عرض: 25 50 75 100 النتائج

نتائج البحث: 50 من أصل 34,822

الزمان والمكان في ديوان الموشحات الاندلسية : دراسة في الموضوع والفن Time and space in the office aroused Andalusian A study on the subject and art

اسم المؤلف: ساهرة عليوي حسين العامري
اسم المشرف: علي ابراهيم محمد الزرقاني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: مما لاشك فيه ان النتاج الادبي بوصفه نشاطا انسانيا يقوم على تواشج العلاقات الزمكانية التي يطبع عليها المبدع افكاره ليشكل نصا جماليا يشع بالمشاعر الانسانية المعبرة عن التجربة الذاتية.. لذا حاولنا جاهدين دراسة الزمان والمكان في ديوان الموشحات الاندلسية الذي يضم مجموعة كبيرة من ابرز وشاحي بلاد الاندلس وعلى مدى العصور، تحقيق سيد غازي وبعد الوقفة التاملية في الديوان اخترت عددا من الوشاحين وجاء الاختيار على اساس غزارة الانتاج وتعدد الموضوعات.سعينا في هذه الدراسة الى استنطاق النص من خلال مختلف ادوات التحليل ووقفنا عند السمات الفنية في النص بوصفه بنية مكتنزة بمحولات فكرية متساوقة مع الاشكال الفنية التي يتزيا بها الموشح لذا اقتضت الطبيعة الاجرائية للبحث توزيعه على تمهيد وثلاثة فصول تطرقت في التمهيد عن المفهوم الزمان والمكان في اللغة والاصطلاح بالاضافة الى اصل الموشح والخلافات التي دارت حوله وعرض نماذج لاهم انواعه.وفي الفصل الاول تحدثت عن الزمن عبر الثنائيات، فكان في مبحثين، اهتم الاول بدراسة ثنائية (الحاضر/الماضي) اما الثاني فدرس ثنائية (الحاضر/ المستقبل).وخصص الفصل الثاني لدراسة توافق الذات وتباينها مع الليل في مبحثين شمل الاول على دراسة توافق الليل مع الذات اما الثاني فاهتم بتباين الليل مع الذات.اما الفصل الثالث فقد استقام على التشكيلات المكانية وضم مبحثين ، درس الاول الطبيعة الساكنة واهتم الثاني بالطبيعة المتحركة. وبعد هذا عمدت الباحثة الى استخلاص اهم النتائج التي توصل اليها البحث وتلا ذلك قائمة ضمت اهم المصادر والمراجع التي اعتمدت عليها هذه الدراسة وهي القران الكريم وديوان الموشحات وكتب التراجم وكتب الادب والنقد التي انبثقت منها اهم القضايا النقدية والادبية لتطوير هذه الدراسة.وبفيض من الحب والتقدير لا يسعني الا ان اقدم الشكر والعرفان الى مشرفي ومعلمي ا.د. علي ابراهيم الذي لم يبخل علي بمشورة او نصح وقراءة دقيقة قد اسهمت في اغناء هذا البحث وبلورة فكرته، اسال الله ان يسدد على الخير خطاه وان يوفقه لما يحب ويرضى.شكري وتقديري الى السيد رئيس لجنة المناقشة والسادة الاعضاء لتفضلهم بقبول مناقشتي، واخص بالشكر السيد رئيس لجنة المناقشة ا.د. علي اسد المحترم لسعة صدره وتوجيهاته السديدة، جزاهم الله عني خير الجزاء.واخيرا.. فلا ادعي الكمال لبحثي هذا فالكمال لله وحده فان اصبت فهو من فضل الله، وان زللت فمن نفس وهذه طبعة الانسان. واخر دعوانا ان الحمد لله رب العالمين. | There is no doubt that the literature product as a humanitarian activity is based on correlation among the time - place relations where the innovative prints his ideas to pose aesthetic text shines with human feelings that express the self - experiment. Therefore we tried hard to study the place and time in the book of Andalus Mowashahat which includes a huge of most prominent Mowashah writers of Andalus all over the times and eras, the investigation by Mr. Ghazi after the meditation pose in the book, I have choose some of them based on their huge productivity and variety of subjects. We endeavor in this study to explain the text through all methods of analyzing and we posed on artistic characteristics in the text as it is a creature enriched with conceptual transformers matching with artistic shapes that characterize the Mowashah, so the implementing nature of the research have obliged the necessity to make the research consisted of prologue and three chapters, in the prologue I have tackled with concept of time and place in the language plus to the origin of Mowashah and disputes existed about it and showing some samples for that. In the first chapter I talked about the time through duals , was in two sections , first one concerned to study the dual of (present/ past) while the second one concerned about the dual of (present/future). The second chapter was specialized to study the compatibility of the ego and its contrast with the night in two sections , first one concerned with studying the compatibility between the night with the ego, second one concerned with compatibility of the night with the ego. While the third chapter was based on place forms and included two sections , first one studied the static nature and second one concern about the moving nature. Then the researcher intended to conclude most results that the researcher has come up with, then a list of most important references and resources were depended in this research are Holly Quran, Diwan Almurashahat, Translation books and literature books and criticism from which most literature and criticism issues have emanated to develop this study. With much love and respect I would like to express my grateful to my supervisor Pro. Dr. Ali Ibrahim who has the big favor behind the enrichment of my research with all good remarks and consultancy, I pray to God to prosper him and support him.Finally, I don’t claim the perfection because the perfection is just belong to the Lord, if I succeed it is by Him if not so then it's because of myself. Thank for God for all.

دلالة المفردة القرانية بين اللغويين والاصوليين Quranic single indication among linguists and fundamentalists

اسم المؤلف: فاضل كامل محسن الموسوي
اسم المشرف: رحيم جبر احمد الحسناوي عامر عمران الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Spin thesis about Quranic single between linguists and those who call them naming linguists and scientists assets any fundamentalists The 1 yen confined to their work in the building jurisprudential evidence that will help the jurist in the development of legitimate issues of concern to people's lives of Muslims and organize their lives in this world and the Hereafter significance. Thesis dealt with as significant when linguists old and modern significance when fundamentalists in all doctrines. Then dealt with single and clarity in the Holy Quran and the reasons for this clarity as scientists have identified and how to judge that the single clear or ambiguous and put them Metrology that define it and how they differed in that he divided them see that some of the strange and mysterious vocabulary others see it as clear and as long as the development of scientists have significance and knew through their studies or explanatory language is not strange and Agmod in the Koran because all the vocabulary purely Arab, as stipulated in more than any decent but some ignorance Bdalaladtha because it is used in the private Magamhm invited themThe Anatoha strange and mystery. And has made Linguists great efforts identify the vocabulary and implications aid of tribes and their members and not all tribes. Then the fundamentalists came after that was the voltage multiplier and accuracy finite because their work entails provisions of the legitimacy of governing if people in Alehiatin The rulings in very precise based on the consequences of the studies in Mbahz wordy. I have found your search phrase from the results Perhaps the most prominent focus on attention on the fundamentalists studies being more accurate than linguists studies .etbin researcher that the students that crowned to this type of study and Eugdoa scientific comparison between linguistic studies and the study of fundamentalism in the field of single Koranic .nsol reconcile what God loves and is pleased that he is Hearing pr

جدل العام والخاص في شعر رشدي العامل THE ARGUMENT OF THE GENERAL AND THE PARTICULAR IN RUSHDI AL - AMEL'S POETRY

اسم المؤلف: راسم احمد عبيس الجرياوي
اسم المشرف: علي ابراهيم محمد الزرقاني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: فقد حظي المنجز الشعري للجيل الخمسيني في العراق باهتمام بالغ وعناية فائقة وحفاوة كبيرة من النقاد والدارسين والباحثين المختصين بالشان الادبي بوصفه علامة فارقة وسمة بارزة ومميزة للحياة الادبية في العراق في تلك الحقبة التاريخية المهمة، لما انماز به ذلك النتاج من مواصفات موضوعية وتقنيات فنية وسمات اسلوبية حتمت على النقاد ان يقفوا امامه بالاجلال والاحترام والاعجاب والانبهار والانكباب عليه دراسة على نحو الوصف العام السطحي تارة او القراءة الفاحصة والتذوق المتاني والغوص في ابعاده الفنية العميقة تارة اخرى، ومن ثم مقاربتها في ضوء المناهج النقدية الحديثة المختلفة، فضلا عن استيفائها للمحاكمة والمساءلة في اطار المقولات الفلسفية والتصورات المعرفية الحديثة. وارتكازا على ذلك فان اختيارنا للمقولة الفلسفية (جدل العام والخاص) ليس من باب البذخ الثقافي او التبطر المعرفي او الثراء الفكري، وانما ينبعث من الواقع الجديد ورهاناته ومعطياته، وضرورة التعاطي الجاد مع حاجاته والاستجابة الواعية لمتطلباته في محاولة منا لمواكبة عجلة التطور في ميدان البحث العلمي التي تحتم علينا تحديث منظومتنا المعرفية والثقافية لتنسجم مع ممارساتنا المعرفية.وقد شابت الدراسات السابقة للشعراء العراقيين توجهات ايديولوجية بالدرجة الاساس، ايديولوجية بوصفها العام التي لا تتصل بتوجه سياسي اذ توزعت بين انتقاء الشعراء المدروسين، وانتقاء الطريقة التي يتناولون بها شعرهم. ولقد خسر اولئك الشعراء الذين تبنوا توجهات غير ايديولوجية جماعية وايديولوجية في ان، ومنهم الشاعر (رشدي العامل) الذي تبنى في شعره ايديولوجية جماعية وايديولوجية شخصية، اما العامة فقد تجلت بتوجه وطني وما يعج به من ارهاصات، واما الشخصية تجلت بقصائده التي خص بها زوجته وابنه بوصفه منتميا للحب في هذا السياق. ويبدو ان الدراسات السابقة لم تستطع مراعاة هذا التشابك بين الخاص في شعر رشدي العامل والعام فيه، اذ كانت تشدد على الخاص تارة وعلى العام تارة اخرى. والحق لا يمكن لايما دراسة ان تصل الى نتائج دقيقة من دون ان تراعي هذا التشابك بين جدل العام والخاص في شعره. ويعد رشدي العامل واحدا من الشعراء الخمسينيين الذين عاصروا جيلين اولهما : جيل السياب، وثانيهما : الجيل الستيني، وهذا التعاصر بين الجيلين اعطى لرشدي العامل ثقافة واسعة واكتراثا شعريا كبيرا، ولكن على الرغم من وقوعه بين جيلين الا انه بقي يعاني الاهمال والتجاهل ويرزح تحت وطاة النسيان وعدم الاكتراث ويئن من شدة الغبن والظليمة ولم تسلط عليه الاضواء كما سلطت على الشعراء الرواد والاجيال التي تلتهم، الامر الذي دعا بعض النقاد الى اطلاق تسمية (الجيل الضائع) عليهم من مثل (سعدي يوسف، وحسين مردان، ويوسف الصائغ، ومحمود بريكان، والفريد سمعان... وغيرهم)، وهذا الضياع دعاني الى تعقب شعر رشدي العامل وانارته واظهار سر جماله، ومن هنا تاتي اهمية الموضوع، يزاد على ذلك هو ان رشدي العامل لم يكن معروفا عند الكثير من الباحثين، وهذا ما زادني اصرارا وحرصا على ابراز شعره ودراسته، حتى انني لم اكن اعرفه الا بعد ان طرحه علي استاذي المشرف، فقد ذهبت وبحثت عنه لاتعرف عليه وعلى شعره فوجدته شاعرا عراقيا مبرزا حتى ان بعض النقاد يعده من الشعراء الرواد، وقد عاش حقبة ثقافية مزدهرة، وقد عثرت على ثماني مجاميع شعرية له، فضلا عن قصائد متفرقة لم تنشر لا في المجاميع الشعرية ولا في المجموعة الشعرية الكاملة التي طبعتها (دار المدى)، وكانت مبثوثة في الصحف والمجلات فضلا عن امتلاكه كتابات نقدية كانت مبثوثة في الصحف القديمة، وهذا الامر اعطاني حافزا وشجعني على لمس مواطن الايجاب والسلب في شعره، اما السبب الاخر هو قلة الدراسات التي تناولت شعره بالتعقيب والدراسة مقارنة باقرانه؛ لان اغلب الذين يدرسون الحقبة الخمسينية يركزون على الشعراء الرواد، ومن ثم ينتقلون الى الشعر الستيني، اما جيل العامل فلم يلتفت اليه الا قلة وهذه القلة لم تركز على شعره ولكنها تنظر اليه نظرة عابرة خاطفة، عدا ثلاث رسائل درست شعر الشاعر وكان فيها جهد يحمد، كانت الاولى (شعر رشدي العامل دراسة لغوية)، والثانية (الرومانسية في شعر رشدي العامل)، اما الثالثة (نحت في ضباب، شاعرية رشدي العامل).اما موضوعنا فتكمن الصعوبة فيه؛ لاني لم اجد رسالة او اطروحة او كتابا يدرس (جدل العام والخاص) وهذا جعلني الاقي صعوبات جمة، فضلا عن قلة المصادر التي تناولت رشدي العامل ما عدا اشارات مبثوثة في بعض المصادر، اما الصعوبة الاخرى فتكمن في كتابات العامل وكتابات النقاد الذين تعقبوا شعره بالدرس والتحليل، وتكمن صعوبة تلك الدراسات والكتابات في انها منشورة في الصحف القديمة في السبعينيات والثمانينيات فضلا عن مطلع التسعينيات، وهذه الصحف لم اعثر عليها الا بعد عناء وجهد كبيرين. اما المنهج الذي اعتمدته في دراستي فهو المنهج التحليلي الذي يعتمد على تحليل النصوص وابراز ما فيها من جودة وجمالية، فضلا عن المنهج التاريخي والنفسي لما لهما من اثر في اظهار فنية الشاعر. وقد اشتملت الدراسة على اربعة فصول مسبوقة بمقدمة وتمهيد ومنتهية بخاتمة تضمنت اهم ما توصلت اليه من نتائج وقائمة بمصادر البحث ومراجعه. اختص التمهيد ببيان مفهوم الجدل لغة واصطلاحا واراء الفلاسفة والكتاب فيه فضلا عن تعقب تطور الجدل في العصور الادبية. وبين ايضا مفهوم العام والخاص لغة واصطلاحا واراء الفلاسفة والنقاد فيه، مردوفا بتاسيس نظري جمالي لمفهوم العام والخاص. اما الفصل الاول فكان بعنوان (العام والخاص في الموضوع الوطني في شعر رشدي العامل) وقد ضم توطئة بينت فيها نبذة عن الوطن ومفهومه وكيف تطور عبر العصور وكيف كان يطلق عليه قديما. وقد ضم ثلاثة مباحث، الاول : الثورة، والثاني : الغربة، والثالث : السجن والظلم. وجاء الفصل الثاني بعنوان (العام والخاص في رومانسية رشدي العامل الشعرية) وتضمن ثلاثة مباحث، الاول : الحزن في شعره، والثاني : الحب، والثالث : الطبيعة.وكان الفصل الثالث بعنوان (العام والخاص في حضور المراة في شعر رشدي العامل) وقد اشتمل على مبحثين : المبحث الاول : المراة الحقيقية ضمن ثلاثة محاور : ا - المراة الزوجة.ب - المراة الام.ج - المراة الحبيبة. والثاني تناولت فيه المراة الرمز. اما الفصل الرابع والاخير فكان بعنوان (العام والخاص في توظيف التراث في شعر رشدي العامل) وقد اشتمل على توطئة بينت فيها مفهوم التراث وماهيته عند الشعراء، ومن ثم قسمته الى ثلاثة مباحث، كان الاول بعنوان (مرجعية التراث الديني)، وتضمن كل ما له علاقة بالدين من مثل القران الكريم والحديث النبوي الشريف واهل البيت (عليهم السلام) والصحابة، والمبحث الثاني فكان بعنوان (مرجعية التراث الاسطوري)، اما الثالث فكان بعنوان (مرجعية التراث الادبي). ولا ادع قلمي يفارق يدي حتى اذكر باعتزاز كبير استاذي المشرف الاستاذ الدكتور علي ابراهيم محمد الذي قوم بدقته وملاحظاته هذا العمل، باذلا في سبيل ذلك وقتا وجهدا طيبين، فاسال الله ان يجزيه عني افضل الجزاء.واخر دعوانا ان الحمد لله رب العالمين، والصلاة والسلام على النبي الهادي الامين واله الطاهرين | Each historical stage and era has its own cultural discourse which suits its proposals, cognitive tools which cope with its bets and achievements, and logic which suits its orientations. A good proof of this established eternal fact that is deeply rooted in the human mental frame is examining the innovative texts by using new philosophical ideas and modern literary criticism tools which prevail our culture.Development, modernization and renewal are characteristics of life in all its aspects and fields. Thus, all the aspects of life, whether material or morale, are subject to this eternal inevitability and are governed by this omnipotent logic. Therefore, the inquest of innovative texts by using modern philosophical ideas and criticism tools has become an urgent need and necessity which neither represents one of the forms of inevitability that no one can escape its fangs and grip nor avoid its dominion.Depending on what has been mentioned earlier, the researcher's choice of the philosophical (the Argument of the General the Specific) is not a kind of cultural splendor. Instead, this choice has been motivated by the new life or reality in all its bets, the necessity of the serious treatment of its needs, and conscious response to its demands in an attempt to cope with the wheel of development in the field of scientific research which necessitates the modernization of our cultural and cognitive systems to match our new pursuits.Rushdi AL - Amel is one of the poets of the fifties who are contemporary to two generations of poets : the generation of the pioneers and the generation of the sixties. This has given him wide education and great interest in poetry. However, unlike the pioneers and the following generations, AL - Amwl has remained unknown and the lights have not been shed on him. For this reason, some critics call AL - Amel and other poets like Sa'diYousuf, Hussein Marwan, Yousuf Al - Sa'gh, Mahmoud Braykan and others "the lost generation." It is this loss that makes the researcher follow Al - Amel's poetry to shed light on it and highlight its beauty. In brief, the reason behind choosing this topic is that researchers, the cultured and even the specialists do not know Rushdi AL - Amel. In fact, researcher himself didn't know about AL - Amel before suggesting the topic by Prof. Dr. Ali Ibraheem and Prof. Dr. HasanDakheel Al - Ta'i. As for which is based on analyzing texts in addition to the historical and psychological method which are necessary for showing the techniques used by the poet.The study has been divided into four chapters preceded by a preface and introduction and ended by the conclusions.In the preface, the researcher explains the linguistic and technical meanings of the concept of argumentation, and follows the development of argument in literature. In addition to this, the linguistic and technical meanings of the concepts of the general and the particular, the opinions of philosophers and critics have also been tackled. The first chapter is entitled (The General and the particular in the topic in Rushdi AL - Amel's poetry) includes a preamble and three sections : the first is specified to the Revolution in AL - Amel's poetry; the second is about alienation while the third is about imprisonment in Rushdi's poetry.The second chapter is entitled (The General and the Particular in Rushdi AL - Amel's Romantic Poetry). It includes three sections. The first is about sadness, the second is about love while the third is about the nature. The third chapter which is entitled (the General and the particular in the presence of the woman in Rushdi AL - Amel's Poetry) is divided into two sections : the first section is about the true woman and it includes three axes : a. the wife b. the mother c. the beloved. On the other hand, the second section is concerned with the symbol of the woman.As far as the last chapter is concerned, it is entitled (the General and the Particular in the Employment of the Heritage in Rushdi AL - Amel's Poetry). It is composed of three sections : the first is about religious heritage, the second section is concerned with the legendary heritage while the last deals with the literary heritage.Finally, the study has come up with the following findings : 1. Argument is the dispute between two issues so that each person tries to defend the issue which he or she adopts by strong evidence.2. In the era of evolution, the argument has disappeared and the word (logic) has been used instead of it. But philosopher Kent has brought it to life again with an additional meaning.3. The general and the Particular are present in every phenomenon and they are strongly related to each other to the extent that the general cannot be known without studying a large number of particular instances.4. Rushdi AL - Amel is one of the poets who love their country very much because of the injustice and the oppression which he has been subject to.5. Most of poetry which deals with alienation is concerned with internal alienation which governs the general external.6. The poet's experiment in prison has given him poetic richness and provided him with a chance of meditation and mental motivation.7. AL - Amel's romantic is near to realism and pun at the same time.8. Love in AL - Amel's poetry is not for the beloved. It is symbolic love for the country and childhood. It is spiritual love and not physical.9. It is found that the poet's relation with the "wife" woman is personal and not general.10. The "beloved" woman has been given greater attention in Rushdi AL - Amel's poetry than the other aspects. 11. Rushdi AL - Amel tries earnestly to make use of the poetic heritage from different generations, as well as making use of western poetry.12. It is found that AL - Amel has drawn from others and tried to modulate what he draws to serve the context of his own ideas

المنابع الثقافية للشعر العربي في القرنين الثاني والثالث الهجريين Cultural Sources for Arabic poetry In the second and third centuries AD

