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فاعلية الاتجاه في الفخار العراقي القديم == The Effectiveness of The Direction In The Old Iraqi Pottery

Author name: فاضل مطشر عبد الحسين الحجامي
Supervisor name: كامل عبد الحسين خضير النداوي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: استطاع الفنان العراقي القديم ان يترجم علاقته بالطبيعة والارض الى فن جميل ينبع من التربة وينغرس فيها ويعيد تشكيلها بما يحقق حاجاته ويلائم رغباته ويسهل امور حياته وحياة مجتمعه الانساني , وقد جاء اختراع فن الفخار بمثابة ثورة صناعية كبيرة حصدت الاجناس والاجيا | Old Iraqi artist translates his relationship with nature and the Earth to the beautiful stems art of soil and lined them and re - formed in order to achieve their needs and fits their desires and easy things of his life and the lives of his humanitarian, community was the invention of the art of pottery came as a great industrial revolution won races and human successive generations fruit across Ages and still had Iraqi pottery credited with feeding and uphold the role of the aesthetic aspect in the art of pottery, but not limited to the value of use and functionality, so the aesthetic ideas and shapes decorative began crawling on the surface of the pottery and the intervention in the depths of built design are translated into distinctive art is based on the understanding and accommodating foundations and elements of composition and direction of them, who leads the movement and the technical elements included in the fundamentals of the shape the potter and methods of construction and design element.The current research devided to four chapters include first chapter on the problem of research summarized in answering the following question : What is the effectiveness of the trend component of the products of the art of the old Iraqi pottery?The importance of research and the need for him, followed by the goal of research in : (you know the effectiveness of the trend in the art of the old Iraqi pottery). Find and limits of spatial and temporal and objectivity, and determine the terms.The second chapter consists of (theoretical framework and previous studies) and includes three sections, the first part, the concept of trend in myth, art and religion, then the second topic of intellectual and structural dimensions in the art of the old Iraqi pottery, and ends with a third chapter : the concept of direction in art. Then indicators resulting from the theoretical framework and previous studies.The third chapter of research procedures, including the research community containing (130) in accordance, the research methodology and analysis of the research sample the (15) a model of artistic products of the art of the old Iraqi pottery.The fourth chapter has included the results of the research : 1. artist creates a kind of bio - kinetic pattern revolving around pottery non - stop since the dawn of history, it employs the visual and psychological impact and direction associated with movement and rhythm, it worked to create the kind of dynamic kinetic related to the eternal infinite, and that generated from the exploitation of the plastic component as a value and direction of mind impressive.2. highlights the dominance of engineering mentality affected the world of the agricultural community linked to the land and its accounts and formats plowing and modified and configured for agriculture and methods of organization of trees and plants on the ground, as well as engineering outlook associated with irrigation and irrigation from streams and streams and methods of drainage from the fields to the Ends, land systems, and all these processes and systems strongly associated with the concept of the direction that leads all engineering or agricultural work on the ground, and it is reflected clearly the products of ancient art.Then conclusions, including : 1. formats functional pottery designs follow the current quasi - stationary rarely depart from it only by the few who are able to innovate artists, these specifications serve as basic guidelines of mind control artist, comes with ornamental aspects subsequent stage adds aesthetic dimensions sees the artist the need to add them to send cheerful and psychological comfort done out of the limits of the initial image of the raw material and frameworks utilitarian shape.2. The shape of the pottery and trends involved in the formation of the virtual structure works as catalysts aesthetic to activate the artist's imagination to choose the methods of decoration and ornamental, that figure specifications potter of size and space and trends of building parts suggest the artist the manner best suited to the distribution of decorative shapes on parts disparate.Then recommendations and proposals.And ends and supplements and abstract in English.

عينات المجتمع الاصلي للبحث الموسوم بـ الشكل ودلالاته في الفخاريات والخزفيات البابلية والاغريقية : دراسة مقارنة == The Form And Its Significance In The Babylonian And Greek The Pottery And Ceramic

Author name: كريمة هاشم محمد البيضاني
Supervisor name: زينب كاظم صالح البياتي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: في البدء لابد لنا، ونحن نخوض في مضمار بحثنا الحالي من تحديد موضوع الشكل والدلالة وتعيين موضوعها المقصود في الفنون بصوره عامة والفنون التشكيلية والفخار والخزف منها على نحو خاص، ولابد من تحديد مفهوم الدلالة ومعرفتها لارتباطها بالاشكال ومضامينها من خلال التا | In the beginning, we should delve in the determination of the form, and the significance of our research and determining what is meant by arts in general and plastic arts, including ceramic, in particular. We should also determine the concept of significance and its correlation with form and content through the exchanging effect between the signifier and the signifies. This connection can be explained through the visual discourse, especially what is implicit in the metaphorical pressures and what they pressures produce like religious dictorine, mythological, social and political which the natural and civilized environment has produced for Babylon and Greek. The study tackles in this field the form and its significances in the Babylonian and Greek ceramic and pottery works. The study was limited to the Babylonian and Greek ceramic and pottery works of art, specifically the Babylonian ceramic and pottery of the two old periods (1595 - 2004 BC) and the Hittite period (627 - 601 BC) and the Greek ceramic and pottery in the century (1800 - 500 BC). The study includes four chapters which cover the determined objectives. It includes : Chapter One : the methodology frame of the study which is based on the problem of study that is represented in the achievement of the Babylonian and Greek ceramic and pottery artistes how the internal and external pressures has affected the understanding of the significance of meaning of the form system in the Babylonian and Greek civilization and the external pressures like the culture and regions and politics which contributed to the foundation of indicators that satisfy the form and its significances in the Babylonian and Greek ceramic and pottery works through the period of the study. In addition to that, the chapter includes the importance of the study and the need for it according to the direct items in nature. It is important to point out that the study includes previous studies because there is none. Chapter two includes the exposition of the theoretical frame in three inquiries : The first inquiry tackles the concept and meaning of the general concept of significance and then defining the significance philosophically and then describe then according to the formal concept (iconic, symbolic, referential). Then, the significance and its reading were applied. The second includes the referential and intellectual pressures in the plastic arts of Babylonia. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Babylonian pressures are also illustrated. The third inquiry tackles the referential and intellectual pressures in Plastic arts in Greece. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Greek pressures are also illustrated.In Chapter Three which illustrated the procedures of the study represented in how to detect the society and choose the sample, and the methods and tools for data collecting and analysis. In addition to that, the researcher prepared diagrams in which some of the significancs have been form and matching them. Finally, the community of the study through the sample of the study which includes 12 samples varied between the Babylonian and Greek ceramic and pottery works out of 180 Babylonian and Greek earthworks. They were purposefully chosen using the assistant specialized professors in the field of ancient pottery like Prof. Dr. Zuhair Sahib in addition to the assistance of Prof. Dr. Majid Na’fa Al - Kinani. In chapter four the study comes up the following findings of the study which can be summarized as following : * The significance of the forms in Babylonian and Greek ceramic and pottery works are clearly reflected through the realistic forms and the organizations which represented in iconic and symbolic forms. Also, we found some unrealistic forms like the compound and abstract forms to represent some forms with significance the ceramic and pottery works. * Some significance has come with purposes of completing the level of the colorful functions on the level of Babylonian and Greek forms. * Ceramic and pottery works revealed the inspiration of natural themes and effects on pressures through which can artistic tendencies. The analysis sample analysis of ceramic and pottery works resulted in approaches in the significances.Finally, the most important conclusions of the study are tackled and based on that the researcher put some of the recommendations and suggestions. Then, the study ended with a list of references and resources.

