البعد الجمالي والتداولي لفن الرسم في الثقافة العراقية == The Aesthetic And Pragmatic Extent of Painting In Iraqi Culture
Author name:
فلح حسن حسين الشكرجي
Supervisor name:
بلاسم محمد جسام
General topic:
Fine Arts
Specific topic:
Drawing
Degree:
Doctorate
University:
University of Baghdad - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Baghdad
First pages:
18T990 - p.pdf
Abstract:
يتناول البحث الموسوم (البعد الجمالي والتداولي لفن الرسم في الثقافة العراقية) العلاقة بين الفن وثقافة المجتمع على المستوى التاريخي في العراق وتثير قضية البحث بعضا من الاسئلة والمشكلات المتعلقة بالمرجع الذي يؤسس وجود هذا الفن من حيث الاساليب والاستعارات وال | This research (The Aesthetic and Pragmatic Extent of Painting in the Iraqi Culture) deals with the relationship between art and culture on the historical level in Iraq, the research problem raises a questions with art references through; styles, Mutations, Reception, Pragmatic which connected with Iraqi memory although it is so diversity, the research importance concentrated on discovering the reasons of recently art situation and why art is not a priority, the research limits fall between 1930 - 2013.The research contains five chapters; the first (method frame) which contain; problem, importance, aim, limits and definitions, while the second chapter (Theoretical Frame) includes three branches; (the Historical attendance of painting in Iraqi Culture) in which the research talk about the Islamic extent and how it deals with art, after Al - Wasety period and the Barbarian destruction in Iraq, the instinct period and the early attempts to paint in the early years of 20th century in Iraq, the pioneers period and their attempts to find out their cultural identity, republican rule period and the effects of political domestic, wars, economic sanctions on the whole life in Iraq, after 2003 period and the formal neglecting and the conflict with the religious view.The other is (The General Space of Iraqi Culture) in which the research talk about the Ottoman Inheritance and the power of illusion, then the rule of; environment in both levels; (place and population), society, religion, policy, economic as the art references , then the research talk about the article culture in Iraq and the way society deals with culture. The third branch is (Art and audience) which contain the reception system in Iraqi culture and why Iraqi people prefer iconic and realistic art works, the stylish suggestions of Iraqi art and how they goes far away from Iraqi awareness.The third chapter also contain three branches; (the aesthetic and trading features of the Iraqi painting) which include; environmental factor (place power), heritage factor (history power), expressionist factor (psychological power), experimentation factor (connecting power). While the second talks about the Iraqi art periodization which falls into four periods according to main mutations; Establishment, Renewal, Announcement, Rupture in each of them the research analyzed the art styles and how people deals with art. Then the researcher put some indicators of the theoretical frame, the fourth chapter analyzed the controlling centers such as; Ideological Center, Political Center, Religion Center, Economic Center, Social Center, Aesthetic Center. The fifth chapter is the conclusions.
