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البنية الجمالية والتعبيرية في زخارف المنمنمات الاسلامية == Expressionism And Aestheticism Structure In Islamic Miniatures Ornament

Author name: منى كاظم عبد الموسوي
Supervisor name: عباس جاسم حمود الربيعي | باسم قاسم الغبان
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثلت مشكلة البحث بتساؤل اساس ماهي : البنية الجمالية والتعبيرية في زخارف المنمنمات الاسلامية؟ ويهدف البحث الى الاجابة عن التساؤل الوارد في المشكلة كما يتحدد البحث، في دراسة زخارف المنمنمات الاسلامية بانواعها المختلفة المتمثلة ب(النباتية والهندسية والكتابي | The problem of the research represented with an essential question ; what is.The research aimed at replying the question mentioned in the problem as defined in the research in studying Islamic miniatures ornament in different types represented in ( vegetal , geometrical , graphical and animality in both ( Iran & Turkey ) from Since 1489 to1596. The researcher has covered several titles such as : First category deals with the structure in Islamic art , structure of ornament forming which are represented in vegetal ornaments which are used with glass , flowers and branches , besides animality , mason tree forms and shapes which are employed in combination with vegetal ornament , formal spatial organization from the stages of establishment of spaces , organizing the units and branches in its terminology to get fundamental unit , and repeat it according to the fundamentals of mason , animality and geometrical designs.The second category includes the following : First : aesthetical structure starting from the concept of aesthete at Arab philosophers , concept of aesthete at modernizers ,besides the principles lSecond : Includes the expressionism structure of Islamic miniatures and expressionism dimension in ornament forms.Third : The third category is ( Islamic miniatures art ) represented in establishment , idea and sense and meaning in miniatures and the importance of the color in the art of miniatures. Finally Islamic painting schools. Chapter three includes procedures of the research and dealing with the titles to define the methodology of the research and sample of the research. The sample has been selected intentionally. The number sample distributed in both Iran ( 59 ) and turkey ( 38 ) samples. It was selected ( 20 ) sample from original society of the study ,and design the form , then showing it to the experts to check its validity achieving its objectives. Following pages allotted to analyzing of the samples. Below the most important results of the research : - 1. Expressionism structure expressed in Islamic art that represented miniatures art about events combined thoughts and cultures so that become connection instrument included multi - meaning symbols.2. Adopting expressionism structure concept in Islamic miniatures art upon intellectual and knowledge of the true religion Islam and itrelation with feeling and realization that accompanied to gratification and acceptance of the receiver., then follow up its aesthetical and intellectual implication 3. Confirmation of meaning structure of the opinion h in the research sample specimen , which offers for Islamic painter a chance of boosting related to indication and meaning , on the assumption that the thought produced according to intellectual formula and structural consolidate from aesthetic rich giver and expressional for artistic work as in most of sample of the specimen. 4. Expressional structure of Islamic art represented in miniatures art which made the concept of aestheticism gaining intellectual assimilation as new gates bear clearly different emotional trends and direction achieve joy and happiness to the receiver. 5. Aesthetical structure in ornament forms structure demonstrated obviously through harmony and compatibility between pivot ornament formations and reality , and subjected it to internal system to adjust their correlation in emotional , sense and cognitive derived from indications and signs in accordance with Islamic faith , and its implications of expressional results that consolidate 6. Variables of the ornament forms and shapes are geometrical , vegetal and masonic , mostly ornamented with different colors. Its gestures lead to intentional forms in its signs ; which is that form regarded in mien thinking between two directions : direction confirm upon notification nature and continuity of ornamental sign , other direction focus on interpretation of the sign i.e. the possibility of the sign and interpretation towards receiver. 7. Miniatures executed by one artist whereas several calligrapher participated in writing the texts before or after painters or embellished. The ornamented text gives the miniatures an abstract and ornamentation nature , even the scene was in battle field. accompanied with colored life, gives the miniatures harmony including great amount of regularity and logical sequences of the forms and elements.8. Islamic miniatures samples showed clear spread - out in dealing with structural and technical treatments for forms , dimension , color , written and touch units which are description works on it the Islamic photographer in order not to fall in prohibition issue , therefore they have to be away from embodying and from using the couple of light and shadow.9. Aesthetical standard ( proportionating , unity , variability , balance and repetition ) which the decorator tried to compare and depart them as basis for visible action and establishment in Islamic miniatures ornaments.Below The Conclusions 1. Using geometrical and vegetal ornaments in the art of Islamic miniatures to reflect aesthetic richness through absolute accuracy in execution.2. The art of miniatures connected with ornamented terminology greatly which is achieved through expressional structure multi - aesthetic characters participated within formal intensification that depend on determined spaces.3. The Muslim artist adopted in his miniatures upon flat perspective which depend on two dimension and ignore embodying which is represented in the three dimensional.4. The pictures of the personalities in Islamic miniatures characterized in different forms and shapes regarding special features such as the face or nature of the dress or structural formula of the form , adopting anatomical percentage according to belongingness , cultural and geographical references of Islamic country.5. Concentrate on tape and line system in written texts within the tapes and ornamented frame , adopting lines with functional performance such as ; caption ,on third uncombined in order to create connectional action to read the text , besides forms especially after adopting attached miniatures to ornament the ground of line text.According to the details mentioned above , the research has bring forth sample of the study from very deep and effect of al expressional structure , aesthetic ,and the mechanism of their operation in Islamic art represented in miniatures arts. Eventually the researcher recommended the following : - 1. Study Islamic miniatures art , its multi - aesthetical system specially ; colleges and fine arts institutes in order to understand its elements and subjects.2. Encouraging issuing publications , print material and aesthetical and technical studies that dealt with the concept aesthetic and expression in Islamic art which includes miniatures arts.3. Using subject (Islamic miniatures ) in the textbooks of the students who studied ornament Arabic writing for both studies primary and higher studies.For more scientific benefit for the research , the researcher presents the following suggestions : - 1. Aesthetical and expressional structure for handwritten formations in Islamic miniatures art.2. Aesthetical and intellectual dimensions for gilding of Islamic miniatures art.

البنى الارتكازية لفن التصميم الطباعي المعاصر == Infrastructures of Contemporary Graphic Design Art

Author name: دينا محمد عناد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The art of graphic design from more arts modernity which appeared beginnings in the nineteenth century and the evolution in the mid - twentieth century, the owner of this development a particular focus on the development of theories of knowledge, bring about the way the designer base model represents a built anchor, any (ground knowledge firmly) based upon The art of design, and can not be achieved without taking into account the design of these structures and aesthetic value to the success achieved by the design. Although the essence of the design idea is gaining value only the veracity of the results that can be achieved at the application level and then detect the role of the creative process, which is often coupled with the idea of design, construction and technical design meets the requirements of the message and influence in the receipt.Based on the foregoing, this study comes tagged (the infrastructure of contemporary graphic design art) to clarify the subject through the four seasons, which included the first chapter, which has been allocated to research methodology on the research problem identified by asking the following ((What are the key pillars upon which the art of graphic design as a theory ))? The objective of the study ((Essential for building the foundations of the theory of the art of contemporary graphic design)).It also included the importance of research and the limits of research as well as identifying terminology.The second chapter includes a theoretical framework and previous studies, they did not find the researcher taught by a previous study approach to the subject of current research in graphic design, so this study is considered the leading theme in graphic design.The theoretical framework has included four sections focuses First research on (a brief history of the graphic design art), and focused the second topic on the (Strategies graphic design) and ensure that the third section (Features theart of graphic design on according to the intellectual trends of contemporary), while the fourth section guarantees the (Modernity and postmodernism in graphic design). This has resulted in a theoretical framework on several indicators. The third chapter is devoted to research procedures as researcher followed the descriptive method and the method of content analysis for the purpose of monitoring phenomena. Means of objective critical analysis of each model separately, to reach accurate results. It ensures the research community a hundred and fifty (150) culturally poster technically universally contemporary publications on the international information network (Internet), countries (Germany, Holland, Switzerland, France, USA), which included the years (2004 - 2014) and due to the capacity of the research community, and the multiplicity specialties areas posters cultural art, arrogating the researcher exclusion of (100) poster depending on the way (not the probability of intentional) in the selection of research models, bringing the number of models of the sample (fifteen 15 culturally poster technically worldwide) Elected out of (50) Model for the purposes of analysis, (33%) of the research community overall, with three posters for each state. For the purpose of analyzing the sample form was designed to determine axes analysis, which was approved by experts and was based on the analysis of its clauses. And ensure that Chapter Four of this study was to review the results and conclusions for research, and the most important results : - Was to determine the infrastructure of the theory of the art of contemporary graphic design : - 1 - Reliance on cognitive theories, especially the new objectivity, which confirmed the technology and manufacturing processes and function. The purpose of design, and sobriety and strength in design and visual communication to mind.2 - Designer culture that rely on the construction of knowledge. 3 - Rely on innovation and artistic creativity to achieve the image of visualculture. 4 - Accrediting simplicity and abstraction and symbolism.5 - Employ modern technologies in order to serve the idea and content, to bring the power of visual communication and cognitive, by addressing the fonts and color values, and linking elements and styles of design to achieve movement and tensile visual, in order to serve the idea and secured to the success of the design work.6 - Recruiting employ methods of design elements and characteristics of intellectual and aesthetic, which is the language of design.7 - Verb match career with the formats for design aesthetic expression. 8 - Employ metaphor in the formal design built to achieve a synthesis based on visual discourse, bearing dimensions intellectual and aesthetic contribute to the understanding of the structure of the underlying design.The main conclusions of the research : - 1 - Activating the role of the recipient in the field of fiction and the future vision, and read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge, and to make it mainly in the construction of knowledge. 2 - Achieved a designer horizons and a new perspective in the presentation of design work, so as to break the traditional context, by relying on inspiration, a theories of artistic creativity and application of discovering the same fantasies and imaginative jets occur suddenly, to achieve the image of visual culture and linked to the contemporary.3 - Resulted in graphic design strategies to build a knowledge base, any emphasis on theoretical knowledge to work as a precedent Executive, to achieve the anchor structures, based on the culture of creativity and innovation, and to identify the strengths of the unique design of the building implementation approach and the development of future standards work.It is then incorporated the recommendations, including : 1 - Emphasis on activating the role of the recipient to read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge.2 - Introducing new systems design using a new method of connecting elements and coordination among them ensures the effectiveness of the design and achieve new and innovative formulas lead to a reaction force to provoke an implicit attract an audience.The research proposals : 1 - To conduct a study on the technological standard and its impact on contemporary designs.2 - Combination study of structures based on visual discourse in contemporary designs, printing and its impact on the receiver

