اسم المؤلف:
محمد علوان كاظم العتبي
اسم المشرف:
عبد الحميد فاضل البياتي
المستخلص:
This study intends for plastic creations which belongs to the civilization for two Rivers Land , and entitled "The dramatic features which are represented in the sculptures of Two Rivers Land ". It is a perusal to the protruding sculptures and the cylindrical stamps in attempt to know the dramatic structure they contained , through which the artist of the Two Rivers established plastic images change by their meanings the oratorical to imitate the human action and its religious , political and social connections by describing them as intellectual concepts, their methodology is the brain of the Two Rivers since the semi - writing age until the decline of modern Babylon, The study included a discussion of the dramatic construction elements and the mechanism of their working in the sculptures with regard to their formal and conceptual symmetries. The study included four chapters, the first chapter contained the methodical frame of the study , starting with the problem ended with the following inquiry : How were the dramatic features represented in the sculptures of Two Rivers Land ? The study is important because it highlights the dimensions of drama a concept by describing them as an aesthetic structure controls in a gestation of Two Rivers Land sculptor, which forms a new perusal to the sculptural texts which belong to that age with its historical sequences. The study also paves the way for larger understanding of Two Rivers culture in its artistic and historical aspects. The purpose of the study summarizes in coming to know the dramatic features represented in the sculptures of Two Rivers Land. The chapter also included the limits of the study represented ( by subject ) in the sculptural , protruding product and the cylindrical stamps , and ( by place ) the Two Rivers Land , and ( by time ) from the semi - writing age till the end of the modern Babylon age. Moreover , the researcher defined the terms of the title of the study used in the theoretical frame and the procedures , when on the other hand , the second chapter included the theoretical frame and the previous studies of the research, for it included three basic studies , the first took an interest in the drama concept and its rise, in which the researcher reviewed a preface about the rise of drama and the elements of the dramatic structure ( the plot, personality , language, the idea and the visualizations ) , in addition to the historical roots of the rise of drama in the plastic arts and their changes through the ages. The second research was entitled " The dramatic features in the thought of the Two Rivers Land " which branches into two axes , the first " The dramatic features in the religious thought ( the beliefs, rites and legends ), the second axis included the dramatic features in the authoritative thought , through which the researcher reviewed the dramatic ceremonies concern the ownership and its religious connections. The title of the third research was " The dramatic features in arts of Two Rivers Land " , which tackled the dramatic works in the plastic arts ( building , sculpture , cylindrical stamps , crockery and the mural ). The third chapter was based on the procedural frame contained the whole study , included the sculptures of the Two Rivers Land ( the protruding and cylindrical stamps ) which come to ( 120 ) samples , regarded as an establishing base to choose the study specimen which comes to ( 20 ) samples , and were choose intentionally according to reasons allowed by the researcher to comply with the study purpose, among them , depending on the texts in which the dramatic features concentrated within their formal and conceptual systems which drive at the realization of the dramatic structure which was contained in the sculptures of the Two Rivers Land. The researcher also depended on the cognitive indicators which were revealed by the theoretical frame as an instrument for research , but the research methodology is the ( descriptive, analytic ) as the followed methodology in the artistic and aesthetic studies followed by analyzing samples of the study specimen. The fourth chapter was a review of the most important results which were reached by the researcher after analyzing the sculptural samples represented the study specimen , the most important among them was : The dramatic features become clear in the sculptural texts through treating the dramatic structure elements by the artist. The researcher reviewed the approaches of those elements and the mechanism of their working in the samples mentioned in the analysis and the dramatic action rise in the specimen samples through the concept of ( the struggle ) which materializes in the sculptural views according to the action structure and its subject, where it reflects the human behavior structure and the wills contradiction in the content of the dramatic performance and in the light of those results , the researcher reaches several deductions , the most important among them are : the Two Rivers Land artist had a large capacity in observing and comprehension the reality and in imitation it , in addition to his awareness to his awareness to the intellectual changes through the history of that civilization , therefore , the sculptural works came to embody the cultural scene and its development in every age , followed by recommendations which the researcher thinks can serve and develop the artistic production movement in Iraq, then the researcher offer some suggestions to continue what he has started according to what he has raised of topics in the tour of his study. Finally , the researcher put the sources and the references which contributed in the theoretical establishment of the study and what followed it , in analyzing of the study specimen , then he put the appendixes which contained the illustrative tables regarding to the subject of the study , until the study is concluded by an abstract in English language.
