عرض: 25 50 75 100 النتائج

نتائج البحث: 25 من أصل 556

الطبيعة في شعر مكفوفي العصر العباسي == The Nature In The Poetry Of Blind Poets Of Al Abbassi Era

اسم المؤلف: وسن حسين غيث الظالمي
اسم المشرف: عامر صلال الحسناوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: After a long journey, joyful and fun with blind people in the world of nature we looking forward now to see the results of this trip and we review the most important thing we came up with : The psychological factor has played an important role and essential in the orientation of the blind toward nature in which he found a safe haven, to escape from the community was a hostile environment for him. Multiple cognitive and cultural resources for poet blind, provided him confounded cognitively culturally Thera, had the largest share of this stockpiling return to the product of poets sighted; since found a blind wellspring Bmaanyh and his words that cemented in his mind and filled the depths of his soul, he took draws, including wills him meanings and images of nature, and which appeared excellence where Bashar and Maari, as he leaned on the language inherited by coming in in language daily - the first sources of culture blind cognitive - represented by parables, and he has brought the blind signals Koran which carried descriptions of nature, and who help him in drawing pictures descriptive, as well as tributary ideals and goes, and tributary to read and see, and found the researcher's role Zip historical and legendary in the poetry of nature; since summoned the poet blind symbols of personalities historical, and legends belong to nature, and had Me'ri a distinct presence in calling these symbols; indicating the depth of the culture, and intellectual maturity. Entered the nature formative element in the formation of the poetic image when the blind poet, and stirred his imagination and Ncttha, and expanded its horizons, and become rich Balchbhet drawn pictures and images which reflect the different fertile imagination. Description of nature, like the blind poet of poets sighted, and in the collection and described between tradition and innovation, and came a picture of nature is often mixed with the rest of the purposes of poetry, and rarely came in the form of separate pieces. Occupied the descriptions of the camel and horse center stage in systems poets blind departing from the benefits of those animals Fmdoa statement descriptions, forms, and colors - for Khil - , while the rest of the animals was calling the poet blind her for the purposes of spinning or praise or lamentation or spelling - including awarded the horizon simulator or prepared him, including his expressive many of the tributaries - and not for the description itself only rarely. More poets blind from the description of the bird in the animated nature, focusing primarily base on their voices and a private bathroom, which interpreted his voice according to the psyche, it was happy two thousand in his voice twitter and vocals, and was sad like his voice has a scar and crying, while such Algrab - code Banshee - in most images guide fences and separation. Most of the descriptions of the plant came overlapping with other purposes poetic when poets are blind, and Mbthoth within them, and rarely pure Maogdna description of the plant, which was of the tribe of Ben Altaaoive where the largest share outstanding on the rest of his companions in this area. Suffered the blind poet of the length of the night to move around a fixed Vleilh With regard to the lexicon industrial nature, has described the poet blind ships relying on a picture ship descriptions of camels and horses, aided in completing his portrait of poetry this much of the descriptions of the desert, and the poet in all of this compares between his ship and the camel, and how she does not feel defrauding a sailing the river, and had superiority to Bashar and dad Hes in this area, have also been blind to describe the depths of the buildings as well as exposure to mention dilapidated homes, fully demonstrating the superiority of the blind poet blind in this area because it excelled in the accuracy of the description. In the field of industrial tools Hafez arms in the Abbasid era to the status they had since the pre - Islamic era, received the sword replaced the lead of offensive weapons in the abundance of material noodles contained when the blind, has mastered in accurately described as male parts, and its industry, and its qualities, and its impact on resolving the bout, and replaced swords and Indian Mishrefeh replace a head start and progress on the other, followed by a spear, shield, which then accounted for Maari as among his peers, while not share and bow attend impressively between several blind war. I have to stop the blind poet to describe tools lighting of candles and lanterns taking of forms and qualities to express what it feels are suggestive art. Pervaded the poetry of the blind as winery Fathdthoa for undimmed and serenity pictures of visual spectacular grabbing the receiver to the beauty of the formulation and the magnificence of their descriptions, Vngnoa paid to the concerns, Margen on the color and characteristics, as well as the value of psychological Altnafisah, and was distinguished for Bashar in the field description winery and tools drinking. Drawing poet blind pictures of scenes of the desert through his trips to the land of acclaimed mediated camel, described and its share and walk in the tread rugged, noting the rigors of travel and the difficulty faced by them in order to reach acclaimed, for a lot of tender first, then to boast Pfrossith II; being prowling float lonesome and alone. It was a blind poet pause on the ruins of the fees and what they contain and landmarks, Vahtam out, and absorbed a lot of the traditional meanings mentioned by the poets sighted, he asked and complained and cried and pictures of homes and the effects of their charges and the impact of rain and wind on them. Deliberately poet blind to the coloring of his paintings of poetry, the desire to keep up with the sighted was adopted in image color on the covenantal audio and especially the poet, the blind, who could not give a true picture of the color of a given, but he was able to give indications of the colors by his concept to her, and it was white checkered and black are the most presence of the rest of the colors, perhaps due in to the psychological impact of these colors in the lives of the blind, being in permanent conflict with the light in the shadow of darkness eternal imposed equally upon, and as usual it was the largest share in these pictures colorimetric Bashar and Maari who Tfoqa - Godh - frequent and even on other newly blind. The auditory sense is most present in the poetry of nature, followed by olfactory, and tactile, Valdhuqah. Taking freelancing senses dimension poetic special when the poet blind making of images and compositions phones in the poetry of nature painted painting Bogdan poet, and pulse sense, is up talent poet blind and creativity peak in the use of compositions poetic visual, auditory, and olfactory and gustatory, and plays a sense of the poet blind delicate an important role in moving his mind about this line of rationing artwork. Have revealed chapters message as well as the substantive results, the results of other art, was the fact that most of the poems of nature when the blind had been organized on the seas long, took the sea long space bulk of the hair nature, followed by (full, simple, generous) and the use of the poet for this seas Related Activations long; for shows and separates accurately manifestations of nature, as well as the weights of poetry such as (shun, and Lilt, and light) and the seas again came about very few (k Almnsarh, and prolonged, and convergent), as we found through research that the poet uses rhymes that are clarity and power, such as a character (Alaba, and signifier, and ra, and harvest), as well as the use of rhyme both types of absolute ones and restricted, has had a rhyme broken luck and abundant in the poetry of nature when the blind, and followed embraced, and then open the rhyme restricted did not appear in the poems blind but in a way few. As for the rhythm of internal Fimthelh repetition; since sought poet blind by repeating words to assert the idea that, while repeating the letters aims to make a melody musically rhythmically rest his vocal and Thuah, as well as a common method of recycling in the poetry of the blind, and subjected to the atmosphere of emotional psychological; to achieve Using convergence moral terms, as they could through alliteration and Altbara to achieve harmony of music in the context of the House of poetry, as well as impart these methods of semantic and moral values on the hair nature. Shred poet blind in the formulation of an image of nature formulation of fine art, it has more of the use of similes; since used the analogy of different types (the sender, and the total, and detailed, and eloquent, and inverted), moving from similes sensual, to comparisons technical suggestive expressed taste poet blind, who was tends to innovation, and innovation in the poetic image, as well as the emergence of style (metaphor) as a means; to deepen the significance of meaning through use, not for what put him, and had to borrow tools attend the largest of metaphor declarative, and the style (metaphor) has shown the poet blind desire for non - disclosure, or disclosure of the meanings that was Eptgaha directly, resorted to metaphor for character, and for metonymy described, this method of taking a way to achieve what aspire. Most of the methods demand was orbiting the emotions psychological poet, and receiver alike, and for this reason is often found poets blind out about the real meanings to gloss metaphorical; what gives him the freedom to express their feelings and make the recipient to contact and communicate with what he says poet. As regards (Reliable Wholesale) has appeared in Poetry Nature Methods synthetic contributed to the enrichment of meaning, and the strengthening of the building, and clarity in showing the positions that have a link with affection poet blind, and his imagination, and these methods are (submission delays, Chapter interfaces, and male and deletions). After these are the most important results of the question raised by this study, do not pretend it Facts final for granted, but at the same time figured I done everything I can in order to access them, and in conclusion, I would put this study made it my best, and I tried what I could display which opens the way for new studies of the nature of poetry when the blind in the other literary ages, and praise be to God always.

شواعــر العرب في العصــرين الجاهلي والاسلامي : دراسة في ضوء النقد الثقافي == Arab Poets In The Pre - Islamic And Islamic Eras During The Study Of Cultural Criticism

اسم المؤلف: هند كامل خضير عباس
اسم المشرف: حسين علي الدخيلي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: Entered Effectiveness of Criticism in the period of postmodernism a new phase in their approach to the product of the writer, where he peered at this stage cultural criticism of Western assets by (Vincent Leach), Criticism culture as a way of culture is placed central to his research, to take such a tool and function for a critique of consumer culture, and the to this criticism effectiveness responsive curriculum cognitive Such as psychological, historical, social and structural disassembly and curriculum reading and interpretation and simologi in standing on the runways speech, the text is from the point of cultural criticism, and one of his interests, the Speech is the home he quit, and most important goals of cultural criticism is to break the barrier of sculpture between literature institutional and non - the official, here we adopted the approach of cultural criticism to our study and tagged (Arabs Poets in pre - Islamic and Islamic eras. study by cultural criticism). As cultural criticism deals with the texts of the marginalized women of literature and popular literature and literature of tales and Tramps, the fact that women's Poet and object women in particular belong to marginalized groups in the pre - Islamic era and continues to now as a society governed by patriarchal system, and as a result the presence of weak attendance record. Women have an active role in the process of poetry. It exercised its literary since that was the Arabs and the presence of literary, were organized in the flirtation and wisdom and praise and Satire in all the arts of poetry, but the efforts rulers masculine culture ruled on all Powered By a woman politely weak as genera feminine, radishes provisions of culture unrelated to the cause of the poetry shaft and its features but only because it comes from a woman, it is here that the literature of women towards formats social, intellectual and cultural existed then, and we tried to be analyzed from the perspective of cultural criticism as by Ideology deals with themes of cultural authority and its relationship with the male. The nature of the study, it was Required to be preceded by three chapters dealt pave the problematic term cultural criticism and the marginalization of the woman '. The first chapter was titled (cultural references to the role of women poet) came divided on the three sections are : (religious references, and references historical and mythological references). The second chapter was titled (the authority of cultural patterns), and be one of the three sections are : (pattern tribal authority, and the authority of the ruling power format, and the format of domestic authority). With regard to the third chapter was entitled (representations of virility in women's poetry). As it received its subjects in the following order : (women and stallion poetic, and representations of the identity of the women in attendance and absenteeism). The most important have exceeded the study through the study in highlighting the cultural patterns in women's poetry. Because the study found that the purpose of the commiseration of the most important purposes of poetry that revealed cultural patterns of women's poetry, being a battleground for women's freedom of intimation of what touring in reality ideological cultural, in addition to this that most of the terms of reference of women cultural, especially the legendary came across the path of the second and this in turn reveals the theme of conflict between masculinity and femininity. As these references legendary orbiting the myth of the bird (as Dove and Rook bird the phoenix, the legendary bird rooster, etc...) to give Equivalent systemic between the bird and women. The study also found reading through cultural samples women's poetry to the representations of identity Virility in her poetry, they mimic the poets in her speech, we find democracy opens her standing on the ruins, and speech Blocker and permission to drink alcohol and flirtation sensuous, and that was systemic aesthetic to confront patterns of authoritarianism.

الظواهر الصرفية في قراءة خلف بن هشام البزار == Morphological Literal Meanings In Reading By Khalaf Bin Husham Al - Bazar

اسم المؤلف: مروة عبد الباسط حميد رشيد
اسم المشرف: هند عباس علي الحمادي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: • First chapter : - Sources and bibliography survey it's having concerning from matters and mater of course deal with discuss study it's tried a different.Bibliography and derivations by its types and resources research works. • Second chapter : - that's divided upon two research work : - first investigation : reminding,I am (male) reminiscence and display definition phenomenon of reminding , being to show off the morphological surgery on base of research Khalaf reading ,it's smanly difference between readers (remembrance, virile ,masculine).Second object of research : feminine : I mentioned definite article (notification) the feminine , that is or was selection of the phenomenon in feminine on base of khalaf reading ,to call attention to his evidence (proof),demonstration of dissenting opinion reading.• Third chapter : that's divided upon two research work : First object of Research : individualism,(add) notification this phenomenon(uneven)Second object of the research : collectivism (jointly) and it's definition, so to call at tension what to mentioned it's from types of in groups regarding studies (survey s) that notification in khalaf perusal (readin(• Fourth chapter : it was in establishment of verbs and constructive at representation third of having a specified weight (significance) verb by first stem of verb (un augmented),metrical weight about verb and fourth verb concerning any minted ,just as were selection this establishments on base of khalaf selection ,offering of an justification ,in relation to cause stem (significance).

قضايا التعبير القراني في سورتي الانبياء والحج == Cases Of The Quranic Expressions In Al - Anbya' And Al - Haj Suras

اسم المؤلف: محمود شاكر محمود نجرس العزاوي
اسم المشرف: طه شداد حمد الهيتي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: الانبار
الصفحات الاولى:
المستخلص: God gives our Arabic Language unique characteristics and many properties, and then He bestows this language with matchless scholars. Those scholars formed its rules under perfect principles and accurate standards. These principles and standards support the Quranic inimitability which comes through linguistic fortunes and treasures. Analyses, theorization, justifications, explanations and many opinions are interacted with the Quranic inimitability to arise very many directions, instructions, guidelines and opinions that shows the fertility of this language and its scholars. If we enter a case of this science, we find a lot of opinions from different places, doctrines and ages. The Quranic expression is one of these cases. This case has many studies, researches and a lot of attention that all the scholars agreed of inimitability of Quran because of the fluent style and eloquent statements. Under the light of the above, this thesis is written to study the cases of Quranic expressions inside two suras (Al - Anbya' and Al - Haj). The thesis has an introduction, preface, four chapters and a conclusion, then a bibliography. The preface is entitled «A Historical Study of The Quranic Expression». It gives a brief summary of the Quranic inimitability and interpretation scholars. The first chapter deals with «The Preference». It begins with a foreword about the lingual and idiomatic definition, and then it shows the opinions of interpretations and rhetorical scholars about «preference». The chapter is divided into four sections : Section One : Preference in Nouns. Section Two : Preference in Form. Section Three : Preference in Verbs. Section Four : Preference in Sentences. The sections study the notion and give Quranic examples from the two suras (Al - Anbya' and Al - Haj).The second chapter deals with «Cases of Quranic Expressions in Rhetoric». The chapter is divided into four sections : Section One : Advancing and Delaying. Section Two : Mentioning and Elision. Section Three : Making the Case Definite or Indefinite. Section Four : Affirmation. The sections study the notions and give Quranic examples from the two suras (Al - Anbya' and Al - Haj).The third chapter deals with «Cases of Quranic Expressions in Rhetoric». It studies the following notions : simile, metaphor, metonymy and figuration. The chapter studies the notions and give Quranic examples from the two suras (Al - Anbya' and Al - Haj).The fourth chapter deals with «Cases of Quranic Expressions in Rhetoric». It studies the following notions : paronomasia, antithesis, opposition, consideration, direction of speech, hyperbole, commendation by the style of vilification, disregarding by the cognizant, synonymy, gathering the dissimilar and harmonious, and the form of the verses endings. The chapter studies the notions and give Quranic examples from the two suras (Al - Anbya' and Al - Haj).The researcher puts the results in a list of conclusions with an appendix of the subjects that have studied. Sources & References : The researcher used more than 200 resources in this thesis which define, discuss and declare the aims and results of the thesis.

النحو الوظيفي بين المعاصرة وتراث الاصوليين == The Functional Grammar Between Contemporaries And Fundamentalists' Heritage

اسم المؤلف: فوزية فهد صخي
اسم المشرف: زينب عبد الحسين بلال السلطاني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The contemporary functional grammar theory could be sought in linguistic Arabic topics without resorting to or linguistic heritage including fundamental heritage which is the subject of our research. The study of both make us more justice for the efforts of fundamentalists from one side and updating our cognition from other side. The research falls into three chapters The first chapter : It deals with functional grammar and its method and that includes three units , the 1st unit : theory of verbal verbs. This theory has been established by the philosopher ( Austen) who was affected by the philosophy of (Fatgh Nishtien) in his theory (the linguistic bases) that being ensued from the philosophy of ( normal language). The most important aspect of this theory is the intend meaning, on other word ,it should know the intention of the speaker in order to know the meaning of speech. After that, (Siral) developed the theory of ( Austen) to classify the verbal actions s to actual actions either be direct or indirect. The second unit is the theory of (Ghutlub Furayjah), he investigated into Nouns in his book (( Use of accounting),the fundamentalists study main structure of word. The third unit is the context and intention , the linguistic event in the contemporary studies has been considered as a basis for that. The third chapter's 1st unit refers to the phrase and its function in structure , the rank , the omission.The change in the phrase components arrangement is for consistency, the subject might come in advance for the purpose of attracting attention or Mubtadaa might come first in the noun phrase for the same purpose. The fundamentalists were aware that the sentences' verbalizations might be conformed, but be different in meanings as to express speaker intention. Some of contemporary figures saw that expression is to uncover contextual relations ,the fundamentalists paid more attention to sentence analysis since the latter occupies high prestige, besides , the fundamentalists concerned with omission which is considered as a fallen element as that being imposed for the safety of sentence structure. The second unit is the predicting and composition sentence. Austen had distinguished between the descriptive and accomplished sentence. The fundamentalists had also distinguished between the predicating and composition sentences. The third unit assigned for an Order.The third chapter falls into two units , the 1st unit assigned for dialogue necessity and this related to the favor of the philosopher of the language (Ghryaz). The latter discovered the difference between (what is said and what is to be accomplished). The fundamentalists considered the dialogue necessity as conception through differentiating between the spoken and concept and the context has a big role to realize the meaning in the phrase. The other unit in the third chapter is the interpretation ,having a large role in tightening the text. It could be noted the similarity and difference between the contemporary and fundamentalist research, sometimes the latter surpasses the former due to its richness , but the contemporary characterized with accuracy despite the need to be investigated asto develop it.

النفس بين المدح والهجاء في الشعر الصوفي من القرن الثاني الى نهاية القرن الثامن الهجري == The Self Between Praise And Satire In The Mystic Poetry From The Second Century To The Eighth Century

اسم المؤلف: علي عزيز عكار الشحماني
اسم المشرف: اسماعيل خلباص حمادي الزاملي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: واسط
الصفحات الاولى:
المستخلص: In the Name of Allah, the Beneficent, the Merciful Praise be to Allah, the lord of the worlds, and the blessings are upon prophet Mohammad and his household, the purified. The self is a world of secrets and wonders and it is a great angelic creation. That is why knowing God is connected to knowing the self. From this perspective, a lot of humanistic and scientific studies were conducted in different fields to investigate the self. Each science studies it according to its rules and approaches. You cannot see a science or an art or a school of thought which did not study it. Among the schools of thought which greatly took care of studying the self is the Mystical Doctrine. In their approach, they focused on educating and disciplining the self so they purify their souls and cleanse them in order to reach high degrees, see the unseen and prevail the secrets. So they studied it from many different perspectives and they studied the self states. The mystical literature - prose and poetry - took care of the self and they were affected by the explanations which were conveyed to them by their teachers explaining the self and its psychological states. That is why the mystical literature about the self is rich. According to that, the present study is conducted to investigate the self in the mystical literature. The first chapter studies the self in general( according to its meaning in Arabic language, in the holy Quran, in the teachings of the prophet, in philosophy, in ethics, in psychology, and in the mystical doctrine). The second chapter investigates how mystical poets praised the self and clarifies the reasons behind praising their selves. The most important reason for that praise is that mystics see themselves as a reflection of God in this world. The most important sources of praise for them are love, knowledge, good morals such as patience, contentedness, trustworthiness, keeping secrets, forgiveness, modesty, self richness, etc. The most important mystical terms that are related to the present study are defined in this chapter such as the mystical love and its characteristics, monotheism, prevailing, classifying sciences according to mystics, understanding, realization , and the meaning of the most important morals mentioned in the present study. The third chapter investigates dispraising the self in mystical doctrine. The main reasons for that dispraise are sins, disobeying, weakness, not having a will to continue on the path to Allah, prevailing the secret, not having loyalty, not following the righteous people, confusion, being lost, and ignorance. The most important mystical topics discussed in the present study are praying, pessimism, the heart, blame, willingness, confusion, and some other topics. We ask Allah for correcting us, He is the best lord, the best supporter. May Allah's blessing be upon the prophet and his household, the purified

الدرس الصوتي بين الفيلسوف الفارابي واخوان الصفا : دراسة صوتية موازنــة == Phonetic Lesson Between Philosopher Al - Farabi And Ikhwan Al - Safa - Phonetic Study - Comparison

اسم المؤلف: شهلاء خالد محمد رضا
اسم المشرف: ميساء صائب رافع
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The philosophers had main role and thankful efforts in studying phonetics, it discern their early depth understanding to phonetics, and their tendency to study phonetics of their language with special concepts distinguish them from Linguistics. They mixed between phonology and philosophy; they have taken great strides in phonology physicist, their studying outcomes with results similar to the results that reached by current phonetics scientists. In this search I tried to explained points of view of al - (Farabi) and (Ikhwan al - Safa) about phonetics, through the presentation of ideas, and find out the similarities and differences in their concepts, and the approach followed by each party.This search has been divided to introduction, three chapters and Conclusion, Each chapter is divided according to number of discussion topics.The introduction : divided with two topics : a - The first topic titled (The phonic lesson for philosophers : in this topic, I explained the emergence of the phonic lesson and its beginnings, the phonic lesson has been begun early by Imam Jafar Sadiq (Alayhi Al Salam) (Dead 148 IC), he explained how phonetic is being generated and comes out, also I entioned to the most important achievements of the philosophers in The phonic lesson.b - The 2nd topic divided into tow sections, the 1st section includes (Al Farabi) birth, Upbringing, his writings, and his death date. The 2nd section talked about (Ikhwan Al Safa), date of their appearance, reason of called them (Ikhwan Al Safa), their thoughts, their philosophy and their perceptions.Cahpter one : title is (Singular phonetics) which includes three topics : 1 - (Articulatory Phonetics) : I started with this topic because It was earlier acoustic science to emerge, moreover the attention of philosophers with it, especially of them (Al Farabi) and (Ikhwan al - Safa), it includes philosopher's approach in studying the singular phoneme (not complex) according to way out of phonemes, Arabic alphabet and explain the Similarity and differences between them.2 - (Acoustic Phonetics) or can be called (Physical Phonetics) : In this topic, I offered other names to the term, moreover explain in detail the reason behind (Acoustical) term, and method of transferring the sounds according to concepts of Al - Farabi and Ikhwan Al - Safa, and recognization among phoneme source, Its elements and the intermediate carrier to the phoneme in comparing between both sides.3 - (Auditory phonetics) : this topic includes the explanation in details of hearing device, moreover the importance of perception and influences that affect it, Ikhwan al afa had multiple stops in this topic, moreover they mentioned to senses that Al - Farabi had interested to them, it is the basis of perception, the importance of the psychological aspect and its auditory impact on phoneme.Chapter two : It is titled (functional Phonology) which includes two topics : a - First topic includes (Syllabic, Accent, and Tuning); in this topic I explained the phoneme part and linkage with prosodic part.b - Second topic under title (Sounds of Arabic Language), I explained the phoneme as the smallest phonetic unit, and it's relation with Arabic sounds.Chapter three : It is titled (Relation of Phonetics with other Siences) which includes of tow topics : a - First topic under title (Relation between Phonetics and Musicology).b - Second topic is under title (Relation between Phonetics and Significance).Find a conclusion in the end which recorded the most important results that found in this research.

النظرات والعبرات للمنفلوطي : دراسة بلاغية

اسم المؤلف: شهد محسن عبد
اسم المشرف: عبد الهادي خضير نيشان
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: this study dealed with al - manfaluti's literature , looks and lessons (rhetorical study) according to the analytic method.it studied rhetoric , semantics preface and upgraders verbal.it included an introduction , preface and three chpters.the preface dealed with al - manfaluti's literature within the rang of criticizes and the criticizers opinions about it. the first chapter was rhetoric which studied simile , mataphor trope and metonymywhilst the second chapter was named (semantics) in which studied structures fronting , delation , omission , stating, definition , un definition statement methods : - interrogative , command , prohibit and vocative where as the third chaptertalking about upgraders verbal in its both phonetical types like , rhyme and paronomasia.and abstract like : - antithesis , compasability , good reasoning , qouoting and modulation.as the conclusion had the core of the result of the research

مصطلحات الدلالة في الدراسات اللغوية المعاصرة

اسم المؤلف: شذى حسين علي التميمي
اسم المشرف: علي حاتم الحسن
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Knowledge of science is associated with the terms. It is the language of scientist and the scholars and the basis of study and research, because to take a thing out of mystery of the curriculum and its difference. Semantic is a branch science of linguistics that has its own terminology which is indicators of its meanings and themes for its importance in facilitating science. Semantic is an old science in its themes and objectives. However, it is new in its terms and means and in the development of other sciences. Arab linguists and scholars cared for it. They did not care however for the terms for the late linguists and the scholars of principles of logic. Some of them were intersected with the terms of Semantic (especially the denotation and the denoted). Semantic as a term for the conversationalist in Iraq began in the 19th century for MishalBeryal, and the terms were accepted by the scholars and the students alike. Semantic has many meaning and varied which is not limited and increasable according to the discretion of the scholars and their imagination and the Linguistic Complexities in the Arab states. The progress of time in the course of research in terminology and the appearance of many researchers and books and the difference of approaches and aims of the study that the scholars focus on a study other than the others. In addition to the nature of the work and the studying in them, all that led to change in the terms of the change in the terms and the emergence of chaos. In addition to that translation added many of the semantic terms which indicate availability in Arabic and its ability to communicate the scientific linguistic with other language. Some of these synonyms - the translated term - have poseda problem. The concept in the other language is not coinciding with the Arabic terms and the problem was doubled in the writings of the scholars. We find a portion of them writing the terms in English and other in French and German, some combine the two or three languages

الدرس المعنوي والدلالي عند الاستاذ الدكتور كريم حسين ناصح الخالدي == The Moral And Semantic Lesson For Dr. Kareem Hussein Nasih Al - Khalidi

اسم المؤلف: سندس ناجي رشيد
اسم المشرف: بان صالح مهدي الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The theme of my study “The Moral and Semantic Lesson for Dr. Kareem Hussein Nasih Al - Khalidi” is one of the remarkable scholars of linguistics in the modern age. No one can deny the importance of this Iraqi scholar in syntax and his call for the simplification of grammar. The methodology of the study necessitates its division into an Introduction and three chapters to state the relation between the meaning and significance. Chapter One tackles the syntactical character of Dr. Kareem Al - Khalidi in five inquiries : the first inquiry tackles the features of, the second his sources, the third his legacy, the fourth his attitude towards the classical approaches and the fifth inquiry is about the effect and influences. Chapter Two deals with the moral and semantic trends in his writing in four inquiries : the first studies the approach of Dr. Kareem Al - Khalidi, the second deals with the attitude of Dr. Kareem Al - Khalidi from interpretation, the third studies the critical aspect for Dr. Kareem Al - Khalidi, while the fourth inquiry tackles the moral and semantic trends in the theses and dissertation he has supervised. Chapter Three is concerned with the moral and semantic trends in his opinions in four inquiries : the first inquiry studies the issue of declension Araab, the second studies the sentence, and the third the active while the fourth studies the meaning. The study ends with a Conclusion with a conclusion that includes the moist important findings.

(اي) في العربية شواهدها ودلالاتها في القران الكريم == Any" In Arabic Language, Provisions And Divisions In Holy Quran

اسم المؤلف: سليم خلف صالح الجميلي
اسم المشرف: طه شداد حمد الهيتي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: الانبار
الصفحات الاولى:
المستخلص: In the name of God the Merciful. Praise be to Allah, the Lord of the Worlds, and the best peace and blessings be upon the Prophet Muhammad, and upon his family and companions. After : Of those issues that won a large share of the discussion and analysis of "any" in Arabic, when he had a wide circulation in the use of language and grammar and Koranic and prone to expansion in use, especially since many of the provisions grammatical may perfusion as a result of such use. Fsharat - after reconciling God Almighty to work on the curriculum necessary to correct in the introduction, smoothing, and three chapters, and a conclusion, followed by research sources, either provided : they are that I mentioned earlier where to say on the subject and the reason for his choice and still proceed which is included by the curriculum, and the boot Fossum b (ie, in Arabic between the three axes) : First : derivation and weight. Second time was treated. Third, any of expressing and construction. The first chapter Fajssth to discuss "any" in Arabic and divided on several sections which are as follows : The first topic : aspects of (any) in Arabic, featuring now a prologue starting in it, and then spoke on aspects of (any) when linguists and grammarians. The second section included (any) "Alastfhammeh" in Arabic and provisions. The third section included (any) connected in the Arab and provisions. The fourth topic included disagreement grammar in "any" connected grammarians and guidance in his verse from verse 69 of Surah Maryam. The fifth topic included "any" conditional in Arabic and condition. As for the second quarter and guarantees the sequel to the first chapter, as well as matters pertaining to different subject, and the detective was the following : The first topic, and included the following matters : First : (a) descriptive in Arabic and provisions of the starting featuring now a prologue in it, and then spoke to the provisions of (any) descriptive in Arabic. Second : (any) character interpretation. Third : (any) "Altaajabih" in Arabic and provisions. The second section guarantees the following matters : First : (any) character appeal in Arabic. Second : (any) link to the call of the (AL) in Arabic and provisions. Third : (any) in Arabic in terms of masculine and feminine, and individuals, and the combination of Deuteronomy. Fourth : the rule of (any) if the Haktha V feminization between drainage and prevent it from or not. The third section guarantees the preparation for (any) and the addendum, as well as the following matters : First, the conditions of (any) Andadavcha. Secondly, directives and express (any) connected in the case of adding and deleting issued relate to. Third : (any) Asma'yalm - khasos - in the style of jurisdiction - in Arabic and provisions. Fourth : the origin (Caen). The third chapter in the study was "any" in the Koran from my grammar, semantics, as it began (b witness Quranic and its impact on the social market grammatical rules), and was on several sections which are as follows : The first topic : (any) Alastfhammeh knocking and implications in the Koran. The second topic : (any) Alastfhammeh in the Quran added to implied. Section III : (any) connected to the knocking and their implications in the Koran. Section IV : (any) police knocking and their implications in the Koran. Section V : (a) the link to the appeal of what it (AL) and knocking implications in the Koran. The Conclusion Vadrjt where Manal research and its results, followed it with a list of sources and references, and a summary in English. After the 000 I ask God to make this practical purely for Allah's sake, and that goes to him holds tremendous benefit, and to the way God intended it and Almthab, a helper to him and trust him MAB 0

الهجاء والسخريـة في شعر الحطياة وابن بسام البغدادي : دراسة موازنة == Satire And Sarcasm For Al - Huttaya’A And Ibn Bassam Al - Baghdadi A Balanced Study

اسم المؤلف: سلمى كاظم نمر العتابي
اسم المشرف: علاء جاسم جابر
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: After this long journey in the world of references and resources which have given me a lot of enjoyment I am about to embark on the end of my journey, here we should mention the most important results of this research : The way of balance was not easy, but risky because it is a thorny way and comprehensive process. Balancing between Al - Huttaya’a and Ibn bassam Al - Baghdadi - in their satirical sarcastic poetry she light on whatever concerned the two pets and revealed the hidden aspects of their lives and the influences in their satirical course depending the analysis and deduction in an objective way. The research revealed the circumstances surrounding the two poets. Their effect was one which is the hard circumstances that surrounded them and created two troubled, worried and troubled characters. There were incentives for their satire and sarcasm some was psychological and some was personal, social or political. The psychological incentive was stronger for Al - Huttaya’a while the political incentive was for Ibn bassam.For the trends of satire and sarcasm for the two poets, they share some and each was unique. The subject of satire which they share is self - satire, family (father, mother and siblings), the social segments like stingy people, cowards, liars, fools, etc. Also, they satirized the statesmen like caliphs, viziers, and rulers. The technical study took the great part of the balance the two poets for the inquiries and sections included, especially imagery like simile, metaphor and metonymy. For language they differed from each other in some aspects like the satirical tone : Al - Huttaya’a was characterized by his Bedouin language with its eloquence, while Ibn Bassam's language is simple and popular. The poetic segment is the dominant form on their satirical verse. They used some of the technical methods like interrogation, imperative, prohibition, interdiction, vocative, etc. The poets’ interest with the poetic rhythm : internal and external, in terms of meter and rhyme, the two poets did not get away from the meters of Artbaic poetry which were found by Al - Khalil bin Ahmed Al - farahidy. They also cared for the aesthetic devices like repetition, inlaying, segmentation, calembour, paronomasia, antithesis and opposition, etc.In the balance of critics, the two poets have gained a high satirical rank. Both were masterful of their arts and they were called ‘the poets of satire.’The satire of Al - Huttaya’a is modest and away from obscenity while that of Ibn Bassam was obscene.Al - Huttaya’a was outstanding in personal satire, while Ibn Bassam was remarkable in his political satire due to the bad political circumstances. Finally, this study tackled the hidden aspects of the two poets Al - Huttaya’a who lived between pre - Islamic period and Islam and Ibn Bassam Al - Baghdadi who lived in the Second Abbasid Era.

الفنون البلاغية في كتاب عيون اخبار الرضا للشيخ الصدوق == Rhetorical Arts In The Book Of Ayoon Akbar Al - Rath : Peace Uponhin" To Sheih Al - Saduq

اسم المؤلف: سارة حسن جبر
اسم المشرف: سناء هادي عباس الجشعمي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The reseaech in Arab literary heritage is part of stand on the beauty and creativity do you enjoy, it tiving heritage attracts researcher to its way, there is no doubt that the Abbasi era represents the bright face to this heritage, It has included kind of literary surprised the recipient, and the book “Ayoon Akbar Alratha” peaceupon him to sheikh Al - saduq (d 381 H), represents one of the pillars of the Islamic Arab civilization landmarks in moral, ideological and literay aspects. As Ahal baeat of in fallibility peace upon them the have given eloquence and rhetoric, they are home of science and divine source of radiation which is of God by all of mankind, and God up the darkness of the Almighty hily land on there seience. Pure strain muhammadyah was still focus of attention of scientists, writers, and researchers.The book of “Ayoon Alkbar Al - Ratha” “peace upou him” full of rhetorical arts which can be referred to by Researcher.The requirement that the research required to be in three chapters preceded boot : the boot has life of Al - Emam Al - Ratha peace upon him personal attributes and scholarly first. Life of Al - shekh Al - saduq (Author ofth book), scholarly, his teachers, his pupil and his book second.Chapter one was in Arts semantics which included first is about the following methods ofd construction : Question Appeal, Negative and introgativem and the third section is about conditions of the sentences consisting second chapter in graphic arts, the first section is about simile, second is about the art of metaphor the third section is about Metonymy.While third chapter in eluded Literary technique, which is tow section : First section is about upgraders moral, which included counterpaint, corresponding, doctrin uerbal, reverse and switch.Second of this research (Rhetorical Arts in the Book of Ayoon akbar Al - Ratha peace uponhim continued of data and results and most importunt are : The research came complement to the achivvenments research of the value - focused on the study of technical prose of Ahl al - Bayt.Al - kaber and his belongings help to high light the connontation metaphors that come to them.Achived after the form formulation of the conditions of sentence aesthetic.Dominated the mwthods of construction and the oeder went out to the truth about their meanings and purposes metaphorical meanings.This study stand on technical picture displayed by the home folks talk and made analogy in aspect esthetic ahl al - Bayt.Incest Ahl al - Bayt metaphor in conversations.The talk of Ahl al - Bayt did not disturb from metonymy arts metonymy came less than artistic metaphor and simile, because imams tent to clarity in their words.Phenomena formed a magnificient feature in rhetorical speeches came as Ahl al - Bayt service required for the meaning of the quote was technical and assonance formub in their conversation.Ahi al - Bayt speeches and conversations Emply from modulation poetic perhaps it is up to the culture.Ask God to cleanse and beyond for oue mistake and we calculated that we are aware of minors and request him to the carpet and righteousness and praise be to allah, the lord of the worlds.

المباحث الدلالية في تفسير من هـدى القران للمدرسي == The Semantic Inquiries In The Interpretation Min Huda Al - Quran By Al - Mudarisi

اسم المؤلف: زينب عبد الزهرة التميمي
اسم المشرف: زينب عبد الحسين بلال السلطاني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The study includes study of the interpretation of Min Al - Huda Al - Quran by Sayyd Al - Mudarisi - a semantic study. The nature of study required that it is divided into an introduction, four chapters and a conclusion. The Preface includes (The Semantics for the Interpretation). Chapter One is entitled the Inflectional significance and the inflectional. In Chapter Two is entitled the Semantic Relation in three inquires : the first inquiry was (the antithesis and Synonym). The second inquiry is entitled (Semantic change) and the third is entitled (the semantic opposition). The third chapter is entitled (the grammatical semantic) in four inquires; the first inquiry is (the semantic of the letter meaning), the second is (The Semantic of Nouns and Verbs), the third is (the Semantic of Sentence and its meaning) and the fourth (the Semantics of Styles). Chapter Four is entitled the (The Semnatic of Text - The great Lingual technique). It includes two inquires; the first is (the context for Al - Mudrisi) and the second (the semantic harmony between verses and suras). Then, these chapters were followed by a conclusion that includes the most important findings of the study such as that Sayyd Al - Mudarisi was aware of the inflectional semantic, the interpretation lacked the phonetic semantic , and the interpreter was aware of the semantic relation and others.

تصميم المشاهد السينوغرافيا في شعر رواد قصيدة التفعيلة == Scenography In The Poetry Of Metric Foot Poetry Pioneers

اسم المؤلف: زينب جبار حمود
اسم المشرف: ثائر عبد المجيد العذاري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: واسط
الصفحات الاولى:

التكثيف عند الشعراء المخضرمين : دراسة تحليلية == The Condensation Of Poetic Language For The Poets Of The Two Epoch An Analytical Study

اسم المؤلف: زهراء عباس فاضل
اسم المشرف: احمد اسماعيل محمد النعيمي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: One of the reasons for choosing this topic is that the concept of condensation (old and modern) is the most outstanding feature of the language and one of the most important features of the innovation which the poets draws to is through capturing an idea or an event, a scene or an imagery that he means in a verse or a set of lines of verses. In general, we find this term is not new as there were many signs of it embedded in other terms such as (summarization and briefing), later this is known as condensation. We find that the poet includes usually many meaning in little as well as a condensation in imagery. On that term, condensation is an interesting theme for including the showing of lines that has been in immortalized. This study includes a preface which tackles the term of the two epoch poets; which is subdivided into two sections temporal, those who lived through the Pre - Islamic and Islamic and did not recite poetry during the latter period and the poetic section in which poets recited poetry during both epochs. Chapter One studies the condensation in the concept of poems in which we showed in various opening lines like (ruin lines, courting lines, imaginary lines and the youth and age). These opening lines were condensed by the poet aiming at attracting attention to his poem. In the Second chapter we showed the condensation in the purpose which is subdivided into (eulogy, apology, enthusiasm, praise, elegy, satire, wisdom and other purposes). They were represented in one line or many lines in which the poet declares his purpose through references and hinting. He was one of the diligent poets to choose the most condensed utterances for the large meanings. In the Third Chapter we stated three pivots in which the condensation is achieved : the first is the brief utterance with large meaning which shows the poets’ mastery of the use of these utterances that carried wide meaning and the second pivot includes the imagery condensation in which the poet condensed the uses of the simile, metaphor, and metonymy. The third pivot represents the condensation of cadence which is archived through the opening lines to which the poet has resorted to bring the attention. This would make it easier to memorize the line of verse and attract the attention to it. One of the features of the condensation is repetition which was an important feature as far as the Arabic poetry is concerned. Poets resorted to that to achieve what they desire through repeating and achieving cadence to the listener. The study ends with a Conclusion which sums up the findings of the study.

مقاييس اللغة لابن فارس (ت395هـ) والصحاح للجوهري (ت400هـ) : دراسة لغوية == Language Standards For Ibn Faris And Asahah For Jawhari : The Study Of Linguistic Balancing) Thesis Submitted By The Student A

اسم المؤلف: زهراء شهاب احمد
اسم المشرف: مجيد خير الله راهي الزاملي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: واسط
الصفحات الاولى:
المستخلص: The research topic is the (language standards for Ibn Faris and Asahah for fundamental study of the linguistic balance), came this research at the forefront and to pave the four chapters and a conclusion, dealt with in the boot definition Son of Persia and substantial, growing up, their elders, their pupils, etc... The first chapter was titled ( Budget curriculum) came in four sections, Section I, on sources of Ibn Faris and essential, the second Order article, the third section topic on the right and the ailing of the Acts, the fourth section for the user, scrapers of words, Chapter II (the budget in the morphological issues), came in three Investigation (firstpart issues For banking that which they agreed, (second section) morphological issues that differed in, (Section III) morphological issues alone essential Bzla, Chapter III (witness and martyrdom), Section I (the Koran and the Hadith), second topic words Arabs (poetry and proverbs ), A The fourth chapter (phenomena Tag is linguistic : derivation, synonymy, antibodies, co - verbal, Sculpture, be followed and expressed) the conclusion stated where the most important findings. The ibn fairs his dictionary section (language standards) to books and buildings dependent Alphabetical order on the basis of the first letter, and the gawhari door and rely Chapter system, based on the last letter. Establish Ibn Faris wordy ailing and Almanmozh place in the contiguous or close to, but essential, he devoted the last door of his dictionary of words and ailing Almanmozh.Ibn Faris put wordy neglected, did not refer to it, as well as essential,We have adopted the well - known sources, including oral What of Alab, including reliance on linguistic reliable sources. In separate morphological issues, there are issues of banking, in which they agreed, and Hmak banking issues where they disagree, the delegation himself by mentioning some of the fundamental morphological A.lmsail which did not mention Ibn Faris. In the separation of the evidence, I have martyred the Holy Quran and the Hadith, as well as the language of the Arabs of the hair and sayings but the largest proportion of martyrdom Kdbulgt Hair rate, and least cite parablesIn the separation of significance, was the theory of Ibn Faris in the genesis of language, which says that Toukavih language of God has not been recognized in tandem linguistic phenomenon, but it has said is essential to the meaning of words Chbr to synonymy.For the adoption of standards Ibn Faris on the system, so it was considered the phenomenon of antibodies and followers, and expressed Zawah original meaning, but the meaning of sub - Ibn Faris expansion in the phenomenon of sculpture as many counting all the extra Alavaz three that she carved, or placed a situation, or increased, essential differs in that it referred to the sculpture linguistic phenomenon, but he did not elaborate on that.The dictionary language standards a practical application of the phenomenon of derivation younger, essential pointed her but did not fleshed as Ibn Faris.

الحجاج في شعر الكميت بن زيد الاسدي == The Protest Of Al - Kumait Bin Zaid Al - Asadi

اسم المؤلف: رشا فاضل سواري
اسم المشرف: عبد الحسين عبد الرضا العمري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: The protest(Al - Kumait bin Zaid Al - Asadi). This study displays the subject(The protest of loyalty) as described it as a wide range for the protest,and that made it related to the problematic which rasied by rhetoric and lingual speech and communcation.The study includes perface and three chapters : The structure of protesting text, logical indications in Al - Kumait poetry and the protest and poetry. The preface dealt the concept of the protest and loyalty as language and idomatically.It tried to find relations between the protest and loyalty because they are very important in the speech protest. The first chapter ,the structure of the protest text is dedicated to search in the concepts of the structure and the protest text and the methods of its structure and characteristics and the most important conditions which are underlied the protest in certain textand the most important features which distanguish it for the other texts. The second study dealt the linguistic structure of the loyalty of the protest text. The second Chapter offered the connection the protest with figurehead logic under the title of logical signs in AL - Kumait which is divided into two sections the first is in the meaning of the connotation, logic and showing their linguistic and idomatically meaning and this Section dealt with the meaning of the logical connotation and its functions in the protest of Al - Kumait potery by focusing on a group of the concepts such as connections, the factors ,the principles, relationships , power and peace of protest and results power and metaphorical sayings that located at the top of the protest peace.The issues are consisted which raised by the implications of mental , natural and objectivity and protest of these indications that served each issue presented by the poet. The third chapter which called ( the protest and poetry) was set aside an applied the elements of protest for the adults ,it is a study of aesthetics that the protester depending on them.The research is divided into two sections.The first in the protest of the poetic dialogue and the second presented the connotative and aesthetical aspects for the poetic image and appearing the hprotest aspect from it.

الظواهر الاسلوبية في شعر زاهر الجيزاني == Stylistic Phenomena In Zahir Al - Jeizani Poetry

اسم المؤلف: رحيم خنجر جوني
اسم المشرف: جاسم حسين سلطان الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The poet Zahir Al - Jeizani is one of the seventy s generation poets that seeks for the renewal and contrary the form and content of the modern poem.He started with the vertical poem as a traditional exercise , after that he wrote the rhyme poemaffected by the pioneers liveliness.Then he wrote the prose poem. The headline of my research “ Stylistic Phenomena in Zahir Al Jeizani Poetry “ that suggested by my teacher Dr Jassim Husein sultan Al - Khalidi. I found it as a worthy , because it is one of the subjects that didn’t teach on the higher studies level. In addition to that , my desire to study the modern Iraqi literature that represents the natural resource for our literary legacy for different ages and the cultural and critical poetry that Al - Jeizani has , was another motive in studying this poet according to the stylistic manner and the fewness of the modern stylistic studies of the seventy s generation and be limited to artistic and analytic studies. The importance of this study is the concentrate of the stylistic phenomena that distinguish Al - Jeizani poetry and how it connected with him and psychological affect on him. The first chapter is about the phonetic level (rhythm structures )and it is divided in to three topics , the first topic included the frequency studying as an artistic expressional need in the poetic text.The poet made it as a style in many contexts such as words, verbs , letters ,sounds and punctuation marks frequency. The second topic is about the revolving phenomenon as one of the modern poem requirements and its psychological and emotional on the poetic text. The third topic is about variety of the rhythm and types of the rhyme according to the mental requirements and modernism in the modern poem structure. The second chapter is about the level structural and included the stylistic structural phenomena in the poet language. It divided in to three topics , the first one is about the question and calling phenomena as a stylistic request that covers his poetry and helps to motivate the poetic meanings.the second included the verbs tenses far from the obligated tense and how the poet gave it new standards by changing the tenses to make the poem as pulsing or living tissue The third topic included different stylistic patterns that came in his poetry like the pronouns structures and the advancing and retardation that came as a stylistic variety.The third chapter was specialized for the reference level. the first topic deals with the meaning glide with the presenting of the metaphor manner according to the poetry mode. The second chapter is about the colours by describing them as stylistic phenomenon that contribute with the richness of the poetry mode. The third one is about the accord phenomenon by describing as a n artistic and cultural phenomenon in the modern Iraqi poetry and its historic , koranic and literary usage.

ايات العاقبة : دراسة لغوية == The Verses Of Sequence A Linguistic Study

اسم المؤلف: رحاب زهير لازم
اسم المشرف: ضياء حميد دهش الموسوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The verses are plenty about the book of Allah since the revelation until this day, and it will so a source from which it taken until the day of Judgment. the rule of fate has destined that my study of the Holy book of Allah. After scrutiny and examination Allah has helped me to choose this topic (The Verses of Sequence - A Linguistic Study). The nature of the study necessitates the division into three chapters preceded by a preface entitled the sequence in the holy Quran. Chapter One is about the phonetic level in two inquiries; the first is about the structural and non - structural phonetic level and the second is about the Quranic level. Chapter Two is about inflectional level in two inquiries. The first inquiry is about the inflectional in two inquiries; the first inquiry is about the derivatives and the second is about verbs. Chapter Three is about the structural level in two inquiries; the first is about the articles and the second is about the sentences. The conclusion sums as the findings of the study, then a list of the references is provided.

الملامح الشعرية في روايات طــه حامـد الشبيب == The Poetics Of The Narration In The Novels Hamid Al - Shabeeb

اسم المؤلف: رجاء عبد داود سلمان الزكي
اسم المشرف: سلافة صائب خضير العزاوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study tackles the theme of the Poetics of the Narration in the Novels Hamid Al - Shabeeb. The study is subdivided into a Preface and three chapters. In the preface we studied the concept of poetics in narration and its meaning. Chapter One studies the levels of the peoticlangauein the novels of Hamid Al - Shabeeb tackling in the first inquiry the ideological level, in the second inquiry we studied the expression in the third inquiry we tackled the psychological level, the fourth inquiry we studied the narrative space. In Chapter Two we traced the poetics of time in three inquiries : the first is about the narrative of time, in the second inquiry we study the level of the duration (duration). The third inquiry is about the level of recurrence. The third inquiry follows the poetics of the place in the first inquiry includes the dimension of time and its types. He narrative place comes in the second inquiry.We included in the Conclusion the most important findings of the study : 1 - The concept of poetic language is the most accepted in the poetic language, because poetic language is more expressive and better in status. In addition to that it beaches the rules ofthe ordinary language. It also displaces it and reconstructs it again in new structural order. Poetic language composes the non - compassable.2 - Time includes recalling and foreseeing. Recalling is the process of remembering the incidents from the past and calling them to the represent time by the similar to these events. The foreseeing means anticipating the future. Maybe this is related to dreams sprang from optimism and excitement.3 - For the place and its importance as far as the novel is concerned. Place includes the closed space and the open space. There is also the realistic place and the imaginary place in the novel. In the end of the dissertation were listed a list of the references and resources and an abstract in English.

البحث الصرفي عند العلامة حسن المصطفوي في كتابه التحقيق في كلمات القران الكريم == The Thinker Hassan Almustafawies Morphological Research In His Book ”Investigation In Holy Qurans Words

اسم المؤلف: حميد يوسف ابراهيم الحسـني
اسم المشرف: شاكر سبع نتيش الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: This study is entitled (The Thinker Hassan Almustafawies Morphological research in his book ”investigation in Holy Qurans words”.The thinker Hassan Almustafawi is one of the famous figures who has encyclopedic knowledge, he is Holy Quran exegetic, and a specialist in theology, language, philosophy, logic, history, and other sciences. He has got Ph.D in Theology. Which has affected his writings, like his book (investigation in Holy Quran Words), which studies the etymology of the words and its developing and practicing on different ways of using of Allah's speech, and he is an Quran scientific encyclopedia, which his author considered as an advanced linguistic instrument and an approach introduction for understanding and exegetic the Holy Quran. His study consists of three chapters the first chapter entitled (methodological features ) and it looks into the features that characterized the investigation of the thinker Hassan Almustafawi in his presentation of morphological material divided into five topics the first one holds the title of inference... and then showing the modality of its morphological inferences... and the second one holds the title of (morphological probability ) while the third section is entitled (the Weighting ), and the fourth section was entitled (criticism and correction / morphological responses) and the fifth topic included other attributes. The second chapter was titled ( morphological semantics), and it had five topics as well, the first section tackled the impact of the single origin theory on which the book was based in the implications of formulas.. and so was entitled (the impact of the idea of the single origin in morphological semantics) while the second topic is entitled ( the structural differences and its impact on the recantation and selection) and it has shown the features of Quraanic Iajaz on the level of selecting morphological formulas. The third passage is studying Almustafawies ideas of the exchanging of morphological forms , and the title was (exchange between morphological forms and his idea about it), the third passage is about the effects of Almustafawies knowledge sources on his way of thinking in morphological problems, the title was then ( his knowledge sources and their effect on his morphological research), which consists five passages, the first of them is : explain the effect of logical knowledge, the second is : explain the effect of philosophical knowledge, the third is : presentation of theology effect , and the forth is the effect of his ideology and knowledge about theology, the fifth is the effect of his language knowledge in his morphological research. The research is finished with the results that the researcher got, like the single etymology is the collective factor between different uses of the word, and that it is a theory suitable for practicing on Holy Quran theory, and that it is capable of building Quranic linguistic theory, and that Almustafawi broadened this theory practices to include morphological forms , and that knowledge sources from which Almustafawi used has affected his ideas about linguistic problems, specially morphological ones

شعر الرابطة القلمية : دراسة سيميائية == The Pen League Poetry A Semiotic Study

اسم المؤلف: جيدم فاروق عبد الحكيم الونداوي
اسم المشرف: اثير محمد شهاب
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الاحالـة فــي النـحــو العــربـي : دراسة في ضـوء علــم لغـة النـص == The Reference In The Arabic Grammar A Text Linguistics Study

اسم المؤلف: باسمة عبد العزيز علي
اسم المشرف: بان صالح مهدي الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The references took the attention of scholars in textual linguistic for its distinguished role in the cohesion of the text. For its importance, Halliday and Ruqiyah Hassan in their book Cohesion in English, one of the five considerations which contribute to the consistency of the text. Most of Arab scholars tackle reference as one of the means that contribute to the cohesion or the formal consistency as in the textual of Azher Al - Zinad who dedicated a chapter for the referential links. The attention for the topic of references is a stimulus to search that tackles the topic of reference in the Arabic grammar. My search in the research entitled (References in the Arabic Grammar A study in the Light of the Textual Linguistic). The methodology of study was presented as the following : A Preface entitled The Importance of Junctions for Grammarians, in which I spoke about the junctions. Chapter One is entitled “The References in the Light of Linguistics and Arabic Grammar”. This chapter includes two inquiries the first is the Reference in the Frame of Textual Linguistic; which I tackled the reference for the textualists. The second inquiry is entitled the Reference in The Tradition and Arabic Grammar, in which we tackled the roots of reference in Arabic grammar. Chapter Two us entitled the Reference in Pronoun and Arabic Grammar, which is made in four inquiries;The first inquiry is entitled the Referential of the Pronouns in Arabic Grammar, and the second is about The Reference in the Prefix Pronouns, which tackle the concept of the prefix pronoun.The third inquiry The Reference in the Affixes in which we mentioned the opinions of the grammarians and the Fourth Inquiry tackles The Stable Pronouns. Chapter Three tackles the topic of The Means of Sub - references, which is mad in three inquiries that includes the references of nouns and relative pronouns and the definite (al).The most important finding of the study is that the concept of reference for the grammarians goes back to the roots, and the division of the nouns to definite and indefinite, and known and unknown, the pronouns for the represent the origin of the relation and that the pre reference of the absent pronoun and the constancy of the referential pronouns in Arabic grammar. Some of them are distinguished by the absence of the referential element. The constant reference is prevalent in the pre - and post - references for the grammarian's for the dominance of the organ discourse in the inquiries. They looked at the junction as an element that lacks the link which explains its ambiguity. The pronoun belonging to the sentence of the referential element that links between the relative and the junction. Therefore, it is not possible to omit it

المــوروث في نقائض جرير والفرزدق والاخطل : دراسة موضوعية فنية == Tradition In The Polemic Poems Of Jarir , Al - Farazdaq And Al - Akhtal An Objective And Artistic Study

اسم المؤلف: ايمان علي القره غــولي
اسم المشرف: انعام داود سلوم
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Towards the end of the seventh century there emerged a trio who rank among the masters of the art of Arabic poetry. The three poets were Al - Akhtal , Al - Farazdaq and Jarir. They owed much of their fame to the entertainment they provided by slinging matches on parallel themes best known in Arabic as (naqaids). Although there are some interesting and informative literature on the subject , none , however, is satisfactory and some essential points , particularly those relating to the employment of tradition , still need to be addressed in order to come out with a comprehensive review of the study under discussion. Among the previous studies ‚mention is made to the following : ( polemic poetry of Jarir and Al? Farazdaq ) by Dr. Mahmood Ghanawi Al? Zuhairi ; (polemic poetry in the Arabic Literature ) by Ahmad Al ? Shaib ; ( The polemic poems in are Ummayad Era) by Jafar Sadiq Hamoodi ; (The Artistic structure of Jarir?s poems ) by Thair Hasan Al Gharbawi ( The poetical structure of Al ? Farazdaq?s Structure ) by Alladin Al ? Maadhidi ; (The Emplogement of pre ? Islamic Tranditien in the contemporarg Arabic poetrg ) by Ahmad Zuhair Rahahla ; and (The Employment of Tradition in Al ? Asha poetry ) by Wisam Abdul Salam. It was my desire when I was a ph. D student to write a distinguished study that would be of great benefit for all researchers ‚ so ‚ I proyed to God to guide me along the right path and he responded to my prayer. I was also encouraged by my supervisor ‚Dr Inam Dawood Saloom who cleared many vague points for me and was ‚ to her credit ‚a great heeper The polemic poems or naqaids were , as it were, a mirror image of the social , religious and historical beliefs , values and customs which prevailed throughout the ages before the emergence of the poets in question. However , what encouraged the poets to employ past tradition in their poetry was the fact that the Ummayad rulers had depended , to a large extent , on ancient Arab tradition to perpetuate their ideology in the face of the foreign cultures of Greece , India and Persia which began to spread in the Arab territory at that time. The present study is , therefore , an academic attempt to show how the three Umayyad poets ; Jarir , Al - Farazdaq and Al - Akhtal have employed old conventions and traditions in their poetry to serve a dual purpose of making their ideas striking , memorable and compelling and of reaching eminence as poets. The study is divided into an introduction and three chapters and ends with some conclusions and a list of bibliography. In the introduction, the two terms of "tradition" and " Naqadids" have been fully discussed in their broader linguistic and technical perspectives. The difference between "intertextuality" and "inspiration", has also been explained. Chapter One provides a background information on the aspects of tradition in the naqaid poems, It such as the literary , religious ,social and legendary. Chapter Two is devoted entirely to the lexical aspects of Al - Naqaids. They include religion, wars, and historical events. Chapter Three deals mainly with the technical aspects of the naqaid poems which include such qualities as the specific choice of words, sentence structure and style, images and internal music. In writing This dissertation , I have reffered to a large number of sources, ancient and modern, and to a great deal of periodicals , academic researches and collections of poetry. They were all very useful and without which this dissertation would have never been possible. I would like to extend to thanks to my supervisn , Dr. Inam Dawood Saloom for her many advice and guidance during the course of writing. My thanks are also duo to my teachers at the department of Arabic and to the chairman and members of the Discussion committee for reading the manuscript and for their correction of some of the points which need to be further clarified. * The study has come out with a number of conclusion, the most important of which are the following : * The term tradition is so comprehensive in connotation that it means many things ranging from old conventions , customs and practices to history and religion. * Al - Naqaids serve two functions ; a concrete one which lies in destroying the structure and an abstract one which which destroys the statement and brings about something different from it.* The origin of Al - Naqaids can be traced back to the pre - Islamic period , but they were not ripe enough as they were based on tribal loyalty.It was with the coming of Islam that they became purely Islamic,and throughout the Ummayed period they stood as an artistic phenomenon that responded to the ever¬¬¬ - increasing necessities of life. * Tradition played an outstanding cognitive role in the life of the three poets during the Ummayad period in particular and the Arabs in general. * There is asharp difference between Inspiration and intertextualit Inspiration is a manifestation of Intertextuaity but it keeps the basictraditional meaning for understanding the text.Intertextuality , on the other hand , adds new meanings to tradition. Inspiration, There tone ,is an unintentional process , while intertextuality is either stated , expressed mostly in words or implied , not definitely stated. * The primary motive for the three poets to refer to tradition has been to amuse , convince and influence their readers or listeners of their poetry. * There was a sign of innovation in the output of the three poets as they tend to imply a new conception and technique through which the poets try to connect the past with the present. * Wisdom and proverbs are the mirror - image of the social and mental life of a nation. with this view in mind , the Arabs and famous among all other nations for their wisdom and proverbs. * There was a mention of proverbs in the poetry of the three poets.It was a clear evidence of their familiarity with the proverbs that prevailed in the ages before them. The proverbs , however ,were confined to only one or two lines in a single poem. * Jarir and Al - Farazdaq refereed in particular to the wisdom which called for the good morals and continuously stressed by the Arabs such as time , days, life and death as a preacher for humanity. * There was a mention of ( instructions ) in the pre - Islamic poetry which emphasized Arab morals and human valves.These instructions have become a source of inspiration for the poets throughout the Ummayad period. * The instructions were few in nvmber.some were expressed and some were implied. The instructions were varied. Among them were an instruction by an army commander to his troupes and an instruction by a mother to his son. The use of instructions , however , could be found in the poems of Jarir and Al - Farazdaq but not in Al - Aktal?s * The three poets have drawn their religious inspiration from the Holy Koran rather than from the prophetic sayings. This is mainly due to the fact that the Holy Koran is , by far, the most authentic source for all matters relating to Islamic. * The impact of the Holy Koran on the output of the three poets was not the same but in varying degree depending on the personal experience of each poet and his ability to draw as much as he could from the Holy Koran. * The three Ummayad poets followed the steps of the poets be lone them in singing the feasts of their heros. Their reference to the social tradition as regards the battles was therefore abundant. It was a true mirror reflecting the Arab customs and habits. * The three poets differed in their approach to the above events.Jarir was in the lead , followed by Al - Akhtal , then by Al - Farazdaq. This indicates Jarir?s extensive knowledge of the subject. * The three poets referred more to the pre - Islamic events than to the Islamic ones. This provides a clear evidence That Al - Naqadis were based mostly on tribal loyalty. * The three poets referred to the legendary tradition mainly for preaching and instruction. * Jarir was most successful than Al - Farazdaq and Al - Akhtal in drawing inspiration from the religious tradition. * The impact of Christian faith on Jarir was clearly noticeable. He uses as many Christian symbols as he could such as the cross , the pig, Mar Serjis , Easter Day and wearing of burnouses. * The three poets' inspiration from the legendary tradition included such terms as crow , locust and eagles more than other things as stars ,stones and amulets. * The revival of tribal loyalty during the Umayyad rule and the direct contact with the Byzantium and Persian cultures were obvious reasons for the poets to use obscene words in their poetry , most notably in Jarir's and , to a less degree , in Al - Farazdaq's and Al - Akhtal's. * The three poets' employment of images and figures of speech ( simile, metaphor and metonomy ) was particularly forceful and convincing as they were well - established in the literary , historical , religious and legendary tradition. * The three poets benefited most from the literary tradition in relation to some stylistic points as inversion and omission. * The three poets deviated from the normal lexical meaning of the words, particularly the imperative mood to serve certain purposes in their minds.
1 ... 7 8 9 10 11 ... 23