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تقنيات الايهام البصري في تصاميم الاقمشة النسائية == Techniques of Visual Illusion In Design of Women'S Textiles

اسم المؤلف: ابتسام محسـن حسـون الخفاجــي
اسم المشرف: سامي ابراهيم حقي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انجزت دراسة (تقنيات الايهام البصري في تصاميم الاقمشة النسائية) الكثيرمن المفاهيم والافكار الجديدة فسحت المجال للتعدد في الاتجاهات التصميمية للاقمشة، كونها من التقنيات التصميمية المهمة بما يتميز به من قدرة على الايحاءات العديدة وهو ناتجا مستلما من عملية | The study of (Techniques of Visual Illusion in Design of Women's Textiles) demonstrated many novel concepts and ideas within the field of diversity in textiles design orientations, being a significant design technique characterized by an ability for suggestiveness as a final product of process of architecture of constructive relations. It reveals the techniques of Visual illusion in the design of women's textiles and establishes design leverages in women's textiles that depend on techniques of Visual illusion. The significance of the study stems from increased intellectual enlightenment by textiles designers and scholars as well as developing the knowledge of styles and orientations which contributed towards Visual illusion. The study was limited to design of women's textiles for dresses available in Baghdad's local market for the period 2006 - 2008. The study is in four chapters; Chapter One elaborates on the study problem, its significance, aims, limits and definition of terms. Chapter Two deals with the theoretical framework and former studies. It consists of three parts : The first part : Comprehension and Visual illusion in textiles design. The second part : The techniques of Visual illusion in the design process of women's textiles. The third part : The technique and its methods for design of women's textiles. This is followed by the former studies and their discussion thereof. The researcher achieved the most important pointers out of theoretical framework. These pointers were enhanced in Chapter Three. Chapter Three encompasses the study procedures, its methodology by adopting the descriptive approach for analysis of specimens out of the total (96) specimens of the study. A deliberate choice of the study was taken according to design objective levels consistent with the study aim. The study sample was randomly chosen at (25%) of (24) samples. A form was compiled for analysis axes by reliance on pointers out of Arab and foreign sources which were submitted to a panel of experts. The study specimen was analyzed through it. Chapter Four consisted of results of specimens of the study. The most important results obtained by the study were as follows : 1 - Most designs under research depended on the apparent in - form characteristics to achieve Visual illusion to generate diversified formative effects. These effects reflected on the motion, distribution and directions of the items. 2 - Color remedies were adapted to impart vitality aesthetic effect on textiles design by focus on color contrast as an actionable vision accomplishment to demonstrate the illusory space depth due to forward lead of fair colors and rear lag of dark colors. Besides, Chapter Four encompassed the following most important conclusions attained by the study : 1 - Basically, the techniques of Visual illusion were associated with the content of the design idea which was built upon many methodical technical data to be a modern tool whose idea was crystallized by virtue of many intellectual and materialistic concepts which rendered it into evident applicable fact. 2 - In spite of formative diversities in most designs, the design items relied on abstract form as a priority to present the true dimension of the design idea. This made other units of secondary importance overlap with it by limited non - determined motion in the design construction. Chapter Four included also the design leverages concluded by the study. The following are the most important : 1 - Need to widely invest and implement the techniques of Visual illusions in the design of women's textiles as modern design methods to achieve design formations via non - conventional, innovative new and organizational vision which is a product of variance and diversity of the formative items through mixture, placement and change in the formative relationships. 2 - Concern for choice of natural and synthetic fabric raw materials fit for the local environment. These materials have flexible, fine, endurable and moisture - absorbent specifications. On its basis are chosen the types of yarns, fabric construction and appropriate design.3 - Making use of the developments in the technical styles observed in the design of textiles to create non - conventional design assortments through overlapping between styles in order to achieve association between forms and embody them non - conventionally in a manner capable at enhancing Visual illusion. The purpose is aesthetic achievement to serve the functional aim. Chapter Four also included recommendations and suggestions.

الاطر الفكرية وانعكاساتها في تصميم المطبوعات الدينية

اسم المؤلف: صادق هاشم حسن الموسوي
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Prevail in the world of intellectual and scientific variables... And overlap the treatises of this party, come research addresses the deliberative ideas as an important and necessary in the cultural communication and information update.. Hence it was dialogue of civilizations.. And individuals in the dialogue between them and the means of activating the intellectual and conceptual frameworks after he entered the concepts of globalization in all their in requirements attempt to impose a particular ideological line style.. But the cultures and traditions of theses communities attend to confirm the role that should not deviate or marginalizes its spiritual and physical level... Where is the means of communication, including print and one of the dozens of ways in which nations and peoples trying its institutions all through the dissemination of cultures, traditions and ideas and concepts..Being at hand and easy circulation and can be employed for the purposes of tourism, religious, economic and otherwise, generally, those nations and institutions are trying in various ways, the announcement of the frameworks related intellectual inheritance of civilization have, including religious shrines that frequented many parts of the world, which requires dissemination and promotion in support of after spiritual and material both whether, in Iraq this ancient country that stretches at home shrines are many varied and different religions and sects, the presence of printed religious for that shrines is an act communicative however, and worked the institutions of the thresholds of the holy given printed religious significance, as it is one of the media and promotion, , Because it appeals to the general public who attend religious shrines of different cultures and referents, and from this perspective the current research to examine and explore the link between spammersintellectual which is designed on the basis of publications issued by those shrines and between the artistic process and its implications, where his grandfather researcher subject should go into it, and distributed find classes as follows : The first chapter methodological framework of the research in terms of the research problem represented by asking the following : Are intellectual frameworks reflected on religious publications design? As the importance of research came in : ? The possibility of benefit from working in the field of Graphic Design in general and employed in the design of religious publications in particular.? The possibility of a briefing media organizations and advertising of the sacred thresholds, set a target Search in : ? The intellectual reflection spammers statement in the design of religious publications.? Provide practical proposals based on the outcome of the theoretical framework and indicators, and the search results, and then refer to the limits of research and determine the terms, as the second quarter included a theoretical framework, where it came from his interlocutor as follows : Also included the first section two addresses (such as conceptual frameworks, philosophy and thought, frame aesthetic, in the framework of art and design, intellectual framework - aesthetic when some civilizations, data intellectual thought and Islamic philosophy, frame artistic and intellectual philosophical Islamic "private"), as discussed topic the second to the (structure design, structure elements, elements Typography, foundations and structural systems), and interested third section in a statement (digital technologies and electronic publishing,producing and designing programs elements Typography, the communicative properties of print), , While the fourth section referred to the (design patterns prints, design publication, Graphic Design and Printing, the most important digital programs used in the design Jerafah), then followed by the indicators theoretical framework, and included the third quarter research methodology and procedures supported the descriptive method (method of content analysis)in order to reach results, and the research community, and the method of selection of models, and search tool which was to design a form identifying axes analysis based on what emerged from the axes and indicators theoretical framework, and opinions of a group of experts respondents who expressed an opinion scientifically built in, to other procedures reported in detail in separate proceedings, then the search in the analysis of the models chosen, came fourth chapter involving the results, discussed and that came from : Conceptual frameworks : 1. based methods of construction design which conceptual frameworks variety of dimensions, philosophical, and intellectual with theses global Islamic, and local variable rates and indicates this fact to the vulnerability results conceptual presented by the scientists and thinkers of the Islamic nation, and non - Islamic, and that proved the most of the ideas presented in the religious publications, namely the ideas of human dimensions related events experienced by the characters in question, as well as being connected to the religious and social situation associated with the ideological environment.2. Adoption of the style of presentation symbolic of the events promise to approach the representation formal, as in models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17,18, 19, 20). And (95%). Thereligious symbols is one of the most important means showing historical events through the employ of being known and unknown when a lot of the audience, and generally the employment of religious symbols or environment - related religious forms is important in the embodiment of the structure of the idea, as well as the fact that the symbols represent a tool easy to bring ideas unhindered and difficulties.Elements Typography : 1. Recruitment effects digital available in computer software in order to achieve dimensions of aesthetic certain, as in the models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17 , 18, 19, 20). And (95%). Commonly used these effects after he added an important set of filters and digital effects, and should be used by designer without distorting what makes writings without clarity and readability2. the emergence of clarity and readability in biblical patterns that have adopted away from digital processors that can come to the contrary where she appeared in all models. It is well known the importance of clarity and readability in hiring patterns written being talkie reader, and that the lack of interest by means cause problems in reading the text, which is not something he wishes designer and he has to pay attention to him.Structural foundations : 1. The adoption of symmetrical balance in the design of the versions with the absence of other balances, and appeared in all samples models. The adoption of symmetrical balance in this type of publications designer was caused by the use of a limited number of pictures of the shrines and domes and minarets of the design spacemakes space for syndication unbearable condensation or search for other balances.Regulations, and the relationship : 1. Recruitment open spaces will be the basis of which a picture has organized other formal elements as in the models (1, 2, 4, 5, 6, 7, 8, 10, 11, 13, 14, 15, 16). And (65%). A systems designer works on the printed employed in religious, and open spaces come to express fallow visual and openness structural system which is often linked to spiritual orientations for visitors.Communication characteristics : 2. Adoption of Direct to provide ideas. Appeared in all models. The use of the direct method in the presentation of the idea, makes it a high gloss deal with all recipients, and equally, and it needs this kind of stylistic designs of this direct relationship with a wide range and variety of people. Then ensued and the conclusions that came from : 3. The intellectual frameworks between the path in front of religious publications and designer working directory based on him in many of the propositions.4. Worked spammers and the arguments of religious thinkers and practitioners in religious affairs by direct reflex on the design structure of the print.5. The weakness that was apparent in the formal organization of the religious publication comes from the few know the designers of modern systems in Graphic Design, including the study of form and space relationships and employ photographs to the other.And continue with the outcome of the results and conclusions of the research researcher recommends including the following : 1. given conceptual frameworks that relate to Islamic history more attention and break the cycle of restriction, and to serve the - oriented ideological intermediary.2. the adoption of new methods in design and art direction and in accordance with up - to - date modern techniques.3. revolving develop specialized media and printing experts and designers led them informed and widely thought any ideological work will organize Publications printing and publications.4. Work on biological directorial sizes of prints and stay away from sizes that may occupy the continental and familiar.The researcher also suggested do following two studies : 1. employ images architectural design Islamic religious publications.2. dimensional aesthetic in the design of religious publications.He then read some of the works carried out by the Applied Researcher in which he singled out the second goal and a list of names of experts who showed Raya scientifically and technically, and he finished researcher finally conclude with a list of sources and supplements, Abstract and Title in English.