جماليات الرسوم المستوحاة من قصص الكتاب المقدس == Aesthetics Paintings Suggested From The Stories of The Holy Book

Author name: لميع نجيب موسى ال سقط
Supervisor name: عاصم عبد الامير الاعسم
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The stories of the holy book and the way education image, shape, color, and does not seek the artist in his work to take out the features of the aesthetic, but also uses the aesthetics and plays a chord genius to arouse the passions of spiritual and stir the emotions underlying which, inventors faith in the heart of the viewer through religious text, which forwards it to the image Completed and optical, and thus something that causes feelings in the soul of the movement of faith in the heart of her scenes, and this is what it is keen artist or storyteller color that comes out of his portrait in the midst of weather technician transcends it to a state of spiritual insight.I have included this study, four chapters, the first chapter , a statement of the research problem and its importance and the need for it, and the aim of the research and its borders, and to identify the most important terms contained therein, has dealt with the aim of research known as the aesthetics of painting inspired by the stories of the holy book.The Chapter II included theoretical framework and previous studies, which included theoretical framework three sections the first section : the concept of beauty and image when Fathers of the Church, which he reviewed the researcher views of parents who strike depth of spirituality and had their philosophical vision and written for beauty and image. And ensure the second topic : the concept of the picture in the art Aldeames, and the war of images or icons. And ensure that the third section three axes, which included the first axis story from the Middle Ages to the Baroque, and the second axis assets shear in the holy book , and the third axis features aesthetic art Christian, has contained the third chapter on research procedures, the research community, the research sample, searchtool, the research methodology , and the analysis of the sample amounting to ( ) model. The fourth chapter evolved to include search results, conclusions, and recommendations, and proposals, and the most important findings of the researcher as follows : . Christ spoke parables which each story uttered to give comparisons based on simplicity, and a lot of analogies and images and to clarify very specific, so that helps the plot narrative or summary of the end of the parable in the understanding of spiritual truths, and use bywords from the ocean, some of nature directly and others social habits, for the delivery of spiritual reality, every such application gives spiritually for something familiar, as in the model ( , , , , ).. hire artist Christian symbols that carry a theme featured in the religious thought of the Christian, which contributed effectively to enrich the religious discourse connotations ideological such symbolic pregnancy, as in the model ( ), and the symbolism of the fish as in the model ( ), and symbolic aura circular as in the model ( and ), and the aura surrounding the body and head, as in the model ( ), and the aura in the form of the cross, as in the model ( ). The symbolism of the ball - and - stick model, as in ( ). And symbolic dirham and as in the model ( ).. showed the achievements visual inspired by the stories of the holy book that the viewing eye more uncertain and inflicted impact on belief, and that of comic possibility to rationalize events much more than reading and hearing that transmits events to it in the form of votes interpreted by the brain, turning it into an image changing and ephemeral, unlike the eye which turns images directly to the contents of certainty and clear and accurate, and that's what it seemed clear in most models.The researcher arrived conclusions, including : . relied artists throughout the centuries to giving Topics the holy book stories Testaments old and new, especially proverbs in most of their artwork, while the general topics less addressed, because the stories of the holy book - text literature that carry speech and significance, they represent system ideological aims publication of the Christian religion and the search for absolute truth and character of Jesus Christ , also served as a source of inspiration for artists who in turn follow up by the text of the plastic on the body of the painting.. painter Christian deal over the centuries through his artistic vision to the stories of the holy book in two directions : first eastern abstract art, because it rejects the diagnosis and fights the physical embodiment seeking to represent the Eastern Christian spirituality, icon , as in Syria, Iraq, Egypt and Byzantium. The second Western art depicts and embodies the objects and nature, as it seeks to represent the physical realism, such as statues and paintings of various technologies.. make the parents of the icon part of the ritual church (liturgy), it represents the expression of formal physical perspective on the one hand, on the other hand sense on the fact un known , has now become embodied in the picture, and see the picture makes the believer that looking at all the abilities saved to be understood and recognized, all of which are things want him back for a recall of colors during the announcement of Jesus Christ in the heavenly ilk. It is a non - listed historical events superficially, were written or church, but is basically a symbolic code which performs across the emphasis on aesthetic finality carries connotations of forms has become a distinctive character in the Christian religion.The search is over Arab

استخدام تقنية العجينة المصرية (Egyptian Paste) في انتاج اجسام خزفية مزججة == The Using of Egyptian Paste Technique To Product Glazing Bodies

Author name: نبيل مصطفى محمد الركابي
Supervisor name: احمد هاشم عبد الكريم الهنداوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث استعمال تقنية العجينة المصرية ( Egyptian Paste ) وخلطاتها ذات اللدونة المنخفضة في تشكيل بنى باحجام وابعاد واساليب مختلفة باستعمال خامات محلية وانتاج رائب زجاجي يطبق على الجسم الفخاري ضمن مدى حراري تتراوح بين ( 850 - 950مه).تم استعمال سبعة | This research deal with the technique of Egyptian Past and it's mixtures which have low viscosity in forming built in a different sizes ,dimension and styles by using local raws and produce slip glaze stack on the pottery body through temperatures between ( 950 - 850c ). We use seven local material included sand (Arzama) ,Cawolen (Dwelka),Calcium carbonate(AL - Jabha)Bentonite and unlocal material included Sodium carbonate ,Sodium bicarbonate, feldspar soda added in different ratio after sieving and grating and chemical analysis to determined the properties and the continent of materials added to five mixture managed from references and internet adjusted according to researches s' aims.We evaluated the results and select the sample of researches from the whole models depend on researches s' aims and we made several tests on the sample s' models such as plasticity test, efflorescence salt test, porosity,absorption , density , linear shrinkage ,hardness, scratch hardness of surface,the analysis chromatic , glaze surface topography , formula units.From tests we know that the rise of clay ratio to (30% - 45% ) increasing Plasticity and produce body in a different dimension and the rise of water percentage to a specific level produce slip glaze stuck on pottery body beside using of alternative feldspar made suitable results and the rise of Fusing material ratio led to reduce porosity , absorption , density increasing and forming bound body.and the mixtures s' glaze appear so opaque in spite of ratio of (R2O3 - RO2 ) produce transparency glaze. The reason of darkness is the adding of colored oxides (RO ) group to earthenware glaze beside silica percentage (Higher than the equilibrating ) and gasses resulting from reaction. The slip stationary on pottery body depended on paste texture and body pores ability to absorb liquid and salts which work after firing to fix slip on the body , and the appearance of glaze on surface depended on self glazing of mixtures s' contents and ratio of efflorescence salt weight which reach to surface , beside the heat s' effect on surface

التحقيب والمجايلة في رسم الفنانات العراقيات : دراسة في الاساليب والاتجاهات == Periodization And Generativity In The Paintings of Iraqi Female Artists : A Study In Styles & Trends

Author name: انس كاظم ياسر ال شبر
Supervisor name: محمد جلوب جبر الكناني
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The present study has traced back the Female Art according to its existence as a cultural construction that occupies a wide range of Iraqi plastic map through the art performance (painting).This has been achieved by generativity with Modern Iraqi Art. The Female Art has acquired features and characteristics and references allow it to have its own stylistic characteristics that are parallel with International styles and trends, in addition to the fertility of the environment and the stressful references that lead to establishing and growth of this art internally & externally.The study deals also with intellectual dispute about Woman, her rights, challenges, problems and her ability of giving and creativity as she constructs a very important part of life and Society. It also discusses different points of view of intellectual trends and their attitudes towards woman's issues and dealing with basic impressions of those trends such as Liberalism, Radicalism and Islamism, etc.The study shows also the female movements' role in society after adopting different values and concepts to treat woman issues and her suitable place in life. Because of interaction between Oriental and Western World, the female movements have developed to cope with the age changes after the total transformations in Capitalistic and political Systems that reach to the comprehensive change in all fields of life, which leads to concepts and thoughts liberation regarding woman. As a result there is an effective existence concerning equity with man.Because of all these changes, woman begins to enter fields of arts, especially, painting - This leads to presence of distinguished female artists who be in touch with modernism and post modernism thinking and techniques in regard to style and artistic performance of each one. So, this study focuses on studying the different phases for each female artist and the settlement of intellectual concepts.The study has four chapters. The first chapter deals with the study problem which dries to find out the effect of generativity ofmale art on female art besides the lack of ideological study of female art during different intellectual and technical periods that makes painting without significant features.The study aims at : 1. Finding out stressful references of Iraqi female painters.2. Finding out the styles and Trends of Iraqi female artists' painting.The limits of the study is between (1951 - 2014) through depending the artworks of Iraqi female painters, with the definition of terms.The second chapter has six sections. The first one deals with the explanation of concepts of periodization and generativity intellectually. while the second one deals with the meaning, significance and concept of female Culture.The third has concerned with auto parallelisms in female Culture and the emergence of it with the geographic classification and historical background of its features. The fourth section comprises an introduction to the Iraqi Contemporary female Iraqi art.The fifth section includes the References that establish the female art in Iraqi.The sixth one deals with styles and Trends of Iraqi Female Art.The third chapter has the procedures of the study concerning the population and analysis of samples and the adoption of analysis of samples and analytic descriptive method. The matrix of analysis has been adopted as the study tool.The fourth chapter deals with the conclusions and results of the study besides the recommendations. The researcher has concluded the following results.1. The variety of technique and performance as it is shown in samples (7 - 12 - 15 - 17).2. The differences of stressful references that effect on Iraqi female artists' products - This has been shown in all the study samples.3. The variety of artistic experiences for each female artist as it is shown in samples (12 - 13 - 15 - 16 - 17 - 18 - 19).4. The use of different methods to treat the formative construction of the art work that has been achieved on the visual surface as it shown in samples (1 - 3 - 5 - 7 - 12 - 14 - 16 - 17 - 18).5. Dealing with subjects concerning environment, society, fancy, dream and reality. All these subjects have been reflected on female artists' experiences as it is shown in samples (2 - 3 - 4 - 5 - 6 - 7 - 8 - 10 - 11 - 13 - 14 - 15).6. The artistic style helps in forming significant aesthetic composition for each female painter.The following conclusions have been drawn : 1. The environment and society have effective role in constructing themes for paintings.2. Each artist has different style and trend (such as surrealist, realistic, expressionistic, abstract expressionistic, etc.).3. Iraqi female painters have consolidated various subject inside art construction.4. Some painters have depended on post - modernism art in functioning their subjects.5. Refreshing useless things to take important role in the artworks of some painters.6. The experience of Iraqi artist has been enriched through the interaction with world in regard to new stylistic changes with the dealing with multi meanings and signs of visual text.

