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الاشتغالات التقنية في العرض المسرحي الايراني المعاصر == Technical Works In Contemporary Iranian Theatre
Author name:
علاء جبار مشكور
Supervisor name:
حيدر جواد كاظم العميدي
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Techniques
Degree:
Doctorate
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T981 - p.pdf
Abstract:
المسرح الايراني من المسارح العريقة عبر عن تطلعات المجتمع الايراني في مراحل مسيرته التاريخية كافة , فقد سادت فيه النزعة الاجتماعية، كتابة وعروضا وتقنيات , سادت فيه مجموعة من القيم التراثية القومية كادت ان تكون قوالب نموذجية نمطية تغلغلت في الكثير من عرو | Iranian theatre is one of prestigious theatres which expressed the aspirations of the Iranian society at all stages of the historic career. However, Iranian theatre is including social propensity such as (writing, shows, and techniques) in addition to set of national heritage values might be typical stereotypes penetrated in a lot of performances and for long periods, it is taken its subjects from legends, fables, religion and popular cultures, and life facts but all these don’t prevent keep pace Iranian theatre to development and using new strategies and modern play, it is appeared as a modern theatre took advantage of all the modern techniques and technological and opened up to all currents of modern schools such as the picture theatre, street, religious and festive theatre.From here the researcher was seen to have placed his research tagged (Technical Works in Contemporary Iranian Theater), which were distributed among the four chapters are : Chapter One : The methodological framework which included the research problem centered in the following question : "What are the technical works in contemporary Iranian theatre?"Whereas its significance : it is trying to study modern technologies in contemporary Iranian theatre and stop on the most prominent of these elements and the mechanism of functioning because it is performance an integrative function and aesthetic in the composition of the play picture while manifested goal search in : knowing theatrical techniques and its works in Iranian theatre shows.Chapter Two : (theoretical framework) has included three sections : First section : Play technical works.. A brief history, it is dealt with the beginnings of the improvement of play technology go down to the modern currents and schools. While Second section involved, technical works in contemporary global playwright show. First chapter included Technical works for the international directors depending on technical works especially for the Duke Sachs Mainngen and Richard Fagner and Andre Antoine and Kosnantin Sergeyevich Stanislavski passing by Edward Gordon Creek and Max Reinhardt and ending with Joseph Zvoboda and Eugenio Barba and Robert Wilson. While second chapter included technical works for the currents contemporary play and the researcher studied play currents and technical works. Whereas third section involved Iranian theatre.. Upbringing and development, and the researcher was studied the beginnings of Iranian theater and to the present, focusing on technical works. Then come to indicators that resulted from the theoretical framework and previous studies.Chapter three : (Research procedures), it included research society and determined sample of the study which was deliberated and then research tool and its method and finally we are achieved a sample analytical which focused on the role of play techniques and its works in Iranian theatrical presentation and included five shows which are : A - Told play.B - Zokast play.C - Play of Erjim Basar Fredon Ya sah Qatrah Khon Row Prif.D - Play of Bih Mrasim Mrik Dadish Khosh Amdeed.F - Play of Ay Qased Sultan Greban Matlab Ab. Chapter Four : It is included results and discussion which was most important Iranian theatre has taken its privacy derived from its association with close Iranian society as well as his quest to retain the national identity and its dependence on the global legends such as Indian and Greeks in general and on the Iranian myths in particular, trying to keep pace with the trends of modern theatre.Hired a theatrical scene according visions characterized Going towards the play currents postmodern and vulnerability in drawing the scene, making this to product new experiences derived form of abstraction and reduction based on modern technologies, marked by beautiful of intellectual and artistic. Then the researcher founded a set of conclusions and recommendations and proposals after that a list of sources, references and appendices and finally summary in English.