برنامج تعليمي لاكساب طلبة قسم التربية الفنية مهارات استخدام الالوان الزيتية == Teaching Program To Acquire The Students of Department of Artistic Education The Skills of Using Oil Colours

اسم المؤلف: محمد عبد الله غيدان
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد الاتجاهات الحديثة التي افرزتها الثورة العلمية والتكنولوجية والتي من مبادئها واسسها الاهتمام بهندسة البيئة التعليمية المخصصة لتعليم المتعلم الذي يعد محورا للعملية التعليمية وباساليب تخضع للتحليل والتركيب والتطبيق والتقويم,وما توظفه من معلومات ومفاهيم | The modern trends developed by the scientific and technological revolution which its principles and bases are concerned with teaching environment teaching technology devoted to teach the learner who is the pivot of the teaching process,by methods subjected to analysis, structuring, applying and rectification along with what they employ of scientific data, concepts and activities made according to programmed courses arranged in regulations and law invented by science of teaching design introduced in all fields of specialization.This prompted the teaching institutions with all stages to accompany the developments of this science through directing postgraduate students to search for modern scientific means contributing in developing the teaching process.This include using teaching programs, systems and models and trying to applying and experimenting them in different fields of art, specially in acquiring them the skills of using oil colours which are a basic subject in Department of Artistic Education in College of Fine Arts, specially in practical plastic arts, then employing them in their artistic oil painting.According to the abovementioned, this study aims to : 1.Designing a teaching program to acquire the students of Department of Artistic Education the skills of using oil colours.2.Measuring the efficacy of the teaching program through applying it on empirical sample of 3rd grade student of Department of Artistic Education for the academic year 2007/2008. In order to achieve the objective of the study, a zero hypothesis will be invented according to study procedures.To ascertain those objectives, the researcher invented tow zero hypotheses. The group of the study consists of 3rd grade student of Department of Artistic Education of College of Fine Arts. Their number is (40) male and female students. A random sample of (13) male and female students was chosen whom the researcher adopted to apply the experiment.Since the present study adopted the empirical methodology, a teaching program was designed through analysis the subject of oil colours re - froming it according to the model of (Ganne & Briggs,1988).To measure this program, two types of tests was designed : the first one was cognitive achieving to measure the data that the student acquire and the second is skillful which measured through rectification form of skillful performance prepared for this purpose, those tools were subjected to truth and consistency procedures.To manifest the results of the study concluded by the researcher, he used the following statistical means : (Willcoxn Test) to show the prior - posterior differences between the students of the empirical group, (Difficulty and Discrimination Coefficient) equation to analyze the paragraphs of the cognitive achieving test and (Holsti) equation to find the agreement between the two criteria also those noted in consistency on performance rectification form.In addition to using (Kauder Richardson / 20) equation for consistency of cognitive achieving test.Most significant result concluded by the researcher : 1. The adequacy of the designed teaching program for how to use oil colours through its capability to acquire the students the artistic skills and to assist them to prompt them to think and making mind imaginations to comply with oil colours requirements and acquiring their artistic skills. This, in turn, contributed to achieve the desired objectives which was obvious in experiment results when applying the prior - posteriorcognitive achieving test for the posterior test.2. The adequacy of the teaching program in acquiring the students the artistic which was obvious in experiment results when applying the prior posterior cognitive achieving test for the posterior test.The most significant recommendations by the researcher are : 1. Adopting the teaching program in teaching colour generally and oil colours specifically in the Department of Artistic Education and the scientific departments in the compatible colleges or in departments of plastic arts in institutes of fine arts. This proved an efficacy in training the students on acquiring cognitive and performance skills.2.The agreement between the results of the present study and the results of former scientific studies and researches which adopted designing and inventing teaching programs in their procedures necessitated to add an academic curriculum specialized in teaching design for undergraduate study, especially in Deparment of Artistic Education in order to introduce most recent scientific and technological developments and their role in developing the teaching process.

المعالجات الدرامية للشخصية التاريخية في النص المسرحي العراقي

اسم المؤلف: محمد مطشر عبد الكريم الغراوي الكحلاوي
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2008
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد الشخصية التاريخية في معالجاتها الفنية المسرحية ركيزة من ركائز الدراما المسرحية، فهي العنصر ذو الاهمية، وهي الفعالة في النص المسرحي، لكونها صلة الوصل بين المؤلف والمتلقي، والمعبرة عن فكر الكاتب وما حصل عليه من معلومة موثوقة بعد تقصيه عنها، واستدراكا | The historical character, during its theatrical artistic treatment, is a main pillar of the theatrical drama pillars, it is the most important effective element, of the article, due to it is the connection between the author & the observer, expressed by ideology of the author, by what he has got of a certified &documented information trying to know, the importance of that historical character & the private characteristics of the historical period in which it lived in ,the approach to the historical character, from which the author chose as properties &characteristics discovering the properties ,characteristics of the given historical period & the depressive or liberal circumstances, formed that character, as a result besides its properties in the humanitarian dimensions, perhaps there is an self & influential effects of the historical character, upon the author. There are many historical events in the international history, composed the humanity, is a mean as groups or individuals, coming from the surrounding environmental circumstances, or the resulting individual & collective self agonies suffered, the author is almost obliged by the transfer of the historical events, through historical character, as if this character represents one component of the main resources, composed either the civic development or developed the civilization it self. The theatrical artist (the author) takes the transfer task of these events, even though hypothetically or actually, sometimes, only for the artistic theatrical enrichment, by the inspiration of the passing actual humanitarian history, during different passing eras, containing subjects, ideas and objects lead to the development of peoples vital experiments. It may be seen, from the passing essay, the importance composed from both the history & the characters contained in the past, still have its resonance inside the modern observer, this is the major motive, to look after the reality of the historical character, to be dealt with, theatrically in an artistic style , the research also shows, the author imaginative power, his ideas enrichment of the writing professionalism.Accordingly the research was divided into four chapters : 1) Chapter One : The Text Domain Contains the description of the research problem, importance, targets, limits & the definitions of the terms.2) Chapter two : Covers the theoretical frame, where it contains four research parts, as follows : A) Part one : The concept of public character The public character is treated by its general concept & the limitation of its dimensions (natural, social & psychological dimension) through the ideas &the different theories of the researchers. B)Part two : The concept of the historical character The historical character is treated through its common concept about, as if it is real, not mythic, or imaginary imagined by the author himself, characterized by real humanitarian characteristics lived in real historical period in the past. C) Part three : The concept of the dramatic character The drama is investigated because its importance to the theater, where originally the historical character is contained for the artistic treatment, as considering the character is an important element in the dramatic theatre. D) Part four : the dramatic treatment of the historical character characteristics in the an elective essays, the dramatic treatments of the characteristics was studied by theatrical author, according to the treatments mentioned in the theatrical text. To clarify the complicated image, it was tried to collected different opinions of different writers. The research was stopped, up to this point, on which it was treated as proof supporting the exisistng research, as a specific indicator of the Thesis.3) Chapter three Contains the procedures of the research. The research analyzed the historical plays documented in (1980 - 2005) ,then some specific specimens purposely chosen supporting the research, they are five theatrical essays. 4) Chapter four The results, conclusions, appendences, list of references & English summary.

استعارة الاشكال التاريخية في الرسم العراقي المعاصر : دراسة تحليلية == Borrowing Historical Forms of Contemporary Iraqi Painting (Analytic Study)

