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الاعتبارات الانتاجية والتغيير الشكلي في المنتج الصناعي المعاصر == The Considerations of Productivity And The Formal Change In The Modern Industrial Product

Author name: اياس صلاح الدين حامد
Supervisor name: هدى محمود عمر
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This search deals with the study of (productivity considerations) as it is important to the industrial designers, and its scientific inherent importance in the development of the shapes of their products benefit that presents , The search consists of five chapters , The first chapter includes the research problem , ( what is the role of productivity considerations in determining the shape of the product ? ), the problem will be dealt by searching in the title of (productivity considerations and the change in shapes of the Modern industrial product) The importance of the research is to provide a clear picture, of the concept of productivity considerations and define its role in changing the shape of the product, The aim of this study is to Detected and limit the role of productivity considerations to change the shape of the industrial product.The outline of the this study is the productivity considerations before the design and manufacture of the product for Nikon products of digital cameras and photographs, which is available on the company's site in the international network (the Internet) raised in The second chapter, which contains the theoretical framework and previous studies which include three sections ; the first section is on the structural change by subtracting the causes and factors and the necessary requirements to change the shapeof the product, whereas in the second section represents detection and determine the productivity considerations and how to limit its role in changing the shape of the product, The third section shed light on the strategies used by industrial enterprises in changing the forms of its products in The framework of economic production , and the result of theoretical framework of indicators based on the basis of which the models analysis axes.The third chapter includes research methodology, descriptive analytical method , samples of analytical forms , Forms of information and the reasons for choosing sampling forms, while the fourth chapter consists pictures of samples which are five samples what analyzed according to themes derived from the theoretical framework, Chapter five the latest, includes the results extracted from the analysis samples , Conclusions , recommendations, proposals and beneficiaries, and the most important results are : - - The group who designed for , and competition between industrial enterprises has the role to determine the product form in all models.The main conclusions are : - - The diversification strategy includes most of the samples and , which many of them are variety in more than one level, For example, came chromatic diversity and diversity in this category at the formal level with the knowledge that the technical diversity has had a share is considerable in the diversification strategy. and The kind of group of peoplewho use the product, had a big part to limit the process of standardization , simplification type and miniaturization ,which is restricted in the samples that where determined for a class with a large number, which have ability to follow the changing forms , and the possibility of running multiple experiments with the product, while offset by the qualities of excellence and uniqueness in other samples that do not accept profiling and simplistic in their platforms

اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم == Utopia In Contemporary Industrial Product And Its Impacts On The User

Author name: اياد خلف ياسين
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان هذا البحث الموسوم ((اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم)) استهدف الكشف عن المفاهيم المعرفية المتمثلة بـ {بيان اشتغال اليوتوبيا (المثالية واللامكان ) في اداء المنتجات الصناعية المعاصره وانعكاسها على سلوك المستخدم }.من خلال دراس | Targeted this research is marked by ((utopia in contemporary industrial product and its impacts on the user)) detect cognitive concepts of b {statement functioning of Utopia (ideal and nowhere) in the performance of industrial products and contemporary impacts on user behavior.Through evolutionary context, the study of contemporary industrial products to be tapped in the identification between the utopia of contemporary industrial and product relationship to study the modalities by which the development of systems design in light of the impact of job performance industrial products Aluotabih and the reflection of that performance on user behavior, and focus on Aluotabi design privacy in structural aspects. To achieve the aim of the research, the researcher collected the main pillars necessary for the analysis based on the Investigation of the theoretical framework, which included three sections, which included the first part, "utopia concepts and perspectives" and included relationship utopia Qur'an and some other science and relations relational between the concept of utopia and some other concepts. While the second section included "the possibilities of utopia in contemporary industrial product" activities included mental utopia in contemporary industrial and product possible, as well as the process of utopia in contemporary industrial product. The third and final section included "act Aluotabi trends and reflected on the user's" included : the characteristics and mechanisms of utopia, as well as contemporary industrial product and user behavior.With the adoption of theoretical concepts and regulated by the researcher in determining the axes of the analysis, which included a total of the following themes : - Form• reciprocal nowhere and idealism in contemporary industrial product.• Aluotabi dimension to the way of dealing with the user.• Aluotabi act for the performance of the product and its reflection on the user.After the agreement with the specialists from the relationship with the subject of research, according to the time period specified for the selection of a sample of international companies in several countries for the year 2015. Concluded researcher set of results, namely : - 1) Technical impact is affecting the most effective in pushing the design thought to grant approach broader and open with all the theoretical and applied sciences, including the utopia that is proportional to the contemporary technology, in the sense of industrial designs whenever the technology available for industrial product simulates the ideal side, the user has the size of usability and interaction with those larger products and vice versa, it means the user definition of technological progress by contemporary industrial product.2) Investment artificial intelligence by mutant technical time in the formation of utopian thought for systems design environment contemporary industrial product through the concept of nowhere, Find a tradeoff between user and act Aluotabi salary through the performance of contemporary industrial product that technology was the reason be found through technical methods that It reduced the time and effort to achieve high efficiency and ease of use.3) There are no design constants be the tracks that underpin the designer, but it is about the ability to arrange the vocabulary and elements of building design in accordance with the determinants of building modern industrial product, as well as possibilities acquired by the accumulated experience in the sense there is no certainty at all but a relative because science against stability, In fact, the only constant is that all the facts in the case of change

اليات اشتغال النسق والتكرار في التصميم الطباعي == Mechanisms of Functioning of Pattern And Repetition In Graphic Design

Author name: ازهر يوسف مبارك
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Represent the relationship between pattern and repetition and Achtgalhma in Graphic Design One of the relationships that lead to control structure design and which are of a role in influencing perceptions of the receiver in the definition of the idea and will lead to the success of the letter addressed to contribute to the delivery of the idea put forward as based axis current research on the study of thosemechanism and implications left by the advertising design forms and sizes all, companions have easy in the process of receiving, including what constitutes a difficulty in the process of visual perception and through the process of cognitive clear Achtgalat patterns design and the promise Graphic Design of iterations of the elements of building, causing confusion in the process of receiving because of employmentis appropriate for design formats, where enrolled search in several classes, came the first chapter select a research problem which manifested itself by asking the following : - What are the mechanisms of operation of pattern and repetition in Graphic Design ?The importance of search through the possibility of its contribution to the benefit of printing and institutions, including newspapers and magazines through a better understanding of these mechanisms and Achtgaladtha, as well as for the development of design awareness among workers in the field of Graphic Design, which would in turn enrich their cognitive awareness.Select the aim of the research to define the mechanisms of operation of pattern and repetition in Graphic Design in general and advertising in particular.Cared theoretical framework with four sections, touched first topic to (Layout and repetition in the Koran as well as in philosophy and art), while interested in the second section (Layout and redundancy in the structure of Graphic Design, structural layout design, structural perceptions Altibograveh in design, patterns written, structure perceived Alkraveka in design), and touched the third section to (Layout and redundancy in communication process in terms of the concept and its elements as well as the format and frequency and mechanism of perception, communication and design language, perception and coordinated communication design), the fourth section, Vttriq to (semiotic pattern and repetition, semiotics in design typographic elements Alkravekah and implications of semiotics, signifier and signified PHP design elements).In the third quarter was the description and analysis (20) sample - based research into paragraphs derived from the analysis of the theoretical framework, and its outcome indicators were as follows : - The dimensions of the functioning of the format. - Repetitive structure. - The functioning of the structure. - Layout and redundancy by writing patterns. - Recurring pattern through the communication dimension. - Layout and redundancy by perception. - Semiotic pattern and repetition. - Engage in relational system of pattern and repetition.According to the contents of each individual model, the fourth chapter, has included a presentation of the findings of a researcher, and numbered (19) as a result, with regard to the aim of the research, including : 1 - hired Layout pivotal parties with confirmation relations structural Association between shape and space, that the adoption of Opto Recurring pivotal clearly indicates typical treatments carried out by designers working in design commercials that are often printed product charges, from planning trademark Anwanat and images.2 - represents balance types in the organization Opto and Recurring through recruiting Alkravekah with the larger sizes of pictures and that ran large swathes of the overall size basis for designing advertising, as though the adoption of outsize pictures and some elements Alkravekah that that which comes to confirm the importance of image in the reporting and in occupancy space and that calls shorthand in other elements as well as direct delivery of content that you upload.3 - hired format redundancy through an overlay images and who reported in reducing the sizes in cases available where large images size, as is the pattern overlay formal which depends repeat elements among the processors technical construction which resorted to the designer to show the largest number of images or shapes related advertising as envisaged and lead color, size large role in clarifying the mechanism overlay which requires clarity in the employee elements.4 - hired format repetition vertical structure design, and that by repeating elements contrast volumetric and chromatography, as a kind of regulation iterative whatever is meant to pull the attention of the seer according to the mechanism from top to bottom and make itmove according Values available in design, and is working through volumetric variation and color, as you can start vertically from top to bottom or vice versa.5 - adopted Layout radiation emanating from the center to the sides with investment Vocabulary large sizes to balance formality, as is commonly this format much in structure design with Vocabulary numerous terms easier for the designer distributed through a single prevalent and organized around Vocabulary other way diffusivity some aspects.6 - hired Layout hierarchy in highlighting the individual formal prevailing advertised, and comes this employment in order to attract the recipient and influence it and procedure requires gradual Values from top to bottom (repeat hierarchy), as if the base address and ranging beyond Anwanat another and so on.The researcher also suggest a set of assumptions that will be an important focus for future studies, including : 1 - benefit from design methods with which designers Alaalaon developed countries Kravekaa and industrially, particularly in the area of employment pattern and repetition of images and other vocabulary.2 - Find insights and new ideas in the design of the advertising formula and published and Akhraja final and must know the equipment and print - related media.3 - the pursuit of understanding of digital design and learning software, which deals with design Alkraveka it the most effective way to develop an understanding of the designer of what is happening in the field is the arena foundation and important episodes of the deal modern Alkraveka.

المعالجات التصميمية في الفضاءات الداخلية للورش التعليمية == Treatment Design In The Internal Spaces of Educational Workshops

Author name: منتهى عبد النبي حسن نجدي السعودي
Supervisor name: فاتن عباس لفتة الاسدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Represents treatments design spaces educational workshops , one of most important basic functions that seek him by the designer and the resulting coverage of the nature of educational workshops and spaces employed in the formation of character career.Addressing these spaces allows us designers internal mechanisms employment possibilities ,techniques and methods of a variety of style different for what we find in most spaces,the other for starting towards the concept of the projections functional (Performative,aesthetic) that hide in it.The features detailed spaces work(wokshops) to design spaces interior is characterized by being the field of lead to study and knowledge of the factors affecting our treatments design for this type of spaces,which in ourMinds bunched treatments values overlap with traditional asset developments and new technologies for the advancement of educational spaces carpentry workshops to keep up with the functional requirements.The treatment of achieving spaces internal according to the concept of functional integration(Performative,aesthetic) should the interior designer to be of a familiar treatment design and ways to achieve them,with the assistance of vision and ideas for starting towards the concept translates façade educational for our country,which has become a requirement no matter how based on him the need to address spaces workshops to keep up with the requirements of age and educational reality,to lead us to the title search is marked"design treatments in the iternal spaces of educational workshops" the search consists of for chapters : Chapter One : Addressing the problem of search which crystallized by asking the following : What is the treatment design in the internal spaces of educational workshops?The objectives of the research guarantees the possible contributing ideas to develop designs interior spaces for learning carpentry workshops.And demonstrated the importance of current research presenting the study necessitated by the need to raise the level of the reality of the spaces,interior carpentry workshops world, as well as the contribution of researchto clarify the most important levels of treatments that work on the development of the spaces, as wel as lay the foundations of the theory for the purposes of application of the treatment design on according to mechanisms keep pace with the times, as play an important role to suit the nature of thefunctions and activities performed there in, which is represented by the border merits of the search, while determined the spatial and temporal him in spaces carpentry workshops teaching in colleges of fine arts and applied arts in the provinces of Iraq for the period from(1967 - 2013) as well as determine the terms contained in the title of out procedural tariffs.Chapter Two : The theoretical framework which resulted in two sections : The first topic : Singled out the concept of interior design and its relationship to job performance in the educational workshop spaces, while the second topic : The spaces included carpentry workshops and educational ways to address them and upgradeable career.The theoretical framework resulted in a set of indicators adopted in the analysis of form models : Chapter Three : Included research procedures and methodology, as it comprehensive survey in the selection of community samples and research(3) models only for study, and adopted the search tool on the form axes analysis , pointing degree achieve those themes on them, as well as a description of research and analysis models.Chapter Four : Ensure that the findings and conclusions that have been reached by this research, is the most prominent : 1 - Chapter's relationship to the workshop space from the rest of the educational institution spaces provided a comfortable indoor environment , to achieve the required functional requirements not only in terms of space of the institution.2 - The treatment of perception and understanding of the internal space is a staggered treatment which contribute to numerous factors and effects , including behavioral and psychological related to the user.Including structural and training related to the form and body components of the internal space(SDH, furniture and supplements), as well as relations achieved through it , and here comes the role of the interior designer and his ability to achieve this integration in directing realize user elements and components of the internal space and the relationships between these elements and components.3 - Contribute the characteristics relations in space to achieve continuity the physics and visual space workshop with spaces adjacent or between the spaces of the workshop itself , result in the outcome to the treatment of configuring the harmony and continuity visual, and to achieve the structure physics coherent visually compatible with each other and with all, anything to do with all of the space(work,storage,supervision, diction, service).As well as the fourth quarter included the foundations of design theory, and recommendations, and general suggestions, and design proposals, as well as horizontal charts, tables and explanatory forms, and a list of sources and supplements.

