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التشويه في جماليات تصاميم اثاث الشارع وسبل معالجتها == Distortion In The Beauty Of The Design Of Street Furniture And The Methods To Remedy Them

اسم المؤلف: بان محمد شاكر الطائي
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تتناول الدراسة الحالية (التشويه في جماليات تصاميم اثاث الشارع وسبل معالجتها ) بصورة اكثر شمولية من مثيلاتها لما لها من اهمية في ذائقية المتلقي من خلال البعد الوظيفي والمظهري لاثاث الشارع مع الحفاظ على الهوية والخصوصية في التصاميم , وان مشكلة البحث تحددت | The Current Study deals with(distortion in the beauties of Street Furniture Designs and how to remedy them), in more comprehensive manner than other similar conditions, because of the importance to reflect in the taste of the recipient by the function and the visual aspect of street furniture with maintaining the identity and privacy in the designs , and the problem of the research was out lined in the following question : What are the aspects of distortion in the beauties of furniture used in local areas (street furniture) and methods of treatment ?As for the importance of the research , it was focused in raising the level of taste for beauty of the recipient by determining the distortion taking place in the beauties of the design with finding means to fix this distortion while the research aims to specify the concept and type of distortion taking place in the beauties of street furniture as for the research limits they were outlined by the subject of distortion in beauties of the design of street furniture units used in public areas and how to fix them , in Baghdad /(Alwaziriyah) for the duration(2009 - 2014).As for the procedures of the Research the descriptor method was employed with accrediting a questioner from, which specified the basic axis of analysis, and the researcher have found out the following important results : The distortion took place in the percentage and in some models with a distortion in the visual communication as a result of misuse as the metal ore was distorted because of the bad joining methods which was affected in the climate conditions in several models.The most important conclusions : When the designer ignores the design foundations and the relations the distortion appears unintentionally in the appearance of the industrial product and by choosing some types of ores and joining methods and failing to use good painting , this create is an obvious distortion in these units because they were exposed for different environmental and climate effects which have contributed in creating the distortion , and the research ended by offering a set of recommendations and proposals.

معطيات المعرفة العلمية للمتحول التقني في المنهج الصناعي == Personal Representative And Performance Between The Epic Theater And Gala Theater Offers In Iraq

اسم المؤلف: صلاح نوري محمود الجيلاوي
اسم المشرف: قدوري عراك صكر | هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current study entitled (the given scientific epistemological knowledge for the technical transformation in industrial product), approached the subject of design in general, and modern industrial product design, in particular, which employed modern techniques and have new concepts and ideas, which was the main element in making significant changes in product appearances. the first chapter included the research problem which it concentrate about identifying the epistemological systems and structure and foundations, which allows us to understand the mechanism and relational components of industrial product , according to that knowledge that contribute to the activation of mental images and imaginative abilities of industrial designer, and reproduction of ideas that used in identifying the technical transformation for that product. According to that, the research problem has crystallized by these questions : 1. does the scientific knowledge has contributed in evolving the product design, and how techniques effected by the upcoming of scientific knowledge? 2. the extent to which the Awareness of industrial designer expertise cumulative knowledge gained through the stages of time?While the importance clarified through the data of scientific knowledge and the overlapping with art, since such interference can appears the values of artistic techniques of product design, so the detection of creative achievement system of scientific knowledge of pure mathematics, physics, chemistry, and technical aesthetic knowledge that appear in the design of industrial product which brings us to an account of the movement of pattern of the mental mechanism visualization and call for a stylistic vocabularyof industrial product to deal with, as it shows the followingimportant points : 1. The pattern movement of mental perception mechanism with which industrial designer generates from which new and innovative ideas based on the accumulation of knowledge, which stores them in memory and call the vocabulary of industrial product and stylistic interaction. 2. The scientific construction mechanism of knowledge and expertise to the industrial designer can be the organization that operates the juxtaposition actor and moving in the structure of the fabric with Other cognitive knowledge. The study aimed to detection and identification knowledge for scientific knowledge and its relationship to technical transformation and their implications in the design of industrial products.And the study formed of four chapters, the first chapter is the research problem and its importance and its objectives and its borders and determine the terms. the second chapter contains on previous studies and theoretical framework , which included four sections. First section dealt with the aspects of philosophical scientific knowledge , and ensure the second section shifts the intellectual , philosophical and tracks applied , and the third section , entitled the concept of technical and its applications in the design , and the fourth section has dealt with the concept and awareness of modern aesthetic and the crux of this chapter, a set of indicators has dealt with Chapter III action research and methodology, as the researcher adopted a descriptive approach in the processof describing and analyzing models of the sample , while the Chapter IV describes the models and analyzed by form axes of analysis developed by the researcher , and the results and conclusions.Chapter four includes models described and analyzed by analysis axes form developed by the researcher, and the results and conclusions. the most important results that emerged from the study are as follows : 1. Diversity in the techniques of high - quality has contrebute in the devices used to distinguish according to specialties.2. the use of new materials in not used of industrial products with a new characteristics, helped achieve the concepts of reductionism and simplicity, durability and ease of use and the possibility of high composition.3. The presence of correlation between technique based on scientific knowledge and applications that have emerged in the experimental applications of industrial product which suited with the mechanics of the user, allowing him to a great deal of activities embodied in scientific knowledge and scientific applications.4. the Change in human behavior and activity through the interaction of functionality, which has contributed to the aesthetics and functionality of the product as a result of the employment of scientific knowledge and its implications, which appeared during the experimental applications. The most important conclusions that emerged from thestudy were : 1. The technologies evolve continuously invested scientific discoveries, and there is no doubt it is one of the effective means to overcome the problems facing the process of development in the industrial products , and this continuity in progress constitutes an important factor in the accumulation of knowledge, which in turn lead to progress and impressive innovation overall of human activities in those products. The technical evolution is an interconnected and connected to start one of them up where the other and in spite of the diversity of techniques between the equipment and the materials and information , but it all involved in creating the products of design will transfer industrial products from traditional character to the modern technical nature, which it need to integrate them , to systems more sophisticated , namely, ( Smart systems )2. The adoption of advanced scientific knowledge has been led to intellectual shifts in the designs of industrial products in terms of function and aesthetics, which gave the impression that intellectually to the role of knowledge in the development of the social life of the user.3. the scientific knowledge Contributed to improved in making changes to the concepts held by the industrial designer See Through accreditation and keep up with new technologies, and this will be achieved throgh the product which it has cognition communication between that and the user, and this is reflected in the designs of industrial product to suit the needs and functional requirements and aesthetic that fit with the taste of the user.4. That most of the techniques employed in contemporary designs of industrial products and its evolution, which is characterized by a technical Nanotechnology and technical tactile and digital technology and radiation, artificial intelligence and pooling of modern materials, which contributed to a change in systems of formal and functional designs in industrial products

نظريات الاتصال الحديثة واسقاطاتها الفكرية على المنتج الصناعي == The Modern Communication Heories And Their Intellectual Impact On The Industrial Product

اسم المؤلف: جاسم احمد زيدان
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Industrial design is regarded as an intellectual and cognitive product that is developed with accordance to the analytical awareness of man interpreting accordingly the external existence with the means of senses which human and other creature have. The senses are the window overlooking the external world and the environment. The form the beginning of mediation and observance and concentration and the formation of depictions which work according to the innovative imagining.Therefore the industrial design is regarded as one of the important pivots of the fine arts. These pivots revolve around the bases of how to convey meaning or the design of the idea to the users or the receivers in the clarity with hindrance to the understanding.The language of visual communication which scientific ad practical bases are formed according to the modern theories of communication. It is the language of modern communication of signs and relations are connected together. The modern theories of communication have offered developed system of communication to the user. But these face the problem of awareness and culture in the confrontation of the developed industrial products (multi - purpose digital devices) as means of communication in finding utilities.Upon the above, the researcher preferred to found the problem of his study through revealing the reflections which are formedby the modern theories of communication on the industrial product of the electronic device (Smart TV, Smart Camera, interactive board, Tablet PC, Smart phone).The study aims at the following : 1 - Investigating the modern theories of communication ad their intellectual impacts on the industrial product.2 - Analysis of sample of modern industrial products to know the effect the modern theories of communication in the development of product.In order to verify these objectives, the researcher founded a theoretical framework that tackles the philosophical backdrops to knowledge and communication and put the following (3) inquiries : First inquiry : The relationship between sensual visual realization and communication.Second inquiry : the modern theories of communication and their application fields.Third inquiry : the aesthetic thinking and its relations to the theories of communication and their impact on the industrial product.The researcher comes up with a number of indications which resulted from the theatrical framework depending I the design of the instrument which is the content analysis form of the industrial product specified in the sample.In order to determine the modern theories of communication that could be concord with the samples of the study, the researcher made a survey of the opinions of the experts in these theories. They referred to him to the theories of (McLuhan - Diffusion and innovation - selective effect - developmental technology).The research community was confined in the products of Samsung ad Sony institutions. The researcher chose a sample of (5) products after consulting the experts in the field of industrial design. The, these samples were analyzed according to the analysis form prepared for that purpose, which was subjected to the validity coefficient test by exposing them to the group of experts.Based on the analysis conducted for the sample, the researcher came up with a number of findings : 1) The structure of the sample was characterized by an apparent functional value and utilization which the user can touch and enjoy in their aesthetic function.2) The sample was characterized by digital products with aesthetic value especially in relation to the outside form of these products which contain attractive points emerging from the utilizing features for every type. This created a form of power in the taste.3) There is a clear reflection of the modern theories of communication on the functions of the industrial productsof sample in the functional and utilizing ad aesthetic aspects.The most important findings are the following : Upon these conclusions the researcher made a number of recommendations which are :

نظرية الحل الابتكاري TRIZ وانعكاساتها في التصميم الصناعي == Theory of Inventive Solution (TRIZ) And Their Repercussions In Industrial Design

اسم المؤلف: محمد علي حسين القيسي
اسم المشرف: قدوري عراك صكر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The importance of the research is the importance of the theory of (TRIZ), which are based on the scientific method resulting from the analysis of the content of more than two million patents, founder of (TRIZ) was Genrich Altshuller, it assumed that the principles of general creative form the basis of the output of creative and that these principles can be identified and transferred to others to make the innovation process more amenable to learn. It recognize as the most important theory of the task, as adopted in more than (50) major international companies, including Company (Boeing for the aircraft industry and Toyota Motor).To summarize the research's problem, there is no publication of TRIZ theory concerning industrial design, the goal of the research is to characterize and employ a matrix of contradictions for the purpose of contradictions matrix Created especially to industrial design. The search Limit to traditional TRIZ theory (1973), which includes a matrix of contradictions, which contain in its composition, the forty principles and the 39 engineering standards as objectives limits, the research contain its theoretical framework of four sections, the first section dealt with the creativity and its theatrical concepts. This has been confirmed that the creativity and innovation cannot be taught or trained or acquisition, as well as the concept of creativity after the first quarter of the last century which showed that creativity could be educated and transformed.The second part of the research explain TRIZ theory and nine of their instruments, The tool matrix contradictions have been allotted for the Study of particular axis as the basis for the study.The third section has dealt with the contradictions and i matrix Included on the study of the concept of contradictions besides reviewed the (39) engineering standards and forty principles, the fourth section studied eight previous TRIZ's studies.The most important findings of the study was achieved the contradictions matrix model of industrial design, which Includes on (20) engineering standards and (40) principle. These principles characterized of the examples used to explain them was new which is taken from the field of industrial design and pro