اسم المؤلف: مؤيد محسن محمد
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث.. ينحو الى اقامة بعض الحفريات في الاستعارات الشكلية لمخرجات الفن العراقي القديم التي قام الفنانون العراقيون على استدعائها في اعمالهم الفنية المعاصرة.. وكان هذا الاتجاه قد تمدد في السنوات الاخيرة لدوافع واسباب مختلفة وكانت مخرجاته تؤسس الى طريق | This research.. Tends to establish some formal excavations in the metaphors that the artists are being called on Iraqis in their art.. This trend has been extended in recent years to the motives and reasons were different outputs to establish a way of communication under the title, which says bilateral heritage and contemporary. This call to the metaphor has created a method to look at the historical roots, as well as in metaphors and types, in addition to the motivation that worked on the foundation.It was based search on the first chapter and the research problem and its importance and its objectives and limitations and then determine the terminology and out of the procedural definition.Chapter II : ( conceptual framework ) and is based on the three sections The first topic : the historical root of privacy Mesopotamia all days through the era of Civilization agricultural villages to the new era of Babylonian civilization. Section II : Concepts in metaphor and identity in art. It was based on : 1. Types of metaphors and concepts. 2. Identit.The concept and meaning and form. Section III : Metapor's root contemporary Iraqi art of painting. Has been developed indicators for the Study of the end of each chapter and amounted to seven and twenty nine of them, an indication of the historical root of privacy Mesopotamia and thirteen of the concepts of metaphor and identity in art and four metapor's root Iraqi art of painting.The researcher output indicators of the joints of Investigation said.Chapter III : ( applications ) and verified the procedures of the research community through the samples the amount of sixty works were selected of which 16 to 16 artists Intentional one work per artist may provide a section on the most important conclusions : Conclusions of the research : 1. Most of the painters Iraqi contained descriptive metaphors and rhetorical expression based on the similarities and the similarity between symbols and transformations. Samples (1 - 4 - 5 - 6 - 7 - 9 - 14 - 15 ) 2. Most of the painters Iraqi contained stylistic metaphors shifted to adopt the contemporary contrast between fonts and colors. Or mimic the old style with contemporary's Materials. Or shifted from diagnosed and to be to different. Or mimic the old style on the rise and fall through the severity of the contemporary's materials. Samples (1 - 5 - 6 - 8 - 9 - 11 - 14 ).3. Some of the works of painters Iraqis built on inherited's metaphors you either restore Gaii blogger form or spiritual meaning, inspired by the blogger. And in particular that writing symbols and seals of all kinds is one of the codes. Samples ( 8 - 9 ).4. Most of the work of Iraqi artists has developed forms of abstract and formal micro and unit construction to units and formal units and construction vehicles are included in a system with units and other formalities. Samples (1 - 2 - 4 - 5 - 6 - 8 - 9 - 10 - 11 - 12 - 14 - 15 ).5. Some of the work is built on the interpretive metaphors based on the premise match the samples ( 2 - 12 - 14 ) 6. Iraqi painters are metaphors in contemporary works as follows : A. often feminine forms of mankind and the note or its Parts. Samples ( 1 - 3 - 7 - 8 - 10 - 15 ). B. and animal and vegetable. Samples ( 1 - 8 - 10 - 12 - 15 ). C. geometric shapes often superior to the triangle. Samples ( 4 - 5 - 6 - 9 - 11 - 13 - 14 ). D. and on human and animal forms and geometric designs. Sample ( 8 ). E. and composite figures. Sample ( 2 ). 7. Metaphors were often pointing to the identity and Privacy : A. Is often consistent with the identity of the fifth indicator, which states that it is not subject Of the laws of the samples ( 6 - 9 - 11 - 12 ). B. Sometimes agree with the first indicator of identity, which provides for correlation with radical history Representatives as determined by the content of disclosure about the method And raw material and technology. Samples ( 4 - 8 - 11 ). C. Sometimes consistent with the third indicator of the identity of their types, which provides for individual And collective. Samples (1 - 2 - 10 ). D. Sometimes consistent with the fourth indicator of identity, which provides for individual change And mass displacement due to belief. Samples ( 3 - 7 - 13 ). E. Sometimes inconsistent with the second indicator of identity, which provides for the construction Idealism and style. Samples ( 5 - 14 ). F. Rarely consistent indicator of the identity of the sixth, which establishes it as root repetitive The sample ( 15 ).

القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي == The Aesthetic Values of The Design Varieties In The Formations of Al - Jali Al - Thulth

اسم المؤلف: حسين علي جرمط
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي، بوصفه واحدا من اصعب الخطوط العربية واجملها، وما يتميز به من مواصفات فنية شكلت حافزا قويا للخطاطين في السعي باتجاه اجادة واتقان قواعد حروفه وبناء تكويناته باساليب وا | The research is intended to study the aesthetic values of the design varieties in the Formations of Al - Jali Al - thulth script Being one of the most difficult and beautiful Arabic scripts and characterized by some artistic specifications , it strongly motivated the calligraphers to be good at the rules of its letters and the build up of its formations in various artistic trends and styles. That helps enrich and develop the design and aesthetic values of these structures , since they are graphic chievements representing a turning point resulting from the semantic , aesthetic and objective vision in producing the texts according to a particular form - amatter which has clear influence on the expressionistic, aesthetic and technieal development to produce free structures with design constitutions untied to geometric figures. The emergence of these free structures is only a natural product of the Arabic script development and its way of handling the designs in the light of the principles and rules of the Arabic script. The researcher, through the samples which he had access to, has managed to present the problem in the first chapter via the following question : 1 - What are the aesthetic values of the design varieties in theFormations of Al - Jali Al - thulth script ? The significance of this research lies in the fact that the formations of Al - jali Al - thulth script are a wide field of innovation, renewal and change at the level of the formal build up of formation. The study is of sig nificance to the researchers in the field ofArabic script. The study aims at revealing the design varieties in the formations of Al - Jali Al - thulth script, and identifying the aesthetic values of these varieties represented in the free structure appearing in Iraq, Syria, Egypt and Turkey from the period (1970 - 1390) to (2010 - 1431) Chapter Two includes three sections. The First section deals with the genesis and development of Al - thulth script and the transformations it witnesses throughout developmental course until the concept of graphic portrait appears. Section Two touches upon the development of the structure system in the Al - Jali Al - thulth script. Section Three goes into the aesthetics of the Arabic script, followed by the previous studies and the indicators of the theoretical framework. Chapter Three comprises the procedures of the reseaech. The approach adopted is analytic descript. Tive. The population is restricted to the graphic portraits that have free structures written in Al - Jali Al - thulth script. The portraits are one hundred (100) in number, 20 samples of which the researcher has chosen on purpose which accountfor 20% of the total population. These portraits have been analyized to the analysis form which includes four points, the authenticity of which is supervised by a group of specialists in this field. Chapter four contains the analysis of the samples and presentation of the results : 1 - Employing the flexibility of the letters of Al - Jali Al - thulth script in building up free formations. 2 - Diversity in the artistic direction of the free structures whether it is in the organized letters or in the built formation. 3 - The possibility of changing the positions and directions of the letters as well as measurements, facititates the invention of special free formation. 4 - Some free structures are characterized by simplicity in terms of the build up or the formal build up of the formation.5 - The multiple forms of a letter helps the calligraphist prefer one form to another of the same letter and choose the suitable form to build up the design skeleton of the free structures. 6 - The phenomenon of the free structures in the Arabic script is a tendency to liberate from the domination of thegeometric figures. 7 - The engagement between the letters and words forms different design relationships, and helps in effective form and space. 8 - The free graphic formations show that the calligraphist adopts the rule of lengthening of the letters. 9 - The adoption of the rule of letter modification and the specific change of its build up (formal,standard) shows that there are various forms exceeding the rule form of the letters.10 - The artistic direction of the graphic structures is characterized by innovation and diversification whether in terms of the formal organization of formation or in letter organization or merging to complete another letter. 11 - The letter are at the calligrapher`s proposal to satisfy his artistic sensation in the lengthening and sending with the view of showing its beauty. The researcher has come to the following conclusions : 1 - The graphic structures are an important phenomenon generated by the developmental mocement of the Arabic script. of the reasons of this phenomenon is that the calligraphers try hard to give it beauty, cohesion and strength. 2 - Al - Jali Al - thulth is the most capable script of producing the graphic formations in different forms and designs,particularly the formations characterized by the free structures due to its construction properties and itsmultiple and diverse forms of letters. 3 - The weak artistic distribution of the formation design particularly abiding by the reading serial which results from design necessities to produce the formation, negatively reflects upon the realization of the communicative goal and smooth reception. The researcher has made the following recommendations : 1 - Teaching ( the aesthetic values of the design varieties in the structures of Al - Jali Al - thulth script ) as curriculum in the college of fine arts and the educational institutions. 2 - The results of the research should be made use of and be adopted as a basis when preferring one calligrapher to another in the artistic activities such as contests, shows and festivals.

المنطلقات النفسية لتحليل الشخصية الدرامية في النص المسرحي العراقي : نماذج مختارة == The Psychological Beginnings In Analyzing Iraqi Dramatic Character

اسم المؤلف: عقيل قاسم ولي الموالي
اسم المشرف: حسن عبد المنعم الخاقاني
الموضوع العام: الفنون الجميلة
السنة: 2009
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: اهتمت الدراسات الادبية والنقدية في تناول النص المسرحي من الوجهة النفسية عالميا وعربيا ؛ غير ان النص الدرامي العراقي لم يحظ بالكثير من الدراسات النفسية خصوصا التي تناولت المنطلقات النفسية للشخصية الدرامية.. من خلال تقصي الدوافع النفسية الكامنة في هذه المن | The critic and literary studies concern in dealing the theatrical text in psychological in International and Arabic point of view, while the Iraqi dramatic text did not acclaim in many psychological studies specially those studies which dealt with psychological beginnings of dramatic character due to the lack of potential incentives of these beginnings , therefore, the researcher challenge this point in his thesis titled ( The Psychological Beginnings in Analyzing Iraqi Dramatic Character - Selected Samples) , which will includes Two Chapters : The first chapter (Methodic Framework), and second chapter (Theoretical Framework) which were divided into two sub - researches and they are : First sub - research : The Psychological beginnings of analyzing the character, while the second sub - research : The Psychological beginnings in analyzing the dramatic character The researcher and throughout the theoretical framework indications has come up with nine psychological beginnings, and they are as follows : First : Instinctive Psychological beginnings Second : Social Psychological beginnings Third : Self - psychological beginnings Fourth : Sub - conscious beginnings Fifth : Sicken Psychological beginnings Sixth : Bio - physiological Psychological beginnings Seventh : Reaction Psychological beginnings Eighth : Emotional Psychological beginnings Ninth : Philosophical Psychological beginnings As for the third chapter (Procedures of the Research), the researcher deals with those nine Psychological beginnings based on the indications resulted from analyzing the following samples : First : Text of play titled (the Door) by the writer Yousif AL - SaeghSecond : Text of (The Thorns) by the writer Muhyee AL - Deen Zankana Third : Text of (Welcome Oh, Peacefulness) BY the writer Jalil AL - Qaisi While the (Forth chapter) deals with displaying : First : Research Results. Second : Conclusions.