القيم الجمالية ودورها في استجابة المتلقي للملصقات الجدارية == Aesthetic Values And Its Role In The Response of The Receiver Wall Posters

Author name: مها عبد الرحمن عبد الرزاق الهاشمي
Supervisor name: حكمت رشيد فخري العزاوي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Means the current research to study the aesthetic values and its role in the response of the receiver in the posters, in order to understand the mechanism of action to realize the ideas that are meant delivery to the recipient to contribute to the development of talent aesthetic sense with him and make him Connoisseur and critic of all that lies in recognizing, as is the aesthetic values as a fun frame of mind of the recipient, being include speech visually in Graphic design in general and in particular wall posters.So it has identified the research problem by asking the following;( What are the values, what is its role in the response of the receiver )For the purpose of reaching the goal included (detection aesthetic values and its role in the response of the receiver) has addressed the researcher in the study Detectives relevant, namely : Chapter One : it addressed the methodological framework (research problem, the importance of research, the goal of the research, the research and determine the limits of the terminology)The researcher also addressed the second chapter (Theoretical framework and indicators Theoretical framework and previous studies)The theoretical framework included the concept of aesthetic values (values and sensory values and the values of the formal relational)Also included the concept of cognition and cognitive and aesthetic response to the recipient, in addition to the concept of aesthetic judgment The third chapter (procedures for research and analysis of the samples) as chose researcher descriptive analytical method as a way suitable for the analysis of the sample and identified b (15) sample, have been selected Qsidia from the research community of (60) where excluded researcher posters Latvian required purpose, since the size of the sample depends on the extent of the homogeneity of the data was also preparing a special form include axes paragraphs of analysis, which were drawn from the theoretical framework of an accurate and objective, as well as the adoption of a researcher on the opinions of experts in the field of graphic design for cemented search tool and make it more objective and coverage of truth for the purpose of achieving the objectives of the researchThe fourth chapter has included findings, conclusions and recommendations and proposals, the researcher remember the most importantFirst results : 1 - convey the idea through photo realism and colorful designer proficiency in recruiting image to serve the idea of the poster in the process of overlap and influence the time according to time, place, and that - lead - to - focus - attention - provoking receiver.2 - the process of attraction have the ability to highlight important topics and make it a tool to attract the recipient, especially if the attraction is characterized sovereignty over most of the area of the visual design of the field3 - According to the designer of the value of cognitive dynamics as a factor in job performance, which gives vital energy through movement vocabulary consisting of the poster.Second : Conclusions1 - of the positives of aesthetic values in the design of the label it affects the receiver and check a lot of intellectual and ideological desires2 - attraction provides the ability to highlight important topics and make it a tool to attract the recipient, especially if the item is characterized by attractive sovereignty over most of the label within the visual field3 - the use of aesthetic values equal powers in determining that it is designed to use tonal values received from the user or the colors of the poster opposing valuesThird : Recommendations1 - to benefit fully from the operations provided by the designers design posters, especially in the ability to deal with the constituent units of the label to achieve the response of the recipient2 - emphasis on the formal activation of sovereignty in the designs of the posters because of their importance in achieving direct contact with the receiver and all genresFourth, as suggested by some studies, the researcher as follows : 1 - design techniques and crafts show layout and its impact on the achievement of aesthetic values in design posters of the movies world2 - study of color and processors Alazaaria through aesthetic values and methods embodied in the designs posters for films global3 - Search and conclude with Arab and foreign sources and a summary of the research in the English

الفكرة وقواها الفاعلية للتصميم الكرافيكي وتاثيرها في الفضاءات المعمارية == The Idea And Its Forces Powers In The Graphic Design And Its Role Effects On Architectural Spaces

Author name: جواد كاظم عباس المعموري
Supervisor name: سعدي عباس كاظم
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمتاز التصاميم الكرافيكية المعاصرة في امكانيتها على تلبية متطلبات متعددة وغالبا ما تعلب الفكرة دورا اساسيا في تفعيل قدرة التصميم الكرافيكي لتحقيق مديات جمالية ووظيفية اعلى وتكمن اهمية الدراسة في مدى فاعلية وتاثير التصاميم الكرافيكية على الفضاءات المعما | Characterized contemporary Graphic designs in its potential to meet the requirements of multiple and often demand idea a key role in activating the design ability of the graphic design to achieve ranges of aesthetic and functional top lies the importance of the study on the effectiveness and impact of the designs, the spaces architecture which plays a faithful idea and industry play an important role in shaping the graphic design, as it focuses on the side of intellectual raises the value of the design and energy expressive and performing at the same time , and is in itself add knowledge on the part of the fundamental aspects of composition of the graphic design, and focuses on the importance of the role of this production in imparted by the aesthetic and functional to form spaces architecture.The study included four chapters address the first of which methodological framework for the search of the research problem and its significance and its goals, as the research aims to reveal the mechanism of making the idea and its actors in the formation of the graphic design, and the impact of design in the formation of spaces, architectural influence of actors for the manufacture of the idea, as well as the limits of search The definition of terms.And ensure that the second chapter three sections addressing the first of which industry the idea and the idea concept, then eating thought processes and brainstorming as one of these operations and processes of creative, eat second section effective power in the contemporary graphic design, influence and achieve the purpose, which included the third section dealt with functional design in space architectural and aesthetic treatments in these spaces, The researcher concluded that a set of indicators theoretical framework.The third chapter dealt with the procedural framework to look at the community survey and selection of the sample and the tool with the help of experts form prepared by the researcher for this purpose , has resulted after analyzing the models selected sample the contents of Chapter IV of the findings and conclusions , including : 1 - The ideas represented in the designs of the effectiveness of originality and their ability to deliver the message to the public as well as the impact that new in the sense of providing design idea.2 - Works in the activation of the catalyst of social forces in shaping the design idea by virtue of the need to meet the requirement of social, as it is to attract the public key factor in the success of the design.3 - Clarity and ease of visual discourse receipt of the letter by the public advertising of an important factor in activating the basis of the power of design idea.The researcher concluded from the above, the following : 1 - Interior spaces Bulky need to processors after an executive with aesthetic and functional one at that give vitality to the place and form an attraction unique to the public.2 - Based actors to exploit the idea of design as much as possible of the space and use it to deliver advertising messages to the public in an orderly manner sequential do not call for the confusion, but suggest a higher level of organization of the formal elements.The researcher recommended the development of capabilities designed and increase knowledge in the processor architecture of the spaces of both internal and external, which can provide the products of successful staffing level spaces, architectural aesthetic and use in delivering the message, display, and suggested to be interest in technical studies in collaboration with government institutions and service departments out the results of the best Indeed, at the level of the environment.

الرمز التراثي وانعكاسه في تصاميم المطبوعات العراقية == The Inherited Symbol And It'S Reversal In The Designs of The Iraqi Publications

Author name: انتصار جعفر رشيد التميمي
Supervisor name: نعيم عباس حسن
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Was considered by UNESCO thing that ever was fifty - year old inherited cultural andheritage ,heritage ,including his privacy and the importance and and what it has of legaciesand beliefs reflect the reality of peoples ,is a tag that can not in any way be overlooked orignored ,it does not make sense to existence without those roots that support them, whichcheck its stability as it is necessary to broadcast the sustainability of the life time of the last of its reservation of neglect and then disappearing.Because we need today more urgent than everto re - organize our heritage of Iraq ,in line with the development taking place at all levels ,and as contained in the heritage of the plurality of symbols handed down through thousands of years ,and which we find in the case of employing them in the publications identity ,a reflection of a community contributes to the definition country and cultures on the one hand ,and a reflection indicative of meaning and symbolic representation of the content of the intellectual ,and a sense of value and aesthetic heritage on the other hand ,therefore ,felt the researcher to take this research to the definition of heritage and related recruitment ,as well as being complementary to the wedding culture started in the year 2013 AD ,it is but not holds the recipe uniqueness and leadership ,but he specialized in the field of impact caused byinherited in publications in general. Thus it is vitally problem of the research in the detection of the symbols of heritage and their associated meanings ,and the implications of all this inIraqi publications.Based on this researcher has identified the problem examined by asking the following : Is publications included Iraqi reflections of symbols inherited?The current research aims to identify the symbols of heritage and the extent reflected in thepublications of Iraq ,has been identified research study publications issued within the project of Baghdad, the capital of Arab culture for 2013 AD, which included four chapters, the first chapter discusses the research problem and its significance and purpose and its borders and determine its terms ,including, among other second theoretical framework which section into three sections ,carrying the first title of symbol heritage and its diversity of intellectual, cultural ,and included the concept of symbol heritage in terms of its diversity of religious, historical and mythological and folk ,while the second section consisted of levels symbol heritage in the publications of the Iraqi public to ensure that the semantic level and emotional as well as cognitive ,also included symbol heritage and intellectual communication ,postal heritage and a reversal in the community the third topic guarantees the formations symbol heritage that included symbols of heritage written and sham including guaranteed that the development of symbols written under the techniques of modern times ,and the stages of the evolution of the formation Graphic in publications ,and configuration Graph ic as a speech ,as well as variations printed.Chapter III also included an analysis of samples of publications of the project capital Baghdad ,Iraqi culture for the year 2013, and included the last chapter findings and conclusions and a number of proposals and a list of sources.The most important results reached by the researcher are as follows : 1 - Carried all samples representative of the legacy symbols and the concomitant representation of the vocabulary tones chromaticity function ,as well as inspired by some of the ideas associated with it.2 - Brought symbols of heritage readings function on more than one meaning is linked to the ideas of a function of the heritage, including his campaign those ideas of multiplicity of meaning within the contexts of semantic objective component context design parameter specific to the identity of the community, unlike that context aside philosophical aesthetic towards the heritage and the accompanying representation multi shapes moot. 3 - Despite embodies the symbolic representation of the content of ideas in the most appropriate publications mentioned, but some have been emptied from the representation of the symbolic meaning of ideas, so as to pursue intellectual rooting as direction is clear. The publications carried the symbolic representation of trends intellectual Count one combination where tradition and modernity.4 - Salutation semantic structures in decorative compositions written by the design format contextual relationships belong to the symbolism of intellectual, to form a speech Sofia formulated to see deep meanings exceeded the craft.The most important findings of the researcher in the light of the results are : 1 - Condensation signifier symbolic meanings associated with heritage ,making the symbol and one containing the rest of the symbols and meanings of the function on the same meaning, to form simulates including intellectual structure of the work, which triggered a balance of formality My aberration, employed for the benefit of semantic meaning.2 - Speech carries connotations Avatar formation through inspiration inherited cases of community with real - time status of a community, to configure theme symbolic function of the heritage. In contrast, embodied theme layout done through tow combination lines of thought in the opposite direction to achieve tensile visual attraction. The researcher recommended the following : 1 - Longer be working in the field of graphic design kit in devising symbols of heritage, including its sovereignty is linked to the formal representation and chromatography, the headwaters of the cultural and intellectual contemporary philosophical including carrying of inherited, innovation in plastic carrying authentic character of flexibility.2 - Need to focus on the diversity of levels, including Avatar include a function of the meanings of the heritage within the layout done, that it is investigating reactions towardsstructural formations of the intellectual level of significance, to achieve the act of communication.At the end of the research suggests that the researcher : 1 - Popular symbols and signs of intellectual communication of Iraqi Airways model posters

