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المقاربات الوظيفية بين عمل المخرج المسرحي وسيكولوجية الطفولة == The Functional Approaches Between The Work of Theatrical Director And The Psychology of Childhood

Author name: خضر عبد خضير
Supervisor name: ضياء جعفر صادق | صباح عطية سويبج
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تؤكد الحقائق العلمية ( السيكولوجية) على الاختلافات الجوهرية التي يتمتع بها عموم الناس في ادراكهم للمؤثرات الخارجية التي يتعرضون اليها وبالتالي فان المتلقين للعرض المسرحي يتباينون في فهمهم للخطاب السمعبصري وفي تفضيلاتهم الجمالية، الامر الذي عزز الضرورة لو | Emphasizes scientific facts (psychological) substantial differences enjoyed by the general public in their perception To external Influences, which They are exposed Thus, the recipients of the theatrical presentation they Contrast in their understanding of the auditory and optical speech and In their aesthetic preferences, Command Which reinforced the necessity for the existence of more than level to this speech, Based on the needs of the targeted group and their desires and psychological composition. Accordingly, the researcher conducted a exploratory study to know the opinions of directors dramatists about their excretory work and its relationship with the psychology of childhood Stated the researcher, In establishing the problem his research on the results of those exploratory study where identified the problem in follows wondering : Is there a functional approaches between the work of theatrical director and the psychology of childhood in theatrical shows for children at the Baghdad governorate theaters?Summarized the importance of the current research in that it will highlight on nature of the procedures and the means and methods which must on the theatrical director followed and which are not inconsistent with the scientific results of the psychology of childhood and consistent with Occurred developments in this side, therefore the, This research may contribute to the development of children's theater in Iraq. The current research aims to : 1 - detection of functional approaches between the work of the director in the field of children's theater and the psychology of childhood. 2 - building standards for the work of theater director in the field of children's theater, according to the psychology of childhood. The research community consist of the two axes, first : the directors who provided theatrical performances addressed for children, who are (25) way out theatrically, the second : limited by their offers theatrical presented on the stages the city of Baghdad for the period between 2003 to 2013 thus the researcher choose a random sample from each axis of axis above and chose eight shows for eight Directors. dramatists and To achieve the objectives of the research was to build two tools to gather information, the first was represented (form interview directors) and included in its final form (38) question, addressed by the researcher to (12) director from the community members the his current search, The second was represented (form analysis offers) and included in its final form (31), paragraph adopted a researcher at his analysis of the sample offers, were subjected the two tools to the conditions of validity and reliability depending on the statistical means of the following : - Equation (Holsti) to calculate the reliability coefficient. - The percentage to calculate validity the vertebrae the analysis form.The results showed that the Iraqi director in the field of children's theater has approached his job directorial somewhat psychology of childhood, The weakness that Permeated some sides of his work was offset by strength in other sides and the decline in the balance of paragraphs that appear in some of the presentations was offset by a clear rise in other offers. Researcher reached to a set of conclusions including : - The psychology of childhood from the most important fields of psychology Which must the theatrical director who works in the field of children's theater to familiarity with it and get to know the details and relied upon in his directorial job To be eligible for the achievement of the objectives of the Children's Theatre through investment its scientific truths that he Provided it to them. - Varies Directors, dramatists who working in the field of children's theater in the extent of their investment for scientific facts (psychological) and inspiration it the when doing their jobs directorial for cemented their presentations the play. The researcher recommended in some of the recommendations, including : - Focus on Teaching Material (Child Psychology) and increase the hours of its shares of study in the colleges and institutes of fine arts, especially departments of art education. - Inclusion of all children without exception scenes play through a project sponsored by the Ministry of Education or the Ministry of Culture covers all governorates of Iraq to devote love theatrical art in children and improve aesthetic they feel.The researcher suggested conducting some studies, including : - Mechanisms of action of the director in Children's Theatre according to psychological processes of simple for children

المعالجات الفنية لعناصر التعبير الفلمي في السينما التجريبية == Experimentation Trials In Cinematographical Films And Their Presentati

Author name: بان جبار الربيعي
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان البحث الموسوم "المعالجات الفنية لعناصر التعبير الفلمي في السينما التجريبية" يتصدى لمشكلة مهمة في التنظير السينمائي هي التجريب في الفن السينمائي.ان مشكلة التجريب طبعت تاريخ جماليات الفلم بشكل استاثرت فيه بكل تاريخ السينما ومراحله المختلفة، والغريب في ا | The research is trying to tackle an important problem in the “cinematic theorizing “which is the experimentation in the cinema art. The experimentation problem prints the history of the film creativities in the way that it covered all the cinema history in its deferent stages. Surprisingly, we couldn’t find clear defintion for this term nor the logic that is work in, also there weren’t specific limitations between the Experimentation as a creative act and the Synthesis that covered by creativities, morever the experimentation term and using other different terms that almost erase the experimentation term, then the problem became much more difficult when the researcher found many illusions affecting the term of experimentation and its relation with the term of “modernization “which considered as a Vague term due to its different definitions in the resources that explained it.This research includes a summary and four chapters; the 1St chapter was like a methodical framework for the research and it includes Introduction to understand the kind of the research then “the problem of the research and its necessity”. So the problem of the research identified by the following.What are the Experimental trials that print the cinema film?What is the limitation of experimentation? And what kind of logic can control it in the filming show on the screen as a basic visual reality?The researchers other the individuals interested are in need for such researches to solve the ambiguity that occurs in the fundamental terms related to the development of all cinema sciences. The objects of the research were to uncover “what are the Experimentation and of the logic of its effects “as a filming show appeared on screen. The place factor was widely open for the research because the cinema creation is not a limited by a place also because the creation come out from everywhere with a cinematic production, concerning to the time factor, the researcher found after its putting in mind of the Experimentation that the from the begining of the third millennium until this moment of the writing the research a period of most understanding and growing for the Experimentation cinema despite not forgetting, anyway, the previous important trials.The research added previous studies to its methodical framework, believing that such studies should precede the writing of the research in order to be its guidance in the positive negative way its issue. Chapter II includes three sections; the first section was “the expircal cinema the term and concept” this section addressed to all the Experimentation practiced by cinema as a creative art, but during discussing all of this, the section excluded the experimentation in the silent cinema, allegedly that the right Experimentation is accomplished by envolving all the cinematic language factors, since the silent cinema doesn’t have the sound factor the silent cinema miss, subsequently After further study, the researcher found that the Experimentation in some aspects needs a a longer reactive time in order to find the range of its disclosures so the short movies also have been excluded from the research, the emphasis has been put on by the usual narrative cinema, those movies which fund the movie Film industry by attravting huge masses the people who buy the expensive tickets for the sake of this art, it rendering the art of the age indeed in terms of its popularity that exceeded any other art, conseauently excluded the Experimental film made for the elite Which is displayed indoors then disappeared to be found only in the cinema archives.The experimental film presented by this section is the movie that never gives up its fans nor its experimental and creative discoveries and both are difficult demands, the movie that achieved those demands is the movie that add something to the cinema art as experimentation use for the first time in the cinema language or narrative filming or the shape or all together.The section refers to the relation between the modernism and the experimentation, and tried to put both terms in its own range.The second section entitled “experimental generation”, it was an attempt to go through the experimentation as a human significance practiced by the mankind, identifying how the human creativity introduced something in certain time and hide things to be discovered in another period, it’s about to say that experimentation does not to “narrow” through surrender the usual techniques and looks for a new technique not recognized yet. The section concludes that the cinematogra one experimentation hides in the previous experimental films prior the expreimation because it refers to something related to the cinema language or film narration and figure, through the study of the movie as semiotic text in addition to what it content of text signs cohere into a linguistic significance effected to the traditional and experimental film, but the research focused on the semiotic of the experimental film through understanding the means that insure the right use of the expressive tool.We will study also the linguistic system for the experimental film and what it contains from text, context or message and all the conceptual system which came from the science of signals that started basically from a philosophical approach which is the Logic adopted by the signals, so the Logic is the tool directed by the mind to realize things and the semiotic is the science which enables us to know the logic of signals due to its signals roots found in the same logic, here we reach to a fact that It is not possible that we impose the standard science logic upon the art.In this section has we have taken advantage of avaluable lesson on lecture regarding the (science of signs and semiotic) especially the lecture of “the original signalsand the subsidiary ones and how they work in the experimental film” Perhaps the stopovers in some of the top actors who involved modernity & experimentation will become a necessity for such section like (Bonweel, Bazolini and Ghodar) whom considered the film art is a wide open area for the experimentation and creativity.The third section involved in the” experimentation in the cinema and the neighbor artistic fields. like poetry, novel ,painting ,theater and others.the section came to an important result which is the film art in its experimentation possessed the major part of originality either in the film figure or narration, moreover the film art regarding its tale said that it use all the experimental narrative discoveries for its interest due to the ability of its expressive tool to cover the elements whether narrative or artistic It is inevitably, the research figure out signs to use it as guidance to analyze its components, so all its signs that subjected to evaluation of the exports had covered what the research contained from analysis and the signs were as the following.1. Experimental film is the film that presents unexpected trials for the factors of the cinematic language which insure its unique signs functions, either if it was picture the unbelievable role of the camera lights the movements time and place for a factor or some or them of all of themThe third chapter contains the research procedure included the research approach which is a describing approach and the research sample which contained three films which are 1. Dialogues with other women 2. Dogh feel 3. Sin city The research tool was the indicati of the theoretical frame that agreed by the experts with amending some other components that touche the surface of the indicator but not its essence that’s mean that the experts completely agreed on this signs while the analysis unit was the complete filming scene.The research started to analyze its three samples according to its signs and it’s important for such research to include results, conclusions, recommendations and suggestions.The results of the research1. The research presents filming figures taken from its experiment in the filming language and narration, and it is not an imposed figure on its experimentation.The research also had several conclusions which are: - 1. The experimentation in the filming art didn’t come from emptiness; it was the continuation to a deep accumulation in various efforts exerted by various creators.The research recommended to study the experimental documentary film and to study the short narrative experimental film to add the benefits of this experimentation to the long narrative experimental cinema in the usual mass production and enriching the free direct cinema and the underground cinema, thus the research ended with its different recourses, appendecies and English language summary