البناء الشكلي ومتطلبات الاداء الوظيفي في تصميم عبوات المنتجات الصناعية

Author name: زياد حاتم حربي العامري
Supervisor name: فوزي ابراهيم المشهداني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد عمليات تعبئة وتغليف المنتجات بصورة عامة والمنتجات الصناعية بصورة خاصة من العمليات بالغة الاهمية اذا صح التعبير ذلك كون العبوة هي المسئولة عن ايصال تلك المنتجات الى المنافذ البيع ومن ثم الى المستهلكين. فلكل عبوة تصميم يجب ان يلاءم المنتج من حيث البناء | The packing of the products in general and industrial products in particular is one of the complicated operations, because package is responsible for delivering of those products to sale outlets and then to consumers.Each designed package must fit the product in building of the general shape and its task Pressure as well as the Packet has the ability to show aesthetics of the Product, so the Package has limited base that can be distinguished. These Products will be Paid attention by the consumers. Therefore the researcher focuses his idea on (The formal building for functional requirements in the design of packaging industrial products). This research explains clearly the fact that Packing is regarded as a reflexive mirror of the Producer who tries to give a good visual image.It is also a means of communication between producer and consumer it has an effective role in vogue of products. It is as silent salesman. Being a motive acceleration towards high quality products factories and productive developments in order to reach the objectives of the research.In determining the design of the packet industrial products.Depending on temporal boundaries in duration (2006 - 2010) and form the Products of the electrical industries company in Baghdad exclusively.The research also included a set of terms related to the subject of the research. Some of them are important and suitable to the research.The second chapter contains the theoretical framework and previous studies according to the following division.The first section included formal construction and functional performance.It means building the figure in industrial product and the elements of the designed foundation in building shapes and the relationship between the outer shape of the packed and the inner.The second research included packing in industrial products which includes (industry of packing and its relationship to the environment).The third research included designing of the packages which includes the packet itself as a communication material and factors of ideal designing of packets and its elements. The conclusion of the framework refers to some references that the researcher has a do pled in designing of analysis form to search wit hen its products in chatter including research community, which represents products of the electrical industries in Al - Waziriya, My sample of the research aims to choose five models out of twelve models and 40% of the research community.The researcher depended on books and other resource, specialized his method on descriptive analysis in a researcher sample. He concluded a number of results (some of them did not achieve to the inner shape in all samples that leads to weakness of the formal performance and never achieve the required engineering function in protecting the packet products, and using the raw material did not achieve the required protection), up to the conclusions, including (the formal building of industrial products has clear effect in building varieties of packets according to the size of the packet plus fro duct to build Varity of forms which has the capacity to perform the function well excites the consumers reaction), then recommendations and proposals, and sources and finally the summary of in English

البناء الحركي وانتاج المعنى الدلالي في المشهد التلفزيوني == The Buildup of Motion And Production of Semantics Meaning In The Television Scene

Author name: كمال شناوي ذياب
Supervisor name: دريد شريف محمود
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: سعى الباحث في هذه الدراسة الى ابراز دور الحركة كمفهوم شمولي في مستويات متعددة امتلكها الفلم كمنتج فني سواء على مستوى السينما او التلفزيون بشكل عام، كما سعى الباحث الى تجذير العلاقة ما بين الحركة ذاتها بكل مستوياتها ومراحلها وتاثيراتها في انتاج المعنى الد | Researcher sought in this study to highlight the role of the motion as a comprehensive concept in several levels the film has as an artistic product, both at the level of the cinema or television in general. The researcher sought to consolidate the relationship between motions itself at all levels and stages and their effects in the production of the semantic meaning. The study tried to follow the appropriate way to achieve the maximum benefit through reading all views in line with the research objectives, the research was divided entitled (buildup of motion and production of semantics meaning in the television scene) into four chapters in which he first entitled (The methodological framework ) which includes the problem research, its limits and its goals, while the problem of the research can be summarized asking following ((what are the aspects of motion affecting the production semantic meaning in unified artistic buildup?)). Yet, the importance of the research being dealing with basic subject in the structure of a scene, which is motion and their meanings in production as well as the possibility of becoming a useful study for those interested in field of TV drama. Meanwhile, the limits of the research focus on studying television drama. The research objectives have been limited to (detecting the modes in which motion operates within its various forms on production of semantics of meaning in the television scene). The chapter also included on a definition of the term motion, while chapter two (the theoretical framework and previous studies) which has included three studies which have formed the theoretical foundation of the research, these studies were titled as follows : The first section (motion from the structure to the meaning) it gave a thorough discussion to the concept of motion, in addition to the structure and semantics and the significant of the structure on scene buildup in films, in addition to the theoretical picture and its relation with the meaning which is being dealt in details. The second section (from the movement to the film) it reviews the history of motion picture and factors that affect the composition of picture in television.The third section (motion and dramatic structure in the television scene) it addresses the concept of drama, in addition to the elements of action and its buildup, also we have dealt with the rhythm of the scene and building it both intellectually and editing (montage). The research also tackled a number of previous studies that have smaller interests. The researcher has come out of a number of indicators which are the results of the theoretical framework.The third chapter included (research procedures) which included the used methodology and the research community and the chosen samples and justifications for choosing them, as well as the mechanism of research and unit of analysis, this chapter also included analysis of the selected samples. The fourth chapter includes conclusions that focused on two television series that were intentionally chosen to meet the requirements of the research. There are fundamental findings that both series have resorted to motion levels in producing the meaning in different manners, starting from the buildup of motion to vision and the editing, camera and sound. The researcher confirmed on a number of conclusions that have resulted in the light of discussing the samples of the research which confirmed that television series should deal with almost all levels of motion and its meanings in the production of the television scene, with a significant difference in the levels of motion in building of the scene. The results and the recommendations have maintained the goal that the researcher has made in mind in his scientific plan, as mentioned above. This chapter also includes the recommendations, proposals and sources, in addition to summary of the research in English.

البعد الوظيفي للعناصر البنائية في التصميم الطباعي == Functional Dimension of The Structural Elements In Graphic Design

Author name: نور احمد حاجم الربيعي
Supervisor name: حكمت رشيد فخري العزاوي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The completed design layout space mixed the structural elements and react according to the ranges of operation and functional, establish by regulation and interrelationships that are formed according to the bonds of the structural discourse visual design career in Graphic Design in general and the cover of the magazine , in particular, for its fun mentality and culture of the recipient affect the everyday needs him in various directions. The focus of current research in almost all its attention on knowledge of functional dimension of the elements of building in Graphic Design in order to understand the mechanism of action and the realization of ideas and assisted by the intended delivery to the recipient, where enrolled Search classes several , came the first chapter required for the research problem which manifested itself by asking the following : ( What's the role of the functional dimension of the structural elements in layout design ? ) And demonstrated the importance of research in : The possibility to form a view of knowledge contributes to the Iraqi supplement the library a new type of research in the field of Graphic Design , as well as its contribution to the open window scientific knowledge for those working in the field of Graphic Design. As set a target search : (learn functional dimension of the structural elements in the layout design , and make proposals for practical purposes according to the results). Interested in the theoretical framework of three Detectives , touched first section of ( the concept of origination and development function , function in philosophical thought , a job in the art, design and function ). The second topic addressed ( in art and architecture design, structural elements for the cover of the magazine , and directorial styles for the cover of the magazine and its relationship to job performance ). While eating Section III variables design and its relationship dimension career as follows : (function and Attractions visual function through unity and diversity, function and significance , function and cognition, function and connectivity, functionality and digital technology , function and beauty). Then came the theoretical framework of inter indicators are the epitome of what resulted in the theoretical framework , including 1 - Position not be realized arbitrarily by the designer , but must have a level of awareness of the specialist, and a level of awareness Palmgeorat ofknowledge and phenomena exist. 2 - the aesthetic value of harmony with functional value and interpretation of functional value in a utilitarian manner and performance make it to the cover of the magazine outlook such us beauty and the value of a direct relationship between each other. Followed by the research procedures contained in the third quarter , marked by the adoption of the descriptive method (method of content analysis ) in order to reach results that achieve the target search. Also represented his research tool the analysis identifying axes form the basis of the theoretical framework , and resulted in the indicators and analysis axes were as follows : • functional dimension of the element Alkraveka • functional dimension of the element Altibograve • functional dimension - semantic structural elements • perception relationship the functional performance of the structural elements • processors relationship technical digital functional performance of the structural elements • 's function in terms of content • relationship methods design the functional performance of the structural elements • functional dimension _ aesthetic elements Altibogravekah According to the contents of each model on the unit where it was described and analyzed (16) sample research , based to the paragraphs of analysis, Chapter IV, has included a presentation of the findings of the researcher , the total number (18 ) as a result , for the first target of the search , and it was them : 1 - achieved a system architecture formal moot differentiation by employing forms Allamolovh and redesigned and adapted consistent and subtraction objective idea of the cover of the magazine, donor 's energy performance functional aesthetic through innovation and uniqueness in the way of subtraction, and this stems from a number of elements and the values of design that not only required The distinction is to make it unfit for understanding and vision , and but instigate our sense and intuition effective visual design field and in accordance with the requirements of utilitarian image. 2 - over - employing key Anwanat number and subsidiary in the cover of the magazine , had a negative impact in the process of receiving it , they distract the receiver because of the large number and its color variations and thusweaken functionality. 3 - Check the iconic structural element - written , which led to the production of functional structure - Tagged , designer prduses system Alamatah expressive semantics , through formal positioning of symbols and visual signs with signifier written. 4 - According to the designer of processors digital technology specialized processing digital photo in particular in the job enrichment - semantic image through the use of technology (filters ), as reported techniques pieces , deletions and additions, Alfotomonteg , and contributed to processors of digital technology is the basis in shaping the idea of working to break the stereotype of shapes and out of the conventional method of frames through Semiotics produced approach visually and functionally speech by digital technology. Then the researcher concluded a number of conclusions , including : 1 - Enter key to the language of mock job was through the adoption of the principle of sovereignty in the volumetric space of the cover of the magazine. 2 - rapid transfer visual and mental unit moving in the process of receiving the elements was due to the adoption of structural variations and sharp color value Altdadat her. The researcher organized recommendations A_i_vtha by in the light of its findings , including : 1 - choice of images with deep meanings and connotations that are consistent with two goals design idea. 2 - Pay activate visual discourse through the organization structures Altibogravekah the importance of being frees broadcast communicative the and functionally - Tagged - aesthetically pleasing. 3 - Activating Digital Alkraveka Design in all its specificity as a tool supportive performance done layout , and make it accessible to the hands of students in educational institutions and Fine Arts and the establishment of sections designed to teach and in line with global trends. The researcher also presented two proposals could form the focus of subsequent studies complement the current research , namely : 1 - the communicative function of Amolov formal layout design. 2 - Semantic job enrichment component Altibograve using digital processors. With regard to the second goal of the researcher presented a search applications proposed designs for the covers of magazines , according to the results. And then seal Find a list of sources and supplements

البعد الجمالي والتداولي لفن الرسم في الثقافة العراقية == The Aesthetic And Pragmatic Extent of Painting In Iraqi Culture