خبرات الطفولة وانعكاسها في التعبير الفني لدى طلبة المرحلة المتوسطة == Childhood Experience And Reflection of Expression For Students of Intermediate Level

اسم المؤلف: احسان طالب جعفر
اسم المشرف: محمد سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استندت مشكلة البحث الحالي الى التساؤل الاتي : هل هناك علاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ؟ هدف البحث الى ( تعرف العلاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ) , وتحقيقا لهدف البحث اشتق الباحث عدة فرضيا | The problem of the current research is depending on the following question : Is there any relation between childhood experiences and artistic expression at intermediate stage student ?The objective of the research is ( identify the relation between childhood experiences and artistic expression at intermediate stage student ) and in order to achieve this objective the researcher derived several zero assumptions. The society of the research included the student of intermediate 2nd class student from the intermediate schools in Baghdad city who are still continue studying for the academic year 2011 - 2012. The researcher chose ( 100 )student ( both boys and girls),and the sample of the research were ( 4 ) four school chosen randomly.Adopted the descriptive methodology in the current research and construct the both instruments of the research as follow : - First : Construction measurement of childhood experiences according to the concepts of psychological analysis theory ,consisted of ( 20 ) paragraphs of delightful experiencesand ( 20 )paragraphs of painful experiences. Then achieved honestandsteadiness which are suitable to the measurement. Second : Drawing analysis form : An instrument is constructed composed of ( 6 ) six fields ,( 20 )main characteristic and ( 60 ) secondary characteristic. Then confirmed the honesty of the performance through display it to a group of specialists experts , while regarding steadiness , the researcher resorted to outside analysts Concerning drawing , it has been agreed on three drawings which are ( family , school and general environment )out of (300) drawings.To reach the results of the research ,the researcher used suitable statistical equations ;therefore after discharging the data , the research reached the following results : - 1. There is no positive correlation implies statistically at the sign (0,05 ) between : - • Delightful childhood experiences of males and the drawing of (family , school and general environment).• Delightful childhood experiences of females and the (general environment).• Painful childhood experiences for both gender and the drawing of ( family , school and general environment ).2 - there is positive a correlation of statistic significance at the level of gaudiness (0,05) between the childhood pleasant experiences for the female and the drawing of the family and the school.And after displaying the results and discussing them the researcher has concluded number of recommendations : - 1 - Giving more opportunity for the students to free artistic expression, and excreting efforts to learn the drawing skills and subsequently making the production of artistic expression more available of thoughts sense and emotions obsessed them and feelings towards things surrounding them.2 - Sponsoring the student’s talents especially the artistic expression( drawing) of its importance in developing their personalities and achieving adaptability and psychological health for them, the art in all its kinds emotional discharge mean for what the adolescence bears of painful and emotional experiences.The researcher has suggested performing the following studies : - 1 - The relation of the childhood and the drawing of Dept. of Artistic education.2 - Relation of childhood experiences and the artistic expression for age categories or other studying grades.3 - Relation of the artistic expression with other variables in the field of education and psychological science.

الحركة في تصميم الصحف الرقمية ودورها في التعزيز الوظيفي والجذب البصري == Movement In The Design of Digital Newspapers And Their Role In Strengthening The Functional And Attraction Visual

اسم المؤلف: زينه ساوا افرايم
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التناص في النحت العراقي المعاصر : دراسة تحليلية

اسم المؤلف: حيدر علي عاتي
اسم المشرف: مامون سلمان فارس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

توظيف الاغاني العراقية في تعلم مبادئ العزف على الة البيانو == Using Iraqi Songs In Learning Fundamentals of Playing Piano Instrument

اسم المؤلف: وليد قحطان سلمان الجنابي
اسم المشرف: مهيمن ابراهيم الجزراوي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Research consisted of five chapters with a list of sources and supplements as follow : First chapter addressed methodological framework of research, viewing research justification, which spotlighted on orientation of musical education institutions in Iraq to use European methods for learning playing piano, and reasons for that, although the music in most of these methods are strange to local student's ears, because these methods are using European music legacy that clearly differs from Iraqi. For that, and for lacking any method using Iraqi songs for learning playing piano, or any academic research dealt with this subject, the researcher convicted to use Iraqi prevailing songs in a musical method for learning playing piano for beginners in an academic and methodological study.Then the researcher showed the importance of his research, as follow : - It considered as first academic research using Iraqi songs in learning playing piano, to the knowledge of the researcher. - It considered as a source for learning playing piano for beginners, and for higher education students, and for specialists in musical studies. - Considered as first step for building methods using Iraqi songs for learning other western musical instruments.Researcher aimed in his research to using Iraqi songs in learning the fundamentals of playing piano.Second chapter included the theoretical framework and previous studies. Where Theoretical framework consisted of three subjects, as follow : First chapter highlighted the role of Iraqi songs in Iraqi society, and how they are relating with its daily life, and how it expresses economic, political, and social aspects, with someexamples about that. Second subject showed early usage of piano in Iraq, and its role in Iraqi songs as a complementary instrument. Third subject issued the summary of most important musical methods used in musical education institutions in Iraq, and some other methods that used the musical world musical legacy used nowadays.Third chapter issued research procedures, where researcher identified research approach he taken, then he chose his research community, which formed Iraqi prevailing songs, then he chose the samples intentionally, which consisted of samples. Then he issued research analytical standard, which he build, for applying the samples in teaching method, then he named his research requirements.Fourth chapter studied applying the samples as a learning method. Finally, fifth chapter set the results of the research according to the samples selected, and then the conclusions, recommendations, suggestions, and then the list of sources, supplements, and finally a research abstract in English.

التكوينات الفنية وتحولاتها في تصاميم اقمشة الازياء الحديثة == The Artistic Formations And Their Transformations In The Textile of Modern Fashion

اسم المؤلف: زينـب احمـد هاشـم
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن تصميم اقمشة الازياء نتاجا حضاريا يدل على رقي الامم وتطورها وازدهارها ونتيجة للتطور العلمي الذي فرض حتمية المزاوجة بين العلم والمعرفة والفن والتي نتج عنها تحولات لتطبيقات اتاحت للفرد مزيدا من التوجه الفني والمعرفي مع سرعة التحول والتغيير المستمر | The art of textile design is a civilized byproduct which indicate the development and advancement of nations as a result of the scientific progress which imposes the inevitability of pairing theory and application and science and work which resulted in new or recent developments that allowed the individual for more artistic and epistemological trend with the fast conditioning and continues change.The artistic formations in the women textile design are subjected to the designer’s taste who bases his deigning ideas in modern style through transformations that go along with the appearance of textile in women fashion arriving at satisfying the taste of the recipient of these designs. In the light of that, the researcher determined her problems of the study with the question : Have the artistic formations and their transformations achieved an effect in the design of modern women textile? The research also contributed in the following through its importance : 1 - The importance of the study from being one of the studies that care for the study and adding an epistemological base for the specialized and workers in the field of the design of fashion textile in general and women in particular.2 - The results of the current study can be used to provide technical base for students of textile design in the institutes and the colleges of fine arts and how to made use them in the plastic art works and employ them in the design to achieve transformations that can enrich the aesthetic taste. 3 - The suggestions imposed by the researcher in her study can lead to the facilitation of the researchers in the women textile design, as well as scholars related to that vital field of art.The researcher also aims at the following objectives : 1. To reveal the reality of transformation of modern women textile (Islamic aba - Al - saya - the dress). 2. Putting suggested designs for the women textile based on the manner of employing the artistic transformations of Iraqi artsitis (Faraj Abou - Jameel Hamoudi - Widad Aourfaly - Bahija Hakeem) as a modernist transformation in the process of outer appearance design. The limitations of the study are manifested in the artistic formations and transformations in modern women textile design (picnicking and evening) for the (25 - 35 years) with originated from (Iraq - UAE - China) available in local markets in Baghdad within the period (2013 - 2014). Chapter Two includes the theoretical frame which includes three inquiries; the first inquiry tackles the artistic formations, while the second includes the concepts of the artistic and technical transformation in fashion textile design; the third inquiry tackles the transformations in fashion in women design. Then the theoretical framework and previous studies follow. Chapter Three includes the procedures of the study which was taking the analytic descriptive approach. The total number of the sample was (150) sample of design. The sample was chosen purposely in (%81) of (12) models. The researcher prepared the questionnaire form to analyze the women textile design that include many axis verified by the experts and then the constancy was derived. The samples were also analyzed.Chapter Four includes the result and findings of the study, and the researcher comes up to the most important findings : 1 - Repletion was used in the formation design as it forms the expressive energy for the distribution of deign items, specially the botanical and geometric forms. 2 - The sizes of items of the design formations have come in attract the attention 3 - The designers depended on the stenography of the written forms and abstract drawings through omission and addition which is more flexible. 4 - The variation in choosing the digital image through depending on the collective style for the adjacent items. It is an attempt to add a kind of change in the realization based on the style of transformations through the distribution of items which showed the effectiveness of the relationship between the form and the space that achieved vitality and dynamicity for the designing formation. Chapter Four also includes the recommendations and suggestions in addition to the suggested computer implemented designs prepared by the researcher. The study ends with the list of references and the abstract.