اسم المؤلف: سعد علي جعفر المرعب
اسم المشرف: عباس محمد رضا حسن البياتي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: وفي خضم المعطيات الثقافية المؤثرة والمتاثرة بالبيئة الزمانية والمكانية نجد المضامين الثقافية للشاعر تظهر في دلالات النص المنتج , فالادب عامة والشعر خاصة منجز من منجزات الثقافة ومعطى من معطياتها المعرفية والذهنية . فحسن اختيار المعارف التي ترفد ثقافة الشاعر لا تؤدي دورا في حسن استعمال الالفاظ وجودة اختيار المعاني فحسب بل تعطي للمنتج رؤى واسعة في استيعاب مدركات الحياة ومعطياتها والتعبير عنها , فالتجربة الشعرية هي نتاج للثقافة المكونة من الشعور والفكر . تاتي اهمية دراسة المنابع الثقافية في كونها توضح المؤثرات الفكرية والقيمية في الاتجاهات العامة للمجتمع والاتجاهات الخاصة للشعراء المتاثرة بظروف النشاة والفكر والثقافة والمذهب على حد سواء فتاثر الشاعر ببيئة ما يكون المنبع الذي يؤثر في العمل الفني على حسب استيعابه لمؤثرات ذلك المنبع , فالشعر نشاط فكري معقد يوظف المنابع الثقافية في اخراج منجزه الادبي معتمدا في استيعابها على عقلية الشاعر ومدى استجابته للمنابع الثقافية , فيكون الشاعر متعاملا مع البؤر الثقافية المحركة للحياة بشكل مستمر موظفا دلالات الالفاظ في التعبير عن نوع المنبع او المنابع التي ينتمي لها , فتاتي اهمية المنابع الثقافية في عدها محفظة ارشيفية يجد فيها الفرد الشرح الوافي لسلوكه وفكره الذي هو جزء من السلوك والفكر الجمعي لمجتمع ما في عصر بعينه . تم اختيار موضوع اطروحتي (المنابع الثقافية للشعر العربي في القرنيين الثاني والثالث الهجريين) فكانت المدة الزمنية لهذا البحث تعتمد مع التقسيم السياسي في سقوط دولة ما وقيام دولة اخرى على التقسيم الفني لان دراسة التطور الادبي لايمكن ان يكون ظاهرة فجائية تقترن بتغير نوع الحكم وبمجيء دولة وذهاب اخرى بل يتمدد العصر الادبي بعضه على بعض الاخر . فلقد بدا في القرن الثاني على اساس بدء حدوث تطور شعري جديد نتيجة المتغيرات الخطيرة والعميقة الاثر التي جدت في حياة الجماعة الاسلامية فكان الهدف المركزي معرفة مدى تقبل شعراء كل عصر لانواع الثقافة الموروثة والاسلامية والمستجدة ومدى تاثيرها بالمنجز الشعري لدى كل منهم , فلكل عصر خصوصيته النقدية التي تجعلنا نتساءل عن مدى تاثر الدور الثالث والاخير من العصر الاموي بالثقافة المستجدة ومدى ميله الى الثقافة الموروثة وانكفائه عليها وتمثله للثقافة الاسلامية مع ملاحظة طريقة التوظيف الفني والبناء الشعري والصياغة الاسلوبية , ثم نتساءل عن العصر العباسي الاول ومدى تمثل الشعراء المخضرمين الذين عاشوا في عصر الدولة الاموية وادركوا الدولة العباسية والمولدين المنابع الثقافية حيث الحضارة والثراء والترجمة والمذاهب الفكرية والفلسفية والفرق السياسية مع انقسامهم ايضا الى شعراء الطبع والالتزام بعمود الشعر وشعراء الصنعة واستعمال الافكار العميقة والصنعة الفنية والبلاغية ومعرفة مدى تمثلهم لانواع الثقافة وكيفية التعبير عنها والمقارنة مع شعراء العصر العباسي الثاني حيث الانفتاح الكبير في الحضارة والثراء والترف والاتجاهات الفلسفية ومعرفة مدى تاثرهم بانواع الثقافة وكيفية تمثلهم لها وطريقة التعبير عن الثقافة المستجدة والناي عن الثقافة الموروثة والاسلامية ومعرفة شعراء كل عصر الذين مثلوا اتجاها في تمثلهم لمنبع ما او اكثر . اما منهج البحث في الاطروحة فكان المنهج الوصفي التحليلي ليتناسب مع المنابع الثقافية وتطبيقها على الاغراض الشعرية عاقدا موازنة بين شعراء البادية والحجاز في العصر الاموي وشعراء الطبع والصنعة في العصر العباسي الاول وشعراء الصورة في العصر العباسي الثاني معتمدا استخدام المنبع على الاغراض الشعرية في كل العصور متناولا الشعراء اصحاب الدواوين . ومن المصاعب التي واجهت البحث هو البحث عن الشعراء الذين يدخلون تاريخيا وفنيا ضمن مرحلة البحث فكان يجب علي الرجوع الى كتب التراجم والاعلام والسير للتاكد من الشاعر والمعلومات التاريخية التي تخصه فكان نتاج هذا العمل الشاق ماتكون لدي في الملحق الاول من تراجم الشعراء مع ذكر المصادر التي يرجع فيها لكل منهم, ثم واجهت البحث مشكلة الحصول على الدواوين الشعرية للشعراء والبحث عن مظانها ووضعها بين دفتي البحث فضلا عن المشكلة العويصة التي واجهت الجانب البحثي في تقسيم الشعراء لانه من الخطا وضع حدود فاصلة دقيقة بين العصر الاموي والعصر العباسي الاول والثاني تعود لاسباب هي طول المدة الزمنية التي بقي بها الشاعر على قيد الحياة فضلا على انه ابعد مايكون عن الصحة وضع حدود فاصلة تماما بين العصور وعلى الاخص من الناحيتين الاجتماعية والعقلية , وعليه فاني تعاملت مع شعراء العصر الاموي والعصر العباسي الثاني بالرجوع الى مناسبة القصيدة او الشخص الذي قيلت فيه لمعرفة دخولها ضمن مدة البحث من عدمه , هذا فضلا عن السيرورة والشهرة الادبية له في عصر ما ومعاصرته لمجموعة من الشعراء وتفاعله معهم ايجابا او سلبا واسلوبه الادبي المختص بعصر بعينه فكل هذه المعطيات تعتمد في عده ضمن مدة بعينها . وهذه الدراسة حلقة من سلسلة دراسات وبحوث اكاديمية سبقتها ومن اهمها على سبيل المثال لا الحصر : - 1. الشعر والتاريخ : د . نوري حمودي القيسي (كتاب). 2. المنابع الثقافية الاولى للشاعر الجاهلي : د . عادل البياتي (بحث). 3. عناصر الوحدة الثقافية في الشعر العربي ماقبل الاسلام : د . محمود عبد الله الجادر (بحث). 4. المنابع الثقافية للشعر العربي قبل الاسلام : مزاحم علي(رسالة). 5. المنابع الثقافية للشعر العربي في عصر صدر الاسلام والعصر الاموي : د . عباس محمد رضا (اطروحة) . 6. ابو تمام ثقافته من خلال شعره : د . ابتسام مرهون الصفار (كتاب). 7. ثقافة المتنبي واثرها في شعره : د . هدى الارنؤوطي (كتاب). 8. اثر التراث في الشعر العراقي الحديث : علي حداد (كتاب). 9. المرجعيات الثقافية الموروثة في الشعر الاندلسي عصري الطوائف والمرابطين : حسين مجيد الحصونة (اطروحة). 10 . التراث في شعر المحدثين : عدنان كاظم مهدي(اطروحة) . وقد تشكل الهيكل النظري للاطروحة من مقدمة وتمهيد اوضحت فيه الثقافة لغة واصطلاحا , واثر الثقافة في الشعر , ثم قسم الموضوع الى ثلاثة فصول فكان الفصل الاول الثقافة الموروثة فاشتمل على توطئة واربعة مباحث هي الموروث الشعبي والثقافة التاريخية والثقافة القيمية الاجتماعية وثقافة الامثال , ولقد تعمدت اغفال الشعر بصفته موردا للثقافة الموروثة لانه سيدخل البحث في باب التناص وهو بحث يختلف عن موضوع البحث ببيان الاصول والمنابع الاولى للثقافة لكونها ابعد من الشعر , اما الفصل الثاني فاشتمل على توطئة وثلاثة مباحث هي ثقافة الاقتباس القراني , الثقافة العبادية والعقائدية , وثقافة القصص القراني , اما الفصل الثالث الثقافة المستجدة , فاشتمل على توطئة ومبحثين هما الثقافة السياسية والعقلية , ثقافة القيم والمعارف الاجتماعية الجديدة واخيرا اشكر الاستاذ الدكتور عباس محمد رضا المشرف على هذه الاطروحة الذي لولاه لما خرجت هذه الاطروحة بالهيئة التي وصلت اليها | The culture represents the intellectual side of individuals and communities alike, but is the basis of human thought in the production and development of creativity, and then determine the culture identity of the community in the dimensions of the physical and moral culture of a society is the source of values and actions of individuals belonging to him and through him can be understood and taught. In the midst of cultural data affecting the environment and affected the temporal and spatial find cultural contents of the poet reflected on the implications of the text and its impact product technical literature has in general and poetry in particular accomplishment of the achievements of the culture. We have chosen the subject of this thesis (Headwaters cultural Arabic poetry in the second and third centuries Alahjrien) Thus, this period of time dependent with political division in the fall of a State and the other on the division of technical, Regarding the research methodology in the thesis was a descriptive analytical approach statistical commensurate headwaters with cultural and applied to the purposes of poetry. This study is an episode of a series of studies and academic research before it, may pose a theoretical structure of the thesis of an introduction and then smooth the theme section into three chapters, Was the first chapter inherited culture Vachtml a prelude and four Detectives culture is legendary and historical culture and culture values social and culture of Proverbs, Chapter II Vachtml on the preparation and the three sections is the culture of the quote Quranic, culture, worship and faith, culture Stories Qur'an, Chapter III comprising the preparation and Mbgesin two political culture and mentality, culture and values of the new social knowledge

اثر شعر عنترة بن شداد في شعر المتنبي : دراسة تاريخية في الرؤية والتشكيل The effect of the poetry of Antara bin Shaddad in the poetry of Mutanabi A study of consistency in vision and formation

اسم المؤلف: سعدون خلف عزر
اسم المشرف: عبد الحسن علي مهلهل
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: Mutanabb's poetry in vision and composition , the research came out with the following points : 1) Some of the text that influenced by Al - Mutanabbi invested them in more than a position as a foucs illuminated because of their effect on the part , to another one , so as to install them in mind due to the twin of his anticipation and wished on updating them.These updating texts are a try to achieve the goals through which .2) Al - Mutanabbi had deepen his vision in amplifying The Egoism (Al - Ana),whether the poetior the praised's Egoism(Al - Ana) influenced by Antra Ben shaddad's Egoism.This Egoism tra can be transcended the cuttent reality through the legendary as it was not a mirror to reflect the reality and transfer only ,but suggests another reality.As it wasn't easy to great and propose a new reality, he had amplified (Al - Ana) the Egoism for a legendary or semi - legendary hero to fit his goals and means of achieving them .3)Death and acknowledgment of its inevitability come as objectively equivalent to victory and challenge ,as death is one in battle or on the bed . Hence, the poet started defying , drawing the features of the hero who iskilled in a battle and gives all the values of masculinity in it. His speech in this regard is provocative in order to fight in order to fight injustice and his rejection of submission in all its forms , especially since the Abbasid state weakened till its weakness appeared in its division into states .4) Al - Mutanabbi believes that the belonging to the family or to the tribe doesn't get up to the sword and spear , so as to be clearly similar to Antra in this field .Stressing that weapons of fighting is the true descent of man and be has invested Antra's hybrid vision.The essence of man is his actions not his figure. And then he deepened the belonging to the Arabs to face the foreign invasion to be a comprehensive speech in the incitement to fight.5) The similarity of Al - Mutanabbi with Antra appears in the formation poetic where, I studied the text for both of two poets separately without paying attention or reference which relate the two poets according to mix the vocabularies of love and spinning which made the rhythm of everyone not stable , then to form a legendary picture to face a fact that can't be got rid of unless by the picture , in which Al - Mutanabbi had shown such a picture of a fighter's ethical and features. That hero who smils in spite of the death which surrounds him and it is a replica of the influential picture .6) The similarity of Al - Mutanabbi with Antra Ben shaddad in in pithiness filed can be come in two observation, first for supporting his text objectively through protesting to emphasize his vision and second Artistically according to eudden technics to arouse the studier , and thestudier's arousing might be in investing vocabularies and styles of amazing beauty. So Al - Mutanabbi renews the effective text to suit his anticipations in that field.7) The similarity of Antra's with Al - Mutanabbi's text's one more wrathful them general ones. He tended to intensive his text or a poem or a comprehensive vision from Antra's , and summarized it in one or two verses . This comes from his ability of creative from one side and to secret from other side , because he lived a criticized moments which regarded the similarity as a theft at the time. The process of short hand helps him to make the secret.What in indicates to the successful of the poet is that the ancient studies which is countoured with thefts and the modern that is contoured with similarity , didn't see his similarity with Antra Ben shaddad either in one or two verse which took from the postdated to the previous .8) It seems that Al - Mutanabbi has a criticism vision with profile deliberative. He chose the effective text to show for the reader that Al - Mutanabbi is the effective himself and Antra is the influenced. He realized that the content of the text is preexisted in language and meaning .

سيمياء سرد المنامات في الموروث الحكائي العربي Semiotics Dreams Narration In The Arabic Heritage Gaii

اسم المؤلف: احمد عباس كامل الازرقي
اسم المشرف: عواد كاظم لفتة الغزي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: Human has been known since ancient dreams, and can then first activity expressive and creative practiced before he knew the creative and communicative other activities, and the language codon and charged Dimension Alalamata rich first language of understanding human has ever known with the other, who was not determined features after having exceeded its presence ritual of belonging and reference actually ease the viewer into a fantasy landscape and a rupture of belonging, and not to celebrate the reality of it was dormitories treated as divine messages represent the people of God care and control of their own destinies. It was inevitable for a person to then marched reality of a dream, to enjoy the prospect of the Annunciation obtained or warns, which could afford the alarm or warning and this is not only converts a dream into a verbal version of lean manufacturing techniques to the language, which is the only medium to represent the dreams, here to be the regulator of to pass candidate through the narrative, and techniques, and laws, and abandon Tfeltat Almnamah language that is not subject to the terms of fact and rulings. I've been to Mnamat significant impact on the cultural and Islamic knowledge and the Arab scene and although human ignorant celebrate and sanctify her but that did not detract from its status in Islam that were not increased them after the clarity of its position in Islamic law, as mentioned in some of the Holy Quran He promised the mode of media reporting of the divine prophets, peace be upon them and in the Hadith promised dreams degree of prophecy, and in the Islamic intellectual perspective is the mode of inspiration and dignity to the good of the people of this nation. And cared Arab Entries Mounamat in their own, such as books interpreting dreams book interpretation of the great dreams of Ibn Sirin, and dreams of Ibn Abi Dunya or narrative works of the most famous works of the most comprehensive stems writer in the narrative another type, such as biography or built or the message or story and then ensure his texts dreams that employs the service of the narrative and enhance the intellectual and aesthetic formulation. The Mounamat Care albeit a large and noticeable, but did not come out for the field of special scientific and psychological studies when Freud and Jung, and Lacan in the system of Islamic thought studied dreams in some detail, but he stopped to describe a literary text stands on a par with other literary genres, or approached as a creative activity and is filed narrative reflects the narrative techniques and laws.As the narrative activity active humanly subject to the mechanism of the arrangement and a network of laws designed to bring about the kind of influence the recipient, it has been the darling that thrives signs and signals that hint at more than authorized, and this is the language that is based on a dream - mediated symbols charged give indications, it was appropriate to approach a sample semiotic research, which takes care of the mark, and the significance and reference spectrum. And by the multiplicity of semiotics curriculum and diversity depending on the material studied and privacy, the choice to approach semiotics narrative close to Taalgah textured dreams occurred as a narrative and as a bus signs and symbols, has provided the incentive to choose the title of this study, which is (Semiotics dreams are listed in the heritage of the Arab Gaii) and distributed this study Babin and the introduction and pave took care of the first section Baltoesel epistemological for Mnamat as proactive cognitive humanly rippling with human since the human dawn and to the present times, and is still a field of research and study, and were investigated as a dream of a centralized unilateral / seer, the prevalence deliberative / collective.In the first chapter the study shed light on the concept of dreams when ancient nations such as Greece, and the Egyptians and the Sumerians, Indians and Arabs as the ancient intellectual sediments that reflects many of the phenomena and beliefs. In the second chapter study addressed A_kaah Almnama text and how it can Incorporation to Nsusith as a written text and text as an innovative, The third chapter got the task of elucidation in this text and the emergence of the narrative techniques of Rao landmarks, and Roy, and quenched it.He specialized in Part II Applied study, as he got up the first chapter in which the characterization of the level of jobs, determined in accordance with the method of semiotic narrative in the texts of dreams can be described by this chapter that the focus of monetary characterization meeting in the first section and analysis narrative in Part II mediated by luring shifts to the forms of textual analysis of Mnamat.While the second chapter examines Alsemiae landmarks in space and time in Almnamah texts so that these texts tend deliberately to invest more than a place to invest the time and the place to look reflects the changes and temporal aspects require study in what has been termed space.The text can be described as a personal text Almnama par excellence enjoined this study in the third and final part of the study. The field of study Mtozaaa in the books of the Arab Gaii heritage of major news works such as songs, and the representation of the lecture, and contract unique is classified books in the interpretation of dreams and the other because it represents the container hosts for the texts of those dreams in addition to the diversity of topics such works, which led to a diversity of topics dreams, and I've the study considered that excludes dreams attributed to the prophets and imams peace what is known about it divine messages and methods of ways of revelation for the prophets, and the means of the means of inspiration, and payment when imams and this is often beyond the usual human dreams for them, and with the apparent diversity in dreams but we glimpse the thread of coherence the similarity between them is the tendency extreme to approach system of Islamic thought Bchkhos, and Hawwadth, and beliefs, and Gbeath making a lot of dreams seem similar extent of matching in terms of jobs, and connotations, and the emergence of personal Vdhaeadtha so, prompting the researcher to the classification of shifts in every race, including the sufficiency sample that check the adequacy of research and referral to replicate them.

خطاب اهل البيت (عليهم السلام) في اصول الكافي : دراسة تحليلية

اسم المؤلف: عبد الله حسين خليف الكعبي
اسم المشرف: كاظم فاخر حاجم الخفاجي قاسم محمد كامل
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:

حجاجية الخطاب القراني في موضوع الكافرين Protesting the Qur'anic Discourse on the Subject of Disbelievers

اسم المؤلف: الاء محمد كاطع الغالبي
اسم المشرف: عبد الحسن علي مهلهل
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: The Qur'anic discourse is distinctly a speech in the argument way because it is a speech between two conflicting parties on a fundamental issue which is the unification of the Almighty God and the performance of his orders and avoid what is forbidden to him . The purpose of the speech is to influence and persuade the recipient . For this reason, the Qur'anic expression used different means of persuasion in order to convince him , so the subject of the research entitled ( Addressing the Disbelievers in the Holy Quran - Study in the Argument - ) . I discussed the speech directed by the Almighty God or the apostles (Peace be upon them) or believers to the unbelievers , as well as, the speech of the unbelievers among themselves ( between masters and followers ) . I mean disbelievers : - anyone who does not recognize the existence of God or associate with him or who does not follow the teachings or deny the messages of the apostles (Peace be upon them). I address the verses that addressed the unbelievers sometimes the term(kafir ) is referred to and sometimes the term ( kafir ) is not mentioned or one of its derivatives , instead the term ''polytheist'' or ''oppressor'' or ''corrupted '' or other term is used . The nature of the search required that it be divided in to (a foreword) and (three chapters) and (a conclusion) . The (foreword)was divided in to two sections : - the first section was summarized as saying in the concept of (protest) in terms of definition of language and style . And mentioned the concept of (protest) at the most important poles of the school of protest in modern times . The second section was to define the concept of (kufr) language and terminology and then asked to mention the types of disbelievers who were included in the research , sometimes there is no mention of the (kafir) in particular , but there are words that differ from the root of the language of the (kafir) , but in the content enters the circle of (kufr) . I focused on ( polytheists and devils ) and studied the semantic differences between them and (kufr) . The first chapter was entitled ( Mechanisms of Arguing in Addressing the Unbelievers ) and included two topics ,the first entitled( Mechanisms of Language ) and examined : 1 - the impact of the links protests in addressing the infidels . And : 2 - the impact of protest methods in addressing the infidels , the second topic included (Rhetorical Mechanisms )and examined the effect of rhetorical mechanisms of analogy , metaphor and metonymy in directing the protest which is directed against the unbelievers . I would also like to note that I have listed chapter one with ( Mechanisms), but I mentioned only two mechanisms ( linguistics & rhetorical ) .This is because each mechanism falls under the concept of many mechanisms ,and this is why the designation chapter(Mechanisms). The second chapter , which was entitled ( The Relations of Protest in Addressing the Unbelievers in the Holy Quran ). This chapter has subheadings , namely , five relationships : - ( relationship of necessity , relationship of sequence , casual relationship , relationship of conclusion and relationship of non - agreement ). The third chapter was entitled ( Patterns of Protest in Addressing the Disbelievers in the Holy Quran ). It included three topics , the first section entitled '' Mental Argumentation '' and included quasi - logical arguments and rational arguments , the second topic was entitled ''Steering Argument '' which included : - 1 - guidance of preaching . 2 - guidance by induction. 3 - guidance on mentioning the consequences of things ( intimidation) . The third topic was entitled ''Impossible Argument '' and included the ''miracles'' that were used for the arguments of the unbelievers and the infidelity of them upon the truthfulness of the law of the Lord of the world . And included the miracle of the Quran and the sensual miracles . Finally the conclusion and I summarized the main findings of the research

المعلقات السبع : دراسة في ضوء لسانيات النص The seven AL - MuaLakaat A study in the light of the text linguis

