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جدلية العلاقة بين البنية الوظيفية والبنية الجمالية في التصميم الداخلي The Dialectical of the relationship between the Functional structure and the Aesthetic structure in the Interior Design

اسم المؤلف: بدرية محمد حسن الحاج فرج
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الداخلي
الدرجة: دكتوراه
اللغة: العربية
السنة: 2003
مكان الجامعة: بغداد
الصفحات الاولى:

البعد الجمالي في التكوينات الابداعية للخط العربي Aesthetic Dimension In Linear Formations Creative Calligraphy

اسم المؤلف: كريم سالم الساعدي
اسم المشرف: جواد عبد الكاظم فرحان الزيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخط والزخرفة
الدرجة: دكتوراه
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: تعد مسالة الابداع والابتكار واحدة من اهم المسائل التي تشغل الانسانية في شتى مجالات المعارف والعلوم والفنون، فالابداع سمة العصر الحديث والطريق نحو النمو والرقي الحضاري، ولا يستثنى اي حقل معرفي او جمالي من الانشغال في قضية الابداع والابتكار فهما وسيلة التا | The issue of creativity and innovation is one of the most important issues of concern to humanity in various fields, Creativity characteristic of the times and the road towards progress and prosperity.To Aisttny any field of cognitive or aesthetic preoccupation with this issue, they are the means of meditation deep problems in order to develop solutions to the original and suitable.In Arabic calligraphy, which still indicates many of the questions and give a lot of fields of research is the study of dimensions of creativity is very important to deepen in the region to focus on the aesthetic and artistic objectives.When not studied this issue extensively, has directed the researcher to study through the four seasons, wondering in his first season for dimensional aesthetic that is available by formations linear, and attributes its transformation into a formality creative new leaves the context of traditional and maintains the rules discreet Arabic calligraphy.In the theoretical framework have addressed researcher in three sections to the concept of linear creative formations, as well as the characteristics of the formal and aesthetic and semantic configurable linear, and the effectiveness of Marja receive text language as a springboard aesthetic creative founder of the degree zero aesthetic in modern linear configuration.This included the third chapter action research to analyze the models selected sample and the approval of the orientations of the search, the according to a set of pillars appropriate to achieve the objectives of the research, and seal search a bid for the results showed the contribution of infrastructure design and processing of the contents of the text, and overlapping techniques races other technical in the incorporation of the dimensions of the aesthetic and creative in the configuration linear , as demonstrated by the conclusions of the possibility of achieving the objectives set for the search through the system prepared by the researcher and down to develop a set of recommendations and proposals.
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الانفتاح العلامي في الفن المفاهيمي The Symbolic Openness In The Conceptual Art

اسم المؤلف: سامرة فاضل محمد علي
اسم المشرف: مكي عمران راجي الخفاجي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: عني البحث الحالي بدراسة ( الانفتاح العلامي في الفن المفاهيمي ) ويقع في اربعة فصول، خصص الفصل الاول لبيان مشكلة البحث واهميته والحاجة اليه، وهدفه، وحدوده، وتحديد اهم المصطلحات الواردة فيه. وقد تركزت مشكلة البحث على الطبيعة التاويلية للعلامة في ال | This research paper is interested in studying (the symbolic openness in the conceptual art) and consists of four chapters. The first chapter is about the research problem, importance, goal, limits and identifying the most important expressions. The research problem is focused on the interpretation nature of a symbol in the conceptual art in all its expressions resulted by the changes of the world after modernity including the social, politic, economic, and cultural pressures which affect negatively on the level of vision, acceptance and sense. This is guaranteed due to the relation between the art and the modern development which include all human durations across history to be in cope with this change. So the artist is obliged to be more courageous and spontaneous in expressing himself and thoughts to cross the limited lines for the traditional painting to present conceptual artistic works that are not restricted with one artistic style or type to include all exist in nature including the human body, language and consumable items. So the current research's problem is begun through answering the following question, (how can the artist make the recipient as a second author for the artistic script?).The importance of the research is clear because it establishes a critical study to give the searchers, and those who interest in the graphic sides, a chance to be informed about the kinds of the conceptual art including the symbolic openness.The searcher finds this study is so important because there are no previous studies focusing on the symbolic openness in the conceptual art. The searcher also wants to be interested in the basis of this study to fulfill the intended goal which is identifying the symbolic openness in the conceptual art.The subjective research limits include the study of the symbolic openness in the conceptual art in all its branches, elements, time limits (1965 - 2016) and place limits including (USA, UK, Germany, Mexico and France). The important expressions in this research are also clarified.The second chapter is about the theoretical frame and the previous studies which includes four topics : the first topic is about the theories of a symbol in the critical studies. The second is about studying the thoughtful basis of the symbolic openness in arts after modernity. The third is about the conceptual art, the conceptual context and the graphic system. The last is about the indicators. The second chapter ends with the previous studies which are not closed to the current study.The third chapter is about the research procedures including identifying all the samples which is (200 artistic works) and choosing and analyzing only (20 artistic works) intentionally.The fourth chapter includes the results which are : 1 - Achieving the symbolic openness through interaction and conversation and be away from autism and introversion in all research samples.2 - There are many sides of the conceptual art including the language, graphic art, geography and the human body. So it is an art of moved concepts which are effective in the daily life of a human being and his environment.3 - The idea in the conceptual art is the tool which makes the art through its philosophic embodiment. This leads to make an argument which raises questions that make the visual perceiver be in harmony with senses and mental action and the artistic work to obtain the symbols, signs and concepts. Another results are : 1 - The searcher tries to clarify the script origin and its openness to be interpretable to make the recipient (second author) read and understand more meanings and facts as in the research samples. 2 - The recipient is responsible for understanding the artistic work to create new items that help in understanding the work.The research ends with recommendations, suggestions, references and appendixes.
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المثاقفة وتمظهراتها في العرض المسرحي العراقي المعاصر Acculturation And Its Demonstrations In The Iraqi Contemporary Theatrical Performance

اسم المؤلف: علي عبد الحسين عبد الشيباني
اسم المشرف: علي محمد هادي الربيعي
الموضوع العام: الفنون الجميلة
الدرجة: دكتوراه
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: وظفت مفاهيم المثاقفة واجراءاتها العملية في ميادين انسانية كثيرة ومنها الفن المسرحي بوصف المسرح ميدانا لخطاب فني / انساني قائم على عمليات التواصل والتفاعل والتاثر والتاثير بين الامم والثقافات, وبين الذات والاخر على اساس من الشراكة الضمنية, يهدف الى انت | Hired acculturation concepts and procedures of the operation in humanitarian fields and many of them theatrical art as Theatre Square speech technician / inhumane based on communication and interaction, vulnerability and influence among nations and cultures, processes, and between the self and the other on the basis of the implicit partnership, aimed at the production of localized knowledge depends on the existence of an intellectual and artistic elements , went in my intention (ego) to (other). Where they can not conceive of a theatrical presentation does not belong in the process of becoming the Performing to acculturation with other operations, which carries the same deliberate motives, in order to influence the other heading his theatrical discourse, this study aims to monitor the acculturation concepts and mechanisms of functioning as it presents are manifestations which acculturation Which shows in multiple letters of knowledge (historical, literary and artistic), including the theater, especially in the theater, to open doors on jurisprudence and the experiences of the cultural dialogue and the exchange of knowledge - based and interactive communicative stems from acculturation as a truly civilized based on the interaction and communication between different cultures, which means that the play is based on acculturation play with the other is determined mainly through the presence of the tributaries of the play from different cultures, which requires the presence of acculturation theatrical haunted obsession identity and try to consolidate the theatrical phenomenon in the Iraqi theater and the Arab world.This dilemma stems from a researcher at the establishment placed his research is marked (acculturation and their appearance in the contemporary theater of Iraq). The study came in four chapters formulated according to the following conformation : Chapter One : a methodological framework for the study. The researcher of the research problem, related to the phenomenon of acculturation as a given, civilizational, cultural, and scientific and technical give would represent entirely on the nature of the performance and its practical applications in the theater. And for which I got transformations and alterations drastic manner display through the possibility of dialogue and interaction on the intellectual level and formal appearances and their interaction in the aesthetic and semantic markup.Then go researcher to the importance of research, and its objectives, and its borders, determine the terminology, where linguistic definitions and terminology adopted by the terms (acculturation) and (manifestations) depending on the operational definition for both.The second chapter, a theoretical framework, it came with three topics : First topic : Epistemology acculturation. Three axes.The first axis : Prospects and theoretical concepts.The second axis : the types of acculturation (levels - Varieties - mechanisms).The third axis : acculturation under cultural globalization.The second topic : data models of acculturation in a speech literary culture. Specifically in models including : (Trips - Translation - Intersexuality - comparison - Literary criticism).The third topic : theatrical manifestations of acculturation between local and global privacy. It came with double.The first axis : manifestations of acculturation in the world stage.The second axis : manifestations of acculturation in the identity and privacy of rooting in the Arab and Iraqi theater.He concluded the second quarter indicators of the theoretical framework and previous studies, and the most prominent indicators : 1. characterized acculturation theatrical feature correlation theatrical performances, all displayed offset by another offer, within the fabric of quotations and previous assignments and contemporary performances of different directions.2. benefit acculturation theatrical cultural exchange effect between culture and other humanitarian consideration given common heritage of all nations. The third chapter, research procedures, related to an inventory of community search and selection of research sample. Access to research sample that consisted of theater the following analysis : • A play women in the war.• A play Ali Al - ordeiy and rivals.• A play Camp.• A play red carpet. The fourth chapter, it has dealt with the results of the research sample and discuss the analysis, including : - Contributed acculturation operations in most of the presentations to the activation of the intellectual and cultural aspects on the one hand, and self - knowledge and point of reference on the other. - Dealing with cultural globalization as an imported culture, it was a positive feature, making them Meet director with the local culture to be intellectually tunic / new practice, as a show of renewal carries attributes.And then conclusions, and including : - The play with the offsets Cultural lead to the widening of intellectual meaning and significance, and not necessarily lead to the break approved expectation and create an aesthetic distance. Which establishes a mission to an area of interpretation. - The effectiveness of acculturation contribute to the theater to achieve a state of communication between what refers to the width of multiculturalism on the one hand, and between the cultural repertoire receiver on the other. Deepening receiving effective. Then came the recommendations and proposals that emphasized the importance of the effectiveness of acculturation in the play and the need to expand work out and study them systematically. Then concluded Find a list of references in Arabic and translated sources, foreign sources, as well as a summary of the search in English
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جماليات الخطاب النسوي في فنون ما بعد الحداثة The Aesthetics Of Feminist Discourse In The Arts Of Postmodernism

