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البنية الجمالية والتعبيرية في زخارف المنمنمات الاسلامية == Expressionism And Aestheticism Structure In Islamic Miniatures Ornament
Author name:
منى كاظم عبد الموسوي
Supervisor name:
عباس جاسم حمود الربيعي | باسم قاسم الغبان
General topic:
Fine Arts
Specific topic:
Calligraphy and Decoration
Degree:
Doctorate
University:
University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language:
Arabic
University location:
Baghdad
First pages:
18T995 - p.pdf
Abstract:
تمثلت مشكلة البحث بتساؤل اساس ماهي : البنية الجمالية والتعبيرية في زخارف المنمنمات الاسلامية؟ ويهدف البحث الى الاجابة عن التساؤل الوارد في المشكلة كما يتحدد البحث، في دراسة زخارف المنمنمات الاسلامية بانواعها المختلفة المتمثلة ب(النباتية والهندسية والكتابي | The problem of the research represented with an essential question ; what is.The research aimed at replying the question mentioned in the problem as defined in the research in studying Islamic miniatures ornament in different types represented in ( vegetal , geometrical , graphical and animality in both ( Iran & Turkey ) from Since 1489 to1596. The researcher has covered several titles such as : First category deals with the structure in Islamic art , structure of ornament forming which are represented in vegetal ornaments which are used with glass , flowers and branches , besides animality , mason tree forms and shapes which are employed in combination with vegetal ornament , formal spatial organization from the stages of establishment of spaces , organizing the units and branches in its terminology to get fundamental unit , and repeat it according to the fundamentals of mason , animality and geometrical designs.The second category includes the following : First : aesthetical structure starting from the concept of aesthete at Arab philosophers , concept of aesthete at modernizers ,besides the principles lSecond : Includes the expressionism structure of Islamic miniatures and expressionism dimension in ornament forms.Third : The third category is ( Islamic miniatures art ) represented in establishment , idea and sense and meaning in miniatures and the importance of the color in the art of miniatures. Finally Islamic painting schools. Chapter three includes procedures of the research and dealing with the titles to define the methodology of the research and sample of the research. The sample has been selected intentionally. The number sample distributed in both Iran ( 59 ) and turkey ( 38 ) samples. It was selected ( 20 ) sample from original society of the study ,and design the form , then showing it to the experts to check its validity achieving its objectives. Following pages allotted to analyzing of the samples. Below the most important results of the research : - 1. Expressionism structure expressed in Islamic art that represented miniatures art about events combined thoughts and cultures so that become connection instrument included multi - meaning symbols.2. Adopting expressionism structure concept in Islamic miniatures art upon intellectual and knowledge of the true religion Islam and itrelation with feeling and realization that accompanied to gratification and acceptance of the receiver., then follow up its aesthetical and intellectual implication 3. Confirmation of meaning structure of the opinion h in the research sample specimen , which offers for Islamic painter a chance of boosting related to indication and meaning , on the assumption that the thought produced according to intellectual formula and structural consolidate from aesthetic rich giver and expressional for artistic work as in most of sample of the specimen. 4. Expressional structure of Islamic art represented in miniatures art which made the concept of aestheticism gaining intellectual assimilation as new gates bear clearly different emotional trends and direction achieve joy and happiness to the receiver. 5. Aesthetical structure in ornament forms structure demonstrated obviously through harmony and compatibility between pivot ornament formations and reality , and subjected it to internal system to adjust their correlation in emotional , sense and cognitive derived from indications and signs in accordance with Islamic faith , and its implications of expressional results that consolidate 6. Variables of the ornament forms and shapes are geometrical , vegetal and masonic , mostly ornamented with different colors. Its gestures lead to intentional forms in its signs ; which is that form regarded in mien thinking between two directions : direction confirm upon notification nature and continuity of ornamental sign , other direction focus on interpretation of the sign i.e. the possibility of the sign and interpretation towards receiver. 7. Miniatures executed by one artist whereas several calligrapher participated in writing the texts before or after painters or embellished. The ornamented text gives the miniatures an abstract and ornamentation nature , even the scene was in battle field. accompanied with colored life, gives the miniatures harmony including great amount of regularity and logical sequences of the forms and elements.8. Islamic miniatures samples showed clear spread - out in dealing with structural and technical treatments for forms , dimension , color , written and touch units which are description works on it the Islamic photographer in order not to fall in prohibition issue , therefore they have to be away from embodying and from using the couple of light and shadow.9. Aesthetical standard ( proportionating , unity , variability , balance and repetition ) which the decorator tried to compare and depart them as basis for visible action and establishment in Islamic miniatures ornaments.Below The Conclusions 1. Using geometrical and vegetal ornaments in the art of Islamic miniatures to reflect aesthetic richness through absolute accuracy in execution.2. The art of miniatures connected with ornamented terminology greatly which is achieved through expressional structure multi - aesthetic characters participated within formal intensification that depend on determined spaces.3. The Muslim artist adopted in his miniatures upon flat perspective which depend on two dimension and ignore embodying which is represented in the three dimensional.4. The pictures of the personalities in Islamic miniatures characterized in different forms and shapes regarding special features such as the face or nature of the dress or structural formula of the form , adopting anatomical percentage according to belongingness , cultural and geographical references of Islamic country.5. Concentrate on tape and line system in written texts within the tapes and ornamented frame , adopting lines with functional performance such as ; caption ,on third uncombined in order to create connectional action to read the text , besides forms especially after adopting attached miniatures to ornament the ground of line text.According to the details mentioned above , the research has bring forth sample of the study from very deep and effect of al expressional structure , aesthetic ,and the mechanism of their operation in Islamic art represented in miniatures arts. Eventually the researcher recommended the following : - 1. Study Islamic miniatures art , its multi - aesthetical system specially ; colleges and fine arts institutes in order to understand its elements and subjects.2. Encouraging issuing publications , print material and aesthetical and technical studies that dealt with the concept aesthetic and expression in Islamic art which includes miniatures arts.3. Using subject (Islamic miniatures ) in the textbooks of the students who studied ornament Arabic writing for both studies primary and higher studies.For more scientific benefit for the research , the researcher presents the following suggestions : - 1. Aesthetical and expressional structure for handwritten formations in Islamic miniatures art.2. Aesthetical and intellectual dimensions for gilding of Islamic miniatures art.