المعالجات السينمائية للرواية الحديثة == Film Adaptations of Themodern Novel

Author name: احمد جبار عبد الكاظم العبودي
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الدرس السينمائي المعاصر، يؤكد على التماهي المطلق بين السينما كوسيط تعبيري قائم بذاته، والفنون الاخرى، كمنجزات جمالية سابقة عليه، يتعالق معها بنيويا ودلاليا، وكانت الرواية من اكثر الاجناس الادبية التي استلهم منها صناع الفيلم منذ بداياتهم الاولى، ل | The modern cinematic lesson emphasizes on the absolute identification between the cinema, as an expressionist intermediary stands for itself, and the other arts, as aesthetic achievement precede it, they both are linked syntactically and semantically. Novel is the most literary genres that inspire the film makers since their beginning because of Its relatedness to Cinema narration characteristic, the completion of the expressionist intermediary of Cinematograph, and involving of the sound that expands the aesthetic and narrative ranges of the film to the maximum in the ideological indication, enables the Cinema to arm with the modernist consciousness because it became close from the experiences of Art and literature ideologically, aesthetically, and stylistically. Cinema involved in the modern novel, which is considered as ideological and aesthetic revolution throughout the film adaptation that copes with the novel context modernism through its construction to the text of the modern film. The theorists and film art critics give a special importance to dialogue relationship that based on the Influence and effect between the novel discourse and film show despite the obvious distinction between their expressionist intermediaries. Because of the quotation processes and forms of correlation between these two arts through interchangeable transformations to the semantic and expressionist statements. The theorized visions are centered through observing aesthetic contiguities and paradoxes to the indication between them. One of them utilizes the oral language and its syntactic structure that contributes in deepening the meaning. While the other one appears through the audio - visual and editing structure that deals with time according to its own way. Despite the difference among the visions and the critical and artistic situation about how Cinema takes the benefit from the novel as a source of inspiration or quotation which is based on particular level of adaptation, as a structural and conscious semantic action. Most of the critics try to undermine this creative connection, said that Cinema is an independent Art contrives its own subjects without standing on literary structures that are already made. It is proved that the spectator accepts the shown ideological structures and interacts with them negatively or positively despite the scenario of the film is adapted from novel context as a semantic reference or an invention leads nowhere but to itself. The uniqueness of this research is to observe the structural and semantic variable between the modern novel through its complicated structures, represented in the paradoxes of narration, narrative prospective, multitude in the levels of focalization, the linguistic rhetoric utilized by poetic deviation, its narrative and semantic concentration, and the film show with its modern form, narration, and Cinema language. Consequently, getting involved into the modern novel context world and its transformations into a film show requires someone who is capable of decoding the secrets of them. In order to fulfill the aim of the research, the researcher divides the research into : Abstract (in English and Arabic) and four units. The first unit (Methodical Frame) contains (problem of the research - Importance of the research - the research limitation). The problem of the research appears as a question has been made, by the researcher, as (what is the range of the semantic and structural transformations of the modern novel in contemporary cinematic discourse?). The aim of the research is to detect the levels of the semantic and structural transformations, which appear in the structure of the modern novel genre, in the contemporary cinematic adaptations. Second unit, theoretical Frame, contains three chapters. First chapter is entitled (semantic and syntactic structure of the modern novel). The researcher investigates, through historical vision, the theory of modern consciousness manifestation of the global and Arabic novel for its conjugation to the realistic variables. The researcher explains how the modern novelist deals with the reality and investigates its deep content according to his personal philosophy and his aesthetic consciousness that comes from deconstructing the ideological structures to the reality and reforming it. He also investigates the characteristics of the modern novel as semantic structures through saturating the syntactic components of the modern novel context from the prospective of the narrator and his multiple visions, time, characterization till the place. The second chapter, entitled "Film Modernism", is dedicated to the prospective of modern consciousness in the contemporary cinematic discourse identifying all the literary and artistic discourses that take the way of modernism in order to express about what is prevailing. The researcher investigates the beginnings of the modern consciousness with contemporary cinematic directions (Formality and Realism) with its various styles in employing the cinematic expression means. While the other component and the most important, was an attempt to theorize the modernism of contemporary cinematic form that appears in time structure of its narration which is done by the semantic activation of Cinematic language. Then from all that, the researcher concludes a simple lesson which is that Form, Narration, and Cinema Language interlaced in a way that cannot be detached but for the purposes of study and analysis. The third chapter, entitled " Text Transformation : Modern Novel and Film Show", discusses the levels of film adaptations to the modern novel by using film examples that are well - known for its adroitness and creativity in adapting novel contexts which are unique for their semantic and structural aesthete. The researcher starts following the concept of the text, as a semantic structure that all critical visions vary to define its concept of text, from the contextual methods till the deconstruction strategy by Dryda (post - modernism) including all the aesthetic characteristics of the novel as a text and the film show as text also. The researcher concludes from the theoretical frame that the contemporary adaptations of modern novel, which are an action to transform the novelistic work into cinematic expressionist intermediary, depending on the strategy of quotations according to literal or free level that reflect the ranges of interlacement for the texts, or to combine both of genre in addition to the interpretative creativity of the therapist by using the cinematic expression language as a remarkable interpretative art. The researcher comes up with punch of stuff and adapts them as a tool to analyze his examples. The third unit is the place where all the elements of the research, Research Method, the research reunion, and the research model, are compiled. The fourth unit contains all the results that the researcher comes up with from his analysis to the models (French Lieutenant's woman) and (Hours) and the conclusions that the researcher comes up with from all the research in general. It contains suggestions and recommendations.

المعالجات التصميمية في الفضاءات الداخلية للورش التعليمية == Treatment Design In The Internal Spaces of Educational Workshops

Author name: منتهى عبد النبي حسن نجدي السعودي
Supervisor name: فاتن عباس لفتة الاسدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Represents treatments design spaces educational workshops , one of most important basic functions that seek him by the designer and the resulting coverage of the nature of educational workshops and spaces employed in the formation of character career.Addressing these spaces allows us designers internal mechanisms employment possibilities ,techniques and methods of a variety of style different for what we find in most spaces,the other for starting towards the concept of the projections functional (Performative,aesthetic) that hide in it.The features detailed spaces work(wokshops) to design spaces interior is characterized by being the field of lead to study and knowledge of the factors affecting our treatments design for this type of spaces,which in ourMinds bunched treatments values overlap with traditional asset developments and new technologies for the advancement of educational spaces carpentry workshops to keep up with the functional requirements.The treatment of achieving spaces internal according to the concept of functional integration(Performative,aesthetic) should the interior designer to be of a familiar treatment design and ways to achieve them,with the assistance of vision and ideas for starting towards the concept translates façade educational for our country,which has become a requirement no matter how based on him the need to address spaces workshops to keep up with the requirements of age and educational reality,to lead us to the title search is marked"design treatments in the iternal spaces of educational workshops" the search consists of for chapters : Chapter One : Addressing the problem of search which crystallized by asking the following : What is the treatment design in the internal spaces of educational workshops?The objectives of the research guarantees the possible contributing ideas to develop designs interior spaces for learning carpentry workshops.And demonstrated the importance of current research presenting the study necessitated by the need to raise the level of the reality of the spaces,interior carpentry workshops world, as well as the contribution of researchto clarify the most important levels of treatments that work on the development of the spaces, as wel as lay the foundations of the theory for the purposes of application of the treatment design on according to mechanisms keep pace with the times, as play an important role to suit the nature of thefunctions and activities performed there in, which is represented by the border merits of the search, while determined the spatial and temporal him in spaces carpentry workshops teaching in colleges of fine arts and applied arts in the provinces of Iraq for the period from(1967 - 2013) as well as determine the terms contained in the title of out procedural tariffs.Chapter Two : The theoretical framework which resulted in two sections : The first topic : Singled out the concept of interior design and its relationship to job performance in the educational workshop spaces, while the second topic : The spaces included carpentry workshops and educational ways to address them and upgradeable career.The theoretical framework resulted in a set of indicators adopted in the analysis of form models : Chapter Three : Included research procedures and methodology, as it comprehensive survey in the selection of community samples and research(3) models only for study, and adopted the search tool on the form axes analysis , pointing degree achieve those themes on them, as well as a description of research and analysis models.Chapter Four : Ensure that the findings and conclusions that have been reached by this research, is the most prominent : 1 - Chapter's relationship to the workshop space from the rest of the educational institution spaces provided a comfortable indoor environment , to achieve the required functional requirements not only in terms of space of the institution.2 - The treatment of perception and understanding of the internal space is a staggered treatment which contribute to numerous factors and effects , including behavioral and psychological related to the user.Including structural and training related to the form and body components of the internal space(SDH, furniture and supplements), as well as relations achieved through it , and here comes the role of the interior designer and his ability to achieve this integration in directing realize user elements and components of the internal space and the relationships between these elements and components.3 - Contribute the characteristics relations in space to achieve continuity the physics and visual space workshop with spaces adjacent or between the spaces of the workshop itself , result in the outcome to the treatment of configuring the harmony and continuity visual, and to achieve the structure physics coherent visually compatible with each other and with all, anything to do with all of the space(work,storage,supervision, diction, service).As well as the fourth quarter included the foundations of design theory, and recommendations, and general suggestions, and design proposals, as well as horizontal charts, tables and explanatory forms, and a list of sources and supplements.

المعالجة الاخراجية للموروث الشعبي في الدراما التلفزيونية العراقية == The Directing Treatment of Popular Heritage In Iraqi Television Drama

Author name: فردوس مدحت رؤوف
Supervisor name: عبد الكريم حسين السوداني
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يمثل الموروث الشعبي اهم اشكال الثقافة الحياتية ومرجعية لطقوس وحراك ويمكن توصيفه بالذاكرة المعرفية المتمركزة على ما تنتجه المخيلة الانسانية في صراعها المستمر عبر المراحل التاريخية المختلفة ولا يمكن لاي شعب ان ينفصل عن تاريخه وممارساته التلقائية والتي تعكس | The popular heritage represents the most important forms of life culture and a reference of rituals and motion. It can be characterized with the cognitive memory centered on what the human imagination produces in its continuous struggle across different historical stages. No people can be separated from its history and its spontaneous practices which reflect its attitudes and awareness. What manifestations and expressions the events distinguish promote the thinking level and the characteristics of each people or human group. Because the popular heritage includes deep human experiments, it holds decisively a living and existential essence motivating many artists whether in Iraq or in other world states to turn to invest the data and values he distinguishes. It is easy to transform the social facts to artistic visions, especially TV drama works, besides the marriage between the heritage and TV reflects the fact that the popular polarization size of the little screen made the reception characterized with this extensiveness in that the serials or drama works grew addressing the popular memory towards employing what is common and deep rooted in the collective social mind. Hence, the researcher submitted her topic entitled (The Directing Treatment of the Popular Heritage in Iraq Television Drama) within the light of five chapter as the following : In chapter one (the Methodological Frame), the researcher identified the research problem manifested in the following question : What are direction styles of popular heritage in Iraqi TV drama? then comes the research significance which was obvious from the significance of the topic (popular heritage), since the directing treatments of the popular heritage topics require standing long at them for it is one of the topics that documents a nation life through reformulate its history in a TV drama work. This matter makes it of an obvious importance in searching it in order to provide the chance for the one who works in the field of direction to stand at the potentialities and merits of the works treating the popular heritage as well as to provide a search reference for the followers and readers to get what is within its contents, in addition to the advantage given to the critics, authors and directors who work in TV drama and the advantage goes to the students of the College and the Institute of Fine Arts. As to the research aim, it was in exposing the directing treatment of popular heritage in Iraqi TV drama. Chapter two (The Theoretical Frame and Previous Studies) included five sections as follows : 1 - Section one : The Popular Heritage - The Origin and Concept. 2 - Section Two : The Elements of Popular Heritage and Their Employment. 3 - Section Three : Employing the Popular Heritage in Iraqi TV drama. 4 - Section Four : The Directing Treatment of Popular Heritage Topics. 5 - Section Five : Glimpses of Addressing the Popular Heritage in Some Works. The indicators of the theoretical frame distinguished some results dealing with the directing treatment nature of popular heritage in Iraqi TV drama. As to previous studies and after studying and searching, the researcher found a master study in the library of the College of Fine Arts for the student Adnan Mizhir Lafta entitled (the Cinematic Formulation of Superstitious Story in the Narrative Movie 2004). In chapter three (Research Procedures), the researcher dealt with the research method where she took the descriptive method which fits the research nature. While the instrument was concerned with the elements of the popular heritage and how to employ them as well as the expressing elements which contribute in embodying the popular heritage. The researcher took the scenes as a main unit in analyzing the sample in that she took the research samples purposively which contain the popular heritage essence represented in several samples mentioned with details. Chapter four addressed the analysis of samples. Chapter five (Results and Their Discussion) covered a detailed display of the results arrived at by the researcher where some customs and traditions were shown in most drama works addressed in the research, in that the directors asserted running after the details of traditions and heritage glimpses clearly as well as the popular songs were embodied with all it could turn us to their reality, so the instruments like the Joza and Khishba and singing the squares (Muraba'at) necessitated that there should be a privacy when directing them. Thus, they were discussed and then the conclusions came out, the most important of which are quoting some international works (as popular heritage) and reflecting them on our heritage where the features and characters are changed in a way simulates the Iraqi traditions which makes the director subject to the original text in the treatment process. Afterwards came the recommendations and suggestions matching the research aims. Finally, the researched adopted several suggestions for future topics.