Author name: فلح حسن حسين الشكرجي
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث الموسوم (البعد الجمالي والتداولي لفن الرسم في الثقافة العراقية) العلاقة بين الفن وثقافة المجتمع على المستوى التاريخي في العراق وتثير قضية البحث بعضا من الاسئلة والمشكلات المتعلقة بالمرجع الذي يؤسس وجود هذا الفن من حيث الاساليب والاستعارات وال | This research (The Aesthetic and Pragmatic Extent of Painting in the Iraqi Culture) deals with the relationship between art and culture on the historical level in Iraq, the research problem raises a questions with art references through; styles, Mutations, Reception, Pragmatic which connected with Iraqi memory although it is so diversity, the research importance concentrated on discovering the reasons of recently art situation and why art is not a priority, the research limits fall between 1930 - 2013.The research contains five chapters; the first (method frame) which contain; problem, importance, aim, limits and definitions, while the second chapter (Theoretical Frame) includes three branches; (the Historical attendance of painting in Iraqi Culture) in which the research talk about the Islamic extent and how it deals with art, after Al - Wasety period and the Barbarian destruction in Iraq, the instinct period and the early attempts to paint in the early years of 20th century in Iraq, the pioneers period and their attempts to find out their cultural identity, republican rule period and the effects of political domestic, wars, economic sanctions on the whole life in Iraq, after 2003 period and the formal neglecting and the conflict with the religious view.The other is (The General Space of Iraqi Culture) in which the research talk about the Ottoman Inheritance and the power of illusion, then the rule of; environment in both levels; (place and population), society, religion, policy, economic as the art references , then the research talk about the article culture in Iraq and the way society deals with culture. The third branch is (Art and audience) which contain the reception system in Iraqi culture and why Iraqi people prefer iconic and realistic art works, the stylish suggestions of Iraqi art and how they goes far away from Iraqi awareness.The third chapter also contain three branches; (the aesthetic and trading features of the Iraqi painting) which include; environmental factor (place power), heritage factor (history power), expressionist factor (psychological power), experimentation factor (connecting power). While the second talks about the Iraqi art periodization which falls into four periods according to main mutations; Establishment, Renewal, Announcement, Rupture in each of them the research analyzed the art styles and how people deals with art. Then the researcher put some indicators of the theoretical frame, the fourth chapter analyzed the controlling centers such as; Ideological Center, Political Center, Religion Center, Economic Center, Social Center, Aesthetic Center. The fifth chapter is the conclusions.

التكوين المهني لمدرسي التربية الفنية في ضوء النقد الثقافي (برنامج مقترح) == Function of Cultural Criticism In Developing Program of Professional Formation For The Art Education Tea

Author name: معن جاسم محمد امين
Supervisor name: ماجد نافع عبود الكناني | عقيل مهدي يوسف
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: To be an active part in the system of his age, the human being should be aware of the changed cultural signs of his age,. He also should be able to understand the cultural novelties especially in the fields of literature and art. Art education teacher, to be an active element in the cultural change and aware of the importance of renewal and updating in the field of culture, he should be able to analyses the appearances of culture in his age and to be distinguishing in his ability as a critic of his age culture to reveal the defected points that lead culture to be one of the employed means in controlling, hegemony dictatorship and refusal the others, Instead looking for the factors that make culture an active element in the positive change and in the progress of mankind and promotionof humane values.According to all these data, a question is asked : How could the art education teacher be active in achieving educational aims for the philosophy of modern education that looks at life a modern look which takes in the account all cultural and technical change and dealing with new concepts that characterized with their ability to change rapidly and to develop continuously.This could not be achieved except through a completed program of professional formation for the art education teacher in which he may comprehend and understand the goals that should be set to be suitable to the revolutionary start for the thought of Modernism and Post - Modernism and the process of intellectual transformation with the beginning of the new century, and its future challenges that look at the culturing means and Acculturation as a synonym for education and teaching.The process of revealing the function of cultural criticism, especially in the field of art education may form an important point in the way of understanding the role played by culture in forming building and developing the societies Via education in general and art education in particular. Consequently revealing the function of cultural criticism in developing the program of professional formation for the art education teacher opens to us active prospects and pillars through which we may develop programs for preparing andtraining for teaching profession in the field of art education as suitable to continuous developments in our current age and the prospects of transformation and renewal.Under the circumstances of information explosion and deliberated explosion of culture and knowledge in all their forms, the importance of cultural criticism comes to analyses and criticize historical and social roots and what accompanies them of political and moral ramification produced by artistic works, event, and ideological practices and organizations. Thus, preparing an art education teacher for teachingprofession requires a special and methodological preparing including a program prepared to develop a group of cognitive, cultural and practical skills which suitable to development of age and the necessity required by the rapid changes of new world.Basically, the task of art education teacher is a culturing and teaching task, thus his connection with his society culture and value system and moral consideration, which in whole forming a distinguishing identity for the society, is a close connection.Starting from a modern vision in the process of developing a program to prepare and qualify the art education teacher through the role played by cultural criticism in developing a program of professional formation for art education teacher, the problem of research may be determined by the following question : What is the function of cultural criticism and its role in developing program of professional formation for the art education teacher?The research endeavored to achieve two goals : 1 - Defining the function of cultural criticism in developing a program of professional formation for the art education teacher and identifying the basic pillars that my by relied in preparing teacher for the task of art education teaching. 2 - Building a suggested program of professional formation for art education teacher. To achieve the research goals, the research was divided into five chapters, the first chapter included an introduction and a definition of the problem of research and its importanceand goals. The second chapter dealt with the theory of culture and the references of cultural criticism in an attempt to reach the conceptualization of the term "Cultural Criticism" in addition to that, the chapter endeavored to define the linguistically andterminological significances of culture concept and to study the stages of growth and development of cultural theory and the most striking trends, and to took at the conceptual system to each of culture and criticism, then look at intellectual considerations and references that led to the appearance of the term "Cultural Criticism". The third chapter dealt with the relationship of cultural criticism with art education and the relationship of culture with education, the concepts of change and development art education teacher ,and Post - Modernism Culture, then moving to define the most outstanding contemporary treads in forming and preparing the art education teacher, to define the new roles of art education teacher and the concept of quality in teaching. The fourth chapter overviewed the methodology of research and its procedures and steps to prepare the suggested professional program for the art education teacher. The fifth chapter represented the conclusion of research. It also dealt with the reality of the professional formation program for the art education teacher, then it set a suggested model of professional formation program for the art professional formation program for the art education teacher, with a group of recommendations.

الايقاع البصري في عروض المسرح العراقي

Author name: ميادة مجيد امين الباجلان
Supervisor name: قاسم مؤنس عزيز
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث الايقاع البصري في العرض المسرحي بوصفه المنظم لنمو شبكة العرض المسرحي، والذي يساهم في ايصال المعنى للمتلقي، ومدى استجابته، وتنصب مشكلة البحث على كيفية اشتغال الايقاع البصري في العرض المسرحي العراقي من اجل خلق الانسجام والتوازن والتضاد والثبا

القيــم التربويـة والفنيـة في نصوص الاوبريت المدرسي == Artistical And Educational Values In Texts of School Operat

Author name: كريم محمد حسين العامري
Supervisor name: حسين علي هارف
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ترتبط القيم بمختلف انواعها وتوجهاتها الاخلاقية والدينية والاجتماعية والانسانية بالتربية لذلك فقد سعى التربويون الى تعليم الافراد القيم التربوية من خلال تربية الذات التي تعد محور نشاط هذه التربية وبها تتشكل عن طريق غرس القيم التربوية لدى التلامذة ليحتفظوا | The values are conducted with education in variety of their ethical, religious, social and human differences and attitudes, thus the educationists seek for teaching the personnel educational values through educating the self which considers the axis activity to this education and within are formed through inserting those values in students minds to acquire comprehensive and sound growth. School theatre considers one of the educational and cultural statements that seek to fulfill desired educational purpose in learning students the positive social, educational values and acquire them through employing the theatre art as successful, effective and eagerness educational mediator. School operat considers one of the main and important skills and activities in the school theatre which have the art components to gather between acting, music and singing and those who making the school operat in Iraq desire to make their texts hold variety of artistical and educational values to be positive, effective, interesting and persuasive. Here appear many questions about values. Do texts authors about school operat aware about the quiddity of educational values, their characteristics, contents, sources, to succeed in including them in their texts?, Do they have the technical profession and dramatic qualification in writing the school operat which included artistic and dramatic values as an idea, dialogue, plot and characters?. To answer about all those questions, this research as (artistical and educational values in the texts of school operas) is devoted to study the school operat texts in Iraq at the level of artistical and educational. This research contains four chapters; the first takes the problem of the research, its significance, purpose and limits. The problem of the research is constricted by asking a double question (what is the most important prevailing educational values in the school operat texts in Iraq and what are the nature of those values that included these texts on the level of dramatic construction and artistical form?. This research utilizes the school operat writers and help in succeeding their dramatic experience and utilize those who working in the school operat such as directors and supervisors in the school activity. The Research aims at : 1. Revealing the educational values in school operat texts in Iraq.2. Revealing the artistical values in school operat texts in Iraq. The first chapter includes the search limits which contains the school operat texts in the School Activity Departments in the Educational Directorates in Iraq Governorates 2005 - 2010. This chapter includes precisely the fundamental idioms that surround the research such as (the values, educational values, artistical values, operat, and the school operat). The second chapter contains the theoretical background, the previous related studies; it subdivides to five branches which include the educational values philosophy, the opera art, singing theatre, operat art, and the school singing operat in Iraq. The third chapter includes the research methodology, the procedures, the population of study, which contains (30 ) school operat, and the sample. The researcher has chosen (randomly stratified sample) which consists of five texts covering five geographical areas in Iraq. To fulfill the aims of the study, the researcher has adopted two tools : 1. educational values tool which depends on the classification of (White - Al - Heeti) developed, after exposing it to group of Jury members to investigate of its validity and measurability, and measuring the reliability by using (the Holisty Formula) to find the agreement coefficient between the arbitrators (analysts),2. artistical values tool which represents (the analysis list of operat texts content for the artistical values after exposing it to group of Jury members to investigate of its validity and measurability and measuring the reliability by using (the Holisty Formula) to find the agreement coefficient between the arbitrators (analysts). The fourth chapter contains the results and the main conclusions as follow : 1. school operat texts are varied through concentrating on the educational values which some of them focused on limited group of values and left the others,2. the first sixteen values are distinguished that they are the most important and focusing on operats texts such as (beauty, care, attention, aggression, work, religion, control, cleverness, energy, challenging, determination, new experience, food, gentleness, humorous),3. ideas and the essential subjects of the school operat texts are conducted with the student’s world, his/her environment and surrounding to be suitable of the aimed ages,4. the authors are neglected in their fundamental educational texts which represented in growing the student's feeling in responsibility towards the general properties and protect them in spite of the necessity to depend and include them in the texts,5. the authors are succeeded in drawing their operas characters, and give them artistical and dramatic form through their having the dramatic dimensions for personality,6. Texts are depended on the simplified Arabic language in writing the dialogue or singing texts with little exceptions. This dialogue is distinguished with rhythmic, simplicity, smoothing, and short phonetic formulations, with clear and purified vocabulary.According to these conclusions, the researcher has confirmed the main recommendations as follow : 1. introducing the school theatre authors in general and the school operat authors in special in culturing courses in educational science, educational psychology science and educational philosophy and enlightening them with general government philosophy and with depended educational philosophy,2. urging the school operat authors to use variety of subjects and ideas and embodiment a large number of educational values within each operat text,3. taking into consideration the side of (enjoyment) and (eagerness) from the authors,4. depending embodiment (within values) in majority for its effecting and reducing from the directed clear values as possible and depending them as artistical and dramatic necessity,5. referring the operats texts to check and educational evaluation before their producing, offering and presenting to ensure from their values content nature,6. emphasizing on the ethical and national values to fix them in students' thinking and behavior,7. concentrating on the values that have little attention in the school operat texts to create harmony between the values system and the educational aims that have requested by society to fulfill them in teaching and educational statement,8. introducing school activity supervisors who practice authoring for school theatre and operat in training courses in terms of authoring and writing to theatre and develop their adequacy and grow their innovation and authoring skills,9. increasing support and consideration to school operat and theatre by Ministry of Education through increasing support and financial allocations to School Activity Directorate. The research also contains some suggestions, sources, Arabic and Foreign bibliography, and summary in English.

