated to process design symbolic representation expresses the extension between the world outside the designer and his world creative represents things and meanings in different modes of representation across cultural shifts across times and places in successive communities, based on the foregoing progress the researcher asked her questions as contained in the first quarter, which included the research problem and its importance are as follows : 1. What are the attributes of the symbolic representation in the light of the time variable in the design of women's contemporary fabrics?2. Maahmah spatial and temporal environment in women's contemporary designs fabrics?3. Does the symbolic representation is based in fabrics Women contemporary trend designer of innovative self - expression in different times and places?The objectives of the research were identified as follows : (1) detection of symbolic representation Alzamani_ spatial designs in women's contemporary fabrics. 2 - identify the tendency of self - expression of the designer in different times and places. 3 - identify the extent of the compressor role ideological or cultural or historical in the symbolic representation of women in contemporary designs fabrics.The search has been identified limits of the substantive limits : the symbolic representation of temporal - spatial designs in women's contemporary fabrics. And temporal boundaries : 2013 - 2014 and the spatial boundaries : Fabrics Arab and international fashion houses. And then went to the researcher to identify discussed terms.The second chapter guarantees the four topics dealt with in the first part, the symbolic representation of the meaning and concept of the second section, which dealt with the symbolic representation of time and place in the women's cloth and then the third section, which included time assets and representations symbolic designs women's fabrics and finally the fourth section, which dealt with the structures of time Avatar in the design fabrics women and the most important Masaya his theoretical framework. Then the third quarter, which contained the methodology and procedures for research and analysis of the research sample models. And finally the fourth quarter, which included the most important results that came out of the researcher and most important : 1. The most representations Avatar in the sample representations models Inspired stylists from the environment vocabulary heritage abstract engineering has represented symbols of communication and interaction with the environment is part of the community and covenantal, as varied representations Avatar depending on environmental factors can be varied with shapes and symbols quoted representations of Avatar move spaces own environmental symbolic representations of the universe and the creation of new relationships to formations as in models (2, 3, 8.5.(2. afternoon the use of representations space - time belief of the Islamic ornamented lines Arab Varmus represented open to interpretation formula varied interpretations and meanings varied dramatically, life and semantic provided metaphors rhetorical and wide to reach some of the meanings that he expresses his ideas through art and design, and one of the features of this interpretation out icon of the present time and positioning in future. As in the models (1.2, 10).3. The direct and indirect effects closely related to the environment, social life and formed the identity of the symbols used based on environmental factors through affiliation designer geographically and environmentally Vest affiliations and identity expressive code Knot representations symbols creative place environment consisted of symbols derived by the designer of nature which may components and varied vocabulary, as in the models (2.3, 5 and 6.9).4. characterized by decorative shapes and representations Avatar used in the models character civilized formative for several civilizations mixed with different cultures, including Islamic, which took Urbis character, Avatar has represented human practices in any culture was, which produced a reality and not flipped him, because he is one unit associated with a number of relationships constructivism, intellectual and space - time and formed its content within a single format and mingled performance art in which cultures and times and places, as in the models (2.5, 8, 10).

التراكب الصوري ودلالاته الايقونية في تصاميم الاقمشة النسائية == Image Overlapping And Its Iconic Connotation In Designing Women'S Fabrics

اسم المؤلف: الهام طاهر حسين معله السعيدي
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تصنف الصور الى فئات زمنية تاريخيه مثل الصور القديمة المرسومة والصور الحديثة وهذا التصنيف ليس مجرد نظام للتصنيف الزمني وانما هو تصنيف لصور واضحة ومتميزة من نمط التصوير والاسلوب , وعليه فان هذه الصور التي تغرينا بسحرها ماوصلت الينا الا نتيجة مراحل طويلة من | Images are sorted into historical time categories such as the ancient and the modern image, and this classification is not just a system of time classification ,but it is classified for clear and distinguished image of picturing and style pattern, thus these images that are tempting us of their charm which do not reach us, but as a result of long stages of thinking , production and transformation, the human proceeding considered a textile of diversified developments in their expressions and connotation, and the man proceeding was coincide with continues growth of the image opulence, and the optical heritage along the human history, and the process of seeing theses images and re - presenting this vision being represented as a process via which something replaced another thing or denoted to it as alternative, it was accompanying the man since ancient times with the development of time, the beginning of the digital image with the initial drawings covered the cave walls, then the drawings included in compiles and manuscripts and with the invention of lenses and discovering the picturing opinion embodied at last in the forms of image or what is called at that time the photography, and with the advancement of time, the overlapping of image has become one of the advanced arts via involving the image in the printing world and has become indispensible element and with the appearance of the digital processing, subsequently, the image has started in the printing world and has become element in which the image has transformed into creative work working in the scope of digital processing, subsequently the image has proceeded another trend, working via iconic connotation working in the field of fabrics amongst the women's fabrics, and it is the basic via which the research is moving which is determined with the following question : Does the photographic overlapping and its iconic connotation has effective role in designing the women's fabrics that realized its esthetic and functional dimensions ?The research has contributed via its importance as follow : - 1. It could contribute in detecting the photographic overlapping and its iconic connotation in designing the women's fabrics.2. It could contributed in developing the design performance for the fabrics designers especially in aspects of preparing the idea and generating design subjects raised the Iraqi design level both in form and content.3. It could shedding light on realizing the scientific and artistic utility for the learners and those interested in the design and technical field in the technical and technological colleges and institutes in the specialization ( fabrics design). The research is seeking for realizing the following objectives : 1. Detecting the photo graphic overlapping and its iconic connotation in designing the women's fabrics.2. Set design suggestions in which the photographic overlapping mechanism is mobilized in designing the women's fabrics.The dimensions of the research represented in" designing the women's fabrics which bear design of photographic overlapping of its iconic connotation of( Turkish and Chinese) origin available in the local markets for Baghdad city within the period from 2013 - 2014" The second chapter includes theoretical frame consisted of three categories, the first one displayed the imagegraphic iconic of the image and its role in designing the women's fabrics, and the third category discussed the artistic , appearance ,executive technology and the digital processing in designing the women's fabrics, and then extracting the most important indicators from which the theoretical frame produced followed by the previous studies and discussing them. The procedures of the research was specified within the third chapter via adopting the descriptive approach to analysis the sample models amounted(95) design models, from which excluded(47) design model, being similar and repeated in showing the design content and the color variables which do not realize consistence with the Iraqi society environment, and the remaining was(48) represented the sample of the original research, upon this the selection of the model deliberately of percentage(25%) where the number of the model(12) design models distributed due to the country of origin and the technical appearance. And the instruments of the research have arranged, represented by a form of pivots analysis, depending on the indications of theoretical frame, thus they are arranged by the researcher with the aid of the supervisor, and approved by a number of experts upon which the analyzing of the sample model was done, then obtaining its stability and also analyzing the sample models of the research in the chapter according to the pivot of the form, as for the forth chapter which included the results, and the conclusions the researcher has realized , and most distinguished of them are : 1. The iconic connotations which are considered of the design necessities that are indispensible in designing the women's fabrics being of expressive and esthetic energy and its relation could be controlled to reach more effective results.2. The iconic connotation in the image and its relation with each other especially the color and the space relation with the form ,frame and framing relation, concise, concentration and the perspective.And the chapter it self included the recommendations and suggestions, besides the Arabic and foreign sources, appendixes, abstract, the front page in English language.