الرسوم الصحفية في العراق : دراسة تحليلية == The Journal Drawings In Iraq An Analytical Study

Author name: محمود موسى وادي
Supervisor name: سلام جبار جياد السوداني
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول بحثي هذا الموسوم بـ (الرسوم الصحفية في العراق - دراسة تحليلية) جوانب عديدة لها صلة جوهرية بالموضوع الذي بدا منسيا من قبل الباحثين والدارسين فمن المعروف ان الصحافة تواجه تحديا كبيرا امامها الا وهو حركة الصورة وانتشار الميديا البصرية وتطور تقنياته | This study is entitled (The Journal drawings in Iraq - An analytical Study). It deals with many aspects that are related essentially with the topic which have been forgotten by the scholars. It is known that journalism faces a great challenge, that is, the movement of photographs, the spread of visual media and the development of its techniques. The journal cartoonsare regarded as one of the means that competed the typical journal image. The art of journal sketching acquires features and characteristics from the rest of the arts for the receipt and the public via a display means and an easy way for spreading.Since the journal drawings and the documentations, especially the colored sketched and magazine cover, formed a challenge to the motion of pictures in black and white which were prevalent in television before it evolves to colors. In addition the other challenge posited by cartoons of the journal photographs which were known by their traditional static framework.The research tackled in Chapter One the problem of this study, its spatial and temporal limits, and the objective of the study, and knowing the definition of the terms of the study linguistically and lexically. The second chapter studies the lexical framework in which the researcher studies in First Inquiry to the journal cartoons; the foundation and the historical origin. The second inquiry includes the techniques of the journal cartoons and the most important like ink in its types, pencils, water colors, Pastille, and also the most important techniques of the journal cartoons like AutoCAD, marking and graphic.In the third inquiry the researcher studies the aesthetic references of the Iraqi journalistic cartoonsindicating the effects of the Arab magazine, and the international and the traditions.The four inquiry includes the structural relations between the written text and the journal cartoons referring to a number of theories and opinions concerning the problem of the relation between the written text and the visualcartoons.The researcher comes up to number of indicators that have resulted in these inquiries dealt in Chapter Two. These indicators have formed to the researcher an important tool in the analysis of the samples which were chosen in the Third chapter. They are 12 samples chosen according to the justification to which the researcher has referred in. After the analysis of samples, the researcher comes up with the findings which are mentioned in Chapter Four. The most important one are : 1 - The journal cartoons were characterized by violence in the motion of the characters and the figures which is a reflection of the prevailed phenomena in Iraq with the use of the torn human body.2 - The use of the theme of the cut head and its repetition. The result was of many references like the cut head, the bronze head of kings of Mesopotamia which formed an aesthetic addition. Also, the image of the sacred head carried on spears for tis relation to the sacredness of Imam Hussein martyrdom.3 - The journal cartoons were influenced by the ideologies of the authorizes and the ideologies of the journal as in the (Tareeq Al - sha’ab) of the leftistpolices. 4 - The avoidance of the difficult techniques like graphic or the inscription technique on the Britishscraper board. 5 - The journal cartoons were not an attraction in Iraq for the Iraqi female cartoonists except for some of the few names like (Afifa Laebi, Hana Mal - Allah, Antlaq Mohammed Ali). This is a negative phenomenon that required analysis and reflection. 6 - The attraction to the expressionist school in most of the journal cartoons for the purpose of maneuvering the monitor and censorship. The researcher comes up with the most important findings which he displayed in the study.

مفهوم الذاتي في اعمال النحات الفطري منعم فرات : دراسة تحليلية == Features Experimentation In Theater Iraqi Academic

Author name: حسنين صادق عايد علي
Supervisor name: مرتضى عبود شهاب حداد
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: اصبح ( التجريب) اليوم مقياسا للنضج العقلي والتحررالفكري من كل اشكال التقيد، كما وسعى الى ترك الباب مفتوحا للابتكاروالاضافة، حتى اصبح مدخلا مهما في تطويروبناء العمل الفني.وجاء هذا البحث لدراسة ملامح (التجريب)، واهم الاضافات التجريبية التي تتضح عن ط | Experimentation became a milestone from tradition work into creative art, conceptual work, based on breaking Perceptions and familiar artist formula into new version, now a day, its consider as indicator to maturity and Intellectual freedom from all restriction & deadlock; it also sought to leave the door open to innovation and addition till its became important iterance to develop and sustain the artwork.This research is to study the sign of "Experimentation", The most important experimental add - ons that emerges through the completed creative artwork (Iraqiacademic'sdirector), and trying marking the most important additions to the pilot on which it runs, has been marking this research under the title (The Features of Experimentation in academic theater in Iraq), where taken researcher took the additions Experimental subject with the director of academic material to be examined, which came from the four chapters : 1. Chapter I (systematic framework) which includes : the research problem and the importance of the research, the need for it, the goals of the research, the temporal &spatial boundaries, determine the terms and defined procedurally.2. Chapter II - the theoretical framework : It consists of three sections are : • The first topic : - the concept of references and experimentation in the theater. this section divided into three paragraphs where the researcher presented the concept of experimentation and the most important definitions, then the emergence of factors experimentation in the theater and then on the characteristics of experimentation. • The second topic : - the movement of experimentation in contemporary" modern" world stage. This included the topic, followed by an introduction and first two paragraphs concerned the most important schools and currents of contemporary experimental and the second where the researcher talked about experimental filmmakers in contemporary theater.• The third topic : - the director of academic and experimentation in Iraq. Two paragraphs in this section came after the introduction, in first paragraph to talk about the Iraqi theater academic and experimentation, and in the second paragraph the researcher spoke about the academic director of the Iraqi and experimentation. Then the researcher put the most important indicators that came out of the theoretical framework, dividing into as follows : indicators of theatrical text, directing specific indicators, performance indicators, technologies indicators. The researcher also connected (previous studies) which arranged by date as shown : ? Dhiyaa Kareem Riziyakh, Experimentation and its impact on the Iraqi theater, 1989.? BahaaZuhairKadihom, Features performance analog in experimental theater in the College of Fine Arts Offers, 2012.? MudaferKadihomMuhamed, Techniques experimental theater and the development of performances, 2012.3. Chapter III - Actions - the research community : - the method of selecting samples : Adoption of the way (intentional) in the selection of specimens. Research Methodology : - The researcher adopt historical method in tracking the movement of relay experimentation in the theater through the three topics, descriptive approach adopted in the study and analysis of samples. Search Tools : - has included : (what resulted in the theoretical framework of indicators, including documents, books, magazines, periodicals, documents CDs, photographs, observation that adopted by the researcher as an important tool in tracking the features of experimentation and additions campaign theatrical approved samples to search ). Find samples : - Play : "Ali Al Wardi& his Opponent" directed by Akil MahdiPlay : "Shadows" directed by Haitham Abdul RazakPlay : "Romeo and Juliet in Baghdad," directed by MunathilDawood4. Chapter IV - Results and conclusions : - (results, conclusions, proposals, recommendations, list of sources and references, appendices, abstract in English).