دور التربية الفنية في تشكيل الوعي الجمالي الاجتماعي == The Role of Arts Education In Forming Social Beauty Awareness

Author name: صلاح رهيف امير الزاملي
Supervisor name: ماجد نافع عبود الكناني
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تتمثل قوة الامم اليوم في قدرتها على بناء الروح العلمية والنقدية لابنائها من اجل الحياة في عصر واسع في قدراته واندفاعاته المعرفية، التي تتحدى العقل الانساني تفوق امكانات الخيال والتصور، من هنا تاخذ قضية الوعي الانساني عموما والجمالي خصوصا اهميتها وحضورها | The power of nations today is represented by their ability to build the scientific and critical spirit of their people in order to live in the age of wide learning abilities and rush which challenges human mind in spectra's that one higher than the imagination.thus, human awareness in general and beauty specifieally take their importance and presence in the heart of each knowledge and awareness.The process of forming and development is considered necessity and for all these nations , peoples and societies among them our big society in which we live which includes education - learning environment that needs this human awareness and social beautiful awareness. Thus this awareness needs human and material abilities to form and develop.Thus, arts education is considered one of these mechanisms which contribute in its formation through its modern elements and trends.Thus the researcher works to give future image before the planners of arts education text books considering experiences that contribute in forming beauty awareness through social theories.Thus, he introduces this experience to contribute in developing arts education first ,then promote this subject to take its natural among studying subjects as it concerns to change the behavior of learner.Among them ,how to develop his awareness and sensitivity towards the beauty of the things that appears in his environment and how to deal with it.Then the ability to employ them in his daily life.This subject could be reflected in its objectives on the learners' life.Consequently we shall have a generation cope with the changes in the future.This research aims to : 1 - Know the role of arts education as a social process which contribute positively in forming social beauty awareness 2 - Forming textual structure of philosophic and thinking visions to activate test and beauty awareness such as the researcher vision in introducing outlines for a proposed course for arts education includes objectives , experiences and learning activities. Theoretical frame considered them in aspects represented in (beauty awareness ,social theories and the concepts of modern arts education ) The third chapter includes the procedures of the research which are based on two types of methods represented in description analytic method and developing method.The society of the research was limited in three axis : First ; For the experts of scientific, education and art specialty to take their opinions about the validity of the enquiries of theoretical frame and truth of the research instruments as well as show the elements of the researcher's vision of the art education course that includes ( learning objectives ,behavioral objectives , learning contains and learning activities ) on them.Second : Male and female teachers of art education for secondary stage in General Directorate of Rusafa /3 whos opinions were taken for the learning objectives and their abilities to analyze and form it behaviorally to agree with the learning contains of art education guidance for this stage in 2009.Third : Male and female students of the secondary schools from the same directorate. A sample from them were addressed the test of social beauty awareness.After theses propping studies ,based on surveying for previous studies and resources ,viewing their philosophic and thinking aspects and according to the objectives and procedures of the research which works to collect data and information it benefit in showing the results the research was conclude to in introducing the vision to proposed course for art education including objectives, experiences and enriching activities.The dissertation came up with several recommendation of which as : 1 - Taking into consideration the results of this research in the way that activate the area of social and beauty awareness for the learners according to art education roles and various fields such as modern trends(history of arts ,science of beauty ,criticism ,art test, art product ) 2 - The necessity renew studying courses and courses of secondary stage specially art education and transferred to modern and scientific subjects and concern of technological contributions ( electronic learning ,electronic , library ,electronic museum.etc…)

المرجعيات الرافدينية في التشكيل الاوربي الحديث : دراسة تحليلية == The Mesopotamia References In The Formation of Modern European

Author name: عادل نفل مهدي
Supervisor name: محمد جلوب جبر الكناني
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The study tagged (the Mesopotamia references in the formation of modern European)This study (displacement metaphor re - creation Development) in the formation of the European modern, so that the transformation of thought and a variety of techniques purified in Auahr the nineteenth century and early twentieth century, for a performance art in the formation of various multiconfessional to adopt the idea beyond the apparent shape and body to generate new properties dialogue essence, those same characteristics that distinguish them plastic formation Mesopotamia all levels of historical and cultural. The researcher classified the stages of transportation , plastic art historial classical and arrive at modernism in terms of access to (reference Mesopotamia) as follows formation : Stop (switching) characteristics and attributes forming the European through the stages (above) in terms of reference mesopotamia on (the nature of acculturation and cross - fertilization of civilization) and then extrapolate the properties mesopotania as a reference, or analysis of representative samples, while monitoring variables stylistic, or track and investigate variables stylistics in modern European in what is a pointer in the collectanea mespotamia of the properties and attributes, especially those that depend idea exceeded (appearance) to the undercover (substance), which paved the way for action in visual form and paved the way for abstraction of exchange... And mythology mesopotamia which paved the way for surreal and try the artist tributary Lenny to find the best form in addition to the idea of the artist Assyrian of leg five of the objects Guardian winged - that paved the way for the fufusim , in addition to the idea of philosophical Eastern's proposal to the infinite which has no beginning and no end, and embodied in the repetition decorative engineering and others, which the cradle of the art optical (op art) as well as the genius of the artist that created the Sumerian genius act in shorthand and geometric abstraction, in models of devotees of the Sumerians paved cubic, and Transformers artist mesopamia artist generally tributary to embody the emotions in terms of the internal appearance, which paved the way for exprisianism...Thus, for the purpose of access to the results of arguments convincing evidence on the researcher adopted the analytical approach with descriptive identification codes reflected the function of the icons, take a researcher in his analysis of works of art in the formation across three European connotations as the pillars are : 1 - indications of the iceberg of self - creative imagination and conditioning coach in the composition.2 - indications of stock knowledge and implications of cultural, environmental, and how to inflict subseguent in the previous configuration.3 - indications of formal employment and the concept of reference tributary of mesopotamia in the formation of modern European, according to research objectives.Focused on "Chapter II" framework of knowledge as follows : First, the reference - the concept and meaningTurning to the issue of borrowing and call, and Alastaihat different from the experience of the predecessor, essences and essential expressions of the place and time through the ages.Second, the historical reference : Take the conditioning in creative done for generations and peoples, in addition to the date formats, systems and techniques characterized, and the getting has become a source of artistic originality in the discovery and innovation.Third, the environmental reference : Address the mutual adaptation between the projections of subjective "emotional" and between the external environment, and also between different environmental compressors known as an active and influential elements of the activity of the creative artist, whether those compressors natural or spiritual, or thought of the collective agreement is based. Effect in determining the attributes of privacy and identity formation.Fourth, the philosophical reference In which he addressed to him thinking researcher in the Far East, which calls for simplicity and integration with the mystic (scratch) located intuition or not perceptible and the impact of him to think that the rights of the artist creating it. It also discussed the mechanism of thinking in the west of (Europe and America), which calls for the logical analysis of the provocation surrounding which helps to create a human (the world) in addition to addressing the mechanism of thinking in the Middle East, which combines the mechanics of thinking the Far East with the mechanics of thinking the West to create this center intellectual (the human world and the artist) together.Fifth : The logic reference in the structure of rational thinking European He dealt with the happening of knowledge of the mind that made the center of systems thinking based on experience and experimentation, and to make science dominant in place of reason in Europe.Sixth : the meaning of modernity Dealt with the word (modernity) between linguistic meaning and meaning conventional detection and the impact of shocks that hit the art generally affect the characteristics with recognition of the rapid changes of the activities of modernity in the formation and the separation between (character style ) of art) in the ancient civilizations and between (the openness) based on acculturation and cross - fertilization and the intermarriage of intellectual and artistic at the time of modernity.Seventh : the concept of the formation Address the concept of structural - General of the formation of the adoption of elements and the basis of the configuration from the (vacuum) and how to convert the concept into space, the introduction of the simplest forms it (point) and how it moved the point of a (line) and how to move the line with the changing trends and types to form a flat, and how to move flat to form a (mass ) or (stereo) and how to move the cluster on the surface and the optical range and harmony and to form multiple (composition )Eighth : the fourth dimension in the plastic Arts Address the mechanics of structure in the shape to achieve the illusion optical and to achieve the third dimension (prespective , and then simulate the fourth dimension (movement) and format conversion constant (stutic ) at the pictures of figure moving (dynamic) and did not address the fourth dimension as a trend technically called for (furtusime ), but considered in the out of art, auction model is a fourth dimension of the points, and the flat fourth an IV line, and mass represents the fourth dimension of the flat configuration and mass movement through time and space to Tkthel fourth dimension of the flat in addition to the classification of the fourth dimension to three cases : 1 - the fourth dimension structural : the movement is reflected in the vocabulary of visual construction of the text.2 - the fourth dimension of the narrative : This is reflected in the transition time and place within a single work of art, to give the impression Daramatic flow of conversation.3 - the fourth dimension inductive, and is reflected in the multiplicity of points of attraction within the structure of the configuration with the equality of influence in addition to the repetition.Chapter III measures included research, with analysis of samples.The fourth quarter included the results of research, findings and recommendations and proposals.The results of the research, the research found the most important results of1 - revealed some of the experiences of European artists in the update data embodied creatures plastic composite (virtual) for metaphy5icsart mesopotamia2 - showed some of the modern European business formation, syndication of the structures in its reference configuration leading tributaries, with attempts to adapt an innovative new approach resulted in the formation European.3 - revealed the artist's attempts at forcing European art between the summons and displacement of the reference Mesopotamia communication to the fourth dimension formula ((a time)) in the works of modern European composition.4 - European artist to deal revealed in the presentation of some of the meanings and conceptual by start forms that narrative in the presentation of the event with reference mesopotamia in models of seals and inscriptions.

المتخيل النحتي في الواقع الافتراضي : دراسة تطبيقية == Sculptural Imaginary In Virtual Reality Experimental Study

Author name: ماهر حسين علي الحبوبي
Supervisor name: سعد علي يوسف البصري
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتلخص البحث في محاولة اثبات امكانية الحاسوب الالكتروني كاداة تطبيقية في تجسيم وانشاء مخططات لاعمال نحتية في الواقع الافتراضي كمشروع متخيل لدى النحات لعمل نحتي ينوي تنفيذه. فقد تراءت مشكلة البحث امام عيني الباحث لدى ملاحظته وجود برامج حاسوب قريبة او متخصص | Boils down to search in an attempt to prove the possibility of the computer as a tool applied in materializing and the creation of sculptural works in virtual reality imagined as a sculptor to work with sculptural intends to implement. Perceived research problem has appointed researcher at the front of the note the existence of computer software or near specializes in sculpture and composition can benefit from the development of the traditional methods in the output of sculptural works such as dispensing planning paperwork (Sketch) or scale models (thumbnail) commonly used in recording and output sculptural works created and that cannot give the impression of a real sculptural work , especially in terms of the real size and blending with the specified space for display the goal of the work environment sculptured saving money , time and effort , add to edit the image with the sculptor imagined to broader horizons during organizing formal ties to these programs from a high potential to change and modification of shapes, which cannot be carried out only through the injunction by the user (sculptor). The researcher in the first chapter and the goals of identifying the problem and the importance and limits of the search, where the objectives were as follows : Statement of the possibility of a computer in the development of the initial steps of the finished sculpture. The research identifies ways that show the diverse sculptural works using the techniques of computer programs (3DsMax, Maya, Photoshop, Z Brush, Cinema 4D) and with modern versions only because of their potential novel lacks its older versions. In the second quarter it was the duty of the researcher to explain in detail what the term means and imagined sculptural statement types and divided it from the vocabulary of. Then been identified as exemplified by the image imagined when the artist generally and then sculptor especially during the discussion of the mental processes that contribute to the formation of a mental picture and then discussed with the sculptor in the output stages of the sculpture has been in this first section of the second chapter. As for the second part, in which the researcher has shown what it means to the term virtual reality with an attempt to identify the potential of computer and duties in addition to the work of the system as a whole, especially in the process of Manifesting. The researcher also reviewed the most important programs currently available to the user sculptor and specialized forming and modeling operations with an indication of the most important characteristics of positively and negatively, and this was in the third section. To illustrate these capabilities are available in the software selection researcher felt sculptural work is physically present in the true reality and its application to these programs in virtual reality was the selection of the ancient monument Kahramana of the late sculptor Mohammed Ghani Hikmat.The first stages of such a solution to the problem that led to the indicators determine the logical relationship between the imagined image and the computer as a tool to help implement the executive sculptural work in virtual reality, which can be summarized as follows : 1 - The need to develop analytical side with the sculptor to be able to analyze the shape to its basic components and these components to the re - engineering of its assets.2 - Develop a plan for the implementation of sequential commands for the program.3 - Study variables that can occur in the form during the installation process and modeling. On the basis of the indicators that emerged at the end of the second quarter felt researcher adoption of the experimental method and the request to determine what supplies the basic application and reached through the theoretical aspect of the study sample. He chose researcher all Aanalat formations of sculpture, which gradually in complexity formal between simple and complex as a research and adoption programs modeling two - dimensional and three - dimensional (which have been selected on the basis of its development and the possibility of their use and reliance on the production level) has been applied to these works to demonstrate the possibility of a computer in the application forms from the imagination of the sculptor with an explanation of the application process for the purpose of confirmation of the results, this has been in Chapter III. Has resulted in the actions carried out by the researcher to the emergence of a number of findings and conclusions, the results proved the possibility of the computer as a tool to record initial perceptions of the sculptor and an embodiment of these perceptions to a three - dimensional image can be saved and add amendments to it, and the comparison between the photos and choose the situation appropriately expressive and aesthetically pleasing, including. In order to confirm these findings, the researcher within the expertise to provide a draft proposal for the establishment of sculptures (Polyphonic and memorable, realistic and abstract) in three different locations (Square intersection tunnel police - Baghdad, the interface is complex catalog Mansour Mall - Baghdad, an exhibition hall artistic closed) represents the business environment of sculpture (monuments or exhibitions) and with the help of computer programs for the entire application modeling with each proposal and to develop a sham and video recordings for the purpose of comparison. The researcher in this videotapes put odds change the shape of the monument, the environment or materials with comparable on the basis of natural lighting or artificial with the change of viewing angles in all the time he registered for the purpose of giving more space to compare the shapes and set changes that can be entered on the block sculpture or presentation of the proposed space. As a result of group comparisons have concluded search as a result of the application the possibility of using the computer as a tool documentaries initial sculpture instead of the traditional methods of registration and of drawings paper (Sketch) and scale model (thumbnail) which cannot give the right impression on the bloc proposed when zooming in addition to the open ranges wider in front of the sculptor to diversify and edit pictures imagined starting from the idea and the end of the registration process of the display

