عرض: 25 50 75 100 النتائج

نتائج البحث: 25 من أصل 4,467

تاريخ الة العود في العصر العباسي == The History of Oud In The Abbasid Period

اسم المؤلف: حيدر زامل حسين هاشم
اسم المشرف: احمد جهاد خلف البدر
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تتكون هذه الرسالة من خمسة فصول. وابرز ما اشتمل عليه الفصل الاول (الاطار المنهجي) هو مشكلة البحث والهدف منه والذي يلخصهما السؤال الاتي (ما هو تاريخ الة العود في العصر العباسي بجوانبها الفنية المتنوعة). ثم اظهر الباحث اهمية وحدود بحثه. اما الفصل الثاني (ال | This thesis consists of five chapters. The first chapter is the methodological framework of the study, which includes the research problem and the purpose of the study, which summarized by by the following question : What is the history of the Oud and its multiple artistic aspects in the Abbasid period. In addition, this chapter explains the significance and the boundaries of the study.The second chapter (theoretical framework) has dealt with the political history and social affairs of the Abbasid period. Additionally, the Artistic activism and the prominent role of music and singing were discussed.In the third chapter, the procedures of this research have been identified, and the historical descriptive approach was adopted.In the fourth chapter, the achievements of nine of the most prominent Abbasid scientists, who have studied the Oud, were discussed. In addition, ten musical relics were reviewed, which reflected another aspect of the history of the Oud. This chapter also, reviewed the most prominent figures who dealt with the Oud particularly in the Abbasid period.The fifth and final chapter was devoted to discuss the results of the study. Among the most prominent results was that Al - Kindi was the first to describe the making of the Oud in the Abbasid period. The numbers of frets strings were four, and later another string was added during the time of Al - Armawi. The tuning was set according to the perfect fourth distance between the strings. The names of the four strings are (Al - Bum, Al - Methleth, Al - Methna, and Al - Zeer). These names have a contemporary versions, (Al - Aushayran a, Al - Dogah d1, Al - Newa g1, and Al - Kirdan c2).The instrumentalists in the Abbasid period have used the position technique in the Oud. In addition, there are many musical terms used in the Abbasid period, which are still used nowadays. Then, several conclusions were discussed, set of recommendations and proposals were presented, and were followed by a list of sources and references.

الانتقائية في تصاميم الفضاءات الداخلية لفنادق الدرجة الممتازة == Selectivity In Designs Interiol Spaces For Super Deluxe Hotels

اسم المؤلف: احمد علي هاشم
اسم المشرف: بدريا محمد حسن فرج
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: من المؤكد ان التصميم الداخلي كفن وظيفي يبدا بالتلقي وينتهي بالاستخدام، ان عناصر الشكل ونظام العلاقات المكونة له تاتي من خلال عملية انتقائية قصدية يعتمد فيها المصمم اسس عامة تنطلق من المستخدم والوظيفة، بانطباعات الاول (الواقعية والخيالية) واعتبارات الثاني | Sure, Interior shroud career starts Baltgay and end use, that the elements of shape and system constituent relations come through a selective process deliberate the designer depends general grounds runs from the user and function, first impressions (realism and fantasy) and the second considerations (aesthetic expressive and usability), and embodied in place to return to the user in a process of dial ogue and reactions to this vocabulary purified, the researcher finds that lack a manner agreed between the service requirements in the receive and use spaces in the country Hotels excellent degree. Therefore felt researcher choose the title purely marked : ((selectivity in the designs of the interior spaces of first class hotels)) which is an analytical and directical study on the formal manifestation of the principles and elements of interior spaces in the premium - class hotels for each of Baghdad, Erbil and Basra systems. It sheds light on the selection of the foundations of relations and elements of the appropriate form in the designs of these spaces to serve the function and beauty requirements. Circumscribed Bmchklth in detecting deposits selection designer purified vocabulary that effectively design adequate to the requirements of public service in the provision of physical and moral comfort. And it came Search including four chapters, the first chapter consisted of the research problem and its significance, objectives and limits, and then determine the terms.Upon that, the study includes four chapters. The first included the problem of the study, and its importance which lies in the following : 1. Making use of the knowledge and the information for the specialists in the field or the close fields like the parallel colleges like the college of engineering in the Iraqi universities and the scholars and those specialized and familiar to acquire information in that field for the service of our beloved country (Iraq).2. Making use by the official governmental and non - governmental directorates like the ministries of Habitations and Construction, Planning, Foreign Affairs, Archaeology, Culture , Higher Education and Scientific Research and the related offices. 3. The process of selection of the designing items for the main spaces which concern the visiting users and contribute to fulfill the comfort.4. The importance is manifested in studying the special and private spaces, bedroom entrances, passages and the resting spaces, food wards for clients, in their directors in these hotels in and aesthetic pleasure, in addition to other spaces like the theatres and meeting halls.The current study aims at revealing the items selected from the formative elements in their relationship with the nature of the performance of the function and the aesthetic and the nature of its users, and putting designing suggestions. - The Thematic Limit of the Study : The study of the theme of selectivity in the design of internal spaces. - The Spatial Limits : The Super Deluxe hotels in the middle and northern Iraq, represented in the two hotels of Al - Rasheed and Ishtar in Baghdad and the two hotels of Irbil International Hotel and Royall Hotel in the city Irbil and Al - Basrah International Hotel in city. - The Time Limits : the time limit is from 2003 - 2014 for the tourist openness which Iraqi has witnessed after the event 2003, and then the term definition. The second chapter dealt with the theoretical framework and previous studies, as the researcher did not find the study are directly related to the current study. And ensure that the theoretical framework three sections, the first section dealt with (the selection and Alantqa?ah - fundamentals and vocabulary), the concept of this convention as a field theoretical level and as a verb in the choice of vocabulary design and the forces acting upon launch. While the second section titled (Interior and priority considerations in functional spaces excellent hotels) dealt with the concept of interior design as a field applied in these hotels and the foundations of the backs formal public functions and role between the receive and use. The third section dealt with the (structural system design and relations), structural system between the design, construction, material and techniques backs finished exceptional space frames in public office put it. Then extracted from this chapter indicators set based upon the analysis of selected samples. The third chapter consisted of field research procedures, as defined methodology descriptive approach (case study), and the research community and the samples selected, represented by (5) Samples And 45% of the research community's (11) Hotel, search tool and an observation form and form to determine axes analysis was then ratified by the tool, and finally describe and analyze samples. The fourth chapter has put search field, conclusions and recommendations, and the results of the proposals, and the beneficiaries from this research , and the scientific resources. The most important results can be summarized as follows : 1. Most of the spaces marked by the selection of hotels formal elements and color contracts represented only a semi - circular curved and pointed decades in one of them a sample and a black and gold colors of the cultural heritage in the absence of raw materials that mimic these Selections, and a renewed vision of the future. The other came in the spirit of contemporary confirm these forms.2. Pick formal elements of square and rectangular and semi - circular spaces in the hotel in a relationship with the same simulation elements employed in interfaces. It also invested gene forms mimic the heritage society for foreign visitors.3. overcome the idea of the selection of the design system in the distribution of the internal spaces form a contiguous linear relations and led to the opposite ITSAM movement and distribution system Furniture sin also.4. Constructed Structural closed systems do not change for the most part adopted a change in Siding supplements of its components and furniture, which traditionally appeared frequently in mostly.5. Make sure need operational functions in the remote spaces for vision Assembly Thdadave dream spaces and corridors decks while confirmed the aesthetic and functional considerations in the ground floors and Vdhaeadtha of entrances and corridors and restaurants, and in the absence of these considerations in the spaces of the theater hall meetings.Findings and conclusion, and then the suggestions and the beneficiaries of the study which are the official governmental and non - governmental directorates like the ministries of Habitations and Construction, Planning, Foreign Affairs, Archaeology, Culture , Higher Education and Scientific Research, and the specialists in the field or the close fields like the parallel colleges like the college of engineering in the Iraqi universities and the scholars and those specialized and familiar to acquire information in that field, in addition to the sicnetific sources inn the study.

الخصائص الفنية الزخرفية في المدرسة المغربية == Decorative Artistry Characteristics In Moroccan School

اسم المؤلف: لؤي نزيه مطلك
اسم المشرف: كريم حواس علي الساعدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان الفنان المسلم استلهم مفرداته من الطبيعة ومن الاشكال البسيطة كالمستقيمات والمربعات والمثلثات والدوائر، وقد كان هناك اوجه تشابه واختلاف في الوقت نفسه بين المدارس الزخرفية، مما جعل الامر يلتبس على كثير من المزخرفين لا سيما الدارسين في حقل الاختصاص، وقد ات | Muslim artist inspired his vocabularies from the nature and from simple forms such as straights , squares , triangular and circles. At the same time there was similarity and contrast in decorative school which led to confusion for many of those practice decoration (decorators ) specially the specialists. Due to exploratory studying and continuation upon research society represented in Moroccan Islamic Architecture through photographs and images in books and references concerning Moroccan decorations of Islamic architecture , it was obvious to the researcher that artistry and scientific necessities required identify those artistry characteristics of Moroccan school and the most prominent characteristics and features of Moroccan school.Accordingly the researcher formulated the problem of the research through the following question : " what are the artistry characteristics in the Moroccan decoration " ? The importance of the research has embodied in identifying the artistry characteristics of the decoration and all its kinds ( plants , geometrical and linear ). The researchers exposed the contributions of Moroccan school in designing and execution o decoration upon Islamic architecture. The objective of the research is to answer the mentioned question within the problem of the research. The research was defined with decorative artistry characteristics in Moroccan school with its kinds ( plants , geometrical and linear ) in mosques , schools , shrines and those executed on ( stone , gypsum , wood , vitrified tiles ) from the period of ( 745H - 1345A.D )to ( 1390H - 1971 A.D ). The second chapter included the following subjects : The stages of development of Moroccan decoration , architectural decorative components , Islamic architecture elements, areal divisions of the decorations , besides the design foundations of architecture decoration , construction relation , raw materials and execution techniques. followed by theoretical framework and previous studies.The researcher followed in conducting the research descriptive method ( analyzing the content ) in order to reach the objectives of the research. The samples were chosen intentionally. The researcher chose ( 6 ) six samples for his research and the total number of the sample were ( 60 ) sixty samples represented the society of the samples. The analyze form was in accordance theoretical framework and exposing it to several experts to confirm its validity. According to the analyzing form, the selected analyzing sample, where showed a collection of results as follows : - 1 - Single work of one decoration type( engineering), which is based on steroid shapes, which originated non - steroid shapes resulted from the crossed lines and their reflections represented by the straight and vertical ,horizontal and diagonal, which shaped multiple shapes amongst semi - steroid elements and rhombus shapes and irregular shapes.2 - Dual two types decoration work ( plan and engineering), the plant decorations have involved cupped indentations of single, double and triple pods as for the geometrical shapes inspired from bees hives and the Muslim artist has inspired these shapes to express the accuracy and regularity via repeated of geometrical shapes regularly.3 - Three decoration work( plant, geometry, writing)the basic unit included texts with Al - Thulith and Al - Nasakh Moroccan calligraphy due to sequenced line distribution system interspersed by plant decorations whose construction leaves and single double and triple cup items in addition to geometrical decorations represented by steroid and non - steroid shapes, as for the steroid shapes which included eight steroid and non - steroid shapes represented by irregular geometrical shapesBased on the results , the researcher have reached to a collection of conclusions represented by the following : - 1 - The development and the maturity that the Moroccan decoration art has reached along the development stage, does not come emptiness but connected series extended to be integral period for the previous one and it is an evidence to the innovation mental development extent, and the skill decoration expertise of the Moroccans at the same time.2 - The plant, geometrical and writing decorations of the arts widely used in the Moroccans Islamic architecture and has come the most distinguished elements and gains the Moroccan decoration attention via various the historical eras of the ancients fundamentals, also has dominance in a lot of architecture land marks.3 - The diversity in the decoration items( plant, geometrical and writing) of general appearance and the interior stuff and with colored diversified outcomes whether for single , double and triple types have contributed in add the diversified and multiplicity of the decoration items in one connected design unit.According to what the researcher has reached of results and conclusions and to complete the benefit and knowledge, the researcher has viewed to specify to a collection of recommendations most important of which are : 1 - To get benefit from the current research results to enhance curricula for the concerned Dept. amongst calligraphy and Islamic decoration Dept. in the institutes and colleges of fine arts.2 - Paying attention with the Moroccans school in the field of decoration of its various types of their aesthetic distinguished richness, on the executed works of Islamic architecture. And to complete the requirement of the research and to realize the scientific benefit, the researcher has presented a collection of suggestions ,benefited to be successive studies as follows : - 1 - The artistic characteristics of the Moroccans decorations on the pottery.2 - Aesthetic of the Moroccans decoration on the plate form

