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التكنولوجيا الحديثة والتحول الوظيفي في تصاميم الاقمشة والازياء == Modern Technology And The Functional Transformation of Fabric And Fashion Design

Author name: وسن خليل ابراهيم حسن
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The current study entitled (modern technology and the functional transformation in fabric and fashion design), addressed the issue of functional transformation in the design of fabrics and fashion as a result of the introduction of elements of advanced technology in the composition of Textile and fashion, which led to a shift in the functional forms included aspects dimensions multiple and variable climate applications and type of material used in the industry and the implementation of the fabrics.As it addressed the problem of the study researcher questionably was to the effect : Does the modern technological developments role in achieving a state of functional transition in fashion fabrics and design? The objectives of the study identified two goals, the first : is to identify the technological elements that were introduced to the design and fashion fabrics, which led to shifts in functional structure. And another : is to identify the kinds of transformations that have occurred in functional fabrics and fashion designs as a result of the entry of the technology. Has addressed a researcher at the board thesis topics related to minute to collect information about the aspects addressed by the study, as it focused attention in the first section of the Metn on the basic concepts of the technology, and disability - tech technology and the relationship of technology to science, and the centrality of technology in the design of textiles and fashion. In the second part, researcher dealt with all the technological advances that entered into the textile and fashion design elements changed the physical structure of synthetic and textile fabrics. In the third section, the researcher dealt function relationship and the relationship of technology transformation concept functional dimension of Fashion and Textiles, and identified the basic aspects of the design concepts that emanate from a recipe change and transformation and associated interest and benefit. The researcher also linked in this section of the aesthetic value of Textile and Fashion performative dimension to it, which is quite different from the formal dimension. In the third chapter, the researcher identified the research community Bntegat Yonsei University and NASA space science, because it's the guardian institutions that are meant to develop fabrics and fashion to advanced technological levels and provides jobs for mutant versions of the functions of traditional textiles and fashion. And then the researcher has analyzed the research community, and reached a number of findingsand conclusions of the most important : The most important results1. Had to use materials with sophisticated structures of the technological levels of its role in creating turnovers and in the design of functional models of the research community, through the adoption of innovative methods in the manufacture of new materials and methods to be employed to find jobs vary images contrast Employment and design.2. The shift in the functional nature of the research community models, in turn, led to a shift in the nature of aesthetic, stemming from a shift in how to receive judgment on the photo images of metamorphic fabric and fashion design.3. The nanotechnology, and specifically the possibility of hiring ores have the ability to sweat and odor treatment, as reported technology dimension of it in the design of fashion fabrics and be able to evaporation of sweat, and change to the other odors proportionate and emotional nature of the wearer. Which in turn, such as a shift in the nature of functional fabrics and fashion.One of the most important conclusions 1. The ability of modern technology to find materials and raw materials have the ability to perform new functions, and can be employed in the composition of textile fabrics for fashion, it stems from the evolution of scientific knowledge at the level of thought, design, and other disciplines which found its place an applied in the structure of the material, which was born prospects for employment Technology and the potential for large shift in functional formulas for fabrics and fashion designs. 2. That all investments technological dimensions of scientific and stylistic, were the result of the transformation of the concept of the need for humanity to another exceed spammers generally accepted methods of satisfying that need, and that was taken away material outward and inward in the structure of production design of fabrics and fashion, due to meet by one or more of the requirements of humanitarian need changing.3. The use of variables materials that originated from the evolution of scientific knowledge regarding nanotechnology forms and manifestations multiple, was the result of Thumbnail materials used in the manufacture of materials to Almqayas Nanaoa which has to utilize them in finding fabrics and costumes have the ability to manipulate the concept of environmental change or physical to the wearer, and these developments The result of the exploitation of cognitive development in the scientificstructure of different disciplines, which found her Ssaliba and modern techniques introduced in the compositional structure of fabrics and designs fas, which generated a remarkable transformation in her career form

البنى الارتكازية لفن التصميم الطباعي المعاصر == Infrastructures of Contemporary Graphic Design Art

Author name: دينا محمد عناد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The art of graphic design from more arts modernity which appeared beginnings in the nineteenth century and the evolution in the mid - twentieth century, the owner of this development a particular focus on the development of theories of knowledge, bring about the way the designer base model represents a built anchor, any (ground knowledge firmly) based upon The art of design, and can not be achieved without taking into account the design of these structures and aesthetic value to the success achieved by the design. Although the essence of the design idea is gaining value only the veracity of the results that can be achieved at the application level and then detect the role of the creative process, which is often coupled with the idea of design, construction and technical design meets the requirements of the message and influence in the receipt.Based on the foregoing, this study comes tagged (the infrastructure of contemporary graphic design art) to clarify the subject through the four seasons, which included the first chapter, which has been allocated to research methodology on the research problem identified by asking the following ((What are the key pillars upon which the art of graphic design as a theory ))? The objective of the study ((Essential for building the foundations of the theory of the art of contemporary graphic design)).It also included the importance of research and the limits of research as well as identifying terminology.The second chapter includes a theoretical framework and previous studies, they did not find the researcher taught by a previous study approach to the subject of current research in graphic design, so this study is considered the leading theme in graphic design.The theoretical framework has included four sections focuses First research on (a brief history of the graphic design art), and focused the second topic on the (Strategies graphic design) and ensure that the third section (Features theart of graphic design on according to the intellectual trends of contemporary), while the fourth section guarantees the (Modernity and postmodernism in graphic design). This has resulted in a theoretical framework on several indicators. The third chapter is devoted to research procedures as researcher followed the descriptive method and the method of content analysis for the purpose of monitoring phenomena. Means of objective critical analysis of each model separately, to reach accurate results. It ensures the research community a hundred and fifty (150) culturally poster technically universally contemporary publications on the international information network (Internet), countries (Germany, Holland, Switzerland, France, USA), which included the years (2004 - 2014) and due to the capacity of the research community, and the multiplicity specialties areas posters cultural art, arrogating the researcher exclusion of (100) poster depending on the way (not the probability of intentional) in the selection of research models, bringing the number of models of the sample (fifteen 15 culturally poster technically worldwide) Elected out of (50) Model for the purposes of analysis, (33%) of the research community overall, with three posters for each state. For the purpose of analyzing the sample form was designed to determine axes analysis, which was approved by experts and was based on the analysis of its clauses. And ensure that Chapter Four of this study was to review the results and conclusions for research, and the most important results : - Was to determine the infrastructure of the theory of the art of contemporary graphic design : - 1 - Reliance on cognitive theories, especially the new objectivity, which confirmed the technology and manufacturing processes and function. The purpose of design, and sobriety and strength in design and visual communication to mind.2 - Designer culture that rely on the construction of knowledge. 3 - Rely on innovation and artistic creativity to achieve the image of visualculture. 4 - Accrediting simplicity and abstraction and symbolism.5 - Employ modern technologies in order to serve the idea and content, to bring the power of visual communication and cognitive, by addressing the fonts and color values, and linking elements and styles of design to achieve movement and tensile visual, in order to serve the idea and secured to the success of the design work.6 - Recruiting employ methods of design elements and characteristics of intellectual and aesthetic, which is the language of design.7 - Verb match career with the formats for design aesthetic expression. 8 - Employ metaphor in the formal design built to achieve a synthesis based on visual discourse, bearing dimensions intellectual and aesthetic contribute to the understanding of the structure of the underlying design.The main conclusions of the research : - 1 - Activating the role of the recipient in the field of fiction and the future vision, and read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge, and to make it mainly in the construction of knowledge. 2 - Achieved a designer horizons and a new perspective in the presentation of design work, so as to break the traditional context, by relying on inspiration, a theories of artistic creativity and application of discovering the same fantasies and imaginative jets occur suddenly, to achieve the image of visual culture and linked to the contemporary.3 - Resulted in graphic design strategies to build a knowledge base, any emphasis on theoretical knowledge to work as a precedent Executive, to achieve the anchor structures, based on the culture of creativity and innovation, and to identify the strengths of the unique design of the building implementation approach and the development of future standards work.It is then incorporated the recommendations, including : 1 - Emphasis on activating the role of the recipient to read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge.2 - Introducing new systems design using a new method of connecting elements and coordination among them ensures the effectiveness of the design and achieve new and innovative formulas lead to a reaction force to provoke an implicit attract an audience.The research proposals : 1 - To conduct a study on the technological standard and its impact on contemporary designs.2 - Combination study of structures based on visual discourse in contemporary designs, printing and its impact on the receiver

الخيال العلمي والرؤى المستقبلية للمنتجات الصناعية == Science Fiction And Future Visions of Industrial Products

Author name: مصطفى محمد بركات
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:

المتغير الصوري في الفكر المعاصر وانعكاسه على التصميم الكرافيكي == The Variable of Picture In Contemporary Thought And Its Reflection On Graphic Design

Author name: شيماء عبد الجبار عبد الكريم السامرائي
Supervisor name: نعيم عباس حسن
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Image is the new language that all human languages are superior. Image worthy of contemplation and research as an industry controlled sector and a wide range of fields of science and knowledge and art. It has connotations and symbols, with meanings and a high value that makes it an instrument for active communication for technical changes to achieve beautiful, civilization, satisfactorily, communication role. It is major component indispensable, in new advertising media. Image dispense with a written speech or audible to change our reality and affect on our awareness and (self - optic) and attributes of our current dominance in the field of image continues to humans and take site of domination and sovereignty of the other elements and cultural tools in contemporary. The design of the arts that are related to the lives of individuals and the community for its services related to the development of artistic taste, through visual attraction and influence in the forum to promote the ideas of design and achieving goals. The design is particularly graphic of the most important types of designs of what constitutes direct contact or indirectly, intellectually, socially, politically and economically, the main function of through is reflected publish, through the design of the poster, magazine, newspaper, book, logo, trademarks, and the other. As well as the advertisement with its types. Current research explores the subject of the dummy variable in the contemporary through to reveal its effectiveness in design graphics which depends on the development and transforming to implement the idea. The hiring picture to form the audience and effectiveness in influencing for the purpose of culture specific image, and work to deepen the artistic culture, finding points of interest and a common understanding of the goals and effects the image on the forum and designed the structure of the first quarter, which contained are search problem, which formed are search problem : - 1 - Varied investments in the variables topics.2 - Focus on the structural aspects of the design in parts of design.3 - The pursuit of what is unfamiliar was important to identify users and workers in this area, important conceptual aspect to enrich knowledge and skills to design specialists graphic.Also we imputed the goal of the research according to (detection achieved intellectual contemporary picture of the variable and its reflection on the graphic design) for the other hand we limited the boarders of the research according to place, time, subject and limited the terms : image variable, contemporary thought, graphics design, the second part of research includes the theoretical framework of cognitive, which covered by the researcher with the following points : first topic, image relations in graphics design from the artistic vision for the image and the artistic affection for the image, the employmentpicture structurally and aesthetically pleasing and finally the image variable in the design structure.In the second topic the image variable in graphic designs from the philosophical concepts for the image variable and its effectiveness and formal configuration with image variety and optical configuration but the third topic, is graphic designs in contemporary thought from the intellectual theories and the variety in design finally the image reflection, with the indexes of theoretical framework in fact the third topic consists of the research procedures and the methodology of the research.The fourth topic contains an analysis and critique models and the last contains the poster with logo by eighteen model, lastly the conclusions of the research : 1 - The majority of samples depended on organizing a diverse tectonic from the figure, containing to achieve functional beautiful expressional side, from the other hand I embarked on a new path to achieve aesthetic that give rise to the forum and afford to link and meditate and tight attention with enriching the visual rhetoric by symbols, variety that was optical.2 - It was defected achieved intellectual for the image by many transformation and resources that are mental and optical under many meanings contrary to the image. After that it was considered as a variable achieves by effectiveness in a change for image. The contemporary thinking is renewed, evolution, and change.3 - Varied employment visual rhetoric in the variable of image rhetoric. (image, geometric, written) in the effectiveness which carries beautiful guides that required by function dimension.Finally the conclusions that are : 1 - The necessity to make many studies to show the importance of an image and the image variable and deepen in its role, affection in developing the sides like intellectual, artistic, cultural.2 - The necessity of knowledge of the rapid developments, in the world of the software which connected by contemporary graphic designs, and the techniques of communication and the role of greatest image in the advertising, and contemporary media.3 - Publish a magazine specialized scientific in the study of an image and its variables, in the contemporary thinking.4 - Seminars and the establishment of scientific sessions and artistic in the field of digital graphic designs.Then been indentified subsequent pages of references and appendices and display summaries in English.

