Show: 25 50 75 100 Results

Search results: 25 out of 1,974

اليات التعبير للتابع البصري في تصميم الفضاءات المتضمنة == Manifestation Mechanics And Visual Succession In Inclusive Space Design

Author name: ميس نصير عبد الرحمن
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان هذا البحث الموسوم : " اليات التعبير والتتابع البصري في تصميم فضاء متضمن " يهدف الى تحديد التوجهات التصميمية لاليات التعبير والتتابع البصري في تصميم الفضاءات المتضمنة التي تحقق النظم الجمالية والجوانب الادائية الوظيفية، تكمن اهمية البحث في محورين : ال | This thesis; titled “manifestation mechanics and visual succession in inclusive space design”, is aimed toward defining design trends for manifestation mechanics and visual succession used in inclusive space design; which insures implication of beauty systems and functional aspects of the space.This research importance revolves around two axes : 1 - Theoretical axis : emphasizes on the importance of interaction between man and interior space, through observation of main functional standards of the space deploying visual hints.2 - Practical axis : developing a knowledge base which will assist interior decorator in the process of understanding space comprehensive and sensual capabilities and deployments of visual hints to enhance the design process of inclusive space.In pursue of research targets achievement; the researcher has developed an analysis form; which covers the following : 1 - Functional and beauty manifestation mechanics, which in turn covers the following secondary aspects : (functional performance - beauty manifestation - space dimensioning blocks “floors, walls, ceilings, openings).2 - Inclusive space relations to surrounding space; which includes secondary aspects of (space design succession with neighboring space(s)), space internal successive design).3 - Visual succession suspense and stimulation, which includes : (basis and principles of “ strangeness, mystery, sophistication, variety, contradiction”, space definition plastic elements” lights, motion, colors, space supplements”). The researcher applied descriptive analysis approach, in analyzing three research samples of airports duty free markets; which were chosen carefully, to represent a wide sample range on international level; samples are duty free market for “Baghdad airport, Dubai airport, Ataturk airport”.To emphasize main of many products of the analysis process : 1 - Activation of space suspense, time illusion, motion and succession illusion, figurative attention of space interior, are all requirements to achieve beauty and functional design values; which are the tools to of visual succession activation.2 - Man tends to change his/her linear motional track often to zigzag, or curvature tracks depending on visible attractive points; this indicates the necessity in reconsidering space linearity, in a way which makes space design focus on applying attraction points proportionally to favorite motional tracks of shoppers; to direct man natural motional tracks toward designed attractive points.

الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي == Significance And Temporal Dimensions of Industrial Design In The Product

Author name: مصطفى ابراهيم دحام السهيل
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: هذا البحث الموسوم ) الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي ( يتناول تاثير الزمان في تحديد اهم الابعاد في تصميم المنتجات الصناعية وانعكاس تلك الابعاد في تحديد شكل ووظيفة المنتج واهم المتغيرات والتطورات التي يحدثها الزمان والتي تقوم باحداث | This marked research (significant temporal and designing dimensions of the industrial product) deals with the impact of the time factor in determining the most important dimensions in designing of industrial products Its reflection on those dimensions in determining the shape and function of the product and the most important variables and developments caused by the factor of time which make a designing changes to the industrial products including the technical and technological aspects and what these changes may occur the consequent transformations in finding shape changes to the designing form of the functional prefromance ,the quality of the raw used in the industrial product.The research aims at determining the desining dimensions and the impact of time factor in Its composition which relates derectly in the process of industrial design that might lead to clarifying designing tracks taken by the designer in desingning process as the designing comes through a continueous and changed developing form due to chronological progress and what might this factor affects on linking and classifying things according to (past, present, future).The research sonsisted of four chapters, the first one dealt with the research problems,its importance and purposes,and idioms mentioned in, the second chapter focused on the the previous studies ,theoritical frame which included three introductions , the first one dealt with the temporal meaning and its intellectul dimensions , while the second introduction focused on the designing variables of the industrial product ,through time factor,as for the third introduction ,it dealt with the designing variables and its forming dimensions according to time factor and indications of the theoritical frame which formed the research mean by designing an analysis application which resulted definition of the aspects of an analysis form presented to a group of specialized experts.The third chapter included the research procedures of a society that have expanded capacity relying on (intentional) choice for samples of society of the study and the descriptive style in analyzing the sample by analyzing aspects form after presenting ot a group of experts ,which cosidered the most appropriate method to achieve the purposes of the study, the chapter addressed to descibe and analyze the specimens according to analysis form designed by researcher,while the seventh chapter has included the following results : 1 - Significance has achieved formal variable in the specimens of the body (6,3,2) with an average(50%) and turned in the specimen(2) that it was in than it was in the past which preceded in the specimen(1), the designing shape of the speciemen changed and has been enhanced, while in model (3), the design was directed towards the sculpured mass form, hence ,the design was deffered from its predecessors in the chrononlogical past eras,model (6) has achieved the formal variable as the design derected towards the formal shorthand and became more slim than before.2 - The variables effect of the functional performance was achieved significantly with average (33%) in the specimens (6,3), while achieved with (16%) in the specimen (2),and was achieved to some extent in specimen (5), not achieved in specimen (4,1).The most important conclusions in the research as follows : 1 - The transformation and change in the characteristics of design system adopted functional addition according to the technical development besides maintaining the essential system in some specimens a matter which led to waekness of the expressive power and the apparent conductivity of the system from the innersome design, in addition to the recommendations and proposals then references

البعد التعبيري لبورتريه الخزف الاوربي المعاصر == Dimension Expressionist Portrait of Contemporary European Ceramic

Author name: مياده حسن مرهج الكعبي
Supervisor name: نبراس احمد جاسم الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: دراسه قائمه على التنقيب عن المفاهيم والاصول في قيام العوامل التكوينيه والعليا والوظائفيه بهدف تاطير الانظمه التعبيريه للخزف الاوربي المعاصر. فالتعبيرية الى جانب بواعثها الفطرية لدى الفنانين بما تحمل من دلالات الابداع الشخصي, تنقلنا ايضا الى الحاضن الخارج | Based study exploration concepts and assets in the textural factors and upper and functionality in order to framing regulations expressive of European contemporary ceramicsExpressive motivation along with artists including fungal afford connotations of personal creativity, also Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureake uArtist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitures outside the custodial culturally, and culturally.Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureNow that seen in the art of portraiture European porcelain contemporary offsets Azha and implications in the context of technical and stylistic and aesthetic implications revealed thought Alheiomana which still governs taste new milestones keep pace with progress.from here it seemed the emergence of diversity Graphic showing expressive portrait rights of the reality of cross - fertilization between the past and the goal thought Alheiomana and between the paths of renewal in the framework of modernity and onwards to praise the subject of portraiture new formulas dimension expressionist despite control of quantitative models of the products of different kinds, but the employers doctrine clastic had reached a dimension expressionist the legitimacy of the chaos emerged a clear relationsformalism the most profitable products in portraiture to find this topic rationale for the present study to decode meaning boarder behind diversity in crafting dimension expressionist for portrait porcelain European contemporary in light of the sensitivity of the artist and the expression and contain the aesthetic as well as read the shifts shapes depending on the subject matter of his face and the services of hand in a time of as the body of contemporary portraiture relationship dimensions syntheticAllow to be exploited for artistic expression through various technical treatments in addition to the presence of attributes and Graphic sculptural portraiture of contemporary ceramics from functional integration and aesthetic and associate with everyday life.ln light of the foregoing researcher assumed possession of European porcelain portrait of contemporary characteristics and dimensions of new creative expressive phenomenon influenced the art of modernity and its aftermath a lot of artistic and aesthetic concepts.and offers a researcher fragile study in four chapter included the first chapter the importance of research problem in dimension expressionist porcelain portraiture European comtemporary, have been identified in this chapter bending search time period 2014 - 2000this addition to identifying procedural came in this chapter for the most important termsbasic searchthe chapter has two within the theoretical framework, which included three sections pertalning to contemporary European ceramic portraiture.first research : expressive elements in the art of portraiture and supplements the body. section twante : first concept art of potraiture in formation section third topic of prtraiture contemporary ceramics. the fourth topic : methods of forming ceramic portraiture and techniques. As the third quarter came from search procedures for the busy professionalcontrolled by research community and appointed the fourth chapter select to discuss the results derived from the analysis of samples of research and including checks of this research and included from this study, which ended in a pri acy statement ceramic portraiture European contemporary in terms of its distinguished presance as the value of art and aesthetic affecting the various arts era and in accordance with the regulations , which relied on businessman and big goals in the history of art and ask him pictures of the body.

مرجعيات البناء التشكيلي للقطة في الفيلم السينمائي == References For The Formation Structure of The Shots In Cinema

Author name: نصير حيدر لازم
Supervisor name: رعد عبد الجبار ثامر الشاطي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Formation represents one of the concepts that came from the Plastic Art, which has been effectively Involved in the cinematic shot structure, adapting with the cinematic form that produces motion, although The Formation in the drawing art generally an important reference for film director in the study of the nature of the composition or to suggest movement or flexibility in the usage of colors, and this led to reproduce films for global paintings, from here the researcher put the title of the subject for his research (References for the Formation Structure of the Shots in Cinema).The first Chapter includes (Methodological framework), beginning the problem of research, which is formulated on this question (what qualities which were represented by the References for the Formation Structure of the Shots in Cinema?), And the importance of this research was in addressing important issue of linking the Film Art and Plastic Art, in addition to the benefit of students and scholars in this field of study. The aim of the research has focused on the revelation of representation of References for the Formation Structure of the Shots in Cinema.The research has three limits, the substantive limit addressed feature films that dealt with global Fine paintings as a reference in the construction of the film shots, temporal limit represented by the period between (2004 - 2014), and the spatial limit represented by Films that was produced globally.The second chapter (The theoretical framework and previous studies) in three sections : The First section : Cinema relativity with plastic art.(References for the Formation Structure of the Shots in Cinema) This section has dealt with the chronology of plastic art techniques that helped to develop the Film Art over the years, such as the dark room and Magic Lantern, in addition to the will of cinema to introduce motion to be unique and different from the plastic art, and the Performing relationship between film Art and plastic art and the most important approaches and differences between these two arts.The second section : Formation Structure elements of the Shots in Cinema.Turning topic to Formation Structure elements shared between the art of painting and film art, from the point, line, color, balance and rhythm... etc., have been clarified that the basis for the Formation Structure is not a formative element, but relationships do from this element and make it an interactive capabilities with the rest of the elements for the production of meaning and information, and how the director Employs his tools in ways that leads to a Formation Structure supporting the middle of formative elements and cinematic language elements.The third section : Formation references according to the diversity of performance theories.The Operation types Selected in this section engage in the relationship between cinema and drawing, and joint productions between these two arts, and also addressed to the references of formation art that have had a significant impact in film history, such as classical, surrealism and abstract… etc., in addition to reproduce paintings cinematically, especially those paintings that belong to the global well - known painters, and how they match Formative with the final cinematic image.Finally... the researcher at the end of the second chapter came with indicators that formed the theoretical framework recap, including : that the(References for the Formation Structure of the Shots in Cinema) configuration in the cinematic shots inspires its Formation Structure from the joint proposals between plastic art and film art, and also the motion represents the diversity structure between the painting formation and cinematic shot formation, in addition to Dealing consciously with the optical script as a basic structure between the film shot and formational painting. As for The previous studies the Researcher did not find any study that specializes in his subject (References for the Formation Structure of the Shots in Cinema), except for a few references here and there in a number of books, references and researches related to his subject (The Shots Formation) which the Researcher relied on in his research.Then, in the third chapter, the researcher developed (Research Operations), he used the descriptive method for the analysis of samples in this research and then chose the intentional samples for the purpose of conducting the analysis process through the fourth chapter (Samples of the Research) : 1. Film (The Passion of the Christ).2. Film (Goya's Ghosts).3. Film (The Mill and the Cross).Then the results and conclusions in Chapter five, which the researcher reached what he purports through this research, and the most important results of the researcher is revealed that the film art has the ability to achieve symmetry between the shot and its formational references with pinpoint accuracy, which leads to the production of intellectual and aesthetic level in film structure. Plastic Art theories represent a basic reference that completes Film Art theories in dealing with the raw material (facts).(References for the Formation Structure of the Shots in Cinema) The motion represents the diversity structure between the painting formation and cinematic shot formation. As well as the painting affects the cinematic shots by making them an indication unit with specific features without linking it in the image intellectual context that insures it's formational and dramatic interaction.The recommendations and proposals by the researcher, followed by a list of sources and references which the researcher adopted at his research process, and then the supplements and the Abstract in the English language.