دور الة الكونترباص في الموسيقى والغناء العراقي == The Role of The Contrabass Instrymint Iraqi Music And Singing

اسم المؤلف: وسام محمود عبد الزهرة عطية
اسم المشرف: فراس ياسين جاسم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعـــــ(الــــــــ الكونترباص),احــــــــدى الات العائلــــة الوتـــــرية القوسيــــــة, المؤلفة مــــــــن ( الكمان, والفيولا, والفيولنسيل ), فقد لعبت (الة الكونترباص) دورا مهما في تكوين الفرق الموسيقية العالمية, من خلال مجالها الصوتي الواسع, وطبقتها | The double bass is a member of the string family, beside the violin, viola, and cello. It has played an important role in the formation of orchestra ensembles, and this is because of its wide musical range and its low pitch. These tow features support the performance of the harmony and counterpoint by other musical instruments. The importance of this instrument encourages composers to create a specific music for the double bass such as Sonatas and Concertos.Despite the great importance of this instrument, it has not received sufficient attention in the Arabic and Iraqi academic research field. This prompted the researcher to adopt his experience as a performer on this instrument in this research to explore the role of the Doublebass in the Iraqi music and singing.This study consists of five chapters, list of references and annexes. The first chapter is the methodological framework of the study, which includes the research problem and the purpose of the study. The position of the Double Bass was explained, as it is an essential instrument in the Iraqi musical ensembles. In addition, it has participated in the recorded songs in the 1970s. The role of the Double Bass was recognised because of its tone colour and its rhythmic style, which fits the requirements of the Iraqi songs. For this role, it is important to study the function of the Double Bass in the Iraqi music and singing. In this chapter, the importance of the study was explained and the aim was identified, which is the role of the Double Bass in the musical ensemble that accompany the Iraqi music and singing.The second Chapter consists of the literature review and the previous studies. The literature review includes three sub - chapters; the first one discusses the history of the Double Bass. The second one deals with the parts, performance and the techniques of the Double Bass. The third explains the participationof the Double Bass in the Iraqi music and singing. The results of the literature review were discussed and there was no previous academic study regarding the role of the Double Bass in the Iraqi music. However, there is only one study that might be close to this study as both studies have the same singing form of the 1970s.The third chapter explores the field of thisstudy, which is the songs of the 1970s. In addition, experts were identified,samples were chosen, equipment was mentioned, musical standards were explained and the methodology of the study was discussed.The fourth chapter includes the analysis of the chosen samples. The fifth chapter discusses the results and the conclusions of the study. Additionally, a set of recommendations and proposals were presented, and were followed by a list of sources and references.

خصوصية المشاهد البصرية في تصميم الفضاءات الداخلية للمؤسسات السياحية == Theparticularityofvisualsightsin Designingthetouristfoundations Internal Spaces

اسم المؤلف: نادرة عبد الرزاق غزال
اسم المشرف: رجاء سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نظرا لما للمؤسات السياحية من اثر كبير في حياة المجتمعات وما لقاعة الاستقبال في تلك المؤسسة من اثر اكبر في تجسيد خصوصية المبنى الوظيفية والزمكانية في توظيف موروث مجتمعها بمنظور حضاري معاصر له سبغة المرونه التصميمية، وذي النظرة الاستشرافية المستقبلية لتحقي | Considering the significant effect of the tourist foundations on the societies lives, and the high effect that reception halls of these foundation have in embodying the building functional and space - time particularity to employ their society inheritance with a modern civilized perspective has designing flexibility, and forward - future sight to achieve the interaction between the visual sight to the internal space design and the their occupants through a designing communication, and nowadays the reception halls in the tourist administrative foundations are suffering a weaknesses in achieving that, thus, in order to upgrade this communication, the research problem brought up the questioning : Do the particularity of visual sights in designing the tourist foundations internal spaces have sensory, perceptual value that contributes with achieving positive receiving process involves meanings related to thought, civilization and values of the nations generally, included in formative effects designs of the internal spaces?The importance of the research lies in its dealing with a subject that was called by the necessity of upgrading the internal designs of visual sights for the local tourist foundations reception hall, and give them the functional particularity with a style that reflects space - time world of their society, and achieve their belonging to it and acquire them a designing identity that makes its mark in scientific artistic world fields.The purposes of the current research aims to make knowledge basis that forms the starting point of revealing the fact of deploying the meaning in the visual sights for the internal spaces designs, and establishes basic designing points that simulates the general idea for the particularity issue in internal design.Chapter Two included the previous studies and the theoretical framework that included three parts : The first part focused on the particularity in the internal space, its aspect and its types with a historical brief about civilizations particularities, while the second part dealt with the formal realization for the meaning and receiving organization, and the third part identified the formal formations structures, and it resulted in some indicators that were depended in forming the analysis form. The third chapter gave the procedures of the research and its methodology, where it depended on the descriptive approach in the process of analyzing three models that were chosen intentionally from the research community, where the tool of research depended on the analysis axis form and indicating the degree of axis fulfilling, in addition to describing the research models and analyzing them, and the analysis process resulted group of conclusions and results that were included in chapter four, some of the most important conclusions are : Combining between the authenticity and contemporary relatively achieved space - time particularity in models (Baghdad, Babylon) and it didn’t achieved in model AL( Najaf) and the performance particularity was achieved in models (Baghdad, Babylon) and relatively achieved in model AL( Najaf).And the formal realization was achieved in both models (Baghdad, Babylon), while it was achieved relatively in model AL( Najaf).And some of the most important conclusions are : Realizing the visual sight particularity perspective, where it is the superior designing idea that the external space included it for a reception hall in a tourist foundation,.There is a role for the designing thought particularity that depends on interweaving the objective particularity and subjective particularity while designing a reception hall in tourist foundations, that role is representing the design of visual sight that has a functional particularity in forming formal structures that meets the desires of the environment occupants and time - space particularity with deploying the inheritance into the technological and technical evolution.Then chapter four the theorizing centers, recommendations, and the general suggestions and the designing suggestion, in addition to the tables, demonstration tools and a list of references and appendix.

توظيف الملحمة في الدراما التلفزيونية == Employment In The Epic Television Drama

اسم المؤلف: حسن هادي زاير المحمداوي
اسم المشرف: ياسر عيسى حسن الياسري
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بالرغم من تعدد وسائل التعبير للمنجز الفني الا ان لكل واحدة من هذه الوسائل نكهتها الخاصة التي يحاول من خلالها صانع العمل الوصول الى المتلقي. لكن يبقى الفن السينماتوغرافي الثمرة الناضجة والوسيلة الواعية للنتاج الانساني، اذ انه يشكل مجموعة من الخبرات والاف | Despite the multiplicity of means of expression of artistic accomplishment, but for each one of these means special flavor that which tries to work maker access to the recipient. But art remains Alcinmatugrave ripe fruit and conscious of the way the product of the human, as it constitutes a set of experiences and ideas humanity to get to a distinct form of art is an extension of the creative product of civilization. There is no doubt that art Alcinmatugrave tool and a means of intellectual working to transfer the beliefs and ideas of the people towards each other, an employee at the various kinds of topics, including tales of epic and mythical, historical and other. If you look at the old epics that have reached us, we find that it includes many anecdotal theme, and often we find that These themes independent of each other, in spite of its independence, but it where the unit subject is available, and this is what we find, for example, in the Epic of Gilgamesh or even in the epics of the ancient Greeks and ancient Romans, and this thing made filmmakers working on each of these themes separately in an attempt to find a technical ports to connect between them and to build up a convincing dramatic and leads to the ends of the aesthetic and creative. The cinema and for long periods they have monopolized the provision of those movies epic that dealt with the drama interesting carrying humanitarian meanings widely in form and content, but the television followed the example of cinema in the provision of those humanitarian epics on according to high - builders level and it was necessary to search in the recruitment of the epic and construction epic television series, Valmhamh of narrative story - based systems are listed in the delivery to the recipient of the expression of tournaments and events that mixes myth with reality. Those heroic stories we find is the champion matter given society defend them achieve their desires and is characterized by high strength and configuration of physical and psychological unique. The researcher divided the research on the four seasons, were as follows : The first chapter (methodological framework), which included the problem of research, summarized as follows by asking : How employs saga in TV drama? Then the importance of research and the need for him, as well as the objectives of the research and its borders.Chapter II, who came under the title (theoretical framework) was on the three sections, are as follows : First topic : the saga term and concept. Their definitions and their relationship to philosophy and what it is when Aristotle and comparing myth and at the end the researcher said a summary of the most important characteristic of the epic concentrated in eight points.The second topic : Building and construction dramatic epic elements : in this section were searched drama and dramatic elements of the general construction and construction epic researcher concluded at the end of his research also points to eight.The third topic : the employment of construction in the epic television series : in this section have been addressed to the foundations of the traditional dramatic structure and the president and his staff dealt with in the order as well as transition and connection between the viewer and the units of time in the series Almhumai.ol_khas Find researcher in the end to six points.In light of this, the researcher suggested a set of indicators that represent the theoretical framework summary. And seal Chapter previous studies.Chapter III (research procedures) to ensure the research methodology, and the research community and the research sample search tool and sincerity and integrity analysis steps and then the sample analysis tool that has been selected Qsidia analysis of a series Spartacus Part I : Then, the researcher analyzed the sample from the theoretical framework indicators after taking the opinion of the Committee of Experts and arbitrators.Chapter IV (findings and conclusions) : has included the results that came out of the researcher after the sample analysis, and the most important results : - 1. The construction in epic movies and serials that rely events Epic or epic mythical figures not only to seek clarity of interpretation but seeks to clarity of expression because the business epic intellectual progress summary of the beliefs and feelings of non - specific.2. Non - Molovih events and actions in Business epic coated myth make such acts implausible because it is located in the virtual worlds in a way just the viewer and lend the work a thing of beauty and surprise by tricks cinematic special effects, which was surrounded and carried out as in the sample series Spartacus.And he went after the researcher a number of conclusions and recommendations and proposals.Find and seal a list of sources and supplements and a summary in English.