التحولات التعبيرية في تصميم ملصقات ما بعد الحداثة == Expressve Transitions In Desing Posters Postmodrn

اسم المؤلف: احمد عبيد كاظم سلطان الغزالي
اسم المشرف: انتصار رسمي موسى | عباس جاسم حمود
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناول البحث التحولات التعبيرية في الفكر الفلسفي والجمالي ودورها في كل من حقبتي الحداثة وما بعد الحداثة , واثرها في توجيه اليات الاشتغال في تصميم ملصقات مرحلة الحداثة وما بعد الحداثة , وقد تضمن البحث اربعة فصول اهتم الفصل الاول بالاطار المنهجي للبحث متمثلا | This thesis tackles (expressive transformations in designs of post modernity posts )and it studied the expressive transformations of the philosophical and aesthetical and their roles in both eras of modernity and post modernity also its role in guiding the mechanisms of operation in design of posts during the eras of modernity and post modernity. The first research consisted of four chapters, where the first interested at the Methodist form of the research focusing on the problematic of the research which was determined by responding to the following question : what are the expressive transformations in design of post modernity post? The first chapter contained the aims of research which were uncovering the expressive transformations in design of post modernity posts, while the limits of research limited to the study of expressive transformations in design of post modernity posts and analyzing of pictorial samples of cultural posts represented the movements of expressive abstract, folk art , visual art ,minimal art , conceptual art , hyper realism , superlism and graphic which appeared in USA and Europe during the era 1970 - 2000 where the analyzing was conducted depending on descriptive and analytical approach through philosophy , aesthetic and acknowledgment vision within its theoretical and procedural dimensions. The second chapter included theoretical frame consisted of three research where the first tackled the expressive transformations conceptually and aesthetically. It contains ideological , aesthetical, formal, stylistic, functional transformations beside the transformations of meaning , concept and technician. The second research dealt with the pillars of expressive transformations during the eras of modernity and post modernity while third research talked the expressive transformation in designs of post modernity posts. The chapter was concluded by discussing the quotations from it in order to be used in analyzing the sample of research. The third chapter contained the procedures of reaserach where it contained the culture of research , sample and research tool then analyzing the research samples (16 ). The fourth chapter contained the findings and conclusions of research beside the recommendations and suggestions. The most significant findings of research : 1 - The expressive transformations of the post modernity post distinguished with rejecting the central authority , expanding over the ideological and value structures also they rejected the separation among multi contrasting dualities and that means rejecting the logical of existence or believing in the Universe teleo. 2 - In the ideational side, the post modernity posts distinguished with interpreting the texts ,destabilizing the fixed meaning and diversifying the readings with teleo text which depends on inner necessities where it is allowed to the receiving to form unlimited readings. 3 - In stylistic transformation, the expressive transformation distinguished with mixing between the subjective and objective as a hybrid way quoted within structural and compositional procedures by using borrowable elements from multi cultures. 4 - In functional side, they confirmed the expedient, marketing and circulation of the post. 5 - In technical side, they distinguished with what confirms the trial side of the varied technicians such as printing with words and using digital technology as a tool. The most important conclusions reached by researcher : 1 - The expressive transformations of the post modernity posts came to uncover new sides in the reality emerging from the desire of man in transforming , expressing and rejecting for what circulated and common and they are shifts in the structure of thought being it is the main and active generator in each transformation aiming to smash the acknowledgment structures with others to reconsider in majors and generals. 2 - They came with the side of formal transformation toward the borrowable form which stipulates the necessity of rejecting all what related to the ideology and conventional theoretical formats which are far from social humanitarian concepts. 3 - They came within the transformations of simple and conception in connecting with the icon of cheap format requested by commercial market dominated by capital powers and their media institutes where all of them call for cultural project basing on refusal aesthetics and contrariness. The researcher referred to a set of recommendations and conclusions beside indexing the references, indexes and the abstract of researc

الاستعارة الايقونية ودورها في تعزيز الخطاب الاتصالي للمنجز الطباعي == The Iconic Borrowing And Its Role In Enhancing The Communicative Discourse of The Printed Achievement