الاشتراطات الوظيفية في ثصاميم الفضاءات الداخلية لقاعات المناقشات الجامعية == Functional Conditions In The Designation of Internal Spaces of University Discussion Halls

Author name: اسامة غانم نوري
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: I've seen the stage that followed World War II, a rapid development in the field of modern technologies , as influenced in great shape on the concept of university education , which replaced the clear links between the student and the community , as it became openness toward community goals mainly for educational institutions high , as the ocean , which is supposed to cover its requirements. Adding to the actual value of these educational institutions , is to provide continuity in the ongoing evolution of scientific data by discussing the messages and graduate thesis research that offer a variety of different disciplines sings materials science, knowledge and humanity. Hence, it was necessary to design interior spaces to discuss research students applying various formulations and configurations within the design to suit the level of the event is required. Thus, the researcher found the formulation of the research problem by asking the following : What are the functional requirements that should be adopted in the design of interior spaces for university halls of the discussions , including the designer can achieve the design formulations based on the functional aspect and check the value of advanced functionality in harmony with the level of the event ? The importance of search Aocefh deals with the study and analysis of spaces, private discussions university to engorgement of its function undertaken to discuss and evaluate the Alatarih and research and messages of Graduate Studies as well as it is the spaces to set up seminars or scientific conferences , as well as what it means to function in providing ways to make the most of during the design spaces that form the axis adapted to technical developments and raw materials for the purpose of responding to humanitarian needs and requirements. While the aim of the research : 1 - detection of functional requirements in the design of interior spaces for university halls discussions. 2 - Develop a design proposal for the university hall discussions based on the fundamentals and requirements that result from current research. While defined borders ( spatial and temporal ) to search halls discussions of public universities in the city of Baghdad - Rusafa for the period of ( 1975 - 2014 m) , as well as identifying the terms contained inthe title search out procedural definitions. Included in ( the second quarter ) and previous studies of the theoretical framework , which represent three sections , the first section dealt with " functional requirements and dimensions Avatar ," while the second section came Study " " variables functional and organizational dimensions in interior design " , while the third section guarantees the " principles of the design of interior spaces for university halls of the discussions , "and resulted in a set of indicators that the detective form adopted in the analysis of search patterns. As for the third quarter , which included the research methodology and procedures , as adopted research on the descriptive approach in the process of analyzing (3) models represented spaces inner halls of the discussions at the public universities of the city of Baghdad / Rusafa , have been selected in a deliberate from the research community overall 10% according to the rationale clarified by the researcher , and also included the chapter on the search tool , which included axes form analysis ,which included a group axes to cover the analysis of the mechanisms Almokhtarhoha models as follows : (1 - functional feature 2 - the organization of cognitive motor 3 - Safety and security 4 - techniques ). The fourth quarter included a review of the results and discussion that resulted through the process of analysis models and then out through the results to devise a set of conclusions , including : - 1 - that visibility was the result of realizing designer in fact the embodiment of the field of vision and visual receipt due to the structural design of the space as well as include ground and intensity of illumination of convenience. 2 - check the functionality of the rooms in varying degrees to achieve a comfortable indoor environment for users because of the proportions of the standard dimensions between formative vocabulary of space and movement of users as well as acoustic insulation , which came as a result of the use of sound - absorbing materials on the level of space limitations. 3 - should the designer be aware of the impact of color in space and its occupants ( psychologically and Aihamaa ) by adopting the kind of rationality and objectivity in the selection of ratios and color values in thespaces of the discussions as embodying two of them ( the state of anxiety and uneasiness visual and psychological ) , so it should not be used colors high - frequency wavelengths and varied, but the emphasis on some of the colors that achieve harmony. And generate a sense of attention and not feel bored during long sessions. And then make recommendations , and the conclusion of this chapter to provide the proposed design , which included an outline of the spaces engineered internal discussions university halls.

التحولات الفنية للتكعيبية وتطبيقاتها في تصاميم الاقمشة المعاصرة

Author name: سناء محمود ابراهيم النعيمي
Supervisor name: فاتن علي حسين العامري
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Occupies designs fabrics ample space in the developed world , making the interest in these designs is increasing day by day and this is due to the urgent need of the cloth and the multiplicity of uses to suit the desire of the consumer, no longer fabrics just forms of design it is the interaction of the bases , systems and relationships that lead really expressive and functional requirement the act of design and its impact gustatory in others, they are subject to the taste of a designer who builds upon the idea consistent with the style and material and technical relied upon to show the artwork design. As well as they are in line with the change and development , and develop and enrich the taste of art, fit and prestige which focused phenotypic need to keep pace with the movement and in the field of regenerative design fabrics.. Has seen contemporary thought movements and technical schools shifts the new shape and configuration - including the art movement of cubism - which is one of the most modern art schools interested in form , and formed a starting point and starting to achieve the unique methods varied and varied depending on the renewal of continuing its impact in the field of design , inciting the Cubist movement shift technical systems relations formal level of scientific , technical and aesthetic , and based on the above and through the informed researcher of the importance of these transformations and technical applications in design - designs fabrics - ( women - Upholstery ) created a justification for the study of the subject of current research and marked ( transitions technical Cubist and its applications in designs contemporary fabrics ) , where research includes four chapters , the first chapter came the research methodology and included asking the following question : Is the technical transformation of the movement of Cubism role in achieving techniques in the design of a multi - purpose fabrics career ? In order to shed light on the important concepts and rich in the history of fine arts in general and contemporary design , in particular through the fact - depth intellectual and stylistic aesthetic that characterized the most important features of the Cubist school , goals came search : . 1 - Identify all transitions intellectual movement of Cubism.. 2 - disclosure of technical features and practical designs in fabrics. 3 - Develop design proposals showing shifts of Cubist art and Tabiqatha Fabrics contemporary designs in a multi - functional purpose..The study identified technical changes to the movement of Cubism in the multi - purpose functional fabrics ( woven and printed) of Chinese origin and Turkish as available in the local market of the city of Baghdad and designs of women's fabrics and upholstery from 2011 - 2012. The second chapter , which included theoretical framework , which included three sections covered in the first section shifts the intellectual and artistic movement of cubism , while the second section of Cubism and enforcement mechanisms in the designs of fabrics , and the third section is the impact of contemporary art trends in designs fabrics. As previous studies did not find a researcher study concerning the subject of the search, and so is the search the first study in the field of application of the school Cubist designs in fabrics women - Upholstery, The third chapter dealt with research procedures , which included research methodology , a descriptive analytical and research community , which amounted to (96) model design parameter was selected sample in a deliberate and by 25 % and adult (24) model , has been prepared by the researcher form analysis of the designs fabrics women's Upholstery , which included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter building axes on the form and for the fourth quarter included the results and conclusions reached Albaagesh to the most important conclusions as follows : . 1. Technologies that backs a role in highlighting the verb design of woven fabrics and printed , which represents a shift in the phenotypic characteristics of formal , given privacy in the use of design for multi - purpose fabrics Title ( Women - upholstery ).. 2. The method of engineering and engineering hub dominant trait to show content, as embodied in the processors technical attributes and characteristics of the Cubist art movement characterized by solid and sharp formations in the framework of the formal unity and objectivity. The method of abstract Kmthakq Toy formal and overlap with the geometric method.. 3. The exploitation of space overall as a result of overlap Vocabulary in build formal invested mutual relations between form and space design , which showed both of them as part of the design fabrics women , while requiring upholstery fabrics pronounced in Show content formality and color commensurate with the purpose career Alosthaddama and adaptedto the place. This enhances the transformation of the intellectual and stylistic art cube.. 4. Harnessing the trend All or part of the shapes of the effect corresponds to the privacy level job promising for him , as it is employed in the designs of fabrics women's trends multiple on the basis of their ability to forming and employment are governed by the nature of the raw material and adapted to act Alosthaddama , while confirmed upholstery fabrics on the need to employ the trend one which copes with the act Alosthaddama. 5. Showed most of the designs of the models to harness the attributes of art and design inspired by Cubism analytical second phase , through repetition and diversity of surfaces , colors , style intense and contrasting closer to chaos, but the system , which formed a shift in the structure of the design appeared in the periods required by contemporary visions of design and the need for changes in attraction and excitement in women's designs and upholstery fabrics , followed by the third phase , a synthetic Cubism , which forms produced by the unfamiliar achieved tensile visual composed year.. As well as to ensure the same chapter , proposals and recommendations to ensure this chapter also proposed designs prepared by the researcher access to a computer the possibility of a formal variables and color ways and methods to repeat different , of (27) design proposal which is designed to fit women's fabrics and upholstery.

الدلالات التعبيرية في تصاميم اقمشة الاطفال في العراق من عمر 6 الى 12 سنة == The Expressional Significes In Designing Children Fabric In Iraq Within 6 - 12 Year

Author name: مروان توفيق عبد حميد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تتناول هذه الدراسة الدلالات التعبيرية لتصاميم اقمشة الاطفال في العراق من عمر6 - 12 سنة، والتي اكدت الدراسات الحديثة على اهمية دورالدلالة في تحديد الاتصال المرئي والحسي مابين المرسل والمتلقي (الطفل)، لما تتضمنه من معان تعبيرية وخصوصية وظيفية ليس من الناح | The present study deals with the expressional significance in designing children fabric in Iraq within 6 - 12 year. However, recent studies in this field asserted the importance of the significance role in identifying the nature of communication between the sender and the receiver (the child). It includes an expressional functional meaning shot only in the performance role but, also in the ascetical and artistically role if it has been designed according to scientific studies.Modern designs have been emphasizes on the child and this abilities , interest and tendencies (mentally psychologically and emotionally in the process of design and perform it on printed fabric, in away that makes the child have essential care this process and how to employ the expressional meaning, which has the ability to send the child to the target and the ability to recognize and understanding those meaning i.e. to perform its functional and aesthetical purposes. In conclusion it can achieve the aim of designing idea especially when this idea express the child's environment social , civilization in additional to the Iraq identity and folklore.Accordingly , this study comes reveal the nature of expressional significances in designing the child's fabric, within 6 - 12 year because this age is very important to construct the child's character and his body brain.The first chapter of this study includes the problem which appear the expressional significances in designing child's fabric and the suggested designing which employ these significances. the material understudy were chosen from Iraqi markets during the year 2005 - 2008.Chapter two consists of four sections the first one study the child's fabric as well as the colors and forms section two studied the expression and its meaning according to colors forms and expressional significance and function section three studies the aspects and the stages of recognition development and the basis used in designing and child's fabric. Then the section identify the most important indications of the theoretical back ground and precious studies.Chapter these includes the procedures of the research and the analytical methods being used in the study. The population here represented by 62 designed sample 25% , of the whole population were chosen debility as a sample of the research which concluded by 15 designed samples. These samples were analyzed according to analytical list constructed by the researcher as a tool of the research after it has been validated and granted it readability by the experts and cooper formula.In chapter four the 15the designed samples were analyzed and the conclusion were stated in chapter five which were as follow : 1 - cloth plays a big role the features of the used fabric because the texture adds an aesthetical and functional to the designed fabric.2 - Colors has an essential role to appear the aesthetic of designed forms and achieve symbolic and aesthetical dimensions.3 - Most of the items being used in designing is either from animal nature or a words written in foreign langue’s which in conclusion lack the environment, civilization and folklore of Iraqi child.4 - Most of the significances being concluded from the usage of the designed item were either symbolical or iconic , while most of the designing lack the symptom.5 - The styles of executive , designing , engineering and abstraction were mostly used in the most while factual style were less used in relative with the other style.In chapter five, the second aim were achieved by setting suggested designing followed by the suggestions , recommendation stated by the research and finally the references and appendices used in the research.