البعد التعبيري لبورتريه الخزف الاوربي المعاصر == Dimension Expressionist Portrait of Contemporary European Ceramic

Author name: مياده حسن مرهج الكعبي
Supervisor name: نبراس احمد جاسم الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: دراسه قائمه على التنقيب عن المفاهيم والاصول في قيام العوامل التكوينيه والعليا والوظائفيه بهدف تاطير الانظمه التعبيريه للخزف الاوربي المعاصر. فالتعبيرية الى جانب بواعثها الفطرية لدى الفنانين بما تحمل من دلالات الابداع الشخصي, تنقلنا ايضا الى الحاضن الخارج | Based study exploration concepts and assets in the textural factors and upper and functionality in order to framing regulations expressive of European contemporary ceramicsExpressive motivation along with artists including fungal afford connotations of personal creativity, also Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureake uArtist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitures outside the custodial culturally, and culturally.Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureNow that seen in the art of portraiture European porcelain contemporary offsets Azha and implications in the context of technical and stylistic and aesthetic implications revealed thought Alheiomana which still governs taste new milestones keep pace with progress.from here it seemed the emergence of diversity Graphic showing expressive portrait rights of the reality of cross - fertilization between the past and the goal thought Alheiomana and between the paths of renewal in the framework of modernity and onwards to praise the subject of portraiture new formulas dimension expressionist despite control of quantitative models of the products of different kinds, but the employers doctrine clastic had reached a dimension expressionist the legitimacy of the chaos emerged a clear relationsformalism the most profitable products in portraiture to find this topic rationale for the present study to decode meaning boarder behind diversity in crafting dimension expressionist for portrait porcelain European contemporary in light of the sensitivity of the artist and the expression and contain the aesthetic as well as read the shifts shapes depending on the subject matter of his face and the services of hand in a time of as the body of contemporary portraiture relationship dimensions syntheticAllow to be exploited for artistic expression through various technical treatments in addition to the presence of attributes and Graphic sculptural portraiture of contemporary ceramics from functional integration and aesthetic and associate with everyday life.ln light of the foregoing researcher assumed possession of European porcelain portrait of contemporary characteristics and dimensions of new creative expressive phenomenon influenced the art of modernity and its aftermath a lot of artistic and aesthetic concepts.and offers a researcher fragile study in four chapter included the first chapter the importance of research problem in dimension expressionist porcelain portraiture European comtemporary, have been identified in this chapter bending search time period 2014 - 2000this addition to identifying procedural came in this chapter for the most important termsbasic searchthe chapter has two within the theoretical framework, which included three sections pertalning to contemporary European ceramic portraiture.first research : expressive elements in the art of portraiture and supplements the body. section twante : first concept art of potraiture in formation section third topic of prtraiture contemporary ceramics. the fourth topic : methods of forming ceramic portraiture and techniques. As the third quarter came from search procedures for the busy professionalcontrolled by research community and appointed the fourth chapter select to discuss the results derived from the analysis of samples of research and including checks of this research and included from this study, which ended in a pri acy statement ceramic portraiture European contemporary in terms of its distinguished presance as the value of art and aesthetic affecting the various arts era and in accordance with the regulations , which relied on businessman and big goals in the history of art and ask him pictures of the body.

السمات النحتية في العمارة التفكيكية == Sculptural Features In Deconstructionist Architecture

Author name: عقيل حسين جاسم حمزة
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Affected by the nature of the fine arts in general, structures its neighboring affected seem like the product of logical, through contact with these arts influences thought compressor socially and religiously and scientifically and psychologically, and this is what makes sure functionally according to the relationship art evolution year which occurs in the human communities throughout history. I have contacted art, including sculpture composition data of the intellectual and aesthetic transformation that has occurred in the structure of the art in a different historical era from arts of ancient civilizations in Iraq, Egypt and Greece, through the art of the Middle Ages and the Renaissance, and ending, including the outcome of the modern arts and beyond.It was the emergence of currents modernist impact evident in the development of coordinated Achtgala a clear distinction between art painting, sculpture, and took the products of contemporary architecture, influenced by and influence, with the result of the achievements of artistic creativity, and it was for the development of the great in the field of technology have a positive impact of the relationship of sculpture, architecture, in terms of employment and similar and metaphor and embedding, and but relativism rise and fall, the vision of the architect or sculptor alike.Hence, the evolution of architecture in the period of modernism connects the idea of switching from level realistic to the level of abstract or symbolic, and it was for this, a role in showing the properties of architectural most relevant features art talk, specifically sculpture, and this similarity or overlap strengthened through the system aesthetics of modern art all related references poignant and mutant methods.The researcher found important to know the most important of these characteristics. So Me Find studying (sculptural attributes in deconstructionist architecture).This research included four chapters : Chapter One : ensure that the research problem and its importance and the need for objective research and its boundaries, and define the

التحولات الدراماتيكية في فن التشكيل من الرومانسية الى ما بعد الحداثة == Dramatic Transformations In Plastic Art From Romanticism To Postmodernity

Author name: اياد ذياب حميد السامرائي
Supervisor name: نجم عبد حيدر الجنديل
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: يقوم موضوع هذه الدراسة على البحث عن التحولات الدراماتيكية في فن التشكيل من الرومانسية الى ما بعد الحداثة، وينجز ذلك بالكشف عن مختلف المرتكزات الاساسية الموصوفة بالاثارة والذهول والابهار والمفاجاة التي ادت اليها، والتي استوطنت اماكن عدة، فتارة نجدها في | The subject of this study on the search for dramatic changes in the art of the formation from romanticism to post - modernism, and performed by disclosing various basic pillars described with excitement, amazement, disbelief, dazzling and surprise that led to it, that settled in several places, Sometimes we find in nature, and at other times, in art, and sometimes in social life and circumstances, as the transition starts from innovation, which is based in turn of the overall environment, and its various components. After a few of change and transformation in art and long periods of time, there has been a period of research - the last two centuries - accelerated momentum of dramatic transformations, diverse coverage of the currently located concept, idea, form, and content fields and use the techniques and mechanisms to show innovative ways, guided by philosophical conceptual and psychological and biological foundations, and selfless and exclusivity, and overlaping between the arts, and East, Africa arts, and the impact of science and wars, etc.... Inquirer plastic works of art are described with dramatic transformations in the "romanticism" , "modernity" and "postmodern" all.This was a ground of knowledge for the start of the research problem as an urgent priority to respond to the misconception in the counting of dramatic art limited to the romantic and earlier, as well as the shut understanding of in that dramatic, are only done by the excitement, dazzling, disbelief and surprise in based meanings or story confirm the diagnosis of individual and collective. And the lack of bold scientific research, to assertion of the continuing dramatic in the formation art from the romantic to the post - modernism arts, despite the differences in the showing tools or the adoption of a dramatic form that are running either removal of partial or full of meaning, or confirm that unstable and the instability of the meaning adoption of the recipient interpreted.The research was completed according to the procedures of its stated objectives, namely : 1 - A shift in the fine dramatic structures and concepts of the Romantic period in the configuration variable to the dramatic arts post - modernism. 2 - detect the movement and dazzling excitement, disbelief and surprise, in form and color and configuration and interpretation in the art of composition of post - modernism, in other words, it was revealed the dramatic formation and have. As well as on the detection of evolution and growth and the variables has intellectual hermeneutical.3 - Statement of the bases in the dramatic arts and post - modernity?. And the movement of the dramatic changes and growth in the shape, color and composition in?.Within the following borders : Temporal limitation - from romantic in the formation (1820 to 2010).spatial limitation - open with an emphasis on European art. As mentioned in the first chapter, as well as to determine the terms, including the title search required by imposing meanings overlap and Transfer of funds between arts ideas and techniques, undertaken in article research and institute an inquiry. Chapter II contains the bases and intellectual and philosophical and substantive shifts in the art of dramatic composition, for a period of time the search Atltha three major periods of art is "Romance" and "modernity" and "post - modernism." The first topic dealt with (the shift in knowledge and art, the art of composition). And ensure the second section (and the dramatic movement in the knowledge and know - how). The third section will assure institutions (and the mechanism of betting that dramatic).Chapter III and included measures to his society and appointed by the search and approach, and the justifications for the selection of which formed the research sample consisting of fine art products to the general romantic postmodernism, drawing them in particular, according to the time limit (1820 - 2010). And select the Finder, including sixteen representative sample of society, as my intention.The researcher adopted a descriptive analytical method in order to align research storehouse placed in the title is marked by "dramatic changes in the art of romance to the formation of post - modernism," as the basis of a tool for analyzing samples from among the indicators that resulted from the theoretical framework.The researcher in the fourth quarter to phrase the results highlighted the most important institutions of the changes dramatic in the art of composition of the romance to what post - modernism and identified citizen functioning multi - described interventions and institutional Altalqat philosophical, conceptual, intellectual, technical, social, political and Alvallosikolojip and Elzimkanip it. Finally, the researcher found some of the proposals and conclusions reached by the search.