الانظمة التصميمة لخيم المناسبات وامكانية تطويرها == Systems Design For Tents And The Possibitity Developing Rituala

Author name: عبد الحسين عبد الكريم سلمان
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تبحث الدراسة الموسومة (الانظمة التصميمية لخيم المناسبات وامكانية تطويرها) في مشكلة عدم وجود مرتكزات واضحة تعبر عن خصوصية المجتمع العراقي البيئية التاريخية والفيزيائية وضعف الاستفادة من التطورات التقنية العالمية في مجال صناعة الخيم المخصصة للمناسبات العامة | The study examines tagged ( design systems for severe events and the possibility of development ) in the problem of the lack of clear foundations reflect the privacy of Iraqi society, environmental , physical and historical weakness to take advantage of technological developments in the field of global industry tents allocated to public and private occasions The research aims to detect and analyze the design and create foundations for tents occasions The importance of this study being the first to address this area which now use common events and tents dramatically in Iraqi society and is considered an indispensable product in most occasions Search limits included design systems used in textile architecture allocated for public and private events in the city of Baghdad, manufactured locally in 2013 The research will be four chapters included the first chapter of the research problem and its significance and its purpose and its borders and determine the terms The second chapter has included theoretical framework and previous studies and the theoretical framework included three Detectives first came under the heading of what histological architecture of the time, which included the second part placed climatic effects and their relationship in tents occasions while offering third section for Altamaha systems for tents occasions The third chapter has included search procedures, methodology and researcher adopted the descriptive approach in the process of describing and analyzing the samples, which represented I 00% in addition to the description and analysis of samples The most important findings of the researcher in the fourth : quarter are1. The form of the use of horizontal lines In all samples In response to functional purposes2.Methods of linkage formed a burden because of the number of syllables rail many constituents ofSupporterstructure of the three models : One of the most important conclusions reached by the study is 1. The absence of a balance between the functional and aesthetic aspects of the matter which led to the exit of a product is almost incoherent with a clear domination of the functionality at the expense of other aspects2.Adoption of a system design te?ts explicit geometric shapes (square or rectangle) mainly weakens the aesthetic features of the tents and lose diversity3.Not to take advantage of technical developments in the field of physical resistance to environmental conditions on the ~esign, though he crucial element in the success of the design of the tent and reflected in a positive environmental performanceAlso included aboard the fourth quarter on the cornerstones of design which concluded such study, which was the most important benefit from the outputs of the technical development in the areas of design, production and utilization in the design ofsevere events in time, which included the fourth quarter of carries also a set of recommendations and proposals as well as the proposed design

الانزياح الدلالي في الخطاب المسرحي == Semantic Shift In The Theatrical Discourse To The Council of The Collage of Fine Arts As Partial Fulfillment of The Requirements of Master Degree

Author name: سعاد نعمة حسين
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: في المسرح تكتسب الاشياء التي تقوم بدور العلامات المسرحية مقومات خاصة وخصائص نوعية وصفات لا تملكها في الحياة الواقعية. بمعنى ان كل ما يكون في المسرح هو علامات ذات وظيفة دلالية , لان التجلي الحقيقي والواقعي للظواهر على خشبة المسرح يفقدها وظيفتها العملية ال | In the theater gaining things that play a role play elements of private labels and quality characteristics and qualities not possessed in real life. In the sense that everything will be in the theater is the signs of a semantic function, because the Transfiguration real and realistic phenomena on stage loses her job process, which seeks to clarify the role of the semantic code. At a time that is in the show theme in everyday life more important than its meaning, then lose the display structure of the task built a theater symbolic significance based upon the structure Avatar. Characterized by the nature of the play marks a special ability to produce connotations included, and the inclusion of this comes within the context of cultural, social or moral structures for special theatrical presentation of actors and spectators. Where you specify the semantics according to a tacit agreement between the supply and the future. In this context can be expressed decoration - for example - at the level of a particular social or cultural. It can reflect the fashion for a feature of the figures as attributes moral and social as well. Where in this process is gaining each additional sign of play semantics. As well as the real implications of each sign, there are indications, including the result of a cultural agreement implied about the significance of the sign, and this leads to the understanding of pluralism semantic markers in the theater. So it can be a sign of one of several indications that lead. The brand is characterized by high drama In dynamic because they lead to the exchange of elements play with each other, and this leads to the replacement of mutual formats to mark the play. In the display can mark certain belong to more than a certain format. The sense that the significance of the table can be produced for a certain movement performed by the body of the actor. The table that belong to the pattern is indicative decoration and then expressed by the body that belongs to the coordinated movement or gesture, and this is to be the representative element to generate President connotations place. That any actor can have is through a certain movement that depicts scenes of the existence of a river or a door or fence.... Etc.. Hence, we conclude that he can sign one play that kill jobs Tag is finished and this is what we are seeing in the theater mobster in general. And that the growth of the semantic probably was the cause of the occurrence of an objective process of semantic displacement in the texts, as the literature was not a specific connotation, like other sciences, or topics. It was the growth in the promotion of universal semantic earned him more than others. In order to reach the objectives of this study came four seasons and the following format : - In the first quarter it included a research problem by questioning follows is (Is there shift indicative discourse playwright?) And then came the importance of research which provides a critical study looking at the formation of the speech playwright through a variable displacement and movement semantic see the creative aesthetic and the light of the results from these visions of outputs in media discourse playwright as well as the benefit of students in the field of jurisdiction and stated aim of the research to reveal the offsets semantic discourse playwright and limits the temporal and spatial and objectivity of the research as limited offers on the province of Baghdad exclusively was the time period from 1995 until 2005, then touched search to define terms Thread. The second chapter came, including three sections of which the first interested in the concept of significance origination, development and care of the second part, in terms of the text and the significance of the display either the third section has himself to the concept of displacement semantic discourse theater and then came indicators theoretical framework approval to offer the detective to ask then explained the researcher that he there were not previous studies or a similar approach to study them. Then came the third quarter, which meant the samples were analyzed three samples are : 1. Othello in the kitchen to Sami Abdul Hamid 2. Play Macbeth directed by Salah reeds 3. Drama Ghost, directed by Adel Karim Find then concluded the fourth quarter, which included findings, conclusions and recommendations and proposals. Finally, Arab and foreign sources which Adopted researcher examined and then placed in the appendices and summary in English.

المعالجات الفنية لمشاهد الاحلام في الخطاب السينمائي الروائي == Artistic Processors of Scenes of Dreams In The Narrative Cinematic Discourse

Author name: سالم شدهان غبن
Supervisor name: رعد عبد الجبار ثامر الشاطي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث الحالي الفصول الاتية : الفصل الاول (اطار البحث) الذي يتضمن : 1 - مشكلة البحث : وفيها تحدث الباحث عن الحلم داخل السينما وعن مبررات وجوده وكيف تاتي مشاركته بفكرة الفيلم ومدى قربة من الواقع كمقدمة بسيطة للتساؤل الذي يمثل المشكلة وهو : ما هي نظم واشك

معايير لتقويم عناصر العملية التعليمية في اقسام التربية الفنية على وفق معايير جودة التعليم == Standards of Evaluation The Educational Process In Depts. of Art Education According To Standards of Education Quality

Author name: فارس محسن ثامر الغراوي
Supervisor name: منير فخري صالح الحديثي | رعد عزيز عبد الله
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يحظى موضوع الجودة وتحقيقها في التعليم العالي المعاصر في المجتمعات على اختلافها باهتمام متميز في سياسات تطوير هذا التعليم، ذلك من منطلق ان هذه الجودة تنطوي على مدخلاته وعملياته وتطويرها وتحسينها، كما تؤدي الى جودة مخرجاته وجعلها اكثر ملاءمة لحاجات التنمية | The subject of quality and its achievement it in the contemporary higher Education in various societies with distinguished attention in the policies of improvement this education, starting point that the quality implies its outputs and processes, improving it. Also leads to the quality of its outputs and makes it more suitable for the development need and the labor market and more effective in it, this policy is implemented in several developing and advanced and Arabic countries of various levels, in many countries the quality becomes a valid reality in their universities, and in another countries still starting projects on the way of implementation and in other countries, are in the stage of theory and planning. The idea of the current research formulated in the mind of the researcher being constructor in Dept. of Art Education - Basic Education college - Al - Mustansriya university, besides conducting survey studies aiming at identification the instructors point of view concerning the curricula in the program of preparing the university instructor eligible for the profession of teaching of art Education in the schools of basic education stages also their acquaintance of studies ,scientific researches and resources which dealing with the concept of education quality in the local , Arabic and international institutions of higher education to recognize of its procedures in constructing the evaluation instruments and its standards and the most important results are : - 1 - Constructing list of standards to evaluate elements of the educational process in Depts. of Art Education according to the standards of education quality.2 - Applying list of standards to evaluate elements of the educational process in Depts. of Art Education of the basic education colleges( Educational objectives, curriculum, teaching methods - Educational techniques - Evaluation)The research community consisted of instructors in Depts. in the Art Education affiliated to colleges of basic Education colleges in the Iraqi colleges (Al - Mustansirya - Diyala - Missan) amounted(54) he/she instructors of(34) he / instructor and(20) she/ instructor and the community research included scientific and Educational elements (Educational objectives - Curriculum - Teaching methods - Teaching techniques - Evaluation) of the academic year 2012 - 2013, besides standards of education quality. To reach the objectives of the study , the researcher has designed his research instrument included the standards of Education quality, where as he constitutes collection of items distributed of(5) basic standards, each standards implies branch standards compatible with(objectives - content - teaching methods - educational technologies and means - evaluation), the standards are presented to a number of experts in specializations( teaching methods - Curriculum, Art Education, Standards and evaluation) to identify the authenticity coefficient via using Daffy method, besides achieving the constant coefficient. To demonstrate the research results, the researcher has depended on Fisher equation in measuring the acuity and percentage weight for each criterion, then showing the probable average medium, and percentage weight to identify any of the criteria that is higher acuity to lower acuity according to this : - 1 - Objectives acuity degree(2.16) and percentage weight(0.72)2 - Content acuity degree(2.10) and percentage weight(0.70)3 - Means and technologies acuity degree(2.07) and percentage weight(0.67)4 - Teaching methods acuity degree(1.99) and percentage weight(0.66) Besides, using equation square K2 to indentify the significance differences for the instructors responses of the he/ she instructors according to the variable of gender and the results has demonstrated identical in the responses. As for the most important results are : - 1 - when evaluation the quality of Dept. of Art Education in the colleges of basic education colleges from the instructors point of views, it has becomes clear that the level degree existing of education quality in the out puts was in a medium degree.2 - Weakness of the technological field in the program of preparing the university teachers of art education in the basic education college.3 - There is weakness in the administration field for the programs of preparing the university teachers in Art education Dept. according to the standards of education standards.As for the recommendations are : 1 - The necessity to elevate the education quality for the program of preparing university teachers - art education in the basic educational colleges to ensure the quality of its out puts.2 - Construction certified educational association in the basic educational college depending examine the graduated student on the basics of education to award him license of practicing education profession3 - The necessity providing the material and human to develop the educational programs during the service