اسم المؤلف: احمد دريس حسن
اسم المشرف: مجيد مطشر العامر
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: وعجزت عن نعته اوهام الواصفين . والصلاة والسلام على امين الله على وحيه ، ونجيبه من خلقه ، وصفيه من عباده ، امام الرحمة وقائد الخير، ومفتاح البركة ابي القاسم محمد ، وعلى اله الطيبين الطاهرين ، وصحبه الغر المنتجبين وبعد ... فقد شهد علم اللغة في العقدين الاخيرين من القرن المنصرم حركة تجديد في الدرس اللغوي ، فبعد ان كانت الجملة تعد اساس الدراسة اللغوية ومنتهاها ، بل هي اكبر وحدة لغوية فيها ، اتجهت الانظار الى الاهتمام بفضاء اوسع وهو فضاء النص ؛ لذا تحول الدرس اللساني من التعامل مع الجملة الى التعامل مع النص ، محاولا الولوج في عالمه ، وسبر اغواره ، وكشف كنهه ، ومعرفة استراتيجياته ووسائله ؛ فتناوله الباحثون اللسانيون بالبحث والوصف والتحليل ، هدفهم ـ من ذلك كله ـ صياغة نظرية لغوية تعتمد على النص اللغوي كله ، لا تتعامل مع التركيب اللغوي النحوي الا بانه استراتيجية من عدة استراتيجيات واعتبارات متنوعة منها اللفظية والدلالية والمقامية انضوت في كنف عالم اوسع يدعى النص ؛ فنتج عن ذلك ما عرف بنحو النص او علم النص او لسانيات النص . لقد اخذ اللسانيون والباحثون والدارسون باطراف رداء هذا العلم ، محاولين تطبيق وسائله على بعض ميادين اللغة او غيرها ، سواء كانت نثرية ام شعرية ، فحاول الباحث ان يكون له نصيب من هذا الميدان الرحب ؛ لذا ولى بوجهه شطر المشرف على البحث الاستاذ الدكتور مجيد مطشر عامر، ليجده مشجعا دافعا له لدراسة هذا الميدان ، وموجها الباحث صوب ذلك التراث اللغوي الشعري الضخم المسمى بالشعر الجاهلي ؛ ليغرف منه شعر المعلقات السبع ، فيجعلها ميدانا للعمل والتطبيق ، فالنص الادبي ليس حكرا على صاحبه ، بل هو ملك للمتلقي متى ما ولد وخرج من يد صاحبه ، اصبح لمتلقيه الحق في سبر اغواره ، وفك رموزه كما يراها . وبعد التفكير مليا وجد الباحث اعتماد هذا الميدان اللغوي عامة ، وشعر المعلقات السبع خاصة موضوعا يستحق البحث والدراسة ؛ لعدة اسباب ، منها : ان الشعر الجاهلي يمثل لبنة البناء الراسخ الاول للشعر العربي، ويمثل نصا خصبا يغري الباحثين والدارسين ؛ كونه مكتنزا بالطاقات الابداعية، والفنون اللغوية ، والصور الجمالية التي تحرك الخيال الجامح عند المتلقي ، وتمده باللذة الشعورية الفياضة ، فالشعر الجاهلي كان وما يزال منبعا ثرا وميدانا خصبا لا ينضب للدراسة والبحث ، وموضوعا حيا يحمل في طياته الشئ الكثير . فضلا عن ذلك كله ان الشعر الجاهلي واعني منه شعر المعلقات السبع لم يدرس ـ على حد علمي ـ دراسة لسانية شاملة تتناول كل مفاصل الدرس اللساني النصي حسب معايير ديبوجراند السبعة ، وهي : السبك ( الاتساق ) ، والالتحام ( الانسجام ) ، والقصد ، والقبول ، ورعاية الموقف ( المقامية ) ، والتناص ، والاعلامية ـ وهو منهج دراسي لساني يعتمد دراسة النص حسب المعايير المذكورة سلفا اطلق عليه الدكتور احمد عفيفي مصطلح لسانيات النص او نحو النص في كتابه ( نحو النص اتجاه جديد في الدرس النحوي ) ـ سوى دراسات مقتضبة جاءت ضمن ابحاث ودراسات لغوية عامة ، مثل ( بناء الجملة في المعلقات السبع ، دراسة نحوية دلالية ) للباحث فريد العمري ، و( المعلقات العشر دراسات في التشكيل والتاويل ) للباحث صلاح رزق ، و( الخطاب واثره في بناء نحو النص ، تطبيق على المعلقات السبع ) للباحث عبد المهدي الجراح ) ، ودراسة الدكتورعبد الملك مرتاض الموسومة بـ (السبع المعلقات مقاربة سيميائية انتربولوجية لنصوصها ) وفيها تناول التناص في شعر المعلقات السبع ضمن دراسته التاريخية الاجتماعية هذه ، ودراسة اخرى مختصرة للباحث سعد خضير عباس في بحثه الموسوم ( الموسيقى في المعلقات السبع ) وفيه درس بحورها وقوافيها وانوع تلك القوافي وعيوبها ، ودرس الموسيقى الداخلية لها كالتصريع والتدوير والجناس والطباق والتكرار وغيرها ؛ لذا سيكتفي الباحث بدراسة عبد الملك مرتاض للتناص ، مع اطلالة اكثر ايضاحا على الموسيقى الداخلية دون الخارجية ؛ لاكتفاء الباحث بدراسة الاخير لها . امراعاية الموقف ( المقامية ) فقد ارتاى الباحث ان لا يخصص للمقامية مبحثا خاصا بها ؛ لتداخلها مع باقي مباحث الدراسة ، فضلا عن الاشارة الى وسائلها في اثناء المباحث . وحري بالباحث بعد ذلك ان يقف على بعض التساؤلات التي قد تتبادر الى الاذهان عن علة اختيار سبع معلقات دون التسع او العشر ، وحصرها بمجموعة من شعراء العصر الجاهلي دون سواهم من الشعراء وهم : امرؤ القيس ( ت 80 ق . هـ ) ، وطرفة بن العبد ( ت 70 ق . هـ ) ، والحارث بن حلزة ( ت 50 ق . هـ ) ، وعمرو بن كلثوم التغلبي ( ت 40 ق . هـ ) ، وعنترة بن شداد ( ت 22 ق . هـ ) ، وزهير بن ابي سلمى ( ت 13 ق . هـ ) ، ولبيد بن ربيعة العامري ( ت 40 هـ ) . والجواب على ذلك ان العدد سبعا قد اقترن ـ في الاعم الاغلب ـ مع الاشارة الى هذه القصائد دون باقي الاعداد عند المتلقين قدماء ومحدثين . اضف لذلك ما يلحظ عند اغلب شراح المعلقات المشهورين ـ من القدماء ـ انهم لم يطلقوا اسم المعلقات على شروحهم ان جاوز شرحهم سبع قصائد ؛ ومرد ذلك انهم كانوا يشرحون المعلقات السبع ويضمون لها ما سواها كما هو الحال عند النحاس ( ت 338هـ ) في مؤلفه ( شرح القصائد التسع المشهورات ) ، والتبريزي (ت502هـ ) في ( شرح القصائد العشر ) ؛ لتشمل المعلقات وغيرها ، فضلا عن ذلك ان نقصان العدد عن السبع يفرض ـ هو ايضا ـ على القدماء العدول عن تسمية المعلقات الى القصائد كتسمية القصائد الست عند عبد الملك بن قريب الاصمعي ( ت 216هـ ) ، او الاشعار الستة عند ابي الحجاج الاعلم الشنتمري ( ت 476هـ ) ؛ فدلالة ذلك كله ظاهرة على العدد ؛ وبذا تكون تسمية ( المعلقات ) جامعة لها مانعة لما سواها. اما فيما يخص اصحابها بما ذكر من اسماء شعراء العصر الجاهلي دون غيرهم ، فمرد ذلك الى ان اشهر شراح المعلقات ومتلقيها قديما قد حصروا اصحاب المعلقات السبع بهذه الاسماء دون غيرها كابي بكر محمد بن القاسم بن الانباري ( ت 328هـ ) في شرحه ( شرح القصائد السبع الطوال الجاهليات ) ، وابي جعفر احمد بن محمد النحاس ( ت 338هـ ) في شرحه ( شرح القصائد التسع المشهورات ) بعد ان نوه في خاتمة شرحه لقصيدة عمرو بن كلثوم الى انها اخر السبع المشهورات على مرااه من اكثر اهل اللغة ، واضافته لقصيدتي النابغة الذبياني ( ت 18 ق . هـ) والاعشى ( ت 7هـ )؛ كان لتاثره باقوال اهل اللغة والادب ؛ لضمهم الشاعرين الى اشعر شعراء العصر الجاهلي ؛ مما حدا به بضم قصيدتيهما الى السبع مصرحا الى انهما ليستا من القصائد السبع عند اكثر اهل اللغة ، انما جاء عمله هذا ؛ للجمع بين اكثر من رواية ، وينسب ابو عبد الله حسين بن احمد الزوزني ( ت 486هـ ) المعلقات للشعراء المذكورين فيما سلف في شرحه ( شرح المعلقات السبع ) ، وقد حصر يحيى بن علي التبريزي ( ت 502هـ ) اصحاب المعلقات بما تقدم ذكره من شعراء في شرحه ( شرح القصائد العشر ) ؛ وذلك عندما اشارة اشارة لا تقبل الشك او التاويل الى ان المعلقات سبع ، وما بعدها مزيد عليها ، ذكر ذلك في خطبته التي استهل بها شرحه الموسوم بـ ( شرح القصائد العشر ) بعد ان تابع ابا جعفر احمد بن محمد النحاس (ت 338هـ ) في اضافة قصيدتي النابغة (ت 18ق .هـ ) والاعشى (ت 7هـ ) مضيفا اليها قصيدة اخرى ـ غير معللة الاضافة عنده ـ لعبيد بن الابرص (ت 25ق.هـ ) ؛ ليكون العدد عنده عشرا ؛ وبذلك تكون اضافة النابغة والاعشى عند النحاس والتبريزي ؛ برغبة النحاس الى الجمع بين الروايتين ؛ وبمتابعة التبريزي للنحاس في ذلك الهدف . كما ان من اسقط من هؤلاء السبعة نوه عليه غيرهم ؛ اذ يذكر الحسن بن رشيق القيروانـي ( ت 463هـ ) في كتابه ( العمدة ) ، والسيوطي ( ت911هـ ) في ( المزهر ) رواية لابي زيد القرشي ( ت 255هـ ) عن ابي عبيدة معمر بن المثنى ( ت 238هـ ) في ترتيبهما لاصحاب المعلقات انهما اسقطا من اصحاب المعلقات عنترة والحارث بن حلزة واثبتا الاعشى والنابغة ، وكل من القيرواني والسيوطي يشيران الى ان القرشي وابا عبيدة قد خالفا ما عليه اغلب القراء المعاصرين انذاك ـ وهنا يبدو اعتراضا على ذلك الاسقاط واستغرابا لذلك الاثبات ـ وبذلك يكون عدد المعلقات سبعا ، واصحابها قد اتفق عليهم . وعليه وتبعا لمقتضيات موضوع الدراسة ؛ فقد ضم البحث ثلاثة فصول سبقها مقدمة وتلتها خاتمة وقائمة للمصادر . ضم الفصل الاول الذي عنونه الباحث بـ ( الاتساق النصي ) ثلاثة مباحث ، درس في المبحث الاول الاتساق الصوتي بوسائله الثلاث : الجناس ، والتوازي ، والتنغيم ، ودرس في المبحث الثاني الاتساق النحوي بوسائله الاربع : الاحالة والربط والاستبدال والحذف ، اما المبحث الثالث فقد درس فيه الاتساق المعجمي بوسيلتيه التكرار والمصاحبة المعجمية . وجاء الفصل الثاني بعنوان : الانسجام النصي ليضم مبحثين : درس في الاول العلاقات الدلالية النصية الكبرى في نصوص المعلقات الجاهلية السبع ، وخصص الثاني لدراسة البنى النصية الكبرى المكونة لنصوصها . اما الفصل الثالث ؛ فقد جاء بعنوان ( معايير نصية اخرى ) ، وضم في ثنيه ثلاثة مباحث ، خصص الاول منها لدراسة القصدية ووسائلها في نصوص المعلقات الجاهلية السبع ، وتطرق في الثاني الى المقبولية والعوامل المؤثرة فيها ، في حين تناول الباحث في المبحث الثالث انماط الاعلامية المتحققة في نصوص المعلقات الجاهلية السبع . وقد اعتمد الباحث في دراسته على المنهجين : الاستقرائي والتحليلي وهو ما تتطلبه طبيعة الدراسة ، معتمدا كتب التراث المتمثلة بالشروح وغيرها من كتب الادب والنقد ، فضلا عن اعتماده على مصادر الدراسات والابحاث اللسانية الحديثة ، واعتمد الباحث على الاشارة الى ذكر سنة وفاة شعراء المعلقات مرة واحدة فقط ، وذلك عند ذكر اسم الشاعر لاول مرة ؛ دفعا للتكرار . ولا بد للباحث ـ هنا ـ من التنويه الى اعتماد دواوين خمسة من شعراء المعلقات الجاهلية السبع في تثبيت متون نصوص معلقاتهم ، مستثنيا منها متني معلقتي عمرو بن كلثوم التغلبي والحارث بن حلزة ، اذ اعتمد الباحث في تثبيت نصوص المعلقتين على شرح ابي بكر محمد بن القاسم بن الانباري ( ت 328هـ ) ؛ وذلك لعدم امكانية الحصول على طبعة علمية معتمدة في الاوساط العلمية والاكاديمية لديواني كلا الشاعرين ؛ مما حدا بالباحث الى اعتماد الشرح المتقدم الذكر بتحقيق عبد السلام محمد هارون دون غيره من المصادر المتضمنة لمتني المعلقتين ؛ لان المصدر المنوه عنه اعلاه من المصادر العلمية المعتمدة ؛ كونه يعود لعالم من علماء اللغة والنحو والادب والقراءات والتفسير في القرن الرابع الهجري ، ثقة ثبت صدوق حافظ ورع صالح، شهد له بذلك العديد من العلماء كابي علي القالي (ت 356 هـ ) فيما ورد عنه في ( طبقات القراء ) لابن الجزري ( ت833هـ ) ، وابن النديم ( ت 380 هـ ) فـي ( الفهرست ) ، والازهري ( ت 370هـ ) في مقدمة معجمه ( تهذيب اللغة ) ، فضلا عن كون المصدر المذكور انفا قد حققه عبد السلام محمد هارون ، وهو محقق المعي معروف بالدقة والتوثيق في عمله ؛ مما حدا كل ذلك بالباحث الى اعتماد المصدر المتقدم الذكر . ولا يخلو اي عمل يحاول صاحبه ان يتمه على احسن وجه ان تلاقيه بعض الصعوبات ، كما هو الحال في الدراسة هذه ، اذ واجهت الباحث صعوبات منها شحة الدرسات اللسانية التي تناولت الشعر العربي الجاهلي عامة وشعر المعلقات خاصة ضمن المناهج اللسانية الحديثة ؛ مما استدعى ذلك من الباحث الاعتماد في كثير من الاحيان على الذات في قراءة النتائج والوصول الى الاحكام ، ومن الصعوبات الاخرى دلالة بعض نصوص المعلقات الجاهلية السبع التي حيرت الباحث كثيرا واجهدته في الوصول الى ما يبتغيه صاحب النص من مقصد . وفي الختام اود اولا ـ وقبل كل شكر ـ ان اقدم شكري وامتناني وتقديري الى اولئك الابطال المرابطين في سوح الوغى وساحات القتال من ابطال جيشنا الباسل ومتطوعي حشدنا الشعبي ، تلك الثلة الطيبة التي تعانق الموت كل يوم دون ان ترعد فرائصهم ، او ان تغفو عيونهم ، فلولاهم لما ولد هذا العمل ، بل علنا لم نكن الان جالسين هنا لنبدي رايا ، او نسمع تقويما . واقدم شكري وامتناني لاستاذي الفاضل المشرف الدكتور مجيد مطشر عامر ، فكل كلمات الشكر والثناء لا تفيه حقه ؛ اذ وجدته اخا قبل ان يكون مشرفا ، تفضل علي بالكثير من مصادر البحث ، وقبل ذلك كان المرشد لي في تسجيل الموضوع ـ كما اسلفت ـ والموجه الحقيقي الذي تبناه فكره ، واضفى عليه توجيهاته ليشتد عوده، وكان طوال اشرافه على هذا البحث يكرمني بوقت مفتوح لمناقشته ، فتح لي قلبه قبل بيته ، فاعترف له بالشكر والامتنان ما حييت . والشكر موصول الى اعضاء لجنة المناقشة ولا سيما من تجشم منهم عناء السفر ، وخطورة الطريق ليبدي ملاحظه التي تمثل هدايا مقبولة سلفا . واوجه شكري الى كلية الاداب ممثلة بعميدها ومعاونيه ، وقسم اللغة العربية ، بدءا برئيس القسم ، وكادرها التدريسي سواء من اشرف على الباحث في السنة التحضيرية ام سواهم .واقدم شكري لموظفي مكتبة كلية الاداب لما ابدوه من تعاون مع الباحث في توافر المصادر ذات الشان . اقول : هذا جهد باحث متعلم عل سبيل النجاة حاول ان يبعث ماضيا قديما بثوب جديد ، قد يصيب فيه ، وقد يعتريه الخطا ، فلا نزعم لهذه الدراسة الكمال ، فالكمال لله تبارك وتعالى ، فان اصاب فذلك بعون من الله ومدد منه ، وان قصر او اخطا فمن نفسه ، نسال الله ان يغفر لنا ذنوبنا ، وان يمحو عنا سيئاتنا انه نعم المولى ونعم النصير ، واخر دعونا ان الحمد لله رب العالمين والصلاة والسلام على سيد الخلق اجمعين وعلى اله وصحبه المنتجبين والسلام عليكم ورحمة الله وبركاته . | The Seven texts Al-MuaLakaat ignorance represent a wide field of Arabic language rich in its bid , torrential in its article as it carries with it a big thing of all language arts are a fertile womb gives scholars and researchers , what's aspires accessible ? This study came as an attempt tried researcher in linking the ancient Arabic linguistic heritage of pre – Islamic poetry in general . And the seven Al-MuaLakaat especially with the lesson lingual talk its strategy and various means of multiple of coherence and harmony and the in clusion of each of the topic lingual textual distributed to chapter and sections of this study as researcher in the first chapter of consistency trying to text application of mechanisms multiple as audio formats in its three means (paronomasia , parallelism and toeing ) and grammatical consistency in the its four means ( The referral , subsituated connectivity and deletions ) with consistency lexical of ( repetitive and accompanying Lexical ) plus sections of harmony such as relations semantic text and the major infrastructure text add to that all , other text standards it has been applied on the seven text Al-MuaLakaat ignorance represented (intentionality , acceptability , media ) Above all the piece was followed by an introduction and conclusions supported in the ptece inductive analytical approach to poetic texts . this study has proved the validity of the application of these differ cal text standards for modern lingual lesson in achieving consistency and harmony on a group of ancient Arabic poetry texts belonging to seven of the poets of pre-Islamic as : Emero' Al-Qais , Turfa – bin – AL-Abid Al-Harith – bin – Hallza , Omro – bin - Kalthom – Al-Taqlabi , Antarah – bin- Shadad , Zuhair – bin – Ibi – Sulma , Labud – bin – Rabiah Al-AmeriHowever , how appropriate the old poetic text and make it a suitable material for the and research in the so-called text linguistic .

اتجاهات الشعر العربي من خلال كتاب (قلائد الجمان) لابن الشعار (ت654هـ) : دراسة موضوعية فنية

اسم المؤلف: حسين طه علي احمد السامرائي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

غريب نهج البلاغة The stranger in " Nahjubalagah

اسم المؤلف: عبد الكريم حسين عبد السعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: By the name of God the all merciful, thanks to his grace, and peace upon his greatest profit Muhmmad bin Aabdillab. There is no daute that Nahj Albalagh in the highest situation of the Arabic eloquence, for that many of Arabic linguestics - ainsent and modern - do their best to explane it's words and sentences in their books and researches.This research is stepping on the same way of those, it studied the stranger in Nahj Albalagh which had been jaid by Aliyy unbnu Abi Talib peace upon him and collected by Alshareef Al Radiyy. ( 406 A.H.). This research divided in preface four parts, and a conclusion. The first part is apreparated one, it is in two chapters, the first chapter studied the strange in the Arabic language in general. And in the ( Nahj ) particularly . The second chapter studied the ( text ) firming, and it's regestredment, there were three kinds of texts. a : texts conteporared Al - emam Ali peace upon him. b : texts precedied AlRadiyy several hundreds of years. c : texts conteporared al Radiy's collecting of Nahj - albalagah.The second part was studying the strangest of the word. It had three chapters. I studied in the first one the strangment of the singular word. And in the second chapter I studied the strangment of the word in meaning, in the third chapter I studied the strangment of the word in it's etymology. I studied in the third part the strangment of structure in three chapters. I specified the first one to the strangment of the whole sloup, the second chapter to the strangment of the speech because the irregularity of the word or because of their entangledment. The third one was about the strangment of the speech because of the highness of it's elocuence.The fourth part of this research was about the strangment of rhetoric building it had also three chapters. The first chapter was about the strangment of the ( eloquence system ), the second one was about the ( rhetoric science ), and the third one was about the strangment of the tripic system. I ended my research with a conclusion, which I explain in it the most emportant results. At last I would like to thank God for my successful in this research, after that I would like to thank my professor Dr. Abdullah Ahmed Aljubouri who guided me in this research and we landed together on the shore of Nahj - Albalagah safely.

توجيه معاني النحو عند المحدثين، حاشيتا الخضري والصبان انموذجا Guidance as to the Meaning of the Detailed in the earliest, hasheyata Al ssabban And Al Khudhari Specimen

اسم المؤلف: شاكر صاحب علوان الفتلاوي
اسم المشرف: مكي محي عيدان الكلابي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: If we say that the attention of the Arabs understanding of speech were not less than their care produced departing from the idea of the basis of that very language is basically access to the meaning or intent, has tried to research to prove the existence of the effect of meaning in the detective grammatical, found in the book of hashiat al - sabban on the al - ashmony explanation (1206 AH ) and hashiat al - khudhary on tha explanation Ibn Aqeel (1287 AH ) field so broad, Volg through into this world was expansive title of the study ((guidance as to the meaning of the detailed the earliest hashiata al - sabban and al - khudhary specimen)) Has necessitated the nature of the research that is distributed over four chapters preceded by a preface, followed by the conclusion of the search, The Boot, has shown a concept meaning grammar has been spotted in the first chapter statement meaning of grammar in the door of the Covenant, and specialize Chapter two study the meaning of grammar in th waste, and dealt with in Chapter three the study of meaning in grammar Prepositional , while the fourth chapter was held to demonstrate the meaning of grammar tools.The researcher found a number of results, most notably the following : 1 - Researcher found that guidance as to the meaning of the detailed the earliest hashiata al - sabban and al - khudhary explains without objections stated that his goal as decoding locks. 2 - represents a detailed guidance as to the meaning of the detailed the earliest hashiata al - sabban and al - khudhary blog grammatical inexhaustible trough in various walks of language, especially in the world of meanings as phishing, including veterans and narrators in the rules, and assets. 3 - The research revealed guidance as to the meaning of the detailed the earliest hashiata al - sabban and al - khudhary phenomenon singled express carefully and clear because it will help him to understand the first installation but if it violates the express meaning often takes the loop, trying to find meaning undue hand motif.

