جماليات التقنيات الرقمية في تشكيل العرض المسرحي العالمي == Aestheticism Of Digital Techniques In The Formation Of The International Theatrical Performance
Author name:
محمد كاظم هاشم الشمري
Supervisor name:
محمد حسين محمد حبيب
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Directing and Acting
Degree:
Doctorate
University:
University of Babylon - College Of Fine Arts - Department Of Performing Arts
Language:
Arabic
University location:
Babylon
First pages:
18T1268 - p.pdf
Abstract:
تتكون التقنية الرقمية من الاجهزة والوسائل والمعدات التي تعمل بالنظام الثنائي اي نظام التشفير الذي يتكون من ( 0 , 1 ) ويعد الحاسوب التقنية الرئيسة التي تتفرع منها العديد من التقنيات والاجهزة الرقمية التي تخص العرض المسرحي كاجهزة الاسقاط الضوئي او اجهزة الم | The digital technique consists of the apparatus, tools and means that work in the dual system, i.e., encoding system which is composed of (0 , 1). The computer is considered the main technique which is subdivided into various digital techniques and tools that are related to the theatrical performance such as the apparatus of light focusing or the apparatus of sound and image processing. These techniques have gained aesthetic and creative value through their use as an important technique that plays role in the theatrical performance. These techniques have given the theatrical director vast space in varying his hypotheses and choices via specifying the dramatic environment of the events; they also help in creating new means and forms which have had an important role in establishing the philosophical dimensions of the theatrical director. The letter has four chapters : The first (the problem) is the following inquiry : What aesthetics can be achieved by digital techniques in the world theater? The chapter also includes (importance) by focusing on the importance of digital techniques in theatrical performance. The chapter also includes (Objective) an illustration of the aesthetics of digital technologies in the world theater. This chapter, which is temporarily restricted to the period 2005 - 2015, includes space for international theatrical performances, including foreign, Arabic and Iraqi performances, and an objective study of digital techniques in directing theater performances. The chapter ends with linguistic terms and definitions, both in terms of terminology and procedure. The second chapter, the theoretical framework and previous studies, included three sections : First : digital art; trends and views. And the second : digital technical devices and mechanisms of its work in contemporary theater. The third is the aesthetics of digital technologies. The chapter ends with a discussion of previous studies and indicators coming from the theoretical framework. The third chapter, the procedures, includes the society of the research and the samples which have been chosen intentionally depending on the indicators of the theoretical framework being a tool to analyze in a descriptive, analytical method. Then five performances including (foreign, Arabic and Iraqi). The fourth chapter involves discussing the results, the conclusions, the recommendations, and the suggestions. The chapter ends with the bibliography, the appendices and an abstract in English.