المفاهيم الجمالية في فن ما بعد الحداثة لبناء منهج في تاريخ الفن التشكيلي لقسم التربية الفنية == The Aesthetic Concepts In The Art of Post - Modernism To Build A Curriculum of The History of Plastic Art For The Department of Art Education

Author name: زينب جاسم عبود الربيعي
Supervisor name: محمد سعدي لفتة | سلام جبار جياد
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لما كان الجمال ومفاهيمه غاية الانسان منذ الازل وسعيه المتجدد عبر العصور، اذ عرف على الدوام بانه علة او اشكالية شغلت باله واقلقت مدركاته، ففسر بانه حقيقة ومعرفة منتشرة في كل زمان ومكان، اوجبت البحث عنها. ولما كان المنهج التعليمي لب العملية التعليمية واحد | As aesthetics and its concepts was the man's objective since the early period of mankind and his renewed Endeavour across the ages, and as the educational curriculum was the heart of educational process and one of the educational system input, therefore the title of the present research is "The Aesthetic concepts in the art of post modernism to build a curriculum for the history of plastic art for the department of art education".This research includes four chapters as follows : the first chapter contains the problem of research and its importance, it deals with the transformation which appeared in the aesthetic concept that produced by the requirement of the age of post - modernism and the artistic work was regarded as an aesthetic fact that made the receiver looking for it, so the problem of research was crystallized in two questions : 1 - How does the receiver recognize that aesthetic fact?2 - How to put aesthetic concepts for the art of post - modernism within the structure of a modern, developed and educational curriculum?The importance of research comes to conduct a study of aesthetic concepts foe the art of post - modernism as a part of the history of modern art and its philosophy at the disposal of art students to supply them with aesthetic Knowledge within a study curriculum which makes art of post - modernism and its concepts about educational process come close each others, as well as the study curricula come close to the movement of world artistical and educational development.The research aims to the following : 1 - Revealing aesthetic concepts in the art of post - modernism.2 - Buiding educational curriculum foe the "history of plastic art" in the light of aesthetic concepts for this art.The research was determined with aesthetic concepts in the art of post - modernism (Painting) for the aesthetic schools "abstract expressionism / pop art / optical art / conceptual art / superalism or excess reality". for the historical period 1945 - 2008 in USA and Europe.The materials of the period was gotten from Arabic and foreign books, academic studies and internet.The first chapter was concluded by overviewing the terms by defining them (concept aesthetic, aesthetic concept. modernism, post - modernism and curriculum).The second chapter consists of five parts as follows : 1 - The reason of relative concept in aesthetic to research the modern aesthetics.2 - The concept of modernism - properties of modernism the concept of modernism in plastic art, the traits of modernism art.3 - The concept of post - modernism, post - modernism society, forming the mind of post - modernism, discourse of post - modernism, vision of post - modernism in plastic art, the most important characteristic of post - modernism art - aesthetic concepts in the art of post - modernism.4 - The artistic schools for the art pf post - modernism, abstract expressionism, pop art, optical art, conceptual art, superalism or excess reality. this part is concluded with a group of aesthetic properties, traits and concepts for each school's fundamentals.5 - This part deals with building educational curriculum and its elements they are : the philosophical fundamental including : "philosophy and education, philosophy and society, aesthetic education, educational theories, philosophical bases for building the suggested curriculum" the congnitive fundamental including : "the kinds of knowledge, history, art, the kinds of concepts, forming the concepts, post - modernism and curriculum" and elements of educational curriculum including : "the sources of derving the aims, the kinds of aims, criteria of educational aims, the fields of aims and their levels" content, educational activities, teaching methods, educational techniques, educational means, assessment" and models for building curricula and the suggested model for the history of plastic art and describing the suggested model.The second chapter concluded with a group of indications related to each part of indications related to each part of the five parts mentioned above. these indications were depended, as concerned with the aesthetic concepts, in building the suggested curriculum.The third chapter concerns with the procedures of research and its methodology including. determining the research and population, its sample, its instrument, steps for building the curriculum, describing the suggested excutive model validity and reliability of the instrument with statistic means.Finally, the fourth chapter contains findings, conclusions, recommendation and suggestions. the findings reached by the researcher : 1 - Multiplicity of aesthetic concepts for the art of post - modernism influced by the concepts characterized with the age like fragmentation, difference, super fluousness and falling the holy embodied within the arts of the age that distinguished with sadism, speed, spontaneity and exaggerated movement of the body within the concept of free playing as influenced by he trend of changed and renewed life of the age.This invites to mix the artistic kinds which leads to using raw materials and renewed and justified artistic styles via the opening of meaning in interpretation to achieve the wide attraction of participating receiver.2 - Abstract expressionism characterized with documenting the moment described as the moment of break down that distinguished its artists with individual and temporary style.3 - Wide using of various material and techniques that cancelled that prior planning, so it was described as improvised in its Dearing with color and technique.4 - Pop art depended on the output of common popular culture via mass media, using a new vision to secure so much influence on the receiver with using techniques that achieve a big a mount of attraction, boldness and prior provocation via using developed and technology means.5 - Photography entered as a revealer "(picker) of the elements of consumer society with entering of concepts "market, consumption, legend - fame - " contained in the consumption of aesthetic concept for the pop art and excess reality.6 - The optical art and excess reality depended on the concept of optical illusion, but there is a difference between them : the first one depended on functioning scientific, mathematical and psychological theories to form the artistic work, while the second one depended on the amount of intense accuracy and perfect congruence in forming the artistic work.7 - Language as it includes ideas and information regarded as aesthetic concept for the artistic work in new artistic kinds.According to the indications of theoretical frame and in the light of finding reached by the researcher in achieving the first aim of the research and according to curricula models that formed previously and theories of curriculum, the researcher built a suggested curriculum for the history of plastic art according to the mast modern method and modern styles to regulate the content and to choose teaching methods, educational means and educational techniques to achieve the required educational aims.The researcher reached a group of recommendations and suggestions as follows : 1 - The necessity of informing the art students about the artistic movements for the art of post - modernism and its last novelties.2 - Benefiting from the steps and procedures of the model in building other studies as adopting such model in teaching the students of art education - third stage "within a consecutive teaching plan and a logical historical sequence and the artistic school across history".3 - The other departments that the subject of history of art is within their formal texts may adopt this model.4 - The researcher suggested dealing with other schools and artistic movements that were not dealt with in this research. They will be dealt with within study curriculum and apply them in other study stages.

الاشتغالات التقنية في العرض المسرحي الايراني المعاصر == Technical Works In Contemporary Iranian Theatre

Author name: علاء جبار مشكور
Supervisor name: حيدر جواد كاظم العميدي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: المسرح الايراني من المسارح العريقة عبر عن تطلعات المجتمع الايراني في مراحل مسيرته التاريخية كافة , فقد سادت فيه النزعة الاجتماعية، كتابة وعروضا وتقنيات , سادت فيه مجموعة من القيم التراثية القومية كادت ان تكون قوالب نموذجية نمطية تغلغلت في الكثير من عرو | Iranian theatre is one of prestigious theatres which expressed the aspirations of the Iranian society at all stages of the historic career. However, Iranian theatre is including social propensity such as (writing, shows, and techniques) in addition to set of national heritage values might be typical stereotypes penetrated in a lot of performances and for long periods, it is taken its subjects from legends, fables, religion and popular cultures, and life facts but all these don’t prevent keep pace Iranian theatre to development and using new strategies and modern play, it is appeared as a modern theatre took advantage of all the modern techniques and technological and opened up to all currents of modern schools such as the picture theatre, street, religious and festive theatre.From here the researcher was seen to have placed his research tagged (Technical Works in Contemporary Iranian Theater), which were distributed among the four chapters are : Chapter One : The methodological framework which included the research problem centered in the following question : "What are the technical works in contemporary Iranian theatre?"Whereas its significance : it is trying to study modern technologies in contemporary Iranian theatre and stop on the most prominent of these elements and the mechanism of functioning because it is performance an integrative function and aesthetic in the composition of the play picture while manifested goal search in : knowing theatrical techniques and its works in Iranian theatre shows.Chapter Two : (theoretical framework) has included three sections : First section : Play technical works.. A brief history, it is dealt with the beginnings of the improvement of play technology go down to the modern currents and schools. While Second section involved, technical works in contemporary global playwright show. First chapter included Technical works for the international directors depending on technical works especially for the Duke Sachs Mainngen and Richard Fagner and Andre Antoine and Kosnantin Sergeyevich Stanislavski passing by Edward Gordon Creek and Max Reinhardt and ending with Joseph Zvoboda and Eugenio Barba and Robert Wilson. While second chapter included technical works for the currents contemporary play and the researcher studied play currents and technical works. Whereas third section involved Iranian theatre.. Upbringing and development, and the researcher was studied the beginnings of Iranian theater and to the present, focusing on technical works. Then come to indicators that resulted from the theoretical framework and previous studies.Chapter three : (Research procedures), it included research society and determined sample of the study which was deliberated and then research tool and its method and finally we are achieved a sample analytical which focused on the role of play techniques and its works in Iranian theatrical presentation and included five shows which are : A - Told play.B - Zokast play.C - Play of Erjim Basar Fredon Ya sah Qatrah Khon Row Prif.D - Play of Bih Mrasim Mrik Dadish Khosh Amdeed.F - Play of Ay Qased Sultan Greban Matlab Ab. Chapter Four : It is included results and discussion which was most important Iranian theatre has taken its privacy derived from its association with close Iranian society as well as his quest to retain the national identity and its dependence on the global legends such as Indian and Greeks in general and on the Iranian myths in particular, trying to keep pace with the trends of modern theatre.Hired a theatrical scene according visions characterized Going towards the play currents postmodern and vulnerability in drawing the scene, making this to product new experiences derived form of abstraction and reduction based on modern technologies, marked by beautiful of intellectual and artistic. Then the researcher founded a set of conclusions and recommendations and proposals after that a list of sources, references and appendices and finally summary in English.