استعارة الاشكال التاريخية في الرسم العراقي المعاصر : دراسة تحليلية == Borrowing Historical Forms of Contemporary Iraqi Painting (Analytic Study)

Author name: مؤيد محسن محمد
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: هذا البحث.. ينحو الى اقامة بعض الحفريات في الاستعارات الشكلية لمخرجات الفن العراقي القديم التي قام الفنانون العراقيون على استدعائها في اعمالهم الفنية المعاصرة.. وكان هذا الاتجاه قد تمدد في السنوات الاخيرة لدوافع واسباب مختلفة وكانت مخرجاته تؤسس الى طريق | This research.. Tends to establish some formal excavations in the metaphors that the artists are being called on Iraqis in their art.. This trend has been extended in recent years to the motives and reasons were different outputs to establish a way of communication under the title, which says bilateral heritage and contemporary. This call to the metaphor has created a method to look at the historical roots, as well as in metaphors and types, in addition to the motivation that worked on the foundation.It was based search on the first chapter and the research problem and its importance and its objectives and limitations and then determine the terminology and out of the procedural definition.Chapter II : ( conceptual framework ) and is based on the three sections The first topic : the historical root of privacy Mesopotamia all days through the era of Civilization agricultural villages to the new era of Babylonian civilization. Section II : Concepts in metaphor and identity in art. It was based on : 1. Types of metaphors and concepts. 2. Identit.The concept and meaning and form. Section III : Metapor's root contemporary Iraqi art of painting. Has been developed indicators for the Study of the end of each chapter and amounted to seven and twenty nine of them, an indication of the historical root of privacy Mesopotamia and thirteen of the concepts of metaphor and identity in art and four metapor's root Iraqi art of painting.The researcher output indicators of the joints of Investigation said.Chapter III : ( applications ) and verified the procedures of the research community through the samples the amount of sixty works were selected of which 16 to 16 artists Intentional one work per artist may provide a section on the most important conclusions : Conclusions of the research : 1. Most of the painters Iraqi contained descriptive metaphors and rhetorical expression based on the similarities and the similarity between symbols and transformations. Samples (1 - 4 - 5 - 6 - 7 - 9 - 14 - 15 ) 2. Most of the painters Iraqi contained stylistic metaphors shifted to adopt the contemporary contrast between fonts and colors. Or mimic the old style with contemporary's Materials. Or shifted from diagnosed and to be to different. Or mimic the old style on the rise and fall through the severity of the contemporary's materials. Samples (1 - 5 - 6 - 8 - 9 - 11 - 14 ).3. Some of the works of painters Iraqis built on inherited's metaphors you either restore Gaii blogger form or spiritual meaning, inspired by the blogger. And in particular that writing symbols and seals of all kinds is one of the codes. Samples ( 8 - 9 ).4. Most of the work of Iraqi artists has developed forms of abstract and formal micro and unit construction to units and formal units and construction vehicles are included in a system with units and other formalities. Samples (1 - 2 - 4 - 5 - 6 - 8 - 9 - 10 - 11 - 12 - 14 - 15 ).5. Some of the work is built on the interpretive metaphors based on the premise match the samples ( 2 - 12 - 14 ) 6. Iraqi painters are metaphors in contemporary works as follows : A. often feminine forms of mankind and the note or its Parts. Samples ( 1 - 3 - 7 - 8 - 10 - 15 ). B. and animal and vegetable. Samples ( 1 - 8 - 10 - 12 - 15 ). C. geometric shapes often superior to the triangle. Samples ( 4 - 5 - 6 - 9 - 11 - 13 - 14 ). D. and on human and animal forms and geometric designs. Sample ( 8 ). E. and composite figures. Sample ( 2 ). 7. Metaphors were often pointing to the identity and Privacy : A. Is often consistent with the identity of the fifth indicator, which states that it is not subject Of the laws of the samples ( 6 - 9 - 11 - 12 ). B. Sometimes agree with the first indicator of identity, which provides for correlation with radical history Representatives as determined by the content of disclosure about the method And raw material and technology. Samples ( 4 - 8 - 11 ). C. Sometimes consistent with the third indicator of the identity of their types, which provides for individual And collective. Samples (1 - 2 - 10 ). D. Sometimes consistent with the fourth indicator of identity, which provides for individual change And mass displacement due to belief. Samples ( 3 - 7 - 13 ). E. Sometimes inconsistent with the second indicator of identity, which provides for the construction Idealism and style. Samples ( 5 - 14 ). F. Rarely consistent indicator of the identity of the sixth, which establishes it as root repetitive The sample ( 15 ).

العمليات الادراكية وتطبيقاتها في الرسم الحديث == Cognition Processes And Its Applications In The Painting Modern

Author name: سهاد عبد المنعم عبد المحسن شعابث
Supervisor name: علي مهدي ماجد | عارف وحيد ابراهيم
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The current research deals with (the cognition processes and its applications in the modern art) in which limits the qualities of art picture in shape and content. The research contains to four chapters; the first chapter deals with research's problem, importance, need, aim, limits and the most important of terms.Research's two aims are : 1. Acknowledge, aesthetical and art concepts of cognition. 2. Mechanisms of cognition processes in the art modern.The second chapter deals with theoretical framework and previous studies; the theoretical framework consists of four researches : the first research discusses the cognition processes in acknowledge by showing the philosophers' opinions starting at Platon's opinions and ending with contemporary philosophers. The second research deals with the cognition processes in aesthetical in the aesthetical philosophical thinking since its first starting at Greek philosophy until contemporary and modern philosophies thesis.While the third research deals with cognition in the field of psychology and art ingenuity theories, the fourth research devotes the mechanisms of applying the cognition processes in the European modern art and its directions. The theoretical framework gets on several of basic indexes to structure the research's tool.As well as the previous studies contain to two studies; they have discussed because of near it from the current study.The third chapter deals with the research's procedures and samples at (15) forms from the works of modern painting artists, as well as the chapter include the research's tool and analysis sample.The fourth chapter discusses the research's results, conclusions, recommendations and proposals. The results have showed into two groups according to each aim; the following most important results of first aim : 12. The modernity and its art directions have imposed cognition processes have variety levels according to the thinking, art and style framework for each direction; these directions have eager desire to pass the sensitive cognition and this desire becomes grow at the abstractionism painting greatly.13. The cognition processes in the modern art connected with the art's identity and his ability to adaptation the cognition with his thinking, art, stylistic and technical ambitions. This connection supported the freedom in the searching and experimentation.While the most important results of second aim are : 1. Impressionism has immediately performance has taken the cognition process starting at sense as a main source of vision and interference the interior senses such as remembering and imagination to come out of saved pictures with mind interference contributes to organize the picture in its lowly limits; then these powers emerges as direct sense form able to gathering all powers immediately to gloss the shapes and remove it from the its visible reality lightly.2. The barbarism follows the cognition process prevalence on it the imagination and sentimental; whereas it starting at sense but it is not absolute sense cognition. The works could complete with painting without observation the scene from the nature; the picture has visible shapes. The wildish and effective by (Gogan) has achieved a cognition phrase on the sense, so that it restored to the mind to organize the picture and give it designing features and give the shapes symbolic significance. In order to limit from the mind's whole power, the imagination comes with sentimental pressure to absence the objective relationships and confirmation the cognition's subjectivity; that's give the picture abstract aesthetic and formalism enjoyment exciting the sentimental, with intuition outcome all acknowledge powers have united in direct cognition for picture in shape and content.

