First pages:

قراءة الصورة الاعلانية على وفق الاتجاهات النقدية المعاصرة == Reading of Ad - Image According To The Contemporary Critical Trends

Author name: نضال مهذول محمد الطائي

Supervisor name: خليل ابراهيم حسن الواسطي

General topic: Fine Arts

Specific topic: Typographic Design

Degree: Doctorate

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: The research seeks to study of Ad - Image as a given which links with the lighting of areas of communicative significance according to the critical reading of contemporary actress modernity and beyond… Where adopted reading direction structural descended concept within the design work in determining the structure of the text as a system, a (structural) thus provides a model in the analysis, and that this form originated in the curricula of contemporary linguistics. Has on the perception of structural linguistics possible that that will be useful in the study of phenomena, including the images on the grounds that they account for our attention and breathtaking Pope, which acts as sites for the production of meaning and representation. As confirmed in a text read on his promise on a closed system has the same rules of procedure and told him that His profit. It is a system lies not in the order of the elements in the network, but the relations between them and it was a focus on infrastructure, which we explore in which the system according to internal analysis, and the importance of relationships and the underlying pattern in the picture. And then came propositions postmodern from the terms of reference of modernity in critical structural terms of film criticism and effectiveness in reading design work (Ad - Image ) and based on the two entrances first means to establishment and the second reading of the description and detection down to the inner depths so as to sentencing, and this is what a breeze (verb critical ) and the two areas, the first to understand and to involve the other, and the second assessment in accordance with the measure assumed. It falls within the circle of mental assumption (of the image ad) a work of art.. and according to film critic goes beyond description and analysis assumes another dimension according to the founding of the given sensuous, where clear cinematic landmarks to indicate according to the theme of linguistic logic signal or significance. When searching in the application is embodied within the concept of communicative triangle limbs (the message sender and the receiver) and moving this process based on the awareness of compatible between forming and between receiving. He defined the position of communicative Pierce (b reference, subject, meaning) and the form of the concept of (Pierce) mark. Which fall under three types (code, signal, Aliqona) and receiving here to sign is a place in the aesthetic value of the formation, which is open to readings forward to the new insights frame for levels up to the type of space semantic which raises the interpretation and makes it (receiver) center in the movement pattern artistic aesthetic. Then comes the arguments of cash clastic and read the most contentious part of the proposals of the monetary contemporary, as it supports the principle of the weakness of the text and disintegrated down to the Imam the well core embedded in it that on one side, and by two other text comes out in drafting mold and volatility in the method which is not subject artwork in which to dominance Law or the influence of the style of openness and difference and the difference in the formulation of the Foundation is to generate aesthetic within disassembly. Thus we find the aesthetics of reception are subject to the concept of the public to the impact strength inherent in image advertising as a given, specific stylistic expression and out of the ordinary in the formulation of meanings and connotations and receive operation here shared between the work and the receiver and (taste aesthetic), which is the climate in which reimburse these taste or those. Accordingly, the recipient may be divided into three levels : the recipient is simple and recipients can reproduce the text and the recipient is as much on a new formulation affect the recipients of another type I and II. This whole process is leading to read the text according to the determinants of exegesis and interpretation of specific obsolete interpreter and the possibility of drafting an aesthetic according to a given sensory, and this is confirmed by the theory of interpretation on the identification of a brilliant concept associated with the image to read the ad. And it was determined the importance of research, which included a specific problem reading the image ad, In accordance with the trends of contemporary criticism. And the importance of, and the objectives and limits and define terms.The second chapter (theoretical framework) has included four topics meant to read the ad's criticism of contemporary trends according to each of structuralism and semiotics and deconstruction, and reception and interpretation.Is then extracted indicators that resulted from the theoretical framework as a scientific researcher reported them in its procedures and evaluate the way in analyzing the content of the samples. This is what has been discussed in the third chapter, a separate research procedures.Either search tool that will that was designed form analytical critique includes several axes, perhaps honest experts for the purpose of adoption in the analysis, where the analysis of the samples and then discussed on the basis of axes form. The fourth quarter has included the most important findings of the analysis, including : 1. That reading according to the trends of the contemporary monetary image ad referred to the concept of systems in relations significance disciplined and removed in accordance with the pre - selectors. And systems within the grasp formed depends on the specialized expertise in the design merits of the phenomenon.2. Reading according to the trends of contemporary criticism reflected a change in the concept of function equations merits of the ad images as a symbol of the state of mind.3. The facts in all formats semantic image ad unbearable to read meaning, one such directly through the visible face of the incident, or through its located in the apparent shape, and the second reading because of hidden facts that exercise selection for possible semantic units.4. Image advertising according to the theory disassembly open in a speech linguistic agreed on the future without prior controls where the power of the audience to turn to enriching the absence of potential significance, due to system variation. As an indication that the differences are numerous, he frees a difference in the receiver of the specified reference to evoke the image of advertising and leaves him the option to evoke or reference to float its own, and that the existence of a difference between the partial (signifier and signified) and (meaning and reference).5. Image advertising according to established contemporary reading of the structure of power in the map of thought which aims to break the concerned central existential images in advertising as a commercial presence infinity.6. Image advertising impression formed in drafting the formal frameworks are determined to get out from the mold or pessimism in the method or stylistic difference to announce this industry and the difference in the elements and compounds involved in the structure of the image advertising.