الدلالة الالتزامية عند الاصوليين في القران الكريم The significance of the commitment of fundamentalists in the Holy Quran

اسم المؤلف: غزوان حميد عبد السعيدي
اسم المشرف: عادل نذير بيري الحساني
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study is an investingation of the textual phenomena in the Quranic expression which has not been looked before semantically. The terminology to the fundamentalists still have a gap.This subject (commitment Denotation in the Quranic Expreesion ) was in consistency with my research interest. Therefore, I abode by determination and God's trust. The significance of the study lies the epistemic intervention and interdisciplinary Link between a large set of sciences such as jurisprudence , exegesis , Arabic , logic , eat . The benefits extracted pour into the crucible of Quranic usage.The topic is of clear importance that researcher's attention and it revolves about the awareness of the specialists' products in thes sciences. The research in this dissertation entitled three chapters preluded by a preface and concluded by the most significant results . The first chapter included ( the denotation of implied expression ) while the second contained ( the denotation of concept ) . The research concluded that the implied denotation , conceptual denotation ,and allegorical denotation are all realizations of commitment denotation.It was further concluded that all allegorical relations are traced back to one relation which is ( commitment )basing on the fact that commitment tackled in the research is the commitment in its broad sense which is realized even though in the speaker,s mind .The researcher faced some difficulties as the semantic research in the Quran is surrounded by many epistemic challenges which the research attempted to overcome in light of his acquaintance and induction to disambiguate this matter . I intended in this study to draw the attentions to efforts exerted by fundamentalist and semantic linguists . In conclusion , I recommend researchers especially in text linguistics , to pay attention with determination with determination to the sourceful heritage of fundamentalism.

ظواهر البيان العربي عند المفسرين من القرن الرابع حتى نهاية القرن السادس الهجري Arabic Eloquence phenomena Of Explainers from the forth till the sixth century of al Higra

اسم المؤلف: امل حسين حسن الخاقاني
اسم المشرف: محمد حسين علي الصغير
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: The explainers have pave of the way for the Quranic studies as they were the first to tackle this eloquent text which is hard to be explained and analyzed first in revealing it, meaning and second in showing it's historical method This thesis is dedicated to receal the rhetoric phenomena of the explainers (from the forth century till the end of the sixth century of Higra) for the effect of this period in founding these phenomena on one hand and orienting them on the after. So, it's devided into a preface and four chapters. The preface revealed (the concept of the Arabic rhetoric among the explainers and the grammarians) and also showing (the Arabic rhetoric phenomena in the Quranic studies books and elogence), as for the chapters, the first dealt with (the truth and metaphor of the explainers) revealing their role in achieving all kinds, divisions and various relation of the metaphor while the second chapter tackle (simile of explainers) and showing their care of its tools and types in addition to defining the feature of Quranic simile as being a combination of images. The third chapter dealt with (metaphor of the ecplanier) and defining its terminological meaning as being based on the similarity relation ans also defining types of metaphor within the Quranic context. As for the forth chapter it dealt with (the writing and its features of the ecplainers) and defining its terminological meaning based on the stules of writing and method of expressing it as symbol, sign and waving and revealing the intention of intimation which participates in showing the rhetoric of the Quranic text, and its features of inimatibility of holy Quran the explainers in all of these chapters were rhetorical in dealing with the text of holy quran and also expended critics of it their rhetorical attitudes and their metaphoric signal reprints as serous stop in the development of the studies of the quranic rhetoric and the researches of inimitation for their great analytical ability and taste which led to the assumption that the quranic methods was nothing less than americal for being unique invites style and verse

رد الشبهات في عصمة الانبياء (عليهم السلام) في القران الكريم : دراسة لغوية The rejection of suspicions in the infallibility of the Prophets (peace be upon them) in the Quran_ language study

اسم المؤلف: رباب موسى نعمة الصافي
اسم المشرف: جنان منصور كاظم الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Praise be to Allah who make the hearts of his servants ready to receive the flood guidance, and threw upon their insights from the lights of his knowledge what clear the facts of his revelation to them, and his words has expanded and elaborated on their minds, and then his subtleties and oddities have brightened, and entrusted in their holy books the miracle of understanding that testified the miracle of regulation, prayers and peace be upon the best of those Who sent them to His servants Abu Al - Qasim Mohammed and upon his glorious progeny, Having said that : Perhaps it is a sign of miracles that the Holy Quran opens horizons of academic studies, and shining out of his knowledge what makes you look more brilliant and better guided. After I had finished my preparatory study, I prepared for my doctorate thesis, the dream that cherished my mind a long time ago has become a reality for me, then I became before a matter which is not easy to overcome, and I engaged to a task for which its finishing and overcoming does not mean ending for all its requirements, as it is higher and more solemn, but If you cannot take it all, do not leave it all, so it is an honor to me to go along with those who search for the secrets of the Arabic language and its sciences. Praise be to Allah who granted the Arabic language working servants and bestowed them knowledge and gave them provision of earnestness and sincerity, they became supporters and keepers of them, perishing ages for them and fill books with them. The prophethood, which Allah has made it limited to a number of His human creatures to be guiders for people in the course of their lives to be built on the basis of wisdom unless the individual entrusted with the group of certain characteristics that is distinguished from the others.The prophethood is a special privilege that Allah has singled out for a number of his allies, as he said in his holy book (Quran) : ((Those were the ones upon whom Allah bestowed favor from among the prophets of the descendants of Adam and of those We carried [in the ship] with Noah, and of the descendants of Abraham and Israel, and of those whom We guided and chose. When the verses of the Most Merciful were recited to them, they fell in prostration and weeping.)) In spite of this divine selection of them, and distinguish them from other human beings and communicate with Allah by the revelation, nevertheless they have been exposed to many forms of skepticism and a range of impugnment until they launch a charge against, them with the major sins and prohibited abominable acts, On the other hand, there is a group of people who have glorified them in piety and purity and distinguished them from other people.This is why I thought to study this topic to be my PhD. thesis, and based on the nature of the study and its obligations, the research divided into three chapters preceded by introduction and preface, and followed by the conclusion, and the preface was a presentation of the concept of inerrancy (infallibleness) and the differences among the Islamic sects in opinions, while the first chapter is a study of the significance of the Quranic vocabulary in the verses of the infallibility, which was divided into four researches, the first is the indication of the words (عصى disobeyed and غوى went astry) directed to Adam (peace be upon him) by disobedience, and the second was to study the significance of the words (نقدر we can and الظالمين oppressors) directed to Yunus (pbuh)and the third was to study the word (نسيت I forgot) said by Moses (pbuh), the fourth was to study the meaning of the word ( وزرك your sin) addressed at the Prophet Mohammed (Prayers and blessings of Allah be upon him and his progeny).The second chapter was devoted to the study of the morphological formula in the verses of infallibility, which includes three researches, the first of which was to study the significance of the formula of individuals in the reign of David and Solomon and accusation of the prophet David of the mistake in judgment, and the second was competent to study the significance of the name of preference (الاعلى supreme) in the accusation of Moses (pbuh) with fear, the third was to study the significance of the name of the preference (ضالا astray) in the attribution of misguidance to the Messenger (Prayers and blessings of Allah be upon him and his progeny).The third chapter was concerned with the study of the grammatical significance in the verses of infallibility, which was divided into three researches as well, the first was in the method of deletion and included : first, deleting the related part of the sentence conditional answer in accusing Prophet Yusuf (pbuh) in intending to perform the act, and secondly, deleting the related part of present participle in accusing Prophet Moses (pbuh) in astray, and thirdly deleting the object in accusing Prophet Moses (pbuh) to ask for the vision of Allah Almighty, and the second research was to study the significance of defining the grammatical reference and also included : firstly, determining the reference of pronouns in the word (ردوها return..), secondly, identifying the actor's reference to his action in accusing Abraham (peace be upon him) by lying, and thirdly, defining the reference of speech its author which is divided into : - Specifying the reference of the speech with the doubt. - Determining the reference of the speech to forgiveness of guilt. - Determining the reference of the speech by frown and turning away.In the third research, I have studied the significance of the methods in the verses of infallibility and included : firstly, the significance of the conditional method in the affliction of the honorable Prophet in accusing him also of Polytheism, and secondly, the significance of forbidding the Prophet in accusing him of obeying polytheists and hypocrites, and thirdly, the significance of the method of supplication in accusing the Prophet in doing sin, and finally we mentioned the findings of the research in the conclusion.

الاعمال والاهمال النحويان في القران الكريم Validating or neglecting Grammatically in Holy Koran

اسم المؤلف: عادل غانم طعمة
اسم المشرف: خديجة عبد الرزاق الحديثي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The meaning of validating is a grammatically term, and that is what caused changes in the last of words, and the working term may be verb at most, or may be name or character. The neglecting is leaving that work in working term for some reason or lack of work conditions if it was working with specific conditions, the neglecting may be in the original word that mean, the word is not working in origin, it is against validating or it’s the opposite. This subject Examines in these terms (working or neglected) based on what came in the holy Koran, evidence and examples, and not extrapolated inventory, and as required by the foundations of scientific research came as follows : 1 - Introduction : Brief Outlining for the explanation and illustration of research, and we thanks who proposed the topic of our elders, and the our reason for selecting him, and we thanks who cooperating with us in this search.2 - Foreword : Manipulating the two terms ( Validating and neglecting) in grammatically and traditionally means as well as in Arabic grammar. 3 - Chapter I : studying validating and neglecting in Arabic grammar and synonyms of terms, and what they based on of Arabic grammar assets, and types of factors.4 - Chapter II : Manipulating the verbal factor (verb and name) as receipt in holy Koran, and its mentioned in few non - famous readings. And its manifests from the holy Koran and what's agreed of grammar books.5 - Chapter III : deals with verbal factor ( working characters) and on the basis of previous chapter itself.6 - Chapter IV : examines the moral factor, and deals with the grammar means and clarify them, and we put with him dialectic cases for factor.7 - Chapter V : deals with characters always grammatically neglected, and also based on holy Koran in its meaning and the examples of explanation and study.8 - Conclusion : It is an Abstract for the study, and summarization of research results.9 - list of references and resources : books, or research, or thesises, or magazines, we use or adopted in our study. We completing this study as a part of the requirements for doctorate degree in Arabic language Department, from College of Language and Koran Sciences at the Islamic University / Baghdad, under the supervision of Prof. Dr. Khadija Abdul Razzaq al - Hadithi, great thanks for her distortions and evaluation for mistakes, and the developed Platform that we use as a guide for us, and I thank her once again, and I thank all elders, our friends who helped us in completion of this work and God who is the conciliator

المكان في الدراسات السردية العراقية الحديثة نشاتها واتجاهاتها The place in modern Iraqi narrative studies Its origins and trends

اسم المؤلف: لواء تقي عبد نور العيساوي
اسم المشرف: فاروق محمود عبد الله الحبوبي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: The place has played a prominent role in the modern narrative texts, since it has become a major unit in it; where the concept of place has witnessed an expansion of symbolic, symbolic and aesthetic, the exposure opens wide horizons to the aesthetics of the narrative text as well as its symbolism and functionBased on the above, critics have been working on the subject of the place after it, which is the basis of narrative work, not only as an area in which events occur, but as a means to probe the depths of the human sense associated with conscience and what belongs to it. The place of the earth, the home and the homeland, and what surrounds these things and other intimacy and belonging , Hostility and division, all of which have profound artistic values, connotations and purposes.Thus, the importance of the place appears in its cultural, psychological and political dimension, on the one hand, and its artistic dimension, which is characterized by its profound impact on the elements of novel construction on the other, is clear. This has made many critics and scholars cast their allegiance in this field. Some of them claimed leadership, The study aims to trace the origin of the study of place in the modern Iraqi narratives, and examine this critical discourse through a descriptive methodology with an analytical vision aimed at The study of the place in the modern Iraqi narratives, its origins and trends. The researcher reported from the sources that I meant to study the place in the Iraqi monetary studies, which formed the main motto in the construction ofBthe thesis, As well as Arab and Western sources, which provided us with a wide area of movement and research.This thesis came in a preface, and three chapters followed by a conclusion that included the main findings of the researchWe devoted the preface to address the problematic of the term, and to stop the research when the critics used the terms (space and space), and what these terms of the overlap of semantic and procedural.The first chapter was entitled "The Origins of the Study of Place in Literature". This chapter was divided into three sections. The first one was concerned with the study of the place in the Western scholars. The emergence of the place phenomenon in Arabic literature.In the second chapter we studied the mechanisms of studying the place in the early Iraqi studies. This chapter was divided into three sections, the first one was concerned with the study of dividing the place and the second studied the construction of the place, description and composition. ). The third chapter was entitled (Directions of the study of the place). It was divided into two sections, the first one was concerned with the study of the external direction. The course included the contextual monetary methods adopted by the critics in the approach of the place. This course follows the texts that guided the critics in the approach of the placeWe can summarize the main findings of the research as follows : - The development of the concept of place and completed as a theory that has an effective influence in the Western criticism by the French critic Gaston Pacheler, who studied the placeCaesthetically. This achievement was manifested in his famous book "Aesthetics of the Place ... : " - In spite of the delay of the Arab monetary achievement regarding the place, it recorded a turning point after the second half of the twentieth century, as the new concept of the novelist place began to appear in creative products and narrative money. However, it remained within the limits of the special glimpses that did not meet the theoretical level, Cash. - The Iraqi cash register was the pioneer in opening the horizon of Arab criticism on an issue that was not aware of the Arab culture. This was manifested by the Iraqi critic Yassin al - Nasir, who presented a realistic social vision of the place's relationship with the text - The research concluded that the Iraqi critic directed to monitor this dominant element (place) and its approach according to the monetary trends according to the intellectual and cultural backgrounds that emanate from it. The critics did not move away from two viewpoints, the first is an external trend and the other is a useful internal trend of contextual and textual monetary approaches in dealing with Literary texts.In conclusion, I would like to thank and thank all the media theologians, and our last prayer is to thank God, the Lord of the Worlds, and to pray to His Messenger, the faithful, the God and His Companions.

الاطلاق في الاحكام النحوية

اسم المؤلف: اياد عبد الجبار احمد الويسي
اسم المشرف: نصيف جاسم محمد علي الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

البحث الدلالي في كتاب الايضاح في شرح مقامات الحريري للمطرزي ت610هـ Semantic Investigation in Al - Edah Book in the Explanation of Maqamat Al - Hariri for Al - Mutarizi

اسم المؤلف: همم راضي عليوي
اسم المشرف: محمد بشير حسن
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Maqamat Al - Hariri is important literary texts since it represent a lovely literary type in human souls till now. So, the linguists pay attention to it by explaining and clarifying its ambiguities and investigating itsbeautiful areas. Al - Edah book is one of these explanations but itparticularizes from others in that it cares to the semantic side making the linguistic levels its own beginning. So, the researcher pays attention tothis explanation in that she revel the authors’ cleverness. This studyconsists of three chapters. The first one entitled (phonetics andmorphological level) which consists of two sections. The first one (phonetics level) deals with two topics, alternation among voiceless sounds like alternation between (التاء and ,(الھمزة and the alternationbetween voiced sounds and it deals with alternation between (مالفتح والض )and other things. The second section deals with morphological level. It deals with topics like derivation, rigid, minimization, attribution, plurals, and others. The second chapter is entitled (grammar level) which deals with topics like indication of inclusion, deletion, and indications of some names and letters. The third chapter entitled (indication sections in Al - Mutarizi) which deals with two topics, the first is (singular words indication) and ( semantical development)

شعر الغزل بين عمر بن ابي ربيعة وبشار بن برد ونزار قباني : دراسة بلاغية موازنة Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane (A Pithiest Paralleled Study

اسم المؤلف: خالد فائز ياسين
اسم المشرف: خالد علي مصطفى
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation title " Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane - A Pithiest Paralleled Study " , inanalyzing romantic poems in stylistic way . This science is a beneficialelement of stylistics and different levels of language " structural ,morphological , and phonological " besides other artistic aspects inanalyzing a literary text . Stylistics deals with a poetic text as being acomplete structure comprising in it elements of the text and partialstructure. Also the direction of criticism is towards poetry not the poet ,by that it is necessary to teach poet's poetry separate or far from theinfluence of desire and felony of generalization .In this study the researcher chose three poets ( as mentioned before )concentrating the speech on a common poetry aspect between the threewhich might barely be the most common in their poetries . This aspect islove , and the study of love in these three poets was not new . It has beendealt previously by several researchers . They studied it separately in eachpoet and demonstrated its types and directions , by studies that could bedescribed as artistic and subjective . But , they did not deal with concernthe stylistic study , even if we find stylistic studies dealing with all thepoets poetry . This study was done dealing with one purpose in poemshaving one subject . On the other hand , the study dealt with the stylisticaspect accurately in each poet by demonstration , and stylistic analysis .The study started with a theoretical part about ; first : stylisticsbetween the theory of the term and the concept ; second : showing themeaning of comparison and its styles in Arabic heritage . Then dealingwith concept of paralleling and its styles in Arabic heritage . Also ,through reading love poetry of the three poets stylistically . The study isdivided into two chapters, each chapter contained five sections . The firstchapter was entitled " structural level " and its sections are ; first section ( style of interrogation ) , second sections ( style of command ) , third section ( style of vocation ) , it is known that these styles are structural ordered styles demonstrating artistic aspects of their usages by each poet and most significant metaphorical aspects of each style , fourth section ( repetition ) mentioning in it types and patterns of a single poetic line , and its style in connecting , and finally the fifth section ( alliteration ) mentioning in it the verbal expressions of this art and its place in poetic line . As for chapter two it is entitled " levels of image formation " and contained five sections , as follows : Section one " sources of forming image of Romances " . Section two " images of simile " .Section three " images of allegory " .Section four " images of allegory " .Section five " contradiction ( antithesis and paralleling ) " .The study came to several results : - The researcher found common manner in structure of interrogation between the three poets . Especially, in the poets " Bashar and Omar " sometimes the researcher finds that their poems have an opening of this kind of style . Also , the technique of concrete interrogation has been found in the three poets . - In repetition and from the samples that has been exposed in the study , it is found that the repetition of expressions has taken a huge space especially in the poems of " Nazar " thought they are different in form it has been employed beautifully . - In alliteration , which is a rich style used by the three poets in all its types and forms , we find " Omar and Bashar " committing to all its classifications and common structural places in the line of a poem . - In the second chapter : we found in section one ( sources of forming image of love ) the experiment of feeling is varied in the three poets with existence of lines the poems that meet in the poems of the poets Omar and Bashar , especially , in the openings of their poems . Where we find them standing on remains addressing friends . This opening toke a wide space in the poems of Omar compared to Bashar , and disappearing totally in Nazar Qubane poems . Then we find narration and dialogue in the three poets with existence of similar art in poetic messages in experience of Nazr Qubane dealing in it with his passions within the frame of his emotions. - In the second section ( simile style ) the researcher found that the three poet's attitudes are to build a complex image of simile , which give an expressional value wider than simile called " individual simile " . - Section three ( allegory ) our study in this section is limited to diagnostic allegory or what is called dynamic allegory since having vitality and flexibility in drawing the poetic image and the researcherfound big constancy in using such kind of allegory.