اسم المؤلف: فرح علي عبد الرزاق الدليمي
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: عني هذا البحث بدراسة ( جماليات الخطاب النسوي في فنون ما بعد الحداثة) وهو يقع في اربعة فصول الاول لبيان مشكلة البحث، واهميته، والحاجة اليه، وهدفه، وتحديد اهم المصطلحات الواردة فيه، وقد انطوت مشكلة البحث الحالي على الكشف على ان ما شهده العالم الغربي من | Focus this research to study ( The aesthetics of the annual speech in the arts of postmodernism ) is situated in the four chapters of the statement of the research problem, and the importance of, and need for, and purpose, and to identify the most important terms contained therein, have involved the problem of current research to reveal that what the western world has witnessed the a change in the concepts and transformations of intellectual and what happened from the rapid changes has had a clear impact in bringing about changes in the various structures and as a result of those big changes that affected the cultural, literary and cash by engaging in systems as well as cultural, literary and artistic on the other hand engage in systems, it promotes the emergence of new types of literature including feminist who was an anti - hegemony of art and literature male has adopted the theses of feminist criticism pivotal link antithesis between accomplished male dominance and the accomplished feminist and a weak presence on an area of research literature, and the theses postmodern fertile area from which the feminist movement demands, general women and actresses in particular I have proven that every woman is able to achieve the same in the works of art and literature and in line with the philosophical and intellectual propositions of postmodernism.Hence the problem of current research originated through the following questions : - What is the role played by data feminist discourse in the art of post - modernism? - How did the contemporary visual artists, may file accomplishing visually crystallizes feminist speech from an aesthetic perspective holds insights and theses culture feminism? The importance of searching through explanation for literary and monetary concepts contemporary have a close relationship with art feminist masculinity and femininity, and the feminine and feminist and women's notions of parental (Patriarchate) and gender and its relation to the ideas of postmodernism, and represents an attempt to shed light on the nature of the relationship between the aesthetics of feminist discourse and the products of post - modernism, according to interested professionals through access to the findings and conclusions, it has found a researcher that there is an urgent need for this study is the fact that the subject has not been studied previously within the area effective for the products of arts postmodernism, as well as this study the concentration of matter on the contemporary visual artists and knowledge her methods performing and her creative achievements which has been absent for several decades.The aim of this research to know the aesthetics of feminist discourse in the arts of postmodernism was limited research on how long the time period of (1951 - 2016) and of studying the feminist productions for artists postmodern and executed with different materials at different ores in streams (abstract expressionism, pop art, visual art , graffiti art, conceptual art, art synthesis, new expressionism, digital art).The second chapter (theoretical framework) guarantees the three sections, first topic focus to the concept of post - modernism and the arguments of Netasheh and Freud, structural and some concepts that diffusion structuralism, deconstruction and the proposals of Jacques Derrida and Michel Foucault, and a speech after the buzzards and globalization, and a letter of postmodernism and the culture of consumption, while focus second topic entrance into feminism and feminist literature and criticism feminist, language and given the female of the text, while the third section rotation arts postmodern and implications of feminist discourse in streams (abstract expressionism, pop art, visual art, graffiti art, conceptual art, art synthesis new expressionism, digital art).Chapter three has included action research, the researcher reviewed the research community and appointed by the style selected.The fourth chapter focus on results search results and conclusions, summarized the researcher to a range of outcomes, including : 1. Feminist discourse depends on the products of postmodernism on data aesthetic transformation and stylistic and technical as well as formulations structural forms of intellectual and contents and their contents, which appeared in the second half of the twentieth century, has shown the emergence of post - modernism, according to the visions of intellectual feminist adopt a new attitude to express contemporary problems of women, as in the research sample models.2. Gaining visual artists experiments in post - modernism, the dimensions of functioning merge with the experiences of contemporary plastic artists, but up to focus on the necessities of research on the technical trend on the one hand the aesthetic and the inevitability of a departure from the prevailing traditional patterns on the other hand, as in the research sample models.3. The theme of alienation in the products of human visual artists, the investment pattern overlap between the conscious and unconscious, and between reason and emotion, a choice of intellectual touches the essence of the idea of self and carry meanings and connotations, as in most of the research sample models.The researcher has reached a number of conclusions, including : 1. Aesthetics feminist discourse in the arts contributed postmodern elevating of philosophy initiated no mind and the adoption of individual categories and chance and blow up the idea of art through the presence of the idea of demolition and dismantling of the bonds aesthetic realities.2. Uniformity intellectual formulations for aesthetics feminist discourse in the arts of postmodern philosophies with frameworks postmodern theses and feminist criticism, as well as other contemporary monetary concepts that have had an active role in deepening the critical reading and calendar visual feminist done.3. Interpret the visual landscape of the products of feminist art, aesthetically, as manifestation Layout hermeneutical reading and analysis, especially where infrastructure is enhanced mental scene assignments of symbolic probe form actually modulated semantic from the signifier and the signified. The researcher considers a series of recommendations including : 1. Interest in academic studies that specializes in visual themes of feminist art and that the lack of the existing ones in the scientific field, the big and important in the definition of this art with data and types.2. The establishment of cultural institutions and the houses of the Arab local publishing translated foreign sources dealing with plastic feminist art experiences in the world, the lack of such sources in specialized scientific libraries.3. The establishment of plastic arts exhibitions and annual festivals and events and periodic conferences, dealing with plastic feminist art, and the definition of the methods and insights, methods and propositions own visual artists.The researcher proposed the following headings study : 1. Aesthetics feminist discourse in modern art.2. Feminist discourse and representations in products of contemporary Arab art.3. The aesthetics of the image in contemporary feminist art
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جماليات التقنيات الرقمية في تشكيل العرض المسرحي العالمي Aestheticism Of Digital Techniques In The Formation Of The International Theatrical Performance

اسم المؤلف: محمد كاظم هاشم الشمري
اسم المشرف: محمد حسين محمد حبيب
الموضوع العام: الفنون الجميلة
الدرجة: دكتوراه
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: تتكون التقنية الرقمية من الاجهزة والوسائل والمعدات التي تعمل بالنظام الثنائي اي نظام التشفير الذي يتكون من ( 0 , 1 ) ويعد الحاسوب التقنية الرئيسة التي تتفرع منها العديد من التقنيات والاجهزة الرقمية التي تخص العرض المسرحي كاجهزة الاسقاط الضوئي او اجهزة الم | The digital technique consists of the apparatus, tools and means that work in the dual system, i.e., encoding system which is composed of (0 , 1). The computer is considered the main technique which is subdivided into various digital techniques and tools that are related to the theatrical performance such as the apparatus of light focusing or the apparatus of sound and image processing. These techniques have gained aesthetic and creative value through their use as an important technique that plays role in the theatrical performance. These techniques have given the theatrical director vast space in varying his hypotheses and choices via specifying the dramatic environment of the events; they also help in creating new means and forms which have had an important role in establishing the philosophical dimensions of the theatrical director. The letter has four chapters : The first (the problem) is the following inquiry : What aesthetics can be achieved by digital techniques in the world theater? The chapter also includes (importance) by focusing on the importance of digital techniques in theatrical performance. The chapter also includes (Objective) an illustration of the aesthetics of digital technologies in the world theater. This chapter, which is temporarily restricted to the period 2005 - 2015, includes space for international theatrical performances, including foreign, Arabic and Iraqi performances, and an objective study of digital techniques in directing theater performances. The chapter ends with linguistic terms and definitions, both in terms of terminology and procedure. The second chapter, the theoretical framework and previous studies, included three sections : First : digital art; trends and views. And the second : digital technical devices and mechanisms of its work in contemporary theater. The third is the aesthetics of digital technologies. The chapter ends with a discussion of previous studies and indicators coming from the theoretical framework. The third chapter, the procedures, includes the society of the research and the samples which have been chosen intentionally depending on the indicators of the theoretical framework being a tool to analyze in a descriptive, analytical method. Then five performances including (foreign, Arabic and Iraqi). The fourth chapter involves discussing the results, the conclusions, the recommendations, and the suggestions. The chapter ends with the bibliography, the appendices and an abstract in English.
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تكنيك ميسنر ومقارباته في اداء الممثل المسرحي العراقي Meisner Technique And Its Approaches In The Performance Of The Iraqi Theatre Actor

اسم المؤلف: سرمد سليم عباس حسن
اسم المشرف: محمد فضيل شناوة عقيل جعفر مسلم
الموضوع العام: الفنون الجميلة
الدرجة: دكتوراه
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: تعد تكنيك ( ميسنر ) لاداء الممثل من الاطروحات المعاصرة في مجال فن التمثيل المسرحي, ومن هنا عنيت الدراسة في البحث الحالي بمقاربات هذه التكنيك في اداء الممثل المسرحي العراقي, اذ جاءت في اربعة فصول. تناول الفصل الاول الاطار المنهجي للبحث, اذ ضم مشكلة البحث | Meisner technique of the actor's performance is one of the contemporary subjects in the field of theoretical acting. Hence, this study deals with the approaches of this technique in the performance of the Iraqi theatre actor. This study is divided into four chapters. The first chapter deals with the methodological framework of the study which is identified by the following question : What is the Meisner technique? And what are its approaches in the performance of the Iraqi theatre actor? The importance of the research lies in studying Meisner technique and its approaches in the performance of the Iraqi theatre actor and it is needed because of the following : 1. It is useful for those who are specialized in theatre acting to develop their skills on stage. 2. This study can be described as one of the studies that participate in developing the capacity of theatre actors. The objective of the research is identified by defining Meisner technique and its approaches in the performance of the Iraqi theatre actor. Furthermore, this chapter includes the research limits (place : Iraq Baghdad national theatre / time : 2009 - 2015) and the objective limit of the Meisner technique and its approaches in the performance of Iraqi theatre actor. This chapter is concluded by identification and definition of terminology. The second chapter tackles the theoretical framework and previous studies. It contains three topics : the first topic studies the philosophical and technical starting points of Meisner technique. The second topic studies Meisner technique (mechanism and engagement), while the third topic tackles the applications of Meisner technique in the international and Arab theatre. Finally, this chapter is concluded with indicators resulting from theoretical framework, and then previous studies. The third chapter contains the research procedures. It includes the research community consisting of 38 plays containing approaches to Iraqi theatre actors from Meisner technique. It also contains the research sample which consists of (5 plays). These plays, which are intentionally selected by the researcher as they represent the research community, are : Al - Iskafi, Al - Waqiaa Street, Nashaz, Summer rain, and Mannisama. However, the researcher depends on the descriptive (analytical) approach to meet the objective of the research. The researcher also uses the notes form as a main tool to analyze the sample depending on references and literature, as well as indicators that resulted from the theoretical framework as analytical standards, and then the sample analysis. The fourth chapter tackles the results and findings that are reached and discussed by the researcher, including : The play (Al - Iskafi)The most obvious result of this play is that the representation in this play is far from any role of personal memory in the performance of the role of the theater, it did not have an investment in the performance of the characters of the theater, and this clear approach to what calls (Meisner) to direct the actor to dispense The Iraqi actor has come very close to achieving this lawsuit without passing the techniques of (Meisner), in terms of which is the technology has provided a systematic way and for the first time to these The problem, however, the Iraqi actor in this presentation did not go through solutions to the impediments of representative performance through the technique of (Meisner) deliberately, but the practical experience of the art of acting led to the realization of the problems and approaches of solutions.Results : 1. Meisner technique has been approached through replacing the emotional memory by the artistic imagination as a source for acting by Iraqi theatre actor, although this situation keeps him away from what's happening on stage.2. Meisner technique has been approached through Iraqi theatre actor's dependence on the immediate experience as a source for acting and not to enhance his spontaneous performance and reactions between him and the other actors on stage. 3. There is no approach for Meisner technique when the actor depends, in the Iraqi theatre show, on his character as a source for actor, without taking into account the imagined theatre conditions, which negatively affected the vitality of the acting performance on stage.This chapter also includes some recommendations and suggestions.The research ended with a list of sources, references, appendices and an abstract in English.
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اثر تحول البنية البلورية لاوكسيد الحديد في زجاج عالي الحرارة The Effect Of Crystal Structure Transformation Of Iron Oxide In A High - Temperature Glaze