الفرضيات التصميمية المستقبلية في ضوء الحاجات الانسانية المعاصرة == Future Design Assumptions In The Light of Contemporary Humanitarian Needs

Author name: قيس والي عباس

Supervisor name: شيماء عبد الجبار حميد العبيدي

General topic: Fine Arts

Specific topic: Industrial Design

Degree: Doctorate

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: The research track of this study entitled (Future design Hypotheses in the light of contemporary humanitarian needs) Classified within the field of future studies in industrial products, this study has focused on explanation relations codes between contemporary technology, particularly nanotechnology and its correspondence, and refers their impact on the growth and development of the humanitarian needs, and the implications of this in the design ideology in future, which contributes to the framing of the relationship between the producer and the consumer requirements in a scientific framework that can achieve the following objectives of the study : 1. Determine the nature of the relationship between technological developments represented nanotechnology, and its implications in the evolution of contemporary humanitarian needs.2. Establish futuristic design assumptions in light of what mechanisms imposed by the evolution of the contemporary humanitarian needs as a result of employing contemporary technology (nanotechnology) in the field of product design until 2025.The researcher follows a number of procedures in order to reach these goals, including : 1.Access to literature and research and studies on topics related to the theme of research, including prospective studies and generally converging technology with an emphasis on nanotechnology, as well as the contemporary concept of humanitarian needs and the mechanisms of evolution and the most prominent theories that touched it.2. electronically Interviewing with the people and institutions that have a relationship theme of the research, including the Georgia Institute of Technology and the Ford Motor Company for the automotive industry and GE in the United States, to get closely acquainted with the relationships between these institutions and mechanisms for cooperation among themselves to meet the humanitarian needs in their products.3.Closely identification the systems and modern technologies employed in the Ford Motor Company products in 2013, by visiting the company's branch in the province of Erbil / Iraq and the experience of these cars and the impact of these technologies and systems to achieve the requirements of the contemporary man.4.Based on what resulted in the theoretical framework of indicators has been formulated axes form of analysis and presented to a panel of experts for the purposes of consistency and honesty sample was analyzed in the light of the final image of the form after taking remarks experts.The study came out a set of findings and conclusions, including : 1. Nanotechnology and its correspondence represent, a new horizon for the start of a serious and radical solutions to the requirements of environmental and human needs, which is a strategic approach to product design companies in general and industrial companies design and produce cars in particular.2.Involving the idea of contemporary design of industrial products to leave the idea of quantitative and move production to a comprehensive diversification by investing optimized for data converging technology, particularly nanotechnology, and this idea is based on the introduction of a variety of products to match the different needs and requirements and taste of rights.3. Raw materials and production of new materials and the development of specifications is one of the most prominent nanotechnology and data that have direct implications in meeting the humanitarian needs in check principle of durability, safety and efficiency in performance, as well as their implications in the levels of function and beauty in industrial products.4. The contemporary humanitarian needs considered as a main axis focus in the development of industrial products, through the investment of technological and technical data directly and indirectly as a tripartite this (product, technology and user needs) continuous loop interactive and constantly evolving.Based on what is stated in the theoretical framework and indicators and the findings and conclusions of the research sample analysis, the researcher to develop a design for the design hypotheses cars until 2025, including : 1. Involves the horizon future use of nanotechnology for space innovative and wide as a result encountered with the technology of artificial intelligence, is seeking to complete the construction of system leadership self, through increasing the number of parts that rely on sensors and Automated Systems, so will be completed in this time period indicators for the completion of a new system called the optional command system.2. We will be in front of a real and practical quest touch for the way best suited to address the reduction of fuel consumption to the minimum limits, as well as to ask for alternatives of clean energy and investing in a competitor for traditional energy, which will remain at the top of the pyramid in the foreseeable future term.3. We will be facing a new concept of aesthetic values in the cars is in the quality of paint smartphone user which allows the user to change color according to his desire during times of the day, as we will be in front of building formality could involve some morphological changes at the level of the reflected at the level of the whole