الاستيفاء الوظيفي في بنية الفضاءات الداخلية للمراكز الصحية == The Functional Interpolation In The Structure of The Internal Spaces of The Health Centers

اسم المؤلف: وسام صالح حمد الموسوي
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: For as long as the job is the purpose of the foundation design and due to the nature of the functional characteristic of the structure of the internal spaces of the health centers, has been put forward the following question : How can the structure of the internal spaces of the health centers that meet the functional nature? , And that was the question, but out of weakness career structure which witnessed those spaces, and through that constitute the objective of the research study the problem under the title (interpolation career in the structure of the internal spaces of the health centers).Hence research aims to develop a knowledge based cares to reveal the variables that affect the functional components of the structure of the internal spaces of the health centers, which is where we hope to achieve the following goals : 1. detect functional nature of the internal spaces of the health centers and the development of design considerations to meet the career structure.2. to develop a proposal for a design interior spaces to health centers where interpolation is embodied in the career structure.The importance of research by approaching the subject is interested in preserving the structure of the interior spaces to meet the functional aspects.The theoretical framework to ensure the two sections, the first dealing with it the concept of function and kinds and considerations and variables in the internal spaces, in addition to addressing the concept of functional interpolation and classifications.The second section has been dealt with the elements of the interior spaces to health centers, and the characteristics of its structure, in addition to a comprehensive study of the functional systems affecting the internal spaces are met.As has resulted thereafter theoretical framework for a set of indicators which have been used to build a form for analysis comprised two main pillars : 1. characteristics of the internal space and functional systems.1. 2.functional relationships in the structure of the internal spaces.In doing so it has adopted a descriptive approach in the process of analyzing the three models were chosen is my intention from the research community.It resulted in the analysis process on a number of conclusions, including : 1. represents a form of interior spaces, one of the main factors and actors in the formation of an internal structure to meet the functional aspect to be responsive to the activities and requirements of different users.2. thought the design objective in the design of interior spaces actually translates design meets function through the formation of a structure according to user requirements and technical and technological evolution.3. structure formed interior spaces of the elements of design are the design and production fulfills its function within the pattern of relations in the structural functional unit of interconnected parts to achieve the design goal.

تعددية الوظيفية وانعكاساتها التعبيرية في تصميم الاقمشة المعاصرة == Plurality of Function And Its Implications In The Design of Expressive Contemporary Fabrics

اسم المؤلف: رسل خليل ابراهيم مصطفى
اسم المشرف: ناصر حسين الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study deals with pluralism functional designs for fabrics that are dual function in do performative and its implications expressive designs in fabrics contemporary, Job Role and aesthetic symbols and connotations and Mathmlh reflections expressionistic as study includes four chapters , the first chapter of the research problem and identified by asking the following : Do you check pluralism functional reflections expressive designs in contemporary fabrics ? The objectives of the research is the detection of multi - functional and study the values expressive designs in fabrics and contemporary numbers designs proposed , may determine search objectively study the multiplicity Alozivuoal_khasa?s expressive designs for fabrics contemporary, spatially study designs fabrics , home furnishings ( mattresses _ curtains ) and available in the local markets of the city of Baghdad , and identifies research temporally studied in models ( 2012_2013.The second chapter identifies several sections dealt with the first section , including multi - functional fabrics and designs in the second section dealt with the expressive characteristics and implications in the design of fabrics and finally the third on reflection expressive designs in contemporary fabrics. Followed previous studies and then the most important indicators that resulted from the theoretical framework.The third chapter dealt with research procedures , which included research methodology a descriptive analytical and research community , which amounted to (44 ), a special model designs upholstery fabrics and curtains Eliminated from him (33) model design parameter as a result they are so different on the level of formal , organizational and color models in the community was the remaining (11) model and it has been selected sample are intentional , but the search tool has been represented in the Form of analysis thathad been prepared by the researcher have included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter based on axes form.The fourth chapter has included the most important models of the study are as follows : 1 - The use of vocabulary in the most natural plant design models because of the sense of the vocabulary and semantics of aesthetic expression and suitability for use functional designs of curtain fabrics and furnishings , and employ at least geometric shapes and written.2 - achieved multi - functional design vocabulary in all models where a single design can perform two or more.3 - reversal is achieved through expressive design methods where the use of the methods varies between the real and the abstract and the hub of reality - decorative while not achieved a reversal in the expressionist style geometric models Almananvzh.The most important conclusions : 1 - Diversity of raw materialsled to the emergence of refletions expressive functional and aesthetic. The raw material and suitable for the job the stomach for it.2 - Vocabulary been employed in the most natural designs led to the occurrence of reflection expressionistic serve the function and less use of animal vocabulary and writing vocabulary.3 - Check multifunctionality in all forms of design , which is reflected through the design methods and vocabulary of symbolic and expressive connotations.As well as to ensure the same chapter conclusions, recommendations and proposed designs included as the last designs prepared by the researcher and presented to a group of experts has got approval.

سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية == The Promotion And The Marketing Politic of The Industrial Product And Its Activity In The Consumptive Culture

اسم المؤلف: عبد الخالق سمين فتاح
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمثلت مشكلة البحث الموسوم بـ ( سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية ) من خلال التساؤل حول الكيفية التي يمكن لسياسات ترويج وتسويق المنتج الصناعي ان تؤثر وبشكل فاعل في ثقافة المستهلك.اما اهداف البحث فتمثلت بالاتي : بيان ت | The problem of the study entitled ( The Promotion and The Marketing Politic of the Industrial product and its activity in the consumptive culture ) was presented of how can the politics of promotion and marketing of the industrial product effect in consumer culture. The basic research aims represented as the following : Detecting the effect of promoting and marketing politics of the industrial product in consumer culture through : a - Acquaintance the cooperative conscious of Baghdad University professors according to the type ( Males , Females ).b - Acquaintance the meaning difference of Baghdad University professors according to the type ( Males , Females ).c - Definition designing context for the industrial design and its effect in promotion and marketing and cooperative conscious.Research limits included the industrial product users group of Baghdad University professors of the study year ( 2013 - 2014 ) of various types of electrical and electronic home appliances available in local markets of Baghdad city for the period ( 2009 - 2013 ).The second chapter consisted of four sections. The first section addressed politic topic of the industrial product promotion and the communication process. The second section contains marketing politics and strategies topic of the industrial product and its relationship with consumer and appearing the social and economic marketing importance.The third section consisted products design topic and the designer skills.The fourth section singled to study consumer behavior and the consumptive culture.Chapter three addressed research procedures which was depended on the research society presented by industrial product users group of Baghdad University professors , The research tool was depended on both theoretical and applied or field , by depending on the questionnaire.Chapter four comprised results and conclusions that have been reached and the most important of these results include : 1 - 91% of the research sample members rejects the idea of buying electronic appliances with high price to proud of in front the others , while 9% of the rest of sample members agree this idea.2 - 96% of the research sample members primarily interest the job offered by electrical or electronic appearance , and then their interest comes in its forms or appearance , while 4% of the rest of the research sample members does not pay these things any importance.3 - 93% of the research sample consumers members trust of foreign product which is characterized by all the factors of quality and safety , which lacks local or Arab product, while only 7% of the rest of research sample members didn't trust in foreign product as much as their trust in local or Arab product.The most important conclusions that have been reached are : 1 - Spatial channels form for the Iraqi people who imports all of he needs from overseas important sources for building voracious consumerism through its orientation advertisements and ideologies which promote it and burlesque it in Arab consumer mind.2 - The television commercials extraneous to change the Iraqi individual behavior , and imposing another new behaviors to develop inside him alienated feeling from his surroundings , as well as changing his society values and principles.3 - The research members of Baghdad University professors have consumptive perception to buy electrical and electronic home appliances , and this perception is not different between males and females.After that , the recommendations and suggestions were presented to the directions and side related to the research topic , and then the research finale has been providing.

مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية == Sources of Designing Figure And Its Creative And Functional Production Fields

اسم المؤلف: سند فؤاد محمد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعنى البحث الحالي بدراسة : (مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية.)، على وفق بناء معرفي محدد بالوظيفة والابداع، والهدف الاساس في تفسير حقيقة الاشكال ومصادرها المتنوعة وجوهرها وما تحمله من معان وعلاقات شكلية وجمالية وافكار تصميمية تحق | The recent research concerning with ( sources of designed figure and its creative & functional production fields ) , according to cognitive construction determined by function and creation and the main goal in explaining figures and its various and what holding of meanings and aesthetic and format relations and designed ideas achieving for the illustrated goal as a printing achievement.Most creative results related in joint divider representing by depending on intellectual constructions or certain philosophy , namely, each creative production has its intellectual or philosophical circle or field that launch from it to the world of creation.The designing figure in its general meaning , includes an idea creating from the internal mental expectation of designer to product figures from self feelings making his prior imaginations far from these figures with his feelings and converting it into creative forms producing the designing figure from mind depending on various functions symbolic , psychological and social and ways of production , norms and traditions, therefore, the desi8gned figure representing a reflection for this social and economic reality.This study considers a sign able to enrich the designing work by many of giving that exciting taste in receiver through its specify in varying symbols and meanings and its fluency for its active importance that combining the designer as a creative man for the designing figure and between society that save in its memory many of designed and figurative styles. Whatever varying theories of figure and its styles and figure related by function and the creative contain, also language of figure related by the visionlanguage to analyzing the aesthetic oratorical to processes of understanding, explanation and conviction.The researcher found that the importance of this subject and inquiry on : What are sources of the designing figure as a problem for research and an goal put for studying determined by : definition of designing figure and its creative and functional production fields.The researcher writes all what has a relation with the designing figure within its theoretical frame , through Arabic & foreign and libraries concerning with specialization for obtaining on indicators useful for measuring field that related with determining approach of research and its method and determining research society that represented by (40) printed designing figures and various goals , from it 10 samples have been chosen intentionally with rate ( 25%) from the original society , and characterized by some features to give scientific results after analyzing, describing and explaining them and then reported according to these results : 1 - There are theories focused on basis that sources of the designing figure lie outside mind of designer in his square , namely they are figures for designing figures derived from nature. There are other theories adopted basis that sources of designing figure lie on mind of designer within it contain namely, external designing productions figures on what is familiar in the nature.2 - It can be create figure depending on various functions (symbolic, psychological , social ) and figure may be in special givings need to requirements of function , environmental condition and the social values.3 - Figure generates from idea originate from the internal mental expectations of designer , the latter drawing his figures from self feelings converting his priorimaginations on these figures with his feelings to creative forms, then figure resulting from mind.4 - Creative peoples in all times producing some ideas in their works depended on requirements of age and its vital and there are many activities that creative man choose from them his figures.5 - The designing figure influenced by many social and economic limitations , ways of production , norms and traditions , then figure became a representation of reflection for this social and economic reality.6 - One of the main factors that effecting on the designing figure is the intellectual factor with its mental imaginations , designing here is an intellectual production between individuals & groups appears through long experience made by special classes of society