اقترانات منظومة تصميم الفضاء الداخلي وانعكاساتها على التذوق الفني للطفل == System Conjunctions of Interior Space Design And Its Reflection On The Child’s Artistic Taste

اسم المؤلف: شيماء زكي عبد الحميد
اسم المشرف: لبنى اسعد عبد الرزاق
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The interior design of kindergarten classes is considered as a system which has its psychological conjunctions and reflections on the growth of the child's artistic taste. To fully cover the topic of this study, it is essential to deal with interior design both as a science which has its considerations and conditions that fulfill the basic functional needs of a child and as an art which has its conjunctions that fulfill the child's sensual and psychological needs. Since the user of this interior design is the child himself at this important age of his/her life, it is necessary that the study includes the psychological aspect of the child and his/her artistic tasting. Thus, this study researches the conjunctions between the scientific, artistic, and psychological aspects.This study topic arises through questioning what the interior design conjunctions of kindergarten classes are and how they are reflected on the children's artistic taste. The goal of the study is to find mechanisms that activate these conjunctions in a way which increases their reflection on the growth of the child's artistic taste. This goal is achieved through knowing these conjunctions in the interior design of kindergarten classes and proving their reflection on the child's artistic taste. The study is divided to three sections; section one is titled "Explanatory Theories of Conjunctions and Artistic Taste", the title of section two is "Interior Design System in Kindergarten Classes", and section three is about the child's perceptions and his/her artistic tasting.Two research methods are used in this study. The descriptive method is used in analyzing the sample of the interior design of kindergarten classes. The second method is that of testing the artistic taste of the sample children; (Mann Whitney) table is used to analyze the test data. The test results, of the two dissimilar samples of children, show a clear statistical evidence of different percentages about conjunctions and their effect on meeting human needs. So, on the basis of the results, conclusions, and

اسلوب تاليف قالب السماعي عند الموسيقيين العراقيين == Style of Composing Sam?'I Form At Iraqi Musicians

اسم المؤلف: ثائر خليل اسماعيل
اسم المشرف: فراس ياسين جاسم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Research consisted of five chapters with a list of sources and supplements, as follows : Chapter one addressed the methodological framework of the research, viewing research justification, spotlighting on the musical style as one of the intellectual concepts for understanding the artistry characteristics, which vary according to mentalities and philosophies they descended from. The musical style in Iraq, especially in instrumental music, began to appear starting from 30's of 20th century, which considered the most important time of Iraqi music history, after establishing Institute of Music (Institute of Fine Arts), as it became a musical renaissance time after some Iraqi artists' graduation whose used many musical forms in their compositions, especially Sam?'I form, which was varied in melodic and rhythmic structures because of its importance in musical structure. For lack of previous researches dealt with Iraqi musicians' styles in Sam?'I form, emerged the justification of a scientific and analytic study about composing Sam?'I form style at Iraqi musicians. Then, the researcher showed the importance of his research, and research objective, revealing of the style of Sam?'I form at Iraqi musicians, using. After that, the researcher explained the limits of his research and he defined the terms. Second chapter included the theoretical framework and previous studies, theoretical framework consisted of three subjects; first subject highlighted on style concept, Second subject was about musical composition, Arabian music characteristics, reality of instrumental music in 20th century, Institute of Music (Institute of Fine Arts), ?erif Muhiddin Haider and his school characteristics. Third subject presented popular vocal and instrumental musical forms in Arabic music, reviewing the musical instrumental forms up to Sam?'I form, which it's the main subject of this research, and its parts, melodic and artistic formation, rhythms, composition, and its history. Then the conclusion of the theoretical framework and the previous studies. In third chapter, researcher presented the research procedures, where he identified the research approach taken, and set the research community, whereas it contained tow communities, first one consisted of 13 Iraqi musical composers composed Sam?'I form within (1936 - 2003). Second community consisted of 65 Iraqi musical compositions in Sam?'I form. Then he identified the sample size intentionally within these communities according to objective justifications serve the research procedures and fit in with the goal of research. Then the researcher named his research tools and the analytical standard that he was prepared, and finally his researcher requirements. Fourth chapter studied the musical analysis of 10 selected samples. Finally, Chapter 5 set the results of the musical analysis of samples selected, depending upon these results the researcher presented his conclusions, recommendations, suggestions, and then the list of sources, and finally the research abstract in English.

تمثلات التابو والطوطم في بنائية الفيلم السينمائي == Taboo And Totem Representations In Film Structure

اسم المؤلف: محمد سلام عبد
اسم المشرف: محمد عبد الجبار كاظم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Taboo and Totem are considered to be attracted by the cinema attention due to their nature. They represent a performance challenge to the film director. In addition to that, we may say that the cinema capabilities, which go beyond all red lines, tried to reveal what is unidentified or indistinct. This has led the researcher to give his thesis the following title (Taboo and Totem Representations in the Film’s Structure).The thesis was divided into five chapters as follows : The first chapter (The methodological framework) which includes : - the problem of the research and has been put in the following question : How the representations of Taboo and Totem could be achieved in film’s structure ? Then we have written the importance, the need, the aim and the limit of such research. The researcher has made a list of the related terms.The second chapter ( theoretical framework and previous studies ) : The researcher has divided it into three sections as follows : The first Section : The taboo and totem ….. aspect and action : we have discussed the aspect of these terms, taboo and totem, and their historical origin. Also we have discussed the approaches related to psychology and sociology and ended with some film cases on these terms.The second section : Film structure and producing meaning : The researcher has discussed the nature of the film structure and the way of expressing meaning through the activation of the film intermediary language elements. In addition to that , the researcher has discussed the most important rhetorical images.The third section : Taboo and Totem in the film image : The researcher has discussed the film processing for these terms in the worldwide movie and the ways in dealing with these primitive thoughts and their effects on the film manufacture in general.Upon such discussions the researcher has had a group of indications that resemble the theoretical outlines summary to be demonstrated to the experts committee as would be illustrated in the third chapter. The researcher has ended the second chapter with the previous studies.At the end of the second chapter the researcher has mentioned the previous studies which did not include any similar one that are related to the research under discussion.The Third Chapter : ( Research Procedures ) A sample of two films has been analyzed : 1 - The Da Vinci Code (2006)2 - Avatar (2009)The fourth chapter : Analyzing the sample : The researcher has analyzed the sample depending on the indications of the theoretical framework after consulting the experts and judges committeeThe fifth chapter : Results and Conclusions : This chapter included the results that has been achieved by the researcher after analyzing the research sample.Among conclusions which has been achieved is that the film art has the capability to express many different subjects of thoughts , believes and physicals. The taboo, divine and totem represent especial subjects that impose the search for rhetorical ways on film. This is to enriched the image with signs , codes and symbols. The film’s position could be included with specialty of subject being processed so that it becomes an active character involves with other characters to communicate the information and the thoughts produced.The researcher has achieved some conclusions and ended the research with recommendations and suggestions.Finally , the researcher has included Arab and Foreign references that have been adopted in the research as well as annexes.

التنوع التصميمي في لوحات المشق الخطية == Diversity In Design Mashaq Handwriting Paintings

اسم المؤلف: اشرف كامل عبد الامير
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استهدف البحث الى دراسة التنوع التصميمي في لوحات المشق الخطية، من خلال الدراسات الاستطلاعية التي قام بها الباحث، وجد وعلى حد علمه ان تلك الدراسة لم يتطرق اليها الباحثون من قبل، لهذا وجد الباحث مبررا منطقيا في دراسة لوحات المشق والتعرف على تنوعها تصميمي | Targeted to study the diversity of design in the Mashaq handwriting paintings , and through surveys carried out by the researcher, found and , to his knowledge that the study did not address the researchers before This researcher found in a study rationale plates rima and identify the diversity of design parameter. The study included four chapters, the first chapter includedthe research problem, in the following question : What diversity in design Mashaq handwriting paintings In order to reach solutions to this problem and to achieve the desired results, so research aims to identify the elements of artistic construction plates rima, andidentified by the researcher Balentajat completed in all of Iraq, Turkey, Egypt, and Saudi Arabia.The second chapter includes several axes, including a brief history of plates rima, and building them with technical, design and foundations, while the third chapterincluded the research community boards rima linear and which numbered (97)Chosen from the research (10) samples were deliberate, may follow the researcherdescriptive approach, using this instrument, which were represented form for analysis which is based on dialogue with several oversaw the validity of a group of professors who specialize in this area either Chapter IV represents to reach important results, as it appeared diversity in design plates AlamishqalkhtiahibflAdoption of plates rima processor design variety is based on the methods based on the lack of contention clips, text, or fragmentation of the word into two parts due t othe similarity of characters, or by symmetry and symmetry words of text, contributed treatment sections written word per category of color united in promoting the efficiency of literacy that draw paths lead appointed receiver to track the movement of the characters despite the variation trends, especially within the formations character motor, and the researcher recommended included plates Alamishq the curriculum for the students of the Faculty of Fine Arts, and educational institutions corresponding to them, because of their importance in the diversity of outcomes sin being kept pace with the movement of technical development, sealing the fourth quarter proposal fit to be a subsequentstudy includes oundations Alamchaq pairing between handwriting and paintings of letters nature.