اسم المؤلف: هدى علي لفتة
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The printing achieved works is regarded as one of the artistic variations with functional and aesthetic considerations as it is a means of communication that is active and addresses the audience. As a result of that the means of expression varied for the designer. Perhaps one of the most important mechanisms of adaptation is the resort to the created and the renovated media in the printing design through the borrowing of form that are not familiar within other contexts to obtainpredetermined intellectual contents.Hence comes idea of the study. Chapter One includes the problem of study represented in the following question : What is the role of iconic borrowing in enhancing the communicative discourse of the printed achievement? Then the justifications of the study that is : 1. It contributes to the manifestation of the communicative idea between the designer and the receiver through depending on the iconic borrowing. 2. The possibility of contribution of scientific knowledge which the designers need in the designing field. The researcher then determined her objectives in knowing the role of iconic borrowing in enhancing the communicative discourse of the printed achievement. The limits of the study included the posters of ads published in the websites whereas the time limit is from 2010 to 2015. The researcher includes the following terms (iconic, borrowing, iconic borrowing, communicative discourse). Chapter Two tackles the theoretical framework including three inquiries that concentrates on the first inquiry on (borrowing and the methods of design form), the second is about (iconic and their suggestive indications), the third includes (the iconic borrowing in communicative discourse). Then the indicators of the theoretical framework which is one of the means of the building of the analysis form. Chapter is devoted to the study of the procedures of the study depending on the descriptive approach for the purpose ofanalysis and then determine by (%10) and the tool of the study which wasprepared for that purposeChapter Four includes the findings of the study like : 1. The iconic borrowing is an important means of the achievement of many designing means like the ascertain of meaning and the greater possibility of achieving more suggestion.2. The designing idea is distinguished by depending on the principle of double communicative discoursebetween the direct and the indirect as in the sample (1, 2, 3, 5, 7, 8, 9, 11, 16) and the indirect as in the models (4,6,10,12,13,14,15) through the rhetoric images that refer to other meaning. Thus they found the idea of communicative discourse with the recipient concenteringthe product advertised on.The researcher comes up with important results life : 1. The invention of new form (creative) which is represented by the iconic borrowing leading to the achievement of expressive force within the sensational realization into a potential expressive unit that leads to attractiveness, excitement, and attention. Therefore, it enhancing the communicative discourse of the printed achievement.2. The variety of the sources of iconic borrowing which contributes to the making of communicative discourse, The researcher comes up with some suggestions and recommendations and then a list of the references.

العولمة والهوية المحلية في تصاميم الاقمشة النسائية الحديثة == Globalization And Local Identity In Modern Fabrics Designs For Women

اسم المؤلف: الاء عادل علوان الشمري
اسم المشرف: رجاء سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد العولمة مرحلة تحول كبيرة في تاريخ الشعوب فقد الغت الحضارات وداخلت بين العادات والتقاليد واثرت على الهوية المحلية للبلدان برزت تلك التاثيرات في مختلف جوانب الحياة وقد برزت بشكل كبير في الفن وفي التصميم وتصميم الاقمشة بشكل خاص لانه ميدان مفتوح وفن تطبي | The Globalization concider a hug dange gap in the people's world because it conceded civilizations and get's between the traditions, and effectual on the local identity of contains, and that influenced on the different sides life, and it append very clean on the art, design fabrics in specialty because an open field of applied art takes from what's around like a material, and may he that put up very need on the woman's fabrics, as the woman focus more than anther on the style in general, and the proof at this the fashion world focus on the woman's category an it's design, and because of the physiology and sociology nature at the woman, the diversification enters in a very hug. Way in design fabrics, so that the researcher is diseasing this subject through this research that named under this title "the globalization and the local identity in woman design fabrics" wonders in the effect of the globalization and the local identity at fabrics design specially in fabrics fashion? And was that effect results of natural respected historical sequence; or it fabrics and it move, towards acertain direction to make some aims in a regular prior of time? And the research aims on know the globalization effects and morphological variables of the local identity in modaren fabrics design, and the practical woman fabrics on the years 2013 - 2014 and than it classified three terminology which is (globalization , the local identity the modern fabrics design), the researcher put procedural definition for every term, and that what's chapter one count air in this research which is contains from four chapters.Chapter two contains the theoretical side, and it includes three researches, the first one contains the globalization diffaritian and it's history, while the second research is about to contain the globalization culture and it's effectance on the disting ideality, and the theard research contains the effect of globalization in clanging the shop of the deign identity., and that the research studies the most import things in the theoretical farm directions and the researcher couldn't got any previose researches. Chapter three contains the tachrical part of the research though the researcher used the descriptive approachfor the purpose of analysis, and the research sogty contains from 60 sample speaidzd by the fabrics at the gbblized mind, and (12) sample were tesed by pick point style, and in 20% present in total socity research, and the test been diosien according to what is useful to the research aims. While the research tool was an analysis form acceding to the scientific method to again it's scientific stand and than I analyzed the samples and disscussal and the research after that got those results and coucultions when it written in chapter four, and some of the most important things from are : 1. The elements med to tai the ship and space element where the ship turns to configurations usually depends on the decoration or stripping the human vocabulary or the animal vocabulary to a photographical image in usually.2. The phenomerion of breaking balances and taking the assymatry balance, and also sorareigntg over the nest elemats to make the globizatior farm, and also the frequent random repeat append so much in the design unit wit it's repeat in fourth repeat, weather we can use it's other repeats like rendition of projective quartet or half or the braes. 3. The globization phinomana have two forms goes beyond it's way, the first one is the world steam and all what is guide from the transmission project design vocabulary and ideas, symbols, and the second one is political globluzation steam that is aims to put down the local identity.4. Dimension graphical emarfed carries it's belongs identify to forign sicrtios in a way it describes it's calture and political sumbuls and comuity. and it shows how to make use of some local and Arabian symbols in the woman's fashion fabrics. And besides chapter four contains also the pillars and the recommardeations and proposals along side with the suggested design make by the research made by the computer and it's ( ) suggested design.