البعد الثالث للاشكال التصميمية وتطبيقاتها في اقمشة الالبسة الجاهزة == The Third Dimension of Designing Forms And Their Applications In Ready - Made Clothes

اسم المؤلف: نسرين محمود محمد الجاف
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The design of readymade clothes is regarded as one of the arts which man is involved in functionally and aesthetically. Research in the design aspects is regarded as an important objective after the technical developments began to emerge which covert many of the aspects and search in the aesthetic aspects required from the designer to possess and taste and the ability of imagination and employing the imagination the units forming the general shape in coordinating an integrated image. This is because the designer in general and the textile designer in particular is in need for special features and innovative interventions to enrich and give more of new means to take that lies in his ability to effect the sensual receptors through organizing the expressive meaning in new contexts.The researcher preferred to make use of the third dimension which is regarded as one of the techniques in the setting off of the artistic and designing through the methods and the techniques. The proposes of defining the third dimension which require the investigation and research of its concept as an effective dimension in the design of textile so that the designer could make use of it in his or her designs. In order to arrive at that thing, the researcher found the necessity of understanding the third dimension and tackling third dimension in her research entitled (The Third Dimension of Designing Forms and Their Applications in Ready Clothes Textiles).In this starting point, the researcher posed the following questions as follows : 1 - Can we make use of the methods of achieving the third dimension in the designing forms?2 - Are there possibility of applying these designing forms in the textile of the readymade clothes that would promote the aesthetic and functional value for the receptor?The present study aims at revealing the third dimension of the designing form and putting suggestions for the use of third dimension and applying them on the readymade clothes. The researcher tackled the readymade designs and the printed firs of multiple origins the period 2013 - 2014, after that three concepts were posed to define each term.That what was discussed in Chapter One of the study consistent in the four chapters.Chapter Two contains the theoretical framework and the previous studies. It includes three inquiries; the first inquiry includes the features and methods of third dimension in design, the second includes the three - dimensions deigning figures and their showing applications, while the third inquiry includes the artistic techniques of third dimension for readymade women apparel. Then, the researcher tackled the most important indicators on which the theoretical framework was based and the previous studies.Chapter Three includes the procedures; the researcher followed the descriptive approach in analysis and the experimental approach in the presentation of the suggested designs. The research community included (60) various samples of the printed readymade women textile of which (12) samples chosen by the use of the random selection in rate 20% out of the total samples. The tool of this study is represented in the analysis form according to the scientific approach. It was displayed on experts concerned with textile design to acquire the apparent validity. After that the samples were discussed.Then, Chapter Four tackled the findings and conclusions of the study, the important findings are the following : 1 - The showing techniques has a role in revealing the illusive and real third dimension in the readymade textile in which the digital printed material played a main role. That helped to attract the attention.2 - The style of design represent the significance of the expressive forms, between what of real, abstract or geometric, from which the design is set.3 - The achieved third dimension as geometric form is related to the effectiveness of the luminal values which reflect the transformation of forms on the surfaces from two - dimensional to three dimensions, through the high contrast between the forms and their functions.4 - More than one methods were combined in showing third dimension inside the textile space which has become effective in the functional and aesthetic aspects.5 - The use of third dimension revelation methods in various forms and ideas.6 - The contribution of the digital processing in the treating of two - dimensional and transforming them into three dimensional is a more inevitable matter to arrive at achieving the form to achieve the formative manifestation.Chapter Four includes the suggestions and the recommendations : 1 - The stress on the role of digital technology in the field of textile design, and keeping up with the up - to - date software and employing them in the art of design of textile.2 - Caring for the deduction of the abstract forms and briefing the parts and using the uniform for male and female.3 - Taking into consideration the factor of technical the choice of forms to suit.4 - Taking interest in the chromatic values and he shade grades to deepen the conceptual aspect in the materialization.The researcher suggested : 1 - Making a comparative study between the three dimensional designing and he two - dimensional.2 - Studying symbolic designs of the national traditions in the formation of the cultural dimension.This chapter includes the suggested designed carried by the computer of (14) suggestions which are adopted for readymade clothes textile

رموز الموروث بين الاصالة والابتكار في تصاميم اقمشة معمل نسيج الحلة == Symbol of Heritage Between Originality And Innovation In Designs Fabric Plants Tissue Babylon

اسم المؤلف: مالك جاسم حمزة الدليمي
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The symbol inherited from the influential aesthetic factors in the process of fabrics designs where the unfolding reality and the ways emitted form new innovations mimic impress the receiver. While references related designs on my own fabrics and innovation Babylon civilization codes are representing bosses procedural fertile for those designs.Researcher have tried to stand at the sources of designs and factors affecting it considering that symbols of Babylonian civilization represents the essence in the process of forming the designs by answering the questions that was raised in the research problem which pearls that extent can take advantage of the symbols of heritage in the Babylonian civilization to creat new designs for textile product, Laboratory Babylon tissue with preserving the authenticity of it.All these interventions among texfile and symbols inherited are problems, the current research wants to solve and access to detect target symbols in the Babylonian civilization heritage to produce new designs.And on the Basis lies the importance of research in the face in the privacy of inherited Babylonian the extent of benefit from it the lab fabric of Babylon, it started to make it in the search for the values, traditions and habits between originality and innovation and work to decode and semantics civilization of Babylon and period and specific place.For these and for the systematic division research divided into four sections, the first chapter determine the features included in the detection methodology for the research problem and its significance its goals and limits which required that a definition of some important terms up on which the theoretical research.The second chapter contains the definition of some important terms of the theoretical framework which included the first study of identifying symbols in the civilization heritage up on which the fabrics industry technically and tagged, the second topic was interested in my own innovation and the relationship between them and its contextual reference designs in fabrics.The third topic was complementary to the framework of the oretical in the second quarter was interested in designs fabrics and technologies in term of understanding of the dialectical relationship between authenticity symbols inherited in the Babylonian civilization and new innovations in technology plant tissue Babylon and units design and textile that make those employment for design unified also included chapter two studies which search by approaching in some variables and seal the chapter with basises which will be one of the indicators from building tools for analysis of samples search, and held third chapter on research procedures adopted by the descriptive analytical approach applied the respective fields plant tissue Babylon, which contributes to the textile industry were interviewed people of competence and preparation of forms analysis applied to samples of research have reached your search results and that resalts are : - 1 - Heritage Symbols and desigen draft with impressions caused by his originality and innovation with in a cognitive vision emphasizes the nature of the design and construction diversity of realism , abstractor imaginary or symbolic.2 - The nature of the relation ship between originality and innovation in the design of research sample catd generated with the results of perceived mental visual which crystallized through different emergence of symbolism propensity for inherited as well as the effectiveness of expressive format for innovative design alone.have been discussed systematically and went researcher with group of conclusions Such as : - 1 - The most process adelmatmayor the designs in either natural or animal or geometric because it gave dimensions semantics extends to the root of the historic taken from the nature of the symbol to express style design out put data for fabrics.2 - Dominated the seen symbols used in designs according to the nature of the diversity and revealed the need for aesthetic and functional gave.and then the researcher atotal of design proposal has grown to employ symbols Babylonians in texture Laboratory products researcher Babel the came out with alist of sources and put some of the recommendations and proposals and finally supplements and abstract in English

خصائص الفضاءات الداخلية لاستوديوهات الانتاج التلفزيوني == Characteristics of Interior Space of TV Production Studios

اسم المؤلف: نوار عبد الامير حميد
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The interior space has its characteristics in terms of effectiveness involving a design that can be achieved functionally to a specific space but not other space. So that its system controlled by a mechanism which differs due to the space components. And this can be determined at any internal space characterized by factors and limitations by tools identifying the space. This identification comes according to the use of that space. The space of internal TV production studio has characteristics, components and elements which are distributed within the space because of its connection with functional and technical factors aesthetically and psychologically to its occupants.Through reviewing a lot of literature about international design studios, and comparing with what is available of TV drama production, the researcher has identified the following question : Is there any characteristics (Characterized by the local studio) at the interior space of TV production studios that matching its functional aspects?The aim of the research is to identify the characteristics of the internal space of TV production studios, depending on the functional and aesthetical aspects.The scope of the research is the period from 2009 to 2014 as it is characterized by new technologies, globalization and knowledge exchanging. Spatiality scope is Iraqi Satellite TV channels in Baghdad, which have production studios (i.e. Iraqiah, Sumerian and Educational channel).Chapter 2 consists of 4 sections; the concept of the characteristics in the interior design, the artistic interior spaces, specifications of interior spaces of TV production studio, and modern interior design techniques. An observation checklist has been designed by the researcher then viewed on experts in interior design for amendments.The researcher followed a descriptive analytical method, some of the results are : 1. It has been relied on functional components achievements through the performing aspect, and ignoring the functional and aesthetic aspects. This characterized in the samples unevenly.2. All samples lacked of systematic treatment to the aesthetic effects through psychological considerations at a value below the expected level.3. Samples 1 (a - b) and 2, have characteristics of internal space of area, measurement, lighting, and luminescence at an international characteristicslevel, but that internal space is not exploited in a good way resulting a failure in distribution and arrangement processes, while other samples lacked of that characteristic.Some of research conclusions are : 1. The principles of studio internal space characteristics rely on lighting diversity and multiplicity characteristic within the space, depending on its position, direction, automatic movement and temperature.2. The space capacity gives a greater freedom to construct shapes and expand those shapes toward the decoration design, and it provides easiness to the movement of cameras, people and optimum performance for training and performing.The most important recommendations of this research is : We have to get help from interior designer to distribute stable elements to add an aesthetic and expressive aspects, to provide a physical and engineering characteristics for achieving spatial arrangement, taking into consideration changing and redesigning

القيم الجمالية ودورها في استجابة المتلقي للملصقات الجدارية == Aesthetic Values And Its Role In The Response of The Receiver Wall Posters