اساليب النحت المعاصر وتاثيرها في نتاجات طلبة قسم التربية الفنية == Contemporary Sculpture Methods And Its Effects On Products of Artistic Education Department'S Students

اسم المؤلف: طه عبد الهادي عباس
اسم المشرف: صلاح لازم حسن
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شهد فن النحت تعدد في الاساليب لاظهار المنجز الفني والذي جاء نتيجة التطور التكنولوجي والايديولوجي الذي افرز بدوره مجموعة من الخامات والمخلفات التي كان لها الدور البارز في اعطاء الحرية في التعبير وسهولة في الاداء, وفقا لحاجات الفن في التجريب بهدف ترجمة افك | The art of sculpture has been witnessed diverse in methods as to bring out the artistic accomplishment that come as a result of ideological and technological development that in return ensues a set of ores and remnants. The latter has a grand role to give freedom of expression and easiness in performance. For translating thoughts of the artist ,successes of the art have been achieved by many artists. The history of art is characterized with a large number of artistic methods types, some of them taken as a general aspect for being distinguished with a specific type in the form, or some types taken as individual impression in works of some artists that are characterized with the form aspects to be distinguished from others. These works express selfness of the artist and being considered as a process of organization. The more progress is achieved in the artistic methods , the more get away from the old artistic methods. The radical turning points on the artistic method late of nineteenth century and twentieth century resulted into occurring changes in the feelings and intellectuality that being regarded as a base for principles , theories and artistic bases.Thus, the researcher has found the necessity to study the contemporary artistic methods for being important to enrich the artistic works in field of Sculpture - Students of Artistic Education Department - college of Fine Art since it is considered as a main gate to know modernism outcomes in plastics. The researcher realizes the problem of the research by making a study on students of artistic education department - second stage in the subject of sculpture. The researcher has suggested a basis for the problem of the research through varying methods of contemporary sculpture along with its effects on products of students of Artistic education department. In the light of that , the researcher has constructed hereunder goals : - Uncovering the effect of contemporary sculpture methods on products of artistic education department students. - Discovering the role played by these methods , techniques and modern sculpture ores on works of students of artistic education department. - Unfolding diverse contemporary sculpture methods. In order to achieve the goals , the researcher has placed a form as to analyze products of the students , the research includes 50 products for the second - stage students - department of artistic education - subject of sculpture. It has been randomly chosen sample consisting of ( 10) products accomplished according to methods of contemporary sculpture. In order to bring out results of the research, the research has depended on a set of statistic means as to process data and information that he obtained from the sample of the research and to set the results he has reached to via form of analyzing works of the research sample. The researcher has used equation of acuteness degree and equation of percentage weighs. For indicating reliability of the form ,it has been entailed two of analysts (after being trained) as to analyze sample of the research for knowing the means of operating compounds of analysis form. The results of analysis appeared according to equation of (Holsti) for the two analysts consent. It has been appeared the general average amounted to (0,86). This ratio gives a good indication to ensure reliability based on compounds of analysis form. Most significant conclusions the researcher has reached to are : 1 - The ability of student to express about his opinions and his thoughts freely by using methods of contemporary sculpture for easily getting parts and remnants from places where being easily gathered and compounded. Besides the diverse in parts that contribute into sculpture accomplishment that spare time , money and effort for the students.2 - Having the students acquire artistic skills in the contemporary sculpture ( post modernism) and modulating the nature of skillfulness and artistic properties as to reach to the best process of sculpture. This transparently appeared through the effect of contemporary sculpture methods on accomplished samples of the students ( sample of the research). The recommendations : 1 - Placing a special method paralleling to the contemporary arts and teaching the history of art. Confirming on the cognitive side as to be equal to application side for helping the student to assimilate arts and most modern artistic experiment. 2 - Motivating the students and those studying in the institutes and colleges on means , ores, techniques, and technology to be entailed in the artistic work. This step for innovating new arts ensued from the environment of the student. This comes from having the student depend on practical and application lessons according to different experimental means within methods of contemporary sculpture. 3 - Increasing lectures and hours of teaching the subject of sculpture and confirming on the classical side that in return helps the students produce works and samples with contemporary methods.This comes through the study of anatomy and kinship that enable the students to be conscious and aware of his sculpture accomplished. The connection between the old and the new helps the student formulate his special bases regarding the artistic work. 4 - Observing the modern technology to carry out the artistic work. The techniques have a role to bring out means to activate the meanings and the indication. The contemporary arts contribute into technology and scientific progress and getting benefit of modern innovations either to be used directly into producing artistic works or searching from inside the technology environment about new techniques and forms

الرؤية الفنية في تجربة جعفر علي == The Artstic Insight In The Experiment of Jaafer Ali

اسم المؤلف: سلام يوسف دبي
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التصدي لتوثيق ودراسة حياة وتجربة مبدع ليس بالعملية اليسيرة مثلما يبدو وخاصة في بلد مثل العراق الذي شهد صراعا وحربا جعلت منه بلدا يكاد ان يفقد الذاكرة بنتيجة حالة اللااستقرار الذي جعل الكثير من المبدعين ان لا يجد ظرفا مناسبا لتوثيق حياته ومن المبدع | The Intercepting for The Documentation & study of the life & Experiment of a Creative Individual is not an Easy Process as it appears Especially in a country like Iraq that Witnessed war & Struggles that made him as a country that almost losses his Memory in Result of Non Stability Condition That Made A lot of Creative Individuals not Finding a Prorates Circumstances To Document Their Life's , & Those Creative Individuals who Documented to Their Artistic Biographies have been Vanished here & there or Have Terminated By The fires of Wars.So The researcher have Suffered Greatly In his Studying the Artist Jaafer Ali & to Get His Productive Achievements for this Variety artist in The Field of Movies , Radio , Television & Theater For The researcher had found that most of these information in the memory of those who lived with Jaafer Ali & those related to him , & The researcher had Acquired a Paper cuts or Notes Had been Writhen here & there or some articles or Artifacts have been Acquired & it been Convinced That is in Total Does not Form The True Image for Artist Jaafer Ali , & in the In lighting of What Was Available to the researcher From Resources This Research Has Been done about the Artistic Vision in the Experiment of Jaafer Ali Which Contained Three Chapters : - First chapter : - comprises the methodic frame, which handles the themes of the research like : - How Did Jaafer Ali Insights Reveled In his Creative achievements , & what is The Resources That Made him A Multiple Visionaries Individual?.As For The Aims of research : - 1 - The Documentation of An Iraqi Creative Individual In the Field of Culture & Arts.2 - Studying The Achievements of that Creative Individual In the Area of Theater , Movies & Television.3 - In lighting His Experiments In Movies Through His Feature & Documentary Films. The second chapter tackled theoretical frame & Previews Study's which includes Three topics : - 1st topic : - Grown up & Forming in the Effect of Cultural & Artistic Realty : - Which is A Phase Jaafer Ali Was Formed in The Shadow of Social & Cultural Realty That Was Various , & his Affection of With The Greatest Iraqi Culturists , & His Grew in Time Period that was Rich with mind liberty , So He Makes his way according To The Ambitions of sophisticated Individual That Claims the Pronouncing of His Visions , He Managed To Study English Literature In The Literatures College , Than He Headed To Study Cinema In the United States , After His Return He Started To Lecture In Fine Arts Institute & Fine Arts Academy in Deferent Cinematic Art Fields , & The Topic Also Included His Practical Life A Teacher , Musician , Interpreter , Cinematographer , Actor , Critic , & Writer In Addition To Some psychological Crisis That Happened To Him. 2nd topic : - It Includes Technical Expertise 7 Artistic Visions in The Field of Theater & Television , & The Interest That Jaafer Ali Was Reflected On The Composition Between Theory & Applying That Makes Him Capable of His Instruments & Implying it to Manifesting The Contents & Thoughts for the Scripts in Television & Theater , were Theater was The First Lunch in His Technical & Artistic Experiment Through What Been Achieved in Theatrical Plays Were Most Signified One Was Vetrock & Many Other Television Plays Like (Satra Vosan).3RD topic : - The Artistic Vision in His Cinema Experiment : - This Topic Includes A Briefed Historical Reading for The Facts of the Iraqi Movies Production Movement & the Economical & Political Circumstances , Its Divided To Three Periods ; - 1st - From The Year 1946 till the year 1959.2nd - From The Year 1959 till the year 1975.3rd - From The Year 1975till the year 2003. And Remembering some of Jaafer Ali Four Documentary Films Which are : - 1 - The Collector ( Al - Jabi).2 - The Turn ( Al - Munaataph).3 - Years of Life ( Sanwat Al Omer).4 - Narcissi The Bride of Kurdistan ( Narjes Arws Kurdstan).And Two Feature Films are : - 1 - Women & Work ( Al - Maraa Wal Ameel ).2 - Askerrian Shrimp ( Al Rawdaa Al - Askerrian ). This Topic Also Shows The Foundational Role of Jaafer Ali To Establish The Department of Cinema In The College of Fine Arts.The 4TH chapter consists of the research procedures including the Research s' sample that the Researcher analysis of the samples.And The Most Important Results That The Researcher Have Included : - 1 - In Spite of the Specialty of the Research s' sample By Its Narrative Construct & the Shortening of the Dramatic Act but was Able to show the daily life of the Iraqi people & its Suffering through a Bus Journey in The Film The Collector ( Al - Jabi) , & The Political & Social & Economic Reality For The Country & The Agony of The Iraqi Culturist In the Shadow of These Circumstances in the Film The Turn ( Al - Munaataph).2 - It Was Clearly Obvious the Effect of the Poverty & the Lack of Techniques that used in these Film Samples Which Reflected on the General Artistic Shape To The film , For This Lack Had Sustained The Camera Freedom In Movement & Taking More Expressional Angles , & This Lack Also Reflected In The Lightening Composing In A Amount of Scenes Especially The Night Vision Scenes For the Most Was Humble & Modest.