اسم المؤلف: علي صلاح فلاح السلطاني
اسم المشرف: تراث امين عباس
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: يعنى هذا البحث بدراسة اثر تحول البنية البلورية لاوكسيد الحديد في زجاج عالي الحرارة , والذي يقع في اربعة فصول , حيث تضمن الفصل الاول عرضا لمشكلة البحث والمحددة بالتساؤل الاتي : ما هي تحولات الاطوار البلورية لاوكسيد الحديد في زجاج عالي الحرارة , والتقنيات ا | This research means to study (The effect of crystal structure transformation of iron oxide in a high - temperature glaze) , it consists of four chapters, the first chapter presentation of the problem and the specific questioning follows, what are the changes the crystalline phases of iron oxide in a high - temperature glaze , and techniques resulting from them? While the research objectives legally set as follows : Define the shift in the crystalline phases of iron oxide in a high - temperature glaze.Define the techniques resulting from these transformations of iron oxide in a high - temperature glaze.The second chapter mean theoretical frame and previous studies, is divided on several axes, where mean first axis study crystalline structure, while the second axis mean studying the crystalline structure of the ceramics, and the third axis mean studying iron oxide red (Fe2O3) properties and crystal structure, and the last axis mean has studied stoneware (stoneware).The third chapter dealt procedures for the search, which was conducted the work of five firing and cooling programs and these programs are, oxidized firing program (OG) reduction firing program (RG) slow cooling oxidized program (SG) the Program of firing crystalline (CG) and the program of firing multilayer glaze oxidized (LG), and in the light of these programs and the results of exploratory experiments were selected a number of mixes glaze according to each burn and cooling program, has been added red iron oxide (Fe2O3) to these mixtures different proportions.The formula unit is to calculate (Formula Unites) using an electronic formula calculation program (Glaze Master) which illustrates the totals for the three oxides values (RO2 - R2O3 - RO, R2O) set the temperature from which the inference coordinates system (Matrix).The researcher also conducted several laboratory tests the chemical Analysis , physical examinations of samples of pottery and clay (Linear Shrinkage, Apparent Porosity) and checking mineral analysis (X.R.D) for mixtures of glaze as well as examine chromatography analysis according to the system (LAB) through the use of a chromatography analysis (Precise Color Reader).The fourth chapter mean displays the results and discuss them the most important conclusions are : 1. Transformations taking place in the crystalline phases of red iron oxide (Fe2O3), resulting from the heat and cooling agents.2. Different atmosphere fire given changes in the crystalline structure of the oxide red iron (Fe2O3) by firing oxidized and reduction programs.3. It gave atmosphere reduction fired best shift of the crystalline structure of the iron oxide red, as the transformation from hexagonal crystal system with a crystallized form of a Rhombohedral system to the crystal cube.4. Proved that the oxidized firning program and slow cooling oxidized and fire the crystal's ability to keep the crystal structure of the iron oxide red in the crystal system is hexagonal shaped crystal Rhombohedra.5. Get the display technical amorphous (Crystalline Glazes) of red iron oxide, using feldspar Potash or soda, without resorting to the use of (Frit).
الصفحات الاولى:

شعرية النصوص المكتوبة لليوم العالمي للمسرح : دراسة ثقافية

اسم المؤلف: انس راهي علي الصالحي
اسم المشرف: عباس محمد ابراهيم التاجر
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: يعد الاعلام من المنظومات المهيمنة على شكل الحياة اليومي والتي تتناغم مع الفرد وتسيطر علية من خلال العلاقة المشتركة والمتبادلة حديثا التي تؤسس لمفهوم اعلامي , وما ياتي ذلك المشترك المتبادل الا من خلال مضمون رسالي , الذي يعد احد العناصر الاتصالية والتي لا ت | Considering the media as one of the systems which dominates on the style of daily life getting along with the individual and it takes control on him through the associated and mutual relation recently leading to the concept of recipient media which that the associated - mutual comes but by means of epistolary signification is one of the communicative elements , not limited to it but there the means which is not only presenting this signification and completing the relation in the presence of the recipient and then the virtual outputs from this process the sender did. This process makes the media on a par with modern critical opinions aim to adopt the communities wholly and the marginalized particularly since it is a reason to be dominant on by comparison with the developed countries or others as being honest image for the positive honest media. This what was coincided with the field of cultural studies which presents in this modern age a combination of the theories and approaches appointing itself to determine and peruse the social styles as well as to show up the culturalism of the identity in this society. It is juxtaposition of perusal of media and its purpose in revealing the daily life , though the usages all agree with that is the media becomes seeking in positive and negative sides.It is worth that theatre would be typical informative and cultural message contributes in exposing facts for society. It is the official document for thespians which is reliable for the researcher is (the written texts of Universal Day of Theatre) that issues every year on 27th of March and the contributor in feeding the theatre as well as the theatrical community what is new for life by the daily performance of one year in order to reveal the importance of the theatre and its political social tenors …etc. From this the researcher adopted three points contributing in evaluation the theatrical scene and emphasis on humanistic progress , promotion of cultural levels in the countries and the marginalized groups for their belonging to the geography of theatrical knowledge. Hence, current research has included four chapters the first chapter on the methodological framework which concerns with the query of research , as follows : * What are the foundations and specifications that cultural studies operate accordingly in the written texts of the International Day of theater through modern media system?. Then the importance of research and the need for it and that came on the research which adopts a subject has not been studied, particularly in the field of theater, and it exists in the search and pursuit of cultural studies and how they are formed in the communities, and also the possibility to benefit from this research in informing scholars of literature and art, criticism and the revolution of modern communication , especially the theatrical art as being more important cultural theme….etc, then the aim of research and transition is to set the terms linguistically, idiomatically and procedurally in the second chapter, which contained the theoretical framework has been divided into four sections are.1. Section I : the media and the means of reception , contemporary cognitive and technological foundations : - (A) the concepts of media and its educational role. (B)the reception of media and understanding of its foundations technologically and culturally.2. The second topic : the intellectual and cognitive references for cultural studies.3. The third topic : the privacy of written texts Universal Day of Theater and their poetical concepts.4. Section IV : the effectiveness of media for written texts in the Universal Day of Theatre and the features of the cultural studies.Then the previous studies and indicators which lead up to the theoretical framework.In the third chapter, the separation of the procedures that researcher adopted on search community consists of (14) theatrical text, and in the samples and their analysis so he has chosen four samples and by method of selection of a regular random sample. in the fourth chapter, the separation of the findings, conclusions , recommendations and suggestions that researcher reached a number of which are of the most important 1. employment of media and its available possibilities for the theatrical / cultural operation that affect on the people and its cultures being a mediator rhetorically toward the other2.The media machine contributed significantly to the cultural developments and continues to find ways of various communication are based on the quickness that time we live is distinguish of. 3.written texts for the International Day of Theater sough o express the underdeveloped / folk / marginalized cultures through investment of media and the concepts which the cultural studies present.4.large developments can take place through the activation of the basic role that the theater acts. And also the awareness of cultural studies and then changing the public opinion toward the right and optimization of human. According to the conclusions the researcher has set 30 conclusions 1. diversity of media and means of audio, visual, readable, and fixed that means diversity of communication and continuity. 2.uses and gratification which constitutes the operation of liberalization of meanings the recipient concludes that is the opportunity has been granted to meet the reception of media 3.The absence of differences and the limitless between / local , international and popular cultures for Kramchi. 4.Universal Day of Theater identifies with other global - day as the Day of Human Rights and Child and Labor Day.5. the selection of the writer of the written text writer for the Universal Day of Theater according to the specifications of the global presence and his humanistic artistic achievements which is more important. 6.written texts of the International Day for the theater sought to remove the borders between cultures and humanistic societies. And then the researcher came up with a set recommendations and suggestions. Praise to be to God The Cherisher and Sustainer of the Worlds
الصفحات الاولى:

الملامح الدرامية وتمثلاتها في منحوتات بلاد النهرين The Dramatic Features Which Are Represented In The Sculptures Of Two Rivers Land