البحث النحوي القراني عند العلماء المصريين المحدثين The Quranic and Syntactic Research of the Contemporary Egyptian Scientists

اسم المؤلف: صدام مجيد داود
اسم المشرف: ابراهيم رحمن حميد الاركي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة - النحو
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The Quran descended with standard Arabic ; a matter which makes it difficult for linguists to understand its structures and style . This leads in turn to study and investigate these Qur’anic texts , providing thereby an attitude that gave meaning , style and structure a unique interest . Linguists found several semantic significances with special meaning . Egypt had its great modern scientists who had their own impact on the linguistic studies and their own linguistic heritage in the books they published which were full of ideas that need close investigation .Classic scientists have their first steps in Qur’anic studies by finding out the differences between the syntactic rules and Qur’anic verses . Egypt developed these studies by founding the Egyptian university , bringing the orientalists , dispatching the scientific missions and founding the Academy of Arabic Language . All these factors nourished the study in Egypt .This study investigated the syntactic viewpoints of certain contemporary Egyptian linguists and their own methods of study and their thinking and analysis. They analyzed the syntactic topics in order to find out the important new additions to this field . Egyptian scientists find out the Qur’anic eloquence, its meanings in a way that makes the reader interested in reading .The Egyptian researchers find out that syntax is criterion to control meaning in the Qur’anic text depending on evidences n understanding the Quran and explaining the Qur’anic studies by permitting these evidences depending on the Qur’anic possibilities and combining the theoretical and applied approaches and depending on their compilations of the linguistic structures in understanding the Qur’anic eloquence

قرائن المعنى في ديوان الحماسة لابي تمام في ضوء شروحه Sense Devices in Abu Tammam's "Divan Al Hamasa" (The Book of Zeal) in the Light of his Explanations

اسم المؤلف: سهى ياسين زيد رشيد
اسم المشرف: ليث اسعد عبد الحميد
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

اثر ابي تمام والبحتري والمتنبي في شعر الجواهري Influence of Abi Tammam, Al - Buhturi and Al - Mutanabbi in Poetry of Al - Jawahiri

اسم المؤلف: صندل سلمان ابراهيم النداوي
اسم المشرف: صلاح مهدي الزبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

كتب شروح شواهد كتاب الايضاح لابي علي الفارسي (ت 377هـ) : دراسة موازنة

اسم المؤلف: مي مجيد كامل
اسم المشرف: قسمة مدحت حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة - النحو
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

الاضطراب النحوي عند النحويين : دراسة وصفية تحليلية The syntactic Unstablity (Iddrab) of Arab Grammarians A descriptive analytic study

اسم المؤلف: ابراهيم عبد الله مراد
اسم المشرف: ابراهيم رحمن حميد الاركي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This study deals with the issue of the syntactic unstability of Arab grammarians who referred to this concept in their early writings , when the opportunity was given to the research , he decided to study this phenomenon under the title " The syntactic unstablity (Iddrab) of Arab grammarians" . The significance of this study stems from the need to uncover a case indentified by the early scholars who tackled this phenomenon in their books , The reason behind choosing this topic is the researchers desire to arrive at a deeper understanding of the grammarians syntactic thinking and their ways of making judgments and writing down rules of grammarians . The introduction to the dissertation includes a definition to the dissertation of the term " Iddrab (unstablity) from a linguistic , terminological viewpoint in addition to Arabic folklore . The first chapter deals with the patterns and reasons syntactic unstablity . on the other hand . The second chapter deals with the unstablity syntactic issues .The third chapter deals with : 1 - unstablity in what is known as " al - samaa" .2 - unstablity of grammarians in dealing with Quran readings , prophet speeches and Arabic poetry . The study ends with some conclusions among which are : 1 - The syntactic matter are mostly intuitive . The grammarians usually depend on their own intuition and experience in making judgments concerning syntactic issues . The grammarians may hard more than one opinion about the same issue .2 - Unstablity doesn't mean that a grammarian is wrong , but it means that he may have more than one opinion about the same topic at different times .3 - The phenomenon of unstablity is not limited to a specific grammarian , It is true for most grammarian of different school .4 - The forms and reasons of syntactic unstablity are various .5 - Unstablity is not limited to a certain syntactic area . It includes many syntactic issues and approaches to syntactic

اختصاص البنية في القران الكريم : دراسة صرفية دلالية Structural Exception in the Glorious Quran : A Syntactic - Semantic Study

اسم المؤلف: بيداء عبد الخالق سلمان سلطان
اسم المشرف: علي عبد الله حسين العنبكي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Morphology is regarded as the scale of Arabic and its most respectable part which represents its strength and harmony and the essence of words. This is the reason which places morphology as prior to the study of structure due to the delicacy of its details and the need of the people who work in Arabic to it.In spite of the low knowledge of the subject ,compared to the scholars, the researcher intended to study a subject about the utterances of the Glorious Quran which is the best subject that any one should be passionate about. So, the mind was made to registering a distinguished morphological subject based on utterances of the Glorious Quran. The result was the title of this study : " Structural Exception in the Glorious Quran : A Syntactic - Semantic Study".The parts and applications of this linguistic phenomenon are scattered among linguistic references. There wasn’t any independent study that compiles, illustrates, investigates, or justifies it which is the aim of this study. It is intended to seek the guidance of the references like Sibaweh's Kitaab and the thoughts of Al Farisi , Ibn Jini , Al Jirjani , Ibn Yaeish as well as the interpreters in their efforts to interpret the utterances of the Glorious Quran and the efforts of the narrators and reciters to discover their secrets. All these resources are used to shape this study in sections and content in spite of the difficulty in understanding it, let alone investigating and liking the similar and different opinions about it.The study consisted of an introduction and three chapters. The first chapter, which was entitled " Structural Exception in Linguistics" was a background as well as the theoretical framework of the study, while the other chapters are regarded as the practical framework. The first chapter focused on illustrating the concept of exception and it was subdivided into three sections. The first section dealt with the linguistic and terminological definitions of the terms 'exception' and 'structure' as well as the synonymous terms of exception. It also illustrated the utterances and styles that represent it according to the linguists; clarified the relation between structure and formula; and accounted for the types of exceptions and the studies that discussed it in the past and present.BThe second section of the first chapter dealt with the concept of structural exception in Arabic , its types, purposes of its occurrence according to the linguists as well as mentioning illustrative examples. The third section discussed the evidences, patterns, and applications of exception in the structure of Arabic. It mentioned the regular and irregular examples. Then, the most common constraints of exception that were mentioned by linguists were discussed. After that, the linguists' styles in utilizing exception in morphological patterns and distinguishing each one of them; and the effect of exception on morphological judgment and analysis.The second chapter was entitled "Taxonomic Structural Exception in the Glorious Quran" which was subdivided into five sections. The first section discussed taxonomic structural exception in transitivity and intransitivity. It clarified the two concepts then determined the structural exception of intransitivity in the Glorious Quran concerning bare structure and additions, then, the structural exception of transitivity in the Glorious Quran concerning bare structure and additions.The second section dealt with taxonomic structural exception in vocalic and non - vocalic forms. It discussed the two concepts ,then, determined the structural exception of vocalic and non - vocalic forms in the Glorious Quran.The third section addressed taxonomic structural exception in feminine forms. It discussed the concept and the markers of feminine gender. Then, it determined the structural exception in feminine forms that end in reduced and extended alif in the Glorious Quran.The fourth section dealt with taxonomic structural exception in nouns and adjectives. It illustrated the concepts of noun and adjective and the difference between them. Then, it determined the structural exception of nouns and adjectives in the Glorious Quran.The fifth section discussed taxonomic structural exception in plurals. It clarified the concept of plural and its types. Then, it determined the structural exception of regular and irregular plurals in the Glorious Quran and exception in masculine and feminine forms of irregular plurals, the difference between plural nouns and plural adjectives in the Glorious Quran, as well as the exception in /i/ nucleus and /u/ nucleus verbs in the Glorious Quran.The third chapter was entitled "Function and Usage - Structural Exception in the Glorious Quran". It was classified into two sections the first section discussed function - structural exception in the Glorious Quran, while the second one dealt with usage - structural exception in the Glorious Quran. This chapter addressed two concepts : the first is usage exceptional forms which are the forms that are used only once in the Glorious Quran with only one utterance; and the second is noun/adjective, transitive/intransitive, shared - status, yet exceptional usage forms. Then, it discussed exceptionally pluralized vocabulary forms in the Glorious Quran.The study ended with its results and conclusions that included the most important findings like the existence of nearly eighty exceptional structure in the Glorious Quran, most of them are nominal.There are certain things about the methodology of format in this study that need to be clarified : 1 - Every morphological term was discussed as briefly as possible for the reason of guidance during discussion.2 - The researcher did not mention the name of the authors cited from within the text. As with theses and dissertations, the researcher only mentioned their type for the reason of economy. The scholar's death year was mentioned only when he is introduced to avoid repetition.3 - The variation in the size of writing is due to the variation in the sophistication of the content of each concept discussed which is presenting a text with quality rather than quantity.

اثر كتب معاني القران واعرابه في المحكم والمحيط الاعـظم لابن سيده (ت 458هـ) The Impact of The Books of Quran Meaning and Parsing in "Al Muhkam wa Al Muhit Al A'dam" Ibn Sayiduhu Al Andalusi (d. 458 A.H

اسم المؤلف: هيرش عبد الله لطف الله
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The books in Quran meaning and parsing are regarded as the main sources of dictionaries. They provide dictionaries with contextual meaning of Quran vocabulary. A linguist cannot dispense such sources. The amount of significance varies from one dictionary to another especially in big dictionaries. The methodological relation between these two types of works gave vitality to modern linguistics by revealing the significance of Quran meaning and parsing in Arabic dictionaries. The researcher chose "Al Muhkam wa Al Muhit Al A'dam" dictionary by Abu Al Hassan Ali bin Ismail, known as Ibn Sayiduhu Al Andalusi (d. 458 A.H.). The result was the title of the study : The Impact of The Books of Quran Meaning and Parsing in "Al Muhkam wa Al Muhit Al A'dam." The study relied on the works of Quran meaning, parsing, and strange uses as well as dictionaries, Quran recitation, syntax, morphology, and interpretation of Quran to define the linguistic fact that the books of Quran meaning and parsing have a great impact on dictionaries like "Al Muhkam wa Al Muhit Al A'dam" by Ibn Sayiduhu. This study consisted of an introduction, a background, four chapters, and a conclusion. The introduction contained a brief biography of Ibn Sayiduhu and an introduction to his work and linguistic resources as well as an introduction to Quran meaning and parsing. The first chapter studied three phonological phenomena : Hamza (glottal stop), assimilation, and merging. The second chapter studied morphological phenomena and issues like adding letters, derivation, morphological deletion. The third chapter discussed grammatical aspects like grammatical terminology, grammatical interpretation, grammatical controversy, and parsing. The fourth chapter contained the opinions of Ibn Sayiduhu about the meaning of Quran. He was following the opinions of the specialists in the meanings of Quran in the interpretation of several verses of the Quran in order of their occurrence in the Holly Quran. The conclusion contained the most important results of the study like : 1. Revealing the strong relation of Ibn Sayiduhu with the literature of Quran meaning and parsing and the frequency of citation from it. 2. The overlap of all the linguistic levels in writing "Al Muhkam" which did not serve its purpose which is illustrating the etymology, derivation, and meaning of lexical items as well as their uses in Arabic literature. 3. The aim of Ibn Sayiduhu when he wrote "Al Muhkam" was to link between language and The Holly Quran through studying the lexical items occurred in Quran and the meaning of verses. 4. Ibn Sayiduhu ascribed many of Al Zajaj's opinions, and writings to himself ,then, wrote some texts that he claimed to belong to Al Zajaj. So, they were attributed to both of them while in fact they all belong to Al Zajaj.

البحث اللغوي والنحوي في اللامع العزيزي لابي العلاء المعري (ت449هـ) The Linguistic and Syntactic Research in Ellami' Al - azizi By Abi Elalaa Almaari

اسم المؤلف: خليل ابراهيم احمد الربيعي
اسم المشرف: عبد الرسول سلمان ابراهيم الزيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The dissertation has tackled The Linguistic and Syntactic Research in Ellami' Al - aziziwhich is the Explication ofAbi Elalaa Almaari of selected poetry lines by Al - Mutanabbi. It comprised three chapters. The first of them, which dealt with syntactic issues, is in four sections; the first tackled syntactic issues related to nouns, the second with verbs, the third with particles related issues, and the fourth is dedicated to poetic license in Al - Maari. Chapter two is allotted to morphological issues and it contained five sections. The first was about suffixes; their root, alteration and change. The second section tackled derivation and pluralization. The third with Morphological scale and the fourth with metonymy, substitution and the shiftingin forms and connotations, while the fifth tackled the topics of ancestry and diminution. Moreover, the third chapter is dedicated to the linguistic issues and it is subdivided into three section; the first dealt with the phenomena of synonymy, homonymy, and opposites, the second with the phenomenon of the inflected, the forms of Fa'ulat and Af'alat and words connotations, while the third section tackled feminine and masculine words and words that remain the same in the singular and plural forms.The dissertation is ended with a conclusion that summed up the findings of the study, most importantly : 1) The study shed light on glimpses in the life and biography of Al - Maari and his scientific status, as well as his being prolific. 2) The study confirmed the attention concerning Ellami' Al - azizi among those old and modern writers who have written about Al - Maari because it is of his final writings.3) The study exposed that Aba Elalaa has, in this publication, focused a great deal on the views of grammar pioneers like Al - Khalil bin Ahmed, Sibawayh, Saeed bin Mes'ad, Al - Kisa'I, Al - Farraa, Al - Mubarrad, Al - Zajjaj, Abi Amro bin Al - Alaa, Abi Bakr Al - Anbari, Abi Zaid Al - Ansari, Abi Ubaid, Abi Ubaida, al - Asmaai among others. His dependence on this was in three forms : A. He transferred from them what he has read in their books which he memorized and declared.B. He transferred from books he did not declared their titles, but were known from referring to their authors.C. He ascribed the transference to Arab grammarians and linguists especially to their books like Al - Ain wal Kitab, the classified strange and books of strange Hadith, Islah Al - Mantiq, Al - Asmaaiat, the rare in addition to references like Al - Jamhara wal Taqfia, Tahtheeb Allugha and others.4) This dissertation made prominent the characteristic features of Al - Maari's language and exposed the principles of his approach in syntax and linguistics and it was a language that is characterized by wideness and exhaustiveness and he was a faithful and trusted scholar, an expert linguist, a keen grammarian and skilled in morphology with knowingness and understanding. 5) The study asserted that Ellami' Al - azizi is greatly different from Mu'jiz Ahmed which is attributed to Al - Maari in terms of methodology and style, stating, thus, that they are two distinct books, not one same book as alleged by some.6) His abundant quoting from the verses of the Glorious Quran and its readings in deciding the linguistic and grammatical rules along with his directing of these readings and judging them in terms of strength and weakness.7) His plentiful quoting from Hadith, especially in the field of linguistics.8) The study identified the bountiful quoting by Al - Maari of Arab speech and sayings, especially Pre - Islamic, Islamic and maven poets, but he did not exceeded those epochs unless for the sake of entertainment.9) Arabic proverbs were present in the memory of Al - Maari as an indication among his linguistic and syntactic indications.10) Ellami' Al - aziziis full of referential effort that is manifested in Al - Maari's care of explination of words.11) The research avowed the wrong notion of those who claimed that Al - Maari was not interested in analogy and that he fed up with it, this study clarified his dependence on analogy.12) The dissertation proved that Al - Maari coincided with Basra grammarians in a group of grammatical issues, and coincided with Kufa grammarians in some others. He selected his issues from Basra and Kufa grammarians without heavily relying on one of them only, and he founded other issues that are considered his own.13) The research verified Al - Maari's adherence, in Ellami' Al - azizi, to the presence of linguistic phenomena/ like synonymy, homonymy, opposites, derivation, inflection, semantics etc.14) The study exposed the use of Basra and Kufa and mixed grammatical terms and did not advocated a specific trend.

الخبر المروي في الشعر الجاهلي انماطه ووظائفه Anecdote Irrigated in pre - Islamic poetry Types and Functions An Artistic Study

اسم المؤلف: غزوان طه لطيف جاسم
اسم المشرف: خليل ابراهيم عبد الوهاب
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This thesis is concerned with a literary form named as “Al - Khabar” which means in, Arabic heritage, “Anecdote” or “Tale”. Anecdote is a transmitted form, narrating people’s actions, deeds and situations, in both poetic and prosaic styles. Anecdote occupies a great stature in ancient Arabic literature.The field of this study is “Anecdote in Pre - Islamic Poetry”,in three chapters preceded by a preface and introduction. The introduction is dedicated to handle two issues, the first is the meanings of “Al - Khabar” in Arabic dictionaries and terminology, while the second is about “Al - Khabar” status between orality and inscription. The first chapter is devoted to study “Al - Khabar - Anecdote” paradigms, in four sections : Section one : Fictional Anecdote.Section two : Factual Anecdote.Section three : Fantastic Anecdote.Section four : Historical Anecdote. The second chapter is dedicated to study functions of “Al - Khabar - Anecdote”, in three sections : Section one : Documentary Function.Section two : Social Function.Section three : Psychological Function. The third chapter is assigned to deal with “Al - Khabar - Anecdote” image within structures of poetical themes, in two secions : Section one : Themes related to “Self”.Section two : Themes related to “Other”. The thesis has come up to a conclusion summarizing the final academic results.

مفاهيم الامدي النقدية في كتاب الموازنة Al - Amidi’s Critical Concepts In the Book of Al - Muwazana

اسم المؤلف: احمد عبد الرحمن سليم
اسم المشرف: حسين يوسف حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Al - Amidi, the owner of the book Al - Muwazana, is an authority who arose in many branches of language and literature in which he had valuable books, and he still lives with us today by his authoritic criticism. I was amazed by his comparison between Abi - Tammam and Al - Buhturi and it disclosed to me that Al - Amidi is a sound respectable critic and he is of abundant education.This study entitled “Critical Concepts of Al - Amidi in the Book of Al - Muwazana” deals with his comparison. Al - Amidis comparison is an important applied critical turning point in the history of Arabic criticism since it made a dialogue between the most two outstanding poets, Abu - Tammam and Al - Buhturi.The age of Al - Amidi represents the summit of the artistic development of the ancient Arabic literature, thus he was the man of his age with all its senses. This study attempted to present a complete methodological image about the critical efforts of Al - Amidi which no scholar dealt with in this way and in detail from the viewpoint of methodology and text. For Al - Amidi, the reading of the critical heritage is a civilizational and human requirement in order to understand the contributions of the ancestors in forming the march of the human civilization. The method that the study is subject to is in general historical. This historical method pursuits the critical concepts since its formation and the developments that occurred until it reached its concept al Al - Amidi, then the attitude of Al - Amidi towards each concept and extent of its effect as a critical criterion in his comparison between the above mentioned poets. The study consists of an introduction an preliminary, three chapters, and a conclusion in addition to an index for the subjects and a bibliography.In the preliminary entitled “ The Book of Al - muwazana; A Nucleus of Applied Criticism” the first beginnings of comparison, its importance in ancient and modern times, and the role of Al - Amidi in choosing this concept are all concerned with. The first chapter is about the critical concepts in the composition of the poem, It includes the following section : 1 - The styles, formulation (preamble). 2 - The System of the poem. 3 - Elements of the column of the Arabic poetry. 4 - The art of metaphors and of good style and its effect in the comparison.The second chapter is concerned with binary - natured concepts, the chapter entitled “ The Binary Critical Concepts” consists of the following sections : 1 - Word and meaning.2 - Nature and workmanship 3 - Truth and lying 4 - Clarity and ambiguity 5 - The argument of the old and new between Abi - Tammam and Al - ABuhturi.The third chapter entitled “ The Critical Concepts in the cycle of Comparison” is made up of the following sections : 1 - The literary taste.2 - The independence of criticism. 3 - Equality and difference in the texture of poetry. 4 - Mistakes of the two poets and their good qualities. 5 - Poetic stealing6 - Comparison. The conclusion displays the most important findings reached in the study

بلاغة الخطاب القراني في الزهراوين (البقرة وال عمران) : دراسة تحليلية The Eloquence of the Glorious Quran's discourse in AL - Zahrawayeen (AL - Baqra and Aal - UmRan) - Analytical Study -

اسم المؤلف: الاء احمد حسن
اسم المشرف: احمد فتحي رمضان الحياني
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: فان القران الكريم يخاطب البشرية جمعاء، فلا يخاطب اذهانها المجردة فقط بل يخاطب عقولهواقلوبهواارواحها، فالقران كتاب معجز وسيف الاجماع على اعجازه منعقد الى ان يرث الله الارض ومن عليها ،وبسبب هذا كله وحبي لخدمة كتاب الله العزيز، والبلاغة العربية، وبعد الدراسة والمناقشة مع استاذي المشرف الدكتور احمد فتحي رمضان جاء اختيارنا لموضوع (بلاغة الخطاب القراني في الزهراوين البقرة وال عمران - دراسة تحليلية - ).ولما كانت الزهراوان من اطول سور القران واكثرها احتواء لاحكام الدين الحنيف وقواعده واصوله فقد ارتايت ان تكون خطة الدراسة في بابين يسبقهما تمهيد وتتلوهما خاتمة، وقد تناولت في التمهيد بلاغة الخطاب القراني بصورة مفصلة من خلال توضيح معاني الخطاب في اللغة والاصطلاح، واثر الخطاب القراني وبلاغته من ناحيتيه العامة والخاصة لكون الخطاب يسير في اتجاهين : الاول عام يشمل جميع انواع الخطاب، والثاني خاص ويشمل الخطاب القراني ووسائله واساليبه وانواعه، وبينت بالتفصيل اهمية (الزهراوين) البقرة وال عمران وفضلهمواترتيبهمواالمقاصد العامة للسورتين.ثم جاءت بعد ذلك بابا الاطروحة وفصولهوامباحثها، ونظرا لطول السورتين وتوسعهما عمدت الى تقسيم الاطروحة الى بابين ضم الاول منها : بلاغة الخطاب القراني في سورة البقرة، والثاني : بلاغة الخطاب القراني في سورة ال عمران، اما الباب الاول فضم ثلاثة فصول : فالفصل الاول منها جاء بعنوان الخطاب العام في سورة البقرة وقد ضم ثلاثة مباحث شملت (المؤمنون - الكافرون - المنافقون).والفصل الثاني كان بعنوان الخطاب القصصي في سورة البقرة وقد ضم ثلاثة مباحث على وفق ترتيب ورودها في السورة وهي : (قصة ادم () - قصة بني اسرائيل - قصة ابراهيم ()) وجاء الفصل الثالث تحت عنوان : بلاغة خطاب الاحكام في سورة البقرة وقد ضم مبحثين الاول : خطاب التنظيمات (الاجتماعية والتعبدية)، والثاني خطاب المعاملات (الاقتصادية والاسرية). اما الباب الثاني فقد كان من نصيب سورة ال عمران وعنوانه (بلاغة الخطاب القراني في سورة ال عمران) وضم بدوره فصلين الاول تحت عنوان بلاغة الخطاب العام في سورة ال عمران وانضوت تحته ثلاثة مباحث وتوزعت مباحثه على الترتيب الاتي الاول : الخطاب في ادلة الوحدانية والرسالة، اما المبحث الثاني فقد خاطب الفئتين، وهم : المؤمنون واهل الكتاب، وكان المبحث الثالث في خطاب الكافرين وطباعهم ومصيرهم، اما الفصل الثاني فكان في بلاغة الخطاب القصصي في السورة والذي ضم قصتين الاولى قصة ال عمران والثانية قصة احد.ولقد ضمت مباحث الفصول في السورتين مقاطع متنوعة، وجاءت بلاغة الخطاب في هذه المقاطع متنوعة باساليبها البلاغية من المعاني والبيان والبديع | The Glorious Quran is addresing human beings not only their abstract minds, but also their minds, hearts, and souls.It is out of God concititaion (Glory to God) that my project is entitled : The Elequence of the Glouries Quran Discourse : in AL Zahrawyaen (AL - Baqra and AaL - Umran Suras) : An Analytical study.As for the fact that AL Zahrawyaen (AL - Baqra and AaL - Umran) are the longest Suras and the most ones containing the rules, principle, commands, and origins of the true Religion, the methode of the study in the dissertation is arranged into two parts presseded by an introduction and followed by a concluding section. The eloquence of the Glorious Quran discourse is discussed in details in the introduction of the dissertation by explaining the meaning of discourse in Arabic language, the terminology and also eloquence in general and particular aspect and then, there is a details presentation of the importance and merit of AL - Baqara and Aal - Umran Suras, with the general aims of the two mentioned Suras, with a detailed presentation of their organization and the general aims of the two mentioned Suras.The dissertation comprised two parts, the first part Covers understanding the Glorius Quran discourse in Al - Baqra Sura, the second one covers Al - Umran sura, Al - Bagra Sura. Includes three chapters divided into certain sections which are subdivided into subsection which are also divided, organized on chapters.Chapter one deals with the general discourse in AL - Baqra Sura, chapter two tackles the narrative discourse in Al - Baqra Sura. Chapter three presents the dequence of the presecribes in Al - Baqra Sura.The second part in entitled : the eloquence of the Glouries Quran in Aal - Umran Sura, this part comprises two chapters the first one tackles the eloquence of the general discourse in Aal - Umran Sura. Chapter two is entitled the eleqence of narrative discourse in Aal - Umran Sura. I dedicated this work purely for God and many Muslims and hope they get advantages of this work,. At last, I thank my God and my prayers dedicated to the more honorable prophet Mohammed (peace be upon him) and on his favorable followers.