الخيال العلمي والرؤى المستقبلية للمنتجات الصناعية == Science Fiction And Future Visions of Industrial Products

اسم المؤلف: مصطفى محمد بركات
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

بنية الخطاب النقدي في التصميم الداخلي للفضاءات الانتاجية : دراسة تحليلية

اسم المؤلف: زينة فهد عثد السادة
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Industry is a basic reason for occupies admiration and interest among a lot of international and Arab countries, including our country Iraq which is converted with new concepts that commensurate with entitled value for the industry, as Iraq seeks to develop its national economy through the consolidation of production and improved performance combined with expansion in finding a shortened and cleared ways in supporting promoting various industries, and for the purpose of achieving the production process aims must be taken health and scientific methods, that can be achieved through the creation of an appropriate work environment with its specification for all production facilities, whether plants, factories , or work - shops to boost the morale and psychological for workers in productivity spaces, therefore the attention of researchers (interior designers), related with the internal environment of productivity spaces considered a design and formative process, because there is a fundamental relationship between the work spaces and production level.In order to access unique and correct reading in understanding and studying of critical discourse in interior design of productivity spaces, on the grounds that criticism is a set of advanced operations of specialized awareness, which can extrapolate the productivity spaces based on analysis, weather with the vision of undercover parts in of spaces structure and their readings, or vision of all then move to the parts, and in the induction and conclusion process there are secrets behind the apparent productive space detected by the critics (designers), Btaktehm stage description and analysis to uncover hidden relationships pressing, deep brown, Altaalqat system in the productive space. Therefore, the need arises to go into this area by going to the literary and artistic studies, for the purpose of clarifying the general concept of critical discourse, and to clarify the historical background, and the most important cash curricula modern, it will highlight the critical discourse in interior design as one of the letters to which it applies what is in the critical discourse of literary.It is critical discourse in addition to material critical of themselves (productive space particularities and its mechanisms and its interactions with draw close), the target and the receiver that directs Monetary him a critical process that must critic institutions (interior designer), that puts it under a scientific mechanism is not without its philosophy, based objectivity in theory and practice attempt an intellectual theory, data for the philosophical vision of monetary modern curricula. So felt the researcher to choose researched address (critical discourse structure in interior design productivity of spaces), to be the subject of a research addresses an important aspect of the merits of interior design, this study focused on the important aspect of the monetary process of lighting, and the basis not get up cash without it, is the speech which is a pillar of science in various fields of knowledge, especially if the concept of the speech concerned with the study one of the most popular concepts and traded in the cash Cultural Movement and the Arab Bank.Find rely on theoretical study and analytical study of the spaces in the city of Baghdad in the Karkh and Rusafa sewing labs, research has been divided into four chapters. The first chapter included the research problem and its importance as well as to clarify and define the objectives and limits and define the most important terms contained therein. The second chapter dealt with the theoretical framework and previous studies, which included theoretical framework of three sections, addressing the first part, the study of the concept of the speech, and the second section dealt with cognitive and intellectual structure of the criticism, and the third section has included cash curriculum structure of modern interior design productive spaces. And devoted the third chapter to research procedures, as has been the adoption of the descriptive approach in the research sample analysis, marked by two models of spaces productivity with the preparation and organization determine axes analysis form, based on the theoretical framework that has been adopted part of them as a criterion and basis in the process of analysis indicators.CThe fourth chapter, has included the results of the sample analysis models in the light of the results have been discussed to draw

الانساق التصميمية في الفضاءات الداخلية الملحقة بالملاعب الرياضية == Design Patterns In Interior Spaces Attached To Sports Playgrounds

اسم المؤلف: اسمى عبد الحميد عبد المهدي
اسم المشرف: بدريا محمد حسن فرج
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد تناول موضوعة الملاعب الرياضية موضوعا حيويا ومهما لما يقدمه من جوانب فكرية وثقافية واقتصادية للبلد المقام فيه, ونظرا لما يمثله هذا الصرح الذي يعد حاليا ليس مجرد مبنى رياضي يخدم اغراض اللعبة فقط, وانما يمثل نقطة استقطاب الدول وكلما كان التصميم خلاق ويجس | The sport stadiums subject is an important and vital subject because of the intellectual, cultural and economic aspects that it offers for the country which it held in. As to this edifice and what it represent which consider not only a sport building for just playing, but it also represent a polarization point for other countries and as much this design is creative and embodies certain idea represented by a certain figure that symbolize the country where the stadium is built mingled with the technical creation in a harmonious way with the internal and outer view and the content with exterior of the stadium. As a result the subject of the soccer international stadium is submitted by the searcher because of the mentioned reasons and it limited by the interior spaces that is expansion the stadium with other expansion spaces “ Athletes’ changing clothes room and it expansions” Depending on the design features of stadiums; build up including the expansion spaces. These features are different according to the differences of designers and architects who devoted their practical, engineering and designed potential to put design scheme for a stadium complies with all conditions and approved specification by FIFA to compatible with the stadium exterior which has special identity an belong to the country culture. It also should be modern and technical just like other stadiums in other countries. As a result the searcher submitted this subject “The Designed Layouts of interior expansion spaces of stadiums” The research consists of four chapters : 1. Chapter 1 : The methodological framework that included the research problem that crystallized by the following questions : Q : Are there specific design patterns specialized in the nature of formative system in organizing the attached spaces to the international athletics’ stadiums? And to which degree it is connected to the systematic performance to the mentioned spaces, in addition to its role in insure a positive psychological behavior by the athletes? While the research objective : To detect the systematic design patterns in the interior spaces attached to athletics stadiums, and its fittingness to its users from the performance perspectives and the variable formatives linked to Aesthetic and expressive sides. The importance of the of this study appeared in its participating in providing information with a new system that depends on scientific and artistic bases clarifies a special evidence for the values that express the identity of the spaces that is the theme of this study. And it also represents an added study to the athletics stadiums supported by a diagram to the designing patterns, and use a special expression to the interior spaces attached to the international athletics stadiums, which is what the subjective limits for this study has represented. While the spatial and temporal limits specified to the spaces (specialized to the athletes) in Iraq and parts of the world for the years (2012 - 2014), in addition to specifying the terms included with the study title to get executive definitions as outcomes. 2. Chapter 2 : Include the previous studying. Discussions and the theoretical framework. This chapter divided into three main parts. a. Part 1 : Focus on “concept of the layout and its relations with interior design”. b. Part 2 : Include “The layout and its formal regulations in interior spaces” c. Part 3 : ” Invest the layout’s standards in the expansion spaces of stadium”.The results of theoretical framework some indictors that depends on them in analysis the research models form3. Chapter 3 : Consist of research procedures and its methodology where it depends on defining the method in analysis. It chose 3 models from the whole research, in purpose, for studying and it depends on the analysis of form aspects, point the level that achieve these aspects, in addition to describe and analysis the research models 4. Chapter 4 : Included the outcomes and conclusions that have been reached to in this study : 1. No color coordination in such vital space to athletes as it is the only space specified for them that offers comfort and psychological motivation which affects their performance. And this have not been achieved in two study samples, while has been achieved in one study sample only. 2. There were no designing patterns whether they were functional or graphical specified to this space for its many functional characterization as (holding lectures, planning for games, break times after playing… act) this was achieved in one study sample. 3. The shortage of the indicative meanings that represent the meaning of such a space, like the nature of space organizing and its lake to the necessary requirements that relates to the training and all other important activities), this has been achieved in the first study sample only. Also, chapter four included the theoretical designing foundations, designing suggestions and recommendations, beneficiaries of this study, and a list of the resources and appendix.