الخصائص الشكلية للفضاءات الداخلية للكنائس والمساجد : دراسة مقارنة == Morphological Characteristics of The Interior Spaces of Churches And Mosques (Comparative Study)

Author name: اياد طارق نجم عبود الدليمي
Supervisor name: فاتن عباس لفتة الاسدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ملخص البحثتتشكل الفضاءات الداخلية للكنائس والمساجد من عناصر تصميمية تحمل في بنيتها الشكلية الظاهرة خصائص ذات قيم ادائية وجمالية تحمل في ثناياها الكامنة قيما اعتبارية ذات خصائص روحية فكرية وعقائدية تكون دافعا وعاملا اساسا في تشكيل الخصائص الشكلية الظاهر | Formed interior spaces of churches and mosques of design elements bear in its formal phenomenon properties with values of advanced functionality and aesthetic carries with it the inherent values of corporate characteristics intellectual and ideological be a motivation and a factor based on the formation of formal qualities phenomenon, and in doing so has the form of a motive for the formulation of the research problem of the following : (What are the formal qualities of the interior spaces of churches and mosques?). Hence research aims to develop a knowledge based cares to reveal the variables that affect the morphological characteristics of the elements of the internal spaces of churches and mosques, and through them we hope to achieve the following goals : 1. detection secured performative and aesthetic and expressive elements in the formal interiors of churches and mosques. 2. to identify the morphological characteristics of the variables and find the similarities and differences between them in the interior spaces of churches and mosques. The importance of research through its product intellectual means to study the morphological characteristics and variables in the internal spaces of churches and mosques. It included the theoretical framework of the two sections, the first dealing with it Heritage properties similar to the formal trappings of churches and mosques, as well as the concept of the characteristics and concepts of churches and mosques. The second section has been dealt with by the formal qualities of the various churches and mosques. As has resulted thereafter theoretical framework for a set of indicators which have been used to build a form for analysis comprised two main pillars : 1. formal qualities similar to the decorative inner space between the Performing and aesthetic. 2. morphological characteristics of various decorative elements in accordance with the formal expressive. In doing so it has adopted a descriptive approach in the process of analyzing the four models were selected as intention of the research community. It resulted in the analysis process on a number of conclusions, including : 1. is the internal spaces of churches and mosques, according to the system being expressive environment addresses the conscience of users, manifested within Astrsal Madrkatena sensual to the world of the divine spirit of worship within the projections symbolic and interpretive vision to promote the ideal of absolute heavenly. 2. accreditation bodies engineering regular and irregular, which lead to the organization of the movement to show the status of consensus and harmony in the interior spaces of churches and mosques decorative shapes between anthropomorphism and products related to the style of movement toward the tracks to generate visual drag the case within the determinants of decorative spaces. 3. use the balance of the distribution of structural elements of the design of the forms and motifs that include overlapping relationship is the balance of colors in terms of value, intensity and balance in terms of geometric shapes and inversion symmetry and structural shapes in terms of the overlap in the form of vertical and horizontal determinants Interior spaces of churches and mosques are formed of design elements carry in its formal phenomenon with advanced functionality values and aesthetic properties carries with it inherent valuable legal personality with intellectual and ideological spiritual characteristics be a motivation factor mainly in the formation of the formal properties of the phenomenon, and in doing so has the form of a motive for the formulation of the research problem of the following (What are the formal characteristics of the internal spaces of churches and mosques?).Hence the research aims to develop knowledge base cares to reveal variables that affect the morphological characteristics of the elements of the interior spaces of churches and mosques, and which can be used to achieve the following : 1. disclosure of content, performance and aesthetic and expressive elements of formal interior spaces of churches and mosques.2. identify morphological characteristics of the internal spaces of the variables by finding similarities and differences between the churches and mosques.The importance of research through its product intellectual means to study morphological characteristics and variables in the interior spaces of churches and mosques.The theoretical framework of two sections included, the first part, it dealt with the heritage of the formal characteristics similar to the trappings of churches and mosques, as well as the concept of morphological characteristics of churches and mosques. The second section has dealt with different morphological characteristics between churches and mosques.The theoretical framework has resulted in a set of indicators which have been used to build form for analysis included two main pillars : 1. morphological characteristics similar to inner space between the body and aesthetic performance.2. different morphological characteristics according to the formal elements of expressionism.Through it adopted a descriptive approach in four models were selected from the community is my intention to search the analysis process.The analysis resulted in process on a number of conclusions, including : 1. The interior spaces of churches and mosques, according to the system being expressive environment addresses the conscience of users, to manifest within Astrsal sensory Madrkatena to the world of the divine spirit of worship within the projection symbolic and interpretive vision to promote the ideal of absolute heavenly.2. Adoption of regular and irregular design bodies that lead to the organization of the movement to show the compatibility and harmony in the interior spaces of churches and mosques case between decorative shapes anthropomorphism and products related to the style of movement toward the tracks to generate the case of visual attractions within the determinants of the internal spaces.3. Use the distribution of structural balance of the elements of the design of forms and motifs that include overlapping relationship is the color balance in terms of value, intensity and balance forms design in terms of symmetry and inversion and structural shapes, from where they overlap in the form of vertical and horizontal determinants.On the basis of the findings of the study findings and conclusions. The researcher to submit a design models (my design proposal) the similarity and difference of churches and mosques, is extracted through scientific and cognitive theories associated with the formal study of the decorative features (performing and aesthetic) for interior design.

التوجهات التطبيقية للهندسة الحيوية وعلاقتها بتصميم هيئة المنتج الصناعي == Orientations of Applied For Bio - Engineering And Their Relationship For A Body

Author name: يوجل عبد الحسين فارس
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تاتي اهمية هذا البحث من خلال دراسة بعض منتجات التصميم الصناعي من منظور الصحة البشرية برؤية حديثة للاشكال والهيئات التي تتخذها المنتجات الصناعية عموما والالكترونية بشكل خاص، ولهذا يعد البحث اول دراسة من نوعها على نطاق القطر وتفتح بابا واسعا امام المصمم | The importance of this research is come from through the study of some products of industrial design from the perspective of human health with a modern vision of the forms and the bodies taken by industrial products in general, and the electronic in a particularly , for this reason, this research is the first study of its kind on the diameter range , and it’s open the wide door in front of industrial designer to design their product on the basis of health controls , and it also encourages researchers for future studies so kind of studies that affect human health and the environment.As for the research problem has been determined in accordance with the question about the nature of the relationship of the link between the science of industrial design and science of BioGeometry.As the objectives of the research were directed at determining what Biological Engineering configuration (BioGeometry ) and application areas.The shed light on the mechanism of the relationship between the Engineering science association forming vital science (BioGeometry ) and the industrial design science in general, and the industrial product particular , in order to achieve success in dealing with the energies of vital human energy, to reach the objectives of the research were to be addressed to the three basic sections in the theoretical framework.The first section, which included them on the basics of Biological Engineering configuration and application areas and its relationship to other sciences , the second part address, the relationship bond between human and industrial product with BioGeometry perspective , In the third section dealt bio - engineering configuration (BioGeometry) and its relation to industrial product authority , and in the research procedures followed the descriptive approach in the analysis of samples , according to the analysis and form developed by the researcher based on the indicators that resulted in a theoretical framework, and The research community has included products for electronic devices for various international companies specialized electronic devices during the years (2008 - 2012), the research sample included (5) models of electronic devices , they are : (Mobile device , Laptop , i Pad , Audio files player mp3 , And electronic games player Mp5 and resulted in the process of analyzing the sample models among the results of the most important of which is : ــ The form taken by the industrial product profound impact on human health, according to their interaction with bio - energy. ــTo achieve a positive dynamic interaction between human and industrial product must be the dimensions of the product conforms to the golden ratio, and this was not fulfilled in analyst models. ــThere is a close relationship between two - dimensional shapes and three - dimensional in terms of dealing with the bio - energy and bio - quality impact on humans, as the shape with dimensions similar issues vital energy for the same three - dimensional shape, but by less.ــ Some species of jagged lines or abstract clear impact ability to accelerate healing some physical ailments in the vital organs in the human body, and activate the psychological or mental cases if employed in the industrial product. The most important conclusions reached by the researcher were : ــThere is a wide range of reconciling aware of the overall design and design BioGeometry gender. ــOf the main reasons that led to the deterioration of the overall health of mankind is its reliance on technical development at the expense of human health.ــThere is a wide range of reconciling aware of the overall design and design perspective BioGeometry starting, or through the addition of some amendments to improve some aspects of the products that have not heeded to aware BioGeometry.ــ There are constants design know the language of nature In the selection of colors, shapes , proportion and tunes..Etc. Equality of all members of the human race and Does not distinguish between religious , ethnic cultures, linguistic and cultural in preliminary step But can be employed and aligned with the designer as he deems the only target community as a secondary step attached And not as a principle basis prior to the first principle of design also establishes his general perspective.ــ Balance and proportionality have certain parameters in the overall design but the BioGeometry design have strict determinants Must be taken into account if the targets fit of some kind Or the balance in accordance with a specific target..After reaching to search results was to put some of the recommendations and proposals.

التنوع العلامي في بنائية الملصق المعاصر == Diversity of Signs In Constructivism Contemporary Poster