التناص في النحت العراقي المعاصر : دراسة تحليلية

Author name: حيدر علي عاتي
Supervisor name: مامون سلمان فارس
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

التطبيقات الجمالية والتداولية للخزف المعاصر في العمارة العراقية == The Aesthetic And Communicative Applications of Contemporary Ceramics In Iraqi Architecture

Author name: علية يونس ثجيل
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The research sets to study the relation between Ceramics and Architecture.It concentrates on functioning Ceramic murals in Iraqi Contemporary Architecture, and the link between these murals and the internal and external spaces of the buildhings that make use of them.Ceramics has special artistic chara - cteristics that make it a significant entity and present it as an independent artistic genre. Because of the close symmetry of Ceramics with Architecture , many artworks have been produced that transfer Ceramics from beneficial and functional fields to the horizons of creativity and beauty and enable Ceramics to make aesthetic formative relation and produce transformations in the disciplines of shape and genres through the use of metaphor and symmetry Language among arts.This is resulted from the artists endurance to create aesthetic transformations in shape ,so categorizing has appeared between Plastic Art and Architecture since the thirties of the last century with the appearance of (Bauhaus) which seeks to integrate arts with each other and with other genres. The study deals with the functioning of Ceramic murals on inner and outer Architectural entities. The study has three chapters ,which involve covering the aim of it.The first chapter deals with the problem of the study and aims at finding out ,whether Ceramics has an effective presence in Iraqi Contemporary life ,and the extent of its applications on this level, and if there is a culter of reception and communication of this art.The chapter also includes the significance of the study, and the aim of it which tries to find out the communicative and aesthetic applications of Ceramics in Iraqi Contemporary Architecture Sections.It also states the Locative and periodical limits of the study. It presents the experimental definitions of important terms. The second chapter includes three sections ,the first one deals with the references of Iraqi Contemporary Ceramics.the effects of Mesoptamia civilization , Islamic Arts and world Art on Ceramic productions.The second section deals with "Ceramics " from Modernism till Contemporariness, and the periods that pass over the total plastic Arts and the changes that Modernism and PostModernism have made in form and content and the installation of shapes and the effect of that on world Ceramics generally , and Arabic & Iraqi Ceramics , specifically. While the third section deals with "Ceramics" in Iraqi Contemporary Architecture , initially from pioneering in Ceramics and the most well - known Ceramics with their stayles and artworks and the functioning of Ceramics in Iraqi contemporary Architecture sections, then the Ceramic murals with their applications on buildings walls and Public squares Regarding Architectural interior, the section deals with the works that made by one artist ,and various cooperative works of many artists.The Ceramic murals have varied in technique ,raw material ,genre , and them & concept. They all unified in the Ceramics inspiration from folklore , Mesopotamia civilization , Islamic Art and the effects of European Art on group of Ceramic murals. The third chapter includes the results and conclusions : I - Achieving architectural environment that has the ability to inspire from Mesopotamian heritage and functions it in murals aesthetically with the addition of modernism forms in Iraq Architecture. 2 - suggestion of functioning of Arabic letter which is considered as a type of refreshing memory towards lettering formation in Islamic arts which has its effect on Iraqi artistic taste on the level of communication.3 - Mesopotamion heritage with its shapes, abstract and symbols has its presence in ceramics shapes which parallel with the materials that Iraqi Architecture has used. As a result it has a kind of symmetry on the level if row materials and reproduction of them.

اشكالية الخطاب الجمالي للجسد في النحت العالمي المعاصر : دراسة على وفق المنهج الظاهراتي == The Paradox of Aesthetic Discourse of The Body In The Contemporary World Sculpture

Author name: احمد جمعة زبون
Supervisor name: سعد علي يوسف البصري
General topic: Fine Arts
Specific topic: Sculpture
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: مع تطور الخطاب الجمالي منذ الحداثة وما قبلها وما بعدها، حدثت تحولات كبيرة في تداول الجسد كمفردة اساسية اعتمدها خطاب الصورة البلاغية بشكل عام، مما ادى الى ظهور انواع جديدة في الخطاب الجمالي المعاصر، فقد ظهرت تحولات في بنية المعرفة والفكر. وحدثت انتقالات ه | After apparent progress for physical studies in the philosophical field in general, Especially studies the phenomenology When German philosopher (Edmund Husserl : 1938 - 1859), who is the founder of thinking about the phenomenology in general and physical phenomenon in particular, When contemporary German philosopher (Martin Heidegger : 1889 - 1976) and French (Maurice Merleau ponty : 1908 - 1961).On the one hand, and on the other remarkable progress and growing in the field of plastic optical applications, Sculpture. We study subject in five chapters as follows : - Chapter One : Interested in the first quarter to the theoretical concepts of the curriculum which is located in the five points, the first point concerned the concept of discourse and physical discourse, and we said the letter was based on the body from the beginning, even before that there will be a philosophy or knowledge of the organization. As for the second point concerned the phenomenological concept of discourse, and we at this point the most important pillars upon which the (Edmund Husserl) in building a descriptive weak concept. In the third point we disclose the regarding curriculum phenomenological, then we show sayings about body philosophical when thinkers phenomenology, and it turned out that phenomenology alone is not sufficient to run this study, which led to the study of the theory of existence (ontology) as an extra item of philosophy phenomenology, and this is the fifth point.the second chapter : we discuss the phenomenal transformation of aesthetic body of the speech in the Fine Arts, in three sections : - First research the phenomenology of transformation between concept and application.The second topic special look to the concept of aesthetic discourse of the body and transformations applied.The third topic phenomenology of aesthetic discourse between the subject and body not - subject, and the fact and non - fact.The third chapter : concentrates to study the body in modern art and is located in two sections, we discussed in the first concept of modernity historically and intellectually, aesthetically, and in the second we discussed aesthetic discourse of the body in modern art trends.The fourth chapter : I discuss the aesthetic discourse of the body in the formation of what is modern and, post modernity and contemporary is located in two sections, the first devoted to the study of postmodernism as a concept and as a theory and the second devoted to performing trend analysis and activating the body's discourse and from multiple angles.The fifth chapter : devoted to the study of the physical and aesthetic phenomenology as below : - Tattoo artArt performanceArt of photographyDigital SculptureAesthetic phenomenology rhetoric of the body in contemporary sculptureAs well as other trends in contemporary artAnd we went out with the most important results : - - That the body is the actor in the entire axis of Fine Arts - Body determines an individual's identity and ethnic identity social, economic and other - Body is a cosmetic project can not be extinction.These are the joints about the body in the arts.

جماليات الفوتوغراف في الرسم الانطباعي

Author name: علي اسماعيل سبتي الكرعاوي
Supervisor name: عاصم عبد الامير الاعسم
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

الاسطورة في النحت العراقي المعاصر == Myth In Contemporary Iraqi Sculpture

Author name: طالب محسن رهيف
Supervisor name: مرتضى عبود شهاب حداد
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: استهدفت الدراسة الكشف عن مضامين الاساطير العراقية والدلالات الرمزية الاسطورية التي استلهمت في النحت العراقي المعاصر. وهي في اربعة فصول خصص الاول منها الى الاطار المنهجي، الذي شمل مشكلة البحث واهميته وحدوده واهدافه، ثم تحديد لاهم المصطلحات فيه. والفصل الث | This study aimed to know and learn about the contemporary Iraqi sculpture Which inspired by Iraqi legends. and to study these sculptural pieces of art.The study contains four chapters : First chapter explains the importance and need for the study and also it's objectives and scope. The researcher define some important expressions and term used in the study. Second chapter consists four sections : Section one studies the concept of the legend and it's causes of emergence and discusses the relation between and superstitions. Section two study Iraqi legend according to historical periods. The researcher here divides it into tow groups : 1 - Ancient legends.2 - Legends before and after Islam.Section three discusses the relation between legend and sculpture, some examples of sculptural pieces of art relating to some important ancient cultures were also mentioned with a brief presentation of the history of Iraqi sculpture and the effect of legend on it. Section four about the contemporary Iraqi sculpture Chapter three begins in collecting information and photographs about Iraqi sculptural pieces of art which are basically inspired by legends after this scanning of the materialistic evidence of the research was done starting with first work finished in 1950 until the end of 1992. The total number of works was 63 pieces created by 12 Iraqi contemporary sculptures. The researcher selected 20 works out of the whole as specimen for study, and the conclusion he reached resemble direct answers to the objectives of the study, and was introduced together with suggestions and recommendations in chapter four. About the first aimed , there are 63 sculpture works inspired by legends, done by 12 Iraqi sculpture. The number of sculpture works inspired by legend of the first group (ancient Iraqi legend) is 48 sculpture works. And there are 13 pieces sculpture works taken from Iraqi legends of the second group most of them taken from the tales of (thousand nights and night). The remainder is two pieces of sculpture works taken from both groups, and they are

امكانية استخدام الاطيان النهرية لانتاج انواع من زجاج الخزف عالي الحرارة == Possibility Usage of Clays Rivers To Produce Kinds of High Temperature Ceramic Glaze