التشاكل الحداثي في اساليب تصميم الاقمشة والازياء المعاصرة == Moderization Isotopie of Contemporary Fabrics & Fashion In Design Styles

Author name: هادي نفل
Supervisor name: رؤيا حميد ياسين
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: انشغلت الباحثة بشكل واسع في موضوع يعد من اهم الموضوعات المتعلقة بتصميم الاقمشة والازياء، هو التشاكل بوصفه فكرا حداثيا وظاهرة سيميولوجية تعمل على تنظيم المدركات العملية لاجزاء البنية التصميمية وتلخيصها بالجوهر الابداعي الذي تلتقي عنده الاجزاء لتكون غاية جم

جماليات المتكون التصميمي الرقمي وتطبيقاته في الاقمشة الحديثة == The Aesthetics of The Digital Design Component And Its Implications In Modern Fabric

Author name: حيدر هاشم محمود الحسيني
Supervisor name: هند محمد سحاب العاني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد الحاسوب من اهم مظاهر التقدم العلمي والتقني الذي ساد العالم، بل اصبح لغة العصر التي تخدم مجالات الحياة المتنوعة، واصبح الحاسوب من اهم اهداف المجتمع نحو تحقيق مستقبل افضل لامكانياته الواسعة في استعمال اساليب وطرائق اخراج متعددة، مما ادى الى ظهور طرق | The component is regarded as of the aspects scientific and technological progress all over the world. It became the language of the modern age that is used in various fields of life and the computer became one of the best means for societies to chive a better future due to its wide potentials in using various ways and styles of output. This led to the appearance of new ways of thinking performance and expression and the formation (to the contemporary creators ) of symbolic and visual possibilities affected the structure of ideology , culture and art since the computer is one of the bridges between art , since the technique and it is an inevitable development of channels began to be digged years ago. According to the design core which takes the creation approach as a means to almeve its functional and aesthetic goals , the meaning of aestheticism depends basically on the latest technical innovations. The researcher sees that, according to the contributions of the digital technique and the potentials of the programmers of the digital design including the Photoshop ( focus of thing study ) it became a new way to invent new designs leading To the renewal of the the design structure in from as well as in content in accordance with the conceptual transitions in the art of design and in scene in the twenty first century.Accordingly, the researches stopped at the following questions that represent the problem of the present study. They are : 1. Does the digital technology help in a achieving dimensions for the design component in the modern feminine cloths ?2. Are the aesthetics of the design component aliened through the effects of the digital technology or through the components of the structure and what it includes of elements bases , systems and its relationships or through this harmony.3. Are there digital design bases help achieving aesthetics dimensions for the design component of the modern feminine clothes ?The study aims at showing the role of the digital technology , its means , styles and effects in achieving the aesthetics dimension of the digital design of component in modern feminine clothes and pulting design bases help in achieving the aesthetics dimension for the digital design component in modern feminine clothes. It also aims at putting design suggestions in the light of the theatrical bases. The study limits itself to the feminine clothes implemented a according to the digital technology of various sources within the period of 2011 - 2012. After that it limited Four terms , namely, ( aesthetics , consisting of design , digital technology , design fabrics ) researcher has developed a procedural definition of each term. This is what came in the first chapter of the research , consisting of four chapters. With regard to the second quarter , which contained the theoretical framework and previous studies , it has included in the carrying four sections , which included the first section of what beauty and the mechanics of the operation of the theories aesthetic in design and aesthetic dimension of the composed design digital , while included the second part, the elements and the foundations of building regulations and relationships and methods governing the design Women cloth , In regard to the third section has cared Balozifah aesthetic and cognitive and aesthetic judgment and experience and then touched on the implications of the expressive and symbolic composed of digital design. The fourth topic , including concept and technical sophistication of the design is composed of digital and then the components of the computer and digital design software ( Photoshop ). He then went on to search the most important indicators on which the general theoretical framework and then the previous studies. The third chapter dealt with research procedures , as follow researcher descriptive survey ( content analysis ) , and represent the research community to (123) model diverse special designs fabrics women's modern , ruled researcher (13 ), a model of which to replicate the idea of design in multiple colors , and this has become a community Find ( 110 ) was chosen as a model design parameter (22) in a deliberate model and 20% of the total research community and came selected depending on what serves the objectives of the research. The search tool Vtmthelt form for analysis according to the scientific method , and presented to the experts specialized in designing fabrics for gaining virtual sincerity. And then analyzed the models and discussed. And then eat the fourth quarter results and conclusions Among the most important are : 1 - adopted the most effective form designers ready in the toolbox program Photoshop , which includes geometric and floral shapes and forms in a variety of other building design and artwork that have achieved the aesthetic dimensions of the canvas.2 - wizards of digital technology has made the aesthetic dimensions of the design is composed through the adoption of effective color cast Color Overlay intent to show diversity chromatography vocabulary inside the building design. It also granted the effectiveness of the filter Filter effects variables in the visual design of the product forms and vocabulary and achieve aesthetic dimensions of the canvas. It also adopted the effectiveness of border effects and Stroke , who worked on the framing shapes the design and increase the strength of its appearance.Based on what came from the sequential action of the researcher discuss the status of the most important pillars of design that contribute to the aesthetic dimensions of the digital design is composed of the women's modern fabrics and as follows : 1 - Take advantage of ready - made shapes in Photoshop toolbox with the addition of some minor aesthetic that serves the goals of the artwork design.2 - Attention to employ digital effects technical vocabulary of shapes and design , according to experience and taste of the designer, what possesses these effects ( processors ) of aesthetic additions attractive integrated with the rest of the aesthetics of the design and verification consisting of cloth female attraction. The fourth quarter included recommendations and proposals mention the most important thing , which stated : 1 - emphasis on the role of digital technology in the field of design fabrics , and keep up with the latest software versions with respect to digital design and employ them in the art of design and art in general design fabrics in particular.

بنية الخطاب النقدي في التصميم الداخلي للفضاءات الانتاجية : دراسة تحليلية

Author name: زينة فهد عثد السادة
Supervisor name: فاتن عباس لفتة الاسدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Industry is a basic reason for occupies admiration and interest among a lot of international and Arab countries, including our country Iraq which is converted with new concepts that commensurate with entitled value for the industry, as Iraq seeks to develop its national economy through the consolidation of production and improved performance combined with expansion in finding a shortened and cleared ways in supporting promoting various industries, and for the purpose of achieving the production process aims must be taken health and scientific methods, that can be achieved through the creation of an appropriate work environment with its specification for all production facilities, whether plants, factories , or work - shops to boost the morale and psychological for workers in productivity spaces, therefore the attention of researchers (interior designers), related with the internal environment of productivity spaces considered a design and formative process, because there is a fundamental relationship between the work spaces and production level.In order to access unique and correct reading in understanding and studying of critical discourse in interior design of productivity spaces, on the grounds that criticism is a set of advanced operations of specialized awareness, which can extrapolate the productivity spaces based on analysis, weather with the vision of undercover parts in of spaces structure and their readings, or vision of all then move to the parts, and in the induction and conclusion process there are secrets behind the apparent productive space detected by the critics (designers), Btaktehm stage description and analysis to uncover hidden relationships pressing, deep brown, Altaalqat system in the productive space. Therefore, the need arises to go into this area by going to the literary and artistic studies, for the purpose of clarifying the general concept of critical discourse, and to clarify the historical background, and the most important cash curricula modern, it will highlight the critical discourse in interior design as one of the letters to which it applies what is in the critical discourse of literary.It is critical discourse in addition to material critical of themselves (productive space particularities and its mechanisms and its interactions with draw close), the target and the receiver that directs Monetary him a critical process that must critic institutions (interior designer), that puts it under a scientific mechanism is not without its philosophy, based objectivity in theory and practice attempt an intellectual theory, data for the philosophical vision of monetary modern curricula. So felt the researcher to choose researched address (critical discourse structure in interior design productivity of spaces), to be the subject of a research addresses an important aspect of the merits of interior design, this study focused on the important aspect of the monetary process of lighting, and the basis not get up cash without it, is the speech which is a pillar of science in various fields of knowledge, especially if the concept of the speech concerned with the study one of the most popular concepts and traded in the cash Cultural Movement and the Arab Bank.Find rely on theoretical study and analytical study of the spaces in the city of Baghdad in the Karkh and Rusafa sewing labs, research has been divided into four chapters. The first chapter included the research problem and its importance as well as to clarify and define the objectives and limits and define the most important terms contained therein. The second chapter dealt with the theoretical framework and previous studies, which included theoretical framework of three sections, addressing the first part, the study of the concept of the speech, and the second section dealt with cognitive and intellectual structure of the criticism, and the third section has included cash curriculum structure of modern interior design productive spaces. And devoted the third chapter to research procedures, as has been the adoption of the descriptive approach in the research sample analysis, marked by two models of spaces productivity with the preparation and organization determine axes analysis form, based on the theoretical framework that has been adopted part of them as a criterion and basis in the process of analysis indicators.CThe fourth chapter, has included the results of the sample analysis models in the light of the results have been discussed to draw

الدلالات الفكرية والجمالية في تصميم الفضاءات الداخلية == Intellectual And Aestheticconnotations In The Design of Interior Spaces