الاتجاهات المعاصرة لفن الخزف العراقي وامكانية توظيفها في مشاريع طلبة الفخار - معهد الفنون الجميلة == Contemporary Orientation of Iraqi Ceramic And Ability To Employment In Project of Student of Ceramic\Institute of Fine Arts

اسم المؤلف: هند عبد الجبار عبد الكريم
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: التعليم مشروع انساني يرمي الى هدف مساعدة الافراد على التعلم، والى احداث تغيير مرغوب فيه في سلوكهم، ويرمي ايضا الى اثارة دافعيتهم للتعلم من طريق مجموعة من النشاطات والقرارات التي يتخذها المعلم، او الطالب في الموقف التعليمي في اثناء التركيز والاهتمام بطرائ | Humane education project aims to help individuals learn, and change undesirable behaviour, and also aims to raise davaithm for learning through a variety of activities and decisions taken by a teacher or student in the educational position through focus and interest in teaching methods and techniques in order to achieve objectives which seek to develop capabilities and creativity learner able to discover new horizons in reality promotes all aspects (physical, mental, cognitive, and emotional skills, and professional). Educational institutions, including the fine arts institutes that have a significant role in the community being interested in preparing almlakatalalmet and functional in various disciplines, these institutions a distinct role in the construction of teacher's educational, socially and technically and contribute to the creation of specialized technical elements of education and work in the fields of art, and was responsible for leading the Renaissance and broaden scientific knowledge, through the introduction of ways and means and methods in software setup and keep pace with the technological knowledge and waladatrad occurs in the world, including instructional design.Based on the foregoing, the present research aims to : 1. detect trends of contemporary ceramic art.2. design tutorial on contemporary trends of ceramic art based on the Iraqi paradigm (Kaneh webrgs 1988 (Gagne&Briggs in instructional design.3. measuring the effectiveness of tutorial its knowledge and skills through tested on a sample of students grade 5 - BR - Department of fine arts pottery for the academic year 2011 - 2012. So the researcher designed the educational paradigm (Kaneh webrgs Gagne & Briggs, 1988) contains (4) modules are (raw materials and supplies necessary to prepare dirt, methods of forming Tina pottery, modern art trends, trends and contemporary styles of ceramic art) include (4) learning objectives have been analysed to behaviorally target (70) and reality (13) target behaviorally for first and education unit (17) behavioral goals for second and education unit (8) behavioral goals for third and education unit (32) targeted behaviour of education unit, fourth and knowledge skills represent a dynamic and compassionate. Current research community were selected from students grade 5 Br. pottery - Arts - College of fine arts - study of morning (10) students, the entire community was chosen as a sample of application experience accredited by the researcher. As the current search experimental method was adopted, and it has been chosen as experimental design with a minimum of one sample exactly tests being compatible with tribal walbadi current search procedures which aims to know the effectiveness of tutorial material porcelain. For the purpose of measuring the effectiveness of this program is designed for two types of first tests to measure information collecting knowledge acquired by students and second Maharey measured mediation skill performance evaluation form prepared for that purpose, as these tools have been made subject to the procedure for validity and reliability. To show search results reached by the researcher used the following statistical means (test welkoksn), to show the differences between students in the experimental group, and tribal webadia equation (coefficient of difficulty, discrimination) to analyze cognitive achievement test paragraphs and equalization (Cooper) to find agreement among the arbitrators as well as foremen in the process of performance evaluation form stability, furthermore the researcher to use equation (kiodr Richardson/20) to consistently test cognitive achievement.The most important findings of the researcher, are : 1. The superiority of the experimental group students who applied them tutorial in test marketing post, due to the educational experiences provided in the tutorial.2. the superiority of the experimental group students (the experimental group) students who applied them in skill test tutorial post, due to a sequence of technical skills within the ceramic prepared tutorial content.The researcher has recommended a series of recommendations including : 1. adoption of the tutorial the designer in current research in relevant educational institutions (institutes of fine arts) and the teacher) taught by ceramic material to prove its effectiveness and its ability to develop the skills of students.2. training of teachers and teachers of art education teaching personnel within art education schools secondary technical skills of ceramics as one of the goals of professional education for the purpose of developing the skills of their students in this area.3. use professional skills development centres of the Ministry of education and higher education and scientific research of instructional design (tutorial) prepared in current research on the paradigm webrgs Kaneh/1988, and its use in the design of other subjects to prove its effectiveness.

تقنيات الذكاء الاصطناعي وفاعليتها في تجاوز المشترط التصميمي == Artificial Intelligence Techniques And Effectiveness In Overcoming Designs Requirements

اسم المؤلف: سامر عبد المجيد حميد
اسم المشرف: هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث (تقنيات الذكاء الاصطناعي وفاعليتها في تجاوز المشترط التصميمي)، يتناول تاثير التقنيات الذكية على نظم تصاميم المنتجات وفاعليتها في تحرير المصممين والمنتجين من قيود واشتراطات العملية التصميمية. اذ تاتي اهمية هذا الموضوع نتيجة للتطور التكنولوجي في م | This research (Artificial Intelligence techniques and effectiveness in overcoming designs Requirements) deals with Smart technologies impact on product design systems and effectiveness in Unlocking designers and producers from the constraints of the design and operation requirements. The importance of this topic as a result of technological development in the field of high technologies capabilities, The research problem been identified by asking for the possibility fact of been smart technologies are the basis for built upon design (formally and functionally) in the future? The research aims to provide specialized knowledge of these techniques, and to specify trends of industrial products and designs according to the employment of these systems design techniques in the realms of form and functionality. The limits of this study include (Smart) electronic, electrical devices for the Korean company Samsung for the year 2012 , those are available in local markets in Baghdad. and the study contained four chapters, the first one included of the importance of research and the need for it as well as the research problem and the objectives and the limits and the specify of the terms. The second chapter has included previous studies and the theoretical frame, which contains three sections first interested in the concepts and the principles and the mechanisms of intelligence and the artificial intelligence, and the second included the smart technologies and the their use in products, and a third which interested in the design requirement definition and the types of it.The third chapter, which included measures search for community wide study based test (intentional) of the study population samples and descriptive analysis approach through analysis form after its presentation to a group of experts. And which is one of the most convenient ways to achieve the goals of the study.Chapter dealt with the description and analysis of models according to the analysis form designed by the researcher, the fourth chapter included number of results, and the most important : 1. the axis of change ranges in the product - according to the employ smart technologies and their impact on the product - was achieved well by 60% in models (1 - 2 - 3) which showed a change in the form according to the employ smart technologies in their systems, while not achieved by 40% in the two models (4 - 5) to form models remain on its traditional designs despite employ techniques in their systems.2. Change ranges Achieved on the performance of the product - according to the employment of smart technologies and their impact by100% in all models (1 - 2 - 3 - 4 - 5) ,and these technologies affect the performance and design functions primarily reflected the effect on the rest of the design aspects of the system.The most important conclusions drawn in the search : 1. A lot of elements and components of the general form of a smart device transformed from the material system (Hard ware) informational System (Soft ware) according to make them individual automated (automatic), Resulting to Reduction their sizes too much.2. Design Systems of the smart products characterized by fast performance interaction with the surrounding middle which making them time - saving products from aspects of the setup and control for achieving efficiency, and high ease of use.3. Portability and feature of changing elements & formalities which offered by display units and sensing at once (touch screens) gives great variety in the general form, and liberalization from the usual requirements for elements of form to the same device (keyboard & Normal screen), showing the desired and hide the rest.Also contain the suggestions and recommendations and then references.

جماليات الفوتوغراف في الرسم الانطباعي

اسم المؤلف: علي اسماعيل سبتي الكرعاوي
اسم المشرف: عاصم عبد الامير الاعسم
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

البيئة وتحولاتها في تشكيل الرؤية الاخراجية == Environment And Its Transformations In The Formation of Directorial Vision

اسم المؤلف: حسين جوير علي
اسم المشرف: سعد عبد الكريم خيون
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شكلت عروض البيئة وتحولاتها في تشكيل الرؤية الاخراجية خروجا على الثوابت الارسطية في بناء العرض المسرحي فقد عمد مخرجو المسرح البيئي الى تدوير البنية الدرامية للعرض المسرحي وجعلها متحركة لا تعرف الثبات اذ ازاحوا النهايات التقليدية.ان هذا الامتياز في بناء ا | The Performances environment and its transformations in the formation of directorial vision are formed departure from the Aristotelianism constants in the theater building was deliberately environmental theater directors to rotate the dramatic structure of the text and make it theatrical Animations do not know where steadiness ousted traditional endings.This concession to build a theater. Who created play spaces based on reductionism and abstraction and condensation. Thus, this method is to create a space theater has established for environmental performance today and directorial spaces and transformations in the environment through the formation of directorial vision to create a surprising aesthetic Offers in environmental theater. Eliminated the constants in the construction of the recipient and intellectual provocation formed an ongoing awareness of the recipient and the recipient revealed post and effectiveness in the theater, a goal sought by the environmental theater performances. Environment was the play space are proposed in the conversion and the formation of directorial vision and containing effective weather aesthetic display of theatrical and so did the participation of the recipient to unite the receiver with the effectiveness of the theatrical presentation. Researcher sheds light on in his four seasons in the first chapter (methodological framework) presents the research problem and the need to focus on the following question : Is the environment and the effectiveness of the its transformations in the formation of directorial vision?The research aims to identify the effectiveness of the environment and its transformations in the formation of directorial vision. Researcher has identified a theoretical framework (Chapter II) in three sections : 1. Conceptual environment. 2. The environment and aesthetics of theatrical space. 3. Employ architectural space and environmental Performances.Have been identified through this chapter on the environment and its transformations play intellectually and aesthetically, as well as elements of the establishment of the environment in the directorial styles of both (Richard Chnr, Petrbruk, Arto) and enables the researcher then stand on the theoretical framework of indicators, including : Environment and its transformations (Trans for made space) are that the filmmaker creates a structure width through reconfiguration and replacement of its space carefully selected to create a theatrical Creator. Hired directors rituals in their environments Created play two proposals have a distinctive form and adapted methods and techniques so festive, religious and non - religious, but subject to the understanding of contemporary theatrical techniques and adopted by the researcher as tools for the analysis of research samples.The third chapter contains the search procedures, which included : the research community and specimens, tools and methodology descriptive analysis of three directors : 1. Awni Karome 2. Adel Karim, Salah Kasab. The fourth chapter contains the results and discussion, conclusions, recommendations and suggestions, and then the list of sources, references and appendices and a abstract of research in the English language