قيم التكوين الدرامية في العرض المسرحي العراقي == The Dramatic Values of The Composition In The Iraqi Play Productions

Author name: نمير رشيد بيري

Supervisor name: سامي عبد الحميد نوري

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: يختص هذا البحث بمسالة تصميم القيم الدرامية _ العقلية والعاطفية والجمالية _ للتكوينات البصرية في العرض المسرحي العراقي، ويهدف الى الكشف عن تلك القيم على وفق عناصر التشكيل وعوامل التكوين البصري.وفي الفصل الثاني يستعرض الباحث ويناقش الادبيات ذات | The problem of this research is depended on designing the visual compositions of the play productions in Iraqi Theatre. It aims to reveal the intellectual , the emotional , and the aesthetic values of the compositions through the plastic elements and the factors of emphasis , stability , coherence , sequence , and balance. In the second chapter the researcher reviews the literature concerning the subject which include the plastic elements and their values and the factors of composition and their values. The chapter also discusses the dramatic values inthe play productions. In chapter three , the researcher analysizes three samples according to the method of ( concept analysis) with the tool of several photographs for the different scenes of the three Iraqi plays and their visual compositions. The researcher reaches to the following conclusions : 1.The first production was presented in the openspace - Cafeteria which has not allowed to design significant visual composition while the other two productions were presented in box stages which allowed for good amounts of Visual compositions. 2. The dramatic values in the compositions emerge from the actors bodies , their costumes , and their positions on the stage other than from the scenery and lighting. 3. The power and authority were the dominant intellectual Values , whereas the fear and coldness were the dominant emotional Values. the esthetic Values emerge from the colors of costumes , décor , and Lighting. The researcher observers that the play directors have not so careful in designing the visual compositions. The researcher suggests to adapt further studies concerning kinetic compositions and audiory compositions for their dramatic Values in play productions.

الفيلم الوثائقي واشكال تناول الواقع فنيا == Documentation Film And The Forms In Which Deal With Art Fact

Author name: كاظم مرشد سلوم

Supervisor name: صباح مهدي الموسوي

General topic: Fine Arts

Specific topic: Audio and Visual Arts

Degree: Master

University: University of Baghdad - College Of Fine Arts - Department Of Audio And Visual Arts

Language: Arabic

University location: Baghdad

First pages:

Abstract: يجمع الفيلم الوثائقي بين انهيار برج التجارة العالمي وبين طريق الحرير، بين تلوث البيئة وتاريخ الاسكندر المقدوني، بين الحرب العالمية الثانية وبين عالم الطيور، بين دب القطب الشمالي وبين عادات وطقوس الهنود الحمر، فمنذ بداية اكتشاف السينما، وهي بداية وثائقية | The documentary film collects between International trade tower and the Al - Hareer road , between the pollution of environment and the history of second world war , the science of birds. Between the north arctic bear and habits red Indians. It’s the documentation film.Since the beginning of cinema discovery , it’s the beginning of documentation , it's simple but excite in same time. because the population seen in the first the fact and all includes forms in front of movable picture. When the two brothers Lomer record daily the motion of worker in the factories while the rail reach to the station to develop the after that the documentation cinema in spite of the competition between them and the novelist cinema , so it's unequivalent competition for different causes. Where , it used while documented the wars and struggles in various fields. Especially in the first & second world war, there were many films produced to notify the role of military propaganda, up to reach the films of nature and geographic regions , show how does the organs life style, when entering the world of cultural and thought sides for societies. All of that done by deal with real facts , with art and creative form , as a result the reporter were documented most of the world events while the moment of occurrence. This research entitled the documentation film and the forms of dealing with fact fall in four chapters. The first one is methodological frame , conclude the introduction and thesis problem in which answer the following question (what is the features of documentation films for the fact art. The importance of the research. The Second chapter include the theoretical frame and the previous studies , in which divide in to three topics : First one for the truth philosophy and the documentation films , in which deal with the real and limits of subjective and bibliographic. While the third one discuss the beauty features of documentation films , where acquire from the beauty from the fact , or from the place in which the film.So, the applications engaged by the researcher to analysis the samples in which selected , as well the aim of the research. Also include the methodological depicted in the research , the reasons to select this style in addition to the research tool. The fourth chapter dedicated to extract the final results in which concluded also expose the most important results , further to recommendations so as for the literature reviews. The research no longer forget to list the used references in which adopted by the researcher , English language abstract also include.