Author name: رجاء سعدي لفتة
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Looks Researchers from designers internal and architects about renewal in their quest to achieve the aims functional and aesthetic response to the requirements of the living human being contemporary, so it meant the study "connotations of intellectual and aesthetic design spaces Interior" to find a link between the connotations of intellectual and aesthetic in the act of design objective and functionally. And the lack of study dealing with the subject of intellectual and aesthetic connotations in the design of interior spaces, and for the purpose of bridging the gap and the lack of knowledge in this area.So ensure that the first chapter on the research problem that summarized the following question : Does the data intellectual, aesthetic and adopted within the general concepts of interior design its required role in the opera houses designs?. Or that there occurred variables have been adopted concerning those aspects when initiating design spacesrole of the opera? The important data are included to provide an intellectual and aesthetic role contribute to supplement the opera companies and institutions involved in the internal spaces designs textured scientific knowledge have a presence in translatingdesign to reality cosmetic formulations carries the meanings and implications of intellectual and aesthetic. Down to the objective of this research, which represents disclose intellectual and aesthetic connotations of the internal spaces of international opera houses. And the adoption of the limits of temporal and spatial search that was the main study hall for seven of the role of the opera world (Australia, Egypt, Paris, Norway, Scotland, China, Oman) for the period from 1974to 2012.And contained the second quarter on previous studies and theoretical framework, which included four Detectives first (verb significance), while the second part guarantees the (semantic property), and third (semantic aesthetic), and finally meant the fourth section (developments formal aesthetic spaces of the role of the Opera), and after the completion of theoretical framework was extracted indicators adopted by the form analysis axles. The third chapter was devoted to research procedures where the researcher followed the descriptive method for analysis through the analysis of the seven models of international opera houses spaces.Among the findings of research are : Adoption of intellectual frameworks according to its historical variations in the design of buildings opera houses, each according to its terms of reference, which are thus reflected on the external and internal appearance, and depending on the cohesion between the urban fabric of the building and incidence within the social and cultural environment and heritage. And the emergence of mixed functional and aesthetic throughout the investments made by the designers all walks of life, and it comes from Advanced aware of my design was dictated by intellectual imperatives and its data to be imposed on the designer alignment and harmonization of vocabulary space. Through the contents of ideas and their significance, whether subjective or objective, or is the theory relied upon by the designer in the design space of Procedure of the hall's main role of the opera world, confirm the harmonization formal environmental, came this assertion to install a mechanism to promote and partnership between the building and surrounded by the words, which were reflected in clear the internal data as well, which is clearly manifested in the choice of items and processors that has. Illustrate the innovative dimension identify determinants attributes, and by addressing the ceilings and rises, walls and floorsand afford values and color, and benefit from the strengthening of relations link between the board space and worker his items. Activation of the internal space design elements such as : lines, textures, sizes and color values, optical, and benefit from the raw materials and what happened from the development, which provided the inner space in a variety of ways and unfamiliar, Also concluded Find the most important conclusions, including : Conformation and semantic representation and symbolic transformations such as an integrated part of the functioning of a link between the symbol and the history..As well as mixing clear and precise them.. integral formalism with the design elements of the space of the opera, that is the only representation formed lighting, furniture, finishes and materials textile dimensions important in it. That interaction semantic - functional and aesthetic between different patterns represented in opera houses meant impact of where meanings and deepening confirms relational format - space, the environment and architectural body was both. Down to the recommendations and proposals, and finally the list of sources and supplements.

الاستعارة في الصورة الافتراضية للاعلان التجاري == Metaphor In The Virtual Image For Commercial Advertising

Author name: شيماء كامل داخل الوائلي
Supervisor name: هادي نفل مهدي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Operated metaphor thinkers and thoters as one of the most important topics being working on the transfer of meaning fantasy incarnation Authority forms invisible virtual open to interpretation and interpretation as well as being reveal mechanisms of functioning of the new communication and that column is the basis for building commercial advertising , in terms of the metaphor means interested in particular humanity from the reality of practices social and ideological and cultural to reflect his thinking and gives a pattern to understand things and the way functioning , they are linked to mind and relations of intellectual designer in organizing pictures default , so it came metaphor in design as a characteristic creativity designer and a standard aesthetically pleasing to the meaning of the new non - rolling , as well as its ability to expand the circle of meaning being represented springboard for the organization and a means of rooting through evoke shapes exoticism through the activation of the techniques that threw a shadow in the formation of structures ad featuring strange in terms of building the idea of design and without the advertising business through the sense of them through lack of separation between the default image resulting from the hiring of metaphors and the expression to be sent to the recipient , since it was our time is the current time is par excellence came metaphor in the default image incubator essential for the meanings , also improved from a lack of expression through dimensions of imagination or what stored memory and installedbodies aesthetic lead 's job desired. Based on the foregoing, came to study the ( metaphor in the default image for commercial announcement ) where you specify four chapters , as follows : The first chapter , which has been allocated to research methodology where the study identified the target for the purpose of reaching a solution to the problem discussed , namely (how it shown by metaphor in default image )) and either target represents follows ( (detection manifestation metaphor in the default image to advertise commercial).) Also included the importance of research Search and limits as well as identifying terminology.The theoretical framework has singled out his second chapter where it was reviewing the literature on the subject of your search to include four topics are as follows : The first topic : the metaphor concept The second topic : reference of the metaphor The third topic : the institutions of the default image Section IV : the default image in commercial advertising The third chapter of this study has singled out the procedures followedwhere he was the descriptive analyticalThe third chapter of this study has singled out the procedures followed , where he was the descriptive analytical approach as a way of practice in the search , but the purpose of the analysis of the sample was prepared foranalysis and form approved by the experts and came on the basis of paragraphs analysis. The fourth chapter of this study has been the review of the results ofthe research , and the most important results : 1. Deliberately designed to first semantic approach coupes the idea of metaphor through irony in highlighting the importance of the product and through exotic forms express the idea of novelty and aesthetic2. Was clearly evident that the designer has adopted all sorts of components metaphor for the direct significance of the idea in the Declaration by combining more than one ingredient in a single structure.3. Adopted designer metaphor in advertising to achieve career goals and aesthetic in the structures of ads to confirm the unit idea and provide the recipient expertise knowledge needed about the nature of the advertised product to make interaction with him through coordination based on the context of the idea or through the creation of approaches formality in the use of the elements and this is what appeared in all models the sample under analysisBut the most important conclusions , meanwhile , were as follows : 1. The metaphor in advertising substantive vision of the world and the imagined , being based on the establishment of a coherent synthesis built in the artwork , and carry visual rhetoric of the Declaration commercial dimensions of intellectual and visionary aesthetic controversy lies in the structural design advertising.2. Suggestive metaphor for the meaning and boarder allowing the expansion of the designer Graphic elements meaning " visible " for commercial advertising.3. Visual metaphor associated with reduction and condensation mechanisms based on the idea and structure, which strongly established in the manifestation of metaphor composition of the design.4. To break the normal regulatory rules in the design construction of the announcement is to show the locations of innovative non - current " innovative " check visually attractive designer seeks confirmationstructural cohesion of the basic components of the virtual image , depending on the combination of the different elements and through various metaphors.

سيمياء الصورة الرقمية في التصميم الكرافيكي == Semiotics of Digital Photo In Graphic Design

Author name: كرم جرجيس نعمة
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Began the promise of digital image with fees Alkravekah first covered the walls of the caves, then the fees that came in the books and manuscripts and with the invention of lenses and come to the idea of photography embodied finally in the form of a picture or CM then ( Balfoturav ) and with over the years and perseverance mental level chemistry and physics became Photography among the arts developed and the merger of the image in the world of print has become an indispensable element in the design world Alkraveka talk with the advent of digital art and computer technology transformed the image to the creative work that works as a whole in the range of engaging digital and therefore picture began to take other aspects work with alchemy and the significance and interpretation , criticism, commentary and interpretation the metaphor and exploration as picture became a phenomenon accepted interpretation to say something else , so working Alsemiae as a way of analytical readers of image semantics and frameworks expressionistic works in the space of design Alkraveka talk , which relies image processing is mainly active in the structure and after this the cause for consideration and this investigation as well as mechanisms for making digital photo , so researcher found potentials to raise the following questions , and an area to determine the current research problem : To what extent the functioning of Semiotics digital photo design Alkraveka.What connotations to afford digital photo processing.What goals and objectives envisaged by the designer of the digital image in his field.And designed the current search according to various chapters , which included the first chapter on the research problem and his two goals to identify the Semiotics digital photo design Alkraveka as well as the design of MAP mentality of Semiotics digital photo Achtgaladtha in design Alkraveka also select Find up to three , objective represents studied Semiotics digital photo design Alkraveka , and where I am : Includes pictures published in international journals covers , research has identified the year 2013 at a time to the current search. The second chapter is devoted to the theoretical framework as it was divided into three sections , the first section concerned with : Balsemiae concept and approach and the study of the mark and its divisions and implications and connotations to the image exposure and dimensions Avatar. The second section was devoted to the study of digital photo , types , functions and processing techniques as well as Achtgaladtha media relations and visual discourse.The third section deals with the digital photo and design programs Alkracaki and technical wizards of the image in digital design Alkraveka. Find out and indicators relating to the ethics of jurisdiction.And select the third chapter of the proceedings , which included identifying research methodology to choose the descriptive approach , a chapter on mechanisms of semiotic analysis. Then , the researcher analyzed the research models and number (15) model to arrive at a set of results cited in Algosl fourth, including : Enhance the visual text in buildings Achtgaladtha realism through confirmation deconstructive components and re - evaluate their tracks with respect to form and content and stay away from the dialectic of the designer and imperatives for its existence. Promote formal correlation between the picture and the biblical texts and employ structural and exchange levels achieved Occupation indicative structure of the text in the visual image and take the formalapproach moot with similar patterns in their tracks and furnished with data reporting obligations iconic.The researcher concluded : that came metaphoric representation semiotic and strengthened in the digital photo to be different for Astbdalia Mknunat raised in a traditional way recognizable. Although rhetorical reinforcement - indicative.. Is to enrich and furnishing of the text ( s ) and semantic Mahmoladtha At the same time complementary Madat purpose. Although the diversity of visions and intellectual theses what was to be no trace of stylistic put the image in accordance with the framework of digital Alkraveka which in turn trails open mind concerning the graphical image and what it contains. The researcher recommended : to clarify the role of alchemy in digital image processing and mechanisms Todifaa Alkraveka in design as well as enhance the technical - oriented software design brought him

فاعلية البنى التصميمية في المنجز الطباعي المعاصر == The Effectiveness of Design Structures In Performed Contemporary Graphic Done