تنوع اساليب عرض المنتجات في تصاميم الاعلانات التجارية المطبوعة == Diversity of The Methods of Presenting Products At Printed Commercials Designs

اسم المؤلف: بشرى محمود مصطفى
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد التنوع في الفن عامة، والتصميم على الاخص وجها من اوجه التطور والنماء والاستمرار، فضلا عن وجهه الابداعي، ولولا التنوع لما وصل التصميم الى ما وصل اليه من رقي قل نظيره، واخذ تنوع الاساليب منحى مهما في التعزيز الوظيفي والجمالي في مجالات ع | The diversity in the art is general ,but particularly the design is considered as a one aspect of development, growth and continuation, without diversity the design would not reach the prosperity and development. The diversity took an important role in the aesthetic and functional reinforcement at different scopes of design process. In the field of ad design, the diversity is considered as a condition to activate the environmental marketing, to stimulate the consumer to purchase, and to be in touch with products, therefore the corporations and production companies sought searching for new methods to present products and fulfill the demands of the consumers which are increasing day by day according to the human needs, these companies and corporations found a good way to achieve marketing aims through the experience that designers have in representation of clear ad discourse, the current research is shedding light on these issues, after it shows its demands in the first Chapter which includes the problem statement which comes with the following question : • What advertising methods that designers can approach to present printed commercial products?The significance of this research is : 1. To develop artistic skills of ad designers. 2. Supporting the corporations and public companies in the field of commercial ad, newspapers, magazines, and market advertisements.The aims of the research are : 1. To explore the diversity of the methods adopted by advertisement designers to present printed commercial products.2. presenting practical suggestions according to the results that show the diversity in the ways of presenting the products in the designs of the commercial ads To suggest practical methods according to the results of current research.The scope of this research is divided into three types : 1. Objectivism scope : studying (diversity of methods of presenting the products at commercial ads). 2. Spatiality scope : the commercial ads at Dar - Alhayat magazine, Lebanon. The scientific justification is that the magazine is considered an important Arabic magazine specialized in the women affairs, and the products of cosmetics, accessories, and the nutrition.3. Period scope : printed ads issued in 2013, for that 2013 is being the year which had many editions of the commercial advertisements which showed the diversity in the methods of presenting the products, moreover its relation (2013) to the year of doing this current research.The technical terms, Diversity, Method, and the product have already been defined. The second Chapter (the literature review and past studies) has included many topics : 1. An introduction to advertisement.2. Design of advertisement and the commercial concept.3. Diversity of methods in presenting products.4. Methods of presenting products. 5. The advertisement and the communication process.Then the research continues with data of the theoretical framework, represents a scientific summary for the literatures of theoretical article, then the third chapter which cares for the procedures of the research, Methodologically, the research community, picking samples for analyzing, research tool, and etc. The forth Chapter which dedicated to the results and its discussion, some of them are : 1. Use the style of product presentation or a part of it, this method included all advertising models, and this pattern stylistic meets the recipient who wants to watch the product or parts of it to be sure of its kind and potential requirements and specifications which is important to always look for buyers.2. Using method of presenting product by making the product appears in multi - colors. This method has many benefits through moving the intentions of the customers towards the product, and also its effects on their economical and psychological purchase desires. The research conclusions are : 1. The diversity in the ways of presenting is based on the affectivities of the enterprises ,and the factories locally and internationally , in addition to the technical development which effects on the ways of presenting ads which has been shown clearly in technical , and directorial.2. The diversity of presenting products comes in response to the consumption needs such as matching human interest related to daily activities; these requirements makes an important channel for transmitting the ads ideas.Then the research appended with the following recommendations : 1. The importance of diversity in using the printing methods which are increasing in the world of journalistic and advertising design, that is an important thing for the designers and marketers who communicate with the society in general, and especially with the consumer.2. Opening developing courses for the employers in the field of ads design in order to identify the some problems like structural , ideal ,or technical which appear through direct contact with the working market ,and the consumers. Then the researcher suggested to do the following study : - Reflecting the style of ads design on the way of presenting the Iraqi products.Afterwards the researcher presented practical suggestions according to the aim of the research these suggestions relate to the topic of the study, then a list of sources, appendices, and the summery of the research in English.

تقنيات الفضاءات المتعددة في عروض المسرح الاكاديمي : عروض كلية الفنون الجميلة - بغداد - انموذجا == The Multiple Technical Spaces Performance, College of Fine Arts Baghdad As Sample

اسم المؤلف: بلال وليد شامل حسين
اسم المشرف: رياض شهيد علي الباهلي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نشات الدراما في فضاءات متنوعة وواسعة وتبعا للمحيط المكاني والزماني والتجمعات البشرية, ولكل حدث او عمل فضاءه الخاص, حتى بدا نشوء الدراما بالوحدات الثلاث التي نظر لها الفيلسوف والمعلم الاول ارسطو واصبح للممثلين فضاءهم الخاص في السفوح العالية على شكل نصف د | Drama Originated in a variety of spaces , spacious and depending on the perimeter of the spatial and temporal and human populations,the concept of private space philosophers since the Greeks and for each event or work space where his own. As the Dionysus rituals were in wide open spaces as in open air in honor of the god, until the emergence of the three units Aristotelian drama and became representatives of their space where audience is seated outdoors to watch the performanceAnd with the development of societies across the stages of history came out ideas and put art and development in various areas of life, including the Architectural Engineering, which contributed a great contribution to the invention, innovation and development in the theaterThe space of the actors changed a great deal depending on the ages that passed by, and the most prominent style of the Greek and Roman Open through eras canon and squares even began to stage Renaissance and built theaters, including traditional and became viewable dramatic special character in terms of the relationship and communication between the representatives and the audience.Since the late nineteenth century and early twentieth century, what happened in the world of innovations in modern technology reflected the theatrical art in terms of lighting and its effects and music, and many other techniques.Many ideas and visions of directors and designers emerged out of the idea of choice for space for treatment of the text and the choice of the appropriate place allows and highlight theater and offer different flavors especially after the emergence of the modern filmmaker in the nineteenth century.The directors and designers try to present their performances outside the traditional box theater, they have chosen several places such as yards, streets, coffee shops, houses, and even historical and Archeological places and garages. Some denied the space of closed and box theater and call for theater to go back to its origin and to the beginning of it.The peoples of different and diverse cultures has their own footprint and that are commensurate with the nature of the space in which they reside performances, whether rituals l or ceremonial or traditional techniques using scenery, lighting, music, customs , properties and make - up play important role with special cultural touches in the basis of the success of the theater..The researcher selected the title of his research ( The multiple technical spaces performance ,college of fine arts Baghdad as sample ).The research is divided into four chaptersChapter One : systematic framework consists of the research problem and the need for it, the importance of research, the goals of the research, the limits of the search, and determines the terms.The second chapter contains a theoretical framework and contains a concept of space and multiple spaces for performances includes the aesthetics of space in the theater and the various technologies in the space of theaterThe third chapter of the research is the proceeding which includes : The researcher studied twenty theatrical performances presented In a variety of places by the College of Fine Arts at the University of Baghdad, The researcher have chosen three samples deliberately.Macbeth was presented in the courtyard of the Department of Performing Arts. the second play( The republic of AlGawahiri ) was presented at a big wedding hale in Erbil the third play was ( of refraction) , was presented in the gardens of the college of fine Arts. Chapter IV : consists of the search results, and conclusions, recommendations ,proposals ,a list of sources , references and a summary in English.

تطور البنى الشكلية في تصميم العلامات التجارية == Evolution Frmslism Structures In Branding Design

اسم المؤلف: زيد حيدر خالد فرمان
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: There is no doubt that the history of art movement in the general framework has produced many of the related art of general design indicators, graphic in particular, including the Contact thought, some of which reach the technology, including the Contact be working design, and without a history of design many of the innovations that serious by designers through their history intellectual and practical, posters history, and the announcement date and covers the history, and the signs of history has spilled since the human deal with the human as an individual or group, marks which promised an important part in The evolution of human life and community and economic and trade activities, and was a commercial activity among the most important thing I've worked upon the human mind to it, any brand represented a tool for defining and communicating, where knighted by their goods and products, and this was the documentary position the first thing that happened in the field of design Alameda Abut structure that has evolved over the years of work and production until we got into the modern era since grown and developed companies and institutions that have their own signs to compete in domestic and global market, current research focuses on the stages of the formal structures of trademarks evolution, in the first chapter identified the following research problem by asking : "What mechanisms that have evolved through the structures in designs formalism brands?"While identified the importance of research in : 1. In his contribution to the benefit of interested scholars and researchers in the field of general design, and design brands in particular.2. contribution in providing the scientific library research and studies in the field of specialization, which will be reflected on providing new insights in the field of design, the study is unique discussing the evolution of morphological structures in designs brands, and through researcher Note that he does not exist specialized study in this area.While the goal of the research was to : "Reveal the evolution of morphological structures in designs Trademarks" It also identifies Find the following limits : 1. substantive limit : includes global brands that achieved by the effectiveness of the evolution of morphological structures in designs brands. t globally.2. Spatial limit : includes designs corporate branding and international institutions active in the market.3. Moreover identified the following terms : (evolution, structure, format, tag)The second chapter of the theoretical framework, which over the following axes : (The evolution of designs brands), (structure formalism of marks), (mark), (Global Dimension), (significance expressive of the mark), (functional dimension of the mark), as well as the last axis, which represents (b Bade communication and economic mark), then interpreted Researcher most important indicators that came out of the theoretical framework. As well as his presentation of the previous studies.The third chapter the researcher the actions carried out by then,, Study of the analysis, as the researcher analyzed (15) model according to the axes created of indicators that spawned the theoretical framework, which consisted of the following axes : 1. stages of the development of label design.2. formal structure in the design of the mark.3. recipe and type of tag.4. Dimension Global in the design of the mark.5. functional and expressive significance of the mark.6. communication dimension of the mark.Then singled out the fourth quarter results and discussion, as came from : 1. teamed stages of the evolution of signs according to functional reason, Economic primarily resulted from new insights for owners of companies, or mergers between two or more companies, or for some reason intended to update and renewal, as in the models (1,2, 3, 4,5,6, 7, 8,9, 10, 11,12, 13, 14,15).2. The development did not come all at once, but came according multi including the stages of multiple intervals, as in models (1, 2, 4.6, 7, 8.9, 10, 11.12, 13, 14.15), and this is normally located in him the gradual evolution of the design being linked to the owners of private companies and aspirations of philosophy, and deliberate, and competition.The researcher concluded a set of conclusions, came from : 1. All structural patterns and stages of development of what was happening to not Refuge circumstances that accompanied the establishment of major industrial companies and institutions that have a direct impact on the global economy.2. harmonic and differences in the evolution of designs built marking identify the limits of correlation between the performance of companies and the formal vocabulary constituents and both like the ultimate embodiment of the structure Alabama and put deliberative communication.The conditions and requirements resulting from the strategic changes to institutions and society alike a big role in the evolution of structures and signs consistent with what is going through companies and institutions concerned.Then the researcher recommended that some of the relevant current study recommendations, including : 1. the need to dismantle and analyze the evolution of the stages of design labels to take advantage of the circumstances that passed by, which is mainly related to the organizational and visual structures This is important for workers in the field of design brands.2. Study the structural conditions of each sign of the unity of intellectual and economic fact their references, which led it to a big stages of economic and commercial competition at all levels, an important episode of communication and continue the design catalog.Then the researcher doing the study suggested the following : • evolution working symbolic designs in employment brands.His current research concludes the list of sources and supplements and a summary in English