الاستعارة الايقونية ودورها في تعزيز الخطاب الاتصالي للمنجز الطباعي == The Iconic Borrowing And Its Role In Enhancing The Communicative Discourse of The Printed Achievement

Author name: هدى علي لفتة
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The printing achieved works is regarded as one of the artistic variations with functional and aesthetic considerations as it is a means of communication that is active and addresses the audience. As a result of that the means of expression varied for the designer. Perhaps one of the most important mechanisms of adaptation is the resort to the created and the renovated media in the printing design through the borrowing of form that are not familiar within other contexts to obtainpredetermined intellectual contents.Hence comes idea of the study. Chapter One includes the problem of study represented in the following question : What is the role of iconic borrowing in enhancing the communicative discourse of the printed achievement? Then the justifications of the study that is : 1. It contributes to the manifestation of the communicative idea between the designer and the receiver through depending on the iconic borrowing. 2. The possibility of contribution of scientific knowledge which the designers need in the designing field. The researcher then determined her objectives in knowing the role of iconic borrowing in enhancing the communicative discourse of the printed achievement. The limits of the study included the posters of ads published in the websites whereas the time limit is from 2010 to 2015. The researcher includes the following terms (iconic, borrowing, iconic borrowing, communicative discourse). Chapter Two tackles the theoretical framework including three inquiries that concentrates on the first inquiry on (borrowing and the methods of design form), the second is about (iconic and their suggestive indications), the third includes (the iconic borrowing in communicative discourse). Then the indicators of the theoretical framework which is one of the means of the building of the analysis form. Chapter is devoted to the study of the procedures of the study depending on the descriptive approach for the purpose ofanalysis and then determine by (%10) and the tool of the study which wasprepared for that purposeChapter Four includes the findings of the study like : 1. The iconic borrowing is an important means of the achievement of many designing means like the ascertain of meaning and the greater possibility of achieving more suggestion.2. The designing idea is distinguished by depending on the principle of double communicative discoursebetween the direct and the indirect as in the sample (1, 2, 3, 5, 7, 8, 9, 11, 16) and the indirect as in the models (4,6,10,12,13,14,15) through the rhetoric images that refer to other meaning. Thus they found the idea of communicative discourse with the recipient concenteringthe product advertised on.The researcher comes up with important results life : 1. The invention of new form (creative) which is represented by the iconic borrowing leading to the achievement of expressive force within the sensational realization into a potential expressive unit that leads to attractiveness, excitement, and attention. Therefore, it enhancing the communicative discourse of the printed achievement.2. The variety of the sources of iconic borrowing which contributes to the making of communicative discourse, The researcher comes up with some suggestions and recommendations and then a list of the references.

الاساليب التقنية الحديثة وعلاقتها بالاداء الوظيفي في التصميم الداخلي == Modern Techniques Methods And Its Relationship To Functional Performance In Interior Design

Author name: عمار نعمة كاظم
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: نظرا لافتقار البلد الحبيب لفضاءات داخلية تشتمل على اساليب تقنية حديثة والذي نعتقد ان سببه هو قلة الدراسات التي توفر قاعدة معلوماتية للمصممين في البلد، ولما تلعبه التقنيات الحديثة من دور فاعل في تحقيق الاداء الوظيفي في الفضاءات الداخلية، لذا وجدنا ان ن | Due to the country's lack beloved spaces interior include the methods of modern technology and who believe that it is caused by the lack of studies that provide a database for designers in the country , and as they play modern techniques of an active role in achieving the functionality in interior spaces , so we found that we address spaces, a built - in area Gulf Arab rapprochement affiliation environmental and it involves the requirements of research , represented space internal to the lobby in the premises of hotels five star , which opened in the past ten years , to contribute as a service to the country in search means this aspect to publicly close the part of the knowledge gap in this area , and that can help to develop blocks Informatics could be expanded by future studies more comprehensive for spaces larger , and it came this research is marked by " the methods of modern technology and its relationship to performance career in interior design " was the formulation of the research problem : the problem of research : what role that can be played by the methods of modern technology to achieve the functionality in interior space for the lobby of the hotel? The research aims to " disclose the methods of modern technology and its relationship to job performance in the interior design of the space hotel lobby five - star " The importance of research in " contributing to the provision of a database to uncover the methods of modern technology and its relationship to performance career in interior design space lobby and determine the nature of ties design between them , and is adding scientific research by eating Kagina modern techniques of knowledge in the field of interior design for those spaces , " to achieve the aim of the research , the researcher extracted axes analysis by building a Form analysis of the indicators of the theoretical framework has included two main axes : 1 - the methods of modern technology to form relationships for the design of public space to the lobby to the direction of postmodernism which verify the functionality level determinants of vertical and horizontal.2 - methods of modern technology for raw materials and its relationship to the formal characteristics to achieve the functionality of the internal space of the lobby - level determinants of vertical and horizontal.This included research community current on the interior design ( the inner space of the lobby of the hotel in the Gulf region within the five - star ) , which established for the period ( 2002 - 2012 AD ) and still operates the fact that this period specifically represent several variables intellectual level architecture and interior design most notably the emergence of technological discoveries tremendous to have played a major role through the methods of modern technology and its relationship to the performance and function of interior design space lobby at the level of the body and the raw material , so were counted according to the specific considerations , specifically that fit with the theme of the search, bringing the research community 25 five - star hotel (25 space internal to the lobby ) were selected samples Find him and in a manner deliberate and was circulated results on society as a whole , where the adopted research sample intentionality and by ( 8.33 % ) was three spaces internal to the hotel lobby , has been selected this sample for research and for comprehensiveness in terms of the use of modern technology at the level of functionality of these spaces and because these methods are not clear all of the rest of the other samples , in addition to the design of these spaces was by the most prominent design firms therefore been chosen spaces of the three below as a sample to look for they share with each other in considerations determine community and differ from some of them in terms of interior design , namely : 1 - the inner space of the lobby of The Yas Hotel (The Yas Hotel) in Abu Dhabi.2 - the inner space of the lobby of Abu Dhabi hotel (Hyatt Capital Gate Abu Dhabi) in Abu Dhabi.3 - the inner space of the lobby of the hotel tower torch (The Torch Hotel) in Doha. The process resulted in the analysis of the results was to devise a set of conclusions of the most important : 1 - Oanmad modern style Alteixrat as a technique in order to achieve an attractive stranger to strange and check Allamolov embodied job performance space in the lobby.2 - Dependence style ripples and twists as a technique to check Allamolov investigator for the job Alantma?ah space in the lobby.3 - Confirmation style organizational depth as a technique to transfer the structural depth of the building in order to achieve some sort of create the illusion of depth to achieve the performance of the virtual space of the lobby.4 - Adoption of raw materials and the clever (transmaterial) as a method of technical talk because of its properties of functional and aesthetic to achieve the functionality in the space of the lobby.5 - The use of nanotechnology to achieve the functionality in the space of the lobby because of its characteristics make it smart materials and material capacity to meet a variety of functions.6 - were adopted tactics of modern technology for lighting units related to the ABM smart lighting , the composition of cases of thrills and achieve performance in the internior space.

الارواحية في المنجزات الفخارية والخزفية القديمة وانعكاساتها في الخزف المعاصر : نماذج مختارة من الفخار والخزف في امريكا الجنوبية == Animism In Ancient Pottery & Ceramics Artworks And Its Reflections On Contemporary Ceramics Selected Samples From Pottery And Ceramics of South Amerca

Author name: علية محسن عبود الصياد
Supervisor name: زينب كاظم صالح البياتي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Ceramic artworks that represent Animism have plouyed a very important and effective role in develoioing artistic know ledge, and human thinking in the canti nant of south America.The cganges of styles of those artworks that adopt types of intellectual displaceements in time and blace, have contributed in making transfarorma tions in varions plastic infrastructure, These changes have included creativity ar one of the important bases of produetion in the field of Animism thinking.These canstructions have moved towards Ceramics Within it's materiaL mechanism , its formative style , and it's techniques in the light of animism which gives it a distinetive characteristic. Moreover ' it occupies a large space in thinking and it has a close relation with social thinking , in particular , in all it's historic , environmental , and mythological characteristics depending on it's Animism concepts and concentrating on the classification of these formations into male and female Animism and animal and uegetable Animism. The symbolism of these classifications within it's formative systems has given ceramics a distinctive feature.The study deals with Animism in Ancient pottery and ceramics artworks in south America. It presents it's formative characteristic and it's refkctions on contemporary ceramic artworks in the continent.The study has four chapters.Chapter One deals with the problem of the study and it's significance. The aim tries to find out the characteristics of these Animism artworks and it's refiections on contemporary ceramics of south America.The most important terms hawe been defined procedurally.Chapter Two has Three sections : The first one deals with the intellectual and philosophical concept of Animism.the second one presents the effect of natural and social environment on Animiam thinking , while the third section deals with ancient and contmporaruy ceramic scene in south America.Chapter three deals with the procedures of the study through choosing the population , the samples , the tools of classifications and analysis.th, samples hawe been analysed by the researcher.Chapter four has dealt with results, conclusions and recommendations.Bibliography, Indices and photos hawe been in cluded within the study.The currnt study has drawn the following conclusions : 1. The traditional topics that the ceramist has inspired from , are regarded as the way that prove the effect of Animism values on shapes and the best medium to assure the formative metaphors and re wnstruct it's values through their ancient Animism motives relying on the process of communication between anciengt symbols and creativity that the ceramist collecf through his interaction between ancient and contemporary. Some of these symbols have kept it's Animism values, while the others have given them up.2. The artistic discourse of the contemporary pottery and ceramics artworks contains group of formative systems, like realistic form system. depending on sensory thinking and conscious conception , and abstract form system which follows the logic, besides explanative, expressionist , surrealist and comic forms.

