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تكنيك ميسنر ومقارباته في اداء الممثل المسرحي العراقي == Meisner Technique And Its Approaches In The Performance Of The Iraqi Theatre Actor
Author name:
سرمد سليم عباس حسن
Supervisor name:
محمد فضيل شناوة | عقيل جعفر مسلم
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Directing and Acting
Degree:
Doctorate
University:
University of Babylon - College Of Fine Arts - Department Of Performing Arts
Language:
Arabic
University location:
Babylon
First pages:
18T1263 - p.pdf
Abstract:
تعد تكنيك ( ميسنر ) لاداء الممثل من الاطروحات المعاصرة في مجال فن التمثيل المسرحي, ومن هنا عنيت الدراسة في البحث الحالي بمقاربات هذه التكنيك في اداء الممثل المسرحي العراقي, اذ جاءت في اربعة فصول. تناول الفصل الاول الاطار المنهجي للبحث, اذ ضم مشكلة البحث | Meisner technique of the actor's performance is one of the contemporary subjects in the field of theoretical acting. Hence, this study deals with the approaches of this technique in the performance of the Iraqi theatre actor. This study is divided into four chapters. The first chapter deals with the methodological framework of the study which is identified by the following question : What is the Meisner technique? And what are its approaches in the performance of the Iraqi theatre actor? The importance of the research lies in studying Meisner technique and its approaches in the performance of the Iraqi theatre actor and it is needed because of the following : 1. It is useful for those who are specialized in theatre acting to develop their skills on stage. 2. This study can be described as one of the studies that participate in developing the capacity of theatre actors. The objective of the research is identified by defining Meisner technique and its approaches in the performance of the Iraqi theatre actor. Furthermore, this chapter includes the research limits (place : Iraq Baghdad national theatre / time : 2009 - 2015) and the objective limit of the Meisner technique and its approaches in the performance of Iraqi theatre actor. This chapter is concluded by identification and definition of terminology. The second chapter tackles the theoretical framework and previous studies. It contains three topics : the first topic studies the philosophical and technical starting points of Meisner technique. The second topic studies Meisner technique (mechanism and engagement), while the third topic tackles the applications of Meisner technique in the international and Arab theatre. Finally, this chapter is concluded with indicators resulting from theoretical framework, and then previous studies. The third chapter contains the research procedures. It includes the research community consisting of 38 plays containing approaches to Iraqi theatre actors from Meisner technique. It also contains the research sample which consists of (5 plays). These plays, which are intentionally selected by the researcher as they represent the research community, are : Al - Iskafi, Al - Waqiaa Street, Nashaz, Summer rain, and Mannisama. However, the researcher depends on the descriptive (analytical) approach to meet the objective of the research. The researcher also uses the notes form as a main tool to analyze the sample depending on references and literature, as well as indicators that resulted from the theoretical framework as analytical standards, and then the sample analysis. The fourth chapter tackles the results and findings that are reached and discussed by the researcher, including : The play (Al - Iskafi)The most obvious result of this play is that the representation in this play is far from any role of personal memory in the performance of the role of the theater, it did not have an investment in the performance of the characters of the theater, and this clear approach to what calls (Meisner) to direct the actor to dispense The Iraqi actor has come very close to achieving this lawsuit without passing the techniques of (Meisner), in terms of which is the technology has provided a systematic way and for the first time to these The problem, however, the Iraqi actor in this presentation did not go through solutions to the impediments of representative performance through the technique of (Meisner) deliberately, but the practical experience of the art of acting led to the realization of the problems and approaches of solutions.Results : 1. Meisner technique has been approached through replacing the emotional memory by the artistic imagination as a source for acting by Iraqi theatre actor, although this situation keeps him away from what's happening on stage.2. Meisner technique has been approached through Iraqi theatre actor's dependence on the immediate experience as a source for acting and not to enhance his spontaneous performance and reactions between him and the other actors on stage. 3. There is no approach for Meisner technique when the actor depends, in the Iraqi theatre show, on his character as a source for actor, without taking into account the imagined theatre conditions, which negatively affected the vitality of the acting performance on stage.This chapter also includes some recommendations and suggestions.The research ended with a list of sources, references, appendices and an abstract in English.