تجارب المسرح الاكاديمي العراقي ما بعد التغيير : نماذج مختارة == University of Baghdad College of Fine Arts Post - Change Iraqi Academic Theatrical Experiences (Selected Samples)

اسم المؤلف: نبا جبار مناحي الربيعي
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: التجربة المسرحية هي تقديم عرض له مرتكزات علمية تربوية رصينة يهدف من خلالها المخرج تقديم عرضا مسرحيا متكامل العناصر، قدر الامكان ومقاربة الابتكارات المسرحية الجديدة. بالاعتماد على الاكاديمي وهو المنهاج العلمي الذي يعتمده الاستاذ المسرحي التربوي، في تقديم | A theatrical experience is merely a presentation based on firm scientific and educational elements, through which a director aims at presenting, as possible as he can, an integrated theatrical performance, and at approximating new theatrical innovations. Depending on the scientific methodological approach which the theatrical academic professors usually adopt in presenting a qualified theatrical experience on applied scientific bases and theoretical principles, specified objectives and outcomes are brought about and they consequently formulate the elements of any academic theatrical performance in a way parallel to the targeted artistic model. This study mainly aims at discussing the significance of (Academic Director), as well as the main educational additions which can be identified by the innovative achievements of the Iraqi theatrical academic director, in an attempt to point out the most successful educational and scientific achievements within the academic institution, and the means and methods adopted to fulfill this aim. The researcher, in her study entitled "Post - Change Iraqi Theatrical Academic Experiences", has discussed the theme of Iraqi professional academic director. The study deals with four chapters : 1 - Chapter one : The methodological Framework. This chapter deals with the problem, its significance and necessity; aims of the study; the spatial and time limits of the study; terminology and its definition.2 - Chapter Two : The Theoretical Framework. It consists of three sections : - Section One : the global concept of Theatrical Experience. It has been divided according to the study of ancient international experiences. After the introduction, the researcher discusses the concept of experience, main definitions, and elements of experience in the international theatre and, then, the main innovative streams of the theatrical experiences. - Section Two : the influence of political and social changes over theatrical performance. This section includes an introduction, followed by two subsections. The first casts light on the main contemporary schools and trends which greatly influenced by the recent political and social changes. On the other hand, the second subsection discusses the impact of political and social changes over the contemporary European theatre, as well as the most important theatrical achievements in Europe, which , within their performances, greatly affected by politics and social life. - Section Three : the concept of academic theatre on Arab and Iraqi levels. This section is divided to five subsections that deal, after an introduction, with Arab academic theatre, Arab academic director, academic theatre in Syria, academic theatre in Iraq, and the concept of academic director on the Iraqi level, respectively. The researcher has also referred to the phenomenon of the professional academic director in the Arab and Iraqi theatre. The main indicators of the theoretical framework of the study have also been presented by the researcher. They have been applied and tested on some Iraqi theatrical performances by college of Fine Arts\ Theatrical arts Department, in Baghdad, by a number of Iraqi professional academic directors. Previous literature related to acting and directing have also presented and chronologically arranged as follows : A - Bahaa Zuhair Kadhim : Features of Theatrical Performance in the Experimental Theatre in the performances of the College of Fine Arts, 2012.B - Yusuf Hashim : Features of Experimentalism in the Iraqi Academic Theatre, 2014. 3 - Chapter Three (procedures of the study) : In this chapter, a sample has been selected depending on a comprehensive investigation for theatrical performances from 2005 to 2015. The sample has been deliberately selected due to the diversity of these performances to the Iraqi academic director. The researcher thus adopts the (descriptive) approach in studying and analyzing the sample. The study's tools consist of the indicators of the theoretical framework, documents such as books, magazines, CDs, photographs, and notes, which the researcher utilized to pursue certain academic levels, starting from writing, presentation, directing and all the additions that characterize the reliable theatrical performances. The samples selected by the researcher are as follows : a - Al - Hussein Alaan (Hussein Now) , a play directed by Aqeel Mahdi Yusuf. b - Maradh alSharq Dimoqrati (East Disease is Democratic), a play directed by Haitham Abdul Razzaq. c - Ghareeb al - Dar (a stranger), a play directed by Zuhair Kadhim Alwan. 4 - Chapter Four (results and conclusions) : In this chapter results, conclusions, suggestions, recommendations, a list of references, appendices, and an abstract in English have been pinpointed.

تصميم الازياء في مسرح الطفل بين الشكل والهدف == Couturein Childrens Theater Between Form And Goal

اسم المؤلف: براء شكيب اكرم الصالحي
اسم المشرف: روعة بهنام الشعاوي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث دراسة الاشكال التصميمية الخاصة بمسرح الطفل من حيث الشكل والهدف بوصفها احدى عناصر العرض المسرحي، لانها تشغل حيزا ماديا فوق خشبة المسرح، وفي الوقت نفسه تسهم في ايصال المعنى والدلالات الى الطفل.يقع البحث على اربعة فصول، يتضمن الفصل الاول الاط | This research deals with the study of forms design for the theater of the child in terms of the shape and the goal as one of the elements of theater because they occupy materially above the stage, and at the same time contribute to the delivery of meaning and connotations to the child. Situated Find in four chapters, Chapter I contains the methodological framework / research problem that crystallized the following question (Are there problematic in fashion design in offers children's theater between form and goal?) And have X objective to identify the limits of the relationship between form and goal in fashion design as well as The importance of research and determine the terms. In the second chapter (theoretical framework) has included three sections, the first section is the following : the concept of fashion design in the shape of the child, has been divided into : - 1 - A brief history of fashion child. 2 - Figure in Fashion Design : The divided into : - A - Figure B - connotations figure in the design of the outfit. C - perception and shape The second topic is : the design goals for the child fashion : The divided into : First, the design elements and foundations : The divided into : a - b design elements - the basis of the design Secondly technical objectives : The divided into : a - b functional - aesthetic Third, psychological and educational goals. The third topic is : fashion and its relationship to the elements of the display in the children's theater, has been divided into : A - Relationship Representative theatrical fashion. B - relationship with lighting theatrical fashion. C - nothing theatrical fashion decor. D - relationship theatrical makeup fashion The outcome was the theoretical framework for a number of indicators which were represented by the search tool as well as other tools. The third chapter, which measures the search, as selected samples Qsidia which offers plays (the world of vitamins) and (jackal advanced) and (Karkh and Rusafa) based on analysis of the research tools, namely, (watch theatrical performances) and watch the CDs, interviews, and indicators that resulted in by the theoretical framework, and photographs), following the approach of descriptive and analytical results that have emerged have been discussed during the fourth quarter and has been reached conclusions and seal search a list of sources and a number of supplements that the researcher sees the need for them to enrich search. In order to submit presentation on stage has to be the availability of a set of basic elements , including text and actor , location, etc, which integrates supply Fimnha many pictures innovative bearing the meaning of the play and expressive about events Moreover, they reveal perceptions director has within its vision directorial. The theater does not integrates her address the language only , but there must be interaction with the elements of image formation and play between the receiver which reacts with the show visually and acoustically. That 's the play is not the only visual shape , but the relationships are visual, auditory, visual relations that are among the elements of theater itself. Since it does not form a picture of the real substance of which its constituent elements and these elements interfere with each other to be the aesthetic image with signs and symbols of working to attract the attention of the recipient and stimulate his imagination dislodged.The study included four chapters - : Chapter One : The methodological framework contained , which included the research problem and the need for , and the importance of research and research objectives and the limits of the search, specify the terms. The research problem has emerged to ask a question the researcher is trying to answer it ( What 's building mechanisms and transformations to create a theater Is it fixed or variable ). The importance of this research lies in the identification of image - building mechanisms , functioning to be a theatrical presentation. The goal includes research to identify the image - building mechanism and formed in the theater.Chapter II : which included three sections : The first topic : the concept of the picture , which addresses how the emergence of the image and what the image and its impact on the receiver since primitive man to the present time and how to enter in the technical field.Section II : Mechanisms for image building , where he addressed this topic elements that work on the production 's theatrical and enrich the theater , and these elements are ( actor, theorist theater , lighting , costumes, makeup, music and sound effects , where she works all combined with each other to create a space special display and impress recipients and transfer the idea to them.Section III : 's variables in directorial directions , has included this section : First : the realistic trend in the stage directions : it provides a realistic picture of unknown to the receiver including raises surprised have had to rely on in this direction Representative in the transfer of feelings and emotions to the recipient to affect it attracted for theatrical display.Second : the natural trend in directing theater : where is this trend is an extreme extension of the trend as it moves the realistic fact to the recipient as it is non - delete or decoration as it was his goal to provide actually honestly Tam.Third : direction or the opposite direction of realism in theater directing : a trend that was intended to give priority to the shape and aesthetic values on the content of the work.Fourth : Expressive trend in theater directing : eat this trend provide a picture embodies the essence of things without paying attention to the external form has interested in filming the individual 's mind more than the facts of life , because the fact of man lies in the depths of the same sensory manifestations Ave.Fifth : the artistic direction ( art for art ) has been preached in this direction director Gordon Craig depends on where the two components : a. Representative body. B. Vacuum forming theater.Sixth : the epic trend in directing theater : where this trend has sought to transfer emotions from the podium to an audience that is provided in this direction of movement of events directly related to the problems of people to get them to the coup and rebellion against reality and change it.Then touched a researcher to previous studies , which focused on the subject of the picture , and then the researcher reached a set of indicators of the theoretical framework of the research in order to analyze the samples and tested.The third chapter : (procedures ) with double two.First : research methodology , with the adoption of the descriptive and analytical approach.Second : discuss the samples that have been selected are intentional and subjected to analysis according to indicators that have been out of the theoretical framework and the samples consisted of three performances of a number of directors.1. Ice play.2. Play a secret session.3. Play reindeer mortarThe fourth quarter included result : Then came the conclusions of the researcher and then came the recommendations of the researcher stressed the importance of play and mechanisms that operate on its composition within the directorial trends and the need for the expansion of research and work out accompanied by a list of sources of research and a summary in English.