اسم المؤلف: محمد علوان كاظم العتبي
اسم المشرف: عبد الحميد فاضل البياتي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: This study intends for plastic creations which belongs to the civilization for two Rivers Land , and entitled "The dramatic features which are represented in the sculptures of Two Rivers Land ". It is a perusal to the protruding sculptures and the cylindrical stamps in attempt to know the dramatic structure they contained , through which the artist of the Two Rivers established plastic images change by their meanings the oratorical to imitate the human action and its religious , political and social connections by describing them as intellectual concepts, their methodology is the brain of the Two Rivers since the semi - writing age until the decline of modern Babylon, The study included a discussion of the dramatic construction elements and the mechanism of their working in the sculptures with regard to their formal and conceptual symmetries. The study included four chapters, the first chapter contained the methodical frame of the study , starting with the problem ended with the following inquiry : How were the dramatic features represented in the sculptures of Two Rivers Land ? The study is important because it highlights the dimensions of drama a concept by describing them as an aesthetic structure controls in a gestation of Two Rivers Land sculptor, which forms a new perusal to the sculptural texts which belong to that age with its historical sequences. The study also paves the way for larger understanding of Two Rivers culture in its artistic and historical aspects. The purpose of the study summarizes in coming to know the dramatic features represented in the sculptures of Two Rivers Land. The chapter also included the limits of the study represented ( by subject ) in the sculptural , protruding product and the cylindrical stamps , and ( by place ) the Two Rivers Land , and ( by time ) from the semi - writing age till the end of the modern Babylon age. Moreover , the researcher defined the terms of the title of the study used in the theoretical frame and the procedures , when on the other hand , the second chapter included the theoretical frame and the previous studies of the research, for it included three basic studies , the first took an interest in the drama concept and its rise, in which the researcher reviewed a preface about the rise of drama and the elements of the dramatic structure ( the plot, personality , language, the idea and the visualizations ) , in addition to the historical roots of the rise of drama in the plastic arts and their changes through the ages. The second research was entitled " The dramatic features in the thought of the Two Rivers Land " which branches into two axes , the first " The dramatic features in the religious thought ( the beliefs, rites and legends ), the second axis included the dramatic features in the authoritative thought , through which the researcher reviewed the dramatic ceremonies concern the ownership and its religious connections. The title of the third research was " The dramatic features in arts of Two Rivers Land " , which tackled the dramatic works in the plastic arts ( building , sculpture , cylindrical stamps , crockery and the mural ). The third chapter was based on the procedural frame contained the whole study , included the sculptures of the Two Rivers Land ( the protruding and cylindrical stamps ) which come to ( 120 ) samples , regarded as an establishing base to choose the study specimen which comes to ( 20 ) samples , and were choose intentionally according to reasons allowed by the researcher to comply with the study purpose, among them , depending on the texts in which the dramatic features concentrated within their formal and conceptual systems which drive at the realization of the dramatic structure which was contained in the sculptures of the Two Rivers Land. The researcher also depended on the cognitive indicators which were revealed by the theoretical frame as an instrument for research , but the research methodology is the ( descriptive, analytic ) as the followed methodology in the artistic and aesthetic studies followed by analyzing samples of the study specimen. The fourth chapter was a review of the most important results which were reached by the researcher after analyzing the sculptural samples represented the study specimen , the most important among them was : The dramatic features become clear in the sculptural texts through treating the dramatic structure elements by the artist. The researcher reviewed the approaches of those elements and the mechanism of their working in the samples mentioned in the analysis and the dramatic action rise in the specimen samples through the concept of ( the struggle ) which materializes in the sculptural views according to the action structure and its subject, where it reflects the human behavior structure and the wills contradiction in the content of the dramatic performance and in the light of those results , the researcher reaches several deductions , the most important among them are : the Two Rivers Land artist had a large capacity in observing and comprehension the reality and in imitation it , in addition to his awareness to his awareness to the intellectual changes through the history of that civilization , therefore , the sculptural works came to embody the cultural scene and its development in every age , followed by recommendations which the researcher thinks can serve and develop the artistic production movement in Iraq, then the researcher offer some suggestions to continue what he has started according to what he has raised of topics in the tour of his study. Finally , the researcher put the sources and the references which contributed in the theoretical establishment of the study and what followed it , in analyzing of the study specimen , then he put the appendixes which contained the illustrative tables regarding to the subject of the study , until the study is concluded by an abstract in English language.
الصفحات الاولى:

جماليات المنحوتات الخزفية في العصر السلجوقي

اسم المؤلف: ميساء سليم عبد الواحد الخفاجي
اسم المشرف: محمود عجمي جاسم الكلابي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: يعنى هذا البحث بدراسة جماليات المنحوتات الخزفية في العصر الاسلامي السلجوقي، والذي يقع في اربعة فصول : تضمن الفصل الاول عرضا لمشكلة البحث والمحددة بالتساؤلين الاتيين : هل شكل العصر الاسلامي السلجوقي ظاهرة في الطرح لما انجز من المنحوتات الخزفية، بحكم م
الصفحات الاولى:

ما بعد الحداثة وانعكاساتها في سينوغرافيا العرض المسرحي العراقي Postmodernism And Anekasthe In Scenography Supply Iraqi The

اسم المؤلف: فيصل علي شرين الدوسكي
الجامعة: جامعة بغداد
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
الدرجة: دكتوراه
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: يعد فن المسرح من الظواهر الحضارية الانسانية، اذ يوصف بالتطور على مستوى وجود الانسان بمستواة التاريخي، ويعد قديما على مستوى ظهور الحضارات الكبرى كما هو حال حضارة وادي الرافدين، ووادي النيل، والحضارة الاغريقية...الخ.ويمكن لقاريء تاريخ المسرح ان يلتمس ت | The art of the theater phenomena of human civilization , as described evolution at the level of the existence of the historical rights to its level , and is out of date at the level of the emergence of great civilizations , as is the case with the civilization of Mesopotamia and the Nile Valley and the Greek civilization... etc..A reader theater history to seek the development of the theater with Greek civilization and Romania to disclose material and references and institutions with beginnings and growth , which differed in which researchers , but what can we adopt in this thesis is what constitutes the structure PRESENTATION formal and dynamic game play as the development of methods Manifesting dazzling accompanied this growth of civilization , which can be described as the growth of tissue adopted all the knowledge available in the neighborhoods of the investment game play , including the science of optics and physical blocks and the lighting and colors and different... etc. Alaihamat of Science neighboring possible to utilize them in a product of game play.This as well as the evolution and transformation of aesthetically pleasing as a result of shifts in the structure of consciousness itself , and appointed to the nature of beauty and the beautiful , including changes to the historical level of movements and technical approaches , which as the variable information on the level of art history , or philosophy of art history , and is the idea of post - modernism , and their productions of the most important aspects of development and transformation in the taste of the Assembly, which swept the arts and literature , and all the creative structures of human civilization , including the art of theater that has been affected by and produced what we might call postmodern theater , which skips steps intellectually and technically.One manifestation of the modern theater transformation broad scenography theater , which was adopted approaches and trends of modernity , starting from Impressionist and passing Baltkaaabah and symbolic and Dadaism and the end Balsraalah , but that theater modernism influenced by the art of assembly and installation , which is one of the arts postmodern At the time of modernity itself and it is normal because the interval between modernity and Beyond separator default, can not be entirely watershed where things are a lot of overlap.The postmodern art , particularly theater , has achieved the outcomes of the task can be half to proceed with actors , which will reveal the institutions of post - modernism itself , and these outcomes with regard to the art of body art of the earth , and Video, and digital art , and these trends that form the structure of post - modernism , and found its place fertile in the art of theater in its system design.The Iraqi theater of theaters in bold and call variables which surprised theaters in the neighboring countries and the manifestations of this is what we find in the daring design creations , especially theater scenography of postmodernism.The researcher found that this trend did not take his scientific position and described dimension for analysis and exploration and drilling flour , despite the importance of the subject and seriousness because a shift in the overall environment for viewing theater , directed towards the form that builds scenography theater as an important center and active in PRESENTATION , which shows the importance of this research and the need for him as well as the goals and limitations cited by the researcher in the first chapter of this thesis and after the completion of the researcher to this chapter represented a systematic framework for the search , and then the definition of terms , the frame of mind of knowledge ( theory) is built on the following according to the detective.To enable the researcher of the mechanism of scientific research the exact terms founded and bases to reveal the secrets of this organization and to realize the verdicts Almazmrh and which was governed by a set of structures and cultural patterns , social, economic and even psychological linked Bmarjaaat doctrinal through First research of the second quarter , which was under the title ( the philosophy of modernity onwards ) of this section has been detected philosophy of modernity and their references and their origins and transformations to the postmodern.The second section devoted to ( artistic forms of art postmodern ) because the subject of modernity and beyond is the fabric represents all aspects of civilization kinds Mstdeih inclusiveness and interaction of all aspects of culture change that was philosophically and politically or scientifically or technically , and calls for change and openness to the new.The third section ( Alcinogravea and a mechanism to engage in postmodern theater ) reveals that the correlation between design and architectural Alcinogravea stage and the mechanism of performance and technology that have subscribed to a set of elements and mechanisms that shape the visual presentation of the playwright. Reading is the new scenography in postmodern theater allows for the recipient that explains the artwork in his own way , but re - formed , and according to his reading on what he sees and diversity of stylistic trends of the scenography depending on the variety of trends and styles in the era of post - modernism.After he finished his research researcher kits through detective theoretical , intellectual and technical moved to the third quarter , which represents action research as beginning with his community and his research samples and method , and the method of sampling Mentahja intentionality of the total samples of the title in question and the justification for the selection of samples.Finally, it was the fourth quarter , representing the results and conclusions reached by scientific research which has important consequences on the theoretical level analytical and exploratory and finally the level of future default.The researcher presented at the end of his research recommendations was for supplements that include interviews and research provided by the professors thought and literature, theater and the creators of the design at the College of Fine Arts Mtfdilan thankfully they are both professors Prof. Dr. Fadil (Sami Abdul - Hamid ) , Dr Fadil ( Fadel Khalil ) Dr Fadil ( Salah reeds ) , Dr Fadil ( Abbas Ali Jaafar ) Dr Fadil ( star Haider ) , Dr Fadil ( Hussein Altk ) , Dr Fadil ( Mohammed Abdel - Rahman al - Jubouri ) , Dr Fadil ( Aqeel Muslim).Finally, like the researcher a statement that art ( scenography ) postmodernism in the Iraqi theater is an art recently has been associated with the renaissance of the theater , after the arrival of creative artists from Europe , including the artist ( Kadhim Haydar ) and artist (Sami Abdel Hamid) and artist (Ibrahim Jalal ) and artist ( Fadel Khalil ) and artist ( Salah reeds ), which is an inexact art and composite difficult to interact with it and achieve results , making its employees do not complete the fingers stop per numbering they Mtfaalon in the level of their offspring quantitative and qualitative , and many of the constraints facing the working art Alcingravea , including constraints and objective thought , because theater postmodern disregards the form and terms of reference or foundations or private art techniques , each work has its style and its terms of reference and ideas that are different from the other work
الصفحات الاولى:

جماليات توظيف برامجيات الحاسوب في سينوغرافيا العرض المسرحي The Aesthetics of Employing Computer Softwares In The Scenography of Theatrical Show

