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الارواحية في المنجزات الفخارية والخزفية القديمة وانعكاساتها في الخزف المعاصر : نماذج مختارة من الفخار والخزف في امريكا الجنوبية == Animism In Ancient Pottery & Ceramics Artworks And Its Reflections On Contemporary Ceramics Selected Samples From Pottery And Ceramics of South Amerca
Author name:
علية محسن عبود الصياد
Supervisor name:
زينب كاظم صالح البياتي
General topic:
Fine Arts
Specific topic:
Porcelain
Degree:
Doctorate
University:
University of Baghdad - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Baghdad
First pages:
18T978 - p.pdf
Abstract:
The Ceramic artworks that represent Animism have plouyed a very important and effective role in develoioing artistic know ledge, and human thinking in the canti nant of south America.The cganges of styles of those artworks that adopt types of intellectual displaceements in time and blace, have contributed in making transfarorma tions in varions plastic infrastructure, These changes have included creativity ar one of the important bases of produetion in the field of Animism thinking.These canstructions have moved towards Ceramics Within it's materiaL mechanism , its formative style , and it's techniques in the light of animism which gives it a distinetive characteristic. Moreover ' it occupies a large space in thinking and it has a close relation with social thinking , in particular , in all it's historic , environmental , and mythological characteristics depending on it's Animism concepts and concentrating on the classification of these formations into male and female Animism and animal and uegetable Animism. The symbolism of these classifications within it's formative systems has given ceramics a distinctive feature.The study deals with Animism in Ancient pottery and ceramics artworks in south America. It presents it's formative characteristic and it's refkctions on contemporary ceramic artworks in the continent.The study has four chapters.Chapter One deals with the problem of the study and it's significance. The aim tries to find out the characteristics of these Animism artworks and it's refiections on contemporary ceramics of south America.The most important terms hawe been defined procedurally.Chapter Two has Three sections : The first one deals with the intellectual and philosophical concept of Animism.the second one presents the effect of natural and social environment on Animiam thinking , while the third section deals with ancient and contmporaruy ceramic scene in south America.Chapter three deals with the procedures of the study through choosing the population , the samples , the tools of classifications and analysis.th, samples hawe been analysed by the researcher.Chapter four has dealt with results, conclusions and recommendations.Bibliography, Indices and photos hawe been in cluded within the study.The currnt study has drawn the following conclusions : 1. The traditional topics that the ceramist has inspired from , are regarded as the way that prove the effect of Animism values on shapes and the best medium to assure the formative metaphors and re wnstruct it's values through their ancient Animism motives relying on the process of communication between anciengt symbols and creativity that the ceramist collecf through his interaction between ancient and contemporary. Some of these symbols have kept it's Animism values, while the others have given them up.2. The artistic discourse of the contemporary pottery and ceramics artworks contains group of formative systems, like realistic form system. depending on sensory thinking and conscious conception , and abstract form system which follows the logic, besides explanative, expressionist , surrealist and comic forms.