عينات المجتمع الاصلي للبحث الموسوم بـ الشكل ودلالاته في الفخاريات والخزفيات البابلية والاغريقية : دراسة مقارنة == The Form And Its Significance In The Babylonian And Greek The Pottery And Ceramic

Author name: كريمة هاشم محمد البيضاني

Supervisor name: زينب كاظم صالح البياتي

General topic: Fine Arts

Specific topic: Porcelain

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: في البدء لابد لنا، ونحن نخوض في مضمار بحثنا الحالي من تحديد موضوع الشكل والدلالة وتعيين موضوعها المقصود في الفنون بصوره عامة والفنون التشكيلية والفخار والخزف منها على نحو خاص، ولابد من تحديد مفهوم الدلالة ومعرفتها لارتباطها بالاشكال ومضامينها من خلال التا | In the beginning, we should delve in the determination of the form, and the significance of our research and determining what is meant by arts in general and plastic arts, including ceramic, in particular. We should also determine the concept of significance and its correlation with form and content through the exchanging effect between the signifier and the signifies. This connection can be explained through the visual discourse, especially what is implicit in the metaphorical pressures and what they pressures produce like religious dictorine, mythological, social and political which the natural and civilized environment has produced for Babylon and Greek. The study tackles in this field the form and its significances in the Babylonian and Greek ceramic and pottery works. The study was limited to the Babylonian and Greek ceramic and pottery works of art, specifically the Babylonian ceramic and pottery of the two old periods (1595 - 2004 BC) and the Hittite period (627 - 601 BC) and the Greek ceramic and pottery in the century (1800 - 500 BC). The study includes four chapters which cover the determined objectives. It includes : Chapter One : the methodology frame of the study which is based on the problem of study that is represented in the achievement of the Babylonian and Greek ceramic and pottery artistes how the internal and external pressures has affected the understanding of the significance of meaning of the form system in the Babylonian and Greek civilization and the external pressures like the culture and regions and politics which contributed to the foundation of indicators that satisfy the form and its significances in the Babylonian and Greek ceramic and pottery works through the period of the study. In addition to that, the chapter includes the importance of the study and the need for it according to the direct items in nature. It is important to point out that the study includes previous studies because there is none. Chapter two includes the exposition of the theoretical frame in three inquiries : The first inquiry tackles the concept and meaning of the general concept of significance and then defining the significance philosophically and then describe then according to the formal concept (iconic, symbolic, referential). Then, the significance and its reading were applied. The second includes the referential and intellectual pressures in the plastic arts of Babylonia. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Babylonian pressures are also illustrated. The third inquiry tackles the referential and intellectual pressures in Plastic arts in Greece. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Greek pressures are also illustrated.In Chapter Three which illustrated the procedures of the study represented in how to detect the society and choose the sample, and the methods and tools for data collecting and analysis. In addition to that, the researcher prepared diagrams in which some of the significancs have been form and matching them. Finally, the community of the study through the sample of the study which includes 12 samples varied between the Babylonian and Greek ceramic and pottery works out of 180 Babylonian and Greek earthworks. They were purposefully chosen using the assistant specialized professors in the field of ancient pottery like Prof. Dr. Zuhair Sahib in addition to the assistance of Prof. Dr. Majid Na’fa Al - Kinani. In chapter four the study comes up the following findings of the study which can be summarized as following : * The significance of the forms in Babylonian and Greek ceramic and pottery works are clearly reflected through the realistic forms and the organizations which represented in iconic and symbolic forms. Also, we found some unrealistic forms like the compound and abstract forms to represent some forms with significance the ceramic and pottery works. * Some significance has come with purposes of completing the level of the colorful functions on the level of Babylonian and Greek forms. * Ceramic and pottery works revealed the inspiration of natural themes and effects on pressures through which can artistic tendencies. The analysis sample analysis of ceramic and pottery works resulted in approaches in the significances.Finally, the most important conclusions of the study are tackled and based on that the researcher put some of the recommendations and suggestions. Then, the study ended with a list of references and resources.

ابعاد الشكل الجديد في التصميم الكرافيكي المعاصر == The Dimensions of The New Form In Contemporary Graphic Design