ادب زهاد التابعين موضوعاته وفنونه Literature Of Ascetic T?bi'iin An Objective Artistic Study

اسم المؤلف: يونس هلال منديل صالح اللهيبي
اسم المشرف: عبد الله فتحي الظاهر المشهداني
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: ادبهم الاسلامي هادف وموجه وكانت تعاليم الدين الحنيف هي المحور الفاعل فيه وان تنوعت الاجناس الادبية وهو انعكاس لصدق الحالة الشعورية والوجدانية المتسمة بصدق القول والعمل لهم في كل موقف وقفة وفي كل مناظرة نظرة وهم في ذلك همهم الاول خشية الله واتباع نهج رسول الله فترصعت نتاجاتهم باي الذكر الحكيم واحاديث المصطفى -  - ومثلت في غالب امرهراوح الدين الاسلامي الحنيف .كان ادبهم النثري طاغيا كما ونوعا على نتاجهم الشعري وقد اكتملت في ادبهم الاجناس النثرية المعروفة في عصرهم ,كالخطب والرسائل والمحاورات والوصايواالمواعظ والقصص الديني والادعية والمناجاة وماثور القول اما الشعر فما اكتملت فيه اغراض الشعر العربي والشعر الديني الزهدي مثل كما فاق فيه بقية الاغراض كما انهم لم يعتمدوا عمود الشعر العربي وكانت اشعارهم مقطوعات تقصد المعنى المباشر دون تكلف او دوران حول الموضوع فكانت تلك الاجناس الادبية قد وصلت اليهم بما طرا عليها من تطور فني وشكلي ومضموني امدها به الدين الحنيف .واوضحت لنا كتب التراجم والسير والتاريخ , فضلا عموااجهناه اثناء البحث والدراسة , ان زهدهم كان تبعا للدين الاسلامي ولم يكن في حال من احواله هروبا من المجتمع او انطواء او نزواء في محاريب العبادة بعيدا عن مجريات واحداث العصر . بل العكس من ذلك فلهم الدور الفاعل والميداني في التوجيه والوعظ والارشاد والصبر على التعليم كما كان لهم الموقع المؤثر في السياسة في مواقفهم امام الولاة والخلفاء وقولهم الحق دون خوف او تزلف لاسيمواانهم لم ينافسوهم في دنياهم . فضلا عن ثقة الاخرين بهم وبدينهم لذلك فقد استمعوا لهم واخذوا بارائهم ,كما انهم لم يدخروا جهدا في اصلاح ما اصاب المجتمع من اخطاء وخلل مما طرا عليه من افات اصابته كنتيجة حتمية للتقلبات التي شهدها العصر . وعلى ذلك نجدهم عابدين بكائين في محاريبهم , ورجال مناظرة ودراية ومحاورات مفحمة في انتصافهم للمظلوم من ظالمة ونلمع حضورهم المحافل الاجتماعية ودعوات الاخوان موجهين ناشرين شذى التعاليم الاسلامية السمحاء وعبيرهوانطالعهم رجالا اشداء في سوح الوغى وميادين الرجال اذا ما دعاهم داعي الدين والوطن .كان خطابهم على مستويات متعددة من الافهام فكلامهم للسلطان الجائر غير كلامهم للعادل وللانسان العادي غيره للانسان العالم فكان خطابهم على مستويات متغيرة في الافهام وان كانت انطلاقته واحدة ويستند على حقيقة واحدة . وللدعاء في ذلك الخصوصية الاهم فهو في المفهوم الاسلامي وسيلة وغاية فهو وسيلة للحصول على ما يطلبه العبد ويدعو به الله وغاية كونه مخ العبادة . من العوامل المؤثرة في اغناء ادب التابعين الزهاد تشعب مصادر ثقافتهم واشتمالها على الادب الجاهلي والتاثير الاسلامي واخبار الامم الماضية التي عرفوها عن طريق بعض الصحابة الذين دخلوا الاسلام من الديانتين السابقتين .لم يكن ادبهم متكلفا ولا تكسبيا بل اعتمد على الفطرة السليمة والذوق الرفيع والقصد الى المعنى باقصر الطرق الممكنة موجها للاصلاح والافادة غايتهم فيه وجه الله وابتغاء مرضاته وابتعدوا فيه عن الاغراب الفظي والمعنوي وتوجهوا فيه الى غاية القصد دون دوان حول الموضوع او اسهاب في عرضه ولم يكن يخلو من العناصر الفنية الا ما كانت لا تلائم فكرهم وطريقهم بما تتسم من تعقيد وعدم افادة بل مثقلة للنص باد عليها التكلف والاحراج كالسجع مثلا فضلا عن ان رسول الله - -  نهى عنه ولم يكن ذلك يعني تماثل الفاصلة فنحن نلمع تماثل لفواصل نصوص غير انها جاءت عفو الخاطر وكانت فيما يخدم الموضوع ومعانيه .نقلت لنا كتب السير والتراجم عن لقاءات لزهاد التابعين فيما بينهم منها ما كان عن طريق الموافقة واخرى قيام احدهم بشد الرحال الى الاخر فمثلت تلك المقابلات اصدق العبارات واجملها اوضحوا فيها قصدهم الديني ومنهاجهم الموجه الى الاخرة المتطلع ليوم الحساب فاضحين فيها الدنيوااهلها 0

العتبات النصية في شعر عبد الوهاب البياتي ونزار قباني

اسم المؤلف: جاسم محمد جاسم الخلف
اسم المشرف: ابراهيم جنداري جمعة خليفة الجميلي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: فقد نالت متون الاعمال الادبية باختلاف اجناسهواما تزال حظا كبيرا من اهتمام النشاط النقدي الذي ما انبرى متناولا اياها متتبعا مكامن جمالهوامستبطنا مظاهر (شعريتها)، الامر الذي اشر انغلاق النقد على شعرية تلك المتون دون اهتمام يذكر بما حول تلك المتون من نصوص موازية وعتبات باتت تشكل اليوم ظاهرة حري بالدرس النقدي ان يتناولها بالتحليل خاصة وان تلك النصوص (العتبات) قد قطعت شوطا كبيرا في مجال تطورها . ان العتبات النصية ككيان ليست بالظاهرة الجديدة على الادب عربيا كان ام غيره، فقد ارتبط وجودها بوجود الشعر نفسه ، وتطور في عصر الكتابة، واخذ نصيبا وافيا من التفنن في عصر التقانة والتطور التكنلوجي. غير انها ظاهرة ظل النقد ينظر اليها باستسهال بالغ متعاملا معها بوصفها جوانب شكلية سواء تعلق الامر بنقدنا العربي او بالنقد الغربي الذي كان سباقا الى التنبيه على اهميتهواجدوى دراستها . فكان مجيء الناقد الفرنسي (جيرار جينيت) الانطلاقة الاولى لمحاولة تقعيد دراسة (العتبات النصية) في ضوء ما تتعالق معه من متون فاتحا بذلك الافق النقدي الى ميدان (شعرية الشكل) في ذهابه الى ان شعرية النص تنبع من علاقته بما يحيط به من نصوص موازية بعيدة عنه زمانا ومكانا. او من نصوص محيطة قريبة بحيث يضمها كتاب واحد (غلاف ، عنوان ، رسومات داخلية ، مقدمة ، اهداء ، هوامش .... الخ ) وهي علاقات اكبر من ان يقال عنها انها مجرد امكان تناصي كما سيتضح. وهكذا بدا النقد منذ (جينيت) ينظر الى هذه العتبات بوصفها نظاما سيميائيا دالا. اذ لم يعد الكتاب وحده هو الحامل الوحيد للدلالة ، بل اصبح ينظر اليه بوصفه نظاما نسيجيا متناغما تتازر جميع مكوناته وملامحه الشكلية في تاسيس شعريته بما يلغي عن العتبة مفهوم الحلية النصية او الزائدة التزيينية ويجعل منها معلما بارزا من المعالم التي تساهم في تلقي العمل الادبي بصورة مثلى ، وهو ما نبه اسماء اخرى كان لها مساهمات ليست بالهينة في هذا الموضوع النقدي كـ (هنري متيران) و(فيليب لوجون) و(كلود دوشيه) و(ليو هوك) وغيرهم ممن مزاال امام الدرس النقدي العربي شوطا طويلا لترجمة كتاباتهم في هذا المجال تمهيدا لاستيفاء موضوعة (العتبات النصية) حقها من جانب هذا الدرس ، وان كنا هنا لا نغمط حق جهود ترجمية وتاليفية عربية في هذا المجال كانت ـ على قلتها ـ زادا تزود به هذا البحث نذكر من المترجم منها : الترجمة الرائدة (للمختار حسني) لكتيب (اطراس : الادب في الدرجة الثانية) لـ (جيرار جينيت). وهي الترجمة التي شكلت المنطلق الذي فتح امامنا افاقا جيدة وهيا لنا ارضية امكن التحرك عليها فيما نحن بصدده, وكذلك ترجمة (عبد الرحمن ايوب) لكتاب (مدخل الى جامع النص) للمؤلف نفسه، وايضا ترجمة (غسان السيد) و(وائل بركات) لكتاب (كرستين مونتا لبيتي) الموسوم (جيرار جينيت نحو شعرية منفتحة) ، في حين ظل كتاب (sulits) لـ (جيرار جينيت) الذي لم يتوفر البحث على ترجمة له وثيق الصلة وبعيد المنال الامر الذي فوت الاستفادة منه الا بقدر الاعتماد على مقتبسات مترجمة توفرت عليها بعض المقالات المنشورة في الدوريات والتي عالجت موضوعة العتبات نذكر منها دراسة (جميل حمداوي) (سيموطيقيا العنونة) ودراسة (محمد الهادي المطوي) (في التعالي النصي والمتعاليات النصية) وهما دراستان ركزتا على الجانب النظري دون التطبيقي واعتمادا على (عتبات جينيت) . اما فيما يخص الجهد التاليفي في النقد العربي في هذا المجال ، فلم نعثر في حدود بحثنا على ما يمكن ان يشكل كتابا جامعا يدرس انواع العتبات النصية بصورة تفصيلية , وان وقفنا على دراسات تناولت عتبات بعينهواخاصة عتبة العنوان التي بدات تستقطب جهود دارسين طرحوا دراسات رائدة في مجالها نذكر من هذه الدراسات : (العنوان وسيموطيقا الاتصال الادبي) لـ (محمد فكري الجزار) و(سيمياء العنوان الشعري) لـ (بسام قطوس) و(العنوان في الادب العربي - النشاة والتطور)، لـ(محمد عويس) وكذلك عتبة المقدمة التي افرد لها (عبد الرزاق بلال) دراسة شكلت متكا مهما من متكات بحثنواالموسومة (مدخل الى عتبات النص) يضاف اليها جهود (عبد الملك اشهبون) في اكثر من مقال تناول المقدمة الروائية خاصة تنظيرا وتطبيقا، وكذلك جهود (سعيد يقطين) الذي استاثرت دراسة النص الموازي والعتبات النصية بنصيب وافر منها خاصة في كتابه (انفتاح النص الروائي).ان هذه الدراسات على جديتهواان شكلت جهودا يشار اليها ببنان العرفان وينظر اليها بعين الريادة الا انها مازالت دون استيفاء حاجة المكتبة النقدية العربية ازاء هذا الكم الهائل من العتبات النصية التي بدات تلاقي عناية ليست بالهينة من جانب المبدعين , وهي عناية تتطلب ما يوازيها نقديا - تصديا وترجمة - بما قد يفتح للدرس النقدي افاقا رحبة في التعامل مع جماليات المتون من جهة عتباتها ، لذا شئنا ان تكون دراستنا في ما يصب في هذا المجال البكر واقتصرنا لاسباب منهجية على دراسة خمس عتبات نصية تدخل فيما اسماه (جيرار جينيت) (بالنص المحيط) او (العتبات النصية) هي (لوحة الغلاف، والرسومات الداخلية او اللوحات المصاحبة، الاهداء، التصدير، والمقدمة) كونها تشكل حضورا بارزا عند كل من (عبد الوهاب البياتي) و(نزار قباني)، مستبعدين عتبة العنوان الا بما تستدعيه علاقته بالعتبات المذكورة ، خاصة واننا كنا قد تناولنا هذه العتبة بالدرس في رسالتنا للماجستير الموسومة (عنوان القصيدة في شعر محمود درويش) . واما فيما يخص الدوافع التي رشحنا على اساسها دواوين (عبد الوهاب البياتي) و(نزار قباني) كنماذج تطبيقية فيمكن تلخيصها بدافعين : الاول شخصي يتعلق بـ (صداقة نصوصية) عقدتها ذائقتنا مع شعر الشاعرين, واما السبب الثاني وهو الاهم هنا فهو سبب اكاديمي محض يتمثل بندرة ما كتب عن العتبات النصية بعامة . والعتبات النصية الخاصة بشعر الشاعرين خاصة، ففي الوقت الذي نال (البياتي) اهتماما واسعا من جانب الدرس النقدي عربيا وعالميا وشكلت متونه الشعرية مادة خصبة للمعالجة والتحليل نجد ان خطابه العتباتي قد ظل اسير الاهمال من جانب هذا الدرس على الرغم من الخصوصية الواضحة التي تحملها هذه العتبات كما ونوعا كما سيتبين ، واما (نزار قباني) فقد طاله الاهمال من جانب النقد متنا وخطاب عتبات . اذ على الرغم من الكم الشعري الهائل الذي خلفه الشاعر ومزاخر به من توظيف عتباتي مثير للانتباه . الا ان الملاحظ ان ردة الفعل النقدية تجاهه لم تكن لترقى الى مستوى ذلك الكم وتلك الخصوصية ، وبناء على ذلك يمكن القول اننا ارتاينا في دراسة الخطاب العتباتي لدى الشاعرين استهداف جملة نقاط نجملها فيما ياتي : ـ 1ـ ان يكون البحث متمما للجهود النادرة السابقة وفاتحة لاعمال اخرى تسهم في سد النقص الفادح الذي توفرت عليه مكتبتنا النقدية في مجال تناول الخطاب العتباتي بعامة . 2ـ المساهمة في الخروج بتصور شامل عن شعر (البياتي) الذي اهتم النقد بمتونه دون الالتفات الى خطابه العتباتي . 3ـ المساهمة في دفع شعرية (نزار قباني) الى دائرة الدرس النقدي الاكاديمي الذي يبدو انه على غير وئام مع شعرية الشاعر لاسباب ربما تتعلق بجوانب مضمونية يترفع الدرس النقدي عن تناولها . 4ـ الخروج برؤية ما عن طبيعة العتبات في الشعر العربي باعتماد مدرستين شعريتين مثلهما شاعران قديران وان كانا على طرفي نقيض اسلوبا ورؤى ومضامين الا ان قراءتهما من منظور عتباتي يوقف القراءة على اوجه شبه كثيرة تجمعهما كما وكيفا كما سيتضح . لقد عرف كل من (نزار قباني وعبد الوهاب البياتي) بسعة الكم لشعري الذي قد لايسلم معه دراسهما من التخبط باختيار عينة دراسته مالم ينضبط بضوابط نقدية اعتمادا على طبيعة المادة المدروسة وعلى هذا الاساس التزمنا في هذا البحث الاتكاء على المجاميع الشعرية بوصفها العينات المركزية التي يمكن ان توفر لنا مهادا تحليليا وخاصة في التصدي لعتبة (الغلاف) التي توجب التعامل مع مجاميع شعرية صغيرة بغية دراسة لوحتها الغلافية، في حين لم نتورع عن الاستعانة بالمجلدات الكاملة الخاصة بالشاعرين متى ما دعت الحاجة الى ذلك وقد خلصنا لدى التشاور مع الاستاذ المشرف الى خطة من فصلين ضما مباحث خمسة افردنا خلالها الفصل الاول لما اسميناه بـ(العتبات البصرية) التي استغرقت مبحثين مطولين نسبيا هما على التوالي : (عتبة الغلاف), و(عتبة اللوحات المصاحبة)، فيما انفرد الفصل الثاني بمعالجة ما اسميناه بـ (العتبات الافتتاحية) التي توزعت على مباحث ثلاثة هي على التوالي : (عتبة الاهداء), و(عتبة التصدير)، و(عتبة المقدمة), وقد اشفعت هذه المباحث اسوة بالمبحثين السابقين في الفصل الاول بنماذج تحليلية توزعها ما يخص العتبة المنظر لها من نتاج الشاعرين بطريقة راعت الجانب الكمي ، والتنوع الكيفي في الاختيار . ختاما اتوجه بالشكر الجزيل الى قسم اللغة العربية في جامعة الموصل رئيسا وهيئة تدريسية كما اتوجه بشكر خاص ملؤه الحب والاكبار الى الدكتور (ابراهيم جنداري) الذي وجدت فيه المشرف الحريص والاب الحاني الذي لم يال جهدا في توجيهي وتشجيعي ومتابعتي في كل ما من شانه خدمة البحث قصد الخروج بافضل ما يمكن . كما اتوجه بالشكر الوافر الى كل من ساهم براي او مشورة او توجيه او ارشاد الى مصدر سواء من الاساتذة او الزملاء الذين غمروني بفضل لا يسعني الا ان اذكره - وان غيبت كثرتهم وضيق المقام اسماءهم - واخص بالذكر والشكر هنا الشاعر (محمد جلال الصائغ) الذي لم يبخل علي بمكتبته الخاصة فيما يخص ادب نزار قباني. كما لا يفوتني ان اشكر زوجتي (ام سنن) التي كابدت معي في سبيل انجاز هذا العمل نضو ماكابدت، فاليهواالى الذين من قبلها تقديري وامتناني ، سائلا الله تعالى ان يجعل عملي هذا خالصا لوجهه انه نعم المجيب .