اسم المؤلف: مها عبد الرحمن عبد الرزاق الهاشمي
اسم المشرف: حكمت رشيد فخري العزاوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Means the current research to study the aesthetic values and its role in the response of the receiver in the posters, in order to understand the mechanism of action to realize the ideas that are meant delivery to the recipient to contribute to the development of talent aesthetic sense with him and make him Connoisseur and critic of all that lies in recognizing, as is the aesthetic values as a fun frame of mind of the recipient, being include speech visually in Graphic design in general and in particular wall posters.So it has identified the research problem by asking the following;( What are the values, what is its role in the response of the receiver )For the purpose of reaching the goal included (detection aesthetic values and its role in the response of the receiver) has addressed the researcher in the study Detectives relevant, namely : Chapter One : it addressed the methodological framework (research problem, the importance of research, the goal of the research, the research and determine the limits of the terminology)The researcher also addressed the second chapter (Theoretical framework and indicators Theoretical framework and previous studies)The theoretical framework included the concept of aesthetic values (values and sensory values and the values of the formal relational)Also included the concept of cognition and cognitive and aesthetic response to the recipient, in addition to the concept of aesthetic judgment The third chapter (procedures for research and analysis of the samples) as chose researcher descriptive analytical method as a way suitable for the analysis of the sample and identified b (15) sample, have been selected Qsidia from the research community of (60) where excluded researcher posters Latvian required purpose, since the size of the sample depends on the extent of the homogeneity of the data was also preparing a special form include axes paragraphs of analysis, which were drawn from the theoretical framework of an accurate and objective, as well as the adoption of a researcher on the opinions of experts in the field of graphic design for cemented search tool and make it more objective and coverage of truth for the purpose of achieving the objectives of the researchThe fourth chapter has included findings, conclusions and recommendations and proposals, the researcher remember the most importantFirst results : 1 - convey the idea through photo realism and colorful designer proficiency in recruiting image to serve the idea of the poster in the process of overlap and influence the time according to time, place, and that - lead - to - focus - attention - provoking receiver.2 - the process of attraction have the ability to highlight important topics and make it a tool to attract the recipient, especially if the attraction is characterized sovereignty over most of the area of the visual design of the field3 - According to the designer of the value of cognitive dynamics as a factor in job performance, which gives vital energy through movement vocabulary consisting of the poster.Second : Conclusions1 - of the positives of aesthetic values in the design of the label it affects the receiver and check a lot of intellectual and ideological desires2 - attraction provides the ability to highlight important topics and make it a tool to attract the recipient, especially if the item is characterized by attractive sovereignty over most of the label within the visual field3 - the use of aesthetic values equal powers in determining that it is designed to use tonal values received from the user or the colors of the poster opposing valuesThird : Recommendations1 - to benefit fully from the operations provided by the designers design posters, especially in the ability to deal with the constituent units of the label to achieve the response of the recipient2 - emphasis on the formal activation of sovereignty in the designs of the posters because of their importance in achieving direct contact with the receiver and all genresFourth, as suggested by some studies, the researcher as follows : 1 - design techniques and crafts show layout and its impact on the achievement of aesthetic values in design posters of the movies world2 - study of color and processors Alazaaria through aesthetic values and methods embodied in the designs posters for films global3 - Search and conclude with Arab and foreign sources and a summary of the research in the English

الفكرة وقواها الفاعلية للتصميم الكرافيكي وتاثيرها في الفضاءات المعمارية == The Idea And Its Forces Powers In The Graphic Design And Its Role Effects On Architectural Spaces

اسم المؤلف: جواد كاظم عباس المعموري
اسم المشرف: سعدي عباس كاظم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمتاز التصاميم الكرافيكية المعاصرة في امكانيتها على تلبية متطلبات متعددة وغالبا ما تعلب الفكرة دورا اساسيا في تفعيل قدرة التصميم الكرافيكي لتحقيق مديات جمالية ووظيفية اعلى وتكمن اهمية الدراسة في مدى فاعلية وتاثير التصاميم الكرافيكية على الفضاءات المعما | Characterized contemporary Graphic designs in its potential to meet the requirements of multiple and often demand idea a key role in activating the design ability of the graphic design to achieve ranges of aesthetic and functional top lies the importance of the study on the effectiveness and impact of the designs, the spaces architecture which plays a faithful idea and industry play an important role in shaping the graphic design, as it focuses on the side of intellectual raises the value of the design and energy expressive and performing at the same time , and is in itself add knowledge on the part of the fundamental aspects of composition of the graphic design, and focuses on the importance of the role of this production in imparted by the aesthetic and functional to form spaces architecture.The study included four chapters address the first of which methodological framework for the search of the research problem and its significance and its goals, as the research aims to reveal the mechanism of making the idea and its actors in the formation of the graphic design, and the impact of design in the formation of spaces, architectural influence of actors for the manufacture of the idea, as well as the limits of search The definition of terms.And ensure that the second chapter three sections addressing the first of which industry the idea and the idea concept, then eating thought processes and brainstorming as one of these operations and processes of creative, eat second section effective power in the contemporary graphic design, influence and achieve the purpose, which included the third section dealt with functional design in space architectural and aesthetic treatments in these spaces, The researcher concluded that a set of indicators theoretical framework.The third chapter dealt with the procedural framework to look at the community survey and selection of the sample and the tool with the help of experts form prepared by the researcher for this purpose , has resulted after analyzing the models selected sample the contents of Chapter IV of the findings and conclusions , including : 1 - The ideas represented in the designs of the effectiveness of originality and their ability to deliver the message to the public as well as the impact that new in the sense of providing design idea.2 - Works in the activation of the catalyst of social forces in shaping the design idea by virtue of the need to meet the requirement of social, as it is to attract the public key factor in the success of the design.3 - Clarity and ease of visual discourse receipt of the letter by the public advertising of an important factor in activating the basis of the power of design idea.The researcher concluded from the above, the following : 1 - Interior spaces Bulky need to processors after an executive with aesthetic and functional one at that give vitality to the place and form an attraction unique to the public.2 - Based actors to exploit the idea of design as much as possible of the space and use it to deliver advertising messages to the public in an orderly manner sequential do not call for the confusion, but suggest a higher level of organization of the formal elements.The researcher recommended the development of capabilities designed and increase knowledge in the processor architecture of the spaces of both internal and external, which can provide the products of successful staffing level spaces, architectural aesthetic and use in delivering the message, display, and suggested to be interest in technical studies in collaboration with government institutions and service departments out the results of the best Indeed, at the level of the environment.

الرمز التراثي وانعكاسه في تصاميم المطبوعات العراقية == The Inherited Symbol And It'S Reversal In The Designs of The Iraqi Publications

اسم المؤلف: انتصار جعفر رشيد التميمي
اسم المشرف: نعيم عباس حسن
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Was considered by UNESCO thing that ever was fifty - year old inherited cultural andheritage ,heritage ,including his privacy and the importance and and what it has of legaciesand beliefs reflect the reality of peoples ,is a tag that can not in any way be overlooked orignored ,it does not make sense to existence without those roots that support them, whichcheck its stability as it is necessary to broadcast the sustainability of the life time of the last of its reservation of neglect and then disappearing.Because we need today more urgent than everto re - organize our heritage of Iraq ,in line with the development taking place at all levels ,and as contained in the heritage of the plurality of symbols handed down through thousands of years ,and which we find in the case of employing them in the publications identity ,a reflection of a community contributes to the definition country and cultures on the one hand ,and a reflection indicative of meaning and symbolic representation of the content of the intellectual ,and a sense of value and aesthetic heritage on the other hand ,therefore ,felt the researcher to take this research to the definition of heritage and related recruitment ,as well as being complementary to the wedding culture started in the year 2013 AD ,it is but not holds the recipe uniqueness and leadership ,but he specialized in the field of impact caused byinherited in publications in general. Thus it is vitally problem of the research in the detection of the symbols of heritage and their associated meanings ,and the implications of all this inIraqi publications.Based on this researcher has identified the problem examined by asking the following : Is publications included Iraqi reflections of symbols inherited?The current research aims to identify the symbols of heritage and the extent reflected in thepublications of Iraq ,has been identified research study publications issued within the project of Baghdad, the capital of Arab culture for 2013 AD, which included four chapters, the first chapter discusses the research problem and its significance and purpose and its borders and determine its terms ,including, among other second theoretical framework which section into three sections ,carrying the first title of symbol heritage and its diversity of intellectual, cultural ,and included the concept of symbol heritage in terms of its diversity of religious, historical and mythological and folk ,while the second section consisted of levels symbol heritage in the publications of the Iraqi public to ensure that the semantic level and emotional as well as cognitive ,also included symbol heritage and intellectual communication ,postal heritage and a reversal in the community the third topic guarantees the formations symbol heritage that included symbols of heritage written and sham including guaranteed that the development of symbols written under the techniques of modern times ,and the stages of the evolution of the formation Graphic in publications ,and configuration Graph ic as a speech ,as well as variations printed.Chapter III also included an analysis of samples of publications of the project capital Baghdad ,Iraqi culture for the year 2013, and included the last chapter findings and conclusions and a number of proposals and a list of sources.The most important results reached by the researcher are as follows : 1 - Carried all samples representative of the legacy symbols and the concomitant representation of the vocabulary tones chromaticity function ,as well as inspired by some of the ideas associated with it.2 - Brought symbols of heritage readings function on more than one meaning is linked to the ideas of a function of the heritage, including his campaign those ideas of multiplicity of meaning within the contexts of semantic objective component context design parameter specific to the identity of the community, unlike that context aside philosophical aesthetic towards the heritage and the accompanying representation multi shapes moot. 3 - Despite embodies the symbolic representation of the content of ideas in the most appropriate publications mentioned, but some have been emptied from the representation of the symbolic meaning of ideas, so as to pursue intellectual rooting as direction is clear. The publications carried the symbolic representation of trends intellectual Count one combination where tradition and modernity.4 - Salutation semantic structures in decorative compositions written by the design format contextual relationships belong to the symbolism of intellectual, to form a speech Sofia formulated to see deep meanings exceeded the craft.The most important findings of the researcher in the light of the results are : 1 - Condensation signifier symbolic meanings associated with heritage ,making the symbol and one containing the rest of the symbols and meanings of the function on the same meaning, to form simulates including intellectual structure of the work, which triggered a balance of formality My aberration, employed for the benefit of semantic meaning.2 - Speech carries connotations Avatar formation through inspiration inherited cases of community with real - time status of a community, to configure theme symbolic function of the heritage. In contrast, embodied theme layout done through tow combination lines of thought in the opposite direction to achieve tensile visual attraction. The researcher recommended the following : 1 - Longer be working in the field of graphic design kit in devising symbols of heritage, including its sovereignty is linked to the formal representation and chromatography, the headwaters of the cultural and intellectual contemporary philosophical including carrying of inherited, innovation in plastic carrying authentic character of flexibility.2 - Need to focus on the diversity of levels, including Avatar include a function of the meanings of the heritage within the layout done, that it is investigating reactions towardsstructural formations of the intellectual level of significance, to achieve the act of communication.At the end of the research suggests that the researcher : 1 - Popular symbols and signs of intellectual communication of Iraqi Airways model posters