Author name: طه حنش سلمان الربيعي
Supervisor name: محمد عبد الحسين العريبي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث امكانية استخدام الاطيان النهرية المحلية في انتاج انواع من الزجاج عالي الحرارة، وقد حددت طينة خان بني سعد النهرية الحمراء، اذ اخذت كمية من الطينة وتم غسلها وتنقيتها من الشوائب والرمال الخشنة بطريقة الترسيب، وحرقت بدرجة حرارة (700) ( كلسنة ) | The research the possibility of using arable land river local produce kinds of glass, high temperature, have been identified Tine Khan Bani Saad, the river red, where it has a quantity of this clay has been washed and cleaned of impurities and coarse sand in a deposition, and burned at a temperature (700) (calcinations) to get rid plasticity of clay and organic matter after what appeared a problem secede from the body layer of glaze pottery at the application stage of drought (before Firing). Were evaluated the results of initial trials by relying on chemical analysis has been attributed Tina to (Unity Formula) to find out the percentage of vehicles and determine the type of treatment, addition, and make up the shortfall, with a number of processors through the addition of materials used in the composition of glass as material modified the sand silicosis (Erdma ) and Kaalin Duejlh and feldspar Iraqi and feldspar Mxidized which was added in different proportions to the clay, and burned models with varying temperature of the three (1230 m - 1260 m - 1290 m), where the effect of oxides of coloring in the installation of clay and a clear transparent glass, and seemed colors green olive to the honey - colored and dark brown.Was conducted several tests on laboratory models of glass, the most important examination of hardness, abrasion resistance and testing, resistance to chemicals, metal detector. Found during the tests and experiments that the most important factors to form glass cooked at high temperatures of the clay used in the research was to balance the rates of oxides falling within the composition according to the law of the unity of the formula (Unity Formula), and found by experience that there is a difference in the fusion of materials and lack of homogeneity and their interaction enough at certain temperatures there is more than a glass phase in the liquid molten glass, and increased rates of added silica and alumina caused the increase of degrees of maturity and fusion, as well as high hardness of glass and its resistance to scratching and acids. As the examination (X.R.D) crystallization of new minerals after all components of the glass melting temperature specified in the search except the temperature of 1290 AD as any metal did not materialize because of a new high - temperature melting and destroying the Shabak and the full crystal glass.

سينوغرافيا التشكيل النحتي لما بعد الحداثة : دراسة تحليلية == Scenography of The Sculpture Formation For Post - Modernism (Analytical Studies)

Author name: قاسم مرشد ذرب
Supervisor name: نجم عبد حيدر الجنديل
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد السينوغرافيا ظاهرة فنية حداثوية تالقت على نحو واسع بعد الحرب العالمية الثانية وانتسبت الى ما بعد الحداثة حتى ان الكثير من الباحثين في فنون ما بعد الحداثة يعدون هذه الفنون فنونا سينوغرافية تعتمد مركبات متفاعلة متداخلة في الية الاظهار وفي نظم التاويل ال | Scenography is a modern phenomena which has been remarkable after WWII and is attributed to post - modernism, that many post - modernism researchers regard this art as a scenographic art which depend on interrelated in the mechanism of showing and in the systems of interpretation which move opening between the artists, as the producer and the first reader and the masses of receivers as readers effecting the level of intervention. Scenography is a system of aesthetic to itself to the action of performance in manifesting in its techniques even if its interlinked with the system of its connection to the artistic work as the idea and the concept and emitting of meaning and the mechanism of connection. When the researcher was aware of the scenography in sculpting and looked for it. He found that subject is worth studying for master degree in addition to the increasing of the problem. The researcher tried hard to end that or at least to reduce. Thus, the researcher preferred with all effort to investigate and excavate the prospect in the formal structure for the shape in the post - modernism.This study did not aim at employing post - modernism scenography as a mechanism of description and analysis of the sculpting art only. It also confides it into narrow limits and applications realized and or supposed on the display and applied levels.The researcher managed to shed light through the basis and point of the scientific research and mechanism in its theoretical frame. In the second Chapter his study, the researcher shed light on searching for the concept of scenography and the origin and the hisotricla background for it and the environment as one of the milestones and elements of the scenographic structure in the first theme, and to reveal the history of scenography in the academic and critical references and the points of occupation and the points of agreement and disagreement in language and the application. And to reveal the historical root of the concept and the history of its development and mechanisms in addition to investigating the relationship between it and the other plastic arts and the art of sculpting specifically. In the second theme of studying the basic concept and the philosophical of post - modernism art and the connecting relationship the idea of post - modernism as a philosophy and post - modernism as an application that requires scenography and its reaction in that artistic performance on the level of analysis in the scenography thinking in addition to its stylistic references.The third theme is to reveal the bases and point and trends of post - modernism and its references and the relationship connecting it with the scenography as a mechanism and structure and the showing and display. Then the fourth theme the researcher reveals the institutions of analysis. He introduced a summary of what resulted in the First and second chapters which would achieve to the researcher of the samples which would achieve the result, objectives and the requirements of the scientific research.After completing the procedural, cognitive and intellectual requirements, the researcher then moves to the third chapter represented in procedure as the description and choosing a purpose sample out of the community of study according to the models.Finally, the results and conclusions which the researcher has arrived to and recommendations in the fourth chapter of the study

تناسق التقنية والوعي الجمالي في اظهارات الشكل الخزفي == Systematic Between Technique And Aesthetic Awareness In Ceramics Art Works Presentations

Author name: فاروق عبد الكاظم غانم
Supervisor name: سلام جبار جياد السوداني | احمد هاشم عبد الكريم الهنداوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

الابعاد الفنية للنحت المعاصر في بلاد الشام == Technical Dimensions of Contemporary Sculpture In The Levant

Author name: علي رضا عبيد المعموري
Supervisor name: عامر خليل ناصر الشجيري
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تكون البحث الحالي والموسوم (الابعاد الفنية للنحت المعاصر في بلاد الشام) من اربعة فصول. اختص الفصل الاول بالاطار المنهجي للبحث الذي تناول مشكلة البحث وحدوده وهدفه وتحديد مصطلحاته وتلخصت مشكلة البحث، بالتساؤلات الاتية : هل هناك ابعاد فنية في النحت المعاصر ف | The current research and be marked (technical dimensions of contemporary sculpture in the Levant) of four chapters. Chapter singled out the first systematic framework for the search, which dealt with the problem of research and its borders and its target and determine the terminology and summarized the research problem, the following of questions : Is there a technical dimensions in the contemporary sculpture in the Levant? Is there any effect of these technical dimensions of public taste in the Levant?The first chapter also discussed the importance of research and the need for it, and also contained a goal of current research, (you know.... the technical dimensions of contemporary sculpture in the Levant), either limits Find the period between (1972 - 2014), as well as determine the terms contained in the Title of the study.The second chapter of the theoretical framework and indicators and previous studies, it has dealt : first topic : the technical references in the Levant which is on two axes : the first axis : About civilizations (Phoenician, Canaanite, Aramaic). The second axis : technical references.The second topic dealt with form and content, while the third section of contemporary sculpture has been addressed in the Levant, and Chapter III (research procedures), the research community and a sample search and search tool, as well as research methodology and analysis of the amount of the sample (16) model.The fourth chapter (results) include : results and discussion, conclusions, recommendations and proposals.The most important findings of the researcher : 1. sculptural diversity of subjects in the Levant from realism to abstraction than Sort artistic dimensions with a variety of aesthetic values.2. we find that the self - carving in the Levant resorted to rapid performance in the completion of work after what has been in the search for the essence of things is no longer an interest in simulations actually aspired to as much as in all his research sample models.3. affected Nhato Levant experiences postmodernism, which fell into under Rdaoualpop Art through the execution of the sculptures inspired by the popular tradition.4. invested Nhato Levant worried about the budget as a means Azaarah produced a valuable aesthetic and expressive high.But the conclusions1. the severity of the dimension aesthetically influential in the overall shape of the artwork.2. The adoption of the Levant cutters on a variety of methods contributed to the technical dimensions of diversity through the typical manner in the implementation of the outcomes of sculpture.Search and included the list of sources and supplements and summary in English

تطور النظم التعبيرية في اعمال الفنان محمد علي شاكر == The Development of At The Expressionism Systems In The Works of Artist Mohammed Ali Shaker'S