Author name: ثامر حميد رزوقي
Supervisor name: شيماء كامل داخل الوائلي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Sign represented a kind of visual language immemorially , which has been long drawn by the old man to express those Moot memory that he has stockpiled for the assets around him exceeded the net assets of around. So he began painted on the walls of caves and has added and deleted portions of the forms previously that its product mentally to give her a tangible dimension and could be the core that merged emotions and feelings, yet over Ages and keep up with environmental changes need to visual language has become an urgent need to document the humanitarian implications as a way to linguistic transfer and document the concepts of civilized several were the interim necessities which manages the changes of events of the most important reasons for this finding language that participated with one goal which is to express ,With the advent of the Industrial Revolution multiplicity of trade exchanges between the peoples and to understand the nature of the products and discrimination issuers of goods and what to use andunderstand the purpose of the acquisition, the mark grew as a means of tariff, and the passage of time and the widening amid the economic environment, which is the prime mover of all that happened and is happening from social and cultural variables, it was necessary for this language to grow and grow to include other areas of life and wide The means of communication that evolve gradually according to a major role in the spread of this visual language, which included formations in the form of countless natural assets and innovative forms of time And considered the intellectual propositions of different types and orientations that are competing in the shortcut receiving time and install the meanings to be delivered to the public reeducates, fast and effective and productive manner as a kind of language which is based in the mark approach contributes to the detection and patterns of expressive implications. And this language is in an existing design on which the communication act, and in the poster is a diversity in the use of these marks one of the main factors that contribute to the interpretation and the interpretation of the hidden connotations with it by holding a series of intellectual and objective factors, the main supporter of the requirement for ad idea. That diversity in the media contributes to design posters to highlight the good and meaningful ideas, as it is an attempt to overcome the prevailing function poster concepts without dropping the social trends of the individual recipient, as well as, this task can it achieve its goals by relying on technical expertise and awareness and to go beyond the limits of art forms and move it to the substantive terms of innovation, which can grow to the growth of the idea within the artistic process The diversity of the mark in the label would be listed from interpretive reading of no compromise biography tells the other features a capacity of its surroundings and the multiplicity of readings So the researcher found a possibility to raise the following questions, and scope to identify the problem of the current search : How can the diversity of marks be shown in the structure of a poster?. he current study is designed into three main chapters, the first includes the problem, aims and definitions of the study. As well as suggested designated models that can illustrate the meaning of the diversity of marks in designing a poster. The study is limited to study the diversity of marks in designing a modern poster as a subject, the posters of the exhibition ( world without violence ) as a special limit and the academic year of the study was (2014).The second chapter of the theoretical framework as it was divided into three sections, the first dealt with the diversity of marks and designing as a concept and approach through the study of diversity of technical and objective dimensions and diversity of an idea and the relationship between unity and diversity. The second topic touched upon the concept of the mark and its nutrients , divisions and their implications and the mechanism selected, composition and factors affected in functioning and exposing tosemantics of those marks and their symbolic dimensions, and the third section was dedicated to the study of structural poster and included the design structure and types and levels of properties achieved, and also structural poster and its objective aspects and its typographic and graphic elements, and the study indicators relating to the ethics of jurisdiction, including : There is no communication by signs without the presence of a poembehind the act of communication and without the presence of creativity or without the presence of synthesis of signs, as the good mark urge to communicate, being considered compromise a vector for the experiences and the culture of a community man - portable inside as cultural connotations..Conversions in the structure of the poster arise from the inside through the forms and spaces of color in them and interacting broadcast interpretive biography that will change the mental image formed by the individual and the creation of an area of broadcast interpreted formula sings advertising message..Marked poster is a way to pay public poignant and expressive and developer of consciousness and have the ability to create ranges of interpretation and enjoy through the implications of what it has of connotations and the ability to blow up new ideas moving towards the overall bias for creativity... And the third chapter include identifying research methodology or procedures to choose the descriptive approach, a chapter on the structural analysis of the signs of mechanisms, then the researcher analyzing search patterns and number (18) a model in the fourth quarter to reach a number of findings. Invoking the mark in the poster to my design a system that has the ability to represent the reality of inhumane retained by a designer to create a structural formula Tagged interact with him, as the structural mark value embodied in the label, according to the formal structurebased approach in the embodiment of intellectual given... Alternate levels, according to the structural analysis of the forms that have been functioned and design a system that is used by the designerand according to the nature of the reality of interim necessities and needed to be embodied, representation iconic or the indicative or symbolic.. The researcher concluded : that embodies some diversity methods the mark resulting from the diversity of formal and chromatography in the implicit and motor and mutual and closed space with the rule of one or more elements and their interaction with fixed and non - fixed elements, in placed and the idea of the poster as well as the selection and production of brand, controlled by environmental factors and community prevailing addition to the psychological factor and cultural heritage and trends interim ruling, as the researcher developed the foundations of design to achieve the second goal.. Then the researcher presented a set of recommendations including : pay attention to what result his brand interaction through the issue with the rest of the labelcomponents with interest in the subject basic idea, and attention element sovereign of the mark in the label because of its role in attracting attention and shorten the reception time, and take care side of the drama of the mark and its role in moving the feelings of the recipient, and focus on the objective aspects experienced by modern man of societal changes and political challenges and security and social in the framework of its environment and the embodiment of its implications technically a way that makes a poster of the importance of graphical directly pose the kind of language that translates it faces daily problems and challenges. The researcher has also drawn a set of proposals, including : .1. Studying the manifesting implementation and selection of the mark in the mark design methods. .2. Studying brand structure in the mark and its role in fomenting the recipient.3..Studying deliberative mark in the poster..Then inflicted Find a list of sources and supplements related to the study.. English abstract..

التمثيل الرمزي الزماني - المكاني في تصاميم الاقمشة النسائية المعاصرة == The Symbolic Representation of Temporal - Spatial of Women'S Fabric Design Contemporary

Author name: زينب عبد علي محسن الزبيدي
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: جاء موضوع الاطروحة الحالي للاجابة عن تنوع تصميم الاقمشة كنشاط ابداعي يتضمن الرابطة للزماني_المكاني لكي يتاسس في ضوءها التمثيل الرمزي للجمالية او الوظيفية وفي ذلك تضمينا عن الحقائق والقضايا الحياتية ليتحد شكلا ومضمونا تجديديا قائم على هوية وثقافة الم | Design as a science has its aspects Fine and functional, and has taken form and content new express the spirit of talking through the use of the all - new data the development of scientific and technological era, so the design is a creative activity includes innovative data in the fields of humanitarian needs, which may be aesthetic or functional, is Method on two types of varieties stuff their relationship Fates symbolic representation through this link and be Taming expressing the facts and issues of life Aloha based on the identity and culture of the community in a particular place and time and therefore have the symbolic representation expressing these cultural artifacts, including General Arts and designs fabrics in particular Time, place and in printed forms manifested leads us to the symbolic representation. Intends to research problem in the symbolic representation of the absolute and not subject to the laws of age to understand the full understanding of science. It is almost human understanding of the meaning of existence to go to the knowledge that endless expressed stretch between the outer his world and his world creative represents things and meanings in different modes of Altmthel.ohms creative activity is a set of mental skills like thinking, accompanied by a high sensitivity that will contribute to creating suitable climate to imagine or visualize innovative form, and is subject to building shape of the operations of the mental and visual thinking to organize the vocabulary of lines and spaces, colors and spaces are manufactured pattern is visible, and in accordance with the foundations and private elements of this figure comes out in the form of aesthetic organization, stages of thinking is based design in two phases of two thinking mental thinking (mental) and think mental is the first design stages as directed and motivated to process design symbolic representation expresses the extension between the world outside the designer and his world creative represents things and meanings in different modes of representation across cultural shifts across times and places in successive communities, based on the foregoing progress the researcher asked her questions as contained in the first quarter, which included the research problem and its importance are as follows : 1. What are the attributes of the symbolic representation in the light of the time variable in the design of women's contemporary fabrics?2. Maahmah spatial and temporal environment in women's contemporary designs fabrics?3. Does the symbolic representation is based in fabrics Women contemporary trend designer of innovative self - expression in different times and places?The objectives of the research were identified as follows : (1) detection of symbolic representation Alzamani_ spatial designs in women's contemporary fabrics. 2 - identify the tendency of self - expression of the designer in different times and places. 3 - identify the extent of the compressor role ideological or cultural or historical in the symbolic representation of women in contemporary designs fabrics.The search has been identified limits of the substantive limits : the symbolic representation of temporal - spatial designs in women's contemporary fabrics. And temporal boundaries : 2013 - 2014 and the spatial boundaries : Fabrics Arab and international fashion houses. And then went to the researcher to identify discussed terms.The second chapter guarantees the four topics dealt with in the first part, the symbolic representation of the meaning and concept of the second section, which dealt with the symbolic representation of time and place in the women's cloth and then the third section, which included time assets and representations symbolic designs women's fabrics and finally the fourth section, which dealt with the structures of time Avatar in the design fabrics women and the most important Masaya his theoretical framework. Then the third quarter, which contained the methodology and procedures for research and analysis of the research sample models. And finally the fourth quarter, which included the most important results that came out of the researcher and most important : 1. The most representations Avatar in the sample representations models Inspired stylists from the environment vocabulary heritage abstract engineering has represented symbols of communication and interaction with the environment is part of the community and covenantal, as varied representations Avatar depending on environmental factors can be varied with shapes and symbols quoted representations of Avatar move spaces own environmental symbolic representations of the universe and the creation of new relationships to formations as in models (2, 3, 8.5.(2. afternoon the use of representations space - time belief of the Islamic ornamented lines Arab Varmus represented open to interpretation formula varied interpretations and meanings varied dramatically, life and semantic provided metaphors rhetorical and wide to reach some of the meanings that he expresses his ideas through art and design, and one of the features of this interpretation out icon of the present time and positioning in future. As in the models (1.2, 10).3. The direct and indirect effects closely related to the environment, social life and formed the identity of the symbols used based on environmental factors through affiliation designer geographically and environmentally Vest affiliations and identity expressive code Knot representations symbols creative place environment consisted of symbols derived by the designer of nature which may components and varied vocabulary, as in the models (2.3, 5 and 6.9).4. characterized by decorative shapes and representations Avatar used in the models character civilized formative for several civilizations mixed with different cultures, including Islamic, which took Urbis character, Avatar has represented human practices in any culture was, which produced a reality and not flipped him, because he is one unit associated with a number of relationships constructivism, intellectual and space - time and formed its content within a single format and mingled performance art in which cultures and times and places, as in the models (2.5, 8, 10).

التفكيكية وانعكاساتها الوظيفية والجمالية في تصميم الفضاءات الداخلية == Deconstruction And Its Repercussions Functional And Aesthetic In The Design of Interior Spaces

Author name: رياض حامد العجيلي
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: في خضم المتغيرات العلاقاتية للشكل والنتاجات التصميمية, تبرز ضرورة البحث عن الفكر التصميمي الذي ترك بصمات ذات قيمة جمالية دعت الى اعادة وتعديل الرؤية الى النتاج التصميمي على مستوى العمارة والتصميم الداخلي بما تم تسميته بالتفكيكية, | In the midst of variables relational of shape and Actual design, there is need to search for Thought design that leave fingerprints with aesthetic value called to restore and modify the vision into production design at the level of architecture and interior design of what has been termed Deconstruction, which adopted the standards and requirements for pro forma unusual mental contributed thus in achieving formal configurations refer figure to design formulations and exotic representations on the level of relations and then Association emphasis on the case of creative Acceptance and Satisfaction by the receiver. Therefore, select the question the researcher from which embody the problem of current research, as follows : "What is the possibility of activating variations and transformations of configurations and shapes that deconstruction Adopted in the design of spaces Interior? What are the variables of formal and relational approved and participating in the design clastic and who can be conducive to the values of aesthetic and have a functional indicators? ". Therefore objective of this research was to determine methods of design orientation to deconstruction and his variations formal and transformations in the design of interior spaces in the light of changing intellectual and technical development of contemporary, including doing the functional aspect and beauty. In order to reach the goal Search are four chapters address the first of which the research problem and its significance and purpose, as well as its borders and determine the terms contained. The second chapter included previous studies and the theoretical framework which represents four Detectives, taking the first of which Deconstruction strategy and concept of philosophical and intellectual properties. Then came the second part, the functional efficiency of the deconstructive method in the field of design. While Included the third section deconstructive manner and effectiveness of the aesthetic via changing formal and relational. The fourth section was singled out in dismantling an application strategy in the art of contemporary interior design, and then access to the indicators. This included the third chapter research methodology and procedures, as adopted descriptive analytical method to describe models of research and analysis, also included chapter research community and appointed by intentionality and tools, notably the form axes analysis, as the researcher design form analysis set included axes to cover the mechanisms analysis of the models chosen. And finally came the fourth chapter as it ensures the findings of research through a process of analysis and discussion, then exit conclusions with the group to make recommendations and several proposals. One of the main conclusions of the research are : 1. Deconstruction strategy was adopted on the formality values and a completely different standard dimensions of what has been the traditional formal systems earlier, as a kind of change on the level of formal discourse.2. Characterized design ideas thought design for Deconstruction strategy to adopt the principle mechanisms re - design as a feature and a key pillar within its own principles. 3. Confirmed the pioneers of deconstruction via his Products design on a graphical properties created for itself an active asset at the application level as (strangeness, mystery, excitement, smashing,..). 4. Coupled with most contemporary technologies deconstructive design, because of the nature of the approved premises in this strategy.