الاضداد في النظم الشكلية للمنتج الصناعي وامكانيتها في استجابة المتلقي == Opposites Formal Systems For Industrial Product And Their Ability In The Response of The Receiver

Author name: نور عباس حسين السعدي
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تشكل الاضداد بالنظم الشكلية في تصاميم المنتجات الصناعية التي تؤدي دورا اساسيا في شكلها ودورها في استجابة المتلقي. ولعدم قيام اي من الدارسين بدراسة موضوع الاضداد في النظم الشكلية ودوره في عملية الجذب والابهار للمتلقي قامت الباحث بطرح الدراسة الموسومة ب ( | Opposites constitute formal systems in industrial designs products that play a key role in its form and its role in the recipient's response. And the failure of any of the students studying the subject of opposites in the formal system and its role in the process of attraction and fascination for the recipient the researcher asking study tagged (opposites in the formal systems for industrial product and their ability in the recipient's response) through the four seasons, the first chapter dealt with the problem of the search centered What is the role of opposites in formal systems and their ability in the recipient's response, then the importance of research in a statement opposites systems formalism for industrial product came as one of the means in the recipient attract, and can benefit from them and put it as a way of moving Bsykologgio receiver to achieve the benefit of the individual and the community, has been the first quarter included the goal of research is to determine the effectiveness of opposites relations and their ability in response Almtgay.vdila eating it identify the terms that Tzmnha search.Chapter II has included previous studies and theoretical framework, the theoretical framework it contains three sections, dealing with the first part, the subject of the idea of spatial contrast broad faithful to the concept of antagonism and Mbdoaltdhad and philosophy of antagonism and theories contrast, while the second topic antagonistic relations and organizational bases (formal systems) for industrial product and explained the foundations of organizational relationships and their types and their relationship contradistinction, while the third section psychology of visual perception and responsive recipient and explaining the cognitive and understandable, and some theories of cognition and the excitement and response and aesthetic judgment.The third chapter included research procedures and methodology that has been through the selection of the research community and choose the descriptive approach in the case study.Chapter IV has included the search results, and most important of these The results : 1. aesthetic values achieved regulatory connotations and at different rates, where the sudden rhythmic patterns in the formal system and color models (1,2,4), while the rhythmic patterns came clades formalism of the model (2.3), either model (5) rhythmic patterns have been achieved in design through raw material (Mca).2. Tmzart formal systems for industrial body product through objective and subjective job performance achieved functional mechanism in the human body models (1,2,3,5), which have the effect of a clearly defined response in the recipient and to realize the function of the product through Almnzawmth formalism.The most important conclusions of the researcher are : 1. The recruitment of antagonism through sudden rhythmic patterns in the formal and tonal system in the industrial product design aesthetic values occur regulatory connotations which they can check the recipient's response.2. antagonism is a goal to create a sense of where the transfer of translational appointed receiver from one area to another investigator continuity, so that the contrast makes winning product design art is visually obvious and makes high - alone form different but interconnected.And the researcher then to set the foundations of the design was the most important : 1. You must sudden rhythmic systems for industrial product adoption in its system of formal and color that affect directly affect the response of the receiver.2. The use of contrast in the system size, shape and direction to enhance highlight the formal systems for industrial product and must be employed is not limited to color spaces equal and flat

فاعلية طريقة الاستكشاف في تنمية المهارات الفنية لدى تلامذة المرحلة الابتدائية في مادة الاشغال اليدوية == Effective Exploration Method In Substantive Skills Development To The Pupils of Primary School In The Subject of Handmade Works

Author name: هالة محجن نعمان
Supervisor name: احلام مجيد سلمان
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: نظرا لما تمتلكة طرائق التدريس من دور مهم في العملية التعليمية يرتكز عليه مختلف الاسس والاساليب والانشطة المختلفه التربوية منها والتعليمية، ولكون طرائق التدريس الحديثة لها اهمية بارزة في العملية التعليمية فان طريقة الاستكشافية وفاعليتها في تنمية المهارات ا | Because of their methods of teaching an important role in the learning process. Based upon various grounds and different styles of educational activities , including learning. The fact that modern teaching method of Prominent importance in the learning process the way of exploration and of activeness in manual skills development, of various material especially material handicraft, and activation of different method to its full Potential and the power of the elements to get to high level of education between students and teachers. This is what the current organized (Effective exploration method in the development of skills for students in primary school ). The research consists of four chapters : - The first chapter : Find deals with problem of cross - crystalline question follow : - Q : How effective exploration method in the development of skills among primary school students?The objective search by : - 1 - Disclosure of the effectiveness of exploration development skills to pupils of primary school.2 - Measure the effective of exploration development skills to pupils of primary school for Hand work. The importance of higher research need to upgrade to high level using modern teaching method to active the educational process - and represented by the objective limits and then spatial and temporal boundaries border as well as identifying terms in the title and exit procedural definition.The second chapter : - It is including the cortical frame work which consisted of three research : - 1 - First section : - The skill and the importance 2 - second section : - included the hand work3 - third section : - included about the importance to teaching method relationship with skill sideThe third chapter : - Included research procedures and methodology adopted the experimental method has been selected sample of pupils of Al - Ashbal primary school fifth grade primary and extent of the use of meta , search teat and tribal tool.The fourth chapter : - Includes findings and conclusions that have been reached and was the most prominent1 - All hand work develop performance skills to students 2 - Conscience and artistic expression and associated operations creation and innovation development3 - Through it is to achieve social cohesion among themselves And then the recommendation and proposal, and list of sources and supplements came.

الاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصاميم الطباعية == Aesthetic Response And Variables In The Process of Communication

Author name: هبة مزهر محجوب
Supervisor name: ادوار الاشقر
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تشكل اهمية هذا البحث مؤشرا لمواكبة التطور للاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصمايم الطباعية، فالاستجابة الجمالية تعد ردود الفعل الايجابية التي يثيرها المثير عند المشاهد اثناء الحكم الجمالي او التجربة الجمالية والنفعية اما عند المتغيرات | The importance of this report considers an index to convoy the development of Aesthetic responsive and its changes in the communicative procees for theprinting design.on scientific foundation of effective with using the facilities available for new technologies wich is available in commercial advertising through the computer which through it the effective responsive achieved Conserning with the problem and through the researcher observationjob and her study for the Aesthetic responsive.ahe found that three was aproblem in dealing eith that subject from the searcher specially for the specil reality of the Aesthefic responsive and is changes and effeeing of the communicative rocess in printing design field and that to achieve receiving the actting letter with designs filld with beautiful vaiues to do the job and to get the responses from the listener and his interaction in this letterSearcch target Discovering the changes of the Aesthetic responsive in the communicative process for printing designs ,graphic designs.The search restricted in studing the Aesthetic responsive and is change in the communicative process for the modern commercial advertisement dealing with the beautiful and creer way and that what concerned withchabter one , but chapter tow covered the oretical frame work and it divided to three investigations ,the first study content concept of Aesthetic responsive and Aesthetic concept and the second study content communicative process and the factors which depends on the success of the communicative process, also the third study is commercial advertising and the target of it functions and types artistic side of the most important things in the announcement since it concern with graphic designers?s abilities in artistic and technical skills.Recommendation and propo sals ;1. That are ative and practical application in the commercial side of the announcement.2. confirmation that the work in the design of ommercial advertising deals with receiving advertising me ssage from the designer to the recriver.Suggestions ;1.Undertake astudy similar aesthetic response for the shope and color characteristics in commercial advertising. 2.Practical study to contrast vole of the image in advertisement and its effect on the recever.