الخصوصية في تصميم فضاءات مدارس التوحد == The Privacy In The Design Spaces Schools of Autism

اسم المؤلف: عامر داود عطا
اسم المشرف: باسم قاسم الغبان
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Abstract Research found into the privacy of the design for schools appropriate autism and that will be the first of its kind at the level of design schools autism in Iraq to occupy the role of science to keep pace development and a guide for designing the Special schools of autism in Iraq and use the vocabulary of Iraq and to provide a suitable environment for autistic children carrying Iraqi identity, and fit to be a mentor for beginners in the creation of interior design and the advancement of Iraqi children to provide them with an environment check psychotherapy and performative and aesthetic, current research has included the design of the spaces _khasosh autism schools in Iraq analytical study, to quote some summary as follows : The first chapter discusses the research problem and the need for him : - 1. importance of Search : The importance of that is reflected in the lack of privacy of note in the design of spaces schools with autism achieve the body by means of global measures consistent with local and shed light on the most prominent vocabulary in which they can exclusivity privacy. 2. research problem : through the scoping study found a lack of analytical studies for the design of spaces autism schools, especially in Iraq, because of the short supply in those spaces _khasosh in design.3 Research Goals : The research aims to know the reality of the internal spaces of educational classes for schools and autism and privacy laws approved design have created and to reach a design proposal for educational classes for schools autism.4. Borders Search : Search is limited to the internal spaces of autism schools in Iraq for the years 2013 - 2014, which ensures privacy in design at the level of specific elements of the vertical and horizontal spaces and secondary inner core, has been the focus of research efforts on privacy in the design. The second chapter, has included the theoretical framework of the research shed light on the theoretical aspects of direct relevance to the search topic within the Investigation of three, Valambges first dealt with autism and theories, and the second section dealing with privacy and design, and the third section dealt processors design for the schools of autism, and the fourth section dealt with models of Schools Autism global, followed by a set out indicators.The third chapter, handled the research methodology and procedures required descriptive analytical method and the research community schools had autism. The research sample was for two schools in Baghdad and Najaf Ashraf School and another school in Karbala holy, tools and techniques identified poll mediated form of analysis to build a standard design to reach the goals of research dearly went out the researcher several results including : - 1. Schools Autism is now approved in terms of designs, supplies, and goals and stadiums do not help the autistic child's development of different aspects of the physically and cognitively.2. characterized most of the furniture and supplies (chairs, desks and blackboards) as unsuitable for children, and uses non - polished surfaces and the number does not match the number of children with autism.3. poor coordination in the visual elements, diversify and exploit weakness in assigning jobs privacy within the classroom for Autism.4. non - observance of the designer in achieving the link between the bishop Ctoasl for the continuation of the visual in most schools to unite across the internal space.

ذات المستخدم وانعكاساته التفاعلية في تصميم المنتج الصناعي المعاصر == Self User Interactive Reflections In Product Design And Contemporary Industrial