اسم المؤلف: راوية جبار حسن
الجامعة: جامعة بغداد
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: ان المسرح يعد حصيلة لتكامل النص مع الاداء الصوتي والحركي للممثلين ومدى انصهارهم مع المنظر والاضاءة والازياء، وهنا تظهر امكانية استخدام برامج الحاسوب في جزء من المنظر والمؤثرات الصوتية والضوئية وباستخدام تكنولوجيا العرض هذه مع بعض برامج الحاسوب مثل ( 3D G | The theater is considered as a product of text integration with voice and kinetic expression of the actors and their interaction with the scenery, lighting and costumes. Hence, we can find a possibility of using a computer in a part of the scene, sound and lightening effects. Using display technology by some computer programs such as (3D Graphics) and (Virtual Reality) can configure the sense of depth and different views that commensurate with the desired show. It is also characterized by dynamic capabilities which are not available in the traditional decor based methods. For example, dynamics allow making a change on the display elements with taking advantage of other video presentations to be an integral part of the background. The actual or real effects are to invest the non - final maximum energies for the PC in the creation of artwork tools and symbols, reproducing voice and image so that it its impact on viewers (sometimes) would exceeds the reality and beyond sometimes. The actual effectsoffer its tools to the computer user; would make it dive into an experience that is so close to reality. So the researcher has divided her research into four chapters : Chapter I - Research methodological framework : it includes the research problem, its importance, the need to it, its goals and limits. It ends with defining the following terms : (beauty, employment, software, computer, theatricalscene) Chapter II - it contains a theoretical framework for the research and previous studies, including four sections : First : the aesthetics of modern experiments in the formation of the scene. Second : technology and experimental trends.Third : the aesthetics of design by the computer (Digital Arts). Fourth : lighting devices used in modern theater. Finally, this chapter shows the indications that the theoretical framework ended up with.Chapter III : it includes the research procedures which the whole research was consisted of. It is limited to the Iraqi and Arabic theatrical performances. The samples of the research on the other hand were deliberately chosen by the researcher and for the following rationales : 1. The samples represent the research problem, its importance and its objectives. 2. The extent of disparity between the theatrical directors which the researcher has highlighted their scenes on a play that was embodied by their theatrical shows. 3. Archival sources of theater shows provide the sample of the research. Regarding the research methodology, the researcher has adopted the analytical approach in the presentation of theoretical framework, also adopted the descriptive approach in the presentation of samples brought by the whole research.As for the research tool, the researcher relied on the indicators that resulted from the theoretical framework.The research samples are : 1. Adding Machine directed by (Ronald Wells)2. theatrical play (Play) directed by (Lance Jarafa)3. The use of technology in the play of (Othello) directed by (Salah Qasab).Chapter IV has included research results and conclusions, then the list of resources and supplements. Finally, it ends with an English abstract.
الصفحات الاولى:

نظريات الاتصال الحديثة واسقاطاتها الفكرية على المنتج الصناعي The Modern Communication Heories And Their Intellectual Impact On The Industrial Product

اسم المؤلف: جاسم احمد زيدان
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: Industrial design is regarded as an intellectual and cognitive product that is developed with accordance to the analytical awareness of man interpreting accordingly the external existence with the means of senses which human and other creature have. The senses are the window overlooking the external world and the environment. The form the beginning of mediation and observance and concentration and the formation of depictions which work according to the innovative imagining.Therefore the industrial design is regarded as one of the important pivots of the fine arts. These pivots revolve around the bases of how to convey meaning or the design of the idea to the users or the receivers in the clarity with hindrance to the understanding.The language of visual communication which scientific ad practical bases are formed according to the modern theories of communication. It is the language of modern communication of signs and relations are connected together. The modern theories of communication have offered developed system of communication to the user. But these face the problem of awareness and culture in the confrontation of the developed industrial products (multi - purpose digital devices) as means of communication in finding utilities.Upon the above, the researcher preferred to found the problem of his study through revealing the reflections which are formedby the modern theories of communication on the industrial product of the electronic device (Smart TV, Smart Camera, interactive board, Tablet PC, Smart phone).The study aims at the following : 1 - Investigating the modern theories of communication ad their intellectual impacts on the industrial product.2 - Analysis of sample of modern industrial products to know the effect the modern theories of communication in the development of product.In order to verify these objectives, the researcher founded a theoretical framework that tackles the philosophical backdrops to knowledge and communication and put the following (3) inquiries : First inquiry : The relationship between sensual visual realization and communication.Second inquiry : the modern theories of communication and their application fields.Third inquiry : the aesthetic thinking and its relations to the theories of communication and their impact on the industrial product.The researcher comes up with a number of indications which resulted from the theatrical framework depending I the design of the instrument which is the content analysis form of the industrial product specified in the sample.In order to determine the modern theories of communication that could be concord with the samples of the study, the researcher made a survey of the opinions of the experts in these theories. They referred to him to the theories of (McLuhan - Diffusion and innovation - selective effect - developmental technology).The research community was confined in the products of Samsung ad Sony institutions. The researcher chose a sample of (5) products after consulting the experts in the field of industrial design. The, these samples were analyzed according to the analysis form prepared for that purpose, which was subjected to the validity coefficient test by exposing them to the group of experts.Based on the analysis conducted for the sample, the researcher came up with a number of findings : 1) The structure of the sample was characterized by an apparent functional value and utilization which the user can touch and enjoy in their aesthetic function.2) The sample was characterized by digital products with aesthetic value especially in relation to the outside form of these products which contain attractive points emerging from the utilizing features for every type. This created a form of power in the taste.3) There is a clear reflection of the modern theories of communication on the functions of the industrial productsof sample in the functional and utilizing ad aesthetic aspects.The most important findings are the following : Upon these conclusions the researcher made a number of recommendations which are :
الصفحات الاولى:

نظرية الحل الابتكاري TRIZ وانعكاساتها في التصميم الصناعي Theory of Inventive Solution (TRIZ) And Their Repercussions In Industrial Design

اسم المؤلف: محمد علي حسين القيسي
اسم المشرف: قدوري عراك صكر
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: The importance of the research is the importance of the theory of (TRIZ), which are based on the scientific method resulting from the analysis of the content of more than two million patents, founder of (TRIZ) was Genrich Altshuller, it assumed that the principles of general creative form the basis of the output of creative and that these principles can be identified and transferred to others to make the innovation process more amenable to learn. It recognize as the most important theory of the task, as adopted in more than (50) major international companies, including Company (Boeing for the aircraft industry and Toyota Motor).To summarize the research's problem, there is no publication of TRIZ theory concerning industrial design, the goal of the research is to characterize and employ a matrix of contradictions for the purpose of contradictions matrix Created especially to industrial design. The search Limit to traditional TRIZ theory (1973), which includes a matrix of contradictions, which contain in its composition, the forty principles and the 39 engineering standards as objectives limits, the research contain its theoretical framework of four sections, the first section dealt with the creativity and its theatrical concepts. This has been confirmed that the creativity and innovation cannot be taught or trained or acquisition, as well as the concept of creativity after the first quarter of the last century which showed that creativity could be educated and transformed.The second part of the research explain TRIZ theory and nine of their instruments, The tool matrix contradictions have been allotted for the Study of particular axis as the basis for the study.The third section has dealt with the contradictions and i matrix Included on the study of the concept of contradictions besides reviewed the (39) engineering standards and forty principles, the fourth section studied eight previous TRIZ's studies.The most important findings of the study was achieved the contradictions matrix model of industrial design, which Includes on (20) engineering standards and (40) principle. These principles characterized of the examples used to explain them was new which is taken from the field of industrial design and pro
الصفحات الاولى:

التمثلات الفلسفية للحداثة في خطاب السينماتوغراف Representations Philosophy of Modernity In The Structure of Assets Cinematograph Speech

اسم المؤلف: ماجد عبود الربيعي
الجامعة: جامعة بغداد
اسم المشرف: محمود اكباشي خلف الزبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: Form engaging in philosophical modernist structure speech Alcinmaturav phenomenon articulated it and the latest irregularities unprecedented make it produces or generates a logic of its own and in order to examine this Alachtgalat This study tagged ( representations of philosophical modernity in a speech Alcinmaturav ) which are arranged through the chapters four came first in which the title frame systematic and included a research problem and its importance and its goals and limits of the most prominent and the terms contained in its title as well as the paragraph previous studies. While the second quarter and marked the theoretical framework on four key sections as follows : First research \ entrance to process philosophy historically , functioning Alcinmatugrave.The second topic \ philosophical trends and strategy in assimilation.The third topic \ modernity ( the project and assimilation Alcinmatugrave.The fourth topic \ representations philosophy of modernity in the structure of assets Alcinmaturav speech.The researcher reviewed the first section of the panorama of historical experienced by the philosophy through the ages , pointing to the most prominent names of the task and milestones witnessed by philosophical thought , while touched second section of the most important trends philosophical shining four trends are ( pragmatism and existentialism and Marxism and idealism ) and noting some of the Achtgaladtha and Tmtheladtha Alcinmaturav in the structure of speech , and singled out the third section of the contest in the term and concept of modernity and its most prominent thinkers of the Enlightenment and in the film Achtgaladtha Alcinmatugrave money while the fourth section to the practical applications of philosophical representations of modernity in the structure of the elements of audio and visual components of speech Alcinmatugrave.Through review of the most prominent theoretical perspectives and institutions Alalstamologih constituents thought the philosophies of modernity researcher unearthed a number of indicators conclusion theory for the second semester and adopted as one of the research tools and a standard measure by the elected Qsidia research specimens.The third chapter , entitled action research has consisted of research methodology used and the research community , and specimens marked by models film following ( The Last Samurai , The Devil's Advocate , Mr. Nobody , Homes in that alley, an avatar ), which cited a researcher some justification for some reason selected , and also contained this chapter the search tool and the unit of analysis as well as samples paragraph film , which relied on what Achtgah researcher of the standard indicators of research theoretical framework after obtaining the approval of the Committee of Experts and Mahknyn it.The fourth and final chapter has been included on most final results derived from the analysis of the samples of the five film and that was the most prominent : 1 - The statements and perceptions problem of philosophical thought Batjahath four ( pragmatism , existentialism , Marxism , idealism ) and Tmtheladtha in the structure of speech Alcinmaturav remain in character and descriptive abstract , and remain within this space even linked to the content is appointed in life or art , and then reflected across assets or elements pampering filming to produce a concept or connotation.2 - show that modernity has Mthaana irregularities within the drift has specific knowledge of their requirements and the logical and technical reflected in the building and the Metn Gaii speech Alcinmaturav unconditionally college , but his being in positions Mtaana it ( footage , scenes , parts, chapters.... etc. ).3 - to remain philosophical representations that the receiver always seek effective and positive for the acquisition of meaning and understanding of the significance , and that the psychological needs of the recipients constantly intervene to read or identify those representations , and Lighting essence through the structure of the assets of the synthetic speech Alcinmaturav.It also included a chapter on conclusions Achtgaha researcher of search results and recommendations as it deems necessary , as well as suggestions for future studies of the suffix with the thrust of this study In conclusion cited researcher list of sources and scientific references adopted in consideration and some supplements and abstract in English.
الصفحات الاولى:

التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية Conceptual Transformation In The Structure of The Ornamentation Islamic Architecture