Author name: لبيد مالك يو سف المطلبي

Supervisor name: اياد حسين عبد الله الحسيني

General topic: Fine Arts

Specific topic: Typographic Design

Degree: Doctorate

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: يسهم هذا البحث في مراجعة شاملة لمفاهيم مكررة؛ يستنسخ بعضها بعضا، في سياق شهد تحولات كبرى؛ في الجوانب المعرفية، والثقافية، والعلمية، ليسلط الضوء على الشكل التصميمي؛ نظامه، وسماته، ووسائطه، وتقنياته، وعلاقته بما يجاوره من فنون، وانظمة | The thesis tries to give a comprehensive revision of some repeated concepts, each imitates the other. However, the social context has witnessed great scientific and cultural changes. The study also sheds light on the forms, systems, concepts and features, mediums and technicalities of design. It shows the relation of the design form to other adjacent arts and other symbolical systems. This is to enable as to feel the extent to which the design responsive to the already mentioned highly important changes, as it assumes a new form. The aim is to understand the nature this newness as it reveals itself in forms of design.The most important question is this : As the need increases a way that never been, before has the design given up its artistic identity and as being an organic element of what is now known as the aesthetics of arts and not as being a guest to it, borrowing from then its outward appearance. Its core, however, relates to what we may call as the demands of marketing. This deference between the instrumental outward function and the internal aesthetic function is the problematic dialectics of the new form to which the thesis has tried to discuss and to lay down operative concepts of new graphic forms through noting and examining their various models.The thesis consists of four chapter;Chapter one deals with the scientific framework which deals with the problems of the study, its importance the need for it, its aims, and limitation as well defining the most recognized terms as I envisage them.Chapter two (the theoretical framework) consists of four sections. The first sections suggests the intellectual dimension which shows the history of the aesthetic thoughts which has emanated from the philosophic arena known as the aesthetics. It also discuss the aesthetic changes in the language of the form. The ultimate end is to arrive at the philosophy of forms on the basis of the ideal, materialist, existential and pragmatic perspectives. This topic ends with the hermeneutic theory and the openness of the meaning of design.The second section (the sociological dimension) discusses the metaphorical transformation in contemporary graphic design, the metaphorical system and the manifestation of the nous form, especially in color metaphor.The section also deals with the sematic sign to narrow the gap between the function of the form and its beauty. As for the third section (the functional dimension of the new form), its titles go as follows : The new form between realization and meditation; the deconstruction of functional design from which DE familiarization the exclusion.The fourth section [the technical dimension] discusses the description of the technicality as being a tool for history, knowledge and art. Describes the hedge among of the technicality on human life and sheds light on the technical act and the concept of the new form.The section also talks about the effectiveness of the technicality on design and its limited scope of influence not on the form, its practical area but also on its significance.The third chapter is set to analyze models representing various types of designs such as slogan, commercial, environmental instruction and educational (poster, advertisement, heads of magazines, and covers. this models consists of twenty eight ones.Chapter Four comes up with the conclusion of the study which are discussed in details. The chapter ends with deduction and recommendations for further study.

جماليات الرسوم المستوحاة من قصص الكتاب المقدس == Aesthetics Paintings Suggested From The Stories of The Holy Book