الاشتراطات الوظيفية في ثصاميم الفضاءات الداخلية لقاعات المناقشات الجامعية == Functional Conditions In The Designation of Internal Spaces of University Discussion Halls

اسم المؤلف: اسامة غانم نوري
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: I've seen the stage that followed World War II, a rapid development in the field of modern technologies , as influenced in great shape on the concept of university education , which replaced the clear links between the student and the community , as it became openness toward community goals mainly for educational institutions high , as the ocean , which is supposed to cover its requirements. Adding to the actual value of these educational institutions , is to provide continuity in the ongoing evolution of scientific data by discussing the messages and graduate thesis research that offer a variety of different disciplines sings materials science, knowledge and humanity. Hence, it was necessary to design interior spaces to discuss research students applying various formulations and configurations within the design to suit the level of the event is required. Thus, the researcher found the formulation of the research problem by asking the following : What are the functional requirements that should be adopted in the design of interior spaces for university halls of the discussions , including the designer can achieve the design formulations based on the functional aspect and check the value of advanced functionality in harmony with the level of the event ? The importance of search Aocefh deals with the study and analysis of spaces, private discussions university to engorgement of its function undertaken to discuss and evaluate the Alatarih and research and messages of Graduate Studies as well as it is the spaces to set up seminars or scientific conferences , as well as what it means to function in providing ways to make the most of during the design spaces that form the axis adapted to technical developments and raw materials for the purpose of responding to humanitarian needs and requirements. While the aim of the research : 1 - detection of functional requirements in the design of interior spaces for university halls discussions. 2 - Develop a design proposal for the university hall discussions based on the fundamentals and requirements that result from current research. While defined borders ( spatial and temporal ) to search halls discussions of public universities in the city of Baghdad - Rusafa for the period of ( 1975 - 2014 m) , as well as identifying the terms contained inthe title search out procedural definitions. Included in ( the second quarter ) and previous studies of the theoretical framework , which represent three sections , the first section dealt with " functional requirements and dimensions Avatar ," while the second section came Study " " variables functional and organizational dimensions in interior design " , while the third section guarantees the " principles of the design of interior spaces for university halls of the discussions , "and resulted in a set of indicators that the detective form adopted in the analysis of search patterns. As for the third quarter , which included the research methodology and procedures , as adopted research on the descriptive approach in the process of analyzing (3) models represented spaces inner halls of the discussions at the public universities of the city of Baghdad / Rusafa , have been selected in a deliberate from the research community overall 10% according to the rationale clarified by the researcher , and also included the chapter on the search tool , which included axes form analysis ,which included a group axes to cover the analysis of the mechanisms Almokhtarhoha models as follows : (1 - functional feature 2 - the organization of cognitive motor 3 - Safety and security 4 - techniques ). The fourth quarter included a review of the results and discussion that resulted through the process of analysis models and then out through the results to devise a set of conclusions , including : - 1 - that visibility was the result of realizing designer in fact the embodiment of the field of vision and visual receipt due to the structural design of the space as well as include ground and intensity of illumination of convenience. 2 - check the functionality of the rooms in varying degrees to achieve a comfortable indoor environment for users because of the proportions of the standard dimensions between formative vocabulary of space and movement of users as well as acoustic insulation , which came as a result of the use of sound - absorbing materials on the level of space limitations. 3 - should the designer be aware of the impact of color in space and its occupants ( psychologically and Aihamaa ) by adopting the kind of rationality and objectivity in the selection of ratios and color values in thespaces of the discussions as embodying two of them ( the state of anxiety and uneasiness visual and psychological ) , so it should not be used colors high - frequency wavelengths and varied, but the emphasis on some of the colors that achieve harmony. And generate a sense of attention and not feel bored during long sessions. And then make recommendations , and the conclusion of this chapter to provide the proposed design , which included an outline of the spaces engineered internal discussions university halls.

التحولات الفنية للتكعيبية وتطبيقاتها في تصاميم الاقمشة المعاصرة

اسم المؤلف: سناء محمود ابراهيم النعيمي
اسم المشرف: فاتن علي حسين العامري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Occupies designs fabrics ample space in the developed world , making the interest in these designs is increasing day by day and this is due to the urgent need of the cloth and the multiplicity of uses to suit the desire of the consumer, no longer fabrics just forms of design it is the interaction of the bases , systems and relationships that lead really expressive and functional requirement the act of design and its impact gustatory in others, they are subject to the taste of a designer who builds upon the idea consistent with the style and material and technical relied upon to show the artwork design. As well as they are in line with the change and development , and develop and enrich the taste of art, fit and prestige which focused phenotypic need to keep pace with the movement and in the field of regenerative design fabrics.. Has seen contemporary thought movements and technical schools shifts the new shape and configuration - including the art movement of cubism - which is one of the most modern art schools interested in form , and formed a starting point and starting to achieve the unique methods varied and varied depending on the renewal of continuing its impact in the field of design , inciting the Cubist movement shift technical systems relations formal level of scientific , technical and aesthetic , and based on the above and through the informed researcher of the importance of these transformations and technical applications in design - designs fabrics - ( women - Upholstery ) created a justification for the study of the subject of current research and marked ( transitions technical Cubist and its applications in designs contemporary fabrics ) , where research includes four chapters , the first chapter came the research methodology and included asking the following question : Is the technical transformation of the movement of Cubism role in achieving techniques in the design of a multi - purpose fabrics career ? In order to shed light on the important concepts and rich in the history of fine arts in general and contemporary design , in particular through the fact - depth intellectual and stylistic aesthetic that characterized the most important features of the Cubist school , goals came search : . 1 - Identify all transitions intellectual movement of Cubism.. 2 - disclosure of technical features and practical designs in fabrics. 3 - Develop design proposals showing shifts of Cubist art and Tabiqatha Fabrics contemporary designs in a multi - functional purpose..The study identified technical changes to the movement of Cubism in the multi - purpose functional fabrics ( woven and printed) of Chinese origin and Turkish as available in the local market of the city of Baghdad and designs of women's fabrics and upholstery from 2011 - 2012. The second chapter , which included theoretical framework , which included three sections covered in the first section shifts the intellectual and artistic movement of cubism , while the second section of Cubism and enforcement mechanisms in the designs of fabrics , and the third section is the impact of contemporary art trends in designs fabrics. As previous studies did not find a researcher study concerning the subject of the search, and so is the search the first study in the field of application of the school Cubist designs in fabrics women - Upholstery, The third chapter dealt with research procedures , which included research methodology , a descriptive analytical and research community , which amounted to (96) model design parameter was selected sample in a deliberate and by 25 % and adult (24) model , has been prepared by the researcher form analysis of the designs fabrics women's Upholstery , which included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter building axes on the form and for the fourth quarter included the results and conclusions reached Albaagesh to the most important conclusions as follows : . 1. Technologies that backs a role in highlighting the verb design of woven fabrics and printed , which represents a shift in the phenotypic characteristics of formal , given privacy in the use of design for multi - purpose fabrics Title ( Women - upholstery ).. 2. The method of engineering and engineering hub dominant trait to show content, as embodied in the processors technical attributes and characteristics of the Cubist art movement characterized by solid and sharp formations in the framework of the formal unity and objectivity. The method of abstract Kmthakq Toy formal and overlap with the geometric method.. 3. The exploitation of space overall as a result of overlap Vocabulary in build formal invested mutual relations between form and space design , which showed both of them as part of the design fabrics women , while requiring upholstery fabrics pronounced in Show content formality and color commensurate with the purpose career Alosthaddama and adaptedto the place. This enhances the transformation of the intellectual and stylistic art cube.. 4. Harnessing the trend All or part of the shapes of the effect corresponds to the privacy level job promising for him , as it is employed in the designs of fabrics women's trends multiple on the basis of their ability to forming and employment are governed by the nature of the raw material and adapted to act Alosthaddama , while confirmed upholstery fabrics on the need to employ the trend one which copes with the act Alosthaddama. 5. Showed most of the designs of the models to harness the attributes of art and design inspired by Cubism analytical second phase , through repetition and diversity of surfaces , colors , style intense and contrasting closer to chaos, but the system , which formed a shift in the structure of the design appeared in the periods required by contemporary visions of design and the need for changes in attraction and excitement in women's designs and upholstery fabrics , followed by the third phase , a synthetic Cubism , which forms produced by the unfamiliar achieved tensile visual composed year.. As well as to ensure the same chapter , proposals and recommendations to ensure this chapter also proposed designs prepared by the researcher access to a computer the possibility of a formal variables and color ways and methods to repeat different , of (27) design proposal which is designed to fit women's fabrics and upholstery.

التصور الذهني وفلسفة التشكل في التصاميم الكرافيكية رباعية الابعاد == Intellectual Conception And The Philosophy of Formation of Four Dimensional In Graphic Design

اسم المؤلف: فلاح حسن علي العتابي
اسم المشرف: سعدي عباس كاظم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Researcher found the importance of studying the topic of Intellectual and structural design idea in graphics designs, because not to address this issue by scholars, and the researcher presented his thesis tagged (Intellectual conception and the philosophy of formation of four dimensional in graphic design ) to fill Containment of research.The Thesis has four chapters. The first one talked about the problem in the search centered on President (Formation of the design process and design construction) and respect which the steps and rationale invent designer, and adoption of any level of thinking. And show the principles and the methods of intellectual, philosophical, and the relationship between philosophy conception in graphics four - dimensional designs, and procedural dimensions associated with the practical application.This chapter discussed the objectives of the research, which was to identify the vision intense evidentiary of intellectual conception, and accordance with the basic foundations of functional building and aesthetic considerations.The second chapter, focused about the theoretical framework of four sections, the first one, explained the subject (fantasy and building of Intellectual and creativity, and apply the creative process, as relates with Intellectual conception of design, perception and form, which active the problem. Therefor this study contributes for understanding the stages of design process.The second section, the researcher talked about the idea and thinking appearance. And then reaching to goals of design. That’s means the design specified direction of our thinking during the problem subject, and also helps us to focus for reaching and getting a short and easy ways.The third section talks about essential of philosophy and characteristics, as well as philosophy of shapes and philosophy of formation in design. As it, the philosophy adopts on the shape roads, thus; the designer Realize the value and elements of design Aesthetics.The fourth section contain the four dimensional in graphic design, The importance of regulation in design Aesthetics, also the researcher talks about two &three dimensions in graphic design. Then Focus concerning four dimensions through his studied the Movement and time in design.Where the researcher find, the Cognition for four dimensional creates Integration with Environment, then humans and them Movement, subsequently, the Construction stage Linked with design, during the time which creates the four dimensional in graphic design and their related with the roots of design.The third chapter included measures research, and researcher chose for community of research as studying “self - Selection” for analysis methods , which is most appropriate ways to achieve the objectives of the research, by expressive and aesthetic effects.The fourth chapter has results of research. As follows : The movement is receiver eye, and it’s a part of four dimensional realizing processes. Through the expresses and time. The four dimensional meaning in graphic design as movement and space depth.In this chapter also have research results discussion, conclusions, recommendations and proposals.The study revealed results including : that the four - dimensional design in graphics, its temporal dimension is very closely with movement and physically dimension in two & three dimensions designs, through the visual process.The researcher find after simple’s analysis, most of them has an aesthetic structure, while there free selected uses by designers during control of design styles. Through diverse methods and units.The end of research is References