اسم المؤلف: وسام كامل عبد الامير
اسم المشرف: جواد عبد الكاظم فرحان الزيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخط والزخرفة
الدرجة: دكتوراه
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: تناول الفصل الاول مشكلة البحث التي طرحت التساؤل الاتي ( ما هو التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية ؟)، ويهدف البحث الى كشف وتحديد التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية على الصعيد الشكلي والوظيفي والتعبيري في ضوء حدود تمثلت | First Chapter deals with the problem of the research which presents the following question(What is the conceptual transformation in the structure of the ornament Islamic architecture ?) The research aims to disclose and specify the conceptual transformation in the structure of the ornament Islamic architecture at the phases of formal, functional and expressive in light of the limits of ornament components in all its kinds in Islamic architecture within Iraq , Turkey, and Iran for the duration of 1563 AD to 2009 AD. Second chapter discusses the theoretical frame of the following subjects : The meaning of converting and its philosophy in Islamic art at the phases of self and subject , the philosophy of concepts in Islamic ornament as perfection and order and repetition and decoration and unity and variety and movement and rotation and accuracy and workmanship, and the styles of formulation of decorative shape represented in modulation style and style of abstraction , and the structure of the decorative in Islamic architecture at the phases of decorative components and spatial organization and processors colorimetric. Third chapter includes the research's procedures which includes the follow of descriptive approach in the light of research's sample which includes 375 shapes non - recurring. 20 shapes were selected embodied the research's sample according to the method of intentional selection. The tool of the research was designed ( analyses form) and shown to experts in order to obtain their reliability and validity and then analyses of the samples. The fourth chapter includes the results including : 1 - to pursue the conceptual transformation of the ornament structure in Islamic architecture within several axes such as formal, functional and expressive. formal phase includes the following ; 1 - 1 style of shape's formation in terms of the type and quality. It is represented in some methods such as (offloading , replacement , integration ( formal slurring) , substitution , magnification and reduction). 2 - Conceptual transformation of ornament structure at the level of functional side embodied in transmission from the ornament role to openness of the performance of the dual role (decorative - communicative) reflected by designed components through dual superficial structure by two different ornament sorts ( calligrapher - plant ). Transmission from ornament function to the representation of narrative phase presented by details of decorative structure which reflect realistic scenes of life include various expressive subjects. 3 - Conceptual transmission of the ornament structure on the expressive level which is embodied by transmission from imitation of images of the natural existence world ( plant - animal - clouds) , cognitive existence world ( geometrical ) postural (calligrapher) which depends on the metaphor , comparison , and equivocation between the real shape and ( true ) and decorative transmission ( metaphor) via visual signifier and its attribution which is involving the concepts can be understood through phenotypic approach to the ornament icons which state subjects such as ( fighting scenes with fabled creature , hunting scenes , beyond being of the world as a man has two wings ).4 - concept of perfect ness embodied through presenting several comprehensive image to the details of ornament structure which reflects the side of realistic existence elements with shapes that represent this vision in terms of quantity (creation of unilateral and bilateral and multi ornament sorts ) and the quality ( symmetrical , non - symmetrical , round , sidelong , frontal , compound , start of emergence , medial site , final site , small size , large size ) and the type ( plant , geometrical , animal , calligrapher , astronomical elements , supernatural). Transformation of the concepts of the integrated form ornament sort ( bilateral , tripartite , quaternary) depends on the integration with other via combination and replacement between the different parts.The study recommends providing care for the accumulated ornament heritage throughout centuries when maintenance and renewal given the contents of innovative treatments in formulating the shape and concepts within it , which reflects the growth of thought and its appearance applications through a formal shifts represent addition of quality different from the prevailing in the achievement side , and the possibility of opening up its functions to cover the fields of design carpets and paintings. The study suggests references of shape and its representations in the structure of ornament Islamic Architecture.
الصفحات الاولى:

سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية The Promotion And The Marketing Politic of The Industrial Product And Its Activity In The Consumptive Culture

اسم المؤلف: عبد الخالق سمين فتاح
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: تمثلت مشكلة البحث الموسوم بـ ( سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية ) من خلال التساؤل حول الكيفية التي يمكن لسياسات ترويج وتسويق المنتج الصناعي ان تؤثر وبشكل فاعل في ثقافة المستهلك.اما اهداف البحث فتمثلت بالاتي : بيان ت | The problem of the study entitled ( The Promotion and The Marketing Politic of the Industrial product and its activity in the consumptive culture ) was presented of how can the politics of promotion and marketing of the industrial product effect in consumer culture. The basic research aims represented as the following : Detecting the effect of promoting and marketing politics of the industrial product in consumer culture through : a - Acquaintance the cooperative conscious of Baghdad University professors according to the type ( Males , Females ).b - Acquaintance the meaning difference of Baghdad University professors according to the type ( Males , Females ).c - Definition designing context for the industrial design and its effect in promotion and marketing and cooperative conscious.Research limits included the industrial product users group of Baghdad University professors of the study year ( 2013 - 2014 ) of various types of electrical and electronic home appliances available in local markets of Baghdad city for the period ( 2009 - 2013 ).The second chapter consisted of four sections. The first section addressed politic topic of the industrial product promotion and the communication process. The second section contains marketing politics and strategies topic of the industrial product and its relationship with consumer and appearing the social and economic marketing importance.The third section consisted products design topic and the designer skills.The fourth section singled to study consumer behavior and the consumptive culture.Chapter three addressed research procedures which was depended on the research society presented by industrial product users group of Baghdad University professors , The research tool was depended on both theoretical and applied or field , by depending on the questionnaire.Chapter four comprised results and conclusions that have been reached and the most important of these results include : 1 - 91% of the research sample members rejects the idea of buying electronic appliances with high price to proud of in front the others , while 9% of the rest of sample members agree this idea.2 - 96% of the research sample members primarily interest the job offered by electrical or electronic appearance , and then their interest comes in its forms or appearance , while 4% of the rest of the research sample members does not pay these things any importance.3 - 93% of the research sample consumers members trust of foreign product which is characterized by all the factors of quality and safety , which lacks local or Arab product, while only 7% of the rest of research sample members didn't trust in foreign product as much as their trust in local or Arab product.The most important conclusions that have been reached are : 1 - Spatial channels form for the Iraqi people who imports all of he needs from overseas important sources for building voracious consumerism through its orientation advertisements and ideologies which promote it and burlesque it in Arab consumer mind.2 - The television commercials extraneous to change the Iraqi individual behavior , and imposing another new behaviors to develop inside him alienated feeling from his surroundings , as well as changing his society values and principles.3 - The research members of Baghdad University professors have consumptive perception to buy electrical and electronic home appliances , and this perception is not different between males and females.After that , the recommendations and suggestions were presented to the directions and side related to the research topic , and then the research finale has been providing.
الصفحات الاولى:

تصميم تعليمي تعلمي لتنمية التفضيل الجمالي لدى طلبة قسم التربية الفنية كلية الفنون الجميلة Instructional Design For Development The Aesthetic Preference To Students In The Department of Art Education - College of Fine Arts

اسم المؤلف: سهاد جواد فرج الساكاني
الجامعة: جامعة بغداد
اسم المشرف: صالح احمد الفهداوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2012
مكان الجامعة: بغداد
المستخلص: The world of today is facing a number of rapid and sequential changes represented in the great technological and scientific advancement in all the fields of life.In addition to the revolution of telecommunication and information which causes the duplication of human knowledge. Therefore, education is not living in the age and its changes, it remains static, retarded and does not help to live in this age, and develop their different knowledge fields. This includes the preference of aesthetic aspect and everything that surrounds the age of communication, satellite and electronic technologies, and remote sensing.In the light of these transformations, the need for developing the human mental capabilities for tasting the features of aesthetic phenomenon which regarded one of phenomena difficult to measure. The question that is repeated frequently is how humanconscious can receive the aesthetic value and forming it in the light of its relation to the surrounding? And what will emerge on the trip of his\her responding to the various phase when enjoying the artistic work (plastic tableau) which increases the vision in more complexity of the life of man as a receiver. All these questions objectively formed down the important sense a of this study which is based on a survey study that the researcher had conducted through which she wanted to know the level of aesthetic preference level for the receivers in the Department of Art Education towards the plastic painting in modern painting. The results indicate a low level in the cognitive field (cognitive dimension) and artistic field (artistic dimension).Thus, the researcher saw a need to conduct an experimental treatment through the study on the modern methods of teaching. The objective she wanted has been achieved, therefore, she preferred to found a theme through the problem which she called thefollowing title (A Instructional Design to Develop the aesthetic preference to Students in the department of Art Education - college of Fine Arts ). On that basis, the researcher adopted the general model in the design called (ADDIE) model with strategic orientation of mind maps in the A pedagogical - instructional Design made up of four pedagogical - instructional units of 16 instructional lessons and provided with a group of pedagogic alternatives displayed on CD according to Power Point and Microsoft programs as activities that deepen and enrich the content. Along that, the community of the study is the Department of Art Education\ Third year in the college of Fine Arts - Baghdad University and the College of Basic Education in Al - Mustansrya University consisit of 116 students. of those a sample of 60 male and female students were chosen and they were distributed into two groups one is experimental of 30 students college of Fine Arts - Baghdad University and the other is from the students of College of Basic Education In Al - Mustansrya University. The two samples were matched in terms of variables of (age, sex, teaching, intelligence, pervious knowledge, the level of aesthetic preference). The procedures of the study also requires a design of prior unit for the mechanism of using the mind maps inside the pedagogical - instructional Design and the pedagogical program in the present study. In order to measure the effectiveness of the program, the researcher built two tests to measure the cognitive aspect made up of (24) items to measure the patterns of cognitive preference (recalling, critical, principle, application), while the other text measures the artistic dimension of the students' preferences towards the painting in modern art. It is made up of (10) test items depend on the realization of the aesthetic organization for forty impressionist paintings by the learner. These tests were applied after the verification of their validity and constancy in treating the different statistical processes (before and after). The experiment lasted for two months. The researcher used the T - test for two independent samples and Eta square to find out the effectives in showing the results of this study, she also used Ch - square to find the validity and reliability of the test items as well as the difficulty equation and theeffectiveness of the alternatives. In addition to that, she used Pearson Correlative coefficient to find the internal consistency of the testing items through the equivalence. She applied Kudor - Richardson (20) and alpha - Cronbach equations.The most important finding of the study is the excel of the experimental group over the experimental group in dimensional and observational application represented in the test of cognitive preference in (recalling, critical, principle, application), and thetest of artistic preference. Also, the pattern of application assumed the first position among the other patterns which indicates the clear effect which it has on the application of the program on the experimental group in comparison to the control group. Bothdimensions (cognitive and artistic) refer to the high level of artistic preference for the targeted category in the present study. That is attributed to the effectiveness of the using of the mind maps in the light of (ADDIE) model in the program designed in this study ininstructional the pedagogical skills. The most important finding of the study was the effectiveness of using the general model in the instructional design with strategic orientations in the mind maps and in the acquisition of expertise of development and the amendment of patterns through the artistic - cognitive dimensions that stimulated the process of multiple thinking for the learners.The researcher recommended that the researcher should generalize the necessity of using the pedagogical - instructional designed in this study to teach the subjects related to the development of the aesthetic for the learners within the items of the Arteducation and depending on the pedagogical - instructional Design and (ADDIE) model in the developing of the field for aesthetics if the plastic arts and other arts for the effectiveness of these programs in facilitate the instructional in the different fields.The researcher also proposes a number of suggestions the most important of which was the application of the pedagogical - instructional design and (ADDIE) to develop the psychophysical and ecological variables on the various fields within thespecialty of the college of fine arts as future academic study
الصفحات الاولى:

الاشكال والانواع الغنائية في الموسيقى العراقية Forms And Types of Singing In The Iraqi Music

اسم المؤلف: زينب صبحي عبد حسين البياتي
اسم المشرف: طارق حسون فريد
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون الموسيقية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: تنوعت الاشكال والانواع الموسيقية والغنائية واختلفت وفقا لمعطيات مكانية وزمانية، ومن ثم فهي تبلورت بوصفها محصلة للعلاقة بين العناصر التي تكونت منها : اللحن والايقاع والتعدد الصوتي والطابع الصوتي والنص. وتضم الموسيقى الاشكال والانواع الغنائية بجانبيه | Musical and vocal forms are varied and differed according to spatial and temporal criteria. Forms have been crystallized because of the relationship between constituent elements such as melody, rhythm, harmony, tone colour and text. Music includes forms and types of systematic and popular folk singing. These forms have been changed and developed by time, and new forms were generated according to different cultural, social and artistic influences. Iraqi music is replete with many forms of singing; systematic, popular, secular and sacred. These forms can be divided geographically or in terms of demography. In addition, the overall circumstances and events, through the history of Iraq, have played a role in the crystallization of new and modern forms and types. Moreover, some forms are evolved from older forms that became richer and more complicated than the older version. Furthermore, there are different factors that affect the structure of musical forms and singing types, such as the cultural, social and economic factors. In fact, all that was innovated of singing forms is a true reflection of the reality of the Iraqi daily life and simulation of this life’s different conditions.Forms and types of singing had increased and developed faster than the musical instrumental forms, because the Iraqi musical culture preferred to practice singing forms in their ceremonies. However, unfortunately, these forms and types have never been collected, preserved, documented, archived or studied. Therefore, I have decided to study this topic. This research is important as it presents an academic study of the forms and types of singing in Iraq. In addition, it participates in preserving these valuable forms and types. Moreover, this thesis is the first study of such topic in the academic and musical field. Furthermore, this study will fill the gap in the Arabic musical library and will assist the researchers in this field of study. However, the purpose of this study is to define the structure of the singing forms and types in the Iraqi music. This study will cover the period from 1921 to 1941 in the city of Baghdad; it focuses on the Iraqi mundane forms and types of singing in the Arabic language.The second chapter includes the theoretical framework and the previous studies. The theoretical framework consists of four topics; the first is “the structure of the musical forms and types”, the second is “singing forms before and during the Islamic period”, the third is “music and singing in Baghdad from 1921 to 1941” and the fourth topic is “the analytical standards of the musical and vocal forms”. In the end of this chapter, the results of the theoretical framework were presented. The researcher did not find a previous study that dealt with the topic of this research.The research’s procedures are presented in the third chapter, where the researcher defines the methodology and the samples of the study. The entire sample consists of 112 songs and the randomly chosen samples are 24 songs, which are divided into a specific category according to its types or form. The main tool of collecting the required information was the “Interview technique”. The main tool of the analysis was a specific analytical standard, which was created, tested and applied on the selected samples by the researcher.The results, conclusions, recommendations, suggestions, list of resources, appendices and abstract of this study are presented in the fourth chapter.
الصفحات الاولى:

بناء منهج تعليمي لمادة المشروع في قسم التربية الفنية على وفق الاسس النقدية والتقنية للفن الشعبي Building of An Instructional Curriculum For The Project Subject In The Department of Art Education According To The Critical And Technical Basis of Pop Art

اسم المؤلف: ميادة عبد الرحمن فليح العيساوي
الجامعة: جامعة بغداد
اسم المشرف: ماجد نافع عبود الكناني سلام جبار جياد
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2011
مكان الجامعة: بغداد
المستخلص: يهدف قسم التربية الفنية الذي يمثل احد الاقسام العلمية في كلية الفنون الجميلة، الى اعداد الطلبة وتاهيلهم لمهنة تدريس مادة التربية الفنية المقررة في مدارس المرحلة الثانوية، لذلك فان برنامج الاعداد ينبغي ان يتضمن مجموعة من المقررات الدراسية التي تشمل الجوانب | Since Department of Art Education is one of the scientific department s in the College of Fine Art, then this Department aims at rehabilitate students and adopt them for the career of teaching the subject of art education for the secondary schools. Therefore, the programs includes a set of curricula textbooks that include educational and psychological aspects as well as some artistic. On that basis, the researcher preferred to co duct an experimentation to one of the concepts of postmodern art called (pop art) through building a method depend on one of the concepts which would help students of the subject to carry out their art projects according to scientific steps included in the present study (planning - evaluation). Training of the use of art skills conducted by pop art artistic and promote it for students who carry out their projects represents an artistic cultural process that requires much experience and high level skills according to their mental abilities and intellectual readiness as well as their previous expertise and how they are affected by it. The researcher prepared a theoretical frame that include subjects about pop art and the factors which founded that art as well as the sources of its emergence and the most important arts is who have supplied that art with their worlds hat depended on the daily life (familiar - unfamiliar) with previous references of that art and cultural mass media that have propagate it. The procedures of the study depended on the descriptive method (content analysis) as it is the most suitable procedure to realize the objectives of the present study. She tackle in the chapter the community of study that included 100 works for 10 artists who were chosen randomly. then she derived (carryout) the consisty of tools.The researcher analysis the works by anaujsis the onception of (100) of wark arts. then analsis of building for those ten Artist to support the curriculum so, the researrchn gets the critical and techuical bases of bob art schod by discovering thenm , the researchan depends on them to built the curriculm which is considered one of the aims of research.After that the researcher built the suggested method of the art project subject in the department of art education. The project included the instructional objectives about the theme of the project and its steps represented in determining the problem and in planning the project and then carrying it out.The most important conclusions were : 1. Working on finding new mechanism in organization the structural organization of the art project through directing the students to insert the available raw materials in his environment (ready and not ready) and employ them as material outputs in relation to the reality of Iraqi society.2. Taking to the technological developments in carrying out the idea of project work and use what is available of photographs for some of the art and political persona as well as packages of food and drug products.The most important findings are : 1. Using the suggested method for the project subject in the departments of art education in college of Art Education as it included the instructional contents for w whole academic year. 2. Inducing the educational institutions and researcher alike to translate resources and literatures that have treated pop art as it includes as it includes rich information and the familiarity of uses in many artistic institutions or by artists. The researcher suggestion is , haw to buitt instructional program according to building treatment structural to derelop the plastic Arts student skills.And joput the pop ant and tecniqne bases in acheavement of recommendation of handkerchief subject.
الصفحات الاولى:

الاتجاهات الفنية في الدراما التلفزيونية Artistic Trends In TV Drama

اسم المؤلف: علي زيد منهل
الجامعة: جامعة بغداد
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2009
مكان الجامعة: بغداد
المستخلص: ان الرؤية الفنية التي يستند اليها مخرج العمل الفني خلال معالجته للنص الدرامي ووضع الحلول الاخراجية للمشاهد المرئية بغية تكوين واقع جديد مفترض. ومقدرة ذلك الواقع الفني الذهني المفترض والمجسد من قبل مخرج العمل الفني وبما يمتلكه من وسائل تقنية وفنية في توظيف | The artistic prospect upon which the director of artistic work bases his work through the treatment of dramatic text and putting direction solutions for the spectator in order to have a new virtual reality. The director of artistic work, with the technical and artistic means he employs in the dramatic elements, express artistic trends in TV drama and the mechanism of employment. These artistic trends reflect the development in the field of entering the analysis and construction of artistic works in a way that reflect reality with all the contradictions make the TV drama search for artistic procedures and attitudes to express that reality according to the idea, the objective and the method of carrying out that distinguished some from other in the mechanism of working of this or that procedure or attitude expressing the nature of artistic work and breaking the freeze and entering into imaginary and strange worlds that through them establish the ability and design which are formed according to the essence of the text and the manner by which the director of artistic work forms his work. According to the procedures that he finds suitable for posing the idea and criticizing the society and keeping pace with civilization development through the understanding and interpretation of TV artistic works which are based in their mechanism of putting forward on the suitable artistic trends. These trends are usually seen by the director of the artistic work as suitable for the nature of his theme and treating the dramatic components. Therefore, the study falls into many chapters that studied the artistic trends and the mechanism of involvement of the visual works as follows : The first chapter tackles the procedural framework of the study suchlike : The problem… which were formed in the following questions : What are the manners in which artistic trends are employed? What are the visual means and techniques that manifest the artistic trends in TV drama?The objectives of the study were as follows : 1. the manner in which artistic trends are employed in TV drama, and 2. The visual and technical means that manifest the trends in TV drama. The first chapter also tackles the importance of the study and the need for it, the limits represented in studying the dramatic trend in TV drama for the period 1998 - 2000. we have also determined in this the most important terms used in the dissertations (trends, drama, etc.)The second chapter : Included the theoretical framework and the pervious studies including the following inquiries : 1. The first inquiry includes the procedures and dramatic trends. It also includes the most important procedures and dramatic trends starting from the realistic trend and impressive trend. Within these two procedures lies most of the other subsidiary trends which effected the cinematic and TV drama alike. It includes the following trends {Neo - realism, Neo - wave, free - realism, social - realism, direct realism, poetic - realism, symbolic - realism, epical - realism, expressionism - surrealism, Dadaism and avant - garde} 2. the second inquiry : the image according to artistic procedures including {image in philosophy, the concept of artistic image, the senses of image, imaginary image, referential of artistic image, realistic image, impressionist image, symbolic image, expressionist image and surreal image}The inquiry also includes the understanding, analysis, and construction of artistic image and the mechanism of work according to the prospect of the artistic works’ director to manifest the artistic trend. 3. The third inquiry deals with the visual means according to the artistic procedure. This inquiry includes the style of artistic work’s directors in using the technical means through the direction prospect of this artistic work by employing the following {camera and lenses, décor, makeup, fashion, montage, lighting, setting, color, etc.} for the manifestation of artistic trends in TV drama. 4. The fourth inquiry dealt with the dramatic according to the artistic procedures. The inquiry included the employment of the dramatic elements according to the prospect of director. This includes drama and dramatic construction {plot, dramatic personae, language, idea, and image narration. At the end of the second chapter, the researcher tackled the pervious studies that are relevant to the theme of this thesis. There were two main studies that he found close in some chapters to the study herein : The M.A. thesis, 1988 {The Effect of Techniques and Visuals of Global Cinema on the Prospect of Iraqi Cinematic Directors} by Rasad Abdul Jabbar Thamir. The second thesis, 2003 {The Question of Aesthetic in the Trend of Modern Cinema} by Aladdin Abdul - Majeed Jassim. In the end of this chapter, the researcher comes up with the most important indicators that were driven form the theoretical framework making the analysis instruments of the research sample such as items of the questionnaire forms.The third chapter includes the procedures of the study : 1. The research procedures in which the researcher employed the descriptive approach. 2. The instrument of the study : the research employs the content of theoretical framework as theoretical framework after obtaining the approvals of the Board of Experts and Arbitrators on the indicators. 3. the unit of analysis, the researcher depended on the scene and snapshot as the main unit for analysis in his study of artistic work. 4. the sample for the study represented the series which were chosen as a nonrandom sample in compliance with the nature of the thesis. The series are : Bab - ul - Hara {Port of the Lane} - Part I Poetical - realism - series ‘Noor’Symbolic - realism - series ‘Carnival’ Epical - realism - series ‘Rome’ Impressionism - ‘Taken’ Expressionism - ‘Supernatural’ Surreal - ‘Sad Dream’5. The validity of the instrument : the esteemed experts showed a total agreement on the items in percentage (%97.28) The chapter also included analysis for the series that were chosen in as sample of the study. The fourth chapter included the The most important results : 1. the manner in which these visual elements were employed within the relations of adjoining , interrelation , adherence were in the outcome a final image that affirmed the nature of mental image which the director of work draw through the relation of these elements and images with each other justifying the state of employing the curricula and artistic trends, and expressing the dramatic events within the virtual reality of each artistic trend. 2. the director of artistic work produces artistic images that are compound and unrealistic, and cannot be similar to an image or compound in reality to give structure to the content of artistic work. For deepening the strangeness state and the innovation within the procedures and the artistic trend which he sees as appropriate for forming the visual image of the artistic work in TV drama.The most important conclusions are : 1. The impressive method is a living one and has the ability to activate the dramatic event through the self - view that the director produces, in addition to the employment of modern technology in convenience with the TV dramatic work. 2. It turns out that the Dadaism impressive trends have been confined to TV drama as a result of the unreasonable image composition and the hard symbols that cannot be analyzed. Therefore, we see the lack of tackling of these TV dramas. In addition, it included the conclusion that the researcher comes up with in the light of the outcomes. Then, the recommendations such as : Studying the branches of TV art as academic specialty {production, direction, montage, camera, scenario, the visual effects}.Finally, the suggestions that serve the course of scientific researches in the field. The fifth chapter includes the following : The references in Arabic and translatedThe references of films and TV series The references in English
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الابعاد المفاهيمية لما بـعد الكـولـونيالـيـة فـي الرسم العراقي المعاصــــر Dimensional Conceptual of Post - Colonialism In Contemporary Iraqi Drawing