Author name: لميع نجيب موسى ال سقط

Supervisor name: عاصم عبد الامير الاعسم

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: The stories of the holy book and the way education image, shape, color, and does not seek the artist in his work to take out the features of the aesthetic, but also uses the aesthetics and plays a chord genius to arouse the passions of spiritual and stir the emotions underlying which, inventors faith in the heart of the viewer through religious text, which forwards it to the image Completed and optical, and thus something that causes feelings in the soul of the movement of faith in the heart of her scenes, and this is what it is keen artist or storyteller color that comes out of his portrait in the midst of weather technician transcends it to a state of spiritual insight.I have included this study, four chapters, the first chapter , a statement of the research problem and its importance and the need for it, and the aim of the research and its borders, and to identify the most important terms contained therein, has dealt with the aim of research known as the aesthetics of painting inspired by the stories of the holy book.The Chapter II included theoretical framework and previous studies, which included theoretical framework three sections the first section : the concept of beauty and image when Fathers of the Church, which he reviewed the researcher views of parents who strike depth of spirituality and had their philosophical vision and written for beauty and image. And ensure the second topic : the concept of the picture in the art Aldeames, and the war of images or icons. And ensure that the third section three axes, which included the first axis story from the Middle Ages to the Baroque, and the second axis assets shear in the holy book , and the third axis features aesthetic art Christian, has contained the third chapter on research procedures, the research community, the research sample, searchtool, the research methodology , and the analysis of the sample amounting to ( ) model. The fourth chapter evolved to include search results, conclusions, and recommendations, and proposals, and the most important findings of the researcher as follows : . Christ spoke parables which each story uttered to give comparisons based on simplicity, and a lot of analogies and images and to clarify very specific, so that helps the plot narrative or summary of the end of the parable in the understanding of spiritual truths, and use bywords from the ocean, some of nature directly and others social habits, for the delivery of spiritual reality, every such application gives spiritually for something familiar, as in the model ( , , , , ).. hire artist Christian symbols that carry a theme featured in the religious thought of the Christian, which contributed effectively to enrich the religious discourse connotations ideological such symbolic pregnancy, as in the model ( ), and the symbolism of the fish as in the model ( ), and symbolic aura circular as in the model ( and ), and the aura surrounding the body and head, as in the model ( ), and the aura in the form of the cross, as in the model ( ). The symbolism of the ball - and - stick model, as in ( ). And symbolic dirham and as in the model ( ).. showed the achievements visual inspired by the stories of the holy book that the viewing eye more uncertain and inflicted impact on belief, and that of comic possibility to rationalize events much more than reading and hearing that transmits events to it in the form of votes interpreted by the brain, turning it into an image changing and ephemeral, unlike the eye which turns images directly to the contents of certainty and clear and accurate, and that's what it seemed clear in most models.The researcher arrived conclusions, including : . relied artists throughout the centuries to giving Topics the holy book stories Testaments old and new, especially proverbs in most of their artwork, while the general topics less addressed, because the stories of the holy book - text literature that carry speech and significance, they represent system ideological aims publication of the Christian religion and the search for absolute truth and character of Jesus Christ , also served as a source of inspiration for artists who in turn follow up by the text of the plastic on the body of the painting.. painter Christian deal over the centuries through his artistic vision to the stories of the holy book in two directions : first eastern abstract art, because it rejects the diagnosis and fights the physical embodiment seeking to represent the Eastern Christian spirituality, icon , as in Syria, Iraq, Egypt and Byzantium. The second Western art depicts and embodies the objects and nature, as it seeks to represent the physical realism, such as statues and paintings of various technologies.. make the parents of the icon part of the ritual church (liturgy), it represents the expression of formal physical perspective on the one hand, on the other hand sense on the fact un known , has now become embodied in the picture, and see the picture makes the believer that looking at all the abilities saved to be understood and recognized, all of which are things want him back for a recall of colors during the announcement of Jesus Christ in the heavenly ilk. It is a non - listed historical events superficially, were written or church, but is basically a symbolic code which performs across the emphasis on aesthetic finality carries connotations of forms has become a distinctive character in the Christian religion.The search is over Arab

تداخل الاجناس الفنية في بنية التكوينات الخطية المعاصرة == Interpenetrate The Art Varieties In The Modren Structure Calligraphy Formation

Author name: لؤي نجم جرجيس امين البياتي

Supervisor name: عياض عبد الرحمن امين محمود الدوري

General topic: Fine Arts

Specific topic: Calligraphy and Decoration

Degree: Doctorate

University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section

Language: Arabic

University location: Baghdad

First pages:

Abstract: تعنى هذه الدراسة الموسومة بــ (تداخل الاجناس الفنية في بنية التكوينات الخطية المعاصرة) بالتساؤلات الاتية : 1. ما هي العوامل التي تحدد كيانية فن الخط العربي بوصفه عنصرا فنيا تشكيليلا ؟2. ما هي السمات التي تعطي فرصة لمنظومة التكوينات الخطية المعاصرة مسا | The wide opens of knowledge and inter penetrate achievements systems and their instruments and the down full the theory of the limits line between the varieties sorts of Artistic this subject puts on many complicated questions if they watched that it’s variety includes between it’s two one sides more than enther artistic Kinds , however it done by research confect rival and not ended trying into the fine disputes (struggles) about the structure form and the structure content and structure method (technique) and create the analogous by it’s beauty works and works on activation the Artistic achievement in it’s Same special kind As activation coalition and a harmony conscious analogy between many artistic billings (structures), according to the analysis theories and restructure by anew shaps to reach to the artistic invention for that the research’s problem represented by these questions : 1. Does the artistic of Arabic calligraphy structure some characters limitation of it’s nature by describing as artistic collection king?2. Are there another beauty artistic interpenetrate shaps into the formation of the modern structure Art?3. Does the out side from the establish of liberal and traditional gives an opportunity to the system after the modernize more spaces into the pavticipation.The research’s purpose into ansuer about all the quesitions which coming in the problem, so that the research restrict formation all kinds and which outlet on many different crudes and technicals whether on paper or clothes stons like buildings material as containers pottery soas adifferent writers to 2013 A.C.The theoretical side has these subjects : the unders too d(aspect) of interpenetrate varieties in formations or directions of structure disgn and the relation building between the artistic varieties (the relation of calligraphy and AL - Munamnamat, the (Calligraphy) structure letters relation with artistic build (architectural) The pretty up of calligraphy and homogeneity with the carried master piece The graphic Art and it’s interpenetrate withen the calligraphy formation, instead of the construction of the structure formation. The conditions forms (the construct of the modern) structure formation building, The technical construct, The borrowing in the structure sort , the elements of formation in the structure sort. The researcher followed by his procedures the Description analysis theory to reach to the some results to make iti purposes and resolve it’s own problem and complete chose the sample by intend way which they have the numbers of the samples into (15) from the totel numbers (134) shaps. and deter mination appliance (form) and presentation into the experiences to make sur that from it’s validity, and achieved to make the purposes this research is reaching to some results some of them : - 1. There is more than an element and interpenetrate system with the modern structure formation, there is (the shape system, the design system to face each other system, changeable system, and borrowing system.2. The technical character, it’s the type which marked by the sort of modern structure formation into majority artistic achievements which it’s own quality on basc like this kind.3. there is a clear to face each other and interpenetrate by the kinds the artistic collection with the modern structure formation sort. That will be a clear with the shapes systems and the ways of achievement by another kinds of collection especially at the modern artistic schools : and we can limitation the variety interpenetrate in the modern structure formation into : A. To face each other with the modern artistic carve.B. Interpenetrat the Art of design, pottery, Decoration and drawing with the structure variety.C. The interpenetrate the graphic Art and it’s own sensitive the structure variety.D. Face each other with the art of architecture and the monument.4. The modern calligraphy variety witnesses, Transformation from it’s ancient benefit, into the beauty shape and the relation with modern artistic collections.5. The modern calligraphy variety contain with the beauty valuable by done with interpenetrate out side and inside the spaces in the work. The space factor has a central and an effect work into the formation setup.The researcher rec0mmends, and to benefit from his recommendation and his expressions by confess a subject about the artistic interpenetrate varieties as a lesson or matrial for the higher studies and to directe the calligraphy writers students in the initial studies to produce the calligraphy working brojects to be the inter penetrectes more than one types from the Artistic variety and the researchers suggestion that to give a comparison studing between the modern calligraphy structure formation and the artistic collection with interpenetrate by achivements forming (fulfillment) and gives a study conception of the facing each other aspect aspect and borrowing and trans form in the modern calligraphy structure formation.