البنى الارتكازية لفن التصميم الطباعي المعاصر == Infrastructures of Contemporary Graphic Design Art

اسم المؤلف: دينا محمد عناد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The art of graphic design from more arts modernity which appeared beginnings in the nineteenth century and the evolution in the mid - twentieth century, the owner of this development a particular focus on the development of theories of knowledge, bring about the way the designer base model represents a built anchor, any (ground knowledge firmly) based upon The art of design, and can not be achieved without taking into account the design of these structures and aesthetic value to the success achieved by the design. Although the essence of the design idea is gaining value only the veracity of the results that can be achieved at the application level and then detect the role of the creative process, which is often coupled with the idea of design, construction and technical design meets the requirements of the message and influence in the receipt.Based on the foregoing, this study comes tagged (the infrastructure of contemporary graphic design art) to clarify the subject through the four seasons, which included the first chapter, which has been allocated to research methodology on the research problem identified by asking the following ((What are the key pillars upon which the art of graphic design as a theory ))? The objective of the study ((Essential for building the foundations of the theory of the art of contemporary graphic design)).It also included the importance of research and the limits of research as well as identifying terminology.The second chapter includes a theoretical framework and previous studies, they did not find the researcher taught by a previous study approach to the subject of current research in graphic design, so this study is considered the leading theme in graphic design.The theoretical framework has included four sections focuses First research on (a brief history of the graphic design art), and focused the second topic on the (Strategies graphic design) and ensure that the third section (Features theart of graphic design on according to the intellectual trends of contemporary), while the fourth section guarantees the (Modernity and postmodernism in graphic design). This has resulted in a theoretical framework on several indicators. The third chapter is devoted to research procedures as researcher followed the descriptive method and the method of content analysis for the purpose of monitoring phenomena. Means of objective critical analysis of each model separately, to reach accurate results. It ensures the research community a hundred and fifty (150) culturally poster technically universally contemporary publications on the international information network (Internet), countries (Germany, Holland, Switzerland, France, USA), which included the years (2004 - 2014) and due to the capacity of the research community, and the multiplicity specialties areas posters cultural art, arrogating the researcher exclusion of (100) poster depending on the way (not the probability of intentional) in the selection of research models, bringing the number of models of the sample (fifteen 15 culturally poster technically worldwide) Elected out of (50) Model for the purposes of analysis, (33%) of the research community overall, with three posters for each state. For the purpose of analyzing the sample form was designed to determine axes analysis, which was approved by experts and was based on the analysis of its clauses. And ensure that Chapter Four of this study was to review the results and conclusions for research, and the most important results : - Was to determine the infrastructure of the theory of the art of contemporary graphic design : - 1 - Reliance on cognitive theories, especially the new objectivity, which confirmed the technology and manufacturing processes and function. The purpose of design, and sobriety and strength in design and visual communication to mind.2 - Designer culture that rely on the construction of knowledge. 3 - Rely on innovation and artistic creativity to achieve the image of visualculture. 4 - Accrediting simplicity and abstraction and symbolism.5 - Employ modern technologies in order to serve the idea and content, to bring the power of visual communication and cognitive, by addressing the fonts and color values, and linking elements and styles of design to achieve movement and tensile visual, in order to serve the idea and secured to the success of the design work.6 - Recruiting employ methods of design elements and characteristics of intellectual and aesthetic, which is the language of design.7 - Verb match career with the formats for design aesthetic expression. 8 - Employ metaphor in the formal design built to achieve a synthesis based on visual discourse, bearing dimensions intellectual and aesthetic contribute to the understanding of the structure of the underlying design.The main conclusions of the research : - 1 - Activating the role of the recipient in the field of fiction and the future vision, and read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge, and to make it mainly in the construction of knowledge. 2 - Achieved a designer horizons and a new perspective in the presentation of design work, so as to break the traditional context, by relying on inspiration, a theories of artistic creativity and application of discovering the same fantasies and imaginative jets occur suddenly, to achieve the image of visual culture and linked to the contemporary.3 - Resulted in graphic design strategies to build a knowledge base, any emphasis on theoretical knowledge to work as a precedent Executive, to achieve the anchor structures, based on the culture of creativity and innovation, and to identify the strengths of the unique design of the building implementation approach and the development of future standards work.It is then incorporated the recommendations, including : 1 - Emphasis on activating the role of the recipient to read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge.2 - Introducing new systems design using a new method of connecting elements and coordination among them ensures the effectiveness of the design and achieve new and innovative formulas lead to a reaction force to provoke an implicit attract an audience.The research proposals : 1 - To conduct a study on the technological standard and its impact on contemporary designs.2 - Combination study of structures based on visual discourse in contemporary designs, printing and its impact on the receiver

المتغير الصوري في الفكر المعاصر وانعكاسه على التصميم الكرافيكي == The Variable of Picture In Contemporary Thought And Its Reflection On Graphic Design

اسم المؤلف: شيماء عبد الجبار عبد الكريم السامرائي
اسم المشرف: نعيم عباس حسن
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Image is the new language that all human languages are superior. Image worthy of contemplation and research as an industry controlled sector and a wide range of fields of science and knowledge and art. It has connotations and symbols, with meanings and a high value that makes it an instrument for active communication for technical changes to achieve beautiful, civilization, satisfactorily, communication role. It is major component indispensable, in new advertising media. Image dispense with a written speech or audible to change our reality and affect on our awareness and (self - optic) and attributes of our current dominance in the field of image continues to humans and take site of domination and sovereignty of the other elements and cultural tools in contemporary. The design of the arts that are related to the lives of individuals and the community for its services related to the development of artistic taste, through visual attraction and influence in the forum to promote the ideas of design and achieving goals. The design is particularly graphic of the most important types of designs of what constitutes direct contact or indirectly, intellectually, socially, politically and economically, the main function of through is reflected publish, through the design of the poster, magazine, newspaper, book, logo, trademarks, and the other. As well as the advertisement with its types. Current research explores the subject of the dummy variable in the contemporary through to reveal its effectiveness in design graphics which depends on the development and transforming to implement the idea. The hiring picture to form the audience and effectiveness in influencing for the purpose of culture specific image, and work to deepen the artistic culture, finding points of interest and a common understanding of the goals and effects the image on the forum and designed the structure of the first quarter, which contained are search problem, which formed are search problem : - 1 - Varied investments in the variables topics.2 - Focus on the structural aspects of the design in parts of design.3 - The pursuit of what is unfamiliar was important to identify users and workers in this area, important conceptual aspect to enrich knowledge and skills to design specialists graphic.Also we imputed the goal of the research according to (detection achieved intellectual contemporary picture of the variable and its reflection on the graphic design) for the other hand we limited the boarders of the research according to place, time, subject and limited the terms : image variable, contemporary thought, graphics design, the second part of research includes the theoretical framework of cognitive, which covered by the researcher with the following points : first topic, image relations in graphics design from the artistic vision for the image and the artistic affection for the image, the employmentpicture structurally and aesthetically pleasing and finally the image variable in the design structure.In the second topic the image variable in graphic designs from the philosophical concepts for the image variable and its effectiveness and formal configuration with image variety and optical configuration but the third topic, is graphic designs in contemporary thought from the intellectual theories and the variety in design finally the image reflection, with the indexes of theoretical framework in fact the third topic consists of the research procedures and the methodology of the research.The fourth topic contains an analysis and critique models and the last contains the poster with logo by eighteen model, lastly the conclusions of the research : 1 - The majority of samples depended on organizing a diverse tectonic from the figure, containing to achieve functional beautiful expressional side, from the other hand I embarked on a new path to achieve aesthetic that give rise to the forum and afford to link and meditate and tight attention with enriching the visual rhetoric by symbols, variety that was optical.2 - It was defected achieved intellectual for the image by many transformation and resources that are mental and optical under many meanings contrary to the image. After that it was considered as a variable achieves by effectiveness in a change for image. The contemporary thinking is renewed, evolution, and change.3 - Varied employment visual rhetoric in the variable of image rhetoric. (image, geometric, written) in the effectiveness which carries beautiful guides that required by function dimension.Finally the conclusions that are : 1 - The necessity to make many studies to show the importance of an image and the image variable and deepen in its role, affection in developing the sides like intellectual, artistic, cultural.2 - The necessity of knowledge of the rapid developments, in the world of the software which connected by contemporary graphic designs, and the techniques of communication and the role of greatest image in the advertising, and contemporary media.3 - Publish a magazine specialized scientific in the study of an image and its variables, in the contemporary thinking.4 - Seminars and the establishment of scientific sessions and artistic in the field of digital graphic designs.Then been indentified subsequent pages of references and appendices and display summaries in English.

التشاكل الحداثي في اساليب تصميم الاقمشة والازياء المعاصرة == Moderization Isotopie of Contemporary Fabrics & Fashion In Design Styles

اسم المؤلف: هادي نفل
اسم المشرف: رؤيا حميد ياسين
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انشغلت الباحثة بشكل واسع في موضوع يعد من اهم الموضوعات المتعلقة بتصميم الاقمشة والازياء، هو التشاكل بوصفه فكرا حداثيا وظاهرة سيميولوجية تعمل على تنظيم المدركات العملية لاجزاء البنية التصميمية وتلخيصها بالجوهر الابداعي الذي تلتقي عنده الاجزاء لتكون غاية جم

جماليات المتكون التصميمي الرقمي وتطبيقاته في الاقمشة الحديثة == The Aesthetics of The Digital Design Component And Its Implications In Modern Fabric

اسم المؤلف: حيدر هاشم محمود الحسيني
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد الحاسوب من اهم مظاهر التقدم العلمي والتقني الذي ساد العالم، بل اصبح لغة العصر التي تخدم مجالات الحياة المتنوعة، واصبح الحاسوب من اهم اهداف المجتمع نحو تحقيق مستقبل افضل لامكانياته الواسعة في استعمال اساليب وطرائق اخراج متعددة، مما ادى الى ظهور طرق | The component is regarded as of the aspects scientific and technological progress all over the world. It became the language of the modern age that is used in various fields of life and the computer became one of the best means for societies to chive a better future due to its wide potentials in using various ways and styles of output. This led to the appearance of new ways of thinking performance and expression and the formation (to the contemporary creators ) of symbolic and visual possibilities affected the structure of ideology , culture and art since the computer is one of the bridges between art , since the technique and it is an inevitable development of channels began to be digged years ago. According to the design core which takes the creation approach as a means to almeve its functional and aesthetic goals , the meaning of aestheticism depends basically on the latest technical innovations. The researcher sees that, according to the contributions of the digital technique and the potentials of the programmers of the digital design including the Photoshop ( focus of thing study ) it became a new way to invent new designs leading To the renewal of the the design structure in from as well as in content in accordance with the conceptual transitions in the art of design and in scene in the twenty first century.Accordingly, the researches stopped at the following questions that represent the problem of the present study. They are : 1. Does the digital technology help in a achieving dimensions for the design component in the modern feminine cloths ?2. Are the aesthetics of the design component aliened through the effects of the digital technology or through the components of the structure and what it includes of elements bases , systems and its relationships or through this harmony.3. Are there digital design bases help achieving aesthetics dimensions for the design component of the modern feminine clothes ?The study aims at showing the role of the digital technology , its means , styles and effects in achieving the aesthetics dimension of the digital design of component in modern feminine clothes and pulting design bases help in achieving the aesthetics dimension for the digital design component in modern feminine clothes. It also aims at putting design suggestions in the light of the theatrical bases. The study limits itself to the feminine clothes implemented a according to the digital technology of various sources within the period of 2011 - 2012. After that it limited Four terms , namely, ( aesthetics , consisting of design , digital technology , design fabrics ) researcher has developed a procedural definition of each term. This is what came in the first chapter of the research , consisting of four chapters. With regard to the second quarter , which contained the theoretical framework and previous studies , it has included in the carrying four sections , which included the first section of what beauty and the mechanics of the operation of the theories aesthetic in design and aesthetic dimension of the composed design digital , while included the second part, the elements and the foundations of building regulations and relationships and methods governing the design Women cloth , In regard to the third section has cared Balozifah aesthetic and cognitive and aesthetic judgment and experience and then touched on the implications of the expressive and symbolic composed of digital design. The fourth topic , including concept and technical sophistication of the design is composed of digital and then the components of the computer and digital design software ( Photoshop ). He then went on to search the most important indicators on which the general theoretical framework and then the previous studies. The third chapter dealt with research procedures , as follow researcher descriptive survey ( content analysis ) , and represent the research community to (123) model diverse special designs fabrics women's modern , ruled researcher (13 ), a model of which to replicate the idea of design in multiple colors , and this has become a community Find ( 110 ) was chosen as a model design parameter (22) in a deliberate model and 20% of the total research community and came selected depending on what serves the objectives of the research. The search tool Vtmthelt form for analysis according to the scientific method , and presented to the experts specialized in designing fabrics for gaining virtual sincerity. And then analyzed the models and discussed. And then eat the fourth quarter results and conclusions Among the most important are : 1 - adopted the most effective form designers ready in the toolbox program Photoshop , which includes geometric and floral shapes and forms in a variety of other building design and artwork that have achieved the aesthetic dimensions of the canvas.2 - wizards of digital technology has made the aesthetic dimensions of the design is composed through the adoption of effective color cast Color Overlay intent to show diversity chromatography vocabulary inside the building design. It also granted the effectiveness of the filter Filter effects variables in the visual design of the product forms and vocabulary and achieve aesthetic dimensions of the canvas. It also adopted the effectiveness of border effects and Stroke , who worked on the framing shapes the design and increase the strength of its appearance.Based on what came from the sequential action of the researcher discuss the status of the most important pillars of design that contribute to the aesthetic dimensions of the digital design is composed of the women's modern fabrics and as follows : 1 - Take advantage of ready - made shapes in Photoshop toolbox with the addition of some minor aesthetic that serves the goals of the artwork design.2 - Attention to employ digital effects technical vocabulary of shapes and design , according to experience and taste of the designer, what possesses these effects ( processors ) of aesthetic additions attractive integrated with the rest of the aesthetics of the design and verification consisting of cloth female attraction. The fourth quarter included recommendations and proposals mention the most important thing , which stated : 1 - emphasis on the role of digital technology in the field of design fabrics , and keep up with the latest software versions with respect to digital design and employ them in the art of design and art in general design fabrics in particular.

انظمة التكوين الشكلي وتقنياتها الاظهارية في تصاميم الاقمشة الرجالية == Systems of Formal Training And Techniques Alazaaria In Menswear Fabrics Designs

اسم المؤلف: اسعد عاتي هليل سعد الموسوي
اسم المشرف: فاتن علي حسين العامري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد انظمة التكوين الشكلي بمثابه اسس يقوم المصمم بابتكارها وصولا الى اختيارات تنظيمية بفعل تقنيات الاظهار التي تعطي للنظام التصميمي جاذبية اظهارية تحقق غايات الفكره التصميمية, فانظمة التكوين الشكلي تهدف الى تحقيق غاية التصميم من خلال تقنياتها الاظهارية الن | The formalistic composing orders are considered a basement. This basement which is the designer made to reach forming choices depending on displaying technics that give attractiveness to formalistic composing which leads to applying the aim of the design itself. They work to apply the aim of the design through the finished displaying technics and this is the essence of the research. This research which depended on this question : what are the formalistic composing orders of the designs of men fabrics ? Do displaying technics make changes in formalistic composing order of men fabrics? The importance of this research has these roles : 1. It helps in the opportunity of managing the scientific and artistic benefit for those who are studying and interested in the field of designing and technical in the colleges of technics and institutes as well.2. It may participate in increasing the knowledge of the researcher and technicians in ways and technics. It also stabilizes the artistic designing principles, and put them in front of the designers to inspire them consequently bring new ideas of designs. These inspirations raise the designs of Iraqi cloth in quantity and quality. The research also wants to applying these goals : 1. To know the formalistic composing order of the designs of men fabrics. 2. Showing the relationship between the formalistic composing order and displaying technics in the designs of men fabrics.Th research of formalistic composing orders and the applying displaying technics, and the designs of men fabrics consisted shirt , (Indian or Chinese ) made , which are available in the public shops of Baghdad ( Al Shorja trading shops) from 2010 - 2012.The seconds chapter contained the theoretical work which consisted of three ideas. The first one was about the formalistic composing in designing men fabrics. The second chapter was about the designing composing in the design of men fabrics. The third was the effect of technics in the formalistic composing order. After that it is concluded the most important signs that comes from the research. Then come the preceding studies and their discussing.The procedures in the third chapter represented by depending on descriptions of the analysis of samples. These samples were (240) designed samples. About (160) of them are excluded. The reason was that they are similar in showing the essence of the design and repeated in one hand and repeating it on the other hand. Add to that it repeat the same defect on variation of colour to this design, which is not in harmony with the needs of Iraqi shops and styles. So what was rest (80) which represented the base samples. According to that samples were chosen intentionally in (30%) , which was about (24) samples. These samples are varied according to displaying technics.The analysis tools are listed in points of analysis. This analysis tools depended on some theoretical signs, which the researcher presented with the help of the supervisor, and certificated by number of experts. These tools were depended on in analyzing samples. In the same course, the samples of research were also analyzed depending on the points of the list.The fourth chapter contained the result that is found by the researches and the conclusions. The notable of them were the dependence of men clothes designs firstly on the mixed fabric. they did that since it is durable, comfortable and cheap. This led to reduction of using the natural fabric due to their high prices. In addition, the artificial fabrics also reduced in usage because it is not suitable for the weather of Iraq.The formalistic composing orders are actively represented that within them, the designer used the reticular fabric and liner fabric which is prevalent which suggested a limited space for similarity and repetition in the parts of the main unit. This unit has connected totally with the capability of the designing to weave fabrics through the crossing of the vertical lines with the horizontal lines to show the essence of the fabric on its surface, as the central organization appeared in least percentage. The distribution of the random consistence which gives variety in directions and the design unit via the connection of the relations of its factors could appear in less percentage. This is because it a reflection of a real technic of fabric printing which is usage has reduced in making men fabric designs. The chapter is consisted the recommendations and suggestions and the Arabic and Foreign. In addition to that, it is consisted the summary in a foreign language.

الفاعلية التداولية في التصميم الاعلاني المطبوع == Effectiveness Pragmatics In Advertisement Printed Design

اسم المؤلف: بشرى محسن ياسر
اسم المشرف: نعيم عباس حسن
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This research is considered as an important step in dealing with the pragmatic for its interruption in all the scientific, humanity and social fields. This subject has an importance in the foundations? works and the directorates that has a direct connection with the society individuals especially the advertisement foundations because of the need to get the specific and sufficient information about the expression of pragmatic through its properties , directions and the potential meaning in pragmatic the advertisements and their symbolic components between the receiver of the advertisement message in a specific communication sequence. This is what we show in the problem of this research through asking two questions which represents the research problems, they are : - 1 - what are the pragmatic characteristics in printed advertisement design. How they are connected in conveyance the advertisement idea to the audience?2 - How to diagnosis the symbolic pragmatic comprehension of the signs from different audience identifications and different thinking levels , the time and place dimensions and the circumstances of its spreading through the used communications ways to show the printed advertisement design ?This research aims to identify the pragmatic and how its effectiveness and impact on the printed advertisement design. The research deals with the study of the printed design in three pragmatic famous magazines in the world for the period from August 2012 to July 2013. The study consists of four chapters. The first chapter deals with the problem of the research , its importance, its targets, its limitations and specify its expressions. The second chapter which consists of the theoretical frame is divided into three fields. The first field is about the effectiveness and the design theme , the effectiveness and the design theme, the effectiveness and the factors of its achieving and theeffectiveness of using the individuals in design. The second field is about the pragmatic effectiveness systems , the rhetorical meaning in the individuals of characteristics of pragmatic in design. Where as the third field deals with the effective power in the visual impact and gravity and receiving operation, the elements of free and non free - will of attention, the visual impacts and the resulted connections in the advertisement components and the design building ,the basis of advertisement design and its role, the elements of the advertisement design building, the basis of advertisement design and its role and influence on the specter and then showing the signs which resulted from the theoretical frame , that the researcher depended on in making the analysis application form. In the third chapter, the researcher deals with the research procedures of the methodology research, the research society which consists of printed advertisement designs in three world pragmatic magazines.The sample of the research is chosen on purpose which is suitable to the nature of the research. The tool of the research is represented by the analysis application form which consists of many axis. These axis are authorized by the experimentals. They are considered the basis of analyzing the sample and then getting its fixing. The fourth chapter deals with the most important results that this study has reached. This chapter deals also with the conclusions , the recommendations and many suggestions and finally the abstract in English language.The most important results of the research are : - 1 - The advertisement design has many meanings that are identical with the idea of the design. This idea is reached to , by explanation the individuals symbols of the advertisement correctly through transforming into the specific cultural knowledge of the audience , the sequence of the advertisement idea and the way of directing the symbols figures in the advertisement for the audience into the place that understands theadvertisement for the audience into the place that understands the advertisement?s parts sequencely and correctly to understand the advertisement message and achieving its pragmatic effectiveness.2 - The picture symbol in the advertisement design to the sample represents an importance in the way that makes the audience of the advertisement a kind of attention to the meaning it shows and in a way that makes them activate with the meaning and be influenced by it.3 - Making the symbolic work in the advertisement design to inspire what they carry of symbols and their connections to available things in the outside world of the audience and to the mutual thoughts and passions of the audience.The most important conclusions in the light of the research results are : 1 - The pragmatic meaning is in the center of the design operation. The advertisement design operation has an axis represents the reality and expressing it. The effectiveness works by it side to transform this reality into space organization that pay attention to the harmony and perfectness among the different symbols figures.2 - The pragmatic advertisement design has the characteristic of communicates and being effective to achieve the effectiveness which makes and keeps social relations among the society individuals.The researcher recommends the following : - - Emphasis on the visual symbolic that carry the inspiration and meanings that help achieving the effective visual communication and expanding the realization and multi explanations of the audience. Increasing the communication to transform the expressions and information which is about the subject of the pragmatic advertisement.At the end, of the researcher suggests the color employing in the commercial advertisement design and its influence in achieving it pragmatic.

الاستعارة في الصورة الافتراضية للاعلان التجاري == Metaphor In The Virtual Image For Commercial Advertising

اسم المؤلف: شيماء كامل داخل الوائلي
اسم المشرف: هادي نفل مهدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Operated metaphor thinkers and thoters as one of the most important topics being working on the transfer of meaning fantasy incarnation Authority forms invisible virtual open to interpretation and interpretation as well as being reveal mechanisms of functioning of the new communication and that column is the basis for building commercial advertising , in terms of the metaphor means interested in particular humanity from the reality of practices social and ideological and cultural to reflect his thinking and gives a pattern to understand things and the way functioning , they are linked to mind and relations of intellectual designer in organizing pictures default , so it came metaphor in design as a characteristic creativity designer and a standard aesthetically pleasing to the meaning of the new non - rolling , as well as its ability to expand the circle of meaning being represented springboard for the organization and a means of rooting through evoke shapes exoticism through the activation of the techniques that threw a shadow in the formation of structures ad featuring strange in terms of building the idea of design and without the advertising business through the sense of them through lack of separation between the default image resulting from the hiring of metaphors and the expression to be sent to the recipient , since it was our time is the current time is par excellence came metaphor in the default image incubator essential for the meanings , also improved from a lack of expression through dimensions of imagination or what stored memory and installedbodies aesthetic lead 's job desired. Based on the foregoing, came to study the ( metaphor in the default image for commercial announcement ) where you specify four chapters , as follows : The first chapter , which has been allocated to research methodology where the study identified the target for the purpose of reaching a solution to the problem discussed , namely (how it shown by metaphor in default image )) and either target represents follows ( (detection manifestation metaphor in the default image to advertise commercial).) Also included the importance of research Search and limits as well as identifying terminology.The theoretical framework has singled out his second chapter where it was reviewing the literature on the subject of your search to include four topics are as follows : The first topic : the metaphor concept The second topic : reference of the metaphor The third topic : the institutions of the default image Section IV : the default image in commercial advertising The third chapter of this study has singled out the procedures followedwhere he was the descriptive analyticalThe third chapter of this study has singled out the procedures followed , where he was the descriptive analytical approach as a way of practice in the search , but the purpose of the analysis of the sample was prepared foranalysis and form approved by the experts and came on the basis of paragraphs analysis. The fourth chapter of this study has been the review of the results ofthe research , and the most important results : 1. Deliberately designed to first semantic approach coupes the idea of metaphor through irony in highlighting the importance of the product and through exotic forms express the idea of novelty and aesthetic2. Was clearly evident that the designer has adopted all sorts of components metaphor for the direct significance of the idea in the Declaration by combining more than one ingredient in a single structure.3. Adopted designer metaphor in advertising to achieve career goals and aesthetic in the structures of ads to confirm the unit idea and provide the recipient expertise knowledge needed about the nature of the advertised product to make interaction with him through coordination based on the context of the idea or through the creation of approaches formality in the use of the elements and this is what appeared in all models the sample under analysisBut the most important conclusions , meanwhile , were as follows : 1. The metaphor in advertising substantive vision of the world and the imagined , being based on the establishment of a coherent synthesis built in the artwork , and carry visual rhetoric of the Declaration commercial dimensions of intellectual and visionary aesthetic controversy lies in the structural design advertising.2. Suggestive metaphor for the meaning and boarder allowing the expansion of the designer Graphic elements meaning " visible " for commercial advertising.3. Visual metaphor associated with reduction and condensation mechanisms based on the idea and structure, which strongly established in the manifestation of metaphor composition of the design.4. To break the normal regulatory rules in the design construction of the announcement is to show the locations of innovative non - current " innovative " check visually attractive designer seeks confirmationstructural cohesion of the basic components of the virtual image , depending on the combination of the different elements and through various metaphors.

الانعكاسات المرئية للتزيينات في تصاميم الاقمشة والازياء == Viewed Reflections For Adornment On The Fabric And Fashion Design

اسم المؤلف: محمد حاكم ضايع
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن صناعة الاقمشة من الفنون الانسانية التي ارتبطت به منذ النشاة الاولى ومرت بحقب ازدهرت فيها وانتكست في اخرى, لذا فهي تدل على مدى رقي الامم الثقافي والاجتماعي والاقتصادي والفني, واصبح فن صناعة الاقمشة من الصناعات التي يعتمد عليها الكثير من الدول كالصي | The art of making fabrics of Arts humanity associated with its since starch first and went through periods flourished and relapsed in the other, so is the show over the paper Nations cultural, social, economic, technical, and became the art of making textile industries upon which a lot of countries that seek to achieve growth economic so they are associated with development of scientific and technical happening in all aspects of humanity, in which case began receiving choice designs for textiles and fashion decorations a certain way and not spontaneously, but rely on subjective factors and objective achieving compatibility with aspects of psychological, physiological and differs from the choice of the genus to another, and is embodied in the designs fabrics and women's fashion and decorations the selected not on the basis of carry forms of design, but design is the interplay of relationships with the structure of the receiver that reflect the integrated check personal attraction and excitement of the recipient.So the designer study aspects of psychological and physiological women are different from men in the way of its choosing designs decorations in textiles and fashion women also each stage age vocabulary design their own as that each community of values, customs and traditions of its own influence in the way of dealing with those designs, in which case the designer can predicate to accept those designs and decorative or rejected as it was built on the foundations of true scientific and technical find out regenerate of visible reflections serve as a means of communication is verbal.The research is consistent with this interest to find out what sends designs decorative for Textiles and women's fashion of the reflections visible check the aesthetic dimension of those designs and down to achieve taste of the receiver's.According to the research problem identified the following question : (What are the implications for decoration in visual design and fashion fabrics)It aims to identify the reflections visible in the textile and fashion designs based techniques to achieve them, the detection of the most important decoration achieved for infrastructure requirementsintegrated design and fashion fabrics.And highlights the importance of the current research to increase awareness of intellectual design with designer fabricsAnd fashion knowledge foundations and development trends that contribute to the perception of visual implications of the decorations in the textile and fashion designs as well as to know the physical propertiesIndustrial and decorations employed in the textile and fashion manufacturers have.The study identified the limits of the printed designs and added in women's fashion fabrics for the group stage of (25_40) years, and specified for use in period Evening imported and available in local markets and within the time period (2011_2012). The researcher then select the terminology and the development of each term procedural definition of its own, and the second chapter discusses the theoretical framework and previous studies and included three Detectives were distributed as follows : ...The first topic : the decorative designs in textiles and fashion.The second topic : the concept of visual implications in the design.The third topic : the perception decorations in fabrics and designs women's fashion.The researcher to the most important indicators resulting from the theoretical framework through which the researcher were able to communicate with the third quarter in a harmonious and also achieved a theoretical framework for the presence of previous studies.The third chapter dealt with the research procedures, as follow researcher descriptive analytical method, representing the research community b (48) model is set up for the evening was chosen as the research sample wildly including copes with stage age - specific research and end - use and thus amounted to sample B (12) sample rate25% of the total research community, either search tool represents the form for analysis built on the main axes of which dealt mostly a researcher at the theoretical framework included axes contribute to achieving the goals of the research, and then presented to the experts in the field of design and design fabrics for gaining sincerity virtual then adopted inanalysis models and discussed.Fourth chapter discusses the results reached by the researcher through research and samples that we will discuss mention the most important : 1 - Adopted on the printed designs designer visible in the composition of the implications of an aesthetic nature (decorative), which showed tangible variables and space suggestions depth result of Recurring act or the difference in the optical values.2 - The decorative designs (synthetic) and place the design holds as it is one of the most important design requirements to achieve an integrated design structure depending upon the discharge of excess cloth and show the true dimension of the recipient in the design of cloth and uniforms.3 - Melanocytes technology has emerged as a supportive space for printing techniques that promised one of the most important techniques adopted to achieve visible reflections ornamental would forma effects and events showing investigator for excitement and attraction to those reflections.4 - Showed the effectiveness of the design elements design decorations gave the recipient delusion the tangible variables resulting from some forms of the design space, which was adopted by the design in the formation of relationships.5 - A reversal is the sense of the existence of things, whether real or fake, and then it turns sensation to cognition, as it begins receiving classified so perceptive according idea of design and their sources.6 - Made the formal qualities of the decorative design and technical design followed by the idea the primary purpose of the visual impact some of which appeared for the purpose of aesthetic, but tailor differed dress the percentage with a cloth design aesthetic as it achieved the purpose and career together.The fourth quarter also included the conclusions reached by the researcher is the most important : 1 - Depend on industrial raw materials in the first place due to its flexibility and softness and the ability of high reflectivity and a high acceptance of melanocytes and printing techniques which helped to show aesthetics that are compatible with the target design and age.2 - Industrial sources and made its presence allowing the designer ample opportunity in diversity in the decoration and operational techniques and show in the design cloth and uniforms and achieves visible reflections with aesthetic connotations.3 - Linked style design type design sources relied upon in the formation of decorative designs which gave greater freedom of the designer in influencing receiver depending on the identity of belonging to that reality for both the designer and the receiver.4 - achieved a technical clear role in highlighting the aesthetic qualities of the design decorative through the sending of reflections visible based on the values optical achieve those values memorial in the proportion of impressions and how to influence the nature knows the receiver making technology an active role in determining the nature of reflection and visual way to influence the recipient.5 - Formed decorative designs for the uniform structure of an integrated design unrealized thrills and attractions in the receiver depending on the harmonization of decorative designs for fabrics and unique, which helped in achieving integration in the design structure. The fourth chapter contains recommendations and proposals and the Arabic and English sources and supplements and summary in English