Author name: باسم محمد صالح مهدي
Supervisor name: عباس جاسم حمود الربيعي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: مثل موضوع البنى التصميمية مدخلا مهما في سبيل الكشف عن فاعليتها, فالعالم التصميمي عامة يستند في تاسيسه الى الفكر ومستجداته وبناءه لتشكل حضورا فاعلا ومؤثرا، مستمدة من الموروث الفكري والمعرفي وبما يحمله من تراكمات تؤدي دورها لايقاد ذهن المصمم وطريقة تنظيم | Design structures such as Multi an important input for the sake of effectiveness in detection achieve typographic performed, general design world - founded based on thought, Developments and constructed to form an active and influential presence, derived from the cognitive and intellectual heritage and including The magnitude of the lead role accumulations to light the mind of the designer and organized way and activated forms. For the purpose of standing on the importance of these two concepts came research in four chapters, the first chapter has been a systematic framework which included the research problem and its significance And objectives, it has exceeded the art of design data all data in the field of arts creativity and innovation the Technical, to show multiple movements and trends helped to achieve progress and success of this art because of its multiple potential future made him the art of indisputable, so the importance of research built on, The importance of search.1 - shed light on the concept of structure in design2 - Study of the importance of the design and effectiveness of structures and the extent of its impact on the creative and innovative capacity in the completion of contemporary design.3 - think of design variables and re drafted to expel more insight and provoke an objective and a target serves human life and the environment ,The researcher has identified its typographic Moundz theme, especially the contemporary (the label) within Temporal limit for the period of 2010 - 2012 represented publications (posters) carried out by the United Nations Organization, as it is the most sophisticated and comprehensive level The world, identified with the terminology, identified by the researcher efficiency and infrastructure, design and performed and contemporary, with its appropriate procedural definition. The second chapter represents the theoretical framework and includes four Detectives The first section included The philosophical concept of his sturcture , and thought to the importance of design and capabilities of the designer's mental perception and imagination, drawing including attributes of the culture and experience derived and draw symbols and signs, in addition to Maimthelh Zaguet ideological did achieve specific goals and to modernize Architecture design in form and substance consistent with variables conceptual art and design through detection efficiency and style, approach and style which Hiatt design according to new tools and instruments become the effort and creativity style to give a new vision and input, To update practices and achievement according to the theories of creativity and the creative capabilities of the designer, do not Ejad relationship between balanced feeling, and the idea and technique between the needs of functional and aesthetic design and theme What is the structure, but the result of these organizational relationships that Is the result of a coherent intellectual effort of activating the shape and phenotypic attributes and semantic, In the second part, the researcher highlighted Altibograveh elements of the picture, painting or planning as well as the color and the written text and logo as important elements and basic Do impressive technically and aesthetically and technically to the way processed according to traditional methods and innovative programs According to various design and technology, which Hiatt is designed with the ability to achieve innovative designs and creative through deletion and added, transparency and zoom out and zoom, And other technologies, and it was necessary for these elements to organize according to the basis of scientific and technical thought Kaltoazin, proportionality and relay and contrast, unity and diversity and this Contents third section, with conviction researcher that these rules and principles are not applicable in The third chapter was devoted to research procedures, dealing with researcher research community after select the search tool and methodology, and then analyzed sample the light of the outcome of the theoretical framework, which included the research sample (18) sticker have been selected in a manner deliberate , As for the fourth quarter was containedon the conclusions drawn from the research, and it was the most important.1 - .The design and construction mechanism is the process of thinking processes are subject to the ability of the designer and technical experience and expertise. And the accompanying analysis and synthesis processes according to the system I mean involuntary active in dealing with life and environmental and social requirements 2. Commonly used forms of expression the direct election of communication units, realistic and symbolic owns entrenched resulting from simplicity to build intellectual and semantic most of which included references knowledge Convention related to specific topics within the direct subtraction, contac3 - Try stylists generally provide better Maldém the posters reflect the essence of the value of intellectual realism and symbolic ways constructivism innovative and creative, was the most prominent features provide proposals characterized by realism expressive and embodied through the picture, color and address (written text)The structural done layout are subject to many variables, intellectual and technical, directly or indirectly, radical or superficial, these variables may overlap for a comprehensive system of technical configuration,That the participants formal numerous and varied to be a fertile field and carry the other is different connotations.Then seal this search with a list of sources and references and abstract in English.

الثنائيات كاستراتيجية في تصميم الفضاء الداخلي المعاصر == Duality Is Strategy Interior Design Space Contemporary

Author name: اسيل ابراهيم محمود منصور
Supervisor name: هدى محمود عمر
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The man lives in an era of abundance of intellectual and monetary approaches have sought to integrate these approaches and concepts to explain by his life and at different levels, with interior design is one of those levels, which are linked directly responsive functional and aesthetic requirements, and what was the man always aims to balance the internal Vdhaih which is through the formation correlated with the material, and having experienced that relationship and the passage of time and with differing intellectual concepts to the ongoing debate remained interior inbuilt an unspecified number of diodes starting construction intellectual even stages of implementation and then understanding the recipient. In order to shed light on the bilateral placed and their impact in contemporary interior design space for the purpose of bridging the gap cognitive in this area has been discussed in the research.Therefore research includes four chapters, In chapter one it has been crystallizing the problem of the research, in the (lack of clarity of cognitive perception about construction logical, intellectual, and objective strategy of building interiors within the concept of dualities), So the research importance lies to demonstrate the role of dualities in contemporary the interior design, While the Research goals is to find and study the duality effective strategy in design od internal space in contemporary studies, and intellectual fields. Further to fix, install the limits of research and the most important idioms.Chapter two included the literature review; through display studies addressed the issue of duality, and within the terms, & reference near to the Interior design. While the theoretical frame, which included three sections, first one deal with duality concept through launch and discuss duality disciplines near the Interior design, and extract frames selected the university for those dualities, while the second one deal with design strategies, which discussed thoughtful construction and rationale of the design, and construction of intellectual, while the third topic deal with infrastructure interior design, through characterize the design elements,& duality in investigative language of internal space, & privacy. Chapter two ends by display the indicators, which led the search procedures.Also, Chapter three include the research procedure, where the researcher adopted to find descriptive approach, as one of the methods of scientific research methods, which is used in the data collection, & expression. It has been relying on the (Lionel Marge) strategy, which dealt each side with the analysis, & interpretation of data and questionnaire, for three structured global projects, as well as by adoption of such way, as content analysis were analyzed in the Ph. D thesis, at the college of Fine Arts, University of Baghdad, Department of interior design, as an example of logical study.The research ends by the chapter four, which present the results of analysis, then the conclusions, which include the interior design, it is accordance with the strategy and be duality in first side of logical, that builds the idea of design, is through the organization of the study in accordance with the methodology consists of the fundamental. In the second aspect of these duality, is construction applied and be through the data of a design is built on the basis of relationships, & these being the relationships either virtual or esoteric, for either single - sex or heterosexual. The interior design goal is to create a balance between the dualities parties that does not happen the balance only after polemical, & permanent conflict between the duality parties. Also researches contain recommendations and future studies.Researcher

قراءة الصورة الاعلانية على وفق الاتجاهات النقدية المعاصرة == Reading of Ad - Image According To The Contemporary Critical Trends

Author name: نضال مهذول محمد الطائي
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The research seeks to study of Ad - Image as a given which links with the lighting of areas of communicative significance according to the critical reading of contemporary actress modernity and beyond… Where adopted reading direction structural descended concept within the design work in determining the structure of the text as a system, a (structural) thus provides a model in the analysis, and that this form originated in the curricula of contemporary linguistics. Has on the perception of structural linguistics possible that that will be useful in the study of phenomena, including the images on the grounds that they account for our attention and breathtaking Pope, which acts as sites for the production of meaning and representation. As confirmed in a text read on his promise on a closed system has the same rules of procedure and told him that His profit. It is a system lies not in the order of the elements in the network, but the relations between them and it was a focus on infrastructure, which we explore in which the system according to internal analysis, and the importance of relationships and the underlying pattern in the picture. And then came propositions postmodern from the terms of reference of modernity in critical structural terms of film criticism and effectiveness in reading design work (Ad - Image ) and based on the two entrances first means to establishment and the second reading of the description and detection down to the inner depths so as to sentencing, and this is what a breeze (verb critical ) and the two areas, the first to understand and to involve the other, and the second assessment in accordance with the measure assumed. It falls within the circle of mental assumption (of the image ad) a work of art.. and according to film critic goes beyond description and analysis assumes another dimension according to the founding of the given sensuous, where clear cinematic landmarks to indicate according to the theme of linguistic logic signal or significance. When searching in the application is embodied within the concept of communicative triangle limbs (the message sender and the receiver) and moving this process based on the awareness of compatible between forming and between receiving. He defined the position of communicative Pierce (b reference, subject, meaning) and the form of the concept of (Pierce) mark. Which fall under three types (code, signal, Aliqona) and receiving here to sign is a place in the aesthetic value of the formation, which is open to readings forward to the new insights frame for levels up to the type of space semantic which raises the interpretation and makes it (receiver) center in the movement pattern artistic aesthetic. Then comes the arguments of cash clastic and read the most contentious part of the proposals of the monetary contemporary, as it supports the principle of the weakness of the text and disintegrated down to the Imam the well core embedded in it that on one side, and by two other text comes out in drafting mold and volatility in the method which is not subject artwork in which to dominance Law or the influence of the style of openness and difference and the difference in the formulation of the Foundation is to generate aesthetic within disassembly. Thus we find the aesthetics of reception are subject to the concept of the public to the impact strength inherent in image advertising as a given, specific stylistic expression and out of the ordinary in the formulation of meanings and connotations and receive operation here shared between the work and the receiver and (taste aesthetic), which is the climate in which reimburse these taste or those. Accordingly, the recipient may be divided into three levels : the recipient is simple and recipients can reproduce the text and the recipient is as much on a new formulation affect the recipients of another type I and II. This whole process is leading to read the text according to the determinants of exegesis and interpretation of specific obsolete interpreter and the possibility of drafting an aesthetic according to a given sensory, and this is confirmed by the theory of interpretation on the identification of a brilliant concept associated with the image to read the ad. And it was determined the importance of research, which included a specific problem reading the image ad, In accordance with the trends of contemporary criticism. And the importance of, and the objectives and limits and define terms.The second chapter (theoretical framework) has included four topics meant to read the ad's criticism of contemporary trends according to each of structuralism and semiotics and deconstruction, and reception and interpretation.Is then extracted indicators that resulted from the theoretical framework as a scientific researcher reported them in its procedures and evaluate the way in analyzing the content of the samples. This is what has been discussed in the third chapter, a separate research procedures.Either search tool that will that was designed form analytical critique includes several axes, perhaps honest experts for the purpose of adoption in the analysis, where the analysis of the samples and then discussed on the basis of axes form. The fourth quarter has included the most important findings of the analysis, including : 1. That reading according to the trends of the contemporary monetary image ad referred to the concept of systems in relations significance disciplined and removed in accordance with the pre - selectors. And systems within the grasp formed depends on the specialized expertise in the design merits of the phenomenon.2. Reading according to the trends of contemporary criticism reflected a change in the concept of function equations merits of the ad images as a symbol of the state of mind.3. The facts in all formats semantic image ad unbearable to read meaning, one such directly through the visible face of the incident, or through its located in the apparent shape, and the second reading because of hidden facts that exercise selection for possible semantic units.4. Image advertising according to the theory disassembly open in a speech linguistic agreed on the future without prior controls where the power of the audience to turn to enriching the absence of potential significance, due to system variation. As an indication that the differences are numerous, he frees a difference in the receiver of the specified reference to evoke the image of advertising and leaves him the option to evoke or reference to float its own, and that the existence of a difference between the partial (signifier and signified) and (meaning and reference).5. Image advertising according to established contemporary reading of the structure of power in the map of thought which aims to break the concerned central existential images in advertising as a commercial presence infinity.6. Image advertising impression formed in drafting the formal frameworks are determined to get out from the mold or pessimism in the method or stylistic difference to announce this industry and the difference in the elements and compounds involved in the structure of the image advertising.