اسم المؤلف: ظبية محمد عبد الاخوة الفحام
اسم المشرف: صلاح نوري محمود
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Suspended research study (with user interactive and its implications in the contemporary industrial design of the product) a lot of new concepts and ideas that gave way to know the human self, which is for the user, as the self in humans involves an ongoing series of interactions between him and the producer and the aim of this interaction is to reach compatibility between his personal, social and nature of the product qualities affect it, according aware her circumstances are here. This has raised the question : what are self - relationship and interactive implications with the user contemporary industrial product, and hence the problem Find an answer to this question, and the aim of this research to identify the self - concept and the impact of interactive her reflections with the industrial product in contemporary design..The main importance of this study looks at an important aspect of personal, a self - concept and try to detect the interactive relationship with the industrial product, study of self - concept and its relationship to the industrial product is one of the psychological needs of the job and needed to be provided to the user, and included the limits of the study objectively industrial products smart and interactive relationship with the same user spatially in the local markets of the city of Baghdad to 2015, the study consisted of four chapters included first chapter of the research problem and its importance, objectives and limits and define the terminology, The second chapter, which was the theoretical framework and previous studies and included three sections first one came under the title (the relationship between self user and design industrial) while the second section was dealing with (functional and aesthetic considerations in the industrial product and its relationship to the same user), while the third section dealt placed (interactive user in the industrial design of the product)The third chapter included research procedures and methodology, as descriptive approach adopted in the process of describing and analyzing the samples, which accounted for 25% of the research community which has been classified by the researcher into two categories, determine the first products company (Samsung ) and the number (5) models The second products of(LG) company in numbers (15) a model of the available commercial sales centers main in the city of Baghdad, has been a researcher of indicators adopted was the outcome of sources and Arab and foreign references that seen by the researcher as well as field visits to shops selling smart electrical appliances, The survey carried out by theresearcher to specialists, this chapter was including describe and analyze the five samples with proportions similar guarantees axes according to the analysis developed by the researcher form..The search results and conclusions have it contained the fourth chapter runs the one of the main outcomes of the study as she was phenotypic traits that dealt with the sample analysis axes unrealized positive and format match with principled possibilities that her person search through the theoretical framework through (shape, color, and raw) and in in relation to the aesthetic level models number (1,2,3,4,5) and to reflect the aesthetic values of the body as the product that suits the conditions of the functional use, while the other side was marked by models (2,4,5) being part of the quality check and durability to the content of the ability to achieve the side of the efficiency of the operating hand and carry the functional use conditions, at a time when not include (1,3) on adequate specifications that can be considered in which unrealized side quality and durability same efficiency that characterized the remaining models, It has strengthened the results of the questionnaire this result where the participants agree on the questionnaire that forms number (2,4,5) unrealized side quality and durability efficiently within the general framework that care about research priorities, and the most important conclusions have proved the performing values and role of the marketing of the product through its durability and quality of performing as user to performing value inferred in this aspect when you confirm that the model is based on performing the idea have come to expect the user and results in a feeling of satisfaction and persuasion, which in turn are psychological factors user gives all types of functional performance optimization, and product concept interactive self - reflection is achieved within the Layout Social and resulting in a consumer coordinated through the correlation between the product and the self user according to psychological controls check the individual conditional qualities and features of formality and performance today and distillation of the product identity, and the Final research was the recommendations and proposals and then supplements and references in arabic and english language.

التناسبات الشكلية للوحدات التصميمية وفضاءات اقمشة المفروشات == Physical Proportions of The Design Units And The Spaces of Upholstery Fabrics

اسم المؤلف: عباس حسين عليوي
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لقد اهتمت الكثير من شعوب العالم ومنذ القدم بصناعة الاقمشة وتطويرها كونها تجسد هويتها واصالتها، ووجها حضاريا مشرقا وشكلا مميزا من اشكال التعبير عن الكيان والشخصية لاسيما بعد التطور الكبير الذي شهده الجانبين التقني والتصميمي في مجال صناعة الاقمشة وخصوصا اق | Many peoples of the world realised the importance of textile industry and its development since the dawn of time, owing to the fact that it embodies their identity and antiquity and it also reflects a distinguished form of expressing their entity and character, especially after the significant evolution the industry had witnessed in terms of technique and design, particularly in the area of upholstery fabrics industry. These fabrics are no longer a mere special raw material used for a specific function, yet it is the product of an artistic apparatus derived from a variety of design elements and foundations and in a way it gives an aesthetic and functional action equally. And due to the importance of the theme of proportion which is to be held as the pivot of the current research and due to the scarcity of researchers on the theme of proportion as well as its being an inspiring and essential work for the maturity of the aesthetical and functional scopes in the design operations. And in terms of application, for it contributes to the visual comfort. In the light of what has been mentioned earlier, the researcher has reacted to put this theme under his studious magnifier through this thesis whose title is ‘Physical proportions of the Design Units and the Spaces of Upholstery Fabrics ‘ via four chapters. The researcher has endeavoured in the first chapter to explain the problem of the thesis which is focused on the importance of the aspect proportion in the spaces of upholstery fabrics since it’s considered one of the most important foundations for the artistic and design fulfilment. It includes in a later stage, the thesis’ targets represented in the identification of the aspect of proportion. The second chapter consists of the theoretical framework of the thesis which contains two sections : the first of which is focused on the aspect of proportion; a phenomenon already exists in nature and man was born to see, live with and get affected by as well. The second section comes to take into study, various themes, including types of the design units and the styles of their artistic application as well as the artistic techniques including the raw material, its various types and features and its printing techniques using manual, mechanical and modern ( digital printing).The theoretical framework has come up with several indications : - The shape is considered a theme seen by the designer as the principal aspect for the interpretation of the required sense; for the shape and the sense are inseparable. - The construction of patterns in the designs of upholstery fabrics aims at identifying the methods through which the design units are to be distributed. The third chapter included research procedures adopted the descriptive approach to clear reality design of upholstery fabrics in the collection of information and data for the part of the theoretical and then interpreted and analyzed with a view to the results achieved to the goals of the research, was able researcher to get a range of models for upholstery fabrics in a deliberate and travel (200) model were excluded (152) of the like - and third - party models and clear that do not meet the goals of research was the remaining (48) model represented the net the research community has been research sample selection wildly (25%), and consisted search tool Bastmarat analysis. Balaatmadaly theoretical framework and indicators, as counted researcher with the help of the supervisor and approved by a number of experts have been on the basis of which the sample analysis models and then get their persistence, as the research sample analysis models in the same chapter, based on the form axes. The fourth quarter has included the results of the study and conclusions, most notably : - That fabric design depends primarily on the quality of raw materials used because of their functional and aesthetic role in highlighting the character Alachtgala units design was mostly carried out using a mixed cotton fabric with polyester being characterized by lightweight, durability and resistance to wrinkle and comfort when to use and cheapen relative to the use of natural materials such as Cotton, either the raw material made of industrial polyester has less use for non - Mulla Imtha climate Iraq in general. C - Designs and effectively printing techniques were adopted to achieve technical wizards vocabulary design of upholstery fabrics mother - majority of the sample forms printing technology screens and the rest of the models implemented digital technology printing, which gave high definition sham forms and quality easily recognized by the receiver being reflect a true picture of the picture perfect nature. - Emerged aesthetic design value through the adoption of phenotypic characteristics of the elements of constructivism in achieving proportional relationships to create a variety of configurations away from raising boredom the recipient, taking into account not conflict with the unity of form and substance, and this is what the universe rhythm accepted through fit the shape and space, shape, direction and fit the colors and values optical with texture and appeared less gradient descent, although it was investigating several tasks in the design process, including the division of space and the representation of multiple levels within the configuration. Same chapter also includes recommendations and proposals as well as Arab and foreign sources and supplements and summary and the interface in English.