الاعتبارات الانتاجية والتغيير الشكلي في المنتج الصناعي المعاصر == The Considerations of Productivity And The Formal Change In The Modern Industrial Product

اسم المؤلف: اياس صلاح الدين حامد
اسم المشرف: هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This search deals with the study of (productivity considerations) as it is important to the industrial designers, and its scientific inherent importance in the development of the shapes of their products benefit that presents , The search consists of five chapters , The first chapter includes the research problem , ( what is the role of productivity considerations in determining the shape of the product ? ), the problem will be dealt by searching in the title of (productivity considerations and the change in shapes of the Modern industrial product) The importance of the research is to provide a clear picture, of the concept of productivity considerations and define its role in changing the shape of the product, The aim of this study is to Detected and limit the role of productivity considerations to change the shape of the industrial product.The outline of the this study is the productivity considerations before the design and manufacture of the product for Nikon products of digital cameras and photographs, which is available on the company's site in the international network (the Internet) raised in The second chapter, which contains the theoretical framework and previous studies which include three sections ; the first section is on the structural change by subtracting the causes and factors and the necessary requirements to change the shapeof the product, whereas in the second section represents detection and determine the productivity considerations and how to limit its role in changing the shape of the product, The third section shed light on the strategies used by industrial enterprises in changing the forms of its products in The framework of economic production , and the result of theoretical framework of indicators based on the basis of which the models analysis axes.The third chapter includes research methodology, descriptive analytical method , samples of analytical forms , Forms of information and the reasons for choosing sampling forms, while the fourth chapter consists pictures of samples which are five samples what analyzed according to themes derived from the theoretical framework, Chapter five the latest, includes the results extracted from the analysis samples , Conclusions , recommendations, proposals and beneficiaries, and the most important results are : - - The group who designed for , and competition between industrial enterprises has the role to determine the product form in all models.The main conclusions are : - - The diversification strategy includes most of the samples and , which many of them are variety in more than one level, For example, came chromatic diversity and diversity in this category at the formal level with the knowledge that the technical diversity has had a share is considerable in the diversification strategy. and The kind of group of peoplewho use the product, had a big part to limit the process of standardization , simplification type and miniaturization ,which is restricted in the samples that where determined for a class with a large number, which have ability to follow the changing forms , and the possibility of running multiple experiments with the product, while offset by the qualities of excellence and uniqueness in other samples that do not accept profiling and simplistic in their platforms

السمات الاثنوغرافية لاداء الممثل في العرض المسرح العراقي == Ethnographic Features of The Actor`S Performance In Iraqi Theatre

اسم المؤلف: منتصر مجيد ابراهيم
اسم المشرف: هيثم عبد الرزاق علي
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Ethnographic studies represent one of the scientific sources which grows from the art of theatre. it is due to the huge abilities of theatre in embodying life, expressing societies, revealing life nature by its precise details, and recognizing races and tribes, as well as embodying the décor and props of the place of the show. It finally comes the performance of the actor and the ways used to approach the character being played. The actor shapes the most important nerve in the show, especially as he guides the events and expresses actions through his emotions, gestures, costumes and accessories. So, it is the actor and his body, specifically, that is of great importance in conveying information and provides thoughts. So, out of this creative overlap between the art of theatre and the science of Ethnography, the researcher has identified his research title as : (Ethnographic Features of the Actor`s Performance in Iraqi Theatre). the researcher has divided his research into four chapters as follows : Chapter one includes The methodological framework as the following : ? The problem of the research which is defined by the following question : what are the ethnographic features of the actor`s performance in Iraqi theatre?? The importance of the research as well as the need for it, the aims and the limits of the research. The researcher also has defined the terms that has been used throughout the research.Chapter two includes the theoretical framework and the previous studies. The researcher has divided this chapter into three sections : Section one : Ethnography - the concept and the features : this section discusses the features and the concept of Ethnography - types and functions.Section two : Ethnographic datum in structuring the theatrical character : it discusses the ethnographic relationships with the elements of the theatrical show.Section three : Ethnographic Indications in the actor`s performance : the researcher discusses the nature of theatre indications and how they are functionalized in the show, particularly, the body of the actor.Then, the previous studies has been discussed and finally the researcher has reached for the indications of the theoretical framework and build them as indications for analyzing the sample.Chapter three includes the procedures of the research. Three Iraqi Plays are analyzed as being the samples : 1. Romeo and Juliet in Baghdad - prepared and directed by Munadil Dawud2. The Cobbler - written and directed by Akeel Mahdi3. Massoud`s Dream - prepared and directed by Eawatif NaeimChapter four includes the results and conclusions. it includes the results that the researcher has reached for through analyzing samples. It also includes the conclusions, recommendations, proposals, resources and references, and finally an abstract in English.

الرؤى الجمالية لنصب فنية مقترحة في مدينة بغداد : دراسة تحليلية تطبيقية == The Aesthetic Visions of Proposed Artistic Monuments In Baghdad City An Analytical Applied Study

اسم المؤلف: وليد عبد الله نوري البدري
اسم المشرف: جبار محمود حسين العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتبنى البحث فكرة اقتراح نماذج نصب فنية نحتية في مدينة بغداد لغرض تطويرها ونشر الذائقية الجمالية اذ تعد هذه الدراسة التطبيقية من الدراسات البكر والمتفردة والرائدة في هذا المجال. فضلا عن ذلك احتواء هذه الدراسة لرؤى جمالية يقوم بها الباحث عن هذه النماذج | The research adopts the idea of proposing examples of artistic sculptural monuments in Baghdad City for the purpose of developing them and spread the aesthetic taste for this applied school is considered as one of the early, individual and leading studies in this domain, as well as this study contains aesthetic visions for the researcher about these proposed monument examples, giving them an academic merit in method and application. The study consists of four chapters. The first chapter includes the methodological aspect represented by the research problem, its significance, its necessity, its aims and the definition of terms. While the second chapter includes the theoretical framework consisting of the following sections : 1 - The artistic monuments in the world, the attitudes and styles. 2 - Beauty and its vision in the contemporary formation. The third chapter came dedicated to the research procedures and the analysis of its sample, while the fourth chapter is concerned with the research results, the most important of which are : 1. The aesthetic visions of the suggested monuments in Baghdad City were unconventional visions and characterized with contemporary, innovation and individualism. 2. The examples of the research sample bear an Iraqi cultural contemporary identity with contemporary aesthetic visions in terms of new sculptural formation as cited in all sample examples. 3. The suggested sample examples as artistic monuments in Baghdad City came mostly inspiring the Iraqi cultural heritage. 4. The research sample examples as artistic monuments in Baghdad City reflected the sculptor researcher's ability and his high technical and performing skills as cited in all sample examples.

درامية التاريخ في نصوص المسرح الاحتفالي == Dramatic History In The Texts of The Festive Theater

اسم المؤلف: حسام عبد الستار عبد االجبار
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: رافقت الاحتفالية فن المسرح منذ عهد الاغريق، وذلك عن طريق ا الطقوس الراقصة التي كانت تؤديها الجوقة,، كما ظهر في وطننا العربي ما سمي بالجماعات المسرحية العربية التي تهدف جاهدة الى ايجاد هوية مميزه لمسرحنا العربي , ينقسم البحث الموسوم (درامية التاريخ في نصو | Find divided marked ((dramatic history in the texts of the festive theater)) Allier four chapters, the first chapter includes a methodological framework through research problem and the need for and importance, research, and purpose, and its limits, and then determine the terms . As the second chapter has included the theoretical framework of the research component of the three sections, the first entitled (the concept of drama in the theater ceremonial), which dealt with the evolution and emergence of the start of the celebration theater in various Arab countries and foreign while eating second section titled (relationship history in the drama), includes this section Ttoreddrama through the ages and the extent of the impact of history began with "eras of the Greeks to the Romans to the Middle Ages from the Arabs and then move to the third section is titled (the aesthetics of history in the drama) contains the philosophy department of the philosophers in the art and the extent of their relationship to the evolution of art A third chapter (research procedures) research community, who identified within the time period of the year (1970 to 2013), and research samples chosen way intentionality, namely, (a play shrines Abu Ward) authored just Kazem and directed by Ibrahim Jalal, and (theatrical nights Sumerian) authored a nice Dulaimi, and (a play on the Tour of Abu Othman yesterday now) written by Dr. Zuhair Kazem. Rely researcher descriptive analytical method for the analysis of specimens based on the texts of the play. The fourth chapter dealt with the search results, discussion and conclusions, and then recommendations, and proposals, and then the list of sources and references, and a list of supplements, and finally abstract in English

السمات الاعلانية في الرسم العراقي المعاصر

اسم المؤلف: عادل كريم عبد العالي
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الخصائص الشكلية للفضاءات الداخلية للكنائس والمساجد : دراسة مقارنة == Morphological Characteristics of The Interior Spaces of Churches And Mosques (Comparative Study)

اسم المؤلف: اياد طارق نجم عبود الدليمي
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ملخص البحثتتشكل الفضاءات الداخلية للكنائس والمساجد من عناصر تصميمية تحمل في بنيتها الشكلية الظاهرة خصائص ذات قيم ادائية وجمالية تحمل في ثناياها الكامنة قيما اعتبارية ذات خصائص روحية فكرية وعقائدية تكون دافعا وعاملا اساسا في تشكيل الخصائص الشكلية الظاهر | Formed interior spaces of churches and mosques of design elements bear in its formal phenomenon properties with values of advanced functionality and aesthetic carries with it the inherent values of corporate characteristics intellectual and ideological be a motivation and a factor based on the formation of formal qualities phenomenon, and in doing so has the form of a motive for the formulation of the research problem of the following : (What are the formal qualities of the interior spaces of churches and mosques?). Hence research aims to develop a knowledge based cares to reveal the variables that affect the morphological characteristics of the elements of the internal spaces of churches and mosques, and through them we hope to achieve the following goals : 1. detection secured performative and aesthetic and expressive elements in the formal interiors of churches and mosques. 2. to identify the morphological characteristics of the variables and find the similarities and differences between them in the interior spaces of churches and mosques. The importance of research through its product intellectual means to study the morphological characteristics and variables in the internal spaces of churches and mosques. It included the theoretical framework of the two sections, the first dealing with it Heritage properties similar to the formal trappings of churches and mosques, as well as the concept of the characteristics and concepts of churches and mosques. The second section has been dealt with by the formal qualities of the various churches and mosques. As has resulted thereafter theoretical framework for a set of indicators which have been used to build a form for analysis comprised two main pillars : 1. formal qualities similar to the decorative inner space between the Performing and aesthetic. 2. morphological characteristics of various decorative elements in accordance with the formal expressive. In doing so it has adopted a descriptive approach in the process of analyzing the four models were selected as intention of the research community. It resulted in the analysis process on a number of conclusions, including : 1. is the internal spaces of churches and mosques, according to the system being expressive environment addresses the conscience of users, manifested within Astrsal Madrkatena sensual to the world of the divine spirit of worship within the projections symbolic and interpretive vision to promote the ideal of absolute heavenly. 2. accreditation bodies engineering regular and irregular, which lead to the organization of the movement to show the status of consensus and harmony in the interior spaces of churches and mosques decorative shapes between anthropomorphism and products related to the style of movement toward the tracks to generate visual drag the case within the determinants of decorative spaces. 3. use the balance of the distribution of structural elements of the design of the forms and motifs that include overlapping relationship is the balance of colors in terms of value, intensity and balance in terms of geometric shapes and inversion symmetry and structural shapes in terms of the overlap in the form of vertical and horizontal determinants Interior spaces of churches and mosques are formed of design elements carry in its formal phenomenon with advanced functionality values and aesthetic properties carries with it inherent valuable legal personality with intellectual and ideological spiritual characteristics be a motivation factor mainly in the formation of the formal properties of the phenomenon, and in doing so has the form of a motive for the formulation of the research problem of the following (What are the formal characteristics of the internal spaces of churches and mosques?).Hence the research aims to develop knowledge base cares to reveal variables that affect the morphological characteristics of the elements of the interior spaces of churches and mosques, and which can be used to achieve the following : 1. disclosure of content, performance and aesthetic and expressive elements of formal interior spaces of churches and mosques.2. identify morphological characteristics of the internal spaces of the variables by finding similarities and differences between the churches and mosques.The importance of research through its product intellectual means to study morphological characteristics and variables in the interior spaces of churches and mosques.The theoretical framework of two sections included, the first part, it dealt with the heritage of the formal characteristics similar to the trappings of churches and mosques, as well as the concept of morphological characteristics of churches and mosques. The second section has dealt with different morphological characteristics between churches and mosques.The theoretical framework has resulted in a set of indicators which have been used to build form for analysis included two main pillars : 1. morphological characteristics similar to inner space between the body and aesthetic performance.2. different morphological characteristics according to the formal elements of expressionism.Through it adopted a descriptive approach in four models were selected from the community is my intention to search the analysis process.The analysis resulted in process on a number of conclusions, including : 1. The interior spaces of churches and mosques, according to the system being expressive environment addresses the conscience of users, to manifest within Astrsal sensory Madrkatena to the world of the divine spirit of worship within the projection symbolic and interpretive vision to promote the ideal of absolute heavenly.2. Adoption of regular and irregular design bodies that lead to the organization of the movement to show the compatibility and harmony in the interior spaces of churches and mosques case between decorative shapes anthropomorphism and products related to the style of movement toward the tracks to generate the case of visual attractions within the determinants of the internal spaces.3. Use the distribution of structural balance of the elements of the design of forms and motifs that include overlapping relationship is the color balance in terms of value, intensity and balance forms design in terms of symmetry and inversion and structural shapes, from where they overlap in the form of vertical and horizontal determinants.On the basis of the findings of the study findings and conclusions. The researcher to submit a design models (my design proposal) the similarity and difference of churches and mosques, is extracted through scientific and cognitive theories associated with the formal study of the decorative features (performing and aesthetic) for interior design.