الفرضيات التصميمية المستقبلية في ضوء الحاجات الانسانية المعاصرة == Future Design Assumptions In The Light of Contemporary Humanitarian Needs

Author name: قيس والي عباس
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The research track of this study entitled (Future design Hypotheses in the light of contemporary humanitarian needs) Classified within the field of future studies in industrial products, this study has focused on explanation relations codes between contemporary technology, particularly nanotechnology and its correspondence, and refers their impact on the growth and development of the humanitarian needs, and the implications of this in the design ideology in future, which contributes to the framing of the relationship between the producer and the consumer requirements in a scientific framework that can achieve the following objectives of the study : 1. Determine the nature of the relationship between technological developments represented nanotechnology, and its implications in the evolution of contemporary humanitarian needs.2. Establish futuristic design assumptions in light of what mechanisms imposed by the evolution of the contemporary humanitarian needs as a result of employing contemporary technology (nanotechnology) in the field of product design until 2025.The researcher follows a number of procedures in order to reach these goals, including : 1.Access to literature and research and studies on topics related to the theme of research, including prospective studies and generally converging technology with an emphasis on nanotechnology, as well as the contemporary concept of humanitarian needs and the mechanisms of evolution and the most prominent theories that touched it.2. electronically Interviewing with the people and institutions that have a relationship theme of the research, including the Georgia Institute of Technology and the Ford Motor Company for the automotive industry and GE in the United States, to get closely acquainted with the relationships between these institutions and mechanisms for cooperation among themselves to meet the humanitarian needs in their products.3.Closely identification the systems and modern technologies employed in the Ford Motor Company products in 2013, by visiting the company's branch in the province of Erbil / Iraq and the experience of these cars and the impact of these technologies and systems to achieve the requirements of the contemporary man.4.Based on what resulted in the theoretical framework of indicators has been formulated axes form of analysis and presented to a panel of experts for the purposes of consistency and honesty sample was analyzed in the light of the final image of the form after taking remarks experts.The study came out a set of findings and conclusions, including : 1. Nanotechnology and its correspondence represent, a new horizon for the start of a serious and radical solutions to the requirements of environmental and human needs, which is a strategic approach to product design companies in general and industrial companies design and produce cars in particular.2.Involving the idea of contemporary design of industrial products to leave the idea of quantitative and move production to a comprehensive diversification by investing optimized for data converging technology, particularly nanotechnology, and this idea is based on the introduction of a variety of products to match the different needs and requirements and taste of rights.3. Raw materials and production of new materials and the development of specifications is one of the most prominent nanotechnology and data that have direct implications in meeting the humanitarian needs in check principle of durability, safety and efficiency in performance, as well as their implications in the levels of function and beauty in industrial products.4. The contemporary humanitarian needs considered as a main axis focus in the development of industrial products, through the investment of technological and technical data directly and indirectly as a tripartite this (product, technology and user needs) continuous loop interactive and constantly evolving.Based on what is stated in the theoretical framework and indicators and the findings and conclusions of the research sample analysis, the researcher to develop a design for the design hypotheses cars until 2025, including : 1. Involves the horizon future use of nanotechnology for space innovative and wide as a result encountered with the technology of artificial intelligence, is seeking to complete the construction of system leadership self, through increasing the number of parts that rely on sensors and Automated Systems, so will be completed in this time period indicators for the completion of a new system called the optional command system.2. We will be in front of a real and practical quest touch for the way best suited to address the reduction of fuel consumption to the minimum limits, as well as to ask for alternatives of clean energy and investing in a competitor for traditional energy, which will remain at the top of the pyramid in the foreseeable future term.3. We will be facing a new concept of aesthetic values in the cars is in the quality of paint smartphone user which allows the user to change color according to his desire during times of the day, as we will be in front of building formality could involve some morphological changes at the level of the reflected at the level of the whole

ابعاد الشكل الجديد في التصميم الكرافيكي المعاصر == The Dimensions of The New Form In Contemporary Graphic Design

Author name: لبيد مالك يو سف المطلبي
Supervisor name: اياد حسين عبد الله الحسيني
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يسهم هذا البحث في مراجعة شاملة لمفاهيم مكررة؛ يستنسخ بعضها بعضا، في سياق شهد تحولات كبرى؛ في الجوانب المعرفية، والثقافية، والعلمية، ليسلط الضوء على الشكل التصميمي؛ نظامه، وسماته، ووسائطه، وتقنياته، وعلاقته بما يجاوره من فنون، وانظمة | The thesis tries to give a comprehensive revision of some repeated concepts, each imitates the other. However, the social context has witnessed great scientific and cultural changes. The study also sheds light on the forms, systems, concepts and features, mediums and technicalities of design. It shows the relation of the design form to other adjacent arts and other symbolical systems. This is to enable as to feel the extent to which the design responsive to the already mentioned highly important changes, as it assumes a new form. The aim is to understand the nature this newness as it reveals itself in forms of design.The most important question is this : As the need increases a way that never been, before has the design given up its artistic identity and as being an organic element of what is now known as the aesthetics of arts and not as being a guest to it, borrowing from then its outward appearance. Its core, however, relates to what we may call as the demands of marketing. This deference between the instrumental outward function and the internal aesthetic function is the problematic dialectics of the new form to which the thesis has tried to discuss and to lay down operative concepts of new graphic forms through noting and examining their various models.The thesis consists of four chapter;Chapter one deals with the scientific framework which deals with the problems of the study, its importance the need for it, its aims, and limitation as well defining the most recognized terms as I envisage them.Chapter two (the theoretical framework) consists of four sections. The first sections suggests the intellectual dimension which shows the history of the aesthetic thoughts which has emanated from the philosophic arena known as the aesthetics. It also discuss the aesthetic changes in the language of the form. The ultimate end is to arrive at the philosophy of forms on the basis of the ideal, materialist, existential and pragmatic perspectives. This topic ends with the hermeneutic theory and the openness of the meaning of design.The second section (the sociological dimension) discusses the metaphorical transformation in contemporary graphic design, the metaphorical system and the manifestation of the nous form, especially in color metaphor.The section also deals with the sematic sign to narrow the gap between the function of the form and its beauty. As for the third section (the functional dimension of the new form), its titles go as follows : The new form between realization and meditation; the deconstruction of functional design from which DE familiarization the exclusion.The fourth section [the technical dimension] discusses the description of the technicality as being a tool for history, knowledge and art. Describes the hedge among of the technicality on human life and sheds light on the technical act and the concept of the new form.The section also talks about the effectiveness of the technicality on design and its limited scope of influence not on the form, its practical area but also on its significance.The third chapter is set to analyze models representing various types of designs such as slogan, commercial, environmental instruction and educational (poster, advertisement, heads of magazines, and covers. this models consists of twenty eight ones.Chapter Four comes up with the conclusion of the study which are discussed in details. The chapter ends with deduction and recommendations for further study.

معطيات النظرية الجمالية وانعكاساتها في التصميم الطباعي == The Outlet of The Aesthetic Theory And Its Reflection In Printing Design

Author name: ايمان طه ياسين
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Varied styles and trends in contemporary Iraqi art, especially in the era in which Iraqi pioneers artist activiated - the second generation, who immigrated to most European countries where the revolution started on The trends of resemldance Imitation manner conforming with the managed items through the window of the optical einronment. For the purposes of linked with the attemps of the advancement of the movement under the pretext of Fine contemporary intellectual and cultural cross - fertilization between East and West.Different reasons obligcet the Iraqi artists to immigrant - a generation after the pioneers “ as attempts to political ideologies in contemporary Iraq is keen to use the art and the artist to serve political purposes , which led to the search for climates outside of Iraq, allows the Iraqi immigrant artist freedom in artistic creativity, especially in visual field.Numerous environmental references affecting the outputs of aesthetic Iraqi contemporary creative drawing ;since it included the formal applicant of the real environment, and simulating him in a manner of conforming times, and growing in the act of perception formal down to abstraction, it also included the intuitive applicant to simulating ideas and passions and emotions... which are often active in the environment.The study Included (four chapters), the first chapter (methodological framework ), which represents the ( research problem ), which raised a number of questions as follow : 1. Is it correct to call the man who is acclimatized,and Interactive possitivly with the the new environmental climate (colony) recipe expatriate man ?2. Do you achieved in the environment variable , outputs in creative drawing ?3. Does the diversity in the environment affected on the plastic style?4. Is the variable in the environment Impact on of the identity of the Iraqi contemporary painting ?5. Does The Iraqi painter (immigrant)acclimate with the environment (immigrant), and come to terms with it in away which kept him out of local artistic identity and belonging to the original environment ? Is the outcomes Impact on the technical achievements ?6. Does the Iraqi painter (immigrant) carry the characteristics and attributes of the original and the identity of his environment with him to the colony? Is it left its impact on the creative process ?7. Do the body transfer from the original environment (Iraq) to the environment colony (Europe - America)activiared the idea of cultural exchange , and intellectual , and technical ; creativity in the field of plastic ?The first chapter includes olso the importance of research and obiectivec of research seeking to : 1. Detect representations reference in environmental colony on Iraqi artists.2. Detection mechanisms shift stylistic variation in the process of environmental reference.This chapter includes also the limits of the research according to the aspectds and speci fication of Iraqi artists in the immlgranet (Europe - America)and time limits between(2012 - 1971).In addition the definirion of the terms.The second chapter (theoretical framework), which included five sections follows : 1. Introduction to the Theory of Reference2. References institution for visual field3. The third topic : the environmental variable in the drawing of Iraq.4. Contemporary Iraqi drawing rooting and rooting experience.5. Artists of the colony - a study in styles and references. Has included all of those sections on a number of approaches.Chapter three includes the procedurs of the research which includes the analysis (22) model for the research sample , completed (11), a painter Iraqi immigrants , the purpose of the questionnaire growing shift characteristics and attributes painter contemporary Iraqi between his artistic experience in Iraq (before the diaspora) and experience (after the Diaspora) researcher has found the need to discuss one model represents the experience of the painter (in Iraq), and the model represents one experience with a painter (in the Diaspora).Colony of Chapter four includes : results, conclusions and proposals, suggestion and reco in wordations, and the list of references and the abstract in English.

المعطيات الفكرية للفن الشعبي وانعكاساتها على التصميم الكرافيكي == Intellectual Outcomes of Pop Art And Their Reflection On Graphic Design

Author name: مها مؤيد عبد الحسين الناصر
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:

فاعلية البناء الافتراضي في التصميم الكرافيكي المعاصر == Virtual Construction Effectiveness In Contemporary Graphic Design

