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بـــنية الاشــكال المنــفذة على الخـزف الاسلامي (الصيني والعثماني) : دراسة مقارنة Shapes Structure Executing On Porcelain The Islamic Chinese And Ottoman : A Comparative Study

اسم المؤلف: كريم شاكر كريم عباس الحمزاوي
اسم المشرف: صفا لطفي عبد الامير
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بابل
المستخلص: تمتلك الاعمال الفنية الخزفية الاسلامية تنوعا كبيرا في بنيتها الشكلية , وهو ما قد يرجع لاتساع رقعة العالم الاسلامي وتعدد الاقاليم والمجتمعات وما تملكه من مورث حضاري فكري او ثقافي , امتزج وتجانس مع فكر العقيدة الاسلامية ليصبح فنا جديدا يسمى بالفن الاس | Islamic decorative artwork has a great diversity in its formalism, which may be due to the expansion of the Islamic world and the multiplicity of regions and communities and owned by Gene civilized intellectual or cultural, mixed and homogeneity with the thought of the Islamic faith to become a new art called Islamic art, and here the case of diversity and differences arise in artistic patterns and styles between those regions and communities, but that has not spared in the formulation of the unity of Islamic thought, and most important of these are Chinese - style Islamic and Ottoman.Muslim artist sought and attained creative in dealing with the vocabulary of nature and technically processed through modification and innovation, to be able to highlight the structure of the new show formal aesthetic and functional role to her, and to suit the spirit of the Islamic faith. Hence this research to study (the shapes executed on Chinese porcelain and Islamic Ottoman architecture), which included four chapters : The first chapter discusses a presentation of the research problem, which summarized by asking the following : (What is the structure of the forms executed on the Chinese Islamic ceramics and Ottoman? What are the Elite Astgalhma in both technocracy?), As this chapter included a presentation of the importance of research and the need for him while outlining the purpose of search (b detect executing shapes on Islamic ceramic structure), and confined limits Fin temporal the period (from the Horn of M / E to the period M / E) The spatial were (China - Turkey).The second chapter of the section has three sections, namely : First topic : the Chinese and the Islamic Ottoman porcelain (historical impact) brought together several themes : Islamic art - what it is - its properties.Islamic pottery in the Umayyad and Abbasid era.Chinese porcelain included : Introduction historical - Islam and China - the Muslim Chinese porcelain.Porcelain Ottoman included : Introduction historical - Islamic Ottoman ceramics.While came second topic : constructivism art form in Islamic art. He incorporated several themes : The concept of structure - characteristics - traits.Concept form - perception - the structural elements of the form.The third topic : the Islamic Decoration (Chinese and Ottoman) brought together a number of themes : The concept of decoration - relations and methods of structural form - Types of Islamic motifs.Islamic ceramic types.Style Islamic Chinese decorative.Style Islamic Ottoman decorative Then followed by a theoretical framework indicators. The previous studies did not find the limits of science researcher previous studies converge with the current study. So this study to be a virgin. The third chapter procedures Find where annexation to the research community and of number is (98) of different types and measurements Khozvia act (dishes - dishes - tractor - vases), has identified a researcher sample purposely and number (16) sample, (8) made of porcelain and ( 8) of the Ottoman ceramics. This chapter also included a search tool, and the methodology of research and researcher adopted the method of structural analysis in line with the nature of the research and its requirements.The fourth chapter set of results, most notably : 1. Chinese porcelain and Islamic Ottoman numerous transfers in terms of form and content, it varied forms (between vegetation shape, engineering, and animal and written) and his travel at different points in time.2. Both the Chinese potters and Ottoman forms Implementing treated on the surface of the ceramic form realistic approach through simple modification in order to Zaarha in decorative art adorns its products.3 - owning Chinese motifs formats characterized by authenticity and whether the quote from the ancient Chinese heritage or the environment surrounding the artist, as these colors or shapes appeared in the Ottoman motifs as forms borrowed or imitated is what I mean by Ottoman artist.4. Adoption of the Chinese and Ottoman artist on two girls two colors to highlight different shapes and Show aesthetic and functional role of color, namely : A. tonal structure composed of blue and white colors of between figure and ground.B. Structure color adopted the diversity chromatography shapes on a white ground.The conclusions was among them : 1 - potter recognized not only eat a certain form but varied forms executed in the ceramic surface.2 - possibility and the ability of the Muslim artist on the perception of space available and consistently exploited in the distribution of decorative vocabulary and included within the divisions adopted on subdivision surfaces.3 - Islamic art of having the spirit of coexistence and harmony with other arts and the possibility of including the quote and organized according to the vision of Islamic and drafting.This is followed by a set of recommendations and proposals that the researcher finds that it may be complementary to the current study.This was followed by a list of sources and Arab and foreign references, and then followed by appendices and abstract and English title.
الصفحات الاولى:

عينات المجتمع الاصلي للبحث الموسوم بـ الشكل ودلالاته في الفخاريات والخزفيات البابلية والاغريقية : دراسة مقارنة The Form And Its Significance In The Babylonian And Greek The Pottery And Ceramic

اسم المؤلف: كريمة هاشم محمد البيضاني
اسم المشرف: زينب كاظم صالح البياتي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: في البدء لابد لنا، ونحن نخوض في مضمار بحثنا الحالي من تحديد موضوع الشكل والدلالة وتعيين موضوعها المقصود في الفنون بصوره عامة والفنون التشكيلية والفخار والخزف منها على نحو خاص، ولابد من تحديد مفهوم الدلالة ومعرفتها لارتباطها بالاشكال ومضامينها من خلال التا | In the beginning, we should delve in the determination of the form, and the significance of our research and determining what is meant by arts in general and plastic arts, including ceramic, in particular. We should also determine the concept of significance and its correlation with form and content through the exchanging effect between the signifier and the signifies. This connection can be explained through the visual discourse, especially what is implicit in the metaphorical pressures and what they pressures produce like religious dictorine, mythological, social and political which the natural and civilized environment has produced for Babylon and Greek. The study tackles in this field the form and its significances in the Babylonian and Greek ceramic and pottery works. The study was limited to the Babylonian and Greek ceramic and pottery works of art, specifically the Babylonian ceramic and pottery of the two old periods (1595 - 2004 BC) and the Hittite period (627 - 601 BC) and the Greek ceramic and pottery in the century (1800 - 500 BC). The study includes four chapters which cover the determined objectives. It includes : Chapter One : the methodology frame of the study which is based on the problem of study that is represented in the achievement of the Babylonian and Greek ceramic and pottery artistes how the internal and external pressures has affected the understanding of the significance of meaning of the form system in the Babylonian and Greek civilization and the external pressures like the culture and regions and politics which contributed to the foundation of indicators that satisfy the form and its significances in the Babylonian and Greek ceramic and pottery works through the period of the study. In addition to that, the chapter includes the importance of the study and the need for it according to the direct items in nature. It is important to point out that the study includes previous studies because there is none. Chapter two includes the exposition of the theoretical frame in three inquiries : The first inquiry tackles the concept and meaning of the general concept of significance and then defining the significance philosophically and then describe then according to the formal concept (iconic, symbolic, referential). Then, the significance and its reading were applied. The second includes the referential and intellectual pressures in the plastic arts of Babylonia. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Babylonian pressures are also illustrated. The third inquiry tackles the referential and intellectual pressures in Plastic arts in Greece. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Greek pressures are also illustrated.In Chapter Three which illustrated the procedures of the study represented in how to detect the society and choose the sample, and the methods and tools for data collecting and analysis. In addition to that, the researcher prepared diagrams in which some of the significancs have been form and matching them. Finally, the community of the study through the sample of the study which includes 12 samples varied between the Babylonian and Greek ceramic and pottery works out of 180 Babylonian and Greek earthworks. They were purposefully chosen using the assistant specialized professors in the field of ancient pottery like Prof. Dr. Zuhair Sahib in addition to the assistance of Prof. Dr. Majid Na’fa Al - Kinani. In chapter four the study comes up the following findings of the study which can be summarized as following : * The significance of the forms in Babylonian and Greek ceramic and pottery works are clearly reflected through the realistic forms and the organizations which represented in iconic and symbolic forms. Also, we found some unrealistic forms like the compound and abstract forms to represent some forms with significance the ceramic and pottery works. * Some significance has come with purposes of completing the level of the colorful functions on the level of Babylonian and Greek forms. * Ceramic and pottery works revealed the inspiration of natural themes and effects on pressures through which can artistic tendencies. The analysis sample analysis of ceramic and pottery works resulted in approaches in the significances.Finally, the most important conclusions of the study are tackled and based on that the researcher put some of the recommendations and suggestions. Then, the study ended with a list of references and resources.
الصفحات الاولى:

جماليات الرسوم المستوحاة من قصص الكتاب المقدس Aesthetics Paintings Suggested From The Stories of The Holy Book

اسم المؤلف: لميع نجيب موسى ال سقط
اسم المشرف: عاصم عبد الامير الاعسم
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: The stories of the holy book and the way education image, shape, color, and does not seek the artist in his work to take out the features of the aesthetic, but also uses the aesthetics and plays a chord genius to arouse the passions of spiritual and stir the emotions underlying which, inventors faith in the heart of the viewer through religious text, which forwards it to the image Completed and optical, and thus something that causes feelings in the soul of the movement of faith in the heart of her scenes, and this is what it is keen artist or storyteller color that comes out of his portrait in the midst of weather technician transcends it to a state of spiritual insight.I have included this study, four chapters, the first chapter , a statement of the research problem and its importance and the need for it, and the aim of the research and its borders, and to identify the most important terms contained therein, has dealt with the aim of research known as the aesthetics of painting inspired by the stories of the holy book.The Chapter II included theoretical framework and previous studies, which included theoretical framework three sections the first section : the concept of beauty and image when Fathers of the Church, which he reviewed the researcher views of parents who strike depth of spirituality and had their philosophical vision and written for beauty and image. And ensure the second topic : the concept of the picture in the art Aldeames, and the war of images or icons. And ensure that the third section three axes, which included the first axis story from the Middle Ages to the Baroque, and the second axis assets shear in the holy book , and the third axis features aesthetic art Christian, has contained the third chapter on research procedures, the research community, the research sample, searchtool, the research methodology , and the analysis of the sample amounting to ( ) model. The fourth chapter evolved to include search results, conclusions, and recommendations, and proposals, and the most important findings of the researcher as follows : . Christ spoke parables which each story uttered to give comparisons based on simplicity, and a lot of analogies and images and to clarify very specific, so that helps the plot narrative or summary of the end of the parable in the understanding of spiritual truths, and use bywords from the ocean, some of nature directly and others social habits, for the delivery of spiritual reality, every such application gives spiritually for something familiar, as in the model ( , , , , ).. hire artist Christian symbols that carry a theme featured in the religious thought of the Christian, which contributed effectively to enrich the religious discourse connotations ideological such symbolic pregnancy, as in the model ( ), and the symbolism of the fish as in the model ( ), and symbolic aura circular as in the model ( and ), and the aura surrounding the body and head, as in the model ( ), and the aura in the form of the cross, as in the model ( ). The symbolism of the ball - and - stick model, as in ( ). And symbolic dirham and as in the model ( ).. showed the achievements visual inspired by the stories of the holy book that the viewing eye more uncertain and inflicted impact on belief, and that of comic possibility to rationalize events much more than reading and hearing that transmits events to it in the form of votes interpreted by the brain, turning it into an image changing and ephemeral, unlike the eye which turns images directly to the contents of certainty and clear and accurate, and that's what it seemed clear in most models.The researcher arrived conclusions, including : . relied artists throughout the centuries to giving Topics the holy book stories Testaments old and new, especially proverbs in most of their artwork, while the general topics less addressed, because the stories of the holy book - text literature that carry speech and significance, they represent system ideological aims publication of the Christian religion and the search for absolute truth and character of Jesus Christ , also served as a source of inspiration for artists who in turn follow up by the text of the plastic on the body of the painting.. painter Christian deal over the centuries through his artistic vision to the stories of the holy book in two directions : first eastern abstract art, because it rejects the diagnosis and fights the physical embodiment seeking to represent the Eastern Christian spirituality, icon , as in Syria, Iraq, Egypt and Byzantium. The second Western art depicts and embodies the objects and nature, as it seeks to represent the physical realism, such as statues and paintings of various technologies.. make the parents of the icon part of the ritual church (liturgy), it represents the expression of formal physical perspective on the one hand, on the other hand sense on the fact un known , has now become embodied in the picture, and see the picture makes the believer that looking at all the abilities saved to be understood and recognized, all of which are things want him back for a recall of colors during the announcement of Jesus Christ in the heavenly ilk. It is a non - listed historical events superficially, were written or church, but is basically a symbolic code which performs across the emphasis on aesthetic finality carries connotations of forms has become a distinctive character in the Christian religion.The search is over Arab
الصفحات الاولى:

تنوع دلالات الاشكال المرئية في تصاميم الاعلان التجاري The Diversity of Semantics Shapes Visual Designs In Commercial Advertising

اسم المؤلف: ليلى علي رجب العبيدي
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: يتميز الاعلان بانه قوة اقتصادية واجتماعية لايستهان بها ويعتمد نجاحه على قدرات المصمم الابداعية في توظيف عناصر التصميم بشكل ملفت للنظر يجذب المتلقي الى منتج قد لايكون بحاجة الى استهلاكه، ان اهم الاسباب التي دعت الى اختيار موضوع (تنوع دلالات الاشكال المرئية | Featuring announcement that economic power and social supports his success on the capabilities of designer creativity in the recruitment of design elements strikingly attracts the receiver to the product might not need to consumption, the most important reasons for choosing the subject (the diversity of semantics shapes visual designs in commercial advertising) is the ability of advertising to accommodate commercial designs with various connotations in visual formats, To give commercial advertising regeneration and dazzling ability to continue to acquire the attention of the receiver, who is under dozens of ads a day packed with ideas and images and connotations, but hotshot designer is able to implant the idea in the mind of the receiver to deliver a desired response from the entire advertising process. The search included a summary and four chapters, where the fact that the first chapter, the methodological framework of the research, which included the research problem represented by the following questions : 1 - The Semantic shows diversity in the visual forms only or whether the in the ad business?2 - How Semantic diversity arises through advertising formats across its design and progress of the sensory response and aesthetic towards fees or words in aboard commercial advertising, including advertising ensures speech affect the customer?The importance of research in being important addresses placed a semantic diversity of forms of visual designs in commercial advertising, as it is a point proceed in the field of advertising design and Learners in the Department of Graphic Design. In addition to the limits of temporal and spatial search, objectivity and research community goal of commercial advertisements in magazines and appointed Iraqi who represented the Iraqi network magazine advertising, then the researcher has identified search terms. The second chapter, which included three Investigation handled first section origins and evolution of commercial advertising any announcement date and stopovers on the most important stages undergone by the announcement from oral to written and evolution witnessed after the invention of printing, and new technologies and the impact of the spread of newspapers and magazines on a variety of designs The second part, the idea of design implications and dimensions in the Declaration traders have had placed significance in some detail cross - check ideas advertising, which represent the basic building block in the design, advertising through the shapes visible through (consistency, installation, mystery, clarity.) To form the meaning inherent behind the figure inIn this sense, design disclose the same result demonstrated icon and marks (iconography, symbolism, and indicative) reflects the appearance of the other meaning of her beauty functional verification, The third topic was the visual way and methods of design in commercial advertising, and was the first section talks about the formats of video and how organized according to the specific configuration and employ symbols written and image forms and types and logos in addition to employment chromatography and the rest of the elements (point, line, shape, space) according to the principles of design (unity and Diversity, General balance, repetition and rhythm, contrast, and sovereignty), which operate within a system architecture (focal length, radial, linear, synthesis, reticular, circular, random Speaking section to the methods directorial design mismatch image or cartoons or writing or combines more than style and all that in order to achieve the purposes of design to announce commercial next career and expressive and aesthetic, then the indicators that emerged from the researcher of the theoretical framework and previous studies that touched in one way or another study researcher then comes the third chapter which deals with procedures for research and analysis of the sample intentionality a group of ads in the Journal of the Iraqi network and discuss the results, which was the most important : system architecture (focal length, radial, linear, synthesis, reticular, circular, random Speaking section to the methods directorial design mismatch image or cartoons or writing or combines more than style and all that in order to achieve the purposes of design to announce commercial next career and expressive and aesthetic, then the indicators that emerged from the researcher of the theoretical framework and previous studies that touched in one way or another study researcher then comes the third chapter which deals with procedures for research and analysis of the sample intentionality a group of ads in the Journal of the Iraqi network and discuss the results, which was the most important : 1 - domination formalism based on the total area of occupancy Advertising exit conclusions, including that the semantic diversity does not respect the idea, method, or purpose, whether aesthetically or functionally, but that diversity holds in all the design process.2 - The perceived importance of the logo in advertising for each product being a commercial adds meaning and value of Advertising in the expression of his identity and a sign of trust between the consumer and the product.There were also recommendations for the researcher including : 3 - The designer uses label (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.4 - The designer uses the mark (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.Proposals5 - The designer uses the sign (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.
الصفحات الاولى:

الاساليب الجمالية والفكرية للاعلان التلفزيوني العراقي المعاصر

اسم المؤلف: ماجدة سلمان محمد
اسم المشرف: عبد القادر خلف الدليمي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
السنة: 2010
مكان الجامعة: بغداد
المستخلص: يتميز الاعلان بانه قوة اقتصادية واجتماعية، ويعتمد نجاحه على ما يتضمنه من قيم فكرية وجمالية، وليس مجال بحثنا العمليات التي يحيل اليها النشاط الاقتصادي للاعلان، فقد حاولت انماط من الاعلان ذات سمات جمالية وفكرية ان تخرج عن النموذج الاستهلاكي الى افاق اكثر ان
الصفحات الاولى:

استخدام تقنية العجينة المصرية (Egyptian Paste) في انتاج اجسام خزفية مزججة The Using of Egyptian Paste Technique To Product Glazing Bodies

اسم المؤلف: نبيل مصطفى محمد الركابي
اسم المشرف: احمد هاشم عبد الكريم الهنداوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
السنة: 2011
مكان الجامعة: بغداد
المستخلص: يتناول البحث استعمال تقنية العجينة المصرية ( Egyptian Paste ) وخلطاتها ذات اللدونة المنخفضة في تشكيل بنى باحجام وابعاد واساليب مختلفة باستعمال خامات محلية وانتاج رائب زجاجي يطبق على الجسم الفخاري ضمن مدى حراري تتراوح بين ( 850 - 950مه).تم استعمال سبعة | This research deal with the technique of Egyptian Past and it's mixtures which have low viscosity in forming built in a different sizes ,dimension and styles by using local raws and produce slip glaze stack on the pottery body through temperatures between ( 950 - 850c ). We use seven local material included sand (Arzama) ,Cawolen (Dwelka),Calcium carbonate(AL - Jabha)Bentonite and unlocal material included Sodium carbonate ,Sodium bicarbonate, feldspar soda added in different ratio after sieving and grating and chemical analysis to determined the properties and the continent of materials added to five mixture managed from references and internet adjusted according to researches s' aims.We evaluated the results and select the sample of researches from the whole models depend on researches s' aims and we made several tests on the sample s' models such as plasticity test, efflorescence salt test, porosity,absorption , density , linear shrinkage ,hardness, scratch hardness of surface,the analysis chromatic , glaze surface topography , formula units.From tests we know that the rise of clay ratio to (30% - 45% ) increasing Plasticity and produce body in a different dimension and the rise of water percentage to a specific level produce slip glaze stuck on pottery body beside using of alternative feldspar made suitable results and the rise of Fusing material ratio led to reduce porosity , absorption , density increasing and forming bound body.and the mixtures s' glaze appear so opaque in spite of ratio of (R2O3 - RO2 ) produce transparency glaze. The reason of darkness is the adding of colored oxides (RO ) group to earthenware glaze beside silica percentage (Higher than the equilibrating ) and gasses resulting from reaction. The slip stationary on pottery body depended on paste texture and body pores ability to absorb liquid and salts which work after firing to fix slip on the body , and the appearance of glaze on surface depended on self glazing of mixtures s' contents and ratio of efflorescence salt weight which reach to surface , beside the heat s' effect on surface
الصفحات الاولى:

ماهية النظام الكامن في فعل التصميم للاعلانات التجارية

اسم المؤلف: دنيا محمد عناد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2010
مكان الجامعة: بغداد
المستخلص: تعنى هذه الدراسة اهمية لايجاد صلة مبدئية نظرية في بناء النظام الكامن وما يتضمنه من مبادئ ومفاهيم فكرية وفلسفية من خلال الافكار والاساليب الاخراجية التي تتعلق بالتطبيق العملي لتحقيق النظام الكامن في فعل التصميم ادراكيا الذي يؤدي الى وحدة الفعل التصميمي م | To deal with the significance of this study ,is theoretical ignition ,to the construction of the concealed System, and what consists of principles and philosophical and intellectual concepts, through ideas and directional methods ,which related to the practical application ,in order to achieve the concealed System, in the act of design ,that perceived cognitively, This leads to the unity of the act of design objectively and functionally. To increase the leverage of influence on the audience side, in that it supply the cultural side with a recent and development study, for the design of commercial advertisement. To the lack of a study, dealing with a subject of the concealed system in the act of design, including an act worthy of its importance ,in the process of design ,and its technical construction ,which meets, the requirements of the designing process ,influence and delivery, So this study is tagged under the title " The Essence of concealed System, in the design act, of the commercial advertisement" through four chapters. The first chapters included, the focused on research and the need for it. This focused on the question ,of what is the concealed System in design? And what is ,their impact in the act of design?Hence ,the importance of research comes with in some specific justifications : - 1 - It contributes to highlight the directorial methods, with the concealed systems in the act of design.2 - IT contributes to the development of visions and the skilled capabilities of workers, in the design commercial advertisement.The objects of study are represented by. revealing the concealed systems ,in the structure of designing the commercial advertisement, and laying down the essential foundations to the act of the concealed systems, according to the following : - 1 - The confirming on the fulfillment of the concealed system in the act design , through achieving an expressive unity, to establish the unity of the designing act , through consistency of the apparent formal elements , with the content of the concealed idea , at the heart of the direct sensory perception , this leads to the achievement of a high communicative value , used as an instrument , producing the concealed meaning , through excitement , and attracting attention , towards the product by the act of the concealed expressive forces.2 - The confirming on the expressive forces , to the concealed system , in the act of design , through modulation , and changing in the design elements , by adopting the mechanism of deletion and addition.3 - Achieving the presence of the concealed designing systems , by the act of the formal distinction , through the apparent designing systems , in a way that relies on the objective expression about designing idea. In addition to present an applicable proposal to the concealed influenced systems , in the act of design. The research limitations were represented by the printed commercial advertisement , in the foreign and Arab magazines , that released by the following states : Syria - Lebanon - Saudi Arabia - The United Arab Emirates the united states of Ameriea , for the periods from the year 2004 - 2009. As well as determining the terms , which contained in the study title. The second part came to cover the theoretical framework , and the previous studies , which found by the "female" researcher. They are adjacent studies to the current study , in the field of graphic design , approaching the subject of research , without being involved in it. The previous studies had been agreed with the current study , in terms of addressing the subject of system , and the formal systems , which differed in terms of meaning , the content and the target. In regard to the theoretical framework , that included four fields of investigation. The first part focuses on what is the concealed system , in the act of graphic design. And according to the second part , which has been focused on the "Concealed forces in the design" and the third part included "The structure of the commercial advertisement design " The fourth part contains "The methods of the commercial advertisement design " along came the theoretical framework in several indicators. Then the third part has been allocated for research procedures , in that the "female " researcher followed the desecriptive approach , as a method of analyzing the content , for the purpose of monitoring phenomena - Since the unity of analysis has been specified , for it's being carry out the integrated communicative ideas , that can be drawn from it ideas by analysis. And thus it formed "20 " units , as samples , and in proportion to 20 % of the research community. These were selected in a non - intentional potential way to be close to the average of the phenomenon , which are being searched , and for the following reasons : 1 - The availability of the objective reasons for each advertisement.2 - The quality of the print , and the particularity of its intellectual arguments."The female" researcher has come through a number of results and scientific conclusions , that has achieved the plotted targets of the study , and some of the results are : 1 - the concealed systems contained several techniques in the act of design , like the formal lending techniques , the formal referral , and the integration between the positive and the negative picture , the element of surprise and amazement in the expression , and the style of technical processing , which could be used to help in achieving the concealed systems.2 - The impact of the concealed systems on the designing act , is associative , that comes through the connection of the main idea with the advertisement content , as a result to the correlation of the implicit expression forces with the semantic suggestive , which broadcasting the form , to achieve the unity of the designing act , to stimulate the drawing of attention.3 - To achieve the concealing system it produced as a result that each designingly space , has it's special system , through a combination of an unusual , innovative forces , to be as incentives for working on directed eye movement, with in the limits of the designing surrounding.4 - The system has multi - forms in the advertisingly design - there is nothing prevent it ,from containing more than one optical system , in order to achieve it's communicative function.5 - There are two types of designing systems , in terms of interaction with the surrounding environment , that is the closed system and the open system.6 - It is expresses on the characteristics of the concealed system , through the idea as an average relation between the two systems "This notion should reflect the characteristics of the concealed systems". This should reflect the characteristics of the concealed system in shape , and the ability to evolve , the self - control or flexibility - this system affect in the design through the expression of implicit and it's developmental abilities. It is a sensible , intangible thing , that cannot deny the existence or determine it's presence. It finds out in a set of relations , that are governed by fixed laws. It is the essence , that cannot be change , is governed by the rules that are subject to change , in order to achieve different appearance methods for the concealed system , which cannot be absorbed by stereotypes.7 - The ingredients of the concealed system are (intellectual and physical) , and through which the integration is being achieved the creative element in the act of design. 8 - To understand the concealed system needs to be aware of the fact, that the biggest innovation system is the highest rank.9 - The act of design includes many concurrent transitions, which are the use of different integrated plans, interacting and overlapping with each other.10 - The expressive system are considered in the case of constant change, we respond only to a limited group of shapes and meanings, and thus to particular relations with each other (and to adopt the forms systems, and the meanings to some extent each other) as the structural analysis leads us from the surface level of research to a deeper level, meaning, that live on the borders of this level.11 - The forces can be seen as expressive powers, and include its manifestation, different areas of life, some of it, including the apparent and the other is the concealed, which reflects the self - aware human being, and is a strong trend everywhere. It is a process governed by cognitive mind, and the sense at the same time. And then the search introduced recommendations, proposals, and practical application, in the attic light of the finding results, and the conclusions
الصفحات الاولى:

الرسوم الصحفية في العراق : دراسة تحليلية The Journal Drawings In Iraq An Analytical Study

اسم المؤلف: محمود موسى وادي
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: يتناول بحثي هذا الموسوم بـ (الرسوم الصحفية في العراق - دراسة تحليلية) جوانب عديدة لها صلة جوهرية بالموضوع الذي بدا منسيا من قبل الباحثين والدارسين فمن المعروف ان الصحافة تواجه تحديا كبيرا امامها الا وهو حركة الصورة وانتشار الميديا البصرية وتطور تقنياته | This study is entitled (The Journal drawings in Iraq - An analytical Study). It deals with many aspects that are related essentially with the topic which have been forgotten by the scholars. It is known that journalism faces a great challenge, that is, the movement of photographs, the spread of visual media and the development of its techniques. The journal cartoonsare regarded as one of the means that competed the typical journal image. The art of journal sketching acquires features and characteristics from the rest of the arts for the receipt and the public via a display means and an easy way for spreading.Since the journal drawings and the documentations, especially the colored sketched and magazine cover, formed a challenge to the motion of pictures in black and white which were prevalent in television before it evolves to colors. In addition the other challenge posited by cartoons of the journal photographs which were known by their traditional static framework.The research tackled in Chapter One the problem of this study, its spatial and temporal limits, and the objective of the study, and knowing the definition of the terms of the study linguistically and lexically. The second chapter studies the lexical framework in which the researcher studies in First Inquiry to the journal cartoons; the foundation and the historical origin. The second inquiry includes the techniques of the journal cartoons and the most important like ink in its types, pencils, water colors, Pastille, and also the most important techniques of the journal cartoons like AutoCAD, marking and graphic.In the third inquiry the researcher studies the aesthetic references of the Iraqi journalistic cartoonsindicating the effects of the Arab magazine, and the international and the traditions.The four inquiry includes the structural relations between the written text and the journal cartoons referring to a number of theories and opinions concerning the problem of the relation between the written text and the visualcartoons.The researcher comes up to number of indicators that have resulted in these inquiries dealt in Chapter Two. These indicators have formed to the researcher an important tool in the analysis of the samples which were chosen in the Third chapter. They are 12 samples chosen according to the justification to which the researcher has referred in. After the analysis of samples, the researcher comes up with the findings which are mentioned in Chapter Four. The most important one are : 1 - The journal cartoons were characterized by violence in the motion of the characters and the figures which is a reflection of the prevailed phenomena in Iraq with the use of the torn human body.2 - The use of the theme of the cut head and its repetition. The result was of many references like the cut head, the bronze head of kings of Mesopotamia which formed an aesthetic addition. Also, the image of the sacred head carried on spears for tis relation to the sacredness of Imam Hussein martyrdom.3 - The journal cartoons were influenced by the ideologies of the authorizes and the ideologies of the journal as in the (Tareeq Al - sha’ab) of the leftistpolices. 4 - The avoidance of the difficult techniques like graphic or the inscription technique on the Britishscraper board. 5 - The journal cartoons were not an attraction in Iraq for the Iraqi female cartoonists except for some of the few names like (Afifa Laebi, Hana Mal - Allah, Antlaq Mohammed Ali). This is a negative phenomenon that required analysis and reflection. 6 - The attraction to the expressionist school in most of the journal cartoons for the purpose of maneuvering the monitor and censorship. The researcher comes up with the most important findings which he displayed in the study.
الصفحات الاولى:

فاعلية الافراط في النظام التصميمي للمنتج الصناعي Excessiveness Efficiency of Designing System For Industrial Product

اسم المؤلف: مرتضى حيدر عبود العبيدي
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: بحثت الدراسة الموسومة بـ ( فاعلية الافراط في النظام التصميمي للمنتج الصناعي) في مشكلة عدم توفر اطار شامل يوضح مفهوم الافراط والجوانب المرتبطة به وامكانيات هذا المفهوم فيما يمكن ان يحدثه في بنية التصميم الصناعي اذا ما احسن استخدامه من قبل المصمم.ومن هذا | Tagged his research study (Excessiveness Efficiency of Designing System for Industrial Product) in the problem of the lack of a comprehensive framework illustrates the concept of excessive aspects associated with it and the possibilities of this concept can be wrought in industrial design structure if properly used by the designer.From this point the researcher found logical justification for the selection of the problem consideration and determined to answer the question the following : - 'What is excessive and its effectiveness in the system design of industrial products?The research aims to : - Identify excessive and effectiveness of the system in the industrial design of the product methodsThe importance of research to provide a clear picture of the concept of over - design the system and be a theory base can utilize them in practice to achieve the benefit of the individual and society.Find and Stmmelt limits studying industrial products characterized by excessive formalism, functional and technical aspects of furniture, equipment and tools for companies for the years (2014 to 2015)A search of four chapters included the first chapter of the research problem and its significance and purpose and its borders and determine the terms. The second chapter shall be from previous studies and theoretical framework and theoretical framework included three sections on the first section came under the concept of excessive at the same time ensure the second topic system and system design title while the third section displays mechanisms for achieving excessive industrial product. The third chapter included research procedures and methodology adopted researcher on the descriptive approach in the process of describing and analyzing the sample. Chapter IV has included the research and conclusions, recommendations and proposals results.The most important results : - 1. Check excessive formality in all the sample models and 100% through the use of the designer simple and obvious elements in the construction of the unit design in order to get to the simplicity of form design.2. Verify career excessive models (1.3, 4, 5.6) and by 83% due to the use of the designer of the concepts of (multi - enrichment and condensation career)3. shares that employ modern technology in achieving the over - technical models (3.4, 5) and by 50% the fact that these techniques have an active role in the performance and function design.One of the main conclusions are : - 1. Within the industrial designer in his designs over - design system format (formal, functional, and technical) to produce an industrial product is characterized by the beauty of the shape and the efficiency of job performance.2. Excessive career happened within the systems design in various formats including multifunctionality and job enrichment and job condensation, which as a whole has diversified performance and increased Mdyate focused than the number of jobs within the same segment without Atkhalkhal weakness in job performance.3. The technical innovations employed by the designer of industrial products increased within the ranges of functional performance thus achieving a high degree of satisfaction to the consumer through the technical possibilities and performance provided by the product.
الصفحات الاولى:

القيم التربوية والفنية في عروض مهرجان مسرح الطفل في العراق

اسم المؤلف: مروة شاكر رضا الشيباني
الجامعة: جامعة بغداد
اسم المشرف: حسين علي هارف
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2010
مكان الجامعة: بغداد
المستخلص: كرس البحث لدراسة العروض المسرحية المقدمة في مهرجان مسرح الطفل في العراق على الصعيدين التربوي والفني. وضم البحث اربعة فصول، تناول الفصل الاول مشكلة البحث التي تحددت بالسؤال الاتي : (ما القيم التربوية والفنية في عروض مهرجان مسرح الطفل في العراق ؟).تتلخص ا | This study devoted its interesting about the theater provided in the Children's Theatre Festival in Iraq for two levels of education and art. The research is composed of four chapters ,the first chapter dealt with the problem of research and identified the following query about : (What are the educational values and artistic offerings in Children's Theatre Festival in Iraq? ).Summed up the importance of the current search set of points ,namely : - - According to playwrights interested in the theater of the child and contribute to the success of their mission and their experience of drama and art in the writing of the text of a theatrical education educational.According to technical education teachers working in primary and middle schools in the artistic activity of the Directorate of Education. - According to the directors in the field of children's theater and theater of the child concerned circle cinema, theater and children's culture department of the Ministry of Culture. Accordingly, the current research aims to : - - Detection of the values of educational offerings in children's theater festival in Iraq. - Detection of artistic values in the festival offers children's theater in Iraq.The chapter also include within the research objective identified in the theatrical performances presented in the Children's Theatre Festival in Iraq, its sessions and the five spatially in Iraq Baghdad and the timetable for the period from 2003 2008 and contains that chapter on also determine the terms and defined.The second chapter devoted to the theoretical framework of research and previous studies in which, as it included four sections. the fourth examines the first educational values, and address the second topic artistic , values ,.while the third section dealt with children's theater, spoke of the fourth section on historical perspective in the experience of children's theater in Iraq , and concluded the chapter with the most important indicators that resulted in our conceptual framework and presentation of the previous studies and discussed. In the third chapter, the researcher identified the research methodology and procedures and identify the research community, which includes (35) a theatrical performance, the researcher chose a sample examined. Random manner to write the names of offers on scraps of paper each session separately, it reached the sample (5) performances in the form of discs (CD), and these presentations are : - 1 - a play (the bird and the fox) : Author Natiq Khulusi,directed by Abbas al - Khafaji.2 - play ( the world of the vitamins ) : Written and directed by Hussein Ali Harff. 3 - play (the reward of the Sultan) : Written and directed by Faleh Al - Abdullah.4 - play (Asia go to school) : Edited by Asad - Hilali and directed by Baker Nayef.5 - play (Sheikh and table) : Written and directed by Faleh A1 - Abdullah.To achieve the goals adopted by the researcher Search tools , namely : 1 - Tool educational values : that relied on classification ( White - Hiti ) the developer , which was introduced to a group of experts to identify the validity and measurement of the first goal, which.called for it, as well as measurement reliability was the use of equation (Holsti) to find a coefficient of agreement between the arbitrators (analysts)2 - Tool artistic values : the researcher has discussed building a tool that was b (i form content analysis of theatrical performances to the values of art) was introduced to a group of experts on the validity of exposure and a measure of the second objective, which called for him.In chapter IV of the results reached through the presentation of the researcher and the most important conclusions from them.1 - varied theatrical performances in the book focus on the educational values some of them focused on a particular group of them did not focus on the rest of the values.2 - characterized by the values of six years as the most important and focus of the theater, namely, (a fun ,aggression, food, generosity, intelligence' diligence and attention, and the unit group, employment, health and safety of the body, love of family, beauty, happiness, conduct' control. honesty, knowledge).3 - showed some of the theater twice in both sides of the lighting. sc as to not having the director in collaboration with lighting designer enough time for the processing of the exhibition ha1l to suit the theatrical work of them receive the hall a few hours of time to display in the festival, forcing the director depending on the illumination of concentrated and flood only in the theater. 4 - showed most of the theater twice in the make - up except the play (the world of vitamins), characterized by makeup personalities and the reason for this is due to the paucity of material and the absence of specialists in this area of the art technical especially in the plays of artistic activity for the Directorate of Education to participate in this festival According to concluded results done by the researcher o she isrecommend the following : 1 - Increase the awareness and governmental assistance for the child theatre and increase the financial customizations for the child produce in the directorate of cinema and theatre.2 - Prolonging by the art level for the children play introduced about the level of direction and writing as well theatre techniques 3 - Necessity for responsible to take care by the directorate of cinema and theatre by making the perfect archived for play show concern the child theatre carnival in Iraq via the Video or photograph development in color if found.4 - Checking the theatre show submitted to children before exhibitto check if it's valuable contents.5 - delegate specialist in the field of makeup outside Iraq to notify the latest techniques and developments in the makeup art and what modern product.6 - abandon the makeup materials in the art institutions to facilitate the makeup working and aid it in addition to take care by and on the library concern the makeup accessories.7 - arrange the exhibit show table for carnival by the form allowto each exhibit the adequate time to prepare the accessoriesand techniques like decoration, lighting, and effects ,... etc.For that the researcher suggest : 1. perform complete art. and educational study in the academictheatre shows.2. perform the educational and art study for the theatre dummyshow.3 - perform the analytical study for attractive elements in the theatre statement directed to children.4 - perform study about the relation between dialogue and personality in the theatre work directed to children.5 - perform the analytical study for the personality of hero in thechild theatre.This chapter include a list of references in Arabic and English ,finally the research finished by the abstract in English language
الصفحات الاولى:

توظيف الايهام البصري كمعالجة تصميمية للمنتجات الصناعية الكبيرة الحجم Investment of The Visual Deception As A Designing Treatment For The Large Size Industrial Products

اسم المؤلف: مصطفى عدنان علي الشمري
اسم المشرف: هدى محمود عمر
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: عنوان هذه الدراسة ( توظيف الايهام البصري كمعالجة تصميميه للمنتجات الصناعية الكبيرة الحجم ) اذ تجسدت المشكلة بالسؤال الاتي ماهية الاساليب التصميمية التي يعتمد عليها في تصميم المنتجات الصناعية لتحقيق الايهام البصري التي تعمل بوصفها معالجات تصميمية للمنتجات | Address of this study ( investment of the visual deception as a designing treatment for the large size industrial products) at which the problem shapes by the following questions : - what is the designing methods that we depend on in designing the industrial products to get the visual deception that works as designing treatment for the large size industrial products ?It's important came from here ( by condensing the light on methods and design directions that have a role in creating visual deception and increasing senses and consumer and designer )But the purpose is that ( quiddity of designing methods that have been depended on in designing industrial products to creating the visual deception ) We found that all the search have been determined by products made from LG company that present in Iraqi local markets at Baghdad city for ( 2014 ).The study formed from four lessons , came as bellow : - Lesson one contain the problem of the search and it's importance , purposes , borders and definition of it's terms.Either lesson two probably contain previous studies then the visual casement for the search and it's signs , and then the visual casement contain three subjects : - the first subject is the visual deception and it's relation with designing industrial products , the second subject is the designing methods and it's role in creating the visual deception, working as designing treatment for the large size products , the third subject is the designing mechanics and it's role in making the visual deception as designing treatment.As for the lesson three it's contain the adjectives of the search and it's systematicness ( the attributive method ) in addition to analysis of the research specimen.As for the lesson four it's contain the research results and it's conclusions , the most important results are the following : - 1 - achieve everyone who (elements and bases and relations ) designing different visual deceptions in designing the samples in very high relations.2 - achieve designing technique ( movement , translucency , delusive space, shorthand and condensation and distributing systems ) and the capacity of creating visual deceptions working as designing treatments for the large size industrial products.Truly the most important conclusions that have been get from the study is : - 1 - the elements and bases and designing relations have the capacity to create several various designing forms that work in it's role to create deception motive manners work as large size industrial products.2 - the samples distended by the designing technique multiplicity and appearance to achieve designing creative by means of newly creative adjustment result from different and solitary variety through the mix and structure and change in formal relations for having these differences and multiplicities of deception movements working on receptor deception by increasing and decreasing the industrial product
الصفحات الاولى:

تقنيات تذهيــب الزخارف النباتية في المدرسة التركية

اسم المؤلف: مصطفى عبد القادر مشحن الفرحان
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: انفردت الزخارف النباتية بخصائص جمالية امتازت عن سواها من المفردات الاخرى (الهندسية والحيوانية) , لانها حظيت باهتمام كبير من قبل الفنان المسلم اذ تم توظيفها في المجالات الفنية المختلف لا سيما في مجال الخامات الورقية (اللوحة الخطية) وتعد الزخارف النباتية ال
الصفحات الاولى:

المعالجات التصميمية للعزل الحراري والمائي في تصميم المنتجات الصناعية The Processors Designing For Thermal Insulation And Water In The Design of Industrial Products

اسم المؤلف: مصعب حسن عبد
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: ان هذا البحث الموسوم ( المعالجات التصميمية للعزل الحراري والمائي في تصميم المنتجات الصناعية)،يستند الى العديد من الدراسات التي تناولت موضوع العزل الحراري بشكل خاص والعزل المائي بشكل عام, بتقديم طروحات حول مفهوم يشمل المستوى الحضري والمعماري وصولا الى تصم | Focused many studies to topic thermal insulation a private and waterproofing generally provide Propositions around the concept includes urban level, and architectural reaching to the design of inner space, as well as the Propositions of insulation system in cooling and preheating, but he did not obtain adequate level of the importance, particularly system design isolate Designated industrial products and of computer devices. The counting concept of thermal insulation and water of the concepts and basic task in the current study. However, the contemporary studies have shown significant interest concepts and applied theory and in particular technological more than others, and therefore tries to current research that offers a new contribution to take advantage of those propositions, the adoption of the reciprocal influence of the bilateral relationship between regular thermal insulation and water through the levels of performance cooling systems suitable for parts heat - producing electronic computer as well as enhanced protection system provides electronic components, the risk of water, with the aim of producing a comprehensive concept for insulation in the design of computer and access to these totalitarian pillars of design Check the best of performance of the computer, and the was the highlight implicit in his first chapter.To achieve this objective and tackle the problem of research has been crystallizing theoretical framework included three topics, 1st has included multiple levels of concepts and techniques for thermal insulation and water, and a detailed review of the parts of electronic producing heat, as well as the most important cooling systems in place through the basics of scientific transmission of heat conduction pregnancy and radiation, as well as the relationship system waterproofing lanes multiple computers and of ports output and input electronic outlets and drag - and - subtraction antenna ports for keyboard, mouse and screen, while 2nd topic, the research in what role influential ecological through the concept of home and environmental Center for the user and the computer and the levels of thermal insulation and watering the inner space and its relation systems thermal insulation, water and ranges of the mutual influence of the components physical and code performance computer as well as outputs manufacturers & their impact on ecosystem of the product industrial, while , 3rd topic was a statement processors design of the system of formal and its relationship to composition of procedure of the system isolation through novelties technical as well as posts principles and Job design elements in the structure of industrial insulation producer.Then came the third quarter search procedures, which included the research community, consisting of computers produced by the Company (HP) U.S. in the years 2012 - 2013. The total number of units produced in this period (25) model, and the Department of researcher these models depending on the type of design into three sections (laptop, desktop computer, computer tablet), which represented 25% of the research community. Through analysis and description quo of the research sample, was adopted researcher indicators The outcome of sources and references relied upon, as well as field visits to agents computers, interviewing poll carried out by the researcher using the form interview with the owners of the expertise of engineers in the maintenance workshops computers to identify the main obstacles and failures electronic infect the computer due to the effect of heat and water., came fourth and final chapter presents the results and conclusions and design foundations, recommendations, proposals, and that the most important findings of the research are : 1.The adoption law basic or importance to the Rxan through the style (All - in - One) All - in - one, him Effects career for regimes thermal insulation and water in the design of the computer through the assembling ingredients annexed in the unit run Chairperson of B (the Fund).2.. The rise in computer restraints by (3 mm) is not agreed with the thermal insulation system and the represented obsolete air drag on the fan and the not to achieve the appropriate antenna Swaps of electronic parts for emitting heat.3. the low of performance associated the specification electronic parts self - cooling technology of the processor (Intel Atom) to achieve the slim design pattern in the computer and this is not consistent with cooling the processor (Intel Core i5).4. have lacked computers to the cooling system for the video card, which parallels the rate of heat emission in which at rates greenhouse gas emissions per unit processor central as well as non employ technology cooling unit RAM and hard drive and only mechanisms of cooling convection natural thus is reflected in the performance and life of the computer.5. satisfying technical alternatives the magnetic connectivity of the screen with a waterproofing system. Traditional techniques for connect mediated axial screws.6. The distribution of electronic ports visibly Exposed to anterior and side elevations are an easy paths for the passage of water in the computer.7. Lack of integration of the functionality of the waterproofing diaphragm add the silicon rubber under the keyboard, without Add a custom corridors to Log out the water and its survival at home,8. The touch technology with occasion of waterproofing system through hide keyboard ports.
الصفحات الاولى:

مظاهر الاغتراب في رسوم فان كوخ Appearances of Alienation In Art Work’s of Van Gogh

اسم المؤلف: اسراء قحطان جاسم
اسم المشرف: كاظم نوير كاظم الزبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بابل
المستخلص: تناول هذا البحث : (مظاهر الاغتراب في رسوم فان كوخ)، فاحتوى البحث اربعة فصول، عني الفصل الاول بالاطار المنهجي للبحث ممثلا بمشكلة البحث التي تحددت بالسؤال الاتي : (ما مظاهر الاغتراب في رسوم فان كوخ ؟)،وكذلك احتوى الفصل هدف البحث الذي كان (كشف مظاهر الاغتراب ف | This study deals with the Appearances of Alienation in Art work’s of Van GoghThe study falls in four chapters. Chapter one deals with the theoretical frame which is represented by the problem of the study that is limited to the answer of the question; what are the appearances of alienation in Van Gogh’s paintings. The chapter also contains the aim of the study which is to reveal the appearances of alienation in Van Gogh’s paintings.The study is limited to investigate the appearances of alienation in Van Gogh’s paintings between (1881 - 1890). This period represents his works from his artistic beginning until his death. The researcher uses the analytical approach according to an ideological and aesthetic vision in both of its aspects the theoretical and the practical.Chapter Two deals with the theoretical framework which consists of four topics : the first topic deals with the conception of alienation, while the second topic sheds light on the concept of alienation in the movements of modern painting. The third one gives an idea about Gogh’s life. The fourth topic studies the ideological and aesthetic features in the paintings of Van Gogh. The chapter is concluded with the mentioning of indications of the theoretical framework in order to make use of them in the building of the research tool and the analysis of its sample.Chapter Three deals with the procedures of the study, it explores the society of the research which consists of 200 works of art of Cogh’s. They are distributed chronologically. These works of art are executed with different materials; 55 drawings, 26 works with water color, 119 paintings with oil, and the sample of the study which is the society of the study at the same time for the quantitative analysis. From the study society which consists of 20 works, a sample was chosen randomly to be analyzed critically in order to compensate the gaps that appear through the use of the quantitative analysis for the aesthetic and artistic phenomenon in the visual texts. This is done according to the research tool which is built in consistence with the theoretical framework. The researcher notices the meeting between the appearances of alienation and the mechanisms of the painting production. The tool consists of the cores of alienation which are : isolation, non - normative, nonsense, disobedience, impotence, despoliation, rejection, escape, and withdrawal. These are put in the horizontal core in the analysis form. The main items which include the elements of formation, and the secondary items which include the relations of formation, and the subsidiary items are put. The tool then is showed to a number of specialists and experts in artistic education and visual arts and psychology, in order to make use of their opinion in its validity. Accordingly, the form is amended by the omission and addition of some items. After the tool acquires validity, it becomes ready for use. The researcher makes sure of the tool validity through the agreement comparison of outside analyzers by making them analyze the same content separately. She depends also on the agreement through time which means that the researcher acquires the same results as she analyzes the same content after a period of time using the same tools.After the application of the statistic tools which consist of Cooper Equation to measure the validity of the tool, which appears to be 88%, and Scott Equation to measure the consistency of the tool which appears to be 87.25. She uses the mathematic average to measure the frequency of the research society. She uses Kai square to analyze the sample quantitatively. After that she analyzes the sample critically.Chapter Four includes the results and the conclusions of the study. It also includes the recommendations that the researcher sees important for future studies. Among the main results that the researcher arrives at are the followings : 1 - Isolation appears to be an appearance of alienation in the works of Van Gogh. This reflects his dissociation from the others and society in the aspects of interaction, communication, cooperation, and emotional and social incorporation. Isolation appears very clear through the elements of the critical analysis : line, color, touch, and the relations of formation. Van Gogh expresses his isolation in his paintings. Isolation appears clear in the society of the study and the statistical analysis of the research sample. The cut form is 64.06%, horizontal line is 39.16%, hot transparent color 27.73%, soft touch 19.36%, non - asymmetric balance 41.01%, color dominance 22.31%, distortion of figure through elongate 21.82%, and technical expression 20.45%.2 - Non - normative appears in the works of Van Gogh through his trial to get rid of society as he tries to focus on his being and the rejection of social relations. Non - normative is represented semantically through the constructional critical analysis of the figure and its elements; line, color, touch, formation relations. He reflects them in his paintings and the incarnation of figures and things using indicatives that reject society, life, and social connections. According to statistical analysis, non - normative appears : hot transparent color 95.3%, varied line 47.18%, normal cut figure 24.75%, tough touch 20.04%. Through the formation relations; normal representative movement 40.04%, rhythm and repetition 23.7%. Through artistic treatments : distortion of figure through stretch 26.25%.3 - Disobedience appears in the works of Van Gogh in his separation from the moralist, civilization, historical, social norms in the form a destructive trend that goes out of his person and takes the form of an aggressive behavior against society and its civilization indications. Through the critical constructive analysis, disobedience appears semantically in the form and its elements : color, touch, formation relations. Gogh expresses his disobedience through his paintings. The statistical analysis of the sample of research society reveals the following : thick hot color 56.33%, varied touch 26.8%, and geometrical cut figure 22.15%. The formation relations through the unbalanced balancing 25.25%, the rhythm and the repetition 21.81%. Artistic treatment, the distortion of color 20.59%, the expression through technicality 20.66%.4 - Rejection appears in the works of Gogh as another appearance of alienation. He expresses this through the rejection of some types of behavior and culture that are dominated in the society he lives in. Aspects of rejection appear semantically and through the critical constructive analysis of the form and its elements : color, line, formation relations. Gogh expresses his rejection through the drawing of forms and contents that goes far from society. According to statistical analysis : thick hot color 63.78%, vertical line 43.56%, and varied geometrical shape 20.37%. According to the formation relations : color consistence 31.85%, rhythm and contradicted repletion 23.64%, the relation of the part to the all 20.45%, color dominance 23.64%.The most important conclusions are : 1 - Van Gogh does not use the appearances of alienation willingly but as a result of a psychological mood that affected him in an indirect way. This is reflected in the unconsciousness of the artist affecting his production. Different moods and circumstances help in the appearance of such representations. The most important of these circumstances are his culture and way of living.2 - The psychological aspect has a strong connection with the work of art as a value that achieves a kind of spiritual connection between man and his subject. The psychological dimension of Van Gogh appears to be a centre of the human subject to introduce its suggestions about the work of art.3 - The elements of formation and its relations have semantic indications for alienation. Van Gogh expresses an emotional feature, not as decoration, but according to a subject system and as a deep philosophical and spiritual concept. The search also includes : Proven sources, supplements, abstract in English.
الصفحات الاولى:

مظاهر السرعة المعرفية في رسوم اطفال الروضة

اسم المؤلف: براق هلال جاسم
اسم المشرف: عباس نوري خضير الفتلاوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بابل
المستخلص: لا يزال العلم يبحث في الاطر المعرفية ونموها عند الطفل ووضع الحلول المناسبة ازاء المعوقات التي من شانها ازاحة ذلك النماء المعرفي نحو التدهور ولعل رصد الاساليب المعرفية المرتبطة بالعمليات العقلية وتطبيقاتها في الرسم عند الاطفال قد يسهم في توفير ظروف تعليمة
الصفحات الاولى:

مظاهر العنف في الفن التشكيلي المعاصر Aspects of Violence In The Contemporary Plastic Art

اسم المؤلف: نشوان علي مهدي
الجامعة: جامعة بغداد
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: The current research (Aspects of violence in the contemporary plastic art) described as events and behaviors dominate the whole joints of life in the western society, notably the afflictions of politics, wars , dangers of mass destruction weapon, dominance of the capitalism economy and market monopoly, the matter that reflects on the cultural and social life and stigmatized it with violence, so the plastic art was a major and vital joint reified the whole burdens and haunches of the contemporary western world including the violence, through stylish and technical treatments that resulted in a unique modification ever been familiar in the previous experiments.Therefore the problem of the research came with the query of reasons behind violence and its aspects through artistic treatments and how much did the violence aspects deal with the system of psychological, social and morale relations.We found through first chapter the target of the research that aimed to knowing the aspects of violence in the contemporary plastic art within the boundaries of contemporary art in Europe and USA in the period (1972 - 2012). Also terms were defined in this chapter.While the second chapter included the theoretical frame and previous studies , the theoretical frame included three sections, first one dealt with the violence and its approaches in the contemporary intellect , while in the second section showing the psychological and social appearances of violence. The third section showed the appearances of violence in the art. The frame was ended with indications , then showing two of previous studies related with the current study and discuss it.The third chapter dealt with the procedures of research represented by the society of the research whose population was (19)sample and the nature of constructing the tool in its primary and finally form and how to use the appropriate statistical means to show up the truth and stability of that tool and then analyzing the research's population.The fourth chapter included results of the research, conclusions, recommendations and suggestions.Results of the research : 1 - The human being is the most expressional space for appearance of violence and abuse of human in the contemporary art, one of the works who express violence by using real bodies. Or through the evidential expression by drawing or sculpture and by variant formal treatments.2 - Appearances of violence were unique in the contemporary plastic art, by depending technical treatments and materials included human and animal bloods , bodies of human and animals and real materials and stuff implemented in combination method, that opened new spaces for expression for violence that exceed capability of the classic portrait.3 - The pictures of violence and its appearances in the contemporary art were described with tendency to the formal treatments has instinct, primary and brutal opposite to the civilized cultural false life, and the afflictions of all that by tendency toward the defacing and breach the system and harmony.The conclusions : 1 - Beside the belief that violence is old and exist in every era , but appearances of the violence in the contemporary art is different in its applications and references with an extraordinary style that it was considered as a breach for the previous contexts and traditions with all kinds on the level of concepts , styles and techniques.2 - Directions of the contemporary arts reflected in its dealing with the subject of violence the social and economic side, by expression of conflicting the wars and the psychological and social effects so the acts were as a reaction against the evil in the world , invalidity of the wisdom of the civilization and express that with sadism motives.Finally the research ended with references, appendixes and an English
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مفهوم الذاتي في اعمال النحات الفطري منعم فرات : دراسة تحليلية Features Experimentation In Theater Iraqi Academic

اسم المؤلف: حسنين صادق عايد علي
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: اصبح ( التجريب) اليوم مقياسا للنضج العقلي والتحررالفكري من كل اشكال التقيد، كما وسعى الى ترك الباب مفتوحا للابتكاروالاضافة، حتى اصبح مدخلا مهما في تطويروبناء العمل الفني.وجاء هذا البحث لدراسة ملامح (التجريب)، واهم الاضافات التجريبية التي تتضح عن ط | Experimentation became a milestone from tradition work into creative art, conceptual work, based on breaking Perceptions and familiar artist formula into new version, now a day, its consider as indicator to maturity and Intellectual freedom from all restriction & deadlock; it also sought to leave the door open to innovation and addition till its became important iterance to develop and sustain the artwork.This research is to study the sign of "Experimentation", The most important experimental add - ons that emerges through the completed creative artwork (Iraqiacademic'sdirector), and trying marking the most important additions to the pilot on which it runs, has been marking this research under the title (The Features of Experimentation in academic theater in Iraq), where taken researcher took the additions Experimental subject with the director of academic material to be examined, which came from the four chapters : 1. Chapter I (systematic framework) which includes : the research problem and the importance of the research, the need for it, the goals of the research, the temporal &spatial boundaries, determine the terms and defined procedurally.2. Chapter II - the theoretical framework : It consists of three sections are : • The first topic : - the concept of references and experimentation in the theater. this section divided into three paragraphs where the researcher presented the concept of experimentation and the most important definitions, then the emergence of factors experimentation in the theater and then on the characteristics of experimentation. • The second topic : - the movement of experimentation in contemporary" modern" world stage. This included the topic, followed by an introduction and first two paragraphs concerned the most important schools and currents of contemporary experimental and the second where the researcher talked about experimental filmmakers in contemporary theater.• The third topic : - the director of academic and experimentation in Iraq. Two paragraphs in this section came after the introduction, in first paragraph to talk about the Iraqi theater academic and experimentation, and in the second paragraph the researcher spoke about the academic director of the Iraqi and experimentation. Then the researcher put the most important indicators that came out of the theoretical framework, dividing into as follows : indicators of theatrical text, directing specific indicators, performance indicators, technologies indicators. The researcher also connected (previous studies) which arranged by date as shown : ? Dhiyaa Kareem Riziyakh, Experimentation and its impact on the Iraqi theater, 1989.? BahaaZuhairKadihom, Features performance analog in experimental theater in the College of Fine Arts Offers, 2012.? MudaferKadihomMuhamed, Techniques experimental theater and the development of performances, 2012.3. Chapter III - Actions - the research community : - the method of selecting samples : Adoption of the way (intentional) in the selection of specimens. Research Methodology : - The researcher adopt historical method in tracking the movement of relay experimentation in the theater through the three topics, descriptive approach adopted in the study and analysis of samples. Search Tools : - has included : (what resulted in the theoretical framework of indicators, including documents, books, magazines, periodicals, documents CDs, photographs, observation that adopted by the researcher as an important tool in tracking the features of experimentation and additions campaign theatrical approved samples to search ). Find samples : - Play : "Ali Al Wardi& his Opponent" directed by Akil MahdiPlay : "Shadows" directed by Haitham Abdul RazakPlay : "Romeo and Juliet in Baghdad," directed by MunathilDawood4. Chapter IV - Results and conclusions : - (results, conclusions, proposals, recommendations, list of sources and references, appendices, abstract in English).
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اشتغال الخدعة البصرية ودلالاتها التربوية في مسرح الطفل Operation of The Optical Trick And Educational Implications In Children'S Theater