التنوع العلامي في بنائية الملصق المعاصر == Diversity of Signs In Constructivism Contemporary Poster

اسم المؤلف: ثامر حميد رزوقي
اسم المشرف: شيماء كامل داخل الوائلي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Sign represented a kind of visual language immemorially , which has been long drawn by the old man to express those Moot memory that he has stockpiled for the assets around him exceeded the net assets of around. So he began painted on the walls of caves and has added and deleted portions of the forms previously that its product mentally to give her a tangible dimension and could be the core that merged emotions and feelings, yet over Ages and keep up with environmental changes need to visual language has become an urgent need to document the humanitarian implications as a way to linguistic transfer and document the concepts of civilized several were the interim necessities which manages the changes of events of the most important reasons for this finding language that participated with one goal which is to express ,With the advent of the Industrial Revolution multiplicity of trade exchanges between the peoples and to understand the nature of the products and discrimination issuers of goods and what to use andunderstand the purpose of the acquisition, the mark grew as a means of tariff, and the passage of time and the widening amid the economic environment, which is the prime mover of all that happened and is happening from social and cultural variables, it was necessary for this language to grow and grow to include other areas of life and wide The means of communication that evolve gradually according to a major role in the spread of this visual language, which included formations in the form of countless natural assets and innovative forms of time And considered the intellectual propositions of different types and orientations that are competing in the shortcut receiving time and install the meanings to be delivered to the public reeducates, fast and effective and productive manner as a kind of language which is based in the mark approach contributes to the detection and patterns of expressive implications. And this language is in an existing design on which the communication act, and in the poster is a diversity in the use of these marks one of the main factors that contribute to the interpretation and the interpretation of the hidden connotations with it by holding a series of intellectual and objective factors, the main supporter of the requirement for ad idea. That diversity in the media contributes to design posters to highlight the good and meaningful ideas, as it is an attempt to overcome the prevailing function poster concepts without dropping the social trends of the individual recipient, as well as, this task can it achieve its goals by relying on technical expertise and awareness and to go beyond the limits of art forms and move it to the substantive terms of innovation, which can grow to the growth of the idea within the artistic process The diversity of the mark in the label would be listed from interpretive reading of no compromise biography tells the other features a capacity of its surroundings and the multiplicity of readings So the researcher found a possibility to raise the following questions, and scope to identify the problem of the current search : How can the diversity of marks be shown in the structure of a poster?. he current study is designed into three main chapters, the first includes the problem, aims and definitions of the study. As well as suggested designated models that can illustrate the meaning of the diversity of marks in designing a poster. The study is limited to study the diversity of marks in designing a modern poster as a subject, the posters of the exhibition ( world without violence ) as a special limit and the academic year of the study was (2014).The second chapter of the theoretical framework as it was divided into three sections, the first dealt with the diversity of marks and designing as a concept and approach through the study of diversity of technical and objective dimensions and diversity of an idea and the relationship between unity and diversity. The second topic touched upon the concept of the mark and its nutrients , divisions and their implications and the mechanism selected, composition and factors affected in functioning and exposing tosemantics of those marks and their symbolic dimensions, and the third section was dedicated to the study of structural poster and included the design structure and types and levels of properties achieved, and also structural poster and its objective aspects and its typographic and graphic elements, and the study indicators relating to the ethics of jurisdiction, including : There is no communication by signs without the presence of a poembehind the act of communication and without the presence of creativity or without the presence of synthesis of signs, as the good mark urge to communicate, being considered compromise a vector for the experiences and the culture of a community man - portable inside as cultural connotations..Conversions in the structure of the poster arise from the inside through the forms and spaces of color in them and interacting broadcast interpretive biography that will change the mental image formed by the individual and the creation of an area of broadcast interpreted formula sings advertising message..Marked poster is a way to pay public poignant and expressive and developer of consciousness and have the ability to create ranges of interpretation and enjoy through the implications of what it has of connotations and the ability to blow up new ideas moving towards the overall bias for creativity... And the third chapter include identifying research methodology or procedures to choose the descriptive approach, a chapter on the structural analysis of the signs of mechanisms, then the researcher analyzing search patterns and number (18) a model in the fourth quarter to reach a number of findings. Invoking the mark in the poster to my design a system that has the ability to represent the reality of inhumane retained by a designer to create a structural formula Tagged interact with him, as the structural mark value embodied in the label, according to the formal structurebased approach in the embodiment of intellectual given... Alternate levels, according to the structural analysis of the forms that have been functioned and design a system that is used by the designerand according to the nature of the reality of interim necessities and needed to be embodied, representation iconic or the indicative or symbolic.. The researcher concluded : that embodies some diversity methods the mark resulting from the diversity of formal and chromatography in the implicit and motor and mutual and closed space with the rule of one or more elements and their interaction with fixed and non - fixed elements, in placed and the idea of the poster as well as the selection and production of brand, controlled by environmental factors and community prevailing addition to the psychological factor and cultural heritage and trends interim ruling, as the researcher developed the foundations of design to achieve the second goal.. Then the researcher presented a set of recommendations including : pay attention to what result his brand interaction through the issue with the rest of the labelcomponents with interest in the subject basic idea, and attention element sovereign of the mark in the label because of its role in attracting attention and shorten the reception time, and take care side of the drama of the mark and its role in moving the feelings of the recipient, and focus on the objective aspects experienced by modern man of societal changes and political challenges and security and social in the framework of its environment and the embodiment of its implications technically a way that makes a poster of the importance of graphical directly pose the kind of language that translates it faces daily problems and challenges. The researcher has also drawn a set of proposals, including : .1. Studying the manifesting implementation and selection of the mark in the mark design methods. .2. Studying brand structure in the mark and its role in fomenting the recipient.3..Studying deliberative mark in the poster..Then inflicted Find a list of sources and supplements related to the study.. English abstract..

التعالقات الوجودية مع نحت الحداثة : دراسة في التحول الاسلوبي == The Existentialist Relatedness With Modernism Sculpture (A Study In Style Conversion

اسم المؤلف: عبد الله فوزي خورشيد
اسم المشرف: مامون سلمان فارس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انبثقت الوجودية من الواقع الانساني وحياته الماساوية التي يعيشها بعد حروب وصراعات وفوضى ودمار وخراب في المجتمعات الغربية ولاسيما اوروبا , حيث اصبح الانسان يعيش حالات من قلق وخوف ورعب بسبب الازمات التي مرت بها تلك المجتمعات , فضلا عما يجتاح الانسان من ا | The existentialism has been ensued from the human reality and deteriorated miserable life definitely after wars , struggles , chaos , destruction and sabotages in the western societies especially Europe. The human under such down - to - earth circumstances lives in worry, fear and awe owing to crises these societies passed through; besides, the human beings have been swept by self - narrowness and life - disdain that would be ended with inevitable death. The existentialism has interacted with these conditions and situations as to fulfill freedom of a human; the existentialism became prevailing over in the societies ,definitely in Europe and western world and even in Arab Home Land where we find it very effective and interactive in its arts ,literatures and its philosophers including (Abdul Rahman Badawi) who declares his existentialism , while he was proud of that. The existentialist thought embodied in disdaining the existentialism completely and nothingness of human, besides ,worry embedded deeply into the selfness begets fears and absolute freedoms for human - self as well. Owing to what have been mentioned above , it has been appeared triviality and rejection all laws and holies that rule the human and confirming segregation ensued from Alienation and self - separation where human lives. Thus the research sets off as to search for the necessity of digging deeply into effects implanted by existentialism unto plastic modernized architected productions. The present paper includes four chapters , the chapter one includes general frame of research and that includes problem of research to know causes and motifs that being relied on the existentialist thought and after that , accomplishing existentialist sculptured works concerning with the disdain of existentialism , nothingness and worry in addition to the freedom selection, alienation and segregation in a modernized period. Then it comes the importance and goal of research owing to rarity of studies and scientific researches about existentialism into sculpturing modernism and trying unfold intellectual concerns along with its method conversion effecting hugely on the modernized artistic movement ,especially the sculpture. The chapter one ends with specifying some terms concerning with the title of the thesis. The chapter two incudes theoretic framework for the research , it includes four parts , the 1st part comes under the title (( Phenomenology thought) AND ITS ( Existentialist Thought) , it means searching for references of existentialist thought inn the ancient philosophy, then going to conception of outward appearance since its first establishment for knowing bases of this controversial term. After that uncovering the existentialist thought concern and its methodology quoted from outward appearance. The 2nd part includes the existentialist thought ( institutions )by knowing the prominent philosophers who have been considered as founders for this thought. Then moving to the bases as to achieve its goals and such bases are ( nothingness , worry, freedom ,selection and alienation). The 3rd part includes intellectual and technical reflection of existentialism into forming modernism; this part deals with the modernized movement passing through plastic works expressing about the existentialist thought via bases the existentialism depends upon. The chapter two ends with the four parts including ( style conversion into forming the modernism concerned with existentialism). This part deals with the method and artistic conversions occurred within the artists of modernized period by analyzing most prominent works concerning with the existentialism. The chapter third represents procedures of research including analyzing descriptive method and research sample consisting of 20 modernized sculptured works arranged chronically , then tools of analysis the researcher has depended on are as follows : 1. When the modernized sculptured text expresses about the human's internal life starting from his body to small parts ;the text is consistent to the existentialist thought. 2. When nothingness and sensing the inevitable end ( death) in any text ,that means this text is existentialist thought.3. Alienation and segregation calls depended on by the text means merely transparent calls of existentialism declaring alienation.Then ,the research has got data and accurate and correct information from books , magazines and artistic works. The research has moved to analyze the samples by describing them superficially and analyzing them existentially based on results of existentialist thought in sculptured text selected by the researcher accurately. The chapter four includes results of the research and they are very expressive about the goals of the research : 1. Existentialist intertextuakity centered the modernized sculpture represented into the human body in respect to its individuality generally and its deteriorated existentialism specifically. 2. The creative results of existentialist have been described as to be liberated from( what is holy and subject to law); the creative existentialist text is considered a liberated text depending on the always - rejection method and being liberated from all shackles.3. Cry gestures into face ensued from human selfness are no more than a vision declaring existentialism between the sculpture and thought. Then, the research moves to a set of conclusions : 1. The existentialism is a human philosophy since it is basically depended on individuality of human along with his sense of his pains and self - deterioration. Thus it is focused on selfness of human as an individual to perform and form a meaning for his life. 2. The existentialism with modernism sculpture together with its existentialist analyses has been considered as an important factor into works of modernized periods via aspects represented in existentialist bases. By end , the researcher has submitted a set of recommendations and suggestions ; he has presented supplement including a set of artists together with their artistic biography as getting scientific and academic benefit for the students and researchers in future, then a list of references and abstract in English.