Author name: نادية خليل اسماعيل العزاوي
Supervisor name: سعدي عباس كاظم
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تاتي العمليات الابداعية لتجسيد الوجه الجمالية والبنائية في التصميم المعاصر من خلال استقراء التصورات الذهنية للبناء الافتراضي بالدراسة والتحليل، وابراز قيمة وفق المفهوم الفلسفي للبنى والمتغيرات، بحسب مخيلة المصمم وامكاناته ليظهر مايحملة من افكار نحو فعل مؤ | Creative processes come to embody the aesthetic and structural face in contemporary design through extrapolation of perceptions of mental default building study and analysis, and to highlight the value in accordance with the concept of the philosophical structures and variables, according to the imagination of the designer and the capacities to show what one holds of ideas impressively did achieve presumably to show contemporary Graphic designs. The current problem has been identified by asking the following question : What Is the effective default of Graphic construction in contemporary design? In order to reach the desired results through the goal set by the researcher as : - 1. Disclosure of the effectiveness of the default construction in Graphic contemporary design.2. To highlight the design pillars , ideas and visions to show expressive, functional and aesthetic values of the contemporary Graphic design. For the purpose of access to the objectives of the current research was to identify key themes contained in Chapter II (theoretical framework) four Bembagesh (the concept of construction in design and concept of the default construction, determinants and objectives of the default construction, the default design and philosophy of the digital age, trends and con temporary & Graphic.),art movements And support including what was resulted about the theoretical framework of the basic indicators, identified the procedures of research in the third chapter following the descriptive method (content analysis) for the diverse research community and with (150) one hundred and fifty - designed default, the appointed elected dele bersrately with the help of experts to considerations envisaged by the researcher and the related subject matter whith (15) model for advertising (magazine (Marie Claire) and one page and two pages, and interface published Web sites on a global site (Deviant Art). The covers of magazine (Time)) for the year 2014,according to imperatives highlighted by the researcher and identified according to the pillars derived from the Theoretical frame and indicators, and relied upon in the selected sample analysis to show the results discussed in Chapter IV has been reached.The set of results including : - 1. effectiveness embodied the idea of the building to the default output suggestive creative thinking distant from the reality on the hypotheses according to comparisons, and the effectiveness of the creative thinking of the imaginary axis innovative and metaphor.2. Effective default construction components emerged through subsequent dimensional visualization for configurable output showing new and fanciful to imagine the result of the integration and re - installation of new builders.A group of the most important conclusions where added : 1. Default formal building associated according to the perception of(an objective basis) based on the assumption of mental interpretation according to interpretation and to impose on the for drafting language, and the assumption according to the representative analogy to like in the forms elements and characteristics.• The default design. shows the temporal assumption excitation with a view time assumption and call for the past and, present and call for the next a mentally presumption gives dimension to the future thinking. Then it caused a series of recommendations including : The necessity to emphasize the effectiveness of virtual relationships in the virtual construction of the use of Hypertext (Ultra) or multi media impressive to embody the impressive character of and to empress expression its content. And she put forward a set of proposals and the most the important of : A study of interactive philosophy, deliberative designed product in the construction of online advertising. The sources , references, and appendices ,were added to the study and Displayed summary in English.

فلسفة فن التصميم الطباعي في الفر المعاصر النظرية والتطبيق == Philosophy The Art of Graphic Design In The Contemporary Thought of Theory And Practice

Author name: نبيل احمد فؤاد
Supervisor name: حكمت رشيد فخري العزاوي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The cultural level of any nation is measured by the prevalence of philosophising proper there, where indicates promoted Nations and its development on promoted thinking and philosophical evolution at their sons, while leading the deterioration of culture and dystrophy in any community to dissolution of philosophical thinking and rigidity where, from here stemmed the importance of the philosophy of being a the effectiveness of a purely intellectual trying to understand the world as a whole.What characterizes the philosophy of inclusiveness and stripping them of a humanitarian nature pushes the boundaries of nations and nationalities, and making it one of the most important means of understanding, cooperation and brotherhoodbetween ideological human beings on the earth. Therefore, the philosophy supports the self - consciousness of the human being and his understanding of the role of scientific discoveries in the overall development of human culture, and thenprovide a standard for appreciation and linking the separate episodes in one comprehensive theory. There is no doubt that the critical spirit characteristic of philosophy contribute liberation of the human mind from the power of tradition and transport and calls for the development of ideas and beliefs established under discussion and revision and modification, , Through those lines philosophical and stripping logic creative meanings of self - expression and nature, we can say that the design simply means approach the expression of certain ideas using visual aids, this process is more like a translation of the interior feelings with the person through the use of abstract shapes derived from nature within certain relationships such as Unity , balance, and rhythm. Design is emulates a vision or in other words "vision", Valmsamm is fully aware that the idea that wants to communicate to people through a particular design must be seen by the people, then design is to deal with the eye directly, and then made up a sense of aesthetics shapes insidedesign at receiver, where represents Chapter the first, which contained the research problem that came on as two questions, namely : - Is it possible to identify and study the philosophical theories and technical schools and experiences of the designers personal contemporary been affected by the art of graphic design as a concept and what are the ranges to take advantage ofthis philosophical theories and personal experiences in contemporary work of design typographical that appeared during the twentieth century in chronological order in a period of contemporary? - Does the sequence historical art graphic design, referring to deepen the philosophical and artistic vision through schools and concepts that have been affected by political considerations, social and environmental? As well as the statement of the importance of the concepts of contemporary thought effect active in the detection of environmental sources of inspiration, The set a goal to search according to the following : 1 - detection the schools of intellectual, artistic and monetary contemporary designs and their impact on print Through the study and analysis of advertising posters for movies.2 - axes identify theory and cognitive processes The their implications in Applied print designs.The boundaries of research have included the reduction objective study which defines the philosophy of the art of graphic design in contemporary thought theory and practice, and the study identifies Alhaddalmkane posters (movie poster) Qsidia selected from the United States, has been the adoption of the length of time from 1980 to 2000 _. As well as to determine the terms of the philosophy of art, contemporary thought, theory, application. And included the second chapter Anwanat including : Firstresearch About the History of Philosophy Abralkaron, the concept of philosophy at the school of contemporary thought, the concept of philosophy at the school of contemporary art, the concept of philosophy at schools cash in contemporary second topic : the axes of the design philosophy, in the third topic : the philosophy of the art of graphic design , in the fourth section : theory and practice, and then seal indicators theoretical framework, and included Chapter III : action research to identify the research method, the method of selecting the sample, the instrument sample analysis, and then allocated the subsequent pages to analyze and critique the models that included posters movies by (20) Sample , and then search out theresults, including : - The styles expressive and aesthetic design requirements also, as a counterpart to realize the inherent requirements of the three is the perceived value of the sensory and subject value formalism and Altobeiragayma connectivity. - Used the colors as symbols to indicate certain connotations and different, then we can say that the language of expressive colors and symbolic tag representing different feelings and aesthetic goals in humans according to the joy, wonder, fascination. - The latest conceptual art shifts in the quality of the concept of art which relies on technical skill, and aims to produce a beautiful thing, and in the concept of consumer artwork, and means of artistic expression, as well as the role of the artist.Then he went out research conclusions, including : - That all the foregoing philosophy are not facts ready nor knowledge acquired but is the idea of research free and permanent dialogue and the ongoing debate of ideas and opinions, theories and approaches, in order to availability on a clearerunderstanding and skill of the mentality of an enlightened and visionary educator, as the function of philosophy is to learn critical thinking in a different way. Then identified recommendations including : - The addition of the philosophy of art to the curriculum for the branches of the design department of the preliminary study of the effectiveness in the development of creative thinking. Then identified the subsequent pages of sources andsupplements, and display the summary in English

استجابة المستخدم للتجربة الجسدية في التصميم الصناعي

Author name: علي غازي مطر
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تلخصت اهمية البحث الحالي بكونه يسلط الضوء على جانب مهم واساس في التصميم الصناعي قد نغفل عنه احيانا الا انه يؤثر بما لايقبل الشك بالاسس البنائية لفسلجة الجسد وبما يتعلق بشكل مباشر بالعلاقة مابين المستخدم وبين المنتج الصناعي وطريقة التعامل معه. فهو يبحث ف | Summarized the importance of being present research sheds light on the side of an important and essential in industrial design may overlook him sometimes, but it affects what is not possible doubt structural underpinnings of the physiology of the body, including directly related to the relationship between a user and the industrial product and how to deal with him. Thesis looking at the direct impact of the physical response of reliable and tested during laboratory dealing with the industrial product and the consequent strain resulting from the direct interaction with the product are different.its also trying to dismantle the ethical aspects and ways understood within the framework of the desired ideal design and what aspects that must be considered during the development of a comprehensive design plan for the production of industrial done. What are the real criteria for those ethics.The researcher put the problem discussed in the context of the question : (What's unique design current and future return to intensify the physical experience in the design of industrial products)Trying to achieve two main objectives1. Find the design trends that adopt the philosophy of returning to intensify the physical experience in the design of industrial products and to draw conclusions in this regard emerge from the theoretical framework of the research.2. The side effect of the physical output from the traditional physical experiment to measure within the current time frame during use of the industrial product and compare it with the effect he produces for use under the conditions depend on the physical experience more intensive.Through four classrooms, which dealt with the subject of research gradually through the theoretical framework included a diverse range of themes and detective. Turning through the first part, where the philosophy of physical response : which included within which the following themes : the user in response to experience physical, philosophical physical experience, atique ethics and design.The second section included and marked your subject matter in industrial product in the light of the physical experience : on the following themes : Appearance, compensation sensuous, then metaphysical exile and finally modern products that adopt promote physical experience in design And the third section included the hormones affecting the physical experience of such a groupAdrenaline and cortisol and prolactin, and others.The research has made the following findings : where 75% of the sample responded and 70% of respondents large system expected to experiment with lower percentage of cortisol in the blood after exercise game intensify physical experience because of the low psychological and physical stress level after playing the game using the muscular level and my body the biggest of them the situation in the tribal experience while playing the game tempo inhabitant ratio dimensional case also responded to 68% of the sample intentionality and 60% of the control sample for the test system. Where prolactin ratio in favor of Altghebrh dimensional decreased at the expense of tribal experience. But the rate of decline was very small and does not constitute a significant difference on a practical level.The conclusions of the researcher as follows revolves around that deal with interactive industrial product causes the secretion of the body of cortisol are the biggest apart from the fact that the body has come out of intensive physical experience or static Add to that the recipient who is dealing with the industrial product bodily experience intense will the consumption of cortisol and prolactin in greater than physical after his experience in dealing with the industrial product in the sleep mode. There is no doubt that the intense physical experience supposed to mimic the natural situation in which chemical reactions take place inside the ideal form.The researcher recommended by measuring the level of adrenaline in the urine through a similar experience a sample of the largest number of volunteers. Also examined are the recommended an examination on a mixed group of male and female alike can add to the experience of this kind of results that came out of this Find humble.