الاساليب الشعرية في النص المسرحي == Styles Poetics In The Theatrical Text

Author name: عبلة عباس خضير
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Specific topic: Theatrical Arts - Literature and Criticism
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: This research deals with the conceptions of poeticalness as they are considered significant ingredients for the formation and construction of contemporary dramatic texts. Because the dramatic text can provide suspense, tension and curiosity for the recipient throughout the dramatic structure molded with the poetic components and techniques, poetry forms an action factor in the formation of the discourse of the contemporary dramatic text which makes use at the poetic structure and methods, so that new spaces are made available for the recipient to mark a scenario between the essence of the text and the essence of the recipient to produce the meaning contained in the dramatic text in a form that is like a chemical equation with different results according to the nature of the mixed materials which represent in this connection the text and the recipient, and thus poetry opens wide directions and lines for their entrance into the domain of meaning. Therefore, the researcher finds it important to study the conceptions of poeticalness and how they work with in the dramatic text, and their aesthetic values. The study is made an analytical one for the sake of finding out the components of the dramatic text, as seen throughout this perspective, which plays, at a high level, its role in the contemporary textual discourses as a whole. The researcher has set a plan for achieving this aim. The plan is summed up as follows : The researcher presents the first chapter which consists of the problem of the research, its significance and aims. Chapter Two is divided in to the following sections : Section one : The concept of poetical nessSection Two : Techniques of poeticalness and the systems of the dramatic conflict. It consists of : First : The poeticalness of rhythm in the dramatic text. A. RepetitionB. ContrastC. Juxtapontions and parallelsSecondly : poetical ness of the structural phenomena : A. Brevity B. Violations of the rulesC. Role transformationD. Emphasis and EllipsisThirdly : The poeticalness of meaning : metaphorical meaning Section Three deal with the aesthetic poetic levels in the dramatic text.Chapter Three presents an analysis of the samples according to the theoretical references. The samples are chosen from effective and typical specimens according to the level the dramatic writings and compositions in Iraq. The Plays chosen are : 1 - Speak o Stone, by Muhaiy AL_Dean Zangana2 - A City Full of Knives, by Jaleel Al_Qaisi3 - The Nights, by Dr. AKeel Mahdi4 - The Door, by Yousif AL_Saig. 5 - Heaven opens lately, Falah shakir Chapter Four consists of the findings reached at by the researcher throughout analyzing the chosen samples conducive to the results, recommendations and suggestion, which contribute to shedding more light on the conception of poetical ness. Then The researcher has attached this research with a bibliography, which shows the reference books the researcher has adopted during the course of this research and study. The researcher has also made an outline of this study in the English language.

القيم الجمالية ودورها في استجابة المتلقي للملصقات الجدارية == Aesthetic Values And Its Role In The Response of The Receiver Wall Posters

Author name: مها عبد الرحمن عبد الرزاق الهاشمي
Supervisor name: حكمت رشيد فخري العزاوي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Means the current research to study the aesthetic values and its role in the response of the receiver in the posters, in order to understand the mechanism of action to realize the ideas that are meant delivery to the recipient to contribute to the development of talent aesthetic sense with him and make him Connoisseur and critic of all that lies in recognizing, as is the aesthetic values as a fun frame of mind of the recipient, being include speech visually in Graphic design in general and in particular wall posters.So it has identified the research problem by asking the following;( What are the values, what is its role in the response of the receiver )For the purpose of reaching the goal included (detection aesthetic values and its role in the response of the receiver) has addressed the researcher in the study Detectives relevant, namely : Chapter One : it addressed the methodological framework (research problem, the importance of research, the goal of the research, the research and determine the limits of the terminology)The researcher also addressed the second chapter (Theoretical framework and indicators Theoretical framework and previous studies)The theoretical framework included the concept of aesthetic values (values and sensory values and the values of the formal relational)Also included the concept of cognition and cognitive and aesthetic response to the recipient, in addition to the concept of aesthetic judgment The third chapter (procedures for research and analysis of the samples) as chose researcher descriptive analytical method as a way suitable for the analysis of the sample and identified b (15) sample, have been selected Qsidia from the research community of (60) where excluded researcher posters Latvian required purpose, since the size of the sample depends on the extent of the homogeneity of the data was also preparing a special form include axes paragraphs of analysis, which were drawn from the theoretical framework of an accurate and objective, as well as the adoption of a researcher on the opinions of experts in the field of graphic design for cemented search tool and make it more objective and coverage of truth for the purpose of achieving the objectives of the researchThe fourth chapter has included findings, conclusions and recommendations and proposals, the researcher remember the most importantFirst results : 1 - convey the idea through photo realism and colorful designer proficiency in recruiting image to serve the idea of the poster in the process of overlap and influence the time according to time, place, and that - lead - to - focus - attention - provoking receiver.2 - the process of attraction have the ability to highlight important topics and make it a tool to attract the recipient, especially if the attraction is characterized sovereignty over most of the area of the visual design of the field3 - According to the designer of the value of cognitive dynamics as a factor in job performance, which gives vital energy through movement vocabulary consisting of the poster.Second : Conclusions1 - of the positives of aesthetic values in the design of the label it affects the receiver and check a lot of intellectual and ideological desires2 - attraction provides the ability to highlight important topics and make it a tool to attract the recipient, especially if the item is characterized by attractive sovereignty over most of the label within the visual field3 - the use of aesthetic values equal powers in determining that it is designed to use tonal values received from the user or the colors of the poster opposing valuesThird : Recommendations1 - to benefit fully from the operations provided by the designers design posters, especially in the ability to deal with the constituent units of the label to achieve the response of the recipient2 - emphasis on the formal activation of sovereignty in the designs of the posters because of their importance in achieving direct contact with the receiver and all genresFourth, as suggested by some studies, the researcher as follows : 1 - design techniques and crafts show layout and its impact on the achievement of aesthetic values in design posters of the movies world2 - study of color and processors Alazaaria through aesthetic values and methods embodied in the designs posters for films global3 - Search and conclude with Arab and foreign sources and a summary of the research in the English

الفكرة وقواها الفاعلية للتصميم الكرافيكي وتاثيرها في الفضاءات المعمارية == The Idea And Its Forces Powers In The Graphic Design And Its Role Effects On Architectural Spaces

Author name: جواد كاظم عباس المعموري
Supervisor name: سعدي عباس كاظم
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمتاز التصاميم الكرافيكية المعاصرة في امكانيتها على تلبية متطلبات متعددة وغالبا ما تعلب الفكرة دورا اساسيا في تفعيل قدرة التصميم الكرافيكي لتحقيق مديات جمالية ووظيفية اعلى وتكمن اهمية الدراسة في مدى فاعلية وتاثير التصاميم الكرافيكية على الفضاءات المعما | Characterized contemporary Graphic designs in its potential to meet the requirements of multiple and often demand idea a key role in activating the design ability of the graphic design to achieve ranges of aesthetic and functional top lies the importance of the study on the effectiveness and impact of the designs, the spaces architecture which plays a faithful idea and industry play an important role in shaping the graphic design, as it focuses on the side of intellectual raises the value of the design and energy expressive and performing at the same time , and is in itself add knowledge on the part of the fundamental aspects of composition of the graphic design, and focuses on the importance of the role of this production in imparted by the aesthetic and functional to form spaces architecture.The study included four chapters address the first of which methodological framework for the search of the research problem and its significance and its goals, as the research aims to reveal the mechanism of making the idea and its actors in the formation of the graphic design, and the impact of design in the formation of spaces, architectural influence of actors for the manufacture of the idea, as well as the limits of search The definition of terms.And ensure that the second chapter three sections addressing the first of which industry the idea and the idea concept, then eating thought processes and brainstorming as one of these operations and processes of creative, eat second section effective power in the contemporary graphic design, influence and achieve the purpose, which included the third section dealt with functional design in space architectural and aesthetic treatments in these spaces, The researcher concluded that a set of indicators theoretical framework.The third chapter dealt with the procedural framework to look at the community survey and selection of the sample and the tool with the help of experts form prepared by the researcher for this purpose , has resulted after analyzing the models selected sample the contents of Chapter IV of the findings and conclusions , including : 1 - The ideas represented in the designs of the effectiveness of originality and their ability to deliver the message to the public as well as the impact that new in the sense of providing design idea.2 - Works in the activation of the catalyst of social forces in shaping the design idea by virtue of the need to meet the requirement of social, as it is to attract the public key factor in the success of the design.3 - Clarity and ease of visual discourse receipt of the letter by the public advertising of an important factor in activating the basis of the power of design idea.The researcher concluded from the above, the following : 1 - Interior spaces Bulky need to processors after an executive with aesthetic and functional one at that give vitality to the place and form an attraction unique to the public.2 - Based actors to exploit the idea of design as much as possible of the space and use it to deliver advertising messages to the public in an orderly manner sequential do not call for the confusion, but suggest a higher level of organization of the formal elements.The researcher recommended the development of capabilities designed and increase knowledge in the processor architecture of the spaces of both internal and external, which can provide the products of successful staffing level spaces, architectural aesthetic and use in delivering the message, display, and suggested to be interest in technical studies in collaboration with government institutions and service departments out the results of the best Indeed, at the level of the environment.