برنامج تدريبي لبناء التكوين في رسوم طلبة المرحلة المتوسطة لمدينة بغداد == A Training Program of Composition Structure In Secondary Stage Students Drawing In Baghdad City

Author name: هند عماد حميد البياتي
Supervisor name: هاني محي الدين محمد النعيمي | رعد عزيز عبد الله
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد التربية الفنية من الدروس المهمة في حياة الطالب وخاصة في مرحلة المراهقة, المهمة في حياته , حيث تسعى الى صقل وتنمية قدراته فكريا واجتماعيا وفنيا, اذ تتيح له التعبير عن افكاره ومشاعره وانفعالاته حيث يصور العالم الخارجي بنظرته الذاتية او الذاتية الواقع | The art education regarded as one of the important lessons in learners life particularly in adolescence period. Because it a tempts to refine and enrich his abilities mentally , socially and artistically.In this way gives him the opportunity to express his thoughts , feeling and emotions through shaping the outside world with his own or realistic vision. The art of drawing considered one of the most important arts that have been used in the artistically expression which is the visual borrowing from environment. This is done by organizing the lines shapes and colors in specific palter of expression in order to be perfect by the Composition structure of the paint.From the observation, we notice that the learner flounders in his subjects and failure to produce his paint with it perfect shape and context. the reason lies, according to the researcher point of view , through her experience in the artistically supervision , the learners lacking the knowledge of the minor elements and founds of the artistically structure which is considered the basic pillar in any artistically perfect work.Depending on what is said above , the researcher has put the following aims : - 1 - Designing truing programmed for Composition the artistic structure in students drawings according to Gagne& Briggs (1988) theory. 2 - Measuring the effectiveness of the training programmed for the artistically structure elements and founds within the (cognitive - skill) dimensions. By applying it on a sample of secondary stage students. to achieve the second aim , four null hypothesis have determined to measure the cognitive and skill performance achievement level. The stay population is limited to second year boys student of the general sector of education in Baghdad city for the academic year (2011 - 2012), the total number is (27824) male student distributed on (50) school. The study sample is (40) male students which have been chosen randomly. Actually (2) classes from total (7) classes in AL - Garbia secondary school. The experimental group have been exposed to the requirements of training program designed according to Gagne& Briggs (1988) Theory which included (3) educational units.While the control group have taught by using the traditional methods. To option data , two tools are designed : - 1 - Cognitive - achievement test : to measure what in formation the students elements before and after applying the training programmed. 2 - Skill - achievement test : - To measure what drawings skill students have before and after applying the training programmed. Anevalution of skill performance list have been used. The presenter have used the suitable statistical tools such as : (mann_whitney) test to equalize the students in age, the cognitive achievement test (pre _ post)and skill performance (pre _ post). the discrimination power and difficulty of items. (Alpha_Cranach) formula to obtain reliability of the test , (Pearson _correlation) and (spearman brown).The most important results that the research have reached at is that the experimental group. exceeds in their performance of the cognitive - achievement test for article structure Composition and skill performance on the control group which shows the effectiveness of using the training programmed according to Gagne& Briggs (1988) Theory. The important recommendations are : - 1 - Adopting the designed training programmed in teaching elements and founds of artistically structure in secondary school because it is one of the important lessons.2 - Enabling teachers of art who are not specialized in art department to be supported by the content of the training programmed in teaching this lesson.The researcher has suggested the following : - 1 - Conducting a fellow up study for this study sample which have been exposed to this programmed anther studying stages to determine the effectiveness of this programmed in future.2 - Conducting a study for training programmed of Composition artistically structure in talented students drawings at Baghdad university.3 - Conducting a similar study on female students in the same stage and make a comparison between male and female students according to the results of the present study.

واقع اداء الة التشيللو عند المؤلفين الموسيقيين العراقيين وامكانية تطويره : دراسة وصفية تحليلية == The Performance Status of Cello Instrument At Iraqi Composers And The Possibility of Development Descriptive And Analytic Study

Author name: وليد غازي فرمان
Supervisor name: حسام يعقوب اسحق
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This Research consisted of five chapters with a list of sources andsupplements : First chapter addressed methodological framework of the research, exhibited research justification, whereas the researcher referred to the status and development of music in ancient communities in both theoretical and practical levels, and its transferring between east and west, whereas many musical issues transferred to Arab world like western musical composition rules and musical instruments, especially orchestral ones, that encouraged many Arab musician, specially Iraqis, to take concern about these instruments and learn how to use them in orchestral compositions, and how that’s led to emergence of some Arabic and Iraqi orchestral compositions. Then the researcher talked about orchestral instruments, which cello instrument considered one ofthem in violin family, and he clarified that orchestral composer must have full knowledge about the characteristic of this instrument, like acoustic range and its performing techniques, whereas the composer writes special symbols on the score refer to these techniques like dynamic, ornaments and articulations…etc. Then the researcher addressed Iraqi orchestral compositions, whereas he observed a weak utilization of Cello capabilities through little usage of performing symbols in the scores. He realized the importance of academic research, and for lack of previous researches dealt with the subject, after he showed his justifications, he issued his research as : (The performance status of Cello instrument at Iraqi composers and the possibility of development).Then the researcher exhibited the importance of his research as follow : 1 - Studying the amount and types of performance techniques used in Cello line in Iraqi orchestral compositions.2 - Showing the role of Cello instrument in Iraqi orchestral compositions.3 - Useful for students and to those who involved in music field, especially the composers.4 - Considered as an academic source in music field, especially about Cello instrument.5 - Considered the first methodological study about cell instrument in Iraq.The performance status of Cello instrument at Iraqi composers and the possibility of development Descriptive and Analytic study A Thesis submitted to the University of Baghdad council of the College of Fine arts In partial of fulfillment of requirements for the Master Degree in Musicology Then the researcher defined the aim of his research as follow : 1 - Exposing amount and types of performance techniques used in Cello line in Iraqi orchestral compositions. 2 - Exposing performing status of musical usage at Iraqi composers.3 - Setting suggestions for developing composing for Cello instrument.After that, the researcher explained the limits of his research and he defined the terms. Chapter tow consisted of the theoretical framework and previous studies. Theoretical framework consisted of an introduction and four subjects; the introduction addressed music importance in community and its relation with human life. First subject addressed string instruments and orchestral composition, where he defined the term, history of the orchestra, orchestral music instruments and grouping, and then he addressed the development of bowing string instruments and violin family over the time. Third subject was about cello instrument, addressing its importance, especially in orchestral composition, its making history and development, some acoustic characteristics, and the most prominent composers and performers in the west, and then he talked about cello transferring to Arab world and Iraq.Third subject addressed for performance notation techniques symbols and their history. Forth subject addressed definition of some performance techniques and specialty on Cello. Third chapter addressed research procedures, where the researcher identified the research approach he taken. Then he chose his research community, which consisted of all orchestral musical compositions, composed within the time limits, (above 2008),involving a cello line, which consisted of 24 orchestral compositions. Then he exhibited the community to experts to choose the suitable compositions, they chose seven compositions as sample according to special conditions. Then the researcher named his research tools and the analytical standard, and his researcher requirements.Fourth chapter addressed musical analysis of the selected samples. Chapter 5 set the results of the musical analysis, then the

برنامج تدريبي لتطوير مهارات الاخراج في المسرح المدرسي لدى مدرسي التربية الفنية == A Training Program To Develop The Skills of Directing In The Theater School'S Technical Education Teachers

Author name: ياسمين عدنان بهجت
Supervisor name: صباح عطية سويبج
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لقد اكدت الدراسات والبحوث التربوية التي تناولت في اجرءاتها موضوع المسرح المدرسي واهميته في العملية التعليمية ضرورة تخصيص مساحة كبيرة له في برامج المؤسسة التعليمية، كونه يخلق حلقه وصل مهمة بينها وبين المجتمع، كما ان المراحل الدراسية الاولى هي التي تخلق جم | We have confirmed the studies and research addressed in procedures Multi school theater and its importance in the educational process should be allocated a large area has programs in the educational institution, he creates an important link between them and the community, and the grades first is to create public school theater and building artist theatrical authentic.So is theater school of media task that can be used in the development and activation capabilities scientific, educational and technical learners through the stages of pre - stage university, as is through the provision of knowledge in the form of art, helps refine educated and make them accept eagerly to accept scientific data that usually be dry sometimes if presented to them traditional methods in the educational process.We started (the researcher) in the process of incorporation to the problem discussed according to the survey conducted by the scientific studies and research that dealt with the subject of school theater. Moreover the study exploratory in the number of secondary schools of the Directorate of Rusafa second to determine the extent of knowledge of teachers of art education the basic principles of the output and its components, rules and mechanisms applied, I survey teachers of art education and administrative cadres and found their need for more practical experience in this area and courses training and development to drive and develop their skills in the field of directing in the theater school.Based on the foregoing and the researcher found an urgent need to study that will develop the skills of directing in the theater school's art education teachers and raise the technical proficiency.Aim of the current research is to achieve : - Develop directing skills in school theater's art education teachers, and to achieve this goal researcher identified the following two sub - goals : - 1. Building a training program to develop the skills of directing theatrical according to model kofmin / 1970.2. Measure the effectiveness of the training program through its application on a sample of teachers and teachers of art education at the secondary level for the academic year 2010 - 2011.To verify the targets laid researcher hypotheses zero.Ensure the research community of teachers and art education teachers who taught soil art at the secondary level for the academic year 2010 - 2011.To achieve the goals of current research, the researcher designed a training program be (5) modules according to a model kofmin /1970. and includes training content in the material directing theater for theater school, and to measure the effectiveness of the training program has been prepared two types of tests (cognitive - skiller) and measured mediated form calendar performance skills.To show search results based researcher Cookson test for one sample and Kjordichardson equation / 20 and the equation of discrimination and difficulty equation Holsta.The main results are : - 1. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in the achievement test cognitive dimensional, reason and clarity phases of the program, and you know teachers and teachers of art education targets training knowledge and skills for each stage of education, making it easier for them follow - up process steps, in chronological order.2. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in test performance skills dimensional skills directing for the theater school, and why it clear steps training through the presentation skills directing and models play was prepared in the training program in order to recognize them members Group the treated After creating or preparing complete ’s Necessary , and the use of tools, and implementation of performance correctly and building phases of training in a logical sequence, and not move from skill to skill other only in mastering the skill previous full and dividing the skills to its simplest form by behavioral objectives performing.The main recommendations are : - 1. Adoption of the training program, which try to train teachers and art education teachers on the skills of directing the school theater, to prove its worth and effectiveness in the Acquisition of information and perfecting their skills during the training session.2. Take advantage of training centers and development of the Ministry of Higher Education and Scientific Research and the Ministry of Education of the training program based on principles and the foundations of instructional design for training of personnel teaching in the disciplines of the arts for the theories and models design training and analysis skills and use them in other subjects varied.