اسم المؤلف: ناصر سماري جعفر
اسم المشرف: شوقي مصطفى علي الموسوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
اللغة: العربية
السنة: 2015
مكان الجامعة: بابل
المستخلص: تناول البحث الحالي الابعاد المفاهيمية لما بعد الكولونيالية في الرسم العراقي المعاصر , والذي يسلط الضوء على اهمية الابعاد المفاهيمية في تكوين بنية الخطاب الثقافي العراقي بشكل عام وفي الحقل التشكيلي بشكل خاص. وقد احتوى البحث اربعة فصول,عني الفصل الاول بال | Current research deals with the " Dimensional Conceptual of post - colonialism in contemporary Iraqi drawing", which highlights the importance of conceptual dimensions in the formation of the Iraqi cultural discourse structure - in general, and in particular in the" PLASTIC ARTS" field. This research consist of four chapters, the first quarter transacts with the methodical framework of the current research represented by the content of the research , its importance and the necessity of such research which have been evolved due to the post - colonial discourse along with the urgent of disengaging from the colonial center through concentrating attention to the monetary theory of the post - colonialism literature both in criticism and literature itself , then to retort to the effects of imperialism and European intellectually, cognitively and artistically. out of this cultural narrative, some kind of a problematic obstetric had overshadowed - generally - an ideological results and - particularly - upon the contemporary Iraqi plastic art discourse which proposes an opposed outputs that rejects the colonial other by the means of contemporary cognitive ,artistic and technical techniques.The research aims to detect((conceptual dimensions of post - colonialism in contemporary Iraqi painting )) by revealing the mechanics by which the post - colonial act in painting. the study limited to the products of the Iraqi paintings to the period (2003 - 2015) to identify cognitive structure and cultural impact to the Iraqi plastic art. The second chapter includes an explanation of the theoretical framework and post studies, which included four topics within the vision of intellectual, philosophical and aesthetic implications ,the first topic addresses colonial discourse( references& characteristics), which contains three sections : First colonialism and the absent identity issue while the second contains the fundamental elements of the colonial discourse overcoming factors which have been recognized by colonial distortion of history and the language of the colonizer , his models, and up to the third section : of cultural and community awareness between opening and isolation to the other.the second topic deals with (conceptual dimensions of post - colonial practice and leadership), which includes two sections , first deals with the conceptual dimensions of : hegemony , mastery culture, racism , language, marginal ,the idea of recalling ideologies and the major narrations while the second sections deals with post - colonial discourse in contemporary ,modern and feminist criticized impacts , while the third one deals with the foundation process and displacing the other traces ( references and the prospects ) by the limits of foundation idea , peculiarity of the tradition and identity in the post - colonial discourse. The fourth topic addresses applications of the post - colonial ideology in the contemporary art within the European and Iraqi contemporary plastic art , it ends with several theoretical frameworks which helped the researcher with the research samples analyzing procedures. the third chapter deals with the research procedures based on applications of the conceptual dimensions of the post - colonial theory in contemporary Iraqi painting through searching procedures which contained 200 community with 20 samples.The fourth chapter includes the research results where some of the most important are : 1) varied methods of expression of contemporary Iraqi artists in the period that followed the occupation of Iraq in 2003, according to stylistic vision up to the performance levels of heated experimenting encoding and flatness and abstract concepts that depend on post - colonial.2) Art has become the issue of Iraqi contemporary painter emphasizes selective speech of the tragic events and social suffering that produced by Iraq invading war in 2003 and the sequent tragic events then after like series of terrorist (attacks ,bombing, killing and captivity and slaughter..) which was fertile material for the Iraqi artist. research also rises several conclusions includes : Contemporary Iraqi plastic art ( painting for instance) results shows patterns of a cognitive accumulations which directly effected by post - colonial impact within some levels of epistemic patterns that framing conducts of connections and disconnections channels among oriental and western given criterion of engaging between art and knowledge Research has came up with a significant recommendations like implementing researches that deals with criticizing post - colonial culturally and cognitively within the courses of artistic criticism in colonized countries since it will enhance the cognition of knowledge within their culture towards the post - colonial and support the foundation of post - colonial awareness in all countries suffered of colonialism Also research induces several suggestions one of the most important ones : Representations of the post - colonial discourse in the Arab plastic art.
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تحولات الرسم في فنون ما بعد الحداثة واثرها في تنمية التفكير الناقد لدى المتعلمين : منهجي التلقي والتاويل انموذجا

اسم المؤلف: فاطمة محمد عبد الله العنبكي
الجامعة: جامعة بغداد
اسم المشرف: جواد عبد الكاظم فرحان الزيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2012
مكان الجامعة: بغداد
المستخلص: ارتبطت تحولات الرسم في فنون ما بعد الحداثة بالتبدلات الفكرية التي اتسمت بها فترة ظهورها، مما جعل الباطني واللامرئي اساسا في تحول العياني (البصري) على صعيد التقنيات والمعالجات اللونية والوسائل البصرية الاخرى. وبفعل التحولات الفكرية التي رافقتها مسارات جديد
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المقاربات الوظيفية بين انظمة تمثيل الخبرة وكفايات طلبة التربية الفنية المطبقين في المرحلة الثانوية Functional Approaches Among Representation Systems Expertise And Efficiencies of Art Education Students In The Internship Period For The Second Grade

اسم المؤلف: ندى عبد الهادي مهدي
الجامعة: جامعة بغداد
اسم المشرف: رعد عزيز عبد الله
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: Today technology and the informational revolution that swept the modern world had raised many challenges imposed itself on the various areas of life. When the education was the cornerstone of the society development and modification, so it became due to have researches to discuss the traditional teaching methods that dealt with students as empty vessels need to be filled. At the same time, technology has become the most influential in a student's life; therefore it became necessary to find a countervailing force to the effects of technology that attract the attention of the learner.In this point the research issue has been launched according to questioner study had conducted by the researcher. The object of the study was to determine the art education students for their represent systems of experience as preferable learning styles, as well as the efficiencies of the diversification of motivation as capabilities should possess by the new teachers (Art education students) for teaching art during their preparing in the internship period.The result of the study was disapproved that. Accordingly, the researcher found the necessity to search in the teaching methods in art education take into account of the internal efficiencies of learners by develop a plan in the search in “Functional approaches among the expertise representation systems and the efficiencies of art education students in secondary level internship.” The sample was chosen among the student of the fourth grade - the department of educational art - Baghdad University, the size of the sample was(107) both males and females. the researcher had justified the variableswhich is the age, gender, and previous experience for the participants - the researcher had used many statistical methods in here procedures and the study result, they are - x2 One Sample test, Ttest For Two independent samples, Weighted mean, and Pearson’s correlation coefficient. The most important findings of the current research is the patterns of the special students acquired experience was formed by the influence of their raising environment which is the foundation of their learning abilities to become a secondary school art teacher in their internship period. The conclusion of the research was about the concept of intelligence for Gardner. The researcher found that concept have lacks scientific basis. Gardner dealt with this concept as skills, outputs and mental processing without thorough scientific explanation. And his procedural concept for the abilities was limited in four abilities represented by visual capability, audio capability, kinetic ability, intuitive ability. It is not 8 ability. Therefore, the researcher believes that the concept of contemporary intelligence that has been raised in the current search is the alternative for the multiple intelligence concept for Gardner.The functional approaches among representation experience systems and efficiencies of the diversification of motivation is a Form consist of four areas for student evaluation while the internship time for the secondary level students. The researcher has recommended a number of recommendations on the basis of what has been inferred, as well as offering some suggestions based on to the new concept of intelligent
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