التعارض والترجيح في كتب الخلاف النحوي الانصاف - التبيين - الائتلاف Opposition and Preference In the Contradicted Grammatical BooksAl - Insaf , Al - Tabyeen , Al - Etila

اسم المؤلف: محمد امين حسن عبو
اسم المشرف: حسن سليمان حسين الجميلي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: التعارض والترجيح في كتب الخلاف النحوي : الانصاف - التبيين - الائتلاف )) هذا هو عنوان الاطروحة التي جرى اعدادها لدراسة ظاهرة التعارض والترجيح . واشتملت على مقدمة وثلاثة ابواب وخاتمة وثبت بالمصادر والمراجع وثلاثة كشافات : كشاف للايات القرانية ، وكشاف للاحاديث الشريفة ، وكشاف للاشعار العربية . الباب الاول - يتناول تاريخ التعارض والترجيح ونظريتهما ، ويضم فصلين : الاول - يبحث في تاريخ التعارض والترجيح في اطوار الخلاف النحوي الثلاثة : طور تكون الخلاف ونموه ، وطور التنافس بين المذهبين البصري والكوفي ، وطور الترجيح بين المذاهب المختلفة . والثاني - يبحث في نظرية التعارض والترجيح ، ويقف عند محاورها الرئيسة : مدلول التعارض والترجيح ، وحكم قبول المعارضة ، ومجال التعارض والترجيح ، واركان التعارض والترجيح ، وصور تعارض الادلة النحوية والترجيح بينها . والباب الثاني - يتناول التعارض في كتب الخلاف الثلاثة ، ويضم فصلين ايضا : الاول - يبحث في ركني التعارض ، وهما : وجود مسالة اختلف فيها اثنان او اكثر ، وتقابل دليلين او اكثر وتعارضهما . والثاني - يبحث في مجال التعارض ، وهو الادلة النحوية ، وجرى التاكيد فيه على الادلة النحوية المعروفة ( السماع ، القياس ، الاستصحاب ، الاجماع ) ، مع الوقوف عند صور تعارض الادلة بين البصريين والكوفيين ، وموقف النحاة الثلاثة من هذه الادلة . والباب الثالث - يتناول الترجيح في كتب الخلاف الثلاثة ، ويضم ثلاثة فصول : الاول - يبحث في طرائق الترجيح واركانه ، جرى فيه الوقوف طويلا عند اركان الترجيح ، مع نقد دليل الترجيح عند النحاة الثلاثة . والثاني - يبحث في ادلة الترجيح النحوية ، جرى التاكيد فيه على الادلة المعروفة ، ووجوه الاعتراض على ادلة النحاة . والثالث - يبحث في علل الترجيح النحوية ، جرى التاكيد فيه على سمات العلة وشروطها ، ومسالك العلة وانواعها | This study includes three chapters : the first one deals with the history of opposition and preference and their theories . It also contains two sections . The first one studies the history of opposition and preference in the three contradicted syntactic stages which are as follows : the stage of its appearance and growth , the stage of the competition between the kufi and Basri trends , the last stage contains preference among other varied books . The second section deals mainly with the theory of opposition and preference and its basic elements such as : the sense of opposition and preference , the principle of accepting opposition , its positions , its elements and the forms of opposition among contradicted syntactic evidences . The second chapter concerns the incongruity in the three contradicted books and also falls into two sections . The first one stresses on the two opposing elements which are : the question that has also been discussed and opposed by two or more , and the two equalled or contradicted evidences . The second one deals with the conception of opposition including the syntactic evidences . Emphasis has been focused on some famous Syntactic evidences ( the audile , measurement , constancy , unanimity ) with stress on examples of contradicted evidences between the kufi and Basri schools and the attitude of the linguists towards them . The third chapter deals with the preference in the three contradicted books and includes three sections too : The first one is dedicated to study methods and elements of preference which have fully been analyzed with critical points for the evidence of preference itself according to the three Grammarians . The second section deals with the preferable syntactic evidences , with special emphasis on the famous ones and some objections directed to the evidences of the Grammarians . The third one finally studies the syntactic preferable reasons , their kinds and conditions with much consideration

صورة النبي (عليه الصلاة والسلام) لدى الكتاب العرب في القرن العشرين : دراسة ادبية The Prophet's (p.b.u.h. ) Image to the Arab Writers in the Twentieth Century : A Literary Study

اسم المؤلف: محمد سعيد طعمة الزهيري
اسم المشرف: احمد صبيح محسن الكعبي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: The above topic sheds the light on the most important publications dealing with the sacred prophet biography that were written by great figures in the twentieth century . they were describing the prophet personality when they were narrating its events and situations. The researcher, in this topic, concentrated on limiting these publications considering their implications so as to reach the literary image that the Arab authors described to the prophet (p.b.u.h. ). The research reached the following results : 1.The Arab writers tackled the pre - Islamic life when they were describing the prophet (p.b.u.h.) personality to show the shining and brilliant image of the prophet (p.b.u.h. ) who could, by his divine message, change the life system in that primitive severe society.2.the human dimension formed a common factor among all Arab writers who inspired from the prophet's (p.b.u.h. ) image as a prophet for humanity.3.Some Arab writers tried to present an image about the prophet's (p.b.u.h. ) reality in life. the prophet (p.b.u.h. ) lived his life with real work. He was a symbol for moderation in his worshiping and secular life.4. The Arab writers created artistic devices in the linguistic style. They invested its expressive powers to grant the prophet's (p.b.u.h. ) image its literary attribute.5. Arab writers used eloquence to describe the prophet personality such as simile, metaphor, and metonymy, as well as there was the evaluative imaginative image that the authors focus on to show the meaning with a remarkable form.6. Arab writers created the prophet's (p.b.u.h. ) personality image within the prophet's biography framework. They were keeping the artistic truth that matching the real truth

بناء المعجم اللغوي العربي في ضوء اللسانيات الحديثة Reformation of The Arabic Linguistic Lexicon Throughout Modern Linguistics

اسم المؤلف: علاء صاحب حمادي تكي
اسم المشرف: نجاح فاهم صابر العبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: It is no secret today that languages are not only composed of strict linguistic systems but, in fact, they are produced by the interaction of two main components. The first of these is what is already referred to as the system. This aspect touches on a number of linguistic levels that overlap and complement between them from Phonology to the Syntax, while taking into account the suggested semantic effects through the previous systems, but they cannot adopt abstract laws.As these systems must apply their partial rules on the physical ground through which these systems, and this leads us to the second component of the structure of the language is a lexicon that operates according to its own rules, which vary in the way they work and the way the language systems in the first component, the units of the lexicon are the physical part of the language and the most susceptible to change. The units of the lexicon is created the words that are develop, grow and die. This earns the dictionary a vital dimension in the language violates the abstract component of them. If the scientific study of the language or (linguistics) has focused on the first side of the language since the beginning of the last century. The study neglected or ignored the application of the scientific study on the lexicon, even counted among a group of researchers interested in the attached.At the same time, a group of Western linguists began to realize the imbalance caused by the neglect of the lexical side of the language by focusing on syntactic language studies and describing them according to abstract levels. They are filling the gap between the lexicon and other systems. They continue their works until they enter the lexicon as a partner in the theory of transformational theory. because of the difference between the English and Arabic languages, the lexicon is part of the structure of the English language at the same time when the lexicon and structure in Arabic must be completely separated. This is something that has been practiced in the early Arabic linguistic studies specialized in Al. Khalil bin Ahmed al - Farahidi and Sebwayeh, However, he was surprised by the subsequent Arabic linguistic studies until the present era, to make the structure a target in the midst of a clear neglect of the dictionary.After the development of lexical studies in the West. The Arabic lexicon remained silent at a certain moment, with dependency, neglect and irregularity until the lexicon became a reference.This study, which tries to monitor the gap between Arabic dictionary and grammar in an attempt to give the linguistic touch on the Arabic lexicon in order to reach a dictionary based on the basis of a solid. Thesis consists of four chapters preceded by preface. It studies the problems according to two sides : Dynamic and terms. The first chapter deals with Arabic linguistic interpretations of Arabic dictionary through its historical way. It studies the beginnings of linguistic research in the previous nations. It also studied the effects of Arabic linguistic dictionary on historical linguistics, descriptive linguistics, and transformational linguistics within the framework of a group of Arab and Western researchers.The second chapter deals with the sound structure of the lexicon unit in terms of the Arabic lexicon root to balance two different theories. One is an evolutionary theory of heritage origin called the theory of authorship, and the other is a modern theory called lexical root expansion theory. This chapter also studies the sound structure of the stem in Arabic lexicon. The most prominent acoustic laws governing the production of logs.The third chapter focuses on morphological formation of the lexical unit, first to distinguish between the derivation and the discharge according to the affiliation of each of them. Then it studies the most prominent statements produced by the derivation in the lexicon weighted the cognitive vision of the statement on the logical vision. After that it determines the most prominent means of generating lexical units in the lexicon .Fourth chapter focuses the semantic component of the lexicon by looking at the close connection between the two faces of the linguistic sign (signify and signifies) to create a classification with semiotic bases for the units within the lexicon framework and then looking at methods in the Arabic lexicon.The study concluded with a number of results, the most important of which was the necessity of subjecting the Arabic Linguistic to a special study independent of the classification of De Sesser to linguistic levels to take into account the linguistic relativity by separating the lexicon and the structure completely. As well as emphasizing the importance of introducing the lexicon element in the teaching of the Arabic language. And not only on one side of the language, because a study based on a focus on the abstract side or the physical aspect and according to it would not provide a good scientific description.

تميم بن المعز لدين الله الفاطمي في كتابات الــدارسيــن قديــما وحديــثا Tamim Bin al - Muizz Li - Dinillah Al - Fatimi In Older and modern writings Scholars

اسم المؤلف: حوراء عبد صبر عبد الله الشريفي
اسم المشرف: محمد حسين عبد الله المهداوي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Tamim Bin al - Muizz Li - Dinillah Al - Fatimi, is really considered as one of poets who lived in Egypt under the reign of The Fatimid dynasty. For him there is printed poetry collection causing a bunch of critical reactions. And for his study, there are many older and modern scholars who endeavored to deal with and commenting on his character, poetry and poetic language either negatively or positively. Due to my quite extreme want to study the Fatimid literature and being so interested on its literature in this phase, my teacher Doctor Mohammed Hussein al - Mahdawi did suggest this research title for me to study. He himself pointed out to me its seriousness as being a qualified subject to study due it represented a phenomenon in the Arabic literature either it has what it has or what has not. This study is composed of an introduction and three chapters and epilogue, with resources and references list. So, the first chapter is particularly dealt with the poet's life study by the older and modern scholars in three researches. The first Research contained his life in Morocco and Egypt and his rule period in it, and what has been said about all. And The third research is really specialised to study what has been said about his culture, religion, poetry book and his passing away. The second chapter is entirely concerned of studying what has been said about his poetry in older and modern times. It consists of two researches, the first research is composed of what has been said on his poetry in older times, while the second research on what said about his poetry in modern times, presenting the various opinions on all that. On the third chapter the researcher is completely concerned on the older and modern scholars tendencies in the poet study and giving valuation on his literature production negatively or positively. And the second research is dealt with the modern scholar tendencies in his poetry study, and choosing in this chapter to use the term ( tendencies) instead of ( methods). As most scholars who studied Tameem , really did not apply the method tools to describe this method as ensured one with its own regulations and origin, using the term( tendencies) are more comprehensible according to our point of view for such kind of studies. Finally, we ended it up with an epilogue in which we summarised all the important dimensions of our thesis. And the most distinguished results which have been seen and finalised the thesis with the resources and references list which has been varied between the older and modern literature studies and historical studies concerned on Tamim poetry sides, adding to the published researches in the Arabic and local bulletins. As a matter of fact the researcher indeed relied upon using the analytical method in this study, analyzing , discussing, clarifying and confirming sometimes and objecting on other times.

الصورة الشعرية في المجلات العراقية المحكمة من 2003 - 2016م The Poetic Image In The Refereed Iraqi Journals From 2003 - to - 2016

اسم المؤلف: عبد الستار جبار عطية دهام
اسم المشرف: خضير عباس درويش
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: تتناول هذه الدراسة قضية الصورة الشعرية في مظهر من مظاهر النقد الاكاديمي العراقي المتمثل بالمجلات العراقية المحكمة ،ضمن فترة زمنية تمتد لثلاث عشر سنة من اصداراتها ،وهي قراءة للجهود النقدية تشتغل على استجلاء وسائل تشكيل الصورة الشعرية ،واتجاهات دراستها،وقضاياها ،ومناهج المتبعة في رصدهواتحليلها ،وقد جاءت الدراسة على تمهيد ،و اربعة فصول رئيسة ،وهي ما ياتي : - التمهيد : الصورة الشعرية (المصطلح والمفهوم) - الفصل الاول : الصورة الشعرية وتحولاتهات ،وهو فصل تاسيس ،حاولنا فيه ان نضع الركائز الاساس لقضية الصورة الشعرية ومبانيها ضمن رؤية نسقية ، ويدور هذا الفصل على محاور رئيسة هي : الصورة الشعرية المصطلح والمفهوم، الصورة الشعرية رؤية تقليدية، الصورة الشعرية رؤية تجديدية، الصورة الشعرية في النص المتداخل - الفصل الثاني : وسائل تشكيل الصورة الشعرية، وهو على محاور متعددة هي : التشبيه، والاستعارة ،والكناية ، ثم هناك وسائل اخرى جاءت بنسبة قليلة وهي : الرمز،التناص ،المفارقة،التضاد، الشكل الكتابي والتقنيات السينمائية، الاسطورة، القناع، المعادل الموضوعي،اللغة المعيارية - الفصل الثالث : اتجاهات دراسة الصورة الشعرية وقضاياها، وهو على محاور متعددة هي : ،الاتجاه الموضوعاتي ،الاتجاه الحسي،بناء الصورة الشعرية،قضايا الصورة الشعريةالفصل الرابع : مناهج دراسة الصورة الشعرية ونتائجها،وقد قدمنا عرضا للمناهج واهميتها ،ووظائفها ،وبعض اشكالياتها،ثم تناولنا ما جاء في البحوث من مناهج مستعملة ،او ملامح منهجية وفق استنباط للاليات المتبعة فيها ،فكان ان تصدر المنهج الفني المناهج الاخرى، ثم المنهج الموضوعاتي ،ثم المنهج النفسي، فالمنهج الاسلوبي ،وهناك مناهج اخرى استعملت بقلة في البحوث محل الدراسة وهي : التحليل الثقافي، الموازنة منهجا، المنهج المقارن،المنهج السيميائي،جماليات التلقي، ثم التقنيات السينمائية منهجا، القضية الاخرى في هذا الفصل تتمثل بنقد نتائج البحوث ،وهي على منحييين : نتائج متشابهة ،ونتائج مختلفةوقد توصلت الدراسة الى نتائج كثيرة منها : - بينت الدراسة قصر التعريفات المتعلقة بالصورة الشعرية ،واغفالها مسارات حداثية للنص الشعرية وتحولاته ، فلم يكن لهذه التحولات اثر في تعريفات الصورة ،وخاصة فيما يتعلق بالتداخل الابداعي في النصوص الشعرية ،وكذلك تحولات النص في القصيدة الرقمية التفاعلية ،وطبيعة الصورة الشعرية في هذه التحولات - جاءت البحوث محل الدراسة على اتجاهات مختلفة في طبيعة دراستها ، وكانت دراسة الصورة من جهة وسائل تشكليها تمثل النسبة الاكبر بين البحوث ، وتاتي دراسة الصورة من جهة موضوعها في المرتبة الثانية من حيث الكم ،ثم دراسة الصورة من جهة الحسية والذهنية ،ثم دراستها من حيث البناء،وهناك قضايا نقدية متفرقة في البحوث تناولت جوانب متعددة للصورة الشعرية - رصدنا منحيين في دراسة الصورة الشعرية في البحوث محل دراستنا، الاول ،وهو مسار تقليدي ويمثل القسم الاكبر من هذه البحوث،والثاني، تجديدي او يحمل ملامح تجديد في ويمثل فئة صغيرة من هذه البحوث - استعمل الباحثون مناهج مختلفة في دراستهم للصورة الشعرية وكان المنهج الفني على راس المناهج في هذا المورد ،ثم المنهج الموضوعاتي، والمنهج النفسي، فالاسلوبية ،ثم مناهج اخرى استعملت بقلة، منها النقد الثقافي ، والموازنة ، والسيميائية - كان استعمال المناهج في اغلب البحوث من غير وعي منهجي ،ولم يكن هناك تاسيس نظري للمناهج المستعملة في كل البحوث ، فجاء تصنيفنا لها بناء على ميلها الى منهج ما عبر قراءتنا لها ،وقد ذكر قسم قليل من الباحثين المنهج الذي استعملوه في بحوثهم | This study deals with the issue of poetic image in the manifestation of the Iraqi academic criticism represented by the Refereed Iraqi journals , within a period of time spanning thirteen years of publications, a reading of the criticism efforts are working to clarify trends in the study of poetic image, and issues, trends, and methods used in monitoring and analysis, the study came to preliminary, and four chapters of the Chairperson, as followsChapter One : The poetic picture and transformations, which is the founding, in which we tried to lay the foundations for the issue of poetic image and its buildings within the framework of a vision, and this chapter revolves around the main axels : the poetic image term and concept, poetic image traditional vision, poetic image renewal vision, poetic image In the nested textChapter Two : the means of shaping the image ، likening ،metaphor، metonymies، and means otherChapter Three : Trends in the study of poetic image in Iraqi journal, which is on multiple axels : the thematic trend, the sensory trend, the construction of poetic image, issues of poetic imageChapter Four : Methods of studying the poetic image and its results. We presented an overview of the curriculum and its importance, its functions and some of its problems. Then we discussed the research methods used or the methodological features according to devising the mechanisms followed. , The psychological approach, the methodological method, and there are other methods used in a few of the research under consideration : cultural analysis, budgeting methodology, comparative approach, synaptic approach, aesthetics of reception, and then cinematic techniques approach, the other issue in this chapter was criticism of research results, On both sides : Similar results, different resultsThe study reached many results, including : - The study has shown that the definitions of poetic imagery and the absence of modernist paths to poetic text and its transformations have no effect on image definitions, especially with respect to creative interaction in poetic texts, as well as text transformations in the interactive digital poem and the nature of the poetic image in these transformations - The research under study on different trends in the nature of study, and the study of the image of the means of formation represent the largest proportion of research, and the study of the image on the subject matter in second place in terms of quantity, and then study the image on the sensory and mental, and then study in terms of Construction, there are sporadic monetary issues in the research dealt with multiple aspects of the poetic imageIn the study of the poetic picture in research, we examined the first, which is a traditional course and represents the bulk of this research. - The researchers used different approaches in their study of the poetic image. The technical approach was at the top of the curriculum in this resource, then the thematic curriculum, the psychological method, the stylistic, and other methods were used in a few, including cultural criticism, - The use of the curriculum in most of the research is not systematic awareness, and there was no theoretical foundation of the methodologies used in all research, the classification came to them based on their tendency to a method of reading through them, and a small section of researchers the method they used in their research

الرطوبة واثرها في انتاج الصوت اللغوي وادائه Humidity and its impact on the production of linguistic sound and its performance

اسم المؤلف: محمد صلال وذاح الخزرجي
اسم المشرف: فلاح رسول حسين الحسيني
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Since the early studies of sound, many of the purely scientific aspects they were almost devoid of any publication in the field of audio studies. These scientific aspects have been identified by the experience of self - test of the linguistic voices, The study of the linguistic voices in its theoretical part without going into the experimental side to reach scientific reasoning is a virtual study that has become useless. Without the experimental study, the shadow of talking about the linguistic sounds would be a kind of assumption. This development in science has enabled the researcher to go into the experimental study of linguistic voices to prove the facts that were absent from the minds of many researchers was able to hunt the researcher as a result of the conscious induction of the components of the production of language, as it was found that a component of the production of language has been absent from the most common language I can not find the way to not mention it, and improve the reference in this regard that the idea of analysis of votes according to the programs of the analysis of linguistic voices is not entirely new, but experimentation and sampling according to scientific standards and accurate examination of samples and analysis of votes to prove what we want to prove is a new work There is no precedent in this area, we follow the same in the studies in Iraq and the Arab world in general, as the treatment is not going to end definitively, because it brought voice research from the crucifixion of experimental observation based on some of the issues of sensory and virtual and guessing them to a wider and more welcome, In fact, when we started to identify this point, which was founded by a few scientists such as Ibn Sina and died after his death, did not see the light but only to remove the dust of time. Based on the laboratory, and we found ourselves to ask A group of questions concerning the humidity of saliva and other organs of wet pronunciation, which I found not resonating in the answer to the phonologists of the ancient and modern, except what I mentioned only through the laboratory side we have conducted, and summarize these questions as follows : * What is the benefit of having saliva * Is the saliva a component of the pronunciation of the sounds? * What is the reason for the concentration of salivary glands in the lower jaw? * Does the task of the tongue distribute the moisture of the saliva on the mouth for the whole speech? * Is increasing the moisture of the child's mouth and increase the saliva of it before the emergence Teeth have a relationship to utter sounds or not? * Does the presence of fluid in the pulmonary vesicles to • Exhalation of the exhalation air produced by the sound in conjunction with the pronouns or other task • What is the reason for the presence of moisture in the inner surface of the airway • What is the benefit of the gland in the larynx • If we assume that moisture is deprived of the pronouns, will there be a sound? These questions lead us to several reasons : one of them is theoretical regarding the concept of humidity and its nature, and a laboratory related to the physical aspect, which in turn reveal the effect of the moisture side in the production and performance of the linguistic sound. The study was described (humidity and its effect on the production of sound and performance) The study was a research plan that required exploring the fields of several fields, the study was in three chapters preceded by introduction and preface and followed by a conclusion that included the most prominent results and proven sources and references. The preamble was held to know the nature and importance of moisture, and since there are members produce sound and language, In this production we share the same production. It was natural to hold the first chapter, which we characterized by humidity and pronouns (approach in concept, term and function). In the second chapter, we focused on the physical aspect of the sounds and the experimental aspect, Saliva of the sample group was our choice of these samples according to the scientific track, and then analyzed the recorded votes of those samples after the knowledge of the measures inherent to the experimental work helped the researcher to achieve the desired results, we had to mark the second chapter humidity and scientific analysis of the production of votes, The third chapter we have held to know the effect of moisture on the sound performance of the voice language, was the chapter under the title of humidity and sound performance. The most important characteristic of the study : The study was characterized by the following : 1. It is a study study experimental voice to prove that moisture is a component of the production of sound. 2. The study of the theoretical and phizological aspects of the verbal process of the sounds of the Arabic language. 3. This study, without its studies, was open to many scientific aspects that have a great interest in sound studies, including physiological, physical and laboratory aspects. 4. The study took the starting point for starting in experimental field.5 The study was characterized by the use of the digital physics analysis program, the praat, which studies a range of sound properties and analyzes them by wave and spectroscopy. Study Methodology The study adopted the descriptive approach in many aspects. It also adopted the analytical experimental method used by the researcher in the adoption of samples in the laboratory for the sounds of hypothesis research

البحث الدلالي في كتاب (مراة العقول في شرح اخبار ال الرسول) للعلامة المجلسي (1111هـ) Semantic Search in Book "Meraato AL - aeequli fi sharahe akhbare ali AL - rasuol" by the scientist AL - Majlisi (1111 A.H)

اسم المؤلف: مقداد علي مسلم العميدي
اسم المشرف: رجاء عجيل ابراهيم الحسناوي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: The semantic research is a field that meets in its expanse of the sciences and the arts, especially those based on the reading and analysis of normative texts, such as the interpretation of the Qur'an, the prophetic tradition, principles of jurisprudence, and the science of linguistic and criticism linguistic , and this cognitive convergence contribute in divergence of the semantic processors and multitude its tracks, accordingly the semantic need to semi - encyclopedic culture employ them in stop on the purposes, such as what the scientist AL - Majlisi (1111A.H) do in his book "Meraato AL - aeequli fi sharahe akhbare ali AL - rasuol" which is one of the most prominent commentaries on the book "AL - Kafi" of AL - Kellini (329A.H), where he was characterized by the capacity of his article, and The age of style, precision handling of the news honest. This study highlights the linguistic and contextual mechanisms that shaped the features of semantic research in AL - Majlisi in the above - mentioned explanation. This was done through four chapters preceded by a preface on the scientist and his book, followed by a conclusion with the most important results. the first chapters show the starters to the semantic research in (the brain...) Such as : the concept of significance, and the limits of interpretation, and levels, and the second carried out the study of the signs of sound and verbal, while seized the grammatical evidence on all the topics of the third chapter due to the scientist AL - Majlisi put attention on it in his explanation, and the last chapters special lexicography and contextual. The study concluded with a set of results and general perceptions on the subject, such as : that AL - Majlisi was aware of many of the things that boast the codification of Western and modern historians, and that his semantic opinions have emerged from different knowledge resources, led by religious movables, fundamentalist and intellectual buildings, linguistic and rhetorical sciences, as well as his jurisprudence and the resulting opinions