ملامح الاداء التمثيلي في المسرح التجريبي وتطبيقاته في عروض كلية الفنون الجميلة == Performance Analog Features In The Experimental Stage And Its Applications Offers In The Faculty of Fine Arts

اسم المؤلف: بهاء زهير كاظم
اسم المشرف: عبد المنعم فتحي خطاوي
الموضوع العام: الفنون الجميلة
السنة: 2012
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينقسم البحث الموسوم (( ملامح الاداء التمثيلي في المسرح التجريبي وتطبيقاته في عروض كلية الفنون الجميلة )) على اربعة فصول , يتضمن الفصل الاول الاطار المنهجي من خلال مشكلة البحث والحاجة اليه واهمية, البحث, وهدفه, وحدوده, ومن ثم تحديد المصطلحات.اما الفصل ال | Research is divided into marked ((features of the performing arts in the experimental stage and its applications offerings in the Faculty of Fine Arts)) to the four chapters, Chapter I of the methodological framework of the research problem and the need to and importance of research and its purpose and its limits, and then determine the terms.The second chapter included the theoretical framework of the research component of Mbgesan, the first title (experimentation through the ages), which dealt with the technological development at the level of presentation and method Alokhraja when each of the (Greeks and Romans in the Middle Ages and the Renaissance In the twentieth century). While addressing the second part (according to the mechanisms of representative performance of schools and recent trends). Mechanism of action of representative directors at the most important theater of the twentieth century, including (Jersey Grotovski and Maerhold and Bertolt Brecht and Peter Brook and Eugenio Barba and some of the trends and modern schools).The third chapter (action research) research community, which defined within the time period of the year (2005 to 2011) and samples of research that have been selected through the application form (questionnaire) which was distributed on (Stth century) competent professors from the Department of Performing Arts and the result was the selection (three ) performances won the most votes to be samples of research, namely, (a play set up Waasitiyyah) by Dr. Akil Mahdi Yousif and directed by Dr. Zuhair Kazem, and (a play that is what happened when we were waiting for) the number and directed by Dr. strict in, and quoted from the play (Waiting for Godot) to Samuel Beckett. And (play field) written and directed by Dr. Akil Mahdi Yusuf. The researcher adopted a descriptive approach for the analysis of his samples by relying on CDs and watch kind of plays and interviews.The fourth chapter has dealt with the results of research and discussion, conclusions and then the recommendations and proposals and then the list of sources and references and a list of supplements that included a model of form (questionnaire) and photographs of some of the scenes drama

الاسطورة في النحت العراقي المعاصر == Myth In Contemporary Iraqi Sculpture

اسم المؤلف: طالب محسن رهيف
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استهدفت الدراسة الكشف عن مضامين الاساطير العراقية والدلالات الرمزية الاسطورية التي استلهمت في النحت العراقي المعاصر. وهي في اربعة فصول خصص الاول منها الى الاطار المنهجي، الذي شمل مشكلة البحث واهميته وحدوده واهدافه، ثم تحديد لاهم المصطلحات فيه. والفصل الث | This study aimed to know and learn about the contemporary Iraqi sculpture Which inspired by Iraqi legends. and to study these sculptural pieces of art.The study contains four chapters : First chapter explains the importance and need for the study and also it's objectives and scope. The researcher define some important expressions and term used in the study. Second chapter consists four sections : Section one studies the concept of the legend and it's causes of emergence and discusses the relation between and superstitions. Section two study Iraqi legend according to historical periods. The researcher here divides it into tow groups : 1 - Ancient legends.2 - Legends before and after Islam.Section three discusses the relation between legend and sculpture, some examples of sculptural pieces of art relating to some important ancient cultures were also mentioned with a brief presentation of the history of Iraqi sculpture and the effect of legend on it. Section four about the contemporary Iraqi sculpture Chapter three begins in collecting information and photographs about Iraqi sculptural pieces of art which are basically inspired by legends after this scanning of the materialistic evidence of the research was done starting with first work finished in 1950 until the end of 1992. The total number of works was 63 pieces created by 12 Iraqi contemporary sculptures. The researcher selected 20 works out of the whole as specimen for study, and the conclusion he reached resemble direct answers to the objectives of the study, and was introduced together with suggestions and recommendations in chapter four. About the first aimed , there are 63 sculpture works inspired by legends, done by 12 Iraqi sculpture. The number of sculpture works inspired by legend of the first group (ancient Iraqi legend) is 48 sculpture works. And there are 13 pieces sculpture works taken from Iraqi legends of the second group most of them taken from the tales of (thousand nights and night). The remainder is two pieces of sculpture works taken from both groups, and they are

جماليات القبح في نتاجات فن ما بعد الحداثة == Ugliness Aestheticisms In The Products of Art Beyond Modernism

اسم المؤلف: سندس محمد عبد الامير
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current research entitled ( ugliness aestheticisms in the products of art beyond modernism ) , It has searched the ugliness in philosophical thought and finding out the existing dialectic between beauty and ugliness and its role in direction work mechanisms in the motions of modern art and beyond the modern ( drawing and sculpturing ). The research has included four chapters. The first one was interested in methodical frame of the research represented by research problem which wasobvious through an ambiguity that arouse many questions such as : - How have the aesthetic understanding theses of ugliness been formed in the products of art beyond modernism ? Do such aestheticisms represent an attractive phenomenon in art beyond modernism ? What are the representations on the level of contents , meanings , forms , styles and techniques ? And what is the amount of connection of such works in phenomena and intellectual , social , political and economical concepts and new explicit prospects within a society beyond industry and its share beyond modernism as a modern urgent necessities ? And the amount of what have ugliness aestheticisms formed from displacement areas in aesthetic received processes.The first chapter through acknowledging the ugliness aestheticisms in the products of art beyond modernism. While the research limitations are restricted on the study of ugliness concept in the art beyond modernism ( drawing and sculpture ) represented by products of ( nonobjective expressionism , popular art , flocks , the art of body and graphite art ) which appeared in USA and Europe in the era ( 1945 - 2010 ).Chapter two has included the theoretical frame which contained three topics , the first one dealt with two pivots , the first pivot included the ugliness philosophically , through browsing the philosophers' opinions beginning of ( Heraclites') and ending to the opinions of modern philosophers. The second pivot concluded to show beauty and ugliness dialectician within analytical philosophical , knowledgeable , aesthetic and psychological vision. The second topic occurs in two pivots.The first one included the beautiful and ugly in modern European painting , the second dealt with the beautiful and ugly in modern European sculpture while the third topic is concerned with the study of ugliness features in two pivots , the first one contained the ugliness features in the art beyond modernism and the second pivot contained the ugliness features in the sculpture beyond modernism. Chapter two concluded with showing the indications to be useful in constructing the devise of the research and analyzing the samples.Chapter three has included the research procedures that contain the whole research , the sample and the nature of the device of the research , research method and used statistic means then analyzing the sample which includes ( 17 ) artistic works.Chapter four has included the research results and conclusions , moreover ; recommendations and suggestions. The most significant results that the research has reached are : - 1 - The structure of implemented artistic view that concerns with ugliness concept leads to make a fierce shock for the receiver in attempt to express the current image of reality and disclosing what are not declared in the meaning that delete the art beyond modernism any ascendant traditional aestheticism.2 - There are products with hostile dye that arise the hatred through pushing the shapes to break into the social conflicts and disclosing the destruction of ideological systems over indications that show the refusal state for cruelty of a society beyond the industry.3 - The ugliness depends in products the art beyond modernism on artistic change through activating the distorted rejected shapes which lead to more deeper disputes and universality for social conflicts within ( Oulama ) by describing it as a valuable system that could move the constant concepts round traditional beauty with all its procedural , technical existence and to fix the concept of non - aesthetic across devoting the theses structure that give changeable aesthetics for promised ones. It is not able to repeat the formation of artistic performance due to ideal features for traditional art time but it attempts through returning the formation of shapes by distorted way to put the shapes in compound components that make easy to arouse the aesthetic understandingcombined with ugly shape. 4 - The products of arts that concern ugliness aestheticisms in art beyond modernism have the ability to invest the subjects that could arouse the sensitivity of receiver towards the human image infringement that make the works empty of human andmoral values through making the implemented art structure loose from any moral and human evaluation in an attempt to present meanings taken from social immoral life to express the human crisis who is threatened by lost in social framesubmitted to weak broken construction. The most significant conclusions that the research has reached are : - 1 - The ugliness aestheticisms are making with the subjects represented by ( violence and political , economical and social cruelty ) tearing the Arab self and its declination and western society with all its distortions , dispersion and lost.2 - The ugliness aestheticisms are trying to express the torn realistic image through dissociation the reality parts and divide them then reconstruct due to view that arouse the sensitivity of receiver towards a lot of truths and human , culturaland political accidents.3 - The ugliness aestheticisms acquire their new descriptions through connection with shapes that express the disorder limitations for living reality. The researcher has referred to a group of re
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