قراءة الصورة الاعلانية على وفق الاتجاهات النقدية المعاصرة == Reading of Ad - Image According To The Contemporary Critical Trends

اسم المؤلف: نضال مهذول محمد الطائي
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The research seeks to study of Ad - Image as a given which links with the lighting of areas of communicative significance according to the critical reading of contemporary actress modernity and beyond… Where adopted reading direction structural descended concept within the design work in determining the structure of the text as a system, a (structural) thus provides a model in the analysis, and that this form originated in the curricula of contemporary linguistics. Has on the perception of structural linguistics possible that that will be useful in the study of phenomena, including the images on the grounds that they account for our attention and breathtaking Pope, which acts as sites for the production of meaning and representation. As confirmed in a text read on his promise on a closed system has the same rules of procedure and told him that His profit. It is a system lies not in the order of the elements in the network, but the relations between them and it was a focus on infrastructure, which we explore in which the system according to internal analysis, and the importance of relationships and the underlying pattern in the picture. And then came propositions postmodern from the terms of reference of modernity in critical structural terms of film criticism and effectiveness in reading design work (Ad - Image ) and based on the two entrances first means to establishment and the second reading of the description and detection down to the inner depths so as to sentencing, and this is what a breeze (verb critical ) and the two areas, the first to understand and to involve the other, and the second assessment in accordance with the measure assumed. It falls within the circle of mental assumption (of the image ad) a work of art.. and according to film critic goes beyond description and analysis assumes another dimension according to the founding of the given sensuous, where clear cinematic landmarks to indicate according to the theme of linguistic logic signal or significance. When searching in the application is embodied within the concept of communicative triangle limbs (the message sender and the receiver) and moving this process based on the awareness of compatible between forming and between receiving. He defined the position of communicative Pierce (b reference, subject, meaning) and the form of the concept of (Pierce) mark. Which fall under three types (code, signal, Aliqona) and receiving here to sign is a place in the aesthetic value of the formation, which is open to readings forward to the new insights frame for levels up to the type of space semantic which raises the interpretation and makes it (receiver) center in the movement pattern artistic aesthetic. Then comes the arguments of cash clastic and read the most contentious part of the proposals of the monetary contemporary, as it supports the principle of the weakness of the text and disintegrated down to the Imam the well core embedded in it that on one side, and by two other text comes out in drafting mold and volatility in the method which is not subject artwork in which to dominance Law or the influence of the style of openness and difference and the difference in the formulation of the Foundation is to generate aesthetic within disassembly. Thus we find the aesthetics of reception are subject to the concept of the public to the impact strength inherent in image advertising as a given, specific stylistic expression and out of the ordinary in the formulation of meanings and connotations and receive operation here shared between the work and the receiver and (taste aesthetic), which is the climate in which reimburse these taste or those. Accordingly, the recipient may be divided into three levels : the recipient is simple and recipients can reproduce the text and the recipient is as much on a new formulation affect the recipients of another type I and II. This whole process is leading to read the text according to the determinants of exegesis and interpretation of specific obsolete interpreter and the possibility of drafting an aesthetic according to a given sensory, and this is confirmed by the theory of interpretation on the identification of a brilliant concept associated with the image to read the ad. And it was determined the importance of research, which included a specific problem reading the image ad, In accordance with the trends of contemporary criticism. And the importance of, and the objectives and limits and define terms.The second chapter (theoretical framework) has included four topics meant to read the ad's criticism of contemporary trends according to each of structuralism and semiotics and deconstruction, and reception and interpretation.Is then extracted indicators that resulted from the theoretical framework as a scientific researcher reported them in its procedures and evaluate the way in analyzing the content of the samples. This is what has been discussed in the third chapter, a separate research procedures.Either search tool that will that was designed form analytical critique includes several axes, perhaps honest experts for the purpose of adoption in the analysis, where the analysis of the samples and then discussed on the basis of axes form. The fourth quarter has included the most important findings of the analysis, including : 1. That reading according to the trends of the contemporary monetary image ad referred to the concept of systems in relations significance disciplined and removed in accordance with the pre - selectors. And systems within the grasp formed depends on the specialized expertise in the design merits of the phenomenon.2. Reading according to the trends of contemporary criticism reflected a change in the concept of function equations merits of the ad images as a symbol of the state of mind.3. The facts in all formats semantic image ad unbearable to read meaning, one such directly through the visible face of the incident, or through its located in the apparent shape, and the second reading because of hidden facts that exercise selection for possible semantic units.4. Image advertising according to the theory disassembly open in a speech linguistic agreed on the future without prior controls where the power of the audience to turn to enriching the absence of potential significance, due to system variation. As an indication that the differences are numerous, he frees a difference in the receiver of the specified reference to evoke the image of advertising and leaves him the option to evoke or reference to float its own, and that the existence of a difference between the partial (signifier and signified) and (meaning and reference).5. Image advertising according to established contemporary reading of the structure of power in the map of thought which aims to break the concerned central existential images in advertising as a commercial presence infinity.6. Image advertising impression formed in drafting the formal frameworks are determined to get out from the mold or pessimism in the method or stylistic difference to announce this industry and the difference in the elements and compounds involved in the structure of the image advertising.