التراكب الصوري ودلالاته الايقونية في تصاميم الاقمشة النسائية == Image Overlapping And Its Iconic Connotation In Designing Women'S Fabrics

اسم المؤلف: الهام طاهر حسين معله السعيدي
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تصنف الصور الى فئات زمنية تاريخيه مثل الصور القديمة المرسومة والصور الحديثة وهذا التصنيف ليس مجرد نظام للتصنيف الزمني وانما هو تصنيف لصور واضحة ومتميزة من نمط التصوير والاسلوب , وعليه فان هذه الصور التي تغرينا بسحرها ماوصلت الينا الا نتيجة مراحل طويلة من | Images are sorted into historical time categories such as the ancient and the modern image, and this classification is not just a system of time classification ,but it is classified for clear and distinguished image of picturing and style pattern, thus these images that are tempting us of their charm which do not reach us, but as a result of long stages of thinking , production and transformation, the human proceeding considered a textile of diversified developments in their expressions and connotation, and the man proceeding was coincide with continues growth of the image opulence, and the optical heritage along the human history, and the process of seeing theses images and re - presenting this vision being represented as a process via which something replaced another thing or denoted to it as alternative, it was accompanying the man since ancient times with the development of time, the beginning of the digital image with the initial drawings covered the cave walls, then the drawings included in compiles and manuscripts and with the invention of lenses and discovering the picturing opinion embodied at last in the forms of image or what is called at that time the photography, and with the advancement of time, the overlapping of image has become one of the advanced arts via involving the image in the printing world and has become indispensible element and with the appearance of the digital processing, subsequently, the image has started in the printing world and has become element in which the image has transformed into creative work working in the scope of digital processing, subsequently the image has proceeded another trend, working via iconic connotation working in the field of fabrics amongst the women's fabrics, and it is the basic via which the research is moving which is determined with the following question : Does the photographic overlapping and its iconic connotation has effective role in designing the women's fabrics that realized its esthetic and functional dimensions ?The research has contributed via its importance as follow : - 1. It could contribute in detecting the photographic overlapping and its iconic connotation in designing the women's fabrics.2. It could contributed in developing the design performance for the fabrics designers especially in aspects of preparing the idea and generating design subjects raised the Iraqi design level both in form and content.3. It could shedding light on realizing the scientific and artistic utility for the learners and those interested in the design and technical field in the technical and technological colleges and institutes in the specialization ( fabrics design). The research is seeking for realizing the following objectives : 1. Detecting the photo graphic overlapping and its iconic connotation in designing the women's fabrics.2. Set design suggestions in which the photographic overlapping mechanism is mobilized in designing the women's fabrics.The dimensions of the research represented in" designing the women's fabrics which bear design of photographic overlapping of its iconic connotation of( Turkish and Chinese) origin available in the local markets for Baghdad city within the period from 2013 - 2014" The second chapter includes theoretical frame consisted of three categories, the first one displayed the imagegraphic iconic of the image and its role in designing the women's fabrics, and the third category discussed the artistic , appearance ,executive technology and the digital processing in designing the women's fabrics, and then extracting the most important indicators from which the theoretical frame produced followed by the previous studies and discussing them. The procedures of the research was specified within the third chapter via adopting the descriptive approach to analysis the sample models amounted(95) design models, from which excluded(47) design model, being similar and repeated in showing the design content and the color variables which do not realize consistence with the Iraqi society environment, and the remaining was(48) represented the sample of the original research, upon this the selection of the model deliberately of percentage(25%) where the number of the model(12) design models distributed due to the country of origin and the technical appearance. And the instruments of the research have arranged, represented by a form of pivots analysis, depending on the indications of theoretical frame, thus they are arranged by the researcher with the aid of the supervisor, and approved by a number of experts upon which the analyzing of the sample model was done, then obtaining its stability and also analyzing the sample models of the research in the chapter according to the pivot of the form, as for the forth chapter which included the results, and the conclusions the researcher has realized , and most distinguished of them are : 1. The iconic connotations which are considered of the design necessities that are indispensible in designing the women's fabrics being of expressive and esthetic energy and its relation could be controlled to reach more effective results.2. The iconic connotation in the image and its relation with each other especially the color and the space relation with the form ,frame and framing relation, concise, concentration and the perspective.And the chapter it self included the recommendations and suggestions, besides the Arabic and foreign sources, appendixes, abstract, the front page in English language.

الاستعارة الايقونية ودورها في تعزيز الخطاب الاتصالي للمنجز الطباعي == The Iconic Borrowing And Its Role In Enhancing The Communicative Discourse of The Printed Achievement

اسم المؤلف: هدى علي لفتة
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The printing achieved works is regarded as one of the artistic variations with functional and aesthetic considerations as it is a means of communication that is active and addresses the audience. As a result of that the means of expression varied for the designer. Perhaps one of the most important mechanisms of adaptation is the resort to the created and the renovated media in the printing design through the borrowing of form that are not familiar within other contexts to obtainpredetermined intellectual contents.Hence comes idea of the study. Chapter One includes the problem of study represented in the following question : What is the role of iconic borrowing in enhancing the communicative discourse of the printed achievement? Then the justifications of the study that is : 1. It contributes to the manifestation of the communicative idea between the designer and the receiver through depending on the iconic borrowing. 2. The possibility of contribution of scientific knowledge which the designers need in the designing field. The researcher then determined her objectives in knowing the role of iconic borrowing in enhancing the communicative discourse of the printed achievement. The limits of the study included the posters of ads published in the websites whereas the time limit is from 2010 to 2015. The researcher includes the following terms (iconic, borrowing, iconic borrowing, communicative discourse). Chapter Two tackles the theoretical framework including three inquiries that concentrates on the first inquiry on (borrowing and the methods of design form), the second is about (iconic and their suggestive indications), the third includes (the iconic borrowing in communicative discourse). Then the indicators of the theoretical framework which is one of the means of the building of the analysis form. Chapter is devoted to the study of the procedures of the study depending on the descriptive approach for the purpose ofanalysis and then determine by (%10) and the tool of the study which wasprepared for that purposeChapter Four includes the findings of the study like : 1. The iconic borrowing is an important means of the achievement of many designing means like the ascertain of meaning and the greater possibility of achieving more suggestion.2. The designing idea is distinguished by depending on the principle of double communicative discoursebetween the direct and the indirect as in the sample (1, 2, 3, 5, 7, 8, 9, 11, 16) and the indirect as in the models (4,6,10,12,13,14,15) through the rhetoric images that refer to other meaning. Thus they found the idea of communicative discourse with the recipient concenteringthe product advertised on.The researcher comes up with important results life : 1. The invention of new form (creative) which is represented by the iconic borrowing leading to the achievement of expressive force within the sensational realization into a potential expressive unit that leads to attractiveness, excitement, and attention. Therefore, it enhancing the communicative discourse of the printed achievement.2. The variety of the sources of iconic borrowing which contributes to the making of communicative discourse, The researcher comes up with some suggestions and recommendations and then a list of the references.

العولمة والهوية المحلية في تصاميم الاقمشة النسائية الحديثة == Globalization And Local Identity In Modern Fabrics Designs For Women

اسم المؤلف: الاء عادل علوان الشمري
اسم المشرف: رجاء سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد العولمة مرحلة تحول كبيرة في تاريخ الشعوب فقد الغت الحضارات وداخلت بين العادات والتقاليد واثرت على الهوية المحلية للبلدان برزت تلك التاثيرات في مختلف جوانب الحياة وقد برزت بشكل كبير في الفن وفي التصميم وتصميم الاقمشة بشكل خاص لانه ميدان مفتوح وفن تطبي | The Globalization concider a hug dange gap in the people's world because it conceded civilizations and get's between the traditions, and effectual on the local identity of contains, and that influenced on the different sides life, and it append very clean on the art, design fabrics in specialty because an open field of applied art takes from what's around like a material, and may he that put up very need on the woman's fabrics, as the woman focus more than anther on the style in general, and the proof at this the fashion world focus on the woman's category an it's design, and because of the physiology and sociology nature at the woman, the diversification enters in a very hug. Way in design fabrics, so that the researcher is diseasing this subject through this research that named under this title "the globalization and the local identity in woman design fabrics" wonders in the effect of the globalization and the local identity at fabrics design specially in fabrics fashion? And was that effect results of natural respected historical sequence; or it fabrics and it move, towards acertain direction to make some aims in a regular prior of time? And the research aims on know the globalization effects and morphological variables of the local identity in modaren fabrics design, and the practical woman fabrics on the years 2013 - 2014 and than it classified three terminology which is (globalization , the local identity the modern fabrics design), the researcher put procedural definition for every term, and that what's chapter one count air in this research which is contains from four chapters.Chapter two contains the theoretical side, and it includes three researches, the first one contains the globalization diffaritian and it's history, while the second research is about to contain the globalization culture and it's effectance on the disting ideality, and the theard research contains the effect of globalization in clanging the shop of the deign identity., and that the research studies the most import things in the theoretical farm directions and the researcher couldn't got any previose researches. Chapter three contains the tachrical part of the research though the researcher used the descriptive approachfor the purpose of analysis, and the research sogty contains from 60 sample speaidzd by the fabrics at the gbblized mind, and (12) sample were tesed by pick point style, and in 20% present in total socity research, and the test been diosien according to what is useful to the research aims. While the research tool was an analysis form acceding to the scientific method to again it's scientific stand and than I analyzed the samples and disscussal and the research after that got those results and coucultions when it written in chapter four, and some of the most important things from are : 1. The elements med to tai the ship and space element where the ship turns to configurations usually depends on the decoration or stripping the human vocabulary or the animal vocabulary to a photographical image in usually.2. The phenomerion of breaking balances and taking the assymatry balance, and also sorareigntg over the nest elemats to make the globizatior farm, and also the frequent random repeat append so much in the design unit wit it's repeat in fourth repeat, weather we can use it's other repeats like rendition of projective quartet or half or the braes. 3. The globization phinomana have two forms goes beyond it's way, the first one is the world steam and all what is guide from the transmission project design vocabulary and ideas, symbols, and the second one is political globluzation steam that is aims to put down the local identity.4. Dimension graphical emarfed carries it's belongs identify to forign sicrtios in a way it describes it's calture and political sumbuls and comuity. and it shows how to make use of some local and Arabian symbols in the woman's fashion fabrics. And besides chapter four contains also the pillars and the recommardeations and proposals along side with the suggested design make by the research made by the computer and it's ( ) suggested design.