العلاقات الشكلية وجماليات التشكيل الخزفي المعاصر في المانيا : دراسة تحليلية == The Formulative Relations And Aesthetics of The Contemporary Pottery Formation In Germany (Analytical Study)

Author name: ازهار محمد علي محمد الجبوري
Supervisor name: جبار محمود حسين العبيدي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعني هذا البحث بدراسة (العلاقات الشكلية وجماليات التشكيل الخزفي المعاصر في المانيا)، مسلطا الضوء على انظمة من العلاقات الشكلية التي تولدت داخل البنية الفنية للمنجز الفني والكشف عن هذه الاساسيات في العملية الابداعية وعن طبيعة الحركة التشكيلية الالمانية ال | The research is concerned with the Formalitive Relations and Aesthetics of the Contemporary Pottery Formation in Germany. It sheds light on the systems of formalitive relations in the creative process and also on the nature of the Contemporary Pottery Formation in Germany, specially pottery and earth ware which bears the characteristics of and senses of the formaltive relations and the aesthetics of the pottery in expressing the new raw material and methods, and that manner of treating these relations focusing on the structuralism of component units of the pottery work through the formal distribution of the artistic items.The study was divided into four chapters. The first chapter is concerned with the problem which is the aesthetic and formalitive treating of the relations and the elements common in the Contemporary Pottery in Germany and importance, objectives, limits of the study as well as determining the terminology. The second chapter is the theoretical framework, which tackles the importance of the form in terms of appearance and the method of appearance for the philosophers and critics and artists inside the structure of the art work. the chapter included four inquiries. The first inquiry included the importance of form in Contemporary pottery and the dialectic relation between form and content. It also included several pivots such as the showing the alterations of form for the movement of art like the modernized classic, Romanticism and for the critical attitudes like structural, semiotic, deconstruction, and modernism and what follows reaching up to the concept of aesthetic in the modern art.The second inquiry treats the nature of the formaltive structure of Contemporary pottery in Europe through citing some of the school of arts starting with realism and ending with brutalism. The third inquiry tackles in general the theme of pottery represented in Contemporary pottery in Europe and in stating the most important European potters who practiced pottery and whose works are studied. The fourth inquiry states the nature of contemporary German pottery through reference to some of the German potters, the pioneers in particular. The third chapter is a base for the application of that base according to systematic method that makes the studied sample of the researcher of the original community in order to reveal the objective of study and analysis the formal relation of the German potters.The results were attained through the stating and studying the pottery samples to which the fourth chapter is allocated. The researcher reached to the following results : 1. The correlative relation between the art of pottery and pottery of sculpture which comes through the elements of plastic art and the primary principle as common shared unit.2. The appearance of the formatlive relation in the Contemporary Pottery Formation in Germany as tight relations through a common mechanism which used in achieving.3. The German potter tends to the structural relations of the form in some of the potter and sculpture works and according to the artistic view of the theme.4. A movement among the items of the artistic achievement was generated through the effects of the German references which activated the artistic, which rendered the characteristic of totality and unity to the achived work of art.5. the formalitve relations Contemporary Pottery in Germany comes in the feature of the formalitve specially ion the style of the German potter and the existence of a common relationship between the potter and the sculptor in creation shapes such as geometric shapes and abstract.6. The German potter merged together pottery and sculpting with maintaining the particularity of each, but in a method that invest the technique of painting in his achieved works.7. The appearance of varied technique which has had the role in taking the used raw out and in the manner of using it in the achieved work. The chapter also tackled the concluded findings and the suggestions an d recommendation which the researcher found necessary.

العقلانية التطبيقية في التشكيل المعاصر : دراسة تحليلية == Applied Rationalism In Contemporary Plastic Arts Analytical Study

Author name: نبراس وفاء بدري
Supervisor name: نجم عبد حيدر الجنديل
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تؤمن العقلانية التطبيقية بتحاور مناهج فلسفية عدة ؛ اذ تسعى الى المصالحة بالتركيب العاطفي بين الاضداد ؛ اي التاليف والتركيب بين التناقضات الميتافيزيقية ( ميتافيزياء العقل وميتافيزياء الواقع ) منطلقة من ثنائية لا من وحدة ؛ فهي فلسفة الرفض الذي يعني الاحتوا | Applied rationalism believes in the dialogue of several philosophical methodologies. It seeks to reconciliation through the sentimental composition between opposites ; which means the authorship and composition between metaphysical contradictions ( metaphysicality of the reason and metaphysicality of reality ) originating from duality and not oneness. It is the philosophy of rejection which means containments , i.e. it is dialectical and undialectical. Applied rationalism with its movement from thought to reality is an open philosophy which believes in selective methodology and objective criteria via a wide system of criteria. The study of art and aesthetic as all philosophical researches is subjected to a framework of mind which specifies the affiliation , thus we have dealt in this research with the study of applied rationalism in contemporary plastic arts since we believe in this rationalism which starts from instantaneous time , and then a philosophy for action and after that a comprehensive methodology with a philosophy of creative construction which does not stop. This means that it is described as a doctrine in giving births by adopting phenomenology and psycho analysis in each of the two contradicting fields ( science and art ) which seek authorship and composition between them.The study consists of four chapters. The first chapter takes interest in the methodological framework of the research. The problem of the research starts from the enquiry concerning ( what is the explanation of the dialectical relationship between scientific thought as specified incident and the imaginative , poetic , dreaming and meditative incidents which can formulate a plastic art ). Its hypothesis is represented by ( irrationality of postmodern art is an applied rationalism ). The research aims at ( established aesthetic and artistic critical vision depending on applied rationalism method and disclosing the mechanisms for the working of applied rationalism in contemporary plastic arts ). The limits of the research consist in studying the Bachelardian applied rationalism and art production in contemporary plastic arts which belongs to artistic movements succeeding world war II in the United States of America and Europe. As well as the methodological framework , the first chapter consists of a presentation and discussion of previous studies related to the research subject.Chapter two sets to undertake the theoretical framework of the study and consists of two sections. The first section is concerned with the study of rationalism and its transformation from abstraction of mind to abstraction in performance theorizing , and dealt with : rationality , experiential rationalism and applied rationalism. The second section deals with the transformative of Bachelardian applied rationalism ( Bachelard theory of aesthetic in creative imagination and artistic image ). It is interested in the study of the essence of Bachelard imagination and day dreaming as an imaginative instrument. It also deals with the study of phenomenology of poetic image ( artistic ) by Bachelard from point of its creativity and reception. The second chapter concluded to an aggregation of points which reveal a criticizing , aesthetic and artistic vision according to the methodology of applied rationalism. The third chapter is devoted to the procedures of the research and consists of its community , sample , instrument used , methodology and analysis of sample. As for chapter four , it consists of the research results , conclusions and recommendations. A number of basic results have been reached which achieved the aim of the research , such as : 1. Cotemporary plastic arts are characterized , as existence , by circularity , i.e. round existence ( Phenomenal ). Art departs objective reality and returns back to it. Thus , there is a kind of succession between subjectivity and objectivity. 2. There are epistemological obstacles and obstructions : common sense , generalization , verbality , essentiality and animism. These are the source of unity of artistic work in contemporary plastic arts.3. Contemporary plastic arts perform materialistic imagination and presents it over formal imagination. Materialistic imagination relegates essence and transports it to a case of trope or symbol not abstracted from sense or reality. 4. Poetic day dreaming which is considered an isolation phenomenon and passing psychological case is an instrument of imagination for extracting objectivity in contemporary plastic arts. 5. The contemporary plastic arts are formative not given , i.e. the are facts ( events ).Thus , the artistic image in contemporary plastic arts is posterior not prior and is a neonate of emotional authorship and composition between opposites ( metaphysical contradictions ). 6. Contemporary plastic arts are characterized by openness , i.e. the capability of review and exegesis. They declare the death of the image and realization of form , not as an essence which is unpenetrating but in its description as incomplete and unspecified , i.e. a domain of capabilities.7. Contemporary plastic arts rise as a result of identification of reception and creativity , a continuation between the artist and recipient through a separation , i.e. the artistic image ( origin ) in which the artistic work leans on regarding it as a medium that inspires raw senses ( subject ).The conclusions reached are : 1. The irrationality of postmodern art is applied rationalism , i.e. contemporary plastic arts are considered applied rational.2. Contemporary plastic arts are psychological - epistemological , they conduct a total behavior via construction and authorship between function and structure.

السمات الفكرية والفنية للفلم السياسي == Tellectual And Artistic Features of The Film'S Political

Author name: سرى عباس علي مصطفى
Supervisor name: محمد عبد الجبار كاظم | عدنان جبار شبيب
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: السينما السياسية واحدة من اخطر الانواع الفيلمية واكثرها انتشارا لتزاوجها مع انواع اخرى من الانواع الفيلمية وتاثيرها الخطير في عقل المتلقي اكثر من اي خطاب سياسي مباشر وقد اختصت الباحثة بالافلام المنتجة داخل الكيان الصهيوني (اسرائيل) والمدعومة من قبل الحكو

السمات الغرائبية للشخصية الدرامية في افلام الفنتازيا == Instinctual Features of The Character In The Drama Film Fantasia

Author name: معتز محمد علي جبر
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The imagination represents the bases which the arts and especially the art film set out from it, and how treat with the imagination in description of the reality of the movie is the moderns of Cinematographic kinds, according to the self - evident of the imagination, is the real driver for the films the Realism and Impressionism, the story or the Directorial vision and the way which the cinematographic language elements are employing, it must to raise on a large estimate of the imagination, the imagination is consider the base element, so the researcher found that specialization of Fantasia subject which is known fantasy, it was the motive to make it as a subject for his research by rely on the strange characters for the other dramatic figures, these figures have common features which distinguish from the other of the figures dramatic. They are figures which couldn’t available within the physically world, but they set out from the reality to the maximum degree of imagination whether in terms of the shape or from another side the ability to do extraordinary deeds, all that give it libration from the abstracts which tie up the material worlds. the strange figure in Fantasia movies is considered an important element, Innovative and creative, it works by sharing with other figures to reach the Content associated with the Exoticism, from this point of the imagination, the researcher has limited a title of this research as following ((Exoticism features of drama figures in movies Fantasia)), the research has been divided in four chapters : The first chapter/ the Systematic framework which include : The research problem which Crystallized in these questions : what the exoticism features and how show in building the dramatic figure in Fantasia movies? Aims of the research : the revealing about the exoticism features of the dramatic figure in fantasia movies. In addition to show the important of the research and its borders and conclude the chapter by limiting the most important terms.The second chapter ((Theoretical framework)), it has been divided to three researches as following : The first research : consist of fantasia movies ((type and feature)) The second research : the research consist of the exoticism features for the dramatic figure The third research : it deals element role of the cinematographic language in embody the exoticism features for the dramatic figure.In the third chapter : (research measures) the researcher depended on the analytical Descriptive approach according to Indicators of the theoretical framework describing as analyses instrument, after it has been offered to group of the experts, finally it has been chosen the research, they are documentary movies and he put them for many reasons, finally the research has analyzed sample of the research as following : ((X men, The Fantastic four, Thief of thunderbolt, Nightmare in Elem Street))The fourth chapter, the results and Conclusions : it has consist of the most important of the results and conclusions that the researcher has reached as following1 - The Extraordinary capacity for the dramatic figure consider the Instinctual qualities which Fantasia movie bases on 2 - form Embodiment of the instinctual figure presents one of the necessities which reveal about it’s the Instinctual qualities.The most important conclusions are,1 - Fantasia movie represents a Cinematographic kind, which has specialty in presenting a specific subject also the Cinematographic treatments 2 - The dramatic figure in Fantasia movie a large space in variety operation on level of the form and function because multitude its forms, they may be human figure, but it has superpower or Mythic Creatures or monsters Finally it has been offered the recommendations and the suggestions and it has been ended the research by list of the sources.