Author name: ماجد جاسم مولى
Supervisor name: عياض عبد الرحمن امين محمود الدوري
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The study represents tagged evolution systems Expressionism (Expressive systems development in the works of artist Mohammed Ali Shaker) scientific effort to detect systems expressive and evolution in the work of the artist, as well as how they epitomized the systems expressive in his works, which follows that the researcher collect scientific materials to serve the research topic four chapters, and include : - Chapter One : included a research problem and its importance and its objectives and its borders and determine the most important terms contained therein.Chapter II : The included five sections included the theoretical framework of the current study : - The first topic dealt with the concept of evolution in the optical surface, where the researcher highlighted to clarify the terms of evolution, and change some of the differences between them and whether the artist role in bringing about one of them, or not?As well as the relationship intellectual development and scientific and human impact on the development of the arts, especially in the field of art, and the dialectical relationship between all those influences in the formation moot technical and developments, as well as the conditions and terms of reference through which the artist and their relationship to the development of his production technical,As well as review some of the views of philosophers and critics in the development of art in general and its relationship to the evolution of society, as well as the views of philosophers in the scientific laws that govern the evolution.The second section has included the concept of the system in the surface visual, giving this concept (the system) some important and special process Fine, classified him to systems (point, line, color, shape, and texture) presenting the views of philosophers and critics art, and thinkers in the field of art , and artists as the installation of such systems must be process uniformity, it must take place right, Vlnakth presence and importance of its presence in the regulatory framework entirely, and the point in itself is not the basis, the foundation is the form in which organized through the points, and the line filled card and forces.In the third section, entitled the general features of the graphical where he began researcher defines the graphical Kttiar technician broad and roots and its extensions historical, as well as expressive as a school where launched and grew up and time that I knew him, as well as those who are pioneers, and exposure to the three most important artists of the artists expressive and their careers technical and negathm and their effects on , and also touched on topic to brutality and artists, genres and the difference between them and the brutality, also displays search tactics that characterized the expressive and brutality in general, and tactics for the individual artist expressions, in particular, and the branches of expressionism, which included two groups ((bridge "Qantara", and rider blue)) everything related to their founders and their tactics and affected, and their effects on the art, at the close of The researcher reviewed the topic and details of abstract expressionism in terms of the emergence and spread of most important Venaninha and performing their tactics, and most important work.The fourth section guarantees the expressive features in contemporary Iraqi drawing, where the researcher reviewed some important Iraqi artists who produced work or graphical expressive work carrying attribute, in terms of style and technical reference and local and global impacts on them, and topics Gesduha in their business.While Section V contains biography and art of the artist Mohammed Ali Shaker, where he was born, and growing up, and his studies, and his artistic career, he reviewed the researcher views of some critics and artists who wrote it, as well as interviews taped, and some information from some students, , Where the artist influenced by the nature of Western art while studying at the time, while he was influenced by other Bosatzth at the Institute of Fine Arts and their impact in his art.Has been singled out by the third quarter, research methodology and procedures, and reviewed the researcher here the research community and his samples, and then adopted the style, and the tool by which it has been collecting and analyzing information, and a detailed analysis of the selected sample models.The fourth chapter included the results of research and the conclusions that have been reached through researcher analysis, recommendations also included researcher and his proposals.

جماليات التشكيل الضوئي في النحت المعاصر : دراسة تحليلية == The Aesthetics of Formation of Light In The Contemporary Sculpture : Analyses Study

Author name: جولان حسين علوان
Supervisor name: جبار محمود حسين العبيدي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The study focusing on the aesthetics of figuration by light in Contemporary Sculpture technical formations that carried the spirit of modernity and innovation, embodied different subjects beyond traditional shapes through performance and technical variety in the formulation of the artwork in order to reach a new and different spaces, the work of Art in its different styles, especially sculpture, address to our senses and our minds witnessed shifts and changes its elements and structural trends within contemporary artistic shape, which led to the Audience of non - traditional materials which melted within artistic renderings, which has given some sort of formal and aesthetic transformations. The art representing by lights, one of the most important artistic trends of postmodernism, which emerged in America and Europe, addressed the sense of sight and mind for the production's, considering that art human activity and knowledge - based catalyst on the perception and imagination and logical thinking, from the insights and experience of aesthetic included in the artwork.The problem of the research in the first chapter lies in the adoption of the art by light approved and visions of beauty within modern art trends which reflected formations sculpture to the fact that the artistic productions refers to technical progress more than it refers to the system of formal usual in contemporary composition and from the composition with the use of light.The importance of research in fact reflected that the subject matter is not addressed to study level of scientific, technical and academic and aesthetic research and can be considered an important source of aesthetic sources within this jurisdiction.The research aims to reveal : the aesthetics of the Artworks formation by light in contemporary sculpture.The current research study determined the aesthetics of the configuration of the sculptures that have been implemented between the year (1960 - 2014) in Europe and the United States.The second chapter included the theoretical framework has been contained three Detectives are as follows : First topic : Beauty and the idea of turning concepts.The second topic : Light in art : Reference and influence.The third topic : the formation of contemporary insights and techniques.While the third chapter dealt with research procedures by describing and analyzing the sample consisting of twenty - two model by relying on the analytical descriptive approach.In the fourth quarter reached the researcher to the number of results achieved the goal of the research was the most important : 1.The formations achieved its beauty through daring feature of artistic excellence and offering unique aesthetic.2.Some formations came embodied the actual realized the movement of the optical contrast between shadow and light.3.Invest some colorful light pipes artists for the implementation of the privacy of a unique aesthetic light formations.4.The configurations achieved through aesthetic connotations overlapping relationships between the elements of light and color and font.5 Configurations aesthetic forms of thought had left figure and adopted new forms.

الخامات غير التقليدية في تركيب الشكل النحتي المعاصر : دراسة تحليلية == Traditional Materials At Structure of Contemporary Sculpture : Analysis Study

Author name: ALA'A MUHSIN KUBAYSH AL - BEKRI
Supervisor name: مرتضى عبود شهاب حداد
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: In the beginning of twentieth century the sculpture have leaved the 'classic instruments that was joined with its structure and contents. The period between second war occurred notice change at' the form structure, and with technique of show and performance , and this can not keep up the usual notions. This artistic change was pave by replace of items and derivation many recent raw as a result of the technology and industrial advance that synchronized with this period , and the artist entered the test operation that leaded him to know the new non - classic items m and study its descriptions and referendum from it , and investment it at the plastic arts, and for what submitted the chance for performance methods have over to the scrutiny and the discovery by his supervision this items. The using of iron, aluminum, plastic, and another various items have leaded to contrary showing at structure of the contemporary sculpture.. Therefore this study (Traditionalism materials at structure of contemporary sculpture ) aimed to knowledge of the effects of the non - classic ore upon the structure of sculpture form, as well as to knowledge of new materials that was used for the contemporary sculpture. This study included four chapter : first chapter was specialized for methodical frame.such as problem of research.that it was abstracted by question about the reason that lead the sculptor to search from new raw to carry out his sculpture works. Are the classic sculpture materials do not respond for technical problem, and new notions? As well as the important ofresearch and its limits was that define between year 1950 up to 2000 , and its aims, then limit the idioms. The second chapter included the theoretical field and previous studies, that formed from three researches, such as the fist about the materials, as it was considered master element at the sculpture formal.the it included study about the widespread classic materials in the sculpture , such as ( clay , bronze, stones, and wood) and showing its effect and its formal and expression ability. The second research included the affects of non - classic raw at the formal system in the historical studies that included stylistic change during the twentieth century , and the third research included the study of the structural relations systems at the sculpture formation.The third chapter included the procedures of the research that its contents the research society such as European and American contemporary sculpture, and sample of research that was formed from (20) samples. It was choose according to the aim of this research. As well as performance of research based upon the analysis form, and this chapter included the following method at sample study as the analytic descriptive method in order to reach to the results, and conclusion that fixed in forth chapter, as below : 1 - The contemporary sculpture have became an achievement direct to the faraway imagination from the classic by using the non - classic item's. Sometime the sculpture structure to be same the building construction, or industrial tools, or scrap heaps.2 - Freedom that was granted by the raw to the sculptor to make him Carry out the sculpture's structure by improvisatory and Spontaneously that indentical with his disposition and his creation.3 - The using of the non - classic materials have produced big structures, specially works of art of ground, that fit with the environment, and it go out this work from gallery.4 - The using of the electronic devices as senser of movement, Transistors, an another in the sculpture ,has changed the classic Structure sculpture exactly, and created a new style of reactive relation between the artistic work with the watcher.

اثر العلولمة على تمظهر الشكل الانساني في رسوم المشرق العربي المعاصر : دراسة تحليلية

Author name: نذير مسلم لفتة
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
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