السمات النحتية في العمارة التفكيكية == Sculptural Features In Deconstructionist Architecture

Author name: عقيل حسين جاسم حمزة
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Affected by the nature of the fine arts in general, structures its neighboring affected seem like the product of logical, through contact with these arts influences thought compressor socially and religiously and scientifically and psychologically, and this is what makes sure functionally according to the relationship art evolution year which occurs in the human communities throughout history. I have contacted art, including sculpture composition data of the intellectual and aesthetic transformation that has occurred in the structure of the art in a different historical era from arts of ancient civilizations in Iraq, Egypt and Greece, through the art of the Middle Ages and the Renaissance, and ending, including the outcome of the modern arts and beyond.It was the emergence of currents modernist impact evident in the development of coordinated Achtgala a clear distinction between art painting, sculpture, and took the products of contemporary architecture, influenced by and influence, with the result of the achievements of artistic creativity, and it was for the development of the great in the field of technology have a positive impact of the relationship of sculpture, architecture, in terms of employment and similar and metaphor and embedding, and but relativism rise and fall, the vision of the architect or sculptor alike.Hence, the evolution of architecture in the period of modernism connects the idea of switching from level realistic to the level of abstract or symbolic, and it was for this, a role in showing the properties of architectural most relevant features art talk, specifically sculpture, and this similarity or overlap strengthened through the system aesthetics of modern art all related references poignant and mutant methods.The researcher found important to know the most important of these characteristics. So Me Find studying (sculptural attributes in deconstructionist architecture).This research included four chapters : Chapter One : ensure that the research problem and its importance and the need for objective research and its boundaries, and define the

خطاب ميشيل فوكو وتمثلاته في العرض المسرحي العراقي == Michel Foucault Discourse And Its Representation In The Iraqi Dramatic Show

Author name: عمر محمد جنداري
Supervisor name: عبود حسن عبود المهنا
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تمحورت الرسالة حول خطاب ميشيل فوكو وطروحاته الفكرية واهم المراحل التي مر بها هذا الفيلسوف في حياته, وابرز الشخصيات التي اثرت في فكره ومن ثم على نتاجاته التي تضمنت مفهوم الخطاب في مختلف المجالات, وما يتخلله ذلك الخطاب من طروحات ذات حقائق معرفية وسلطوية ماد | The current study dealt with Michel Foucault's discourse, his materialistic psychological propounds, the most important periods of his life and the most prominent characters which affected his thought and consequently affected his products including the concept of discourse and all its fields, and what that discourse contains as propounds characterized with epistemological authoritarian fact whether they were materialistic or psychological, then Finding approaches of Foucault's discourse in some works of a group of international directors reaching to the impact of this thought on a group of Iraqi dramatic shows and experiments. Therefore; the researcher divided the study into four chapters The first dealt with the methodological frame and the problem of the study embodied by the following question : How is the discourse of Michel Foucault represented in the Iraqi dramatic show ?The importance of the research is embedded in studying Foucault's philosophical discourse, as one of 20th century philosophers, and identify his thought and his product concerning discourse, the extent of the benefits that the Iraqi dramatic shows got from those theorizations. As for the need for the study; it is implied in providing advantages to students of Fine Arts colleges and Fine Arts institutions in devising the philosophical thoughts that are embedded in the dramatic show. The purpose of the study is represented in Identifying Michel Foucault discourse and its representations in the Iraqi dramatic shows.The Second chapter (the theoretical frame) included three sections; the first is concerned with the cultural philosophical conformation of Foucault's and his main writings, stages and transferences which he experienced during the period of his discourses theorizations, the most important philosophers, men of thoughts, men of literature, artists and the poets who affected his thought then his philosophical product and his own concept of discourse, then perusing the most important terms he worked on in his writings such as epistemology, Genealogy , archeology, panoptisme in addition to Marxism , structuralism reaching to College De France. In the Second section; the researcher shed light on Foucault's materialistic and psychological thoughts which are represented in various types of discourses to which he relates his propounds such as (the discourse of power, self - discourse, body - discourse, history discourse, epistemology discourse and madness discourse. These discourses took a critical way to show the relation between the total discourses on the one hand and power and epistemology on the other in order to find out the facts whether the matter is concerned with the materialistic visible image or with the invisible mental images. As for the third section; the researcher dealt with Foucault's discourse approaches in the dramatic show referring to some directors, such as(Arto , Erwin Pescator , Cantor , Jozef szajna , Peter Brook , Ariane Mnouchkine , Grotowski , Ojino Barba and Robert Wilson) as models whose products resulted in approaches on the theoretical and applying levels within the Foucault's discourse. Then the researcher talked about the indicators that are resulted from the theoretical frame to conform the tool by which the samples of the research were analyzed. Then the researcher ended the section with reviewing the previous studies. The Third chapter (the procedures of the study) which included the community of the study, that consists of sixty three plays. The researcher relied on the academic dramatic shows which were presented in the colleges of fine arts in Baghdad University, Babylon University and Mosul University from 2005 to 2010, from which the samples of the study were chosen. The samples of the study were analyzed by means of the tool of analysis, its validity, its stability and the approach of the research, choosing the intentional sample; then analyzing the sample that are represented in the following dramatic shows : 1. The Play "Mice and Presses"2. The Play "Either…Or"3. The Play "Ice"The Fourth chapter dealt with the findings which the researcher reached at : 1. The authoritarian discourse dominated the three shows; represented as a moral and materialistic authority as in "Ice", or the authority of power as in "Either…Or" and "Mice and Presses" in which the authorities varied between materialistic and psychological in the characters. 2. The three shows shed a light on the role of the marginalized person in the society and the loss of values which he suffered because of coercion and social injustice considering him, the neglected, as a (non - thought of) category.3. The shows of the two plays "Ice" and "Either… Or" presented the mechanisms of power sexuality and madness through disassembling their themes and relate them to epistemology. While "Mice and Presses" is built on the authoritarian conquer and presenting paste and senseless words to the minds of characters which misguided them in finding the truth.The chapter also included the conclusions and a group of recommendations and suggestions, followed by references and photos. The researcher ended the study with the English abstract.

اتجاهات النقد المسرحي الصحفي في العراق (1990 - 2008) == The Tendencies of Journalist Dramatic Criticism In Iraq - For The Period 1990 - 2008

Author name: علي حلو داشر
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان النقد المسرحي الصحفي العراقي يمثل احد الانماط النقدية المسرحية العراقية ذات الحضور الواسع والفاعل ضمن حراك النقد المسرحي العراقي، وان هذا الحضور جاء نتيجة لتفاعله النشط مع العرض المسرحي العراقي على مستوى المهرجانات والعروض الفردية داخل المؤسسة الاكادي | The dramatic criticism in Iraq represents one of the dramatic criticism patterns that have crucial impact within the movement of criticism in Iraq. The importance of this thesis is entitled (The Tendencies of journalist Dramatic Criticism in Iraq - for the Period 1990 - 2008). The title bears questions and inquiries. The question is what are the tendencies of journalist dramatic criticism in Iraq for the period 1990 - 2000. The inquiry, on the other hand, is why we are investigating these trends, for this very periods which represent the last period in which journalist dramatic criticism was practiced in Iraq. To answer the question, the researcher shed his analytical efforts on the dramatic shows (plays) by Iraqi directors, and international and local plays attempting to know the trends of criticism and their aesthetic tendencies through analyzing these critical texts, employing the simple and compound cases in the known trends and their uses such as the method of content - analysis after determine the standards critical trends. The units were employed to analyze the sample to get closer to the scientific fact by numbers and statistics in an attempt to get away off the disguised relativity that is not accurate. To answer the inquiry, on the other hand, the researcher analyzes the results employing the descriptive procedure and the method of case study in order to know the scopes of this type of criticism, i.e. journal criticism. Thus, we detect point of strength and weakness through the evaluation of journal dramatic criticism. Thus, we will be able to rise up the aesthesis of society. The research is made of four chapters. The first chapter included the problem of the study, the need for it, objectives and the limits of the study. The second chapter is made of the theoretical framework that consist, in turn, of two inquiries; the first is about the concept of criticism and the second deals with the tendencies of dramatic criticism and aestheticism. The second chapter also contains the indicators and standards that the researcher has come up with such as sample analysis, and the analysis of the conclusions of the study and the discussion. The fourth chapter includes the conclusions, recommendations and suggestions. Then, the references and appendices. The researcher shed light of his analytical effort on what has been published in the Iraqi journals by Iraqi critics about the Iraqi critic shows for world and local texts trying at knowing the reading texts and employing them in the simple and composite critical trends made of the critical method of the content analysis and the use of percentage to derive every critical aspect alone within one critical article after specifying the criterion and indicators as an instrument which the researcher has come up with within the theoretical framework, which the research employed as his method of analytical instrument vis - à - vis the idea taken from the approach of content analysis as the unit of analysis to achieve the highest degree of closeness to the scientific reality by numbers and statistics in an attempt to get away from the illusionary percentage that sprout here and there and mostly, inaccurate.

سمات الحداثة في فن الكرافيك الاوربي == The Features of Modernity In European Art Graphic