الانساق التصميمية في الفضاءات الداخلية الملحقة بالملاعب الرياضية == Design Patterns In Interior Spaces Attached To Sports Playgrounds

اسم المؤلف: اسمى عبد الحميد عبد المهدي
اسم المشرف: بدريا محمد حسن فرج
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد تناول موضوعة الملاعب الرياضية موضوعا حيويا ومهما لما يقدمه من جوانب فكرية وثقافية واقتصادية للبلد المقام فيه, ونظرا لما يمثله هذا الصرح الذي يعد حاليا ليس مجرد مبنى رياضي يخدم اغراض اللعبة فقط, وانما يمثل نقطة استقطاب الدول وكلما كان التصميم خلاق ويجس | The sport stadiums subject is an important and vital subject because of the intellectual, cultural and economic aspects that it offers for the country which it held in. As to this edifice and what it represent which consider not only a sport building for just playing, but it also represent a polarization point for other countries and as much this design is creative and embodies certain idea represented by a certain figure that symbolize the country where the stadium is built mingled with the technical creation in a harmonious way with the internal and outer view and the content with exterior of the stadium. As a result the subject of the soccer international stadium is submitted by the searcher because of the mentioned reasons and it limited by the interior spaces that is expansion the stadium with other expansion spaces “ Athletes’ changing clothes room and it expansions” Depending on the design features of stadiums; build up including the expansion spaces. These features are different according to the differences of designers and architects who devoted their practical, engineering and designed potential to put design scheme for a stadium complies with all conditions and approved specification by FIFA to compatible with the stadium exterior which has special identity an belong to the country culture. It also should be modern and technical just like other stadiums in other countries. As a result the searcher submitted this subject “The Designed Layouts of interior expansion spaces of stadiums” The research consists of four chapters : 1. Chapter 1 : The methodological framework that included the research problem that crystallized by the following questions : Q : Are there specific design patterns specialized in the nature of formative system in organizing the attached spaces to the international athletics’ stadiums? And to which degree it is connected to the systematic performance to the mentioned spaces, in addition to its role in insure a positive psychological behavior by the athletes? While the research objective : To detect the systematic design patterns in the interior spaces attached to athletics stadiums, and its fittingness to its users from the performance perspectives and the variable formatives linked to Aesthetic and expressive sides. The importance of the of this study appeared in its participating in providing information with a new system that depends on scientific and artistic bases clarifies a special evidence for the values that express the identity of the spaces that is the theme of this study. And it also represents an added study to the athletics stadiums supported by a diagram to the designing patterns, and use a special expression to the interior spaces attached to the international athletics stadiums, which is what the subjective limits for this study has represented. While the spatial and temporal limits specified to the spaces (specialized to the athletes) in Iraq and parts of the world for the years (2012 - 2014), in addition to specifying the terms included with the study title to get executive definitions as outcomes. 2. Chapter 2 : Include the previous studying. Discussions and the theoretical framework. This chapter divided into three main parts. a. Part 1 : Focus on “concept of the layout and its relations with interior design”. b. Part 2 : Include “The layout and its formal regulations in interior spaces” c. Part 3 : ” Invest the layout’s standards in the expansion spaces of stadium”.The results of theoretical framework some indictors that depends on them in analysis the research models form3. Chapter 3 : Consist of research procedures and its methodology where it depends on defining the method in analysis. It chose 3 models from the whole research, in purpose, for studying and it depends on the analysis of form aspects, point the level that achieve these aspects, in addition to describe and analysis the research models 4. Chapter 4 : Included the outcomes and conclusions that have been reached to in this study : 1. No color coordination in such vital space to athletes as it is the only space specified for them that offers comfort and psychological motivation which affects their performance. And this have not been achieved in two study samples, while has been achieved in one study sample only. 2. There were no designing patterns whether they were functional or graphical specified to this space for its many functional characterization as (holding lectures, planning for games, break times after playing… act) this was achieved in one study sample. 3. The shortage of the indicative meanings that represent the meaning of such a space, like the nature of space organizing and its lake to the necessary requirements that relates to the training and all other important activities), this has been achieved in the first study sample only. Also, chapter four included the theoretical designing foundations, designing suggestions and recommendations, beneficiaries of this study, and a list of the resources and appendix.

النظم السريالية في الخزف البريطاني المعاصر == Surrealism System In British Contemporary Pottery

اسم المؤلف: احمد عودة نايف
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Surrealism appeared as literary and artistic movement from very beginning of the year 1924 which disclosed of the first statement by Andria Briton who was regarded as the inheritor of the movement. It used some of its techniques , besides its affected with roots that established for this movement.Therefore the characteristics of this movement were regarded that it did not practice mental control due to the absence of actual sense.Also conceive aesthetic and moral aspects in far away embodying from as familiar one and different from reality , besides its affect with Fraud modern school and what Fraud discuss about dream, dreams and psychological analysis which allow the Surrealism to for expression about information of their artistic experiences according to visions and directions reflect by its concept and characteristics that tend to gather between the reality and below reality.Confirming upon reflex hallucinations and delirium which was regarded by the Surrealism like wake up process resulted from imagination of the artist who has special presence and works ,. Therefore the Surrealism when it call for destruction of criteria and classic traditions , it aimed at creativity and more developed frameworks. By criticizing the reality and leaves awareness and reflex feeling ,it is related to that movement Founded by the inevitable shake in artistic trends.The renewal of logical system rather than others of philosophy and contemporary artistic trends ; therefore we found that Surrealism nowadays increased its importance and earnestness as in other contemporary arts and trends to understand our new world. Surrealism as term has passed the stage where it was rejected by the earnest critics who regards itfunny ,now it is one of the most great modern artistic and intellectualmovement in which its thoughts affected distinctly at many artists in modernization period and then.Accordingly the researcher specialized the first chapter to explain the problem of the research and what is the stylistic systems in contemporary British pottery ,then define the importance of the research and necessity of such researches in order to know new styles in Surrealism art which has clear vision embodied in contemporary British pottery ,then the limitation of the research which was represented in : - Objective limit in Surrealism , criticism theories and new philosophy , starting point and references of contemporary British pottery. - Time limit in contemporary British pottery ; from 1970 - 2014. - The spatial limit : the machinery of operation in execution of pottery production in the country of the study - British besides specifying the terminology in the research titleThe researcher displaying theoretical intellectual and philosophy frame in the first category identifying the Surrealism formation and its changes in fine art post modernism the roots impact in the general structure in the Surrealism formation and what generated of works incarnated in Mesopotamia and presenting the text in symbolic structure, besides the pharos arts and what they presented of creek arts of analyzing processes and structure in the human and animal body also the art productions(Jerome Bush) which Surrealism sustained a lot of their characteristics which impact clearly and effective in modern Surrealism art and the second category in Surrealism and its transformations in modernism formations and after it which influenced by Existentialism and the physiologicalCanalyzing school especially Freudian thought and intellectual analyzing presented by Friedrich Nietzsche depended by Surrealism as fine art and its theories theoretically entirely and the third category disclose the starting and references and the Surrealism systems in British pottery which effected directly in develop and advance of British pottery leads to broad uses Surrealism - oriented confirmed by the modern period artists in their incarnation of the pottery product which the researcher depended in his research based on indications from which theoretical frame as a tool of analyzing the sample.As for the third chapter represented by the research procedures as follow : - The research community and its sample, then the research approach in which the research sample within the research community for the British potters according to time limit ( 1970 - 2014) and the sample was chosen deliberately consisted of eighteen pottery works and disclose justifications and method of analyzing the sample and the researcher depended the descriptive analytical approach for its consistence with trends, and visions of the immediate research depended on indications of theoretical frame mentioned in P.( 115 - 117)In the forth the researcher achieved the research results reached via them to disclose the Surrealism systems disclosed by pottery works represented by sample analyses and reached conclusions and suggestions then list of Arabic and Foreign sources and references lists and abstract in English language.

تقنيات النحت العراقي فـي المهجر == Iraqi Sculpting Techniques In The Diaspora

اسم المؤلف: بسام عباس كشاش الحسيني
اسم المشرف: عامر خليل ناصر الشجيري
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: الفن ظاهره او شكل من اشكال النشاط الاجتماعي رافق الانسان منذ بداياته الاولى في صراعه الوجودي, فالفن ضرورة انسانيه , اذ لا يوجد مجتمع واحد او حتى فرد واحد استطاع ان يستغني عن الفن بكل شكل من اشكاله , فقد كان الفن بديلا للحياة ووسيله لايجاد التوازن بين ال | Art phenomenon or a form of social activity of human accompanied since its early beginnings in his struggle existential, Art is the need for humanitarian, as there is no one community or even a single individual was able to dispense with art in all of its forms, the art was a substitute for life and a way to find a balance between human and the world in which they live, have a prominent impact on the advancement and progress of humanity through history.Therefore, the Diaspora them impact and attendance in the arena of Fine Arab and European art and in the establishment of an Iraqi document to the ancient artistic heritage and the language of contemporary able to communicate with the West and the world of modern art. It boils down to current research in the study of (Iraqi sculpture techniques in the Diaspora).Search of four chapters consisted eating a researcher at the side of the first chapter was presented the problem of systematic research, which summarized the following question : 1. Is there an impact of migration on the Iraqi sculpture in the Diaspora?The first quarter also included its importance and the need for him and the goal of the research and the limits of research and identify and define the terms and represents the aim of the research : Ptaraf.... Iraqi sculpture techniques in the Diaspora.Its boundaries marked by temporally years also included the period between (1980 - 2010) m and spatially Vaguetsrt on the Iraqi sculptural works, which was completed by sculptors expatriate Iraqis outside Iraq's borders, while the second chapter dealt with the theoretical framework, which contains three sections : First topic : the researcher eating Alazaarah and technical aspects and their relationship to the art of sculpture, divided into several areas : • technical aspects and their relationship to the elements of sculpture.• sculpture and art.The second section dealt with immigration causes and motives, divided into several areas : • Immigration• Diaspora• political factor• economic factor• social workerWhile the third section of technical development in the art of eating postmodern divided into two axes : • pave the idea of evolution.• The most important technical proposals in the arts of postmodernism.The third chapter majored in research procedures, a research community and the research sample and methodology of the research and analysis of the sample, which included sixteen analysis in accordance with sculpture by two works Nhtin each sculptor's eight sculptors.Chapter IV has included the search results. And a number of findings of the researcher : 1. Use Nhato Diaspora traditional raw materials in the implementation of most of their carvings.2. Odv some Nhato Diaspora assembly and installation technology through the use of different materials (iron, wood, Bras, Plex Klaas, cloth, leaves, silver) as one of the contemporary techniques through which they could sculptor to produce works of art with aesthetic and expressive value.3. Deliberately sculptor Ali Al Jabri to the use of modern technologies and make them as light penalty complement the work of art.4. Baptized some Nhato Diaspora to use light reflections technique as a result of the surface of the artwork refine refined model.5. Deliberately sculptor Iyad Qaraghouli technique (laser) in the completion of works of art from being a recent sculpture techniques to teaching them high precision and vitality.Find also included a set of conclusions as well as the list of sources and supplements..... and summary in English.
1 ... 144 145 146 147 148 ... 179