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الانفتاح العلامي في الفن المفاهيمي == The Symbolic Openness In The Conceptual Art
Author name:
سامرة فاضل محمد علي
Supervisor name:
مكي عمران راجي الخفاجي
General topic:
Fine Arts
Specific topic:
Plastic Arts
Degree:
Doctorate
University:
University of Babylon - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Babylon
First pages:
18T1273 - p.pdf
Abstract:
عني البحث الحالي بدراسة ( الانفتاح العلامي في الفن المفاهيمي ) ويقع في اربعة فصول، خصص الفصل الاول لبيان مشكلة البحث واهميته والحاجة اليه، وهدفه، وحدوده، وتحديد اهم المصطلحات الواردة فيه. وقد تركزت مشكلة البحث على الطبيعة التاويلية للعلامة في ال | This research paper is interested in studying (the symbolic openness in the conceptual art) and consists of four chapters. The first chapter is about the research problem, importance, goal, limits and identifying the most important expressions. The research problem is focused on the interpretation nature of a symbol in the conceptual art in all its expressions resulted by the changes of the world after modernity including the social, politic, economic, and cultural pressures which affect negatively on the level of vision, acceptance and sense. This is guaranteed due to the relation between the art and the modern development which include all human durations across history to be in cope with this change. So the artist is obliged to be more courageous and spontaneous in expressing himself and thoughts to cross the limited lines for the traditional painting to present conceptual artistic works that are not restricted with one artistic style or type to include all exist in nature including the human body, language and consumable items. So the current research's problem is begun through answering the following question, (how can the artist make the recipient as a second author for the artistic script?).The importance of the research is clear because it establishes a critical study to give the searchers, and those who interest in the graphic sides, a chance to be informed about the kinds of the conceptual art including the symbolic openness.The searcher finds this study is so important because there are no previous studies focusing on the symbolic openness in the conceptual art. The searcher also wants to be interested in the basis of this study to fulfill the intended goal which is identifying the symbolic openness in the conceptual art.The subjective research limits include the study of the symbolic openness in the conceptual art in all its branches, elements, time limits (1965 - 2016) and place limits including (USA, UK, Germany, Mexico and France). The important expressions in this research are also clarified.The second chapter is about the theoretical frame and the previous studies which includes four topics : the first topic is about the theories of a symbol in the critical studies. The second is about studying the thoughtful basis of the symbolic openness in arts after modernity. The third is about the conceptual art, the conceptual context and the graphic system. The last is about the indicators. The second chapter ends with the previous studies which are not closed to the current study.The third chapter is about the research procedures including identifying all the samples which is (200 artistic works) and choosing and analyzing only (20 artistic works) intentionally.The fourth chapter includes the results which are : 1 - Achieving the symbolic openness through interaction and conversation and be away from autism and introversion in all research samples.2 - There are many sides of the conceptual art including the language, graphic art, geography and the human body. So it is an art of moved concepts which are effective in the daily life of a human being and his environment.3 - The idea in the conceptual art is the tool which makes the art through its philosophic embodiment. This leads to make an argument which raises questions that make the visual perceiver be in harmony with senses and mental action and the artistic work to obtain the symbols, signs and concepts. Another results are : 1 - The searcher tries to clarify the script origin and its openness to be interpretable to make the recipient (second author) read and understand more meanings and facts as in the research samples. 2 - The recipient is responsible for understanding the artistic work to create new items that help in understanding the work.The research ends with recommendations, suggestions, references and appendixes.