تنوع دلالات الاشكال المرئية في تصاميم الاعلان التجاري == The Diversity of Semantics Shapes Visual Designs In Commercial Advertising

Author name: ليلى علي رجب العبيدي

Supervisor name: هند محمد سحاب العاني

General topic: Fine Arts

Specific topic: Typographic Design

Degree: Master

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: يتميز الاعلان بانه قوة اقتصادية واجتماعية لايستهان بها ويعتمد نجاحه على قدرات المصمم الابداعية في توظيف عناصر التصميم بشكل ملفت للنظر يجذب المتلقي الى منتج قد لايكون بحاجة الى استهلاكه، ان اهم الاسباب التي دعت الى اختيار موضوع (تنوع دلالات الاشكال المرئية | Featuring announcement that economic power and social supports his success on the capabilities of designer creativity in the recruitment of design elements strikingly attracts the receiver to the product might not need to consumption, the most important reasons for choosing the subject (the diversity of semantics shapes visual designs in commercial advertising) is the ability of advertising to accommodate commercial designs with various connotations in visual formats, To give commercial advertising regeneration and dazzling ability to continue to acquire the attention of the receiver, who is under dozens of ads a day packed with ideas and images and connotations, but hotshot designer is able to implant the idea in the mind of the receiver to deliver a desired response from the entire advertising process. The search included a summary and four chapters, where the fact that the first chapter, the methodological framework of the research, which included the research problem represented by the following questions : 1 - The Semantic shows diversity in the visual forms only or whether the in the ad business?2 - How Semantic diversity arises through advertising formats across its design and progress of the sensory response and aesthetic towards fees or words in aboard commercial advertising, including advertising ensures speech affect the customer?The importance of research in being important addresses placed a semantic diversity of forms of visual designs in commercial advertising, as it is a point proceed in the field of advertising design and Learners in the Department of Graphic Design. In addition to the limits of temporal and spatial search, objectivity and research community goal of commercial advertisements in magazines and appointed Iraqi who represented the Iraqi network magazine advertising, then the researcher has identified search terms. The second chapter, which included three Investigation handled first section origins and evolution of commercial advertising any announcement date and stopovers on the most important stages undergone by the announcement from oral to written and evolution witnessed after the invention of printing, and new technologies and the impact of the spread of newspapers and magazines on a variety of designs The second part, the idea of design implications and dimensions in the Declaration traders have had placed significance in some detail cross - check ideas advertising, which represent the basic building block in the design, advertising through the shapes visible through (consistency, installation, mystery, clarity.) To form the meaning inherent behind the figure inIn this sense, design disclose the same result demonstrated icon and marks (iconography, symbolism, and indicative) reflects the appearance of the other meaning of her beauty functional verification, The third topic was the visual way and methods of design in commercial advertising, and was the first section talks about the formats of video and how organized according to the specific configuration and employ symbols written and image forms and types and logos in addition to employment chromatography and the rest of the elements (point, line, shape, space) according to the principles of design (unity and Diversity, General balance, repetition and rhythm, contrast, and sovereignty), which operate within a system architecture (focal length, radial, linear, synthesis, reticular, circular, random Speaking section to the methods directorial design mismatch image or cartoons or writing or combines more than style and all that in order to achieve the purposes of design to announce commercial next career and expressive and aesthetic, then the indicators that emerged from the researcher of the theoretical framework and previous studies that touched in one way or another study researcher then comes the third chapter which deals with procedures for research and analysis of the sample intentionality a group of ads in the Journal of the Iraqi network and discuss the results, which was the most important : system architecture (focal length, radial, linear, synthesis, reticular, circular, random Speaking section to the methods directorial design mismatch image or cartoons or writing or combines more than style and all that in order to achieve the purposes of design to announce commercial next career and expressive and aesthetic, then the indicators that emerged from the researcher of the theoretical framework and previous studies that touched in one way or another study researcher then comes the third chapter which deals with procedures for research and analysis of the sample intentionality a group of ads in the Journal of the Iraqi network and discuss the results, which was the most important : 1 - domination formalism based on the total area of occupancy Advertising exit conclusions, including that the semantic diversity does not respect the idea, method, or purpose, whether aesthetically or functionally, but that diversity holds in all the design process.2 - The perceived importance of the logo in advertising for each product being a commercial adds meaning and value of Advertising in the expression of his identity and a sign of trust between the consumer and the product.There were also recommendations for the researcher including : 3 - The designer uses label (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.4 - The designer uses the mark (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.Proposals5 - The designer uses the sign (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.