Author name: بشير احمد جعفر
Supervisor name: كامل عبد الحسين خضير النداوي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The art is considered one of episodes that produce fresh perspective , Opening a new fields to wards.renew in all life scopes so The modernity does not be the result of a certain moment , but it refers to the many historical stages that are contributed and formed it.The modernity is a new intellectual movement in art in general and in European graphic art in particular. It mainly depends on trying to replace the intellectual reference that govern the human behaviour in life.And according to this fact , the modernity is an active partnership in the intellectual transformation grand witnessed by the humanity.The modernity does not call only for the evaluation of thought and renewal the literature but also to develop the art and out of old to the new style , language and thought without losing its cultural roots, and also its original features which are stemming from human civilization. As ( Audinos ) mentioned that every modern does not mention about a new view of life , man and science through art aesthetic and not be valuable.It is worth mention that Europe has been witnessed modernity in its large meaning which rapidly spread and impact on arts all over the world, among an important things that European modernism confirmed on especially in art : is great tendency toward abstraction or alienation depending on the currents brought by modernity , which made the shape rejects any static image through diversity in technology and style , so this figure appeared clearly in the art , particularly in the graphic artThese changes have led to revision the nature of the vision to art in general and graphic in particular. On art level , these changes represent by new European movements , the researcher has found the importance of knowing the modernism features in European graphic art. The research has focused on ( The features of modernity in European graphic art ). The research has contained four chapters , the first chapter is to show the researches problem which summarized in (What are the features of modernity in European graphic are) and its importance its needs and its aim which sets in (Definition of modernity attributes in the European graphic Art) during (1895 - 1978)and spatial in (Europe) , As objectivity identified by graphic works according to its techniques , and determine the terms contained therein. Chapter two has contained three studies ; the first one concentrated on the concept of modernity in art , the second one contained the grew up of the graphic art and its development through ages while the last one is about paths and directions of European modern graphic. Chapter three has devoted for the research procedures which contained identify the research community and choose the sample which is nearly (18) aprinted work , then the search tool and to analysis the sample.The Chapter four has contained the results , conclusions , proposals andrecommendations. Among the most important results finding by the researcherare : 1. Modernity led the movement changes in the nature of visibility to art ingeneral and graphic art in particular.2. modernity has combined between passion and scientific analysis in shape , colour and movement , and this method has formed the basis for many movements (Graphic art) in Europe.3. Modernity for the impressionists considers as a renewed movement which contributed in great change which accompanied the artist , of this school by their using the technology of ( wood engraving in colour , Lithograph in colour) as in examples (1 , 2 ,4).4. The modernity feature has confirmed for the impressionists by using symbols taken from lived environment which implemented in a style with simple lines as in example (1).5. For the expressionist artists , the modernity has confirmed that they have two levels within two ways : the first , is to determine the shapes by his strict limits of linear up to the point summary which makes the real foundation of forms away from realize , while the second is to look for about the details of the shape within geographical (modeling) strict for colour by using mechanism experimentation chromatography as in examples (3 , 18).6. Modernity for the expressionist artists , shown in colour by using the main colours ( black , red , green , yellow , and violet) with some changes in , with modern technologies (drypoint with aquatint in colour , woodcut in colour) as in examples (3, 18).7. Modernity for the brutality school , affirmed on unusual colour and vision as in examples (11).8. The brutal artist collected a total of technologies in their modern works , and within it ,modernist form has been activated and in modern view unlike the previous forms. And among these important technologies are (sugar lift Aquatint) as in example (11).9. Modernity to the Cubism school is characterized by analysis and forming shape. by returning shapes to the mind concept and meditation for cubists as in examples (9 , 14).10. Modernity to the cubists characterized by using of new technology ( linocut printed in five colours , etching) by these techniques , the features experimentation showed to the cubists as in examples (9 , 14).11. Modernity to the futurists arts is considered as renewed movement which contributed in great change which accompanied the artist of this school by introducing the concept of dynamic cosmic and used it in graphic art fieldas in example (5 ,10).12. Technologies for the futurists arts formed a modern touches through the expression and formal method of treatment manipulates light and shadow within the printed work. It was obvious in techniques of ( Etching ), (Linocut in colour) as in example (5,10).13. Modernity has appeared at abstractionists artists within the geometric abstraction which is the most reductionist level structure of formal and modern colour as in example (8 , 12).14. Abstractionists artists has taken a new formulation of the printed form by using modern technologies different from the previous techniques groups ,which enhanced the shape with modernism , and among the most important of these techniques are ( lithograph in colour , woodcut , Lithograph ) as in examples (6, 8,12).15. Modernity found at aldadanyeen and the surrealists , which comes from the illogic (neglect logic) and we can see through that they set out the visibility in their thoughts and emancipation outside the limits of laws to create forms (abstract forms which have mysterious nature) which consists of the absurd within abstraction as in examples (13 ,17).16. The Modernity has embodiment for alddadanyeen and the surrealists by defining the concepts of dream and realism in a new frame from the reality within dream which means expression of activities over realism in disordered forms or incoherence , one of the most important technologies that have emerged features of modernity they have are : (etching , lithograph , etching with Aquatint ,Aquatint with etching in colour ) as in examples (13, 15 , 16,17).The conclusions reached by the researcher Among the most prominent. : 1. Human dimension appeared in most of the fields of European art especially in graphic art.2. The new printed work considers as text which shows aesthetic relationships through the ordering of structural elements of the graphic art.3. The European artist graphic enabled to find spaces to show the expressive dimension in their works.4. The European artists graphic interested in experimentation which led to show a new technologies in his works.5. The printed work appeared diverse in forms features through diversity in arts fields for the European graphics.The search is over by recommendations and proposals with a list of references and sources and with abstract with English language.

برنامج تعليمي لتنشيط الذاكرة البصرية لطالبات قسم التربية الفنية / معهد اعداد المعلمات في مادة عناصر واسس التصميم == Educational Program For Activation Sighting Memory For Girl Students / Fine Arts Department - Institution of Preparing of Girl Teachers In Subject Elements And Basis of Design

Author name: نورا عبد الله علي
Supervisor name: ماجد نافع عبود الكناني
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: اصبح الوقوف على اليات تنشيط الذاكرة ضرورة من ضرورات هذا العصر الذي تتفجر فيه المعلومات يوما بعد يوم وتزداد اتساعا وتنوعا، اذ ترتبط الذاكرة بالتعلم ارتباطا وثيقا فالانسان يتذكر ما سبق ان تعلمه، اذ ان مشكلة صعوبة الاسترجاع وعدم الاحتفاظ بالمعلومات في الذاكر | The reliance on techniques of memory activation , it becomes necessary from necessaries of this age within it information flowing day after day and increasing of expansion and variety where as the memory connected by learning relevant connection. the human rembered what have learnt it in former. Problem of recovery difficult and not keep by information in memory which have become importance of researches in scientific fields. From here psychologists and education are think in styles and strategies' which used ( teacher or learner ) in classroom to activation of memory and encourage learner on employment it in order to help him on use of strategies of coding and storing of information in memory and recovery it.starting point from that the researcher find importance of foundation for problem of researcher which aims to achieve as following build educational program for activation visual memory for artistically education department in subject of elements and basis of design , measure activity of educational program by two dimensions cognitive and skillfulness through application it on sample students of fourth class artistically education department institution of program teachers and in order to confirmation from two aims of research have specified (( 4 )) zero hypothesis for measure level of obtainment and also to know on ability of program in activation of memory at students.country of research have specified by students for classes of fourth and fifth in departments artistically education institution of preparing teachers belonging to general directorates of Al - Russafa / Baghdad education ( 1 , 2 ) and Al - Karkh ( 1 , 2 ) where their total reach ( 191 ) students have selected sample from students of fourth class / institution of preparing teacherfs - Palstain street reach ( 20 ) students. the researcher depend on experimental design by two independence groups as being more fit for aims of present research , where as experiment group have submitted for experiment through their teaching according to requirements of educational program which have designed a cording theory of dual coding for rembereing which include ( 3 ) educational units , while controlling group have studied itself through use ways of normal teaching. in order to achieve from aims of research and reaching to results which have designed educational program for refresh of sighing memory according to vocabularies of material elements and basis of design restricted within methods of preparing teachers by specialization artisically education and for measure activity of educational program. the research carry out two kinds of tests , the first obtainment cognitive for activation sighting memory , the second skillfulness obtainment for measure skillfulness performance levels of students in carry out requirements of skillfulness test which performance within it level of their performance according to list of appreciate of skillfulness performance which have prepared for this purpose , educational program , tests , list of skillfulness performance appreciate on group of experts owner of specialists in fields of artistically education and artistically design and measuring and work in order to recognition on modulus truth then actualization from modulus of stability. the research depend on group of statically devices to show results of research such as test ( Mann - Whitney ) in order to actualization from results of two tests cognitive obtainment and skillfulness pre - and post and also formula of diffecult modulus and distinctive for items of cognitive test and formula ( Kyoder Richardson / 20 ) for fix obtainment test and formula of Holisity for fix skillfulness test and find modulus of agreements between observers. from most results which present research find out which may sum up it in superiority of experiment group performance in cognitive test for refreshing of sight memory and skillfulness performance on controlling group of what appear activity and utility of use of prepared educational program according to dual coding theory in teaching elements and basis of specified designed in fourth class - artistically education department in institute of preparing teachers comparison with by normal way.the researcher have advised by group of advises as following : - 1 - reliance educational program in present research in teaching subject of elements and basis of design and generalization on departments of artistically education in institution of preparing teachers and girl teachers because is being positive influence and activity , show it results of present research. 2 - importance of interesting of teachers subjects elements and design basis by cognitive aspect to teach design relations by connected , successive and series way in formation which concerning that basis by constructional form to it which ensure connect relation every teaching units by unit which follow or precede it.The researcher suggested that as following : - 1 - carry out match study from through preparing of educational program in other study subjects and measure its influence in obtainment.2 - preparing of educational program in subject of design through use educational computer and measure its influence in obtainment.

التقنيات الحديثة في سينوغرافيا العرض المسرحي == The Modern Technique In Scenography of Drama Show

Author name: انعام معن ابراهيم
Supervisor name: صلاح مهدي القصب
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان المسرح كائن حي يتفاعل مع كل المتغيرات والمستجدات القائمة، فلم يكن يوما ولن يكون بعيدا عن هذه المبتكرات والتطورات الحديثة في عالم التكنولوجيا. فالعرض المسرحي تساهم في بنيته وسائط تقنية عديدة يتم توظيفها من قبل اختصاصيون في مختلف الانشطة العلمية ,كالم | The second chapter (theoretical frame) is divided it into five section , in the first, the researcher has explained the importance of technology and its reflections on dramatic culture through the concept of cultures dialogue which was elaborated by the French thinker ( Rojeh Garody) who embraced Islam. In the second section ,the researcher explain the work of that technology through composing dramatic speech. The third section is divided in to two directions; in the first she refers to the most important technical techniques that contributed to development of drama show structure ;identifying it by computer firs and then by internet, while in the second she talks about the most important computer techniques and how to employ it in designing the element of drama show. The fourth section touches the most important direction techniques of directors whom the researcher has divided into tow current, each has a different way when building the Scenography of drama show in the light of using those techniques. She closed the section with the most important techniques used by modern theatre which are body performance through gesture language, sound expression and dancing. She concludes this chapter with former studies and set of indexes resulted from theoretical frame; the most important of them is that the modern theatre is mixture of many cultures that is affected by those cultures, furthermore the director has dealt with the actor as a body having mythological and expressing abilities capable of producing a new language with the receiver. However, modern techniques don't neglect the human being role and his creation, but it increases the opportunities of innovation and renewal in modern theatre.The third chapter includes the research procedures throug the research society and samples represented by the following designs and drama shows : 1 - The play of "The Bedouin and the Orientalist" directed by Akeel Mehdi. Theatre is considered as a living thing that interacts with all standing and revived variables, it was ever and will never be far from these modern innovations and developments in the world of technology. Several technical means contribute to drama show, these means come from specialists in various scientific activies such as musicians, lighting designers, sound effects, optical tricks, as well as designers of fashion, building and shaping. Today theatre also depend on various expressing techniques represented by using the language and grace of the body to put through the meaning by shaping gesture movement, singing and dancing so that the receiver can interact with. So, technology in theatre is not a newborn, but it accompanied it since the Greek times till the present. Consequently, it appeared with a new language whose features have been employ in the artistic currents that emerged and spread definitely after the Second World War in Europe,USA and the Arab World. These current used technology as a technical means employed in various innovation processes to discover its abilities and its intellectual and aesthetic dimensions. Upon this basis ,the researcher has identified the research problem in the first chapter of her thesis designated " Modern techniques in Scenography of drama" , in the following question : How to employ modern techniques to build the Scenography of drama show?Then, the researcher has explained the importance of her research which is regarded as one of the scientific efforts looking for the importance of technical development and its inflection on drama show techniques in Scenography building, and she considered it as an important reference for students at Fine Arts Academy. Then ,she explain the objective of the research , its limits and finally defining the most important term that is the concept of technology and Scenography.