السمات الجمالية للتركيب الشكلي في الخزف العراقي المعاصر

Author name: ايثار فهمي عمر الخفاف
Supervisor name: نبراس احمد جاسم الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناول هذا البحث دراسة السمات الجمالية للتركيب الشكلي للنتاجات الخزفية المعاصرة في العراق، وجاءت الدراسة من خمسة فصول، مثل الاول الاطار العام للبحث والمتضمن المشكلة التي وضعت الفرضية الاتية ( في الوقت الذي يكشف الخزف المعاصر في العراق عن المهارات التشكيلية | This search to deal with studying the Characteristics of Aesthetic for Figuration Constrictive in the modern Iraqi pottery. and where established this studying of four chapters for example. First : The general fame to search and including the problem that status theory as follows ( In this time that discover pottery in the modern of Iraqi for The Skill Plastic , assembly , The constrictive and the technique , this emphasize of probation , although. The figuration system to overlap between the function and the aesthetic , and the different protection of the experience and the art thought that productive with characteristics figures. The presents for equations if answer is that : Is there the deference among experience and other , to distinguish to be reference was be cultural or sociological or the tradition civilization , in another phrase in state of this difference , This style limit text pottery and concerning Art ?. In this time , Is constrictive operation of potteries to be based on to imitate on the reality figure , or the addition modern ?. And , Is preparing the production for operation , the constrictive achievement , pattern or creativity in light to overlap and mixture and synthesize in constrictive operation ?. Is stretch aesthetic of this treatment , to interpret disposition has possessions of symbols , codes , signs and stretch cultural … or that has satisfaction treatment of the pattern or traditional have include of tributary and the different elements in beside of the difference material and the way execution and treatment. According to get this operation has to coordinate figuration another side and the stretch aesthetic of the Creativity from another side ?. While the important supplement of search to consider is quality studying and addition to , of scientist in the characteristics subject special with the Constrictive Figuration Aesthetic in The Art Pottery , and to Contribute the search in produce on to be conscious of Aesthetic and Article of Iraqis Potteries through of the importance with the constrictive building the figure. And the discover of experiment the Iraqis artist in the probability, instrument and the aims in addition of the new including has the pottery production. If the aim this studying illustration in discover of the characteristics of aesthetic with the Iraqi production Pottery that constrictive figure and if instate of the natural technique uses.In method collection that achievement and also reference this the Constrictive in the environment and the belife and the schools modern art.If when limited this studying timely in the period ( 1970 - 2002 A.C ) and in the place of ( Iraq ) , as known as the researcher in the natural light of the search now of Linguistic , Article , Philosophy and Procedural. As well as , the researcher go on to the chapter two that included four searches , First : That is talk the studying has the concept of characteristics of aesthetic to deal with some of thought of philosophy that belong to the subject of aesthetic and evaluation of aesthetic at achievement of artily and with that concern of some if opinion the aesthetic between the philosophical and the art and also that deal with to importance of the characteristics of the aesthetic are limited the characteristics a knowledge - the emotional - the movement a constructive and the static - the invention while to discuss with the second that included two parts ; First : ( the concept title of constrictive theoretical and related with as the important theoretical , and the second the systems of constrictive a figure of pottery Constructive is contain symbols ( Line , Color , Size ,Volume Lighting and Texture ). And includes on the principal as ( the Balance , the Rhythm , the Discrepancy , the Repetition , the Succession and the Interchange ). While , to discuss with the third topic the ore and techniques uses in the methods collection the woks fictile and also concept. The technique and importance in field pottery and the relationship when has between the various ores clay or the clay with another materials on the important techniques which uses in collection the achievement pottery.The same constrictive figuration or orally while the four tittles has discuss with the historical root is constructive in the art pottery the researcher has to explain to the development stages of this constructive since the old ages passing if the Islamic age and the dark ages and from then in this time , his schools artily and effect that stages on the production the art the fictile in the modern Iraqi.If that tittles the researcher had to extract to mention that the fame of theoretical whom with example this capture to level off the captures three what include performance of the search , if following a investigation of truth a tool of search and goes with numbers of especial to ask for an explanation and the importance interview with artists Iranian potteries and asking them for questions , that help him in thuthly analyzing samples , and then that production of the analyzing and the researcher is showing results in the capture four and this following : - 1. aesthetic characteristics in Iraqi modern pottery is coming according to varied compound manner and as follows : A. According to neighborhood relation as samples no. 5 \6\8 \9 \10 \25.B. According to cooperated relation as in samples no. 1\3\5\7\13\23\24\26\27\29C. According to interact relation as in samples no. : 20\24D. According to centralization as samples no. : 3\4\5\11\13\14\15\17\18\19\26\28.E. According to spread relation as samples no. : 1\2\10\12\20\21\22\24.2. the aesthetic characteristics of compound shape in some of modern Iraqi pottery was according to remarkable varied as follows : A. in using heritage civilization as samples no : 5\7\8\9\16\17\18\20\22\23\28.B. In using the Islamic heritage as samples no : 6\8\22.C. In using the folklore heritage as samples no : 2\3\9.3. the compound operation in order to created the aesthetic characteristics in modern Iraqi pottery with the experiment of Iraqi Artist( Sa'ad Shaker) as shape no. (23) in fourth searching.4. the aesthetic characteristics (aesthetic excitement as basic in the operation of compound shape in Iraqi modern pottery and according to many manners as follows : A. the social manner as in samples no. : 2\9\13\29.B. The political manner as in samples no. : 1\20\27.C. The psychological manner as in samples 21\24\27\28\29.D. The pure aesthetic as samples no. : 4\8\11\12\14\15\17\25.5. the aesthetic characteristics for compound shape is coming through moveable varied and harmonious manner as follows : A. Colored harmonious manners as samples no. : 3\4\6\7\8\9\10\11\13\14\16\20\25.B. According to harmonious lines manners in samples no. : 1\5\7\8\9\\11\12\14\16\18\22\24\25\27\29.C. According to harmonious texture manner as samples no : 3\5\6\7\9\10\11\13\14\15\16\18\20\21\22\25\26\29.D. According to valued harmonious lighting manner as samples no. : 2\3\5\6\8\10\11\13\15\16\19\20\23\24\25\26\27\28\29.E. According to harmonious structure manner in samples no : 5\7\8\18\22\24\25\29.6. the aesthetics characteristics for structure shape in modern Iraqi pottery and according to moveable varied different manner and as follows : A. colored - different moveable manner as samples no : 2\5\6\15\17\19\21\23\24\26\29.B. Moveable different structure manner as samples no : 1\2\5\9\10\12\16\18\19\24\29.C. Different moveable materialed manner (varied materials) as samples no. : 3\5\7\10\20\24\25\27.D. Moveable different texture manner as samples no. : 4\5\7\8\16\18\19\20\23\24\25\29.7. the aesthetic characteristics for structure shape is coming in Iraqi modern pottery according to varied musical manner as follows : A. according to musical structure manner as samples no. : 1\6\8\9\16\24\28.B. According to colored musical manner as samples no : 3\5\8\11\14\19\20\23\25.C. According to texture musical manner as samples no : 2\7\15\18\19\20\22\23\29.D. According to musical lined manner as samples no : 1\3\5\6\7\\8\9\11\12\14\16\1\8\21\22\24\25\27\29.E. According to musical volumed manner as samples no : 1\6\9\10\11\12.8. the aesthetic characteristics of shaped structure appeared in Iraqi modern pottery according to the quit manner that result of the balanced static of the unit (structure units) in the finished structure pottery as samples no : 1\2\6\7\17\19\21\23\26.9. the structure shape in Iraqi pottery and its aesthetics characteristics respond to modern technical as follows : A. according to using the power of material (clays - minerals - plastics )in order to create aesthetic characteristics in the building of shapes as samples no. : 1\3\5\7\9\10\20\21\23\24\25\26\27.B. According to mix the colored clays as sample no : 25.C. According to use the colors of glazing in different degrees of heat as samples no : 3\15\17\21\22\26.D. According to total manner for above mentioned points as samples no : 3\4\19\20\21.10. some aesthetic characteristics for structure shape appeared in Iraqi modern pottery according to repeating of the figure of shape as samples no : 2\11\15\26.11. the aesthetic characteristics coming in the structure shape in Iraqi modern pottery according to varied manner in adding sorted shape of the complete pottery which used in many functions as like (Jar) that is give aesthetic trace out of its lined shape as samples no : 5\11\21.12. the aesthetic characteristics coming for structure shape in Iraqi modern pottery through the solvent of the specialized parts of plastic arts (painting - structure - sculpture) as in samples no : 3\5\6\7\9\10\12\14\16\17\18\19\22\24\25\26\27\28\29.13. he researcher like this go on has production in special the characteristics of subject constrictive figuration aesthetic in achievement Iraqi pottery , showing after that his testament and suggestion.

السمات الاثنوغرافية لاداء الممثل في العرض المسرح العراقي == Ethnographic Features of The Actor`S Performance In Iraqi Theatre

Author name: منتصر مجيد ابراهيم
Supervisor name: هيثم عبد الرزاق علي
General topic: Fine Arts
Specific topic: Theatrical Arts - Directing and Acting
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Ethnographic studies represent one of the scientific sources which grows from the art of theatre. it is due to the huge abilities of theatre in embodying life, expressing societies, revealing life nature by its precise details, and recognizing races and tribes, as well as embodying the décor and props of the place of the show. It finally comes the performance of the actor and the ways used to approach the character being played. The actor shapes the most important nerve in the show, especially as he guides the events and expresses actions through his emotions, gestures, costumes and accessories. So, it is the actor and his body, specifically, that is of great importance in conveying information and provides thoughts. So, out of this creative overlap between the art of theatre and the science of Ethnography, the researcher has identified his research title as : (Ethnographic Features of the Actor`s Performance in Iraqi Theatre). the researcher has divided his research into four chapters as follows : Chapter one includes The methodological framework as the following : ? The problem of the research which is defined by the following question : what are the ethnographic features of the actor`s performance in Iraqi theatre?? The importance of the research as well as the need for it, the aims and the limits of the research. The researcher also has defined the terms that has been used throughout the research.Chapter two includes the theoretical framework and the previous studies. The researcher has divided this chapter into three sections : Section one : Ethnography - the concept and the features : this section discusses the features and the concept of Ethnography - types and functions.Section two : Ethnographic datum in structuring the theatrical character : it discusses the ethnographic relationships with the elements of the theatrical show.Section three : Ethnographic Indications in the actor`s performance : the researcher discusses the nature of theatre indications and how they are functionalized in the show, particularly, the body of the actor.Then, the previous studies has been discussed and finally the researcher has reached for the indications of the theoretical framework and build them as indications for analyzing the sample.Chapter three includes the procedures of the research. Three Iraqi Plays are analyzed as being the samples : 1. Romeo and Juliet in Baghdad - prepared and directed by Munadil Dawud2. The Cobbler - written and directed by Akeel Mahdi3. Massoud`s Dream - prepared and directed by Eawatif NaeimChapter four includes the results and conclusions. it includes the results that the researcher has reached for through analyzing samples. It also includes the conclusions, recommendations, proposals, resources and references, and finally an abstract in English.

الريادة الجمالية في الرسم العراقي الحديث == Aesthetical Pioneer In Modern Iraqi Painting