Author name: مرتضى حيدر عبود العبيدي

Supervisor name: نوال محسن علي

General topic: Fine Arts

Specific topic: Industrial Design

Degree: Master

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: بحثت الدراسة الموسومة بـ ( فاعلية الافراط في النظام التصميمي للمنتج الصناعي) في مشكلة عدم توفر اطار شامل يوضح مفهوم الافراط والجوانب المرتبطة به وامكانيات هذا المفهوم فيما يمكن ان يحدثه في بنية التصميم الصناعي اذا ما احسن استخدامه من قبل المصمم.ومن هذا | Tagged his research study (Excessiveness Efficiency of Designing System for Industrial Product) in the problem of the lack of a comprehensive framework illustrates the concept of excessive aspects associated with it and the possibilities of this concept can be wrought in industrial design structure if properly used by the designer.From this point the researcher found logical justification for the selection of the problem consideration and determined to answer the question the following : - 'What is excessive and its effectiveness in the system design of industrial products?The research aims to : - Identify excessive and effectiveness of the system in the industrial design of the product methodsThe importance of research to provide a clear picture of the concept of over - design the system and be a theory base can utilize them in practice to achieve the benefit of the individual and society.Find and Stmmelt limits studying industrial products characterized by excessive formalism, functional and technical aspects of furniture, equipment and tools for companies for the years (2014 to 2015)A search of four chapters included the first chapter of the research problem and its significance and purpose and its borders and determine the terms. The second chapter shall be from previous studies and theoretical framework and theoretical framework included three sections on the first section came under the concept of excessive at the same time ensure the second topic system and system design title while the third section displays mechanisms for achieving excessive industrial product. The third chapter included research procedures and methodology adopted researcher on the descriptive approach in the process of describing and analyzing the sample. Chapter IV has included the research and conclusions, recommendations and proposals results.The most important results : - 1. Check excessive formality in all the sample models and 100% through the use of the designer simple and obvious elements in the construction of the unit design in order to get to the simplicity of form design.2. Verify career excessive models (1.3, 4, 5.6) and by 83% due to the use of the designer of the concepts of (multi - enrichment and condensation career)3. shares that employ modern technology in achieving the over - technical models (3.4, 5) and by 50% the fact that these techniques have an active role in the performance and function design.One of the main conclusions are : - 1. Within the industrial designer in his designs over - design system format (formal, functional, and technical) to produce an industrial product is characterized by the beauty of the shape and the efficiency of job performance.2. Excessive career happened within the systems design in various formats including multifunctionality and job enrichment and job condensation, which as a whole has diversified performance and increased Mdyate focused than the number of jobs within the same segment without Atkhalkhal weakness in job performance.3. The technical innovations employed by the designer of industrial products increased within the ranges of functional performance thus achieving a high degree of satisfaction to the consumer through the technical possibilities and performance provided by the product.