التصور الذهني وفلسفة التشكل في التصاميم الكرافيكية رباعية الابعاد == Intellectual Conception And The Philosophy of Formation of Four Dimensional In Graphic Design

Author name: فلاح حسن علي العتابي
Supervisor name: سعدي عباس كاظم
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Researcher found the importance of studying the topic of Intellectual and structural design idea in graphics designs, because not to address this issue by scholars, and the researcher presented his thesis tagged (Intellectual conception and the philosophy of formation of four dimensional in graphic design ) to fill Containment of research.The Thesis has four chapters. The first one talked about the problem in the search centered on President (Formation of the design process and design construction) and respect which the steps and rationale invent designer, and adoption of any level of thinking. And show the principles and the methods of intellectual, philosophical, and the relationship between philosophy conception in graphics four - dimensional designs, and procedural dimensions associated with the practical application.This chapter discussed the objectives of the research, which was to identify the vision intense evidentiary of intellectual conception, and accordance with the basic foundations of functional building and aesthetic considerations.The second chapter, focused about the theoretical framework of four sections, the first one, explained the subject (fantasy and building of Intellectual and creativity, and apply the creative process, as relates with Intellectual conception of design, perception and form, which active the problem. Therefor this study contributes for understanding the stages of design process.The second section, the researcher talked about the idea and thinking appearance. And then reaching to goals of design. That’s means the design specified direction of our thinking during the problem subject, and also helps us to focus for reaching and getting a short and easy ways.The third section talks about essential of philosophy and characteristics, as well as philosophy of shapes and philosophy of formation in design. As it, the philosophy adopts on the shape roads, thus; the designer Realize the value and elements of design Aesthetics.The fourth section contain the four dimensional in graphic design, The importance of regulation in design Aesthetics, also the researcher talks about two &three dimensions in graphic design. Then Focus concerning four dimensions through his studied the Movement and time in design.Where the researcher find, the Cognition for four dimensional creates Integration with Environment, then humans and them Movement, subsequently, the Construction stage Linked with design, during the time which creates the four dimensional in graphic design and their related with the roots of design.The third chapter included measures research, and researcher chose for community of research as studying “self - Selection” for analysis methods , which is most appropriate ways to achieve the objectives of the research, by expressive and aesthetic effects.The fourth chapter has results of research. As follows : The movement is receiver eye, and it’s a part of four dimensional realizing processes. Through the expresses and time. The four dimensional meaning in graphic design as movement and space depth.In this chapter also have research results discussion, conclusions, recommendations and proposals.The study revealed results including : that the four - dimensional design in graphics, its temporal dimension is very closely with movement and physically dimension in two & three dimensions designs, through the visual process.The researcher find after simple’s analysis, most of them has an aesthetic structure, while there free selected uses by designers during control of design styles. Through diverse methods and units.The end of research is References

التراكب الصوري ودلالاته الايقونية في تصاميم الاقمشة النسائية == Image Overlapping And Its Iconic Connotation In Designing Women'S Fabrics

Author name: الهام طاهر حسين معله السعيدي
Supervisor name: هند محمد سحاب العاني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تصنف الصور الى فئات زمنية تاريخيه مثل الصور القديمة المرسومة والصور الحديثة وهذا التصنيف ليس مجرد نظام للتصنيف الزمني وانما هو تصنيف لصور واضحة ومتميزة من نمط التصوير والاسلوب , وعليه فان هذه الصور التي تغرينا بسحرها ماوصلت الينا الا نتيجة مراحل طويلة من | Images are sorted into historical time categories such as the ancient and the modern image, and this classification is not just a system of time classification ,but it is classified for clear and distinguished image of picturing and style pattern, thus these images that are tempting us of their charm which do not reach us, but as a result of long stages of thinking , production and transformation, the human proceeding considered a textile of diversified developments in their expressions and connotation, and the man proceeding was coincide with continues growth of the image opulence, and the optical heritage along the human history, and the process of seeing theses images and re - presenting this vision being represented as a process via which something replaced another thing or denoted to it as alternative, it was accompanying the man since ancient times with the development of time, the beginning of the digital image with the initial drawings covered the cave walls, then the drawings included in compiles and manuscripts and with the invention of lenses and discovering the picturing opinion embodied at last in the forms of image or what is called at that time the photography, and with the advancement of time, the overlapping of image has become one of the advanced arts via involving the image in the printing world and has become indispensible element and with the appearance of the digital processing, subsequently, the image has started in the printing world and has become element in which the image has transformed into creative work working in the scope of digital processing, subsequently the image has proceeded another trend, working via iconic connotation working in the field of fabrics amongst the women's fabrics, and it is the basic via which the research is moving which is determined with the following question : Does the photographic overlapping and its iconic connotation has effective role in designing the women's fabrics that realized its esthetic and functional dimensions ?The research has contributed via its importance as follow : - 1. It could contribute in detecting the photographic overlapping and its iconic connotation in designing the women's fabrics.2. It could contributed in developing the design performance for the fabrics designers especially in aspects of preparing the idea and generating design subjects raised the Iraqi design level both in form and content.3. It could shedding light on realizing the scientific and artistic utility for the learners and those interested in the design and technical field in the technical and technological colleges and institutes in the specialization ( fabrics design). The research is seeking for realizing the following objectives : 1. Detecting the photo graphic overlapping and its iconic connotation in designing the women's fabrics.2. Set design suggestions in which the photographic overlapping mechanism is mobilized in designing the women's fabrics.The dimensions of the research represented in" designing the women's fabrics which bear design of photographic overlapping of its iconic connotation of( Turkish and Chinese) origin available in the local markets for Baghdad city within the period from 2013 - 2014" The second chapter includes theoretical frame consisted of three categories, the first one displayed the imagegraphic iconic of the image and its role in designing the women's fabrics, and the third category discussed the artistic , appearance ,executive technology and the digital processing in designing the women's fabrics, and then extracting the most important indicators from which the theoretical frame produced followed by the previous studies and discussing them. The procedures of the research was specified within the third chapter via adopting the descriptive approach to analysis the sample models amounted(95) design models, from which excluded(47) design model, being similar and repeated in showing the design content and the color variables which do not realize consistence with the Iraqi society environment, and the remaining was(48) represented the sample of the original research, upon this the selection of the model deliberately of percentage(25%) where the number of the model(12) design models distributed due to the country of origin and the technical appearance. And the instruments of the research have arranged, represented by a form of pivots analysis, depending on the indications of theoretical frame, thus they are arranged by the researcher with the aid of the supervisor, and approved by a number of experts upon which the analyzing of the sample model was done, then obtaining its stability and also analyzing the sample models of the research in the chapter according to the pivot of the form, as for the forth chapter which included the results, and the conclusions the researcher has realized , and most distinguished of them are : 1. The iconic connotations which are considered of the design necessities that are indispensible in designing the women's fabrics being of expressive and esthetic energy and its relation could be controlled to reach more effective results.2. The iconic connotation in the image and its relation with each other especially the color and the space relation with the form ,frame and framing relation, concise, concentration and the perspective.And the chapter it self included the recommendations and suggestions, besides the Arabic and foreign sources, appendixes, abstract, the front page in English language.

التحولات التعبيرية في تصميم ملصقات ما بعد الحداثة == Expressve Transitions In Desing Posters Postmodrn

Author name: احمد عبيد كاظم سلطان الغزالي
Supervisor name: انتصار رسمي موسى | عباس جاسم حمود
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناول البحث التحولات التعبيرية في الفكر الفلسفي والجمالي ودورها في كل من حقبتي الحداثة وما بعد الحداثة , واثرها في توجيه اليات الاشتغال في تصميم ملصقات مرحلة الحداثة وما بعد الحداثة , وقد تضمن البحث اربعة فصول اهتم الفصل الاول بالاطار المنهجي للبحث متمثلا | This thesis tackles (expressive transformations in designs of post modernity posts )and it studied the expressive transformations of the philosophical and aesthetical and their roles in both eras of modernity and post modernity also its role in guiding the mechanisms of operation in design of posts during the eras of modernity and post modernity. The first research consisted of four chapters, where the first interested at the Methodist form of the research focusing on the problematic of the research which was determined by responding to the following question : what are the expressive transformations in design of post modernity post? The first chapter contained the aims of research which were uncovering the expressive transformations in design of post modernity posts, while the limits of research limited to the study of expressive transformations in design of post modernity posts and analyzing of pictorial samples of cultural posts represented the movements of expressive abstract, folk art , visual art ,minimal art , conceptual art , hyper realism , superlism and graphic which appeared in USA and Europe during the era 1970 - 2000 where the analyzing was conducted depending on descriptive and analytical approach through philosophy , aesthetic and acknowledgment vision within its theoretical and procedural dimensions. The second chapter included theoretical frame consisted of three research where the first tackled the expressive transformations conceptually and aesthetically. It contains ideological , aesthetical, formal, stylistic, functional transformations beside the transformations of meaning , concept and technician. The second research dealt with the pillars of expressive transformations during the eras of modernity and post modernity while third research talked the expressive transformation in designs of post modernity posts. The chapter was concluded by discussing the quotations from it in order to be used in analyzing the sample of research. The third chapter contained the procedures of reaserach where it contained the culture of research , sample and research tool then analyzing the research samples (16 ). The fourth chapter contained the findings and conclusions of research beside the recommendations and suggestions. The most significant findings of research : 1 - The expressive transformations of the post modernity post distinguished with rejecting the central authority , expanding over the ideological and value structures also they rejected the separation among multi contrasting dualities and that means rejecting the logical of existence or believing in the Universe teleo. 2 - In the ideational side, the post modernity posts distinguished with interpreting the texts ,destabilizing the fixed meaning and diversifying the readings with teleo text which depends on inner necessities where it is allowed to the receiving to form unlimited readings. 3 - In stylistic transformation, the expressive transformation distinguished with mixing between the subjective and objective as a hybrid way quoted within structural and compositional procedures by using borrowable elements from multi cultures. 4 - In functional side, they confirmed the expedient, marketing and circulation of the post. 5 - In technical side, they distinguished with what confirms the trial side of the varied technicians such as printing with words and using digital technology as a tool. The most important conclusions reached by researcher : 1 - The expressive transformations of the post modernity posts came to uncover new sides in the reality emerging from the desire of man in transforming , expressing and rejecting for what circulated and common and they are shifts in the structure of thought being it is the main and active generator in each transformation aiming to smash the acknowledgment structures with others to reconsider in majors and generals. 2 - They came with the side of formal transformation toward the borrowable form which stipulates the necessity of rejecting all what related to the ideology and conventional theoretical formats which are far from social humanitarian concepts. 3 - They came within the transformations of simple and conception in connecting with the icon of cheap format requested by commercial market dominated by capital powers and their media institutes where all of them call for cultural project basing on refusal aesthetics and contrariness. The researcher referred to a set of recommendations and conclusions beside indexing the references, indexes and the abstract of researc

التكنولوجيا الحديثة والتحول الوظيفي في تصاميم الاقمشة والازياء == Modern Technology And The Functional Transformation of Fabric And Fashion Design