تقنيات الايهام البصري في تصاميم الاقمشة النسائية == Techniques of Visual Illusion In Design of Women'S Textiles

Author name: ابتسام محسـن حسـون الخفاجــي
Supervisor name: سامي ابراهيم حقي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: انجزت دراسة (تقنيات الايهام البصري في تصاميم الاقمشة النسائية) الكثيرمن المفاهيم والافكار الجديدة فسحت المجال للتعدد في الاتجاهات التصميمية للاقمشة، كونها من التقنيات التصميمية المهمة بما يتميز به من قدرة على الايحاءات العديدة وهو ناتجا مستلما من عملية | The study of (Techniques of Visual Illusion in Design of Women's Textiles) demonstrated many novel concepts and ideas within the field of diversity in textiles design orientations, being a significant design technique characterized by an ability for suggestiveness as a final product of process of architecture of constructive relations. It reveals the techniques of Visual illusion in the design of women's textiles and establishes design leverages in women's textiles that depend on techniques of Visual illusion. The significance of the study stems from increased intellectual enlightenment by textiles designers and scholars as well as developing the knowledge of styles and orientations which contributed towards Visual illusion. The study was limited to design of women's textiles for dresses available in Baghdad's local market for the period 2006 - 2008. The study is in four chapters; Chapter One elaborates on the study problem, its significance, aims, limits and definition of terms. Chapter Two deals with the theoretical framework and former studies. It consists of three parts : The first part : Comprehension and Visual illusion in textiles design. The second part : The techniques of Visual illusion in the design process of women's textiles. The third part : The technique and its methods for design of women's textiles. This is followed by the former studies and their discussion thereof. The researcher achieved the most important pointers out of theoretical framework. These pointers were enhanced in Chapter Three. Chapter Three encompasses the study procedures, its methodology by adopting the descriptive approach for analysis of specimens out of the total (96) specimens of the study. A deliberate choice of the study was taken according to design objective levels consistent with the study aim. The study sample was randomly chosen at (25%) of (24) samples. A form was compiled for analysis axes by reliance on pointers out of Arab and foreign sources which were submitted to a panel of experts. The study specimen was analyzed through it. Chapter Four consisted of results of specimens of the study. The most important results obtained by the study were as follows : 1 - Most designs under research depended on the apparent in - form characteristics to achieve Visual illusion to generate diversified formative effects. These effects reflected on the motion, distribution and directions of the items. 2 - Color remedies were adapted to impart vitality aesthetic effect on textiles design by focus on color contrast as an actionable vision accomplishment to demonstrate the illusory space depth due to forward lead of fair colors and rear lag of dark colors. Besides, Chapter Four encompassed the following most important conclusions attained by the study : 1 - Basically, the techniques of Visual illusion were associated with the content of the design idea which was built upon many methodical technical data to be a modern tool whose idea was crystallized by virtue of many intellectual and materialistic concepts which rendered it into evident applicable fact. 2 - In spite of formative diversities in most designs, the design items relied on abstract form as a priority to present the true dimension of the design idea. This made other units of secondary importance overlap with it by limited non - determined motion in the design construction. Chapter Four included also the design leverages concluded by the study. The following are the most important : 1 - Need to widely invest and implement the techniques of Visual illusions in the design of women's textiles as modern design methods to achieve design formations via non - conventional, innovative new and organizational vision which is a product of variance and diversity of the formative items through mixture, placement and change in the formative relationships. 2 - Concern for choice of natural and synthetic fabric raw materials fit for the local environment. These materials have flexible, fine, endurable and moisture - absorbent specifications. On its basis are chosen the types of yarns, fabric construction and appropriate design.3 - Making use of the developments in the technical styles observed in the design of textiles to create non - conventional design assortments through overlapping between styles in order to achieve association between forms and embody them non - conventionally in a manner capable at enhancing Visual illusion. The purpose is aesthetic achievement to serve the functional aim. Chapter Four also included recommendations and suggestions.

الاطر الفكرية وانعكاساتها في تصميم المطبوعات الدينية

Author name: صادق هاشم حسن الموسوي
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Prevail in the world of intellectual and scientific variables... And overlap the treatises of this party, come research addresses the deliberative ideas as an important and necessary in the cultural communication and information update.. Hence it was dialogue of civilizations.. And individuals in the dialogue between them and the means of activating the intellectual and conceptual frameworks after he entered the concepts of globalization in all their in requirements attempt to impose a particular ideological line style.. But the cultures and traditions of theses communities attend to confirm the role that should not deviate or marginalizes its spiritual and physical level... Where is the means of communication, including print and one of the dozens of ways in which nations and peoples trying its institutions all through the dissemination of cultures, traditions and ideas and concepts..Being at hand and easy circulation and can be employed for the purposes of tourism, religious, economic and otherwise, generally, those nations and institutions are trying in various ways, the announcement of the frameworks related intellectual inheritance of civilization have, including religious shrines that frequented many parts of the world, which requires dissemination and promotion in support of after spiritual and material both whether, in Iraq this ancient country that stretches at home shrines are many varied and different religions and sects, the presence of printed religious for that shrines is an act communicative however, and worked the institutions of the thresholds of the holy given printed religious significance, as it is one of the media and promotion, , Because it appeals to the general public who attend religious shrines of different cultures and referents, and from this perspective the current research to examine and explore the link between spammersintellectual which is designed on the basis of publications issued by those shrines and between the artistic process and its implications, where his grandfather researcher subject should go into it, and distributed find classes as follows : The first chapter methodological framework of the research in terms of the research problem represented by asking the following : Are intellectual frameworks reflected on religious publications design? As the importance of research came in : ? The possibility of benefit from working in the field of Graphic Design in general and employed in the design of religious publications in particular.? The possibility of a briefing media organizations and advertising of the sacred thresholds, set a target Search in : ? The intellectual reflection spammers statement in the design of religious publications.? Provide practical proposals based on the outcome of the theoretical framework and indicators, and the search results, and then refer to the limits of research and determine the terms, as the second quarter included a theoretical framework, where it came from his interlocutor as follows : Also included the first section two addresses (such as conceptual frameworks, philosophy and thought, frame aesthetic, in the framework of art and design, intellectual framework - aesthetic when some civilizations, data intellectual thought and Islamic philosophy, frame artistic and intellectual philosophical Islamic "private"), as discussed topic the second to the (structure design, structure elements, elements Typography, foundations and structural systems), and interested third section in a statement (digital technologies and electronic publishing,producing and designing programs elements Typography, the communicative properties of print), , While the fourth section referred to the (design patterns prints, design publication, Graphic Design and Printing, the most important digital programs used in the design Jerafah), then followed by the indicators theoretical framework, and included the third quarter research methodology and procedures supported the descriptive method (method of content analysis)in order to reach results, and the research community, and the method of selection of models, and search tool which was to design a form identifying axes analysis based on what emerged from the axes and indicators theoretical framework, and opinions of a group of experts respondents who expressed an opinion scientifically built in, to other procedures reported in detail in separate proceedings, then the search in the analysis of the models chosen, came fourth chapter involving the results, discussed and that came from : Conceptual frameworks : 1. based methods of construction design which conceptual frameworks variety of dimensions, philosophical, and intellectual with theses global Islamic, and local variable rates and indicates this fact to the vulnerability results conceptual presented by the scientists and thinkers of the Islamic nation, and non - Islamic, and that proved the most of the ideas presented in the religious publications, namely the ideas of human dimensions related events experienced by the characters in question, as well as being connected to the religious and social situation associated with the ideological environment.2. Adoption of the style of presentation symbolic of the events promise to approach the representation formal, as in models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17,18, 19, 20). And (95%). Thereligious symbols is one of the most important means showing historical events through the employ of being known and unknown when a lot of the audience, and generally the employment of religious symbols or environment - related religious forms is important in the embodiment of the structure of the idea, as well as the fact that the symbols represent a tool easy to bring ideas unhindered and difficulties.Elements Typography : 1. Recruitment effects digital available in computer software in order to achieve dimensions of aesthetic certain, as in the models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17 , 18, 19, 20). And (95%). Commonly used these effects after he added an important set of filters and digital effects, and should be used by designer without distorting what makes writings without clarity and readability2. the emergence of clarity and readability in biblical patterns that have adopted away from digital processors that can come to the contrary where she appeared in all models. It is well known the importance of clarity and readability in hiring patterns written being talkie reader, and that the lack of interest by means cause problems in reading the text, which is not something he wishes designer and he has to pay attention to him.Structural foundations : 1. The adoption of symmetrical balance in the design of the versions with the absence of other balances, and appeared in all samples models. The adoption of symmetrical balance in this type of publications designer was caused by the use of a limited number of pictures of the shrines and domes and minarets of the design spacemakes space for syndication unbearable condensation or search for other balances.Regulations, and the relationship : 1. Recruitment open spaces will be the basis of which a picture has organized other formal elements as in the models (1, 2, 4, 5, 6, 7, 8, 10, 11, 13, 14, 15, 16). And (65%). A systems designer works on the printed employed in religious, and open spaces come to express fallow visual and openness structural system which is often linked to spiritual orientations for visitors.Communication characteristics : 2. Adoption of Direct to provide ideas. Appeared in all models. The use of the direct method in the presentation of the idea, makes it a high gloss deal with all recipients, and equally, and it needs this kind of stylistic designs of this direct relationship with a wide range and variety of people. Then ensued and the conclusions that came from : 3. The intellectual frameworks between the path in front of religious publications and designer working directory based on him in many of the propositions.4. Worked spammers and the arguments of religious thinkers and practitioners in religious affairs by direct reflex on the design structure of the print.5. The weakness that was apparent in the formal organization of the religious publication comes from the few know the designers of modern systems in Graphic Design, including the study of form and space relationships and employ photographs to the other.And continue with the outcome of the results and conclusions of the research researcher recommends including the following : 1. given conceptual frameworks that relate to Islamic history more attention and break the cycle of restriction, and to serve the - oriented ideological intermediary.2. the adoption of new methods in design and art direction and in accordance with up - to - date modern techniques.3. revolving develop specialized media and printing experts and designers led them informed and widely thought any ideological work will organize Publications printing and publications.4. Work on biological directorial sizes of prints and stay away from sizes that may occupy the continental and familiar.The researcher also suggested do following two studies : 1. employ images architectural design Islamic religious publications.2. dimensional aesthetic in the design of religious publications.He then read some of the works carried out by the Applied Researcher in which he singled out the second goal and a list of names of experts who showed Raya scientifically and technically, and he finished researcher finally conclude with a list of sources and supplements, Abstract and Title in English.