Author name: عمر مجبل جبر المطلبي
Supervisor name: سلام جبار جياد السوداني
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الريادة احدى اشكاليات ومظاهر التحديث في الابداع ومنه ماحصل في الفنون التشكيلية عبر التاريخ، وتكمن اشكالية الريادة اساسا في تصارع التاريخي والجمالي والمفصلي وتداخلها بحيث يشتركون بما لايمكن معه فكاك الخواص المتداخلة والظاهرة في تشكلات المنجز التشكيلي | Pioneer was distinguished as a dispute or conversation elements in describe and criticize modern art. Pioneer here doesn't mean some thing old or former historical events exclusively, but it is mean a process of forming pioneer phenomena as completing entity in a way to be able of breaking what is common and enters in new also imposing its change in art movement, it is distinguishing a separation, which creates a changeable, the last one is considered as a companied property for aesthetical pioneer styles. Also In art the process of works can not be worked separately, but the element of effect and affect is control at the work, and by the Pioneer creating, the image of stage will be and history of movement will be formed according to the aesthetical indications of institution which always depend on creative element. As creative has a degrees and levels also in aesthetical indications their degrees depend on creative degrees in forming phenomena and creating separation which take at it is shoulders imposing historical changeable.So researcher concentrated that the study will be at what aesthetical Pioneer mean and work which are the base in change in modern art. According which we mentioned above the study of this subject has four chapters.First one is a procedure frame beginning with problem of research explained the nature of term which contained number of interiors which showed the problem in determining frame and to reach at determining the jelly and form of term after then. And driving in roots of the subject starting from Pioneer movement generally (Internationally) arriving at aesthetical Pioneer in Iraq and this is a subject of this study (research) by observing two aims of research first one is determining the concept of Pioneer historically and then aesthetically and then showing the features and affective varieties in forming the Pioneer phenomena in modern Iraqi drawing, in addition to the term of aesthetical Pioneer terminology and measurement.In chapter two the study of theoretical frame three parts, distributing the parts of study in attempt of showing the form and content of Pioneer movement.First section is about the concept of Pioneer in its historical form and then determining their forms within old historical periods and changeable movement through times arriving to determining elements which begin to establish the concept of aesthetical Pioneer by changeable towards more self - work in art.Section two concentrated on Pioneer in art and creative term (aesthetical) and this is a base of creating aesthetical exploring creative creation in view changeable which control in aesthetical concepts through history and expanded in create styles which achieve the self - created within aesthetical exploration changes, that the styles have a direct forming in their latest stages from aesthetical Pioneer in history specially in modern.Then we found that is necessary to shed a light at the twentieth century as a directed representative of modern concept which the former studies stages struggle to arrive, so it's the point to enter to chapter three by pay attention at the aesthetical Pioneer in century time, changeable movements, the space of Pioneer expansion which formed in that time, and print a stamp of modernization at its aesthetical image.Chapter three included the measurements of research by determining research society and depended on selected samples intended way according what indicators separated in determine the concepts which dealt with subject of research in addition to the opinions of experts in this matter which are served this research. Chapter four contained the results and recommendations. 1/Chapter four includes the results and conclusions of research which are related with researches' targets, and the extent of the relations of the indications by theoretical frame and what is produced by the process of samples analysis with the showed figures of study, the most distinguished one is 1/ esthetic pioneering, although it is relation with history movement, but it doesn't accept to separate or deflect in style of Art Movement inside history2/ The transferring from general in former time to self in times after Al - Kawti was the real emerge in what known now esthetic pioneering, so the turning is the companied feature of pioneering nature.3/ Pioneering is shown by style of turning and deflecting and then the context changing in Art this declination in Art and in communications as a result of breaching which lead to change the method which is became tradition need to new pioneering.4/ one of the important condition of pioneering is to put an effect on next experiments which are emphasized and make it a base joint to be esthetic pioneering.5/ changing towards modernization was result of needs and inter pressures has a relation with time itself which is more verities in common world.6/ the modernization time is the time of increasing in generating individual styles and pioneering especially in twentieth century.7/ the form of esthetic pioneering is determined according to the nature of reference which is feed it some of them return to the historical hypothesis other for tradition, also the changes in western, history, modernization, tradition, local and western all of them emphasis the type of pioneering in Modern Iraqi Art.8/ one of the most important phenomena in pioneering in Iraqi draw was style creation as a result of merging between tradition and modernization as a result of searching on existence the modern Iraqi draw identity which is considered as an important element in Modern Iraqi draw. Some Conclusions are : 1/ It is not important that every painter be pioneer, but pioneer the person who make a creating discovery and he makes a deflecting in Art movement so to form its pioneering.2/esthetic pioneering begin from artist liberation from subject and changing the art view which is full of subjectivism.3/ style is one of the important element of pioneering it lives in style atmosphere which is created by pioneering and to be responsible of style creation and making historical extension of this pioneering.4/ searching on reality is the pioneer duty which is to be first discovering of esthetic reality by its art means and creative view.5/Pionner the person who is struggle for self –independent which was obeyed from many times to the history events by arriving for individuality and strangeness, these are the most important elements in pioneering in modern styles. 6/ Modern Iraqi Painting considers one of the pioneering experiment within the frame of Arabic east.In addition, researcher submits some of recommendations and suggestions which find them important for future criticism studies, such as : 1/ Look at the pioneering as a science, it is an establishment depend at it self and responsible on historical changes in History Art Movement.2/ esthetic pioneering is one of the aesthetic face so look at esthetic achievement by its first structure to achieving the principle of procedure specialty in phenomena study.3/research advice to study the pioneering effect which is responsible on arriving of pioneering effect, and its time that need to create its effect.Besides, some suggestion by researcher to expand in study and understanding the pioneering as a basic joint of aesthetic, with list of references contains the references of thesis besides the locations of interne which are used by the researcher. And at the end number of appendix with appendix of figures' photos and appendix of samples besides experiments information papers.

الرؤى الجمالية لنصب فنية مقترحة في مدينة بغداد : دراسة تحليلية تطبيقية == The Aesthetic Visions of Proposed Artistic Monuments In Baghdad City An Analytical Applied Study

Author name: وليد عبد الله نوري البدري
Supervisor name: جبار محمود حسين العبيدي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتبنى البحث فكرة اقتراح نماذج نصب فنية نحتية في مدينة بغداد لغرض تطويرها ونشر الذائقية الجمالية اذ تعد هذه الدراسة التطبيقية من الدراسات البكر والمتفردة والرائدة في هذا المجال. فضلا عن ذلك احتواء هذه الدراسة لرؤى جمالية يقوم بها الباحث عن هذه النماذج | The research adopts the idea of proposing examples of artistic sculptural monuments in Baghdad City for the purpose of developing them and spread the aesthetic taste for this applied school is considered as one of the early, individual and leading studies in this domain, as well as this study contains aesthetic visions for the researcher about these proposed monument examples, giving them an academic merit in method and application. The study consists of four chapters. The first chapter includes the methodological aspect represented by the research problem, its significance, its necessity, its aims and the definition of terms. While the second chapter includes the theoretical framework consisting of the following sections : 1 - The artistic monuments in the world, the attitudes and styles. 2 - Beauty and its vision in the contemporary formation. The third chapter came dedicated to the research procedures and the analysis of its sample, while the fourth chapter is concerned with the research results, the most important of which are : 1. The aesthetic visions of the suggested monuments in Baghdad City were unconventional visions and characterized with contemporary, innovation and individualism. 2. The examples of the research sample bear an Iraqi cultural contemporary identity with contemporary aesthetic visions in terms of new sculptural formation as cited in all sample examples. 3. The suggested sample examples as artistic monuments in Baghdad City came mostly inspiring the Iraqi cultural heritage. 4. The research sample examples as artistic monuments in Baghdad City reflected the sculptor researcher's ability and his high technical and performing skills as cited in all sample examples.

الروافد الجمالية للفكر الاسلامي وتمثلاتها في التويين الزخرفي == The Aesthetic Resources For The Islamic Thought And Their Embodiments In The Decorative Arrangement

Author name: امين عبد الزهرة ياسين النوري
Supervisor name: كريم حواس علي الساعدي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad
First pages:
Abstract: ما هي الروافد الجمالية للفكر الاسلامي وتمثلاتها في التزيين الزخرفي )؟ ويهدف البحث الى الكشف عن الروافد الجمالية للفكر الاسلامي وتمثلاتها في التزيين الزخرفي الموظفة في التصاميم الزخرفية في الواجهات الخارجية والداخلية للعمائر الاسلامية ( العتبات والمساجد و

الرمز التراثي وانعكاسه في تصاميم المطبوعات العراقية == The Inherited Symbol And It'S Reversal In The Designs of The Iraqi Publications

Author name: انتصار جعفر رشيد التميمي
Supervisor name: نعيم عباس حسن
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Was considered by UNESCO thing that ever was fifty - year old inherited cultural andheritage ,heritage ,including his privacy and the importance and and what it has of legaciesand beliefs reflect the reality of peoples ,is a tag that can not in any way be overlooked orignored ,it does not make sense to existence without those roots that support them, whichcheck its stability as it is necessary to broadcast the sustainability of the life time of the last of its reservation of neglect and then disappearing.Because we need today more urgent than everto re - organize our heritage of Iraq ,in line with the development taking place at all levels ,and as contained in the heritage of the plurality of symbols handed down through thousands of years ,and which we find in the case of employing them in the publications identity ,a reflection of a community contributes to the definition country and cultures on the one hand ,and a reflection indicative of meaning and symbolic representation of the content of the intellectual ,and a sense of value and aesthetic heritage on the other hand ,therefore ,felt the researcher to take this research to the definition of heritage and related recruitment ,as well as being complementary to the wedding culture started in the year 2013 AD ,it is but not holds the recipe uniqueness and leadership ,but he specialized in the field of impact caused byinherited in publications in general. Thus it is vitally problem of the research in the detection of the symbols of heritage and their associated meanings ,and the implications of all this inIraqi publications.Based on this researcher has identified the problem examined by asking the following : Is publications included Iraqi reflections of symbols inherited?The current research aims to identify the symbols of heritage and the extent reflected in thepublications of Iraq ,has been identified research study publications issued within the project of Baghdad, the capital of Arab culture for 2013 AD, which included four chapters, the first chapter discusses the research problem and its significance and purpose and its borders and determine its terms ,including, among other second theoretical framework which section into three sections ,carrying the first title of symbol heritage and its diversity of intellectual, cultural ,and included the concept of symbol heritage in terms of its diversity of religious, historical and mythological and folk ,while the second section consisted of levels symbol heritage in the publications of the Iraqi public to ensure that the semantic level and emotional as well as cognitive ,also included symbol heritage and intellectual communication ,postal heritage and a reversal in the community the third topic guarantees the formations symbol heritage that included symbols of heritage written and sham including guaranteed that the development of symbols written under the techniques of modern times ,and the stages of the evolution of the formation Graphic in publications ,and configuration Graph ic as a speech ,as well as variations printed.Chapter III also included an analysis of samples of publications of the project capital Baghdad ,Iraqi culture for the year 2013, and included the last chapter findings and conclusions and a number of proposals and a list of sources.The most important results reached by the researcher are as follows : 1 - Carried all samples representative of the legacy symbols and the concomitant representation of the vocabulary tones chromaticity function ,as well as inspired by some of the ideas associated with it.2 - Brought symbols of heritage readings function on more than one meaning is linked to the ideas of a function of the heritage, including his campaign those ideas of multiplicity of meaning within the contexts of semantic objective component context design parameter specific to the identity of the community, unlike that context aside philosophical aesthetic towards the heritage and the accompanying representation multi shapes moot. 3 - Despite embodies the symbolic representation of the content of ideas in the most appropriate publications mentioned, but some have been emptied from the representation of the symbolic meaning of ideas, so as to pursue intellectual rooting as direction is clear. The publications carried the symbolic representation of trends intellectual Count one combination where tradition and modernity.4 - Salutation semantic structures in decorative compositions written by the design format contextual relationships belong to the symbolism of intellectual, to form a speech Sofia formulated to see deep meanings exceeded the craft.The most important findings of the researcher in the light of the results are : 1 - Condensation signifier symbolic meanings associated with heritage ,making the symbol and one containing the rest of the symbols and meanings of the function on the same meaning, to form simulates including intellectual structure of the work, which triggered a balance of formality My aberration, employed for the benefit of semantic meaning.2 - Speech carries connotations Avatar formation through inspiration inherited cases of community with real - time status of a community, to configure theme symbolic function of the heritage. In contrast, embodied theme layout done through tow combination lines of thought in the opposite direction to achieve tensile visual attraction. The researcher recommended the following : 1 - Longer be working in the field of graphic design kit in devising symbols of heritage, including its sovereignty is linked to the formal representation and chromatography, the headwaters of the cultural and intellectual contemporary philosophical including carrying of inherited, innovation in plastic carrying authentic character of flexibility.2 - Need to focus on the diversity of levels, including Avatar include a function of the meanings of the heritage within the layout done, that it is investigating reactions towardsstructural formations of the intellectual level of significance, to achieve the act of communication.At the end of the research suggests that the researcher : 1 - Popular symbols and signs of intellectual communication of Iraqi Airways model posters

ملامح البطل الشعبي في الدراما التلفزيونية العراقية == Features of Public Hero In Iraqi TV Drama

Author name: سلوان بهاء كاظم
Supervisor name: علي صباح سلمان
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تطلع الانسان منذ بداية حياته على الارض الى مثال، او انموذج فية قيم البطولة بعضها، او كلها التي تنسجم مع مستوى وعيه وطبيعة الشعب الذي يعيش فيه، وتتناسب في صيرورتها المتطورة مع مراحل تطور الفكر الانساني المعاصر الذي ينسج عن طريق تعالق وتشابك الانسان مع طبيع | The human, since his struggle on earth, looks for an example characterized with values of heroism that corresponded with his thought and nature of people whom he lives with. These values match the development stages of temporary thought that resulted from getting the man to be aware of surrounding circumstances in respect to social, political and economical factors which considered as a main basis for crystallizing human and people's awareness. Hence, the public hero gets his sufferings by his expression about physical human action in different forms affected by place and time across human life decades. Hero features got determined as a result of human awareness development in respect to life that required a set of features the hero characterized with as to express through which about human action linking to his awareness about nations in an active way.The research includes four chapters , the first chapter deals with the methodical field included problem of the research that represented in the following question : What are outstanding features of public Hero in Iraqi TV Drama? In addition to the research's significance, its goal and finally terms definition.The second chapter includes theoretical filed and previous studies. The theoretical filed divided into 3 parts (1st part) : public hero in relation to significance and term, where it had been defined definition of public hero according to conception of public hero.( 2 nd part ) and about the second research : drama construction at the television series which included the most important of emerging and theories that belong to the drama construction for television series. (3nd part) : includes features of public hero in drama and basic supports pertaining to features and aspects in the drama. This gives him a distinction as to embody his people longings and desires via his action and his struggles with other forces.After then, the researcher got theoretical field that helped him after the approval of experts committee as to be a tool for analysis.The third chapter includes applications the researcher depends on for analyzing the sample chosen on purpose as to get to the goal of the research. The application includes the research tool and text and reasons lying behind its choose , the analysis unit, tool confirmation and sample analysis.The fourth chapter includes final results conclusion resulted from the analysis. Actions and changes of public hero have been considered as a real and actual expression about social structure and self - patriotic in its ambitions , hopes , equity and justice. It also exposes conclusions resulted from the research results , top of which have been social, economic and political changes that formed picture of public hero in TV Drama; besides, it includes some recommendations and also suggestions for later study.The research has concluded with list of references the researcher depends on and a summary of study with English Language.