القراءة القرانية والاستدلال بها على تحليل النص القراني نحويا Quranic reading and its interpretation of the textual analysis of the Qur'anic text

اسم المؤلف: احمد حسن منصور حسين الغانمي
اسم المشرف: خالد عباس حسين السياب
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: شغلت معاني القران الكريم اذهان المسلمين منذ نزول اياته الاولى ، واهتموا بمقاصده ايما اهتمام ، فراحوا يطلبون تفسيره والوقوف على معانيه ومراده ، فكان من بين المظاهر التي برزت عندهم في تفسير القران هي طلب دلالاته في ضوء كلام العرب شعره ونثره ، وشواهد الاحداث - التي لا تخفى على المتتبع - تشير الى توجيه بعض الصحابة للناس ان يطلبوا ما اشكل عليهم من القران في كلام العرب ؛ فانه نزل بلغتهم . غير ان الملفت للنظر ان تلحظ ظاهرة جديرة بالاهتمام تقوم على فهم تراكيب النص القراني ودلالاته وفقا لما قرئ به من القراءات القرانية ، وتوجيه اياته توجيها نحويا استنادا الى تلك القراءات ، او ان يستدل على ذلك الفهم ويستشهد له ويؤيد بالقراءة .تلك الظاهرة اثارت انتباه استاذي المشرف فعرضها علينا - طلبة الدكتوراه - في سنتنا التحضيرية ، وظلت تختلج في عقلي حتى سجلناها موضوعا للبحث بعنوان ( القراءة القرانية والاستدلال بها على تحليل النص القراني نحويا ) . ولم يكن هدف دراستي استقصاء الظاهرة في جميع مظانها ؛ لان ذلك مما لا يسمح به الوقت ، كما انه يحتاج الى مجموعة دراسات مستقلة ، وانما كان الهدف الذي اصبو اليه هو وضع اليد عليها ، وابرازها للقارئ الكريم ، والاجابة - بعد ذلك - عن سؤالين اثنين مهمين - فيما اعتقد - هما : اين ؟ ، ولماذا ؟ . اين وردت مصاديق ظاهرة الاستدلال بالقراءة في تحليل النصوص القرانية ؟ ، ولماذا جاء هذا الاستدلال في هذا الموضع . وهذا ما حاول البحث دراسته في منهج وصفي تحليلي تعليلي ، يصف الاستدلال النحوي بالقراءة ، ثم يحاول تحليل هذا الاستدلال ليصل الى العلة التي تقف وراءه فتبرز بذلك اهميته . توصل الباحث الى بعض النتائج كان اهمها بروز هذه الظاهرة بشكل واضح وجلي في المؤلفات التي اهتمت بتفسير القران الكريم وبيان معانيه , وقد لجا اليها اصحاب هذه المؤلفات حينما تعارض النص القراني مع القاعدة النحوية ، فحاولوا الافادة من القراءة في ايجاد توافق بين تركيب الايات وما ثبت من قواعد النحو | The meanings of the Quran have preoccupied the minds of Muslims since the beginning of its first signs, and they were interested in its purposes with great interest, so they asked for its interpretation and to stand on its meaning and its will. Among the manifestations that emerged in the interpretation of the Quran is the request of its meanings in the light of the words of the Arabs poetry and prose, On the follower - refers to the guidance of some companions to people to ask what they eat from the Koran in the words of the Arabs; it came down in their language.However, it is remarkable to note a noteworthy phenomenon based on an understanding of the structure of the Qur'anic text and its implications according to what was read from the Qur'anic readings, and that its references are directed in a logical way based on those readings.This phenomenon aroused the attention of my supervisor, and presented it to us - doctoral students - in our preparatory year, and it continued in my mind until we recorded a subject for the research entitled (Quranic reading and interpretation of the textual analysis of the Koran).The objective of my studies was not to investigate the phenomenon in all its manifestations; because it is not allowed for time. It also requires a series of independent studies, but my goal was to put it to the reader and to answer two important questions. - I think - are : where? , And why? . Where did Madaiq received the phenomenon of reading in the analysis of Quranic texts? , And why this reasoning came in this place. This is what the study attempted to study in a descriptive analytical approach, which describes the grammatical reasoning of reading, and then tries to analyze this reasoning to reach the cause behind it, thereby sacrificing its importance.The researcher found some results, the most important of which was the emergence of this phenomenon in a clear and evident way in the literature that dealt with the interpretation of the Holy Quran and its meaning. The authors resorted to it when they opposed the Qur'anic text with the grammatical rule grammar

الرسائل والحكم القصار في نهج البلاغة : دراسة في ضوء علم العلامات Short Messages and Sayings in Nahjul - Balaagha : A Semiotic Study

اسم المؤلف: مرتضى شناوة فاهم العرداوي
اسم المشرف: كريمة نوماس محمد المدني
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Semiotics or what is called "the signs" is considered one of the significant methods and sciences used in the study of literary and religious texts. This science is not limited to a specific thing, but everything is subject to the system of the sign that is the other side of cognitive processes.If we follow the roots of this science, we will find that the Quran is the main guide. However, the West has invested this concept and codified it and put the scientific disciplines and foundations of this science. They called it "Semiotics". On the other hand, the Arabs tried to translate this term; they have multiple labels created a certain chaos to the researcher at the present time. This research found that the nomination"the Signs" is the most appropriate designation of this concept.Semiotics or "the signs"does not have a stand - alone science, only after Pearce who puts the scientific foundations and theoretical perspectives. Pearce disagreed De Saussureinhis view towards the sign. As we know that Saussure made the sign centered around the two main points (Daal "the pronounciation of the word" and Madlool "meaning"), while Pearce made the signcentered around three points(Daal "the pronounciation of the word", Madlool "meaning", and Moudhoo' "the subject") in which it has taken a generalizednaturedistinguished by a general logical sense absorbed by all the semiotic phenomena.From this point of view, this research proved that the messages of Imam Ali "PBUH" and his short sayingsare of the texts that are rich in linguistic and non - linguistic expressions due to their inclusion of the ideas and strategic visions by which Imam Ali "PBUH" wanted to eliminate the thinking of the recipient urgingthem to understand and access the messages' meanings in line with the Islamic spirit and achieve the security and safety of "AhlulBeit" towards the nation. Moreover, these texts are of the written pieces that accommodate all types, styles and practices of studying, including the modern critical studies. These messages and short sayings are a rich and inexhaustible resource. The research also proved the validity of this by extracting the examples that include all forms and types of signs and the achievement of different functional dimensions, whether commercial, cultural or communicative.

المسكوت عنه في نهج البلاغة : دراسة في ضوء تحليل الخطاب The Hidden Meaning in Nehj Al Belagha : A Study in the Light of Discourse Analysis

اسم المؤلف: فراس تركي عبد العزيز
اسم المشرف: نجاح فاهم صابر العبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Nature of the current study involves dividing it into a preface, three chapters preceded by introduction and followed by conclusion. Each chapter has three sections. The preface is devoted to discourse analysis. First chapter treated with originating the term hidden meaning, its functions, and its purposes. The first section gives a definition for the hidden meaning and discovering instruments. The second section tackled the hidden meaning in vocabulary investigations to the jurists. The third section mentioned functions and aims of the hidden meaning. Second chapter was entitled the hidden meaning artistic instruments in Nehj Al Belagha. The first section discussed metaphor which is the hidden meaning instruments of metaphor theoretically and practically. The second section was devoted to metonymy in Nehj Al Belagha theoretically and practically. The third section was ended with the allusion in Nehj Al Belagha. Third chapter studied the hidden meaning textual instruments in Nehj Al Belagha devoting the first section to the hidden meaning commitment instruments in Nehj Al Belagha theoretically and practically. The third section was devoted to the discourse requirement that was employed in Nehj Al Belagha. These instruments were a technique to discover the philosophy of hidden meaning in Nehj Al Belagha. The adopted method in the current study is the discourse analysis method not because it is the only method, rather it was the best in tackling Nehj Al Belagha discourse for it includes all levels that belong to the linguistic system. That supported the researcher with a wide and huge space to cover all texts and their ambiguities

المـظاهر السردية في شعر ابن الرومي (ت 283 هـ) Appearances in the narrative poetry Ibn al - Roumi ( d . 283 AH )

اسم المؤلف: احمد سالم عبيد الشمري
اسم المشرف: علي كاظم محمد علي المصلاوي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study, entitled "The Narrative Phenomena in Ibn al - Roumi's Poetry 283 AH," aims at studying a characteristic of Ibn al - Roumi's poetry, which the scholars did not address, despite the large number of pens that dealt with the study of his poetry, which motivated me to choose it as the title of my thesis. The study of the study was organized in four chapters preceded by a preface, followed by a conclusion summarizing the talk about the most important findings of the study, and then a list of the most important sources and references. A brief introduction to the two parts of the subject is summarized : the first is a brief definition of the poet, and the second is the concept of narration. The first chapter entitled "Personality" as one of the important elements in the process of narrative construction, dealt with the study of the most prominent types of personality according to the abundance and importance in poetry, divided into three types : the president (hero) and secondary (help) and women(belove) The second chapter is devoted to the study of the event to show its role in the narrative text, as it is one of the most important elements of the narrative process. The study is divided into two sections. The first topic dealt with the study of the two types of events (external and internal) He replied in his poetry, namely the orchestral (sequence and embedding). In the third chapter, entitled "Dialogue", the study was divided into two sections. The first topic examined the most prominent types of dialogue mentioned in Ibn al - Roumi's poetry. It was divided into two parts : external dialogue and internal dialogue. In the second section, I studied the most important types of methods by which dialogue was achieved (question, appeal, command). The fourth chapter, entitled "Time and Place", is divided into two sections. The first topic dealt with the axis of time through the study of the most prominent time (real and psychological), as well as the study of the temporal relations of studying the techniques of speeding up the narration, And sales. As for the second topic, it examined the axis of "place" in two types : the pet and the ma'adi, with a statement of how the poet treated with the place that took a distinct area of his hair. In this study, I relied on a number of sources and references that dealt with the study of the narration and Ibn Al - Roumi's poetry, especially his poetry book by Dr. Hussein Nassar, as well as some doctoral dissertations, master's thesis and related scientific research. The study concluded with a number of its findings, the most prominent of which are : The study revealed that the narrative was not a single phenomenon in an era, or a poet, but it extends from the roots of the pre - Islamic era to the present day. The study reached Ibn al - Roumi's poetry was a zakra in the narrative narratives such as personality, event, dialogue, time and place, and these features combined a clear narrative feature in his poetry if not complete. The study found that the character was clear in the product of Ibn al - Roumi, as it was often stated in his poems, the main character was a broad presence in his hair is easy to identify, as well as the secondary character that was complementary to the work of the main character, ) Was to attend a prominent narrative feature, and show the importance of character in the poetry of Ibn al - Roumi of the types that it contained, as it represents the main axis that revolves around the events of poetic text . The presence of the element of the event in Ibn al - Roumi's poetry was an essential element of the rest of the other narratives, being a set of facts and deeds depicting the act of characters. The study concluded that dialogue in Ibn al - Roumi's poetry has taken many forms, such as external dialogue (dialog) and internal dialogue, and this contribution has contributed a great contribution in portraying the psychological state of the poet narrator, as well as his contribution in drawing characters easily and easily. The element of time has a broad presence in Ibn al - Roumi's poetry (both real and psychological), and I believe that the reason behind this, especially in the real genre, is the large number of love councils, as well as the battles that took place in the Abbasid period. Often associated with the night, is that the poet finds the right time to express his pain and grief for what he experienced from the scourge and calamities. The element of place has taken a distinct place in his hair types (pet and maim), although the place of the family had the largest share, perhaps because of the sense of the poet / narrator of his true affiliation, that is where he found himself.

اللسانيات المعرفية في الدراسات العربية الحديثة Cognitive Linguistics in Modern Arabic Studies

اسم المؤلف: حيدر فاضل عباس العزاوي
اسم المشرف: حسن عبد الغني الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Which is characterized by human thought that Introduction thought ambitious seeking to develop and renew, and the ability to adapt to the emerging tools and discovered means; he can invest and employ to renew research into phenomena that have been the focus of attention throughout the ages. Until recently, the brain was a dark black box. The studies did not dare to break into it, and the mechanics of its work were activated, until the time the man developed his tools and opened windows revealing the darkness of the brain. The laboratory devices developed on the psychological, neurological, medical and intelligent levels. Experiments were done and results were obtained results, all seeking to reveal the mysteries of the brain.The linguistic research was not free from the development of neighboring sciences, and contributed to the tools it had, and the resulting results in the formation of a picture of the mechanism processing of information in the brain, and its relationship to resulting behavior, including linguistic behavior, taking advantage of its findings in other sciences of these , it was necessary to raise the slogan of "overlap of competencies" while maintaining the existence of each specialty, as science intersects the brain area, bringing about all the results.In the midst of all this, the science of the brain and its abilities met under the name of cognitive science, namely : psychology, artificial intelligence, neuroscience including physiological, linguistics, and anthropology, all of which became known as conative. Thus, linguistics emerged as a new research trend Originated because of connected of science, and it's overlappingThe linguistic is a new trend that belongs to the philosophy of language; it examines the mechanisms of the human language in the brain, the stages in which the language reaches its vocal existence; one of the most important is the relationship between language and thought. This has resulted in a reconsideration of a number of lingual phenomena in linguistic research, the metaphor of borrowing by George Laikff and Mark Johnson in 1980.The second study focuses on how Arab researchers treated them. The study is of an exploratory origin, then an assessment of the efforts of the Arab researchers, and that it is a difficult task. Because the novelty of the related ideas by the one hand, and the subject's capacity on the other. The first chapter was devoted to giving account of the stage of the emergence of cognitive linguistics and the main theoretical foundations on which it was built this orientation.The second chapter focused on giving account the most important Arab studies that dealt with the language from the perspective of cognitive linguistics. It was divided in to studies of translated studies and the Arab studies, and was treated according to specific patterns. These studies are based on scanning the most important ideas put, while looking at the sources of the study and the basis of cognitive from which the researcher draws his support in the search, and then focus on the most important results.The third chapter deals with the value of metaphor and its importance before the cognitive stage, and then presenting the knowledge understanding of the metaphor by reading a sample of the Arab effort that dealt with this subject.The sources of research varied between the translated Arabic most of these sources have been published recently in the past few years, which made it difficult to deal with there because of difficult style and the overlapping with other specialties difficulty of language, and overlap with other.

التماسك النصي في سورة هود واخواتها Textual coherence in Surah Hud and Its sisters

اسم المؤلف: سعيد عكاب عبد العالي
اسم المشرف: علاء الدين هاشم الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This research is presented by the student : "Saeed Akab Abdulaali", in partial achievement of the requirement of granting a PhD in Arabic language and literature from the Faculty of Education for Human Sciences - University of Karbala.Textual coherence is in all its vocal, lexical, grammatical, and semantic means Works to achieve consistency and harmonization between units and elements of texts in the light Certain relationships link the units of text to each other, making the consolidated text to the recipient, The researchers had joined efforts to develop models for analysis text and classification of textual standards. The researchers dealt with the verses of the Koran and its surahs and in Hud surah and its sisters Especially for which chose to be a material for this academic research. This is because of these verses have many textual common points, which will come in the search for detailing and find out them, and to indicate what came from the appropriateness and the coherence between these blessed verses. The four chapters included the applied material for the study. The first Chapter deals with the grammatical consistency, and was divided into three sections : referral, deletion, and connection.The second chapter deals with verbal coherence, and was divided into three categories : accompanying pronunciations, repetitions, and substitution. The third chapter dealt with vocal coherence, and was divided between three sections : the rhyming, the alliteration, and the toning.The fourth and last chapter dealt with the semantic coherence, and was divided between three topics : context, semantic relations, and science of appropriateness. These chapters were ended with a conclusion that included the most important findings.

الزمان والمكان في شعر شعراء تغلب Time and Place in the poetry of Poets of Taghalab

اسم المؤلف: منى عبد الرزاق فخري الياسري
اسم المشرف: علي ذياب محيي العبادي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: The study deals with the temporal and spatial issues mentioned by the poets of Taghalab. Poets of the beat . The study consists of three chapters. The first chapter divides into three sections. The first section focus on "Day " and "Tomorrow", section two tackles "Night" and "Day" whereas third section deals with "Finite tense". Chapter two deals with the sections (place pet and hostile location). Third chapter studies the artistic image in poetry of poets of Taghlab. The first section studies of tenmporal simile and spatial simile. The second studies the visual sensory and audio. Finally the study ends with conclusion, appendix, a list of sources and references

الشعر العربي في العراق في القرنين الثامن عشر والتاسع عشر : دراسة في ضوء النقد الثقافي Arabic poetry in Iraq in the Eighteenth and Nineteenth centuries : a study in the Light of cultural criticism

اسم المؤلف: سجاد شعبان حسن
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Cultural criticism is based on criticizing the cultural patterns that involve the literary and cultural discourses; these are implicit patterns hiding behind the explicit ones. The patterns in the concept of cultural criticism are not only linguistic or literary, but they are cultural content patterns implicitly involved in the discourse that are elicited by explicit patterns. Exploring these patterns requires cultural reading based on accurate and wide knowledge of the studied cultural discourse. A heavy reliance on the interpretation and exploration effort and discourse analysis is needed to discover these culturally implied patterns. Cultural criticism provides the addressee with studies that discover the reality of the literary texts whether they are poetry or prose. It looks at them through a neutral, scientific and honest telescope that aims at studying the marginalized patterns that literary criticism neglected. While literary criticism is concerned with elite texts, cultural criticism is concerned with people's literature that was off - shadowed during the previous eras, it relates the texts to its contexts and circumstances, it also makes use of the human and philosophical sciences. We depended on this approach to study Iraqi poetry. After investigation we discovered the paucity of literary studies that tackled Iraqi literature from the perspective of cultural criticism between the eighteenth and the nineteenth centuries. For this reason the topic entitled (Arabic Poetry in Iraq during the Eighteenth and Nineteenth Centuries : a Study in the Light of Cultural Criticism).The study has been divided into four chapters preceded by an introduction and a prelude and followed by conclusion that involved the most important results and a list of references. The prelude has been formulated according to two ways, the first of which tackled the image of the Iraqi poetry during this period, while the second has dealt with the concept of cultural criticism and cultural patterns. The first chapter is about (The manifestations of the ego), while the second chapter is about (The manifestations of the other). Chapter three deals with (Political Patterns/ the poet and the authority). Chapter four tackles the social patterns, it is entitled as (The Text and the dominance of cultural patterns).

الرواية السيرية في الادب العراقي الحديث The Autobiographical Novel in Modern Iraqi Literature

اسم المؤلف: ميثم هاشم طاهر هارون الموسوي
اسم المشرف: مشتاق فالح عبيد الفضلي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Autobiographical Novel has its remarkable presence in the modern Arabic art especially in Iraq due to its abundance capabilities which have assisted novelists to formulate identity of the world. It is common that they sacrifice their life which is full of miseries to serve fictions. Novelists believe that such lives deserve to narrate. The importance of this study comes from rarity of studies that dealt with Autobiographical Novel in Iraq. In order to enrich an Arabic narrative library in general, and the Iraqi one in particular, we endeavor to cover this rare part of the critical studies through this thesis entitled ( Autobiographical Novel in the Iraqi Modern Art).This these has come in three chapters preceded by an introduction and followed by a conclusion.As to the theoretical preliminary chapter, the researcher intends to shed light on a briefed historical account about presence and decline of identity in the Iraqi art. Then, researcher focuses on the problematic concept of an Autobiographical Novel including its limits, its idiom and its conceptual construction through which we are up to answer the question : "What's it? Following that, we go to answer the problem of justification, "why?".Researcher, at the end of the preliminary chapter, set methodology on which "coincidence of horizons" will be guided. This concept is consisted from : composer, narrator and character. This, definitely, could shape a quality identity, narrative construction and story implications. This opens doors wide to practical part of study which is of three chapters. The first chapter is entitled " a qualitative horizon : author - reader". In this chapter, the researcher is after answering question of "a qualitative identity infused in Autobiographical Novel and its evidence" through solidarity between an author - reader, on one hand, and investigation and imagination, on the other hand to approach identity infused in Autobiographical Novel . However, ambiguity is not within the topic of novel/biography, but within the topic of imagination/investigation, disclosing illusion that links novel to imagination and investigation to Autobiographical Novel . Also, there is no objection to entry of imagination in non - literary works, and no objection as well to inclusion of investigation in novels. This chapter section are considered as evidence of the hypothesis of infused identity.In the second chapter "constructive horizon : author/narrator", the researcher answers the question about characteristics of Autobiographical Novel and its superiority as far as possible internally from other types of fiction. It is composed within the question "how?" after bringing "author - narrator - narrated to - reader" together in the narrative scheme. The answer will be determined through " author - narrator" of their relation to the story "text - the constructed" and narration, base on the two narrators : Tzvitan Todorov and Gerard Genet.The last chapter, third one, entitled "semantic horizon : author - hero", a semantic question in Autobiographical Novel . This would not be recognized through searching for a set of topics form semantics for fear of the subject might be drawn to defects weaken this study. However, this could be achieved through on the topic dominating an Autobiographical Novel of the hero - author which is deemed to be a semantic requirement specifically in the Iraqi Autobiographical Novel . "Melancholic Autobiographical Novel " is eventually the study focus which is created by the hero. Following sorting of its characteristics in the Autobiographical Novel , it's time to mention formation of melancholic Autobiographical Novel , causes of its formation, shedding light on dimensions of a melancholic hero and a model recitation for melancholic Autobiographical Novel .
1 ... 405 406 407 408 409 ... 697