انعكاسات السرد في التصميم الداخلي == Narratives Reflections In Interior DESIGN

Author name: حارث اسعد عبد الرزاق السعيدي
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: This search is based on a common truth but missed by those who work in interior designing (ID) field such as historians and theorists, which states that the interior designs of temples and palaces of old civilization of Mesopotamia and the other civilizations that followed are considered as one of the narrative literature media that belongs to this civilized society or that, the truth that is still valid through Evangelical stories narrated by murals painted on churches interiors and the inwrought of Qur'ans stories garnishing interior walls of masjids and Mosques in the present time, as we know, language started as pictures embodying expressions of visual language unveiling meanings and significance, as humanity continued to grow, so did writing by getting its own entity that cannot be explained only by certain group of people, limiting its expressional ability so that wide scope of people won't be able using it, which led it to disappear and losing many of human experiences made by these communities and vanished forever.In accordance with the growth happened in the early and middle of the twentieth century, a group of narrative literature theorists called to use more than one way to convey their literature messages and experiments away from spoken and written form of language to ensure establishing their human experiments, to be understood by more recipients and expanding the audience using these messages with their new implications form, one of their saying was that visual entities have elements qualify them to be communicative language has its own alphabet in accordance with communicative components of this interactive environments, Following this a group of interior and architecture designers, Simultaneously, appeared calling to use the narrative literature as designing style model to produce equable significance interior designs, active in creating designing forms that differs from the traditional basis, one of the most controversial movements is the Deconstruction Movement in architecture and interior designing for this movement pioneers depended on one of narrative literature theorist, in spite of the production of this movement and the ones that are related to this synthesis approach between narrative and designing was either na1ve and limited to lateral metaphors has no intellectual dimensions out of the assimilation or metaphor, or appeared to be very odd cannot be explained even by the experts in criticism of art which led recipients to dislike its interior spaces and communication interrupted between them, that's why it didn't succeed to ensure narrative to be a clearly defined designing approach, with clear elements enough to be used by all those who work in this field for most of this style is subject to inner narrative vision and this limited narrative tools which is inspired from narrative in addition to the difference from designer to another, and incompleteness of designing vision of the sensory language alphabet enabling us to activate narrative as designing approach so can all those who work in designing to adopt it in disseminate ideas and their forward - looking vision concerning subject they embody through materialistic mold, and functional and environmental considerations they work with when designing interior spaces, when analyzing the above said a problem emerged which is (the bsence of designing forms that can be used effectively to reproduce narrative speeches as approach adopted by designer to create modem interior designs), many factors enhanced the importance of the subject most notably is the theorists instructing in interior designing field to improve designing method in way that activate the narrative approaches being one of the interior designing styles followed to achieve interior designs with future aspects in educating interior design practitioners in teaching and in the practical side.This vision came out of this study is based on aiming to describe general rules for readable message in narrative showing the ability to be used in the seen message of interior design. In order to start search it was important to define its methodical terms so that the subjective term appeared through studying Intellectual and technical concepts in narration and ways to employ them as new creation strategies constructing shape formations in modem interior design. Time term in this research defined by the interior design projects done by pioneers of deconstruction movement through the period from 2005 up to 2010. While place term is defined by interior spaces done in In global projects (entertainment and cultural) within the continent of Europe exclusively. Then defining the most important idioms in this research to conclude the first chapter of the thesis (dissertation).According to that early mentioned in this research led to rely on literary studies that pointed many aspects of the concept of narrative that emerged in the form of a theoretical framework consist of two chapters, the first addresses the issue of transforming narration in language and way to read it in interior design and what the narrative structure included such as narrator, narration and addressee and its reflections in interior design. While the second chapter we pointed out the structural foundations of the system of fiction such as character, event, place, time and mechanism with their reflections on the dimensional values in interior design projects. After that we discussed the former studies which discussed same subject of this research which enabled us, supported by what earlier has discussed in theoretical chapters through concluding indicators build on the basis of test tools in procedural chapter and that it represented an achievement for the first phase of the research approach in solving the pro bl em.While second step which is applying concluded theoretical form that has been implicated in the third chapter in which we discussed procedures and steps followed in research on its present form in order to achieve the objectives of the research, starting with the description of the approach adopted in the research which is a descriptive approach as well as the phenomenological approach in the analysis, and identify theresearch community and the election of the sample according to research on several criteria that fit with the goal of research, then we dealt with aspects survey of the building tool by creating survey application tool and check its apparent credibility verifying the validation of the tool by external analysts in the company researcher, so we can measure the relationship between the variables according to the note form for analysis then to discuss the results in the fourth chapter to draw conclusions and the most notably were : • narrative stimulates our minds to clarify our vision of design in internal projects since we are encouraged to confer complexity in our thoughts to activate unexpected innovative solutions achieving the appropriate between vision and the completed design.• Efforts to form and support our designs by the narrative is the same that help the interior space recipient to understand us better and more effectively deliver the visual message to them.And search came out with some of the recommendations, most notably : - • The interior design theorist must take in consideration, when heading towards other fields of knowledge to gain from, defining the limits of concept without leaving them fuzzy and with unknown potentials.• Designers have to embrace the idea of promoting the impression of the interior space nature in harmony with time and place in a way that support the designing event and confers upon it drama in aesthetic and functional performance of interior design.Finally, to pave the way for research in the future indicating the beneficiaries of the research.

تصميم الحلي المعاصرة في العراق وتقنياتها == Design of The Contemporary Jewelry In Iraqi And Its Techniques

Author name: وسن ناصر الشاوي
Supervisor name: محمد جاسم كاظم | محمد ابراهيم محيميد
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: استحوذت الحلي على رغبات شرائح واسعة من الناس في العالم، وفي العراق كانت الحلي ولم تزل من المتطلبات الاساسية الهامة في حياة النساء فهي تعكس الجوانب الاجتماعية والاقتصادية وهي دليل على ثراء ومكانة مرتديها. لعب وزن الحلية ومقدار قيراطها دورا مهما في تصاميمه | Jewelry design in the world has occupied a considerable part of population's interest. In Iraq, jewelry was and is still a necessary and important requirement of women's life. Jewelry reflects the economic and social aspects of life and people. It is an evidence of richness as well as social prestige. Metal weight and carat plays and important role in quality of goldsmithery and jewelry design. Further, precious stones play a remarkable part in both the type of design and the value of the ornaments Moreover; metal coloration has its effect in showing the aesthetic aspect of metal, and is used as an element to enhance the impact of the jewelry design.The use of enamel in jewelry coloring has played an important role, and has its stature on both gold and silver jewelry. The study lies in five chapters and deals with both design & techniques of the contemporary jewelry in Iraqi, focusing on the precious metal and gem jewelry. It has two goals : 1 - Identifying the bases used by the designers to create the shapes used in contemporary jewelry design. 2 - Clarifying the techniques employed by contemporary jewelry designers in Iraq.The most important findings of the research are. As for the first goal, it is found that : 1 - Iraqi Contemporary Jewelries are usually made of gold and silver, platinum is not used. 2 - Iraqi designers fall under the impact of cultural and economic factors. 3 - The continuous use of (Mina) in gold and silver jewelry coloring. 4 - the large use of geometrical shapes and designs. 5 - Designers used symbols, especially those derived from religious believe.As for the second goal : 1 - The use of several techniques in the jewelry making such as different types of casting, cutting, wilding, forging, drawing, pressing, rounding, bending, punching, rolling and other modern techniques. 2 - In decorating valuable metals (gold and silver), the designers used the techniques of sanding, perforating and filigree. Examples of designs and techniques employed are shown in color plates

التفكير المرئي ومؤثرات الخيال الابداعي في التصميم الكرافيكي المعاصر == Visual Thinking & The Effects of Creative Imagination In Contemporary Graphic Design

Author name: بشار شامل كاظم الخفاجي
Supervisor name: سعدي عباس كاظم
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان عملية التفكير المرئي كاستراتيجية وادوات ومهارات لا تتجاوز حدود النظام التصميمي المتكامل ونواتجه الابداعية، وبذلك فان ادوات حل المشكلة التي افترضها الباحث بتلك الادبيات المتعلقة باختصاص التصميم الكرافيكي دفعته الى وضع الفرضية والهدف لتحقيقها وفق منهجية | The process of visual thinking as a strategy, tools and skills do not exceed the integrated design system and its creative outputs, therefore; the tools that the researcher proposed to solve the problem concerning graphic design has led him to develop the premise and goal to achieve it according to the research methodology, and concluded researcher concluded the problem of the research with several questions as follows : ? To what extent do the visual thinking tools and its strategies operate in the design and cognitive process?? What is the relationship between the visual and imaginative thinking as a system lead to the graphic design and its creative capacity?? What are the influences that surround the creative imagination as a generator of ideas and their representation to the actual reality of the visual message?? What is the role of creative imagination in contemporary graphic designation and its being universal cosmic being a visual message.? The researcher put a temporary answers to these questions in the form of a hypothesis that can be achieved through the goals of his research and limit his aim to the following : ? Identify the effectiveness of visual thinking and creative imagination effects in the development of contemporary graphic designer.The researcher identify the limits of his subject of thinking and imagination and what can be employed of them in the system and process of designation with its various outputs of contemporary feature. It is known that spatially in Europe and the United States being the forefront of the cultural landscape of the visual in marketing and advertising globally, the researcher temporally limit and cover the period between 2000 to 2010 to study the research community for being the period of the start of the contemporary graphic design, and the researcher then offers the most important terms in search of a (visual and imaginative creative thinking and the graphic design) the second chapter the theoretical cognitive framework and included three sections cognitive theoretical framework, the three sections as the researcher covered titles and themes that he uses as a base for making his research.In the first section the researcher reviewed the patterns of thinking and view the visual thinking as a system of visual thought processes, inputs and outputs as strategies and tools of visual thinking as well as the thinking skills and uses of visual thinking in education and training and the development of understanding, communication and business management skills.The second section deals with single fiction and fantasy conceptual and the role of the visual insight as well as the mental picture, and also tackles the process of imagination and the types of imagination (scientific, innovative, creative and fantasy) As well as showing the mechanics of the operation of the creative imagination and the role of visual culture, design and employ the mind to think.In the third section researcher reviewed the graphic design and its use as being a visual connection , and tackled the basis of the graphic design that enhance visual thinking in graphic designers and processors as well as the importance of formal relations association in contemporary graphic design. Chapter III contains the procedures of the research and specifying its measures which follow the descriptive analytical method. The form of analysis has been designed and presented to the group of experts and specialists, and accordingly the models, that have been selected in the study, have been analyzed.The fourth chapter included a presentation of what has been reached from the results the most important of which are the following : 1. The process of visual thinking and through visual elements, carried on according to the visual dialogue between these coordinated shapes and interspersed by semantic expressive and aesthetic to create speed in the delivery of visual message and create aside from recalling the recipient is also being generated to stay and then has a long - term impact.2. Adopting strategies of visual thinking in design and integration imparted in the visual dialogue of thinking between the designer and the receiver, being based on a single scientific basis which is clear and has positive result.3. The inherent role in visual thinking to stir the creative imagination of the designer role contributes to fire the imagination of space during the full knowledge of the mechanisms available to show the design and the possibility of the recipient to understand the message and increase its effectiveness.4. Programs and strategies used in the generation of creative imagination into a process leading to the application and realize the available skills of the designer and its potential in the development of his abilities and find new mechanisms to keep pace with the new relationships that lead her creative imagination.Then search the conclusions of which output : 1. The thinking which is based on the human senses depend on the two factors of time and space, and the specific aim away from the infinity of thought in the abstract.2. The scientific studies, dealt with the mechanics of visual thinking in humans offers the possibility to employ them in visual messages between the receivers to the source and the future in training, education and guidance and public discourse operations.3. The element of imagination in the process of thinking, is the core foundation in the integration of visual thinking with the functioning of the creative imagination with the designer and the receiver together.4. The leading programs and strategies used in the generation of creative imagination to ease the process of finding a relationship and infinite imagination within the analog reality away from the fantasy and illusion limits.The recommendations of the study are the following : 1. Interest in visual culture with the community to be a process replete with visual thinking tools and current and common which elevate the technological development and social variables.2. Urging for the spatial intelligence capabilities or the development of the picture, It is the key to technological development versus reality challenges and needs of humanity.3. Depending on the programs and strategies used in the creative imagination in general teaching methods and curriculum design, teaching students, in particular, the fact that the adoption of innovative solutions to the problems and demands of reality must be inherent in human behavior. Finally, the pages of sources are supplied with an abstract in English.