برنامج تعليمي لاكساب طلبة قسم التربية الفنية مهارات استخدام الالوان الزيتية == Teaching Program To Acquire The Students of Department of Artistic Education The Skills of Using Oil Colours

Author name: محمد عبد الله غيدان
Supervisor name: سلام جبار جياد السوداني
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الاتجاهات الحديثة التي افرزتها الثورة العلمية والتكنولوجية والتي من مبادئها واسسها الاهتمام بهندسة البيئة التعليمية المخصصة لتعليم المتعلم الذي يعد محورا للعملية التعليمية وباساليب تخضع للتحليل والتركيب والتطبيق والتقويم,وما توظفه من معلومات ومفاهيم | The modern trends developed by the scientific and technological revolution which its principles and bases are concerned with teaching environment teaching technology devoted to teach the learner who is the pivot of the teaching process,by methods subjected to analysis, structuring, applying and rectification along with what they employ of scientific data, concepts and activities made according to programmed courses arranged in regulations and law invented by science of teaching design introduced in all fields of specialization.This prompted the teaching institutions with all stages to accompany the developments of this science through directing postgraduate students to search for modern scientific means contributing in developing the teaching process.This include using teaching programs, systems and models and trying to applying and experimenting them in different fields of art, specially in acquiring them the skills of using oil colours which are a basic subject in Department of Artistic Education in College of Fine Arts, specially in practical plastic arts, then employing them in their artistic oil painting.According to the abovementioned, this study aims to : 1.Designing a teaching program to acquire the students of Department of Artistic Education the skills of using oil colours.2.Measuring the efficacy of the teaching program through applying it on empirical sample of 3rd grade student of Department of Artistic Education for the academic year 2007/2008. In order to achieve the objective of the study, a zero hypothesis will be invented according to study procedures.To ascertain those objectives, the researcher invented tow zero hypotheses. The group of the study consists of 3rd grade student of Department of Artistic Education of College of Fine Arts. Their number is (40) male and female students. A random sample of (13) male and female students was chosen whom the researcher adopted to apply the experiment.Since the present study adopted the empirical methodology, a teaching program was designed through analysis the subject of oil colours re - froming it according to the model of (Ganne & Briggs,1988).To measure this program, two types of tests was designed : the first one was cognitive achieving to measure the data that the student acquire and the second is skillful which measured through rectification form of skillful performance prepared for this purpose, those tools were subjected to truth and consistency procedures.To manifest the results of the study concluded by the researcher, he used the following statistical means : (Willcoxn Test) to show the prior - posterior differences between the students of the empirical group, (Difficulty and Discrimination Coefficient) equation to analyze the paragraphs of the cognitive achieving test and (Holsti) equation to find the agreement between the two criteria also those noted in consistency on performance rectification form.In addition to using (Kauder Richardson / 20) equation for consistency of cognitive achieving test.Most significant result concluded by the researcher : 1. The adequacy of the designed teaching program for how to use oil colours through its capability to acquire the students the artistic skills and to assist them to prompt them to think and making mind imaginations to comply with oil colours requirements and acquiring their artistic skills. This, in turn, contributed to achieve the desired objectives which was obvious in experiment results when applying the prior - posteriorcognitive achieving test for the posterior test.2. The adequacy of the teaching program in acquiring the students the artistic which was obvious in experiment results when applying the prior posterior cognitive achieving test for the posterior test.The most significant recommendations by the researcher are : 1. Adopting the teaching program in teaching colour generally and oil colours specifically in the Department of Artistic Education and the scientific departments in the compatible colleges or in departments of plastic arts in institutes of fine arts. This proved an efficacy in training the students on acquiring cognitive and performance skills.2.The agreement between the results of the present study and the results of former scientific studies and researches which adopted designing and inventing teaching programs in their procedures necessitated to add an academic curriculum specialized in teaching design for undergraduate study, especially in Deparment of Artistic Education in order to introduce most recent scientific and technological developments and their role in developing the teaching process.

المعالجات الدرامية للشخصية التاريخية في النص المسرحي العراقي

Author name: محمد مطشر عبد الكريم الغراوي الكحلاوي
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الشخصية التاريخية في معالجاتها الفنية المسرحية ركيزة من ركائز الدراما المسرحية، فهي العنصر ذو الاهمية، وهي الفعالة في النص المسرحي، لكونها صلة الوصل بين المؤلف والمتلقي، والمعبرة عن فكر الكاتب وما حصل عليه من معلومة موثوقة بعد تقصيه عنها، واستدراكا | The historical character, during its theatrical artistic treatment, is a main pillar of the theatrical drama pillars, it is the most important effective element, of the article, due to it is the connection between the author & the observer, expressed by ideology of the author, by what he has got of a certified &documented information trying to know, the importance of that historical character & the private characteristics of the historical period in which it lived in ,the approach to the historical character, from which the author chose as properties &characteristics discovering the properties ,characteristics of the given historical period & the depressive or liberal circumstances, formed that character, as a result besides its properties in the humanitarian dimensions, perhaps there is an self & influential effects of the historical character, upon the author. There are many historical events in the international history, composed the humanity, is a mean as groups or individuals, coming from the surrounding environmental circumstances, or the resulting individual & collective self agonies suffered, the author is almost obliged by the transfer of the historical events, through historical character, as if this character represents one component of the main resources, composed either the civic development or developed the civilization it self. The theatrical artist (the author) takes the transfer task of these events, even though hypothetically or actually, sometimes, only for the artistic theatrical enrichment, by the inspiration of the passing actual humanitarian history, during different passing eras, containing subjects, ideas and objects lead to the development of peoples vital experiments. It may be seen, from the passing essay, the importance composed from both the history & the characters contained in the past, still have its resonance inside the modern observer, this is the major motive, to look after the reality of the historical character, to be dealt with, theatrically in an artistic style , the research also shows, the author imaginative power, his ideas enrichment of the writing professionalism.Accordingly the research was divided into four chapters : 1) Chapter One : The Text Domain Contains the description of the research problem, importance, targets, limits & the definitions of the terms.2) Chapter two : Covers the theoretical frame, where it contains four research parts, as follows : A) Part one : The concept of public character The public character is treated by its general concept & the limitation of its dimensions (natural, social & psychological dimension) through the ideas &the different theories of the researchers. B)Part two : The concept of the historical character The historical character is treated through its common concept about, as if it is real, not mythic, or imaginary imagined by the author himself, characterized by real humanitarian characteristics lived in real historical period in the past. C) Part three : The concept of the dramatic character The drama is investigated because its importance to the theater, where originally the historical character is contained for the artistic treatment, as considering the character is an important element in the dramatic theatre. D) Part four : the dramatic treatment of the historical character characteristics in the an elective essays, the dramatic treatments of the characteristics was studied by theatrical author, according to the treatments mentioned in the theatrical text. To clarify the complicated image, it was tried to collected different opinions of different writers. The research was stopped, up to this point, on which it was treated as proof supporting the exisistng research, as a specific indicator of the Thesis.3) Chapter three Contains the procedures of the research. The research analyzed the historical plays documented in (1980 - 2005) ,then some specific specimens purposely chosen supporting the research, they are five theatrical essays. 4) Chapter four The results, conclusions, appendences, list of references & English summary.

استعارة الاشكال التاريخية في الرسم العراقي المعاصر : دراسة تحليلية == Borrowing Historical Forms of Contemporary Iraqi Painting (Analytic Study)

Author name: مؤيد محسن محمد
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: هذا البحث.. ينحو الى اقامة بعض الحفريات في الاستعارات الشكلية لمخرجات الفن العراقي القديم التي قام الفنانون العراقيون على استدعائها في اعمالهم الفنية المعاصرة.. وكان هذا الاتجاه قد تمدد في السنوات الاخيرة لدوافع واسباب مختلفة وكانت مخرجاته تؤسس الى طريق | This research.. Tends to establish some formal excavations in the metaphors that the artists are being called on Iraqis in their art.. This trend has been extended in recent years to the motives and reasons were different outputs to establish a way of communication under the title, which says bilateral heritage and contemporary. This call to the metaphor has created a method to look at the historical roots, as well as in metaphors and types, in addition to the motivation that worked on the foundation.It was based search on the first chapter and the research problem and its importance and its objectives and limitations and then determine the terminology and out of the procedural definition.Chapter II : ( conceptual framework ) and is based on the three sections The first topic : the historical root of privacy Mesopotamia all days through the era of Civilization agricultural villages to the new era of Babylonian civilization. Section II : Concepts in metaphor and identity in art. It was based on : 1. Types of metaphors and concepts. 2. Identit.The concept and meaning and form. Section III : Metapor's root contemporary Iraqi art of painting. Has been developed indicators for the Study of the end of each chapter and amounted to seven and twenty nine of them, an indication of the historical root of privacy Mesopotamia and thirteen of the concepts of metaphor and identity in art and four metapor's root Iraqi art of painting.The researcher output indicators of the joints of Investigation said.Chapter III : ( applications ) and verified the procedures of the research community through the samples the amount of sixty works were selected of which 16 to 16 artists Intentional one work per artist may provide a section on the most important conclusions : Conclusions of the research : 1. Most of the painters Iraqi contained descriptive metaphors and rhetorical expression based on the similarities and the similarity between symbols and transformations. Samples (1 - 4 - 5 - 6 - 7 - 9 - 14 - 15 ) 2. Most of the painters Iraqi contained stylistic metaphors shifted to adopt the contemporary contrast between fonts and colors. Or mimic the old style with contemporary's Materials. Or shifted from diagnosed and to be to different. Or mimic the old style on the rise and fall through the severity of the contemporary's materials. Samples (1 - 5 - 6 - 8 - 9 - 11 - 14 ).3. Some of the works of painters Iraqis built on inherited's metaphors you either restore Gaii blogger form or spiritual meaning, inspired by the blogger. And in particular that writing symbols and seals of all kinds is one of the codes. Samples ( 8 - 9 ).4. Most of the work of Iraqi artists has developed forms of abstract and formal micro and unit construction to units and formal units and construction vehicles are included in a system with units and other formalities. Samples (1 - 2 - 4 - 5 - 6 - 8 - 9 - 10 - 11 - 12 - 14 - 15 ).5. Some of the work is built on the interpretive metaphors based on the premise match the samples ( 2 - 12 - 14 ) 6. Iraqi painters are metaphors in contemporary works as follows : A. often feminine forms of mankind and the note or its Parts. Samples ( 1 - 3 - 7 - 8 - 10 - 15 ). B. and animal and vegetable. Samples ( 1 - 8 - 10 - 12 - 15 ). C. geometric shapes often superior to the triangle. Samples ( 4 - 5 - 6 - 9 - 11 - 13 - 14 ). D. and on human and animal forms and geometric designs. Sample ( 8 ). E. and composite figures. Sample ( 2 ). 7. Metaphors were often pointing to the identity and Privacy : A. Is often consistent with the identity of the fifth indicator, which states that it is not subject Of the laws of the samples ( 6 - 9 - 11 - 12 ). B. Sometimes agree with the first indicator of identity, which provides for correlation with radical history Representatives as determined by the content of disclosure about the method And raw material and technology. Samples ( 4 - 8 - 11 ). C. Sometimes consistent with the third indicator of the identity of their types, which provides for individual And collective. Samples (1 - 2 - 10 ). D. Sometimes consistent with the fourth indicator of identity, which provides for individual change And mass displacement due to belief. Samples ( 3 - 7 - 13 ). E. Sometimes inconsistent with the second indicator of identity, which provides for the construction Idealism and style. Samples ( 5 - 14 ). F. Rarely consistent indicator of the identity of the sixth, which establishes it as root repetitive The sample ( 15 ).

القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي == The Aesthetic Values of The Design Varieties In The Formations of Al - Jali Al - Thulth

Author name: حسين علي جرمط
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعنى هذا البحث بدراسة القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي، بوصفه واحدا من اصعب الخطوط العربية واجملها، وما يتميز به من مواصفات فنية شكلت حافزا قويا للخطاطين في السعي باتجاه اجادة واتقان قواعد حروفه وبناء تكويناته باساليب وا | The research is intended to study the aesthetic values of the design varieties in the Formations of Al - Jali Al - thulth script Being one of the most difficult and beautiful Arabic scripts and characterized by some artistic specifications , it strongly motivated the calligraphers to be good at the rules of its letters and the build up of its formations in various artistic trends and styles. That helps enrich and develop the design and aesthetic values of these structures , since they are graphic chievements representing a turning point resulting from the semantic , aesthetic and objective vision in producing the texts according to a particular form - amatter which has clear influence on the expressionistic, aesthetic and technieal development to produce free structures with design constitutions untied to geometric figures. The emergence of these free structures is only a natural product of the Arabic script development and its way of handling the designs in the light of the principles and rules of the Arabic script. The researcher, through the samples which he had access to, has managed to present the problem in the first chapter via the following question : 1 - What are the aesthetic values of the design varieties in theFormations of Al - Jali Al - thulth script ? The significance of this research lies in the fact that the formations of Al - jali Al - thulth script are a wide field of innovation, renewal and change at the level of the formal build up of formation. The study is of sig nificance to the researchers in the field ofArabic script. The study aims at revealing the design varieties in the formations of Al - Jali Al - thulth script, and identifying the aesthetic values of these varieties represented in the free structure appearing in Iraq, Syria, Egypt and Turkey from the period (1970 - 1390) to (2010 - 1431) Chapter Two includes three sections. The First section deals with the genesis and development of Al - thulth script and the transformations it witnesses throughout developmental course until the concept of graphic portrait appears. Section Two touches upon the development of the structure system in the Al - Jali Al - thulth script. Section Three goes into the aesthetics of the Arabic script, followed by the previous studies and the indicators of the theoretical framework. Chapter Three comprises the procedures of the reseaech. The approach adopted is analytic descript. Tive. The population is restricted to the graphic portraits that have free structures written in Al - Jali Al - thulth script. The portraits are one hundred (100) in number, 20 samples of which the researcher has chosen on purpose which accountfor 20% of the total population. These portraits have been analyized to the analysis form which includes four points, the authenticity of which is supervised by a group of specialists in this field. Chapter four contains the analysis of the samples and presentation of the results : 1 - Employing the flexibility of the letters of Al - Jali Al - thulth script in building up free formations. 2 - Diversity in the artistic direction of the free structures whether it is in the organized letters or in the built formation. 3 - The possibility of changing the positions and directions of the letters as well as measurements, facititates the invention of special free formation. 4 - Some free structures are characterized by simplicity in terms of the build up or the formal build up of the formation.5 - The multiple forms of a letter helps the calligraphist prefer one form to another of the same letter and choose the suitable form to build up the design skeleton of the free structures. 6 - The phenomenon of the free structures in the Arabic script is a tendency to liberate from the domination of thegeometric figures. 7 - The engagement between the letters and words forms different design relationships, and helps in effective form and space. 8 - The free graphic formations show that the calligraphist adopts the rule of lengthening of the letters. 9 - The adoption of the rule of letter modification and the specific change of its build up (formal,standard) shows that there are various forms exceeding the rule form of the letters.10 - The artistic direction of the graphic structures is characterized by innovation and diversification whether in terms of the formal organization of formation or in letter organization or merging to complete another letter. 11 - The letter are at the calligrapher`s proposal to satisfy his artistic sensation in the lengthening and sending with the view of showing its beauty. The researcher has come to the following conclusions : 1 - The graphic structures are an important phenomenon generated by the developmental mocement of the Arabic script. of the reasons of this phenomenon is that the calligraphers try hard to give it beauty, cohesion and strength. 2 - Al - Jali Al - thulth is the most capable script of producing the graphic formations in different forms and designs,particularly the formations characterized by the free structures due to its construction properties and itsmultiple and diverse forms of letters. 3 - The weak artistic distribution of the formation design particularly abiding by the reading serial which results from design necessities to produce the formation, negatively reflects upon the realization of the communicative goal and smooth reception. The researcher has made the following recommendations : 1 - Teaching ( the aesthetic values of the design varieties in the structures of Al - Jali Al - thulth script ) as curriculum in the college of fine arts and the educational institutions. 2 - The results of the research should be made use of and be adopted as a basis when preferring one calligrapher to another in the artistic activities such as contests, shows and festivals.

المنطلقات النفسية لتحليل الشخصية الدرامية في النص المسرحي العراقي : نماذج مختارة == The Psychological Beginnings In Analyzing Iraqi Dramatic Character

Author name: عقيل قاسم ولي الموالي
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: اهتمت الدراسات الادبية والنقدية في تناول النص المسرحي من الوجهة النفسية عالميا وعربيا ؛ غير ان النص الدرامي العراقي لم يحظ بالكثير من الدراسات النفسية خصوصا التي تناولت المنطلقات النفسية للشخصية الدرامية.. من خلال تقصي الدوافع النفسية الكامنة في هذه المن | The critic and literary studies concern in dealing the theatrical text in psychological in International and Arabic point of view, while the Iraqi dramatic text did not acclaim in many psychological studies specially those studies which dealt with psychological beginnings of dramatic character due to the lack of potential incentives of these beginnings , therefore, the researcher challenge this point in his thesis titled ( The Psychological Beginnings in Analyzing Iraqi Dramatic Character - Selected Samples) , which will includes Two Chapters : The first chapter (Methodic Framework), and second chapter (Theoretical Framework) which were divided into two sub - researches and they are : First sub - research : The Psychological beginnings of analyzing the character, while the second sub - research : The Psychological beginnings in analyzing the dramatic character The researcher and throughout the theoretical framework indications has come up with nine psychological beginnings, and they are as follows : First : Instinctive Psychological beginnings Second : Social Psychological beginnings Third : Self - psychological beginnings Fourth : Sub - conscious beginnings Fifth : Sicken Psychological beginnings Sixth : Bio - physiological Psychological beginnings Seventh : Reaction Psychological beginnings Eighth : Emotional Psychological beginnings Ninth : Philosophical Psychological beginnings As for the third chapter (Procedures of the Research), the researcher deals with those nine Psychological beginnings based on the indications resulted from analyzing the following samples : First : Text of play titled (the Door) by the writer Yousif AL - SaeghSecond : Text of (The Thorns) by the writer Muhyee AL - Deen Zankana Third : Text of (Welcome Oh, Peacefulness) BY the writer Jalil AL - Qaisi While the (Forth chapter) deals with displaying : First : Research Results. Second : Conclusions.

خبرات الطفولة وانعكاسها في التعبير الفني لدى طلبة المرحلة المتوسطة == Childhood Experience And Reflection of Expression For Students of Intermediate Level

Author name: احسان طالب جعفر
Supervisor name: محمد سعدي لفتة
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: استندت مشكلة البحث الحالي الى التساؤل الاتي : هل هناك علاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ؟ هدف البحث الى ( تعرف العلاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ) , وتحقيقا لهدف البحث اشتق الباحث عدة فرضيا | The problem of the current research is depending on the following question : Is there any relation between childhood experiences and artistic expression at intermediate stage student ?The objective of the research is ( identify the relation between childhood experiences and artistic expression at intermediate stage student ) and in order to achieve this objective the researcher derived several zero assumptions. The society of the research included the student of intermediate 2nd class student from the intermediate schools in Baghdad city who are still continue studying for the academic year 2011 - 2012. The researcher chose ( 100 )student ( both boys and girls),and the sample of the research were ( 4 ) four school chosen randomly.Adopted the descriptive methodology in the current research and construct the both instruments of the research as follow : - First : Construction measurement of childhood experiences according to the concepts of psychological analysis theory ,consisted of ( 20 ) paragraphs of delightful experiencesand ( 20 )paragraphs of painful experiences. Then achieved honestandsteadiness which are suitable to the measurement. Second : Drawing analysis form : An instrument is constructed composed of ( 6 ) six fields ,( 20 )main characteristic and ( 60 ) secondary characteristic. Then confirmed the honesty of the performance through display it to a group of specialists experts , while regarding steadiness , the researcher resorted to outside analysts Concerning drawing , it has been agreed on three drawings which are ( family , school and general environment )out of (300) drawings.To reach the results of the research ,the researcher used suitable statistical equations ;therefore after discharging the data , the research reached the following results : - 1. There is no positive correlation implies statistically at the sign (0,05 ) between : - • Delightful childhood experiences of males and the drawing of (family , school and general environment).• Delightful childhood experiences of females and the (general environment).• Painful childhood experiences for both gender and the drawing of ( family , school and general environment ).2 - there is positive a correlation of statistic significance at the level of gaudiness (0,05) between the childhood pleasant experiences for the female and the drawing of the family and the school.And after displaying the results and discussing them the researcher has concluded number of recommendations : - 1 - Giving more opportunity for the students to free artistic expression, and excreting efforts to learn the drawing skills and subsequently making the production of artistic expression more available of thoughts sense and emotions obsessed them and feelings towards things surrounding them.2 - Sponsoring the student’s talents especially the artistic expression( drawing) of its importance in developing their personalities and achieving adaptability and psychological health for them, the art in all its kinds emotional discharge mean for what the adolescence bears of painful and emotional experiences.The researcher has suggested performing the following studies : - 1 - The relation of the childhood and the drawing of Dept. of Artistic education.2 - Relation of childhood experiences and the artistic expression for age categories or other studying grades.3 - Relation of the artistic expression with other variables in the field of education and psychological science.

الحركة في تصميم الصحف الرقمية ودورها في التعزيز الوظيفي والجذب البصري == Movement In The Design of Digital Newspapers And Their Role In Strengthening The Functional And Attraction Visual

Author name: زينه ساوا افرايم
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
1 ... 50 51 52 53 54 ... 79