الادائية في الحقل البصري : دراسة في اساليب التشكيل المعاصر == The Performatsim In The Visual Field Study In The Contemporary Plastic Style

Author name: فريد خالد علوان
Supervisor name: سلام جبار جياد السوداني
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: ينسج تاريخ الفن، عبر تراكم النتاجات الفردية للفنانين، المتقاربة ظاهرا في بعض الاحيان، والمتباعدة بجلاء في احايين كثيرة اخرى. لذلك يدخر هذا الاختصاص ارثا من تعاقب الانساق، بتفاوت في الامتداد الزمني، او بدرجة المغايرة والمخالفة عما يتقدم، وبما يؤشر الى ترج | Weaves the history of art, through the accumulation of individual productions for artists, converged visible in some cases, and clearly divergent in many others. So, spare this jurisdiction a legacy of succession patterns, varying in chronological Stretch, or gamma degree and violation of what progresses, and as indicated a likelihood of continuation that future Curriculum. Therefore shall be smaller over the previous repetition and ruminate even though count Icon prominent. All it knows of the existence of a mental goal mediator uses material malleable tool in through manifestation proposals for the recipient. Then marking individual differences attribute the emergence of uneven observer's eye level. To provide that Curriculum material found through this Search, depending on the presence of variations blocks of productions of art, based on the numerical minds preoccupied by the field modulation, in stages unit method or model by compressors university, or from the port of freedom contemporary, that the security of the expansion of a major separation Individuals for some.So the search to read the successive series of procedures for the process of the artwork, and Begins from the initial selection of material induced by the artist, who then passed over an area of mental manipulation, and to access Manifesting who Proposed her. In Stages of successive performance, possess a level of inequality and the role of its own space within the so - by operations (performance) for each artist. And endeavor to make this convention under the determinants of academic presentation, aimed at a new reading of what has been addressed repeatedly in endoscopy cash toward its past art history and contemporary, and at the collective level or at the level of read outputs individuals. This has been done through the division of research material placed deliberation to the introduction and five chapters. Begins entitled (Performing in the visual field : a study in contemporary plastic techniques) to be specified General what will follow the course of the research : Included researcher at the forefront of his input - year - old about the nature of the subject and its dimensions institution for field configuration, to be supported to put the problematic performance - related, as the term is located in the center of specialization artwork, and has the clarity simplistic at best estimates, and it remains the place of attraction in meaning. It crystallized target Search (know the modalities performance in art, and in any foundations Shows and clear to the recipient. Aided check it is to monitor and detect the nature and performance shifts in the contemporary global plastic). With the provision of importance of research and the need for it, and its borders and definition of terminology title.In the first chapter of this study, confronted researcher of the concepts and Intervention term performance cash, in order to take (and on the capacity of the study) this detailed terminological which establishes topped by art history Variations traded them constantly and those absent, through the reading of an exhibition about the artist, and the broker physical, and receiver. Via inter subheadings expansion of the Department of the theoretical discussion of the term.After that the definition of performance, depending on the outcome of the mobility and theoretical discussion of propositions cash around, and building parameters that reveal truth in art, the researcher re - View intensive art history binder, since the fee caves and even digital art in the contemporary, and that review is based on the goal of new reading and alignment to detect advanced performance in the first quarter. Then briefing general Performing shifts, and identify Foundations that reveal the diversities and differences, even when there is the approach to Members eras, as well as openness and differentiation stages between artists, presented by modernity, and confirmed it clearly contemporary.This was followed by presentation of contemporary performance requirements, in the third chapter of this study. Fact that performative expansion (individual) is not without compressors or inducers updated enabled the contemporary artist of the last violation, or the construction of new accumulation of it. Muslim woman numerical increase for expatriates around the field configuration, depending on the manual skills which possess special, or by having ideas of Westernization, which enables contemporary artist to harness the growing technical mediator to make it represent sensory Shop, without the need to test his hand. This chapter was devoted to the discussion of those contemporary and supplies as far as their relationship and its impact on the course of the performance.The result of the three classes, the fact that the researcher leaders have those indicators as deliberation theory of the subject. To formulate evacuated analysis reveal the nature of the system performance in contemporary art, which later revealed transformations which it was built movements and technical directions for the post - World War II, and even today.This innovative system, the path led diverse performing analysis of experiments, in Chapter IV of this study. The researcher deliberately to choose (19) experience performances distributed according to prominent art movements in the contemporary era. After specifying the community search and justification for the intentional selection of the sample, as well as determine it and instrument approach followed in the analysis.Chapter V will display the results reached by the researcher through the analysis of the selected performing experiments and conclusions that expressed it. Among the most prominent of these results : 1. Performance unfolds on two levels : the first is the degree of manipulation of the micro - structural units, with the survival of the overall structural structure stable. The second is in the overall picture and change the structural pattern in its entirety. So the Performing Clear treatment at the level of implicit additions or deletions, or the overall change in the general installation works of art, not only in some of its compounds.2. Not without performance Celebration of the results achieved through the events for unconscious or unintended, the analysis is futile attempt as long as the artist did not intend it to broadcast message without message unwittingly produced. So fall pre - emptive mental images, as in Abstract Expressionism. And some of them are calculated encountered Destroys the output for the Performing experience, as in the products of artists (ops Art), which rely attached to the pre - planning of sensory processing.3. Do not come the Gains of the art of the past in the form of sensory performances installed joints, but also have a moral and intellectual trader return address formats developed, as the subject of time and the human form.4. Time as a concept contained in the experiences of performing contemporary through relation with sensual movement or assumed which by itself a hub sought by a number of artists and finds a clear echo in their technical actions.5. Some experiments intended performance from behind validation time to the maximum extent possible, as in the experiences of urban art monument ground. And some are meant to influence the rapid real - time attendance, and also fast disappearing, as in the experiments art, Graffiti Art and digital art.6. Time performance impact on the numerical experiments, Expressionism abstract and including offers of detection for curriculum performative, need time minimized, measurements with performances such as those in the visual arts and super - realism, which consume a longer period of time. So the difference in that is the cause of the large number of experiments artist, versus I said in another artist.

الاداء التجاوبي في الردات الحسينية == Antiphonal Performance (Responsoriali) In Alrdat Hosseinieh

Author name: سامي هيال عبد الرضا فهد الساعدي
Supervisor name: طارق حسون فريد
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتكون البحث من اربعة فصول مع قائمة بالمصادر والملاحق 0 يتناول الفصل الاول الاطار المنهجي للبحث، والذي يبدا بمبررات البحث التي تبحث موضوع الردات الحسينية في العراق، وقد وضح الباحث تاريخ وموقع تلك الممارسات ابتداءا من الحاجة الى التعبير عن الحزن وال

الاثراء الجمالي للكادراج في تشكيل فضاء اللقطة لبنية الفيلم السينمائي == Aesthetic Enrichment For Cadrage In The Formation of A Snapshot Space of The Film Structure

Author name: علي حيدر خالد فرمان
Supervisor name: متي عبو بولص
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: When he was told earlier that the film image and the movement were matched at the same moment that attempts perpetual to find potential unique art film , a possibility that must be characterized and unique among the rest of the other arts , which laid with the long history of the foundations of language unique.. as he says Eisenstein in his book Movie format that the musician uses a ladder of votes , as well as a painter uses the area graded colors as that of the scribe set of characters and words.. but in return what fired on cinema recipe she image and movement have come to the recipe opaque in the eyes of aesthetics film since there is no image transmitted the camera does not move CONTAINED within this cadre express virtually no way for the uniqueness of this special art.. the picture itself is a possibility of many other visual arts... as well as the movement within a specific framework cadre is also a feature of the theater.The image and movement are two of the data of this language does not mean in themselves this language , but is just data , and these data are recoverable only to the restructuring and the creation and then the way restructuring is the same as that language desired , which will uniqueness of the art film venue solo the rest of the languages of art, because the cinema visual art , it was the configuration the effect of the basis of the formation of the mainstay of this art , Valtkoan picture film performs a critical function in the development of any accomplish my film , not surprising that the overlap in the configuration process all the technical elements and technology that contribute to the making of the film , way out and photographer and designer decor , actor and sound engineer contributing to all of us in creating a configuration Film Festival, as well as " all this, the film largely depend on the aesthetic image problem system configured I mean , it can be Mahbuka Banazare and special effects nearby , which qualifies the process of attracting viewers and raise their senses and provoke Maiqathm about topics that drama Moot film , particularly as it was the product of a technical support look and feel as a showpresenting , and leaning on the configuration elements and forming processes in the formation of the final image of the drama movie , which up to the viewer , carrying in its content story or idea , in the framework of art was his mastery and drafted through the techniques and tools employed by Maker work with his style and his way and visions.Hence the researcher in identifying placed his research (such as the inclusion of aesthetic enrichment in the formation of a space snapshot of the structure of the movie), has been divided into five chapters on research were as follows : The first chapter ( frame systematic ) : to ensure the research problem, which was questioning follows ((what qualities by which to achieve enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie?)), As well as its importance and the need for him in being dealt with articulation accurate one language elements film, in addition to the aim of the research, which represents detects modalities by which or contribute to the enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie, as well as ensure that the limits of the search, and seal Chapter determine the terms contained in the title search.Chapter II (theoretical framework and previous studies ) : The researcher dividing the chapter on the three sections, as shown below : 1. The first section : (Alkadraj in the structure of the movie)2. Second topic : ( plastic film shot in space )3. Third topic : (aesthetic building frames acoustically and visually)Finally, the researcher came out at the end of the second chapter of inter indicators formed a summary of the theoretical framework.Chapter III ( action research ) : ensure research methodology and the research community and the research sample, and the search tool has been identified through the indicators derived from the theoretical framework after a presentation to a committee of experts for examination and evaluation.Chapter IV (sample analysis and discussion) : ensure that the sample analysis and discussion of the analysis was to deliberate three movies to get to the results and objectives , A film (Shakespeare in Love), directed by John Madden and film (Kingdom of Heaven), directed by Ridley Scott and the film (a nightmare of blood and sex), directed by Joseph Kolbyk.Chapter V ( findings and conclusions ) : Review of the researcher to ensure that the most important results that came out of the analysis of the sample , including : 1. Enrichment is a given aesthetic basis for action when Alkadraj composition of space from the vision of self - treatment of structural frames in the film , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( Shakespeare in Love ).2. The building Alkadraj means the ability of the director to manipulate the rhythm and the mass distribution through homologues and antonyms , which represents the process of enriching the aesthetic of the snapshot in the structure of the film as a whole , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( the nightmare of blood and sex ).3. Represent the process of the mass distribution within the framework of the standard basis in shaping the aesthetics of the rhythm of the picture and the overall unity of rising onthe balance of the overall composition of which , as demonstrated in our research sample movies.4. Achieved enrichment aesthetic through activation of the text scanner , and the gradient hormonal colors or Alcontrast which is a factor creating clarity and isolation and vision , as well as distortion and guess in a sense, as demonstrated in our research sample film ( Shakespeare in Love ) and film ( the nightmare of blood and sex).As well as the conclusions that the researcher extracted from the overall theoretical framework and analysis of the sample and that of the most prominent : 1. The Alkadraj is one of the most important means of creating distance aesthetic image , Valotra aesthetic in the picture is constructive Eptgeh director of that image in its final form, it is that expresses the sum of intellectual and formative vision of Foreign Affairs of the same artist to public life , which is the result of all his thoughts and instincts on differing trends and inclinations and different affiliations , culture and consciousness , experience and practice , which represents emotions and maturity and the extent of his capabilities , which led him to this level of performance excretory , especially since the plastic snapshot extends to the meanings of Interior , which is closely related to and interacting with all shapes and sizes , and the characters and decoration , furniture, fashion and color and lighting of during that intentionality regulatory those different elements.2. Said enrichment aesthetic such as the inclusion controlled by the ability of the director to manipulate the rhythm mass distribution language brevity of its subject , who is filming , as well as by staff and the framework Ikts intent to form was footage establishes turn later scenes , which in turn containsall elements of the picture and formations granted by the characteristics and dynamics , which is incorporated in the final form of image expression and its beauty.3. Polarization and induction of wonder and exoticism at the viewer , to establish enjoy and gravitate to the image Bmoduaadtha , shape and construction of the picture and the objective and all this is thanks to the amount and type and multiplicity ( abundance ) and the shape , color, size and method of formation of fonts, colors and decorations and sculptures , which are in constant flux and constant , and that even included fashion accessories and all assets in most movies samples.Chapter and seal the proposals and recommendations , and then the list of sources and references that benefited the researcher and seal search extract in English.