ابعاد الشكل الجديد في التصميم الكرافيكي المعاصر == The Dimensions of The New Form In Contemporary Graphic Design

اسم المؤلف: لبيد مالك يو سف المطلبي
اسم المشرف: اياد حسين عبد الله الحسيني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يسهم هذا البحث في مراجعة شاملة لمفاهيم مكررة؛ يستنسخ بعضها بعضا، في سياق شهد تحولات كبرى؛ في الجوانب المعرفية، والثقافية، والعلمية، ليسلط الضوء على الشكل التصميمي؛ نظامه، وسماته، ووسائطه، وتقنياته، وعلاقته بما يجاوره من فنون، وانظمة | The thesis tries to give a comprehensive revision of some repeated concepts, each imitates the other. However, the social context has witnessed great scientific and cultural changes. The study also sheds light on the forms, systems, concepts and features, mediums and technicalities of design. It shows the relation of the design form to other adjacent arts and other symbolical systems. This is to enable as to feel the extent to which the design responsive to the already mentioned highly important changes, as it assumes a new form. The aim is to understand the nature this newness as it reveals itself in forms of design.The most important question is this : As the need increases a way that never been, before has the design given up its artistic identity and as being an organic element of what is now known as the aesthetics of arts and not as being a guest to it, borrowing from then its outward appearance. Its core, however, relates to what we may call as the demands of marketing. This deference between the instrumental outward function and the internal aesthetic function is the problematic dialectics of the new form to which the thesis has tried to discuss and to lay down operative concepts of new graphic forms through noting and examining their various models.The thesis consists of four chapter;Chapter one deals with the scientific framework which deals with the problems of the study, its importance the need for it, its aims, and limitation as well defining the most recognized terms as I envisage them.Chapter two (the theoretical framework) consists of four sections. The first sections suggests the intellectual dimension which shows the history of the aesthetic thoughts which has emanated from the philosophic arena known as the aesthetics. It also discuss the aesthetic changes in the language of the form. The ultimate end is to arrive at the philosophy of forms on the basis of the ideal, materialist, existential and pragmatic perspectives. This topic ends with the hermeneutic theory and the openness of the meaning of design.The second section (the sociological dimension) discusses the metaphorical transformation in contemporary graphic design, the metaphorical system and the manifestation of the nous form, especially in color metaphor.The section also deals with the sematic sign to narrow the gap between the function of the form and its beauty. As for the third section (the functional dimension of the new form), its titles go as follows : The new form between realization and meditation; the deconstruction of functional design from which DE familiarization the exclusion.The fourth section [the technical dimension] discusses the description of the technicality as being a tool for history, knowledge and art. Describes the hedge among of the technicality on human life and sheds light on the technical act and the concept of the new form.The section also talks about the effectiveness of the technicality on design and its limited scope of influence not on the form, its practical area but also on its significance.The third chapter is set to analyze models representing various types of designs such as slogan, commercial, environmental instruction and educational (poster, advertisement, heads of magazines, and covers. this models consists of twenty eight ones.Chapter Four comes up with the conclusion of the study which are discussed in details. The chapter ends with deduction and recommendations for further study.

فاعلية الافراط في النظام التصميمي للمنتج الصناعي == Excessiveness Efficiency of Designing System For Industrial Product

اسم المؤلف: مرتضى حيدر عبود العبيدي
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بحثت الدراسة الموسومة بـ ( فاعلية الافراط في النظام التصميمي للمنتج الصناعي) في مشكلة عدم توفر اطار شامل يوضح مفهوم الافراط والجوانب المرتبطة به وامكانيات هذا المفهوم فيما يمكن ان يحدثه في بنية التصميم الصناعي اذا ما احسن استخدامه من قبل المصمم.ومن هذا | Tagged his research study (Excessiveness Efficiency of Designing System for Industrial Product) in the problem of the lack of a comprehensive framework illustrates the concept of excessive aspects associated with it and the possibilities of this concept can be wrought in industrial design structure if properly used by the designer.From this point the researcher found logical justification for the selection of the problem consideration and determined to answer the question the following : - 'What is excessive and its effectiveness in the system design of industrial products?The research aims to : - Identify excessive and effectiveness of the system in the industrial design of the product methodsThe importance of research to provide a clear picture of the concept of over - design the system and be a theory base can utilize them in practice to achieve the benefit of the individual and society.Find and Stmmelt limits studying industrial products characterized by excessive formalism, functional and technical aspects of furniture, equipment and tools for companies for the years (2014 to 2015)A search of four chapters included the first chapter of the research problem and its significance and purpose and its borders and determine the terms. The second chapter shall be from previous studies and theoretical framework and theoretical framework included three sections on the first section came under the concept of excessive at the same time ensure the second topic system and system design title while the third section displays mechanisms for achieving excessive industrial product. The third chapter included research procedures and methodology adopted researcher on the descriptive approach in the process of describing and analyzing the sample. Chapter IV has included the research and conclusions, recommendations and proposals results.The most important results : - 1. Check excessive formality in all the sample models and 100% through the use of the designer simple and obvious elements in the construction of the unit design in order to get to the simplicity of form design.2. Verify career excessive models (1.3, 4, 5.6) and by 83% due to the use of the designer of the concepts of (multi - enrichment and condensation career)3. shares that employ modern technology in achieving the over - technical models (3.4, 5) and by 50% the fact that these techniques have an active role in the performance and function design.One of the main conclusions are : - 1. Within the industrial designer in his designs over - design system format (formal, functional, and technical) to produce an industrial product is characterized by the beauty of the shape and the efficiency of job performance.2. Excessive career happened within the systems design in various formats including multifunctionality and job enrichment and job condensation, which as a whole has diversified performance and increased Mdyate focused than the number of jobs within the same segment without Atkhalkhal weakness in job performance.3. The technical innovations employed by the designer of industrial products increased within the ranges of functional performance thus achieving a high degree of satisfaction to the consumer through the technical possibilities and performance provided by the product.

المعطيات الفكرية للفن الشعبي وانعكاساتها على التصميم الكرافيكي == Intellectual Outcomes of Pop Art And Their Reflection On Graphic Design

اسم المؤلف: مها مؤيد عبد الحسين الناصر
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى: