اسم المؤلف:
عدي عبد الحميد مجيد
اسم المشرف:
عبد المنعم خيري حسين العاني
المستخلص:
اختصت هذه الدراسة الموسومة (الاثر الابداعي والجمالي لتنوع التكوينات الزخرفية في المصحف الشريف)، بدراسة الاثر الابداعي والجمالي للتكوينات الزخرفية الاسلامية المتنوعة ولاسيما في المصحف الشريف. تضمنت الدراسة اربعة فصول، عني الفصل الاول منها بمشكلة الدراسة | This study singled tagged (creative and aesthetic impact of the diversity of decorative formations in the Koran), to study the creative and aesthetic impact of the various configurations.The study included four chapters, the first of which the problem of Me study, determine the following : - 1. How can track the impact of the creative diversity of Islamic decorative formations in the Koran?2. How discern the aesthetic impact of the diversity of Islamic decorative formations in the Koran?3. What the technical underpinnings of the diversity of Islamic decorative formations in the Koran?Hence the importance of the study and the need for them, and inspire aim of the research, which requires the creative impact of the diversity of Islamic decorative formations in the Koran as well as unexplained revealed his theories, and then the aesthetic impact of the diversity of Islamic decorative formations in the Koran revealed.The study then identified objectivity and the temporal and spatial boundaries, as well as the definition of terms related to the study.The second chapter, which like the theoretical framework and the discussion of the previous studies and review, and later received three sections, where he touched the first of the concepts of impact, creativity and relationship with each other, as well as mental factors of creativity, and the elements of the creative process, as well as a review of the most important theories unexplained creativity. While This included the second topic on the concept of beauty in Islamic thought, and knowledge of inferences philosophical aesthetic Islamic in taste and sensory perception, as well as the role of the theoretical trends in judging the impact of aesthetic decorative, and to identify the role of monetary currents art modern in judging the aesthetic impact of the decorative, while the third section has reviewed the historical root of the decoration of the Koran, and addressed to the diversity decorative formations in the Koran, as well as technical diversity, and diversity in style, to the offender that diversity in areal division of decorative design statement, as well as a review of the diversity of formal and chromatography.While researcher followed the third quarter, particularly in procedures; descriptive analytical method to arrive at the results achieve the objectives of research and solve his problem, was selected sample deliberate manner (selectivity), as numbered (8) of the total (45) model varied in decorative formations. An increase (17%) of the original community on appropriate grounds. The design tool (Form) and presented to the experts to ensure validity, to achieve the objectives of the study. The sample models that have been analyzed under paragraphs.Therefore, the researcher suggested a number of results, including : - 1. must to achieve impact and creative in decorative formations focus on mental factorization and detected in samples search through sensibility Direction technical problems, especially in the field of processors structural and constructional design motif, as the first cash incentives to those formations and factor Search actor for aesthetic effect and innovative contrary, exceeding the stereotypical and traditional, including establishing the shift in the old concepts and graduated from the prevailing framework, some new concepts more exciting and effective.2. played elements of the creative process (the same artist, art, decorative item, expression), the primary role in structuring creative output decorative.3. must to achieve the aesthetic impact in decorative formations of conscious investment to design concepts and the creation of decorative structure, according to the intellectual perception of inferences philosophical aesthetic Islamic in taste and sensory perception (harmony, unity, completeness, regularity, balance, repetition, proportion, contrast and contrast, diversity, dominance , accuracy, sequence, direction, time and motion).4. diversity in decorative patterns and formations that decorated the Koran pages through bodies and geometric forms and geometric hired as : square or rectangular, circular, oval, curved and irregular configuration, and configuration corner, trickle - down configuration.And then rely on inter researcher's conclusions in his study, which was the most important : - 1. that any creative work frilly should be available when two conditions are needed : first, that this is a new innovative work away from the stereotypes and tradition. This does not mean that creativity arises - necessarily - out of the blue, he is going through in the early stages of imitation and simulation, but is not limited to it. The second condition : that holds a new Islamic art this creative work, and is a real addition to the quality of the field to which it belongs, and affect the development of serious and clear reality decorative art effect.2. quest decorated for seeking the pleasure of Allah Almighty in his artistic work. Through mastery of decorative and attention of his book al - Hakim. Which is often the source of the original revelation with respect to unity and decorative formations.Then the researcher concludes his study with references and sources relevant, and a summary in English.