التورية بين الفكر التصميمي والواقع التطبيقي في الفضاءات الداخلية == The Pun Between Design Thought And Applied Reality In Internal Spaces Thesis Advanced

Author name: زينب عبد العالي عبد الباقي
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث موضوعة التورية بين الفكر التصميمي والواقع التطبيقي في الفضاءات الداخلية، لتوضيح مفهوم التورية كمصطلح لغوي استخدم في البحوث الادبية وكون هذا المصطلح يشمل على معاني يمكن تسقيطها في تصميم الفضاءات الداخلية، لذا تمثلت مشكلة البحث عبر التساؤل ال | The research dialing with the pun between thought designing and applied reality in internal spaces , to Clare the pun concept as language term that used in literature research , and cause this term includes meanings that can used in interior spaces design , so that the research problem presented by the fooling quotation : - What available prospect in pun application in interior spaces treatment?the research has four chapters of the chapter I the problem of search (What are the pun application in the internal design spaces).It will address this problem by searching the title ( the pun and it applications Between designing thought and applied reality ) was the target of research depending on the problem that has been identified it : - - the definition of the pun concept and the extent of the involvement in designing thought type - Possibilities of pun applied in interior design the importance of the research was in : - the fact that the single new term and effective in interior design has not been addressed by the researchers from before, so it is a culture of modern design adds beautiful photos recipient the user , so its important.The research limitations included1 - the limits of objective : to study the pun subject applications in General interior spaces.2. The limitations of places : interior spaces commercial shopping centers, malls in the United Arab Emirates 3. limitations of temporality 2005 - 2014was followed by terms defection paragraph that used in the search , the secnd Chapter its theoretic farm in cloud three research the first one about pun concept ( language - Art - philosophy ) Second one it about designing thogh the third one about the pun and it applications in reaallty by using modern ticnecal.the theoretic frame get same indicators based onb An analysis of the models, Chapter three is the research methodology, which included descriptive approach in the analysis of Sample form included observation and analysis models and pictures of models aplecations , and the last fourth chapter Forms annulling the results of extracted from the analysis of the models and the results and conclusions The recommendations and proposals, the most results are : - 1. For the pun location of the space is implicit within its location in template I totally verified as part of and More of a part of the space and verified as being relatively includes all space, as the theme of the second template still disguise verified for relatively part of space, and is non - verified for more than a part and each space. The template III was lacking in mhwz is implicit in sites for more than a part and is relatively verified For the part of the space2.. Indications that is implicit in the template for special meaning it earned in appearance and implicit and also is the meaning of the second, the indications disguise is partially achieved for special meaning for the meaning of it is unachieved I (AVIC I) and but it achieved for relatively displayed, either for the template III is relatively achieved. And the most important conclusions were : 1. Modern packaging technology is no longer the most important applications is implicit in space, and that Its presence in a deliberate and systematic it buried a lot of unwanted also helps to highlight the function The inspirational within the space in which we recognize and deeper 2. The application of the technology that is implicit in interior spaces is the success of the application of modern technology as a tool which Technical Help is implicit in that apply within interior spaces.3. The tool is implicit is the technical The modern packaging technical B and this is no technical Technical packaging of the most important tools of the Help technology application is implicit in space, and that there is a lot of techniques, but that it is implicit packaging is one of the most important space

الانعكاس الجمالي للتفاعل البيئي في اثراء تصاميم الفضاءات الداخلية == Aesthetic Reflection of The Interaction of Environmental Enrich Designs Interior Spaces

Author name: صلاح الدين قادر احمد الجاف
Supervisor name: جبار محمود حسين العبيدي | لطف الله جنين عبد اللطيف
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: If any civilization has the estethic and its environment beautiful you'll feel design next to Ihorha and translated language unique and special Amzjha people are aesthetic in a very magnificence, where is the interior design of the systems aesthetic cognitive vehicle to fit on a Masasat interactive producer and overlapping and associated knowledge contiguous may be real or phenomenon which makes this specialization added to the cognitive level specialties who needs an outstanding level of expertise and performance or outstanding level of analysis and synthesis, and that as well, it must check to see intentional provide the data for such interaction and the inevitable overlap. That the situation of intellectual trying Almmazjh between thee formations fact objective and our understanding of it as a tool or utility and a means to achieve the goals of utilitarian and functional in order to maintain the composition necessitates the existence of this interaction. And that this interaction is live that raises a conflict within the Concept itself and system design seeks to interact and continuity and renewal, That's where the form of the environment and estethic result from the interaction of three basic components through the needs and requirements and types environment which components dynamic configuration, and then fixed factors which are determinants in the composition of the interior, such as patterns and interaction of these Alaoml that determines how that form the body of the Interior. This means the integration of factors, continuity and the inability to be separated in the environment design which is always a mirror that reflected ones, which lead to enrich spaces of the Interior, through the meanings and multiple interpretations andconnotations and abundance of the elements interacting to achieve a system design simple or complex In light of this.. The study objective reflection of the aesthetic of the interaction of environmental enrichment and its importance within the internal space of houses residential, is important in interior design, where lies the study, said in a statement that the awareness of the environment has become a necessity designed by the nature of this age and that what struck the environment from imbalance and disorder of thehuman environment This has become imbalance is growing rapidly unusual, that the goal of clarify Alatarmufahimi the interaction of environmental and aesthetic reflection to be a Bmanihama texture integrated and comprehensive and their impact on interior designs, whether existing urban areas or the environment for new components of the interior design elements Where that take advantage of the philosophical concepts of the environment and its components and enriched and its aesthetically pleasing design reflected on housing designs and commensurate with the culture and habits of everyone to keep pace with the progress and evolution. As unveils what carries Avcarelvelsfah and theories that you need to identify them and highlighted and an understanding of the attempt to take advantage of them. The study also trying to shed light on the philosophical concepts of beauty and the design and estethic idea and innovative sense of aesthetic idea. It is by recognizing the aesthetic organization and keep it within the phenotypic traits. Which aims to refine and refine and enrich the development, in order to realize the rights and the aesthetic appearance in nature and the technical and business aspects of behavior It can illustrate the importance of studying the interaction of environmental andaesthetic reflection of the following points The interaction of environmental and aesthetic reflection of the environment help to personal growth because it gives new possibilities for the behavior and recognize that the interaction of environmental and aesthetic reflection at teak and place a sense of intimacy and thus love with the place and belonging and Esida the spirit of cooperation As the study of this research was to enrich the library and try to fill the void is clear in this matter and as a result of the lack of technical studies and the process by which this subject is specialized to demonstrate the concept of interaction artistic Darcyan and researchers in the fields of interior design of the interior spaces and promote relevant theoretical knowledge, including the promise of opinions and explanations - based philosophical related to the environment and estethic with expression guaranteed in the aspects of the intellectual environment of the Interior, and also contribute to enhancing the possibilities of the use of semantic systemsdesign in spaces Interior and enrich the interaction of the internal environment and the extent of their relationship in the processors aesthetic design with the organization of the elements of the inner space environment within a philosophical frameworkAnd through informed researcher on many spaces interior modern residential, it was found necessary to identify the implications of the aesthetic of the interactions of environmental, where the use of philosophical concepts of the environment and itscomponents and enriched and its design reflected aesthetically pleasing designs housing and commensurate with the culture and habits of everyone to keep up with the progress and development and consistent with the area and the size of the internaldeterminants that it was necessary to exit the position illustrates the aesthetic reflection of the interaction of environmental enrichment designs interior spaces and consistent with the privacy of research topic, consisting of four chapters.. Making it afertile field for study in theoretical research and analytical For this researcher found that includes the (first quarter) formulation of the research problem which can be summarized by asking the following : What are the elements of environmental interaction of reflection to enrich the aesthetic designs interior spaces?.. In light of this objective researcher research focused in determining the tributaries of the interaction of environmental and aesthetic level reflected in enriching designs interior spaces, and through study and exploratory.. The researcher found that the study did not address it one of the researchers.. This is found justified logically and scientifically focused on clarifying the goal of research... As for the limits of research has identified in terms of the substantive study of the reflection of the aesthetic of the interaction of environmental to enrich spaces of the Interior, as included limits the spatial and temporal study spaces, interior designs for residential global contemporary countries continents (Asia, Europe , and South America), especially for the period from 2000 m - 2012 m.. As the researcher also define many of the terms relevant to the subject search In order to reach the objective of this research was to draw the second quarter your theoretical Blotar.. To study includes three sections in this chapter It first section dealt with the concept of beauty based on clarifying the concept of aesthetic philosophical thought.. With reference also to the study of the concept of reflection and stages Ncaha and theories, have adopted all of these threads to review many of the aesthetics of environmental and spatial and the most important characteristics of vision aesthetic andbehavior, experience and preference and judgment aesthetic to illustrate the importance of beauty to be the starting point and the base of the current study While focused second part, on a study to identify the concept of interaction and theories and objectives as well as the concept of environment, history and forms and elements and the mechanism of interaction of environmental through identity, and the types of Alostnvaa also discussed topic on the concept of place philosophically and their interaction with the place and organize space and characteristics of interactive spaces interior design The third section has included review of the concept of enrichment in interior design, levels and conditions and the role of beauty in enriching thought inventive and attractions visual rechaer in design and factors affecting it, also addressed the topic enrich the meaning innovation through artistic taste with reference to the role reversal aesthetic perception and mental In interior design enrich the image of the place through interaction chromatography It must be pointed to the adoption of a researcher in this chapter on the tables, charts, illustrations for the subject of study.. As well as from the picture Alfotgraveh for some modern residential spaces as well as the adoption of the researcher to some photographs of the interior designs that have been obtained from the references and sources, and adopting as examples and basic underlying base build a theoretical framework.. The researcher also to draw the most basic indicators that resulted from the three theoretical framework Investigation The third chapter specialization in determining the subject of research procedures, since it relied on the descriptive analytical approach has included research community schedule includes (6) states.. from within (7) continents, which showed a whole diverse and varied for the constituent elements of the space residential houses... Since that study is looking for the tributaries of environmental interaction, has been relying on intentional selective method of sample of the original research community.. Which has been on the track select models sample research elected that serve the purpose of the study and the closest to achieve, and the (6) states of the total (3) continents at a rate (45%) of the research community, and because it has been designed thoughtfully for the interior design and architectural , has also been selected based on the views of experts in the field of scientific and professional competence In order to achieve the goal of the research, based on the approach, it has adopted a researcher at the collection of information relating to research on the scoping study and landing sites marked by form numbers as a tool to gather information. And then the numbers include identifying Form axes analysis, consisting of primary and secondary passages have been organized according to the scientific method to search.. This is in addition to the experience of the researcher in theadoption of illustrative photos Models Search designs. For the purpose of confirmation of the validity and comprehensiveness of the analysis tool, has been presentation form Conversation analysis on a group of competent experts to demonstrate the comprehensiveness and validity to achieve the goal of the research..For the purpose of the correct application of the tool on the research sample, then resorting to extract stability analysis The fourth chapter has included discussion of a number of results within (three) main axes achieve the goal of the research and the findings of the research study to analyze the models elected, based on the means statistical.. In the light of the results and discuss the researcher to a range of results within this chapter, which was including1 - that the possibility of enriching the aesthetic employment was achieved in all samples2 - The design environment created by and interacted within the range of symbols and they owned the meaning or set of meanings that crossed from fiction was a cause for change and interaction3 - The traditional strategy of shape and material used and the nature of the user as well as light colors was one of the fundamentals of enriching the interior spaces Finally annexation Search List of Arab and foreign sources and a summary of the study in English.. Researcher and so could that complements the research process with the help of God Almighty
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