توظيف انموذج لعب الادوار في تنمية التعبير الفني لدى تلامذة المرحلة الابتدائية == Employment of Type To Playing Roles In Improvement of Artistical Expression At Pupils of Stage Primary

Author name: اخلاص عبد القادر طاهر
Supervisor name: ماجد نافع عبود الكناني
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتضمن مفهوم لعب الدور افتراضا بان للمتعلم (تلميذ، طالب) دورا يلعبه، سواء اكان معبرا فيه عن نفسه ام عن احد زملائه في موقف محدد، فاللعب يعني انه سيتم تادية الدور في البيئة الصفية التي يتم اعدادها وتهيئتها لتحقيق اهداف محددة تضم ظروفا" يكون فيها المتعلمون مت | concept of role playing , supposal includes that the learner (student , pupil ) role may to play it , whether he expresses himself or about one of his colleagues in limited situation , the playing means that will performance the role in clear environment which performance prepare it in order to achieve specified aims includes conditions within it learnersAre cooperating, tolerant and inclined to playing , and they performance activity play the role in class room (new environment), with group of their friends partisce them features , events , properties and aims. That type helps learners on developing their abilities through practice activities and expressing and interactive with others , without their transfer to topic of observation or appreciation of strange individuals about learners inside classroom, without any risks or threaten situation. their practice for that activity will contribute in build confidence by themselves and their abilities.The researcher see that today, concentrate on learner and know its personal features and how progress it and direction it in order to improvement educational aims and behavioral for educational process with importance preparing activities and educational activities and ways and studying styles to fit with need and requirements of learners to create motives which influence on him / her to require specialized artistical skills. The researcher have informed on former studies which deals with artistical expression , she finds out that there are studies deal with concept of artistical expression and relation it by by variable of self and ways of social and family bringing up , and other studies deal with playing of roles in improvement of some social skills at kindergarten , but she doesn't find any study deals with employment of type to play roles in improvement of artistical expression at purples of stage primary ( stage of actual expression 9 - 11 years ) , therefore find that establishing for problem of her research through pursuit trace which leaves it use type of roles playing as method of studying in improvement of artistic artistical which appearance it pupils of primary stage in their drawing after their watching serials which include it this type and they practice its roles. From this point , aim of present research : Disclosure on the impact of role - playing model in the development of artistic expression by drawing for fifth students elementary. Have restricted ( 6) zero hypothesis, certify from this aim. County of research consist of pupils of primary stage schools belong to general directorate / Al - Rassafa education ( 1,2 ,3 ) , their number reach ( 112106 ) pupils ( males and females ) distribute on ( 1045 ) primary school , where select arbitrary sample from pupils of 5th primary class in school (green valley ) reach ( 80 ) pupils ( males and females ) , have distribute them to two groups experimental and control. In order to achieve aims of present research where use type of roles playing as way of teaching includes ( 6 ) short plays which displayed on group of experts in specials (drama arts, artistical educational , psychology , measuring , measuring and appreciation ) who they agree on its validate and its fitting for age level for pupils.Have restricted ( 6 ) topics for artistical expression which represent by ( good and evil , school garden , teacher or , four seasons , role of physician , toy of train ) , where performance building of list in order to analysis contain of drawings which include ( 48 ) items represent features of artistical expression and contains on sub - features and branch features , display on experts and its get approval on use it. A prance of results of present research , the researcher use set of statistical ways for treat data and information which she get it through responses and drawings pupils such as ( t - test ) for two independence samples, quadrilateral coupling modulus and the z - test of the correlation coefficient to identify the statistical significance in the correlation coefficient calculated, while most results which she find out as following : 1 - Exist positive relationship between of artistical expressions for pupils of experimental group and plays which prepared in present research and they practice its roles which result cognitive impression at them embody in their artistical expressions by drawing. 2 - Drawing of experimental group pupils characteristic by expression about characters which appeared in events of plays ( sun s friends , teacher as mother , role of physician ) while not express it with their equals in controlling group. According that the researcher advised that : - 1 - Interesting by training of teachers (males and females ) for primary stage (during service) on how use of actingcal playing way through training of pupils on all social skills and cooperation and knowledge and sense action. 2 - Encourage authors and writers for write plays specialists for pupils of primary stage bear much educational values which we aim to confirmed them through encourage teachers this stage in use it within type of roles play as target educational ways for different studying subjects.

التفضيل الجمالي وعلاقته بالانماط الادراكية البصرية لدى طلبة جامعة بغداد == Aesthetic Preference And Its Relationship To Cognitive Visual Patterns Baghdad University Students

Author name: اسماء كريم كاظم
Supervisor name: ماجد نافع عبود الكناني
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تلعب التربية الفنية باعتبارهااحدى المواد الدراسية المقررة في مناهج المتعلمين ضمن مراحل التعليم العام دورا هاما في تنمية الوعي الجمالي لدى الافراد، اذ تمثل محورا كبيرا للتربية عن طريق مجالاتها وانشطتها المختلفة، وهي عملية قصدية يتم عن طريقها توجيه الاف | Education of arts play role by the consider of one of determined subjects for curriculums learners include the general education stages with importance role of progressing the esthetic's awareness for individuals , that imitation a great role of education to be the way of their fields and versatile activities , so it's mental process could achieve as guided for individuals in conceptual ,acknowledgment , skill and beauties development whether if it were as moral interior development in forms of optical esthetic awareness to reflect of human their trace. Art education as human area technically competent learner and skillfulness and elegance whether it was moral interior progress or developmental in awareness optical forms therefore it could reflect their trace on human.Art education consider as human field specialized with learner art education and skillfulness and art taste adding to working as to forming it's own esthetic behavior for events adoption the best for him and his society. This field is not progress skillfulness only but stand on trainings only but learner of art education it non something you can touch but you could conclude on their traces adding to it's an active of art process got through the learning student for multi experiences ( acknowledge - skillfulness ) be as importance stand for development and aesthetic awareness in it's own behavior and manners it's known as the student acquiring or the learner acquiring of esthetic education.Proceeding from the above forgoing the art education that acquired by student their cognitive skills through education stages that represented such processes by which acquiring of values and directions that is an impact on the development it's own optical an sensitive awareness that contributed with to social adoption so could got of social balance that develop through his permanent disclosure for ideas and meanings and cods that could amended his behavior in result of what required and get influenced in his social activation with others.Emerging from above the researcher concluded to establish to problem through her reconnaissance to discover on the level of taste and aesthetic awareness toward the surrounding environmental problems that lead to this study to gave the researcher as conceptual visualization to the importance of construction of learner awareness toward the esthetic shapes and distinguish between them and to know their importantly for him and for his life and society.So the problem was consisted on as follow : 1 - The esthetic preference directly proportional to form the awareness types for university student 2 - Esthetic presence represented the student ability on sense with esthetic locations in the environment that could live.So the research goal to : Discloser the esthetic preference for Baghdad university students and their relation with awareness types and to achieve this goal, researcher put the branched aims as follow : 1 - The know of the esthetic preference for Baghdad university students 2 - The know of level for esthetic preference of Baghdad university students as followed to the variable of gender ( males - females )3 - The know on relation between the esthetic preference and their awareness types of scientific specialize ( scientific - human )4 - The know on relation between the esthetic preference and their awareness types of ( optical - sense )5 - The know on relation between the esthetic preference and their awareness types of as followed by gender variables ( males - females )6 - The know on relation between the esthetic preference and their awareness types of variables specialize (scientific - human )The research society consist of students second class in the college that followed Baghdad university the year of 2011 - 2012 that among of (4871) students ( females and males ) distributed on 23 of colleges that followed university of Baghdad were selected as sample in random manner among of ( 300 ) students ( females and males ) to apply the research 's procedures on it. And to achieve the designed research for ( 3 ) tools for assembling data and information from research sample as : 1 - Esthetic preference measurement ( theory )2 - Esthetic preference measurement ( conceptual ) 3 - Awareness types measurement These measurements were showed on a group of expertise in different specializes of art education and physiological education and measurement and amending and plastic arts adding to their statistic treatments through the show of truth and confirmation to ensure from their authority in measurement goals that put for their measurement , then application of the basic research's tools that belong to ( 6 ) colleges that followed university of Baghdad.To show results , researcher depended on group of statistical means as ( selection T - test for two independent samples ) and the selection of one sample and Person equivalent and Coper equivalent and distinguishable equivalent and difficulty ) The most importance results that concluded to were : 1 - The enjoyment of second class ( generally ) in scientific and human departments of colleges that followed to university of Baghdad.2 - The enjoyment of second class in scientific and human departments of colleges that followed university of Baghdad for moral assigned level in esthetic preference account the gender variables ( females - males ).3 - The enjoyment of second class in scientific and human departments of colleges that followed university of Baghdad according the (scientific and human )4 - The enjoyment of second class in scientific and human departments of colleges that followed university of Baghdad for moral assigned on esthetic preference on awareness type ( optical - sense )According to group of recommendations as : 1 - Education university students with importance of practicing the art activities in leisure times that contribute on their level taste art elevation.2 - The interest with teaching environment for students whether they were in scholastic class or the yards of college to be as more esthetic that enforce such esthetic preferences for them.

الدلالات الزمنية للصورة في الدراما التلفزيونية == The Time Indications Forpicture In Television Drama

Author name: صابرين كامل زيدان خلف
Supervisor name: عصام عيسى علوان السامرائي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان وعينا لمفهوم الزمن وادراكنا له,ليس في كونه زمنامجردا,بل في معايشتنا له,جعل الباحثة تستقصي حالات بناء الزمن ودلالته وكيفية نشوء فكرته لدى الانسان وصولا الى ادراكه واستيعابه من خلال البنى الفنية بتعدد صنوفها وحالاتها والتي تصاغ بسبل درامية تعطي متصوا انس | That our awareness of the concept of time is not in the fact that time merely, but in the Maistna him to make a researcher investigating cases of building time and the significance and how the emergence of the idea of a guidance man down to the perceptible and absorbed through the structures of art multiplicity of its different, situation and formulated ways of dramatic give a vision humanly creative about the time.In aspects of the philosophical, scientific and technical witness the effect of time and the concept of time, occupies an important place in the drama in human life, self and external environment and society, all this gives the structure of image work dramatic themes promise revolves time Petrchinha So it was a question that deals with the search : (What are the qualities under which the pixels to produce indications of time of the events in the drama TV show?)The first chapter deals with the structure of the research, the problem and the need for it, its goal and its importance, and which controls the border area of research as well as determine the terms.Chapter II addresses the theoretical framework (two topics), the first contains several sections and includes each time its concept, types and concept philosophically, and in the section other includes the structure of semantic of the image in the television drama, and represents the time in which to infer the effects of time of the artwork and understood by the receiver when watching action film and television and then reviewed by a researcher the results of the theoretical framework and left him in several indicators,In the third quarter, which includes measures of research methodology - sample of the research - the search tool and the unit of analysis,Finally moving to the fourth quarter to deal with the analysis of samples selected from the serials, which have been selected Qsidia two series (King Farouk, another series of kings) and through the search tool is obtained, our findings through the analysis and thus complete the research conclusions, proposals and recommendations complementary to search then fixed list sources and supplements
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