Author name: وسن خليل ابراهيم حسن
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The current study entitled (modern technology and the functional transformation in fabric and fashion design), addressed the issue of functional transformation in the design of fabrics and fashion as a result of the introduction of elements of advanced technology in the composition of Textile and fashion, which led to a shift in the functional forms included aspects dimensions multiple and variable climate applications and type of material used in the industry and the implementation of the fabrics.As it addressed the problem of the study researcher questionably was to the effect : Does the modern technological developments role in achieving a state of functional transition in fashion fabrics and design? The objectives of the study identified two goals, the first : is to identify the technological elements that were introduced to the design and fashion fabrics, which led to shifts in functional structure. And another : is to identify the kinds of transformations that have occurred in functional fabrics and fashion designs as a result of the entry of the technology. Has addressed a researcher at the board thesis topics related to minute to collect information about the aspects addressed by the study, as it focused attention in the first section of the Metn on the basic concepts of the technology, and disability - tech technology and the relationship of technology to science, and the centrality of technology in the design of textiles and fashion. In the second part, researcher dealt with all the technological advances that entered into the textile and fashion design elements changed the physical structure of synthetic and textile fabrics. In the third section, the researcher dealt function relationship and the relationship of technology transformation concept functional dimension of Fashion and Textiles, and identified the basic aspects of the design concepts that emanate from a recipe change and transformation and associated interest and benefit. The researcher also linked in this section of the aesthetic value of Textile and Fashion performative dimension to it, which is quite different from the formal dimension. In the third chapter, the researcher identified the research community Bntegat Yonsei University and NASA space science, because it's the guardian institutions that are meant to develop fabrics and fashion to advanced technological levels and provides jobs for mutant versions of the functions of traditional textiles and fashion. And then the researcher has analyzed the research community, and reached a number of findingsand conclusions of the most important : The most important results1. Had to use materials with sophisticated structures of the technological levels of its role in creating turnovers and in the design of functional models of the research community, through the adoption of innovative methods in the manufacture of new materials and methods to be employed to find jobs vary images contrast Employment and design.2. The shift in the functional nature of the research community models, in turn, led to a shift in the nature of aesthetic, stemming from a shift in how to receive judgment on the photo images of metamorphic fabric and fashion design.3. The nanotechnology, and specifically the possibility of hiring ores have the ability to sweat and odor treatment, as reported technology dimension of it in the design of fashion fabrics and be able to evaporation of sweat, and change to the other odors proportionate and emotional nature of the wearer. Which in turn, such as a shift in the nature of functional fabrics and fashion.One of the most important conclusions 1. The ability of modern technology to find materials and raw materials have the ability to perform new functions, and can be employed in the composition of textile fabrics for fashion, it stems from the evolution of scientific knowledge at the level of thought, design, and other disciplines which found its place an applied in the structure of the material, which was born prospects for employment Technology and the potential for large shift in functional formulas for fabrics and fashion designs. 2. That all investments technological dimensions of scientific and stylistic, were the result of the transformation of the concept of the need for humanity to another exceed spammers generally accepted methods of satisfying that need, and that was taken away material outward and inward in the structure of production design of fabrics and fashion, due to meet by one or more of the requirements of humanitarian need changing.3. The use of variables materials that originated from the evolution of scientific knowledge regarding nanotechnology forms and manifestations multiple, was the result of Thumbnail materials used in the manufacture of materials to Almqayas Nanaoa which has to utilize them in finding fabrics and costumes have the ability to manipulate the concept of environmental change or physical to the wearer, and these developments The result of the exploitation of cognitive development in the scientificstructure of different disciplines, which found her Ssaliba and modern techniques introduced in the compositional structure of fabrics and designs fas, which generated a remarkable transformation in her career form

البنى الارتكازية لفن التصميم الطباعي المعاصر == Infrastructures of Contemporary Graphic Design Art

Author name: دينا محمد عناد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The art of graphic design from more arts modernity which appeared beginnings in the nineteenth century and the evolution in the mid - twentieth century, the owner of this development a particular focus on the development of theories of knowledge, bring about the way the designer base model represents a built anchor, any (ground knowledge firmly) based upon The art of design, and can not be achieved without taking into account the design of these structures and aesthetic value to the success achieved by the design. Although the essence of the design idea is gaining value only the veracity of the results that can be achieved at the application level and then detect the role of the creative process, which is often coupled with the idea of design, construction and technical design meets the requirements of the message and influence in the receipt.Based on the foregoing, this study comes tagged (the infrastructure of contemporary graphic design art) to clarify the subject through the four seasons, which included the first chapter, which has been allocated to research methodology on the research problem identified by asking the following ((What are the key pillars upon which the art of graphic design as a theory ))? The objective of the study ((Essential for building the foundations of the theory of the art of contemporary graphic design)).It also included the importance of research and the limits of research as well as identifying terminology.The second chapter includes a theoretical framework and previous studies, they did not find the researcher taught by a previous study approach to the subject of current research in graphic design, so this study is considered the leading theme in graphic design.The theoretical framework has included four sections focuses First research on (a brief history of the graphic design art), and focused the second topic on the (Strategies graphic design) and ensure that the third section (Features theart of graphic design on according to the intellectual trends of contemporary), while the fourth section guarantees the (Modernity and postmodernism in graphic design). This has resulted in a theoretical framework on several indicators. The third chapter is devoted to research procedures as researcher followed the descriptive method and the method of content analysis for the purpose of monitoring phenomena. Means of objective critical analysis of each model separately, to reach accurate results. It ensures the research community a hundred and fifty (150) culturally poster technically universally contemporary publications on the international information network (Internet), countries (Germany, Holland, Switzerland, France, USA), which included the years (2004 - 2014) and due to the capacity of the research community, and the multiplicity specialties areas posters cultural art, arrogating the researcher exclusion of (100) poster depending on the way (not the probability of intentional) in the selection of research models, bringing the number of models of the sample (fifteen 15 culturally poster technically worldwide) Elected out of (50) Model for the purposes of analysis, (33%) of the research community overall, with three posters for each state. For the purpose of analyzing the sample form was designed to determine axes analysis, which was approved by experts and was based on the analysis of its clauses. And ensure that Chapter Four of this study was to review the results and conclusions for research, and the most important results : - Was to determine the infrastructure of the theory of the art of contemporary graphic design : - 1 - Reliance on cognitive theories, especially the new objectivity, which confirmed the technology and manufacturing processes and function. The purpose of design, and sobriety and strength in design and visual communication to mind.2 - Designer culture that rely on the construction of knowledge. 3 - Rely on innovation and artistic creativity to achieve the image of visualculture. 4 - Accrediting simplicity and abstraction and symbolism.5 - Employ modern technologies in order to serve the idea and content, to bring the power of visual communication and cognitive, by addressing the fonts and color values, and linking elements and styles of design to achieve movement and tensile visual, in order to serve the idea and secured to the success of the design work.6 - Recruiting employ methods of design elements and characteristics of intellectual and aesthetic, which is the language of design.7 - Verb match career with the formats for design aesthetic expression. 8 - Employ metaphor in the formal design built to achieve a synthesis based on visual discourse, bearing dimensions intellectual and aesthetic contribute to the understanding of the structure of the underlying design.The main conclusions of the research : - 1 - Activating the role of the recipient in the field of fiction and the future vision, and read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge, and to make it mainly in the construction of knowledge. 2 - Achieved a designer horizons and a new perspective in the presentation of design work, so as to break the traditional context, by relying on inspiration, a theories of artistic creativity and application of discovering the same fantasies and imaginative jets occur suddenly, to achieve the image of visual culture and linked to the contemporary.3 - Resulted in graphic design strategies to build a knowledge base, any emphasis on theoretical knowledge to work as a precedent Executive, to achieve the anchor structures, based on the culture of creativity and innovation, and to identify the strengths of the unique design of the building implementation approach and the development of future standards work.It is then incorporated the recommendations, including : 1 - Emphasis on activating the role of the recipient to read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge.2 - Introducing new systems design using a new method of connecting elements and coordination among them ensures the effectiveness of the design and achieve new and innovative formulas lead to a reaction force to provoke an implicit attract an audience.The research proposals : 1 - To conduct a study on the technological standard and its impact on contemporary designs.2 - Combination study of structures based on visual discourse in contemporary designs, printing and its impact on the receiver

البناء الشكلي ومتطلبات الاداء الوظيفي في تصميم عبوات المنتجات الصناعية

Author name: زياد حاتم حربي العامري
Supervisor name: فوزي ابراهيم المشهداني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد عمليات تعبئة وتغليف المنتجات بصورة عامة والمنتجات الصناعية بصورة خاصة من العمليات بالغة الاهمية اذا صح التعبير ذلك كون العبوة هي المسئولة عن ايصال تلك المنتجات الى المنافذ البيع ومن ثم الى المستهلكين. فلكل عبوة تصميم يجب ان يلاءم المنتج من حيث البناء | The packing of the products in general and industrial products in particular is one of the complicated operations, because package is responsible for delivering of those products to sale outlets and then to consumers.Each designed package must fit the product in building of the general shape and its task Pressure as well as the Packet has the ability to show aesthetics of the Product, so the Package has limited base that can be distinguished. These Products will be Paid attention by the consumers. Therefore the researcher focuses his idea on (The formal building for functional requirements in the design of packaging industrial products). This research explains clearly the fact that Packing is regarded as a reflexive mirror of the Producer who tries to give a good visual image.It is also a means of communication between producer and consumer it has an effective role in vogue of products. It is as silent salesman. Being a motive acceleration towards high quality products factories and productive developments in order to reach the objectives of the research.In determining the design of the packet industrial products.Depending on temporal boundaries in duration (2006 - 2010) and form the Products of the electrical industries company in Baghdad exclusively.The research also included a set of terms related to the subject of the research. Some of them are important and suitable to the research.The second chapter contains the theoretical framework and previous studies according to the following division.The first section included formal construction and functional performance.It means building the figure in industrial product and the elements of the designed foundation in building shapes and the relationship between the outer shape of the packed and the inner.The second research included packing in industrial products which includes (industry of packing and its relationship to the environment).The third research included designing of the packages which includes the packet itself as a communication material and factors of ideal designing of packets and its elements. The conclusion of the framework refers to some references that the researcher has a do pled in designing of analysis form to search wit hen its products in chatter including research community, which represents products of the electrical industries in Al - Waziriya, My sample of the research aims to choose five models out of twelve models and 40% of the research community.The researcher depended on books and other resource, specialized his method on descriptive analysis in a researcher sample. He concluded a number of results (some of them did not achieve to the inner shape in all samples that leads to weakness of the formal performance and never achieve the required engineering function in protecting the packet products, and using the raw material did not achieve the required protection), up to the conclusions, including (the formal building of industrial products has clear effect in building varieties of packets according to the size of the packet plus fro duct to build Varity of forms which has the capacity to perform the function well excites the consumers reaction), then recommendations and proposals, and sources and finally the summary of in English

البعد الوظيفي للعناصر البنائية في التصميم الطباعي == Functional Dimension of The Structural Elements In Graphic Design

Author name: نور احمد حاجم الربيعي
Supervisor name: حكمت رشيد فخري العزاوي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The completed design layout space mixed the structural elements and react according to the ranges of operation and functional, establish by regulation and interrelationships that are formed according to the bonds of the structural discourse visual design career in Graphic Design in general and the cover of the magazine , in particular, for its fun mentality and culture of the recipient affect the everyday needs him in various directions. The focus of current research in almost all its attention on knowledge of functional dimension of the elements of building in Graphic Design in order to understand the mechanism of action and the realization of ideas and assisted by the intended delivery to the recipient, where enrolled Search classes several , came the first chapter required for the research problem which manifested itself by asking the following : ( What's the role of the functional dimension of the structural elements in layout design ? ) And demonstrated the importance of research in : The possibility to form a view of knowledge contributes to the Iraqi supplement the library a new type of research in the field of Graphic Design , as well as its contribution to the open window scientific knowledge for those working in the field of Graphic Design. As set a target search : (learn functional dimension of the structural elements in the layout design , and make proposals for practical purposes according to the results). Interested in the theoretical framework of three Detectives , touched first section of ( the concept of origination and development function , function in philosophical thought , a job in the art, design and function ). The second topic addressed ( in art and architecture design, structural elements for the cover of the magazine , and directorial styles for the cover of the magazine and its relationship to job performance ). While eating Section III variables design and its relationship dimension career as follows : (function and Attractions visual function through unity and diversity, function and significance , function and cognition, function and connectivity, functionality and digital technology , function and beauty). Then came the theoretical framework of inter indicators are the epitome of what resulted in the theoretical framework , including 1 - Position not be realized arbitrarily by the designer , but must have a level of awareness of the specialist, and a level of awareness Palmgeorat ofknowledge and phenomena exist. 2 - the aesthetic value of harmony with functional value and interpretation of functional value in a utilitarian manner and performance make it to the cover of the magazine outlook such us beauty and the value of a direct relationship between each other. Followed by the research procedures contained in the third quarter , marked by the adoption of the descriptive method (method of content analysis ) in order to reach results that achieve the target search. Also represented his research tool the analysis identifying axes form the basis of the theoretical framework , and resulted in the indicators and analysis axes were as follows : • functional dimension of the element Alkraveka • functional dimension of the element Altibograve • functional dimension - semantic structural elements • perception relationship the functional performance of the structural elements • processors relationship technical digital functional performance of the structural elements • 's function in terms of content • relationship methods design the functional performance of the structural elements • functional dimension _ aesthetic elements Altibogravekah According to the contents of each model on the unit where it was described and analyzed (16) sample research , based to the paragraphs of analysis, Chapter IV, has included a presentation of the findings of the researcher , the total number (18 ) as a result , for the first target of the search , and it was them : 1 - achieved a system architecture formal moot differentiation by employing forms Allamolovh and redesigned and adapted consistent and subtraction objective idea of the cover of the magazine, donor 's energy performance functional aesthetic through innovation and uniqueness in the way of subtraction, and this stems from a number of elements and the values of design that not only required The distinction is to make it unfit for understanding and vision , and but instigate our sense and intuition effective visual design field and in accordance with the requirements of utilitarian image. 2 - over - employing key Anwanat number and subsidiary in the cover of the magazine , had a negative impact in the process of receiving it , they distract the receiver because of the large number and its color variations and thusweaken functionality. 3 - Check the iconic structural element - written , which led to the production of functional structure - Tagged , designer prduses system Alamatah expressive semantics , through formal positioning of symbols and visual signs with signifier written. 4 - According to the designer of processors digital technology specialized processing digital photo in particular in the job enrichment - semantic image through the use of technology (filters ), as reported techniques pieces , deletions and additions, Alfotomonteg , and contributed to processors of digital technology is the basis in shaping the idea of working to break the stereotype of shapes and out of the conventional method of frames through Semiotics produced approach visually and functionally speech by digital technology. Then the researcher concluded a number of conclusions , including : 1 - Enter key to the language of mock job was through the adoption of the principle of sovereignty in the volumetric space of the cover of the magazine. 2 - rapid transfer visual and mental unit moving in the process of receiving the elements was due to the adoption of structural variations and sharp color value Altdadat her. The researcher organized recommendations A_i_vtha by in the light of its findings , including : 1 - choice of images with deep meanings and connotations that are consistent with two goals design idea. 2 - Pay activate visual discourse through the organization structures Altibogravekah the importance of being frees broadcast communicative the and functionally - Tagged - aesthetically pleasing. 3 - Activating Digital Alkraveka Design in all its specificity as a tool supportive performance done layout , and make it accessible to the hands of students in educational institutions and Fine Arts and the establishment of sections designed to teach and in line with global trends. The researcher also presented two proposals could form the focus of subsequent studies complement the current research , namely : 1 - the communicative function of Amolov formal layout design. 2 - Semantic job enrichment component Altibograve using digital processors. With regard to the second goal of the researcher presented a search applications proposed designs for the covers of magazines , according to the results. And then seal Find a list of sources and supplements