الاثراء الجمالي للمؤثرات الرقمية في الصورة التلفزيونية == Aesthetic Enrichment of Digital Effects In The Television Picture

Author name: نوفل جنان بهنام فتوحي
Supervisor name: ماهر مجيد ابراهيم
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Tertat data aesthetic and practical achievement of enrichment variable technical and scientific development adopted by means Alcinmatugraveh, especially psychotropic Digital, which employs in the production of TV picture, and the formulation of the reality of art as much as possible of persuasion, since they represent the process enriching the form of technical drama television, producing layers of meaning, accompanied that achieving credibility dealing with vocabulary set drama, so granted the fact of the Incarnation in the window, and this articulation select researcher Title search (b enrichment aesthetic effects digital TV picture), where it formed digital technologies certain scope for creative building (picture art) characterized by high capacity on intellectual expression because of its highly effective techniques to achieve aesthetic enrichment level exceeded the traditional concept of the tricks and traditional influences, has been divided researcher discussed into Khosma chapters were as follows : Chapter One (methodological framework) : which included the research problem that summarized in the following question : How are achieved aesthetic enrichment of digital effects in the TV picture?The importance of research and the need for it, as well as the limits of search, and seal identifying the most important chapter of the terms contained in the title search.Chapter II (theoretical framework) : included three sections were as follows : The first topic : technical development and creative construction in artworkThe second topic : employ digital effects in TV pictureSection III : aesthetic influential digital television drama.In light of this, the researcher to a set of indicators which represent abstract theoretical framework as a prelude to the presentation to the Committee of Experts as described in Chapter III, the researcher concluded Chapter Two previous studies.Chapter III (search procedures) : The research methodology included, and search tool, the unit of analysis and research community and sincerity of the tool and analysis steps, and finally the research sample, where purposive sample was selected are as follows : three television series : First series : (Sinbad) Directed by (Brian Grant - Andy Weston)Second series : (Visitors Visitors) Directed by Scott Peters.Third series : (Spartacus Spartacus) first season out (Rick Jacobson)Then, the researcher analyzed the sample from theoretical framework indicators after taking the opinion of the Committee of Experts and the arbitrators.In the fourth quarter (results and conclusions) : it included findings researcher after analyzing a sample search, including : 1 - aesthetic enrichment achieved through the effective capacity of the effects on the formulation parameters of time and space in the television drama high flexibility and voluntarily whether through industry place fully, or partially. As we have seen in the research sample TV (Sinbad, Spartacus, visitors).2 - leads enrichment aesthetic image to enrich the credibility and construction, verification and conformation, which means achieving maximum active connotations expressive different in all cases the result is a functioning aesthetic features the ability to combine the advantages of the real world and the vision fictional at the same time. As we saw in the research sample (Sinbad, visitors)The researcher came after a number of conclusions, and seal research recommendations and proposals.The researcher finally put a list of Arab and foreign sources adopted by research, supplements and seal research Abstract in English.

الاثر الابداعي والجمالي لتنوع التكوينات الزخرفية الاسلامية في المصحف الشريف == Creative And Aesthetic Impact of The Diversity of Decorative Compositions In The Koran

Author name: عدي عبد الحميد مجيد
Supervisor name: عبد المنعم خيري حسين العاني
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: اختصت هذه الدراسة الموسومة (الاثر الابداعي والجمالي لتنوع التكوينات الزخرفية في المصحف الشريف)، بدراسة الاثر الابداعي والجمالي للتكوينات الزخرفية الاسلامية المتنوعة ولاسيما في المصحف الشريف. تضمنت الدراسة اربعة فصول، عني الفصل الاول منها بمشكلة الدراسة | This study singled tagged (creative and aesthetic impact of the diversity of decorative formations in the Koran), to study the creative and aesthetic impact of the various configurations.The study included four chapters, the first of which the problem of Me study, determine the following : - 1. How can track the impact of the creative diversity of Islamic decorative formations in the Koran?2. How discern the aesthetic impact of the diversity of Islamic decorative formations in the Koran?3. What the technical underpinnings of the diversity of Islamic decorative formations in the Koran?Hence the importance of the study and the need for them, and inspire aim of the research, which requires the creative impact of the diversity of Islamic decorative formations in the Koran as well as unexplained revealed his theories, and then the aesthetic impact of the diversity of Islamic decorative formations in the Koran revealed.The study then identified objectivity and the temporal and spatial boundaries, as well as the definition of terms related to the study.The second chapter, which like the theoretical framework and the discussion of the previous studies and review, and later received three sections, where he touched the first of the concepts of impact, creativity and relationship with each other, as well as mental factors of creativity, and the elements of the creative process, as well as a review of the most important theories unexplained creativity. While This included the second topic on the concept of beauty in Islamic thought, and knowledge of inferences philosophical aesthetic Islamic in taste and sensory perception, as well as the role of the theoretical trends in judging the impact of aesthetic decorative, and to identify the role of monetary currents art modern in judging the aesthetic impact of the decorative, while the third section has reviewed the historical root of the decoration of the Koran, and addressed to the diversity decorative formations in the Koran, as well as technical diversity, and diversity in style, to the offender that diversity in areal division of decorative design statement, as well as a review of the diversity of formal and chromatography.While researcher followed the third quarter, particularly in procedures; descriptive analytical method to arrive at the results achieve the objectives of research and solve his problem, was selected sample deliberate manner (selectivity), as numbered (8) of the total (45) model varied in decorative formations. An increase (17%) of the original community on appropriate grounds. The design tool (Form) and presented to the experts to ensure validity, to achieve the objectives of the study. The sample models that have been analyzed under paragraphs.Therefore, the researcher suggested a number of results, including : - 1. must to achieve impact and creative in decorative formations focus on mental factorization and detected in samples search through sensibility Direction technical problems, especially in the field of processors structural and constructional design motif, as the first cash incentives to those formations and factor Search actor for aesthetic effect and innovative contrary, exceeding the stereotypical and traditional, including establishing the shift in the old concepts and graduated from the prevailing framework, some new concepts more exciting and effective.2. played elements of the creative process (the same artist, art, decorative item, expression), the primary role in structuring creative output decorative.3. must to achieve the aesthetic impact in decorative formations of conscious investment to design concepts and the creation of decorative structure, according to the intellectual perception of inferences philosophical aesthetic Islamic in taste and sensory perception (harmony, unity, completeness, regularity, balance, repetition, proportion, contrast and contrast, diversity, dominance , accuracy, sequence, direction, time and motion).4. diversity in decorative patterns and formations that decorated the Koran pages through bodies and geometric forms and geometric hired as : square or rectangular, circular, oval, curved and irregular configuration, and configuration corner, trickle - down configuration.And then rely on inter researcher's conclusions in his study, which was the most important : - 1. that any creative work frilly should be available when two conditions are needed : first, that this is a new innovative work away from the stereotypes and tradition. This does not mean that creativity arises - necessarily - out of the blue, he is going through in the early stages of imitation and simulation, but is not limited to it. The second condition : that holds a new Islamic art this creative work, and is a real addition to the quality of the field to which it belongs, and affect the development of serious and clear reality decorative art effect.2. quest decorated for seeking the pleasure of Allah Almighty in his artistic work. Through mastery of decorative and attention of his book al - Hakim. Which is often the source of the original revelation with respect to unity and decorative formations.Then the researcher concludes his study with references and sources relevant, and a summary in English.

الاتجاه الجمالي في تجربة الناقد عقيل مهدي == Aesthetic Trend of Aqeel Mahdi'S The Critical Experiment

Author name: محمد مهدي حسون
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تنفتح دائرة النقد اليوم لتشكل تداخلات مفصلية مع الفلسفة، وهذا التداخل بين النقد والفلسفة يتميز بوصفه علامة بارزة في القرن العشرين, وحتى لحظة تدوين هذا الملخص، اذ ياخذ النقد صفة متعالية تبلغ درجة ووسعا وكانها فلسفة العصر, وهذا بدوره قد اثر كثيرا على الاش | Today , the criticism's cycle opens to form an auricular overlap with philosophy's , this overlap between the criticism and philosophy distinguished as a remarkable mark the 20th century till the moment of preparation of this thesis , the criticism takes a transient adj. attains degree as it's era philosophy ,that has largely influenced histrionic functioning with all it's trends and men and all.Following the global criticism scene and its influences onto theater is necessary to follow the effect relativity and influence in histrionic scene. And this way the researcher thesis opened in his dissertation to see in global criticism movement experiment being the occupied thinking trends which replaced the philosophy and formed a group of functions which accompanied the scientific and humanitarian fields with all it's types.The matter which made the researcher , to follow the critical experiment from available aesthetic perspective in critic experiment ( Aqeel Mahdi ) and the operation of following this experiment doesn't halt onto the concepts frontiers which is enjoyed by each critical trend but it extends further until reaches to discover the pleasure and aesthetic climax which accompanies each criticism trend and diagnosis with generality from one side and the privacy in critic project ( Aqeel Mahdi) , that opened the door to articulate the research (Aesthetic trend on the critic of Aqeel Mahdi's experiment ) with the following splits.First 1st chapter : the methodical frame : - The researcher has exposed to diagnosis the research difficulty and need extent , it's importance , it's targets , research frontiers then the extension to locate the terms mentioned in research title. Second - 2nd chapter : the theoretical frame : - which include 3 researches : A. Shows the criticism trends concepts onto the contextual level , text , reading trends level and receiving.B. 2nd. research : in this research the researcher has concluded the mechanisms which are enjoyed by every trend.C. 3rd. research : this research forms a checking for aesthetic in every trend.Third : 3rd. Chapter it is the research procedures : the researcher has worked to discover three of criticism books which are distinguished by the criticizer (Aqeel Mahdi ) ,He hold a funding and analysis fit and the research nuncupative.As well as the researcher has recapped in this chapter a group of ramifications based on his analysis for opted samples. Fourth 4th. Chapter : - this chapter has the research ramifications , conclusion ,recommendations , suggestions , a list of references and finally the research abstract written with English language.

الابستيمولوجيا المعاصرة وبنائية فنون تشكيل ما بعد الحداثة

Author name: جنان محمد احمد
Supervisor name: نجم عبد حيدر الجنديل
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: جاءت هذه الاطروحة الموسومة بـ( الابستيمولوجيا المعاصرة وبنائية تشكيل مابعد الحداثة ) لتبين ان الابستيمولوجيا المعاصرة، تعد اداة صالحة وشاملة لكشف مؤسسات ومنطلقات واليـة الحركـة التجريبية في الفـن المعاصـر، وتحديدا فنون تشكيل مابعد الحداثـة، وعلى وفق ما
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