الانظمة التصميمة لخيم المناسبات وامكانية تطويرها == Systems Design For Tents And The Possibitity Developing Rituala

Author name: عبد الحسين عبد الكريم سلمان
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تبحث الدراسة الموسومة (الانظمة التصميمية لخيم المناسبات وامكانية تطويرها) في مشكلة عدم وجود مرتكزات واضحة تعبر عن خصوصية المجتمع العراقي البيئية التاريخية والفيزيائية وضعف الاستفادة من التطورات التقنية العالمية في مجال صناعة الخيم المخصصة للمناسبات العامة | The study examines tagged ( design systems for severe events and the possibility of development ) in the problem of the lack of clear foundations reflect the privacy of Iraqi society, environmental , physical and historical weakness to take advantage of technological developments in the field of global industry tents allocated to public and private occasions The research aims to detect and analyze the design and create foundations for tents occasions The importance of this study being the first to address this area which now use common events and tents dramatically in Iraqi society and is considered an indispensable product in most occasions Search limits included design systems used in textile architecture allocated for public and private events in the city of Baghdad, manufactured locally in 2013 The research will be four chapters included the first chapter of the research problem and its significance and its purpose and its borders and determine the terms The second chapter has included theoretical framework and previous studies and the theoretical framework included three Detectives first came under the heading of what histological architecture of the time, which included the second part placed climatic effects and their relationship in tents occasions while offering third section for Altamaha systems for tents occasions The third chapter has included search procedures, methodology and researcher adopted the descriptive approach in the process of describing and analyzing the samples, which represented I 00% in addition to the description and analysis of samples The most important findings of the researcher in the fourth : quarter are1. The form of the use of horizontal lines In all samples In response to functional purposes2.Methods of linkage formed a burden because of the number of syllables rail many constituents ofSupporterstructure of the three models : One of the most important conclusions reached by the study is 1. The absence of a balance between the functional and aesthetic aspects of the matter which led to the exit of a product is almost incoherent with a clear domination of the functionality at the expense of other aspects2.Adoption of a system design te?ts explicit geometric shapes (square or rectangle) mainly weakens the aesthetic features of the tents and lose diversity3.Not to take advantage of technical developments in the field of physical resistance to environmental conditions on the ~esign, though he crucial element in the success of the design of the tent and reflected in a positive environmental performanceAlso included aboard the fourth quarter on the cornerstones of design which concluded such study, which was the most important benefit from the outputs of the technical development in the areas of design, production and utilization in the design ofsevere events in time, which included the fourth quarter of carries also a set of recommendations and proposals as well as the proposed design

الاستعارة الايقونية ودورها في تعزيز الخطاب الاتصالي للمنجز الطباعي == The Iconic Borrowing And Its Role In Enhancing The Communicative Discourse of The Printed Achievement

Author name: هدى علي لفتة
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The printing achieved works is regarded as one of the artistic variations with functional and aesthetic considerations as it is a means of communication that is active and addresses the audience. As a result of that the means of expression varied for the designer. Perhaps one of the most important mechanisms of adaptation is the resort to the created and the renovated media in the printing design through the borrowing of form that are not familiar within other contexts to obtainpredetermined intellectual contents.Hence comes idea of the study. Chapter One includes the problem of study represented in the following question : What is the role of iconic borrowing in enhancing the communicative discourse of the printed achievement? Then the justifications of the study that is : 1. It contributes to the manifestation of the communicative idea between the designer and the receiver through depending on the iconic borrowing. 2. The possibility of contribution of scientific knowledge which the designers need in the designing field. The researcher then determined her objectives in knowing the role of iconic borrowing in enhancing the communicative discourse of the printed achievement. The limits of the study included the posters of ads published in the websites whereas the time limit is from 2010 to 2015. The researcher includes the following terms (iconic, borrowing, iconic borrowing, communicative discourse). Chapter Two tackles the theoretical framework including three inquiries that concentrates on the first inquiry on (borrowing and the methods of design form), the second is about (iconic and their suggestive indications), the third includes (the iconic borrowing in communicative discourse). Then the indicators of the theoretical framework which is one of the means of the building of the analysis form. Chapter is devoted to the study of the procedures of the study depending on the descriptive approach for the purpose ofanalysis and then determine by (%10) and the tool of the study which wasprepared for that purposeChapter Four includes the findings of the study like : 1. The iconic borrowing is an important means of the achievement of many designing means like the ascertain of meaning and the greater possibility of achieving more suggestion.2. The designing idea is distinguished by depending on the principle of double communicative discoursebetween the direct and the indirect as in the sample (1, 2, 3, 5, 7, 8, 9, 11, 16) and the indirect as in the models (4,6,10,12,13,14,15) through the rhetoric images that refer to other meaning. Thus they found the idea of communicative discourse with the recipient concenteringthe product advertised on.The researcher comes up with important results life : 1. The invention of new form (creative) which is represented by the iconic borrowing leading to the achievement of expressive force within the sensational realization into a potential expressive unit that leads to attractiveness, excitement, and attention. Therefore, it enhancing the communicative discourse of the printed achievement.2. The variety of the sources of iconic borrowing which contributes to the making of communicative discourse, The researcher comes up with some suggestions and recommendations and then a list of the references.

الاساليب التقنية الحديثة وعلاقتها بالاداء الوظيفي في التصميم الداخلي == Modern Techniques Methods And Its Relationship To Functional Performance In Interior Design

Author name: عمار نعمة كاظم
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: نظرا لافتقار البلد الحبيب لفضاءات داخلية تشتمل على اساليب تقنية حديثة والذي نعتقد ان سببه هو قلة الدراسات التي توفر قاعدة معلوماتية للمصممين في البلد، ولما تلعبه التقنيات الحديثة من دور فاعل في تحقيق الاداء الوظيفي في الفضاءات الداخلية، لذا وجدنا ان ن | Due to the country's lack beloved spaces interior include the methods of modern technology and who believe that it is caused by the lack of studies that provide a database for designers in the country , and as they play modern techniques of an active role in achieving the functionality in interior spaces , so we found that we address spaces, a built - in area Gulf Arab rapprochement affiliation environmental and it involves the requirements of research , represented space internal to the lobby in the premises of hotels five star , which opened in the past ten years , to contribute as a service to the country in search means this aspect to publicly close the part of the knowledge gap in this area , and that can help to develop blocks Informatics could be expanded by future studies more comprehensive for spaces larger , and it came this research is marked by " the methods of modern technology and its relationship to performance career in interior design " was the formulation of the research problem : the problem of research : what role that can be played by the methods of modern technology to achieve the functionality in interior space for the lobby of the hotel? The research aims to " disclose the methods of modern technology and its relationship to job performance in the interior design of the space hotel lobby five - star " The importance of research in " contributing to the provision of a database to uncover the methods of modern technology and its relationship to performance career in interior design space lobby and determine the nature of ties design between them , and is adding scientific research by eating Kagina modern techniques of knowledge in the field of interior design for those spaces , " to achieve the aim of the research , the researcher extracted axes analysis by building a Form analysis of the indicators of the theoretical framework has included two main axes : 1 - the methods of modern technology to form relationships for the design of public space to the lobby to the direction of postmodernism which verify the functionality level determinants of vertical and horizontal.2 - methods of modern technology for raw materials and its relationship to the formal characteristics to achieve the functionality of the internal space of the lobby - level determinants of vertical and horizontal.This included research community current on the interior design ( the inner space of the lobby of the hotel in the Gulf region within the five - star ) , which established for the period ( 2002 - 2012 AD ) and still operates the fact that this period specifically represent several variables intellectual level architecture and interior design most notably the emergence of technological discoveries tremendous to have played a major role through the methods of modern technology and its relationship to the performance and function of interior design space lobby at the level of the body and the raw material , so were counted according to the specific considerations , specifically that fit with the theme of the search, bringing the research community 25 five - star hotel (25 space internal to the lobby ) were selected samples Find him and in a manner deliberate and was circulated results on society as a whole , where the adopted research sample intentionality and by ( 8.33 % ) was three spaces internal to the hotel lobby , has been selected this sample for research and for comprehensiveness in terms of the use of modern technology at the level of functionality of these spaces and because these methods are not clear all of the rest of the other samples , in addition to the design of these spaces was by the most prominent design firms therefore been chosen spaces of the three below as a sample to look for they share with each other in considerations determine community and differ from some of them in terms of interior design , namely : 1 - the inner space of the lobby of The Yas Hotel (The Yas Hotel) in Abu Dhabi.2 - the inner space of the lobby of Abu Dhabi hotel (Hyatt Capital Gate Abu Dhabi) in Abu Dhabi.3 - the inner space of the lobby of the hotel tower torch (The Torch Hotel) in Doha. The process resulted in the analysis of the results was to devise a set of conclusions of the most important : 1 - Oanmad modern style Alteixrat as a technique in order to achieve an attractive stranger to strange and check Allamolov embodied job performance space in the lobby.2 - Dependence style ripples and twists as a technique to check Allamolov investigator for the job Alantma?ah space in the lobby.3 - Confirmation style organizational depth as a technique to transfer the structural depth of the building in order to achieve some sort of create the illusion of depth to achieve the performance of the virtual space of the lobby.4 - Adoption of raw materials and the clever (transmaterial) as a method of technical talk because of its properties of functional and aesthetic to achieve the functionality in the space of the lobby.5 - The use of nanotechnology to achieve the functionality in the space of the lobby because of its characteristics make it smart materials and material capacity to meet a variety of functions.6 - were adopted tactics of modern technology for lighting units related to the ABM smart lighting , the composition of cases of thrills and achieve performance in the internior space.
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