اسم المؤلف: منار محمد جميل الربيعي
الجامعة: جامعة بغداد
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: The current research was devoted to the study of visual tricks and educational significance in the play made presentations to children's theater. Find comprised of four chapters, the first chapter dealt with the problem of search identified the following question - : - What connotations educational visual trick to children's theater?The second chapter devoted to the theoretical framework and previous studies it.Eat first section visual form components, the picture received by the eye and are affected by built on a visual form and its components in general, either in the theater are associated with this visual plug - in theater, which was divided in this section elements to (representative, decor, fashion, lighting, makeup) or meets and solidarity in order to create a unit subject, and become the greatest value from a mere presence as a valuable elements.In the second section dealt with the (educational privacy of children's theater) For those privacy that is unique to all others in the way of the delivery instructions and the information it contains what regales the child and feeds abilities and insatiable needs of knowledge as well as those values that build character in the long run, the children's theater being The most important breeding methods that utilize audio and visual means to address the minds of these age groups in which science and art methods enjoyable as well as religious and national principles and follow the example of good role model receives. This does not negate the audience indirectly composed of key stakeholders to take this theater messages and methods of handling and processing performance in a theatrical home and school.In the third section dealt with the functioning of the trick and the production of significance, as it was allocated when talk about the visual trick and types in general the production of significance has talked about the human element, which produces meanings as a means continue linguistic and visual through innovation signals and interpret the beneficiary of the most famous thinkers of this comprehensive science not They Fernand de Saussure and the American philosopher Charles Pierce logician who invented the three types of signals, a brand and brand iconography indicative and symbol.Then current research in the relevant section dealing with semantics in the theater that had a special character in the theater because it is derived from the fact it adds greater depth and a broader interpretation in order to convey the human values format aesthetic in theater.Also addressed the topic of educational implications and visual tricks and study the relationship between them through visual deception and receiving processes and the role of the imagination in expanding the ability to think.And the importance of visual trick in children's theater presentations reflected in the aesthetic offer in a fun and interesting addition to the educational implications embedded in the context of the design of those tricks that were in director Samir Dawood in his plays Offers. This is the aspirations of the researcher in the light of the descriptive analysis of the samples in the third quarter of the search and out of the results and conclusions in the fourth quarter.
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اليات التعبير للتابع البصري في تصميم الفضاءات المتضمنة Manifestation Mechanics And Visual Succession In Inclusive Space Design

اسم المؤلف: ميس نصير عبد الرحمن
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: ان هذا البحث الموسوم : " اليات التعبير والتتابع البصري في تصميم فضاء متضمن " يهدف الى تحديد التوجهات التصميمية لاليات التعبير والتتابع البصري في تصميم الفضاءات المتضمنة التي تحقق النظم الجمالية والجوانب الادائية الوظيفية، تكمن اهمية البحث في محورين : ال | This thesis; titled “manifestation mechanics and visual succession in inclusive space design”, is aimed toward defining design trends for manifestation mechanics and visual succession used in inclusive space design; which insures implication of beauty systems and functional aspects of the space.This research importance revolves around two axes : 1 - Theoretical axis : emphasizes on the importance of interaction between man and interior space, through observation of main functional standards of the space deploying visual hints.2 - Practical axis : developing a knowledge base which will assist interior decorator in the process of understanding space comprehensive and sensual capabilities and deployments of visual hints to enhance the design process of inclusive space.In pursue of research targets achievement; the researcher has developed an analysis form; which covers the following : 1 - Functional and beauty manifestation mechanics, which in turn covers the following secondary aspects : (functional performance - beauty manifestation - space dimensioning blocks “floors, walls, ceilings, openings).2 - Inclusive space relations to surrounding space; which includes secondary aspects of (space design succession with neighboring space(s)), space internal successive design).3 - Visual succession suspense and stimulation, which includes : (basis and principles of “ strangeness, mystery, sophistication, variety, contradiction”, space definition plastic elements” lights, motion, colors, space supplements”). The researcher applied descriptive analysis approach, in analyzing three research samples of airports duty free markets; which were chosen carefully, to represent a wide sample range on international level; samples are duty free market for “Baghdad airport, Dubai airport, Ataturk airport”.To emphasize main of many products of the analysis process : 1 - Activation of space suspense, time illusion, motion and succession illusion, figurative attention of space interior, are all requirements to achieve beauty and functional design values; which are the tools to of visual succession activation.2 - Man tends to change his/her linear motional track often to zigzag, or curvature tracks depending on visible attractive points; this indicates the necessity in reconsidering space linearity, in a way which makes space design focus on applying attraction points proportionally to favorite motional tracks of shoppers; to direct man natural motional tracks toward designed attractive points.
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الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي Significance And Temporal Dimensions of Industrial Design In The Product

اسم المؤلف: مصطفى ابراهيم دحام السهيل
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: هذا البحث الموسوم ) الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي ( يتناول تاثير الزمان في تحديد اهم الابعاد في تصميم المنتجات الصناعية وانعكاس تلك الابعاد في تحديد شكل ووظيفة المنتج واهم المتغيرات والتطورات التي يحدثها الزمان والتي تقوم باحداث | This marked research (significant temporal and designing dimensions of the industrial product) deals with the impact of the time factor in determining the most important dimensions in designing of industrial products Its reflection on those dimensions in determining the shape and function of the product and the most important variables and developments caused by the factor of time which make a designing changes to the industrial products including the technical and technological aspects and what these changes may occur the consequent transformations in finding shape changes to the designing form of the functional prefromance ,the quality of the raw used in the industrial product.The research aims at determining the desining dimensions and the impact of time factor in Its composition which relates derectly in the process of industrial design that might lead to clarifying designing tracks taken by the designer in desingning process as the designing comes through a continueous and changed developing form due to chronological progress and what might this factor affects on linking and classifying things according to (past, present, future).The research sonsisted of four chapters, the first one dealt with the research problems,its importance and purposes,and idioms mentioned in, the second chapter focused on the the previous studies ,theoritical frame which included three introductions , the first one dealt with the temporal meaning and its intellectul dimensions , while the second introduction focused on the designing variables of the industrial product ,through time factor,as for the third introduction ,it dealt with the designing variables and its forming dimensions according to time factor and indications of the theoritical frame which formed the research mean by designing an analysis application which resulted definition of the aspects of an analysis form presented to a group of specialized experts.The third chapter included the research procedures of a society that have expanded capacity relying on (intentional) choice for samples of society of the study and the descriptive style in analyzing the sample by analyzing aspects form after presenting ot a group of experts ,which cosidered the most appropriate method to achieve the purposes of the study, the chapter addressed to descibe and analyze the specimens according to analysis form designed by researcher,while the seventh chapter has included the following results : 1 - Significance has achieved formal variable in the specimens of the body (6,3,2) with an average(50%) and turned in the specimen(2) that it was in than it was in the past which preceded in the specimen(1), the designing shape of the speciemen changed and has been enhanced, while in model (3), the design was directed towards the sculpured mass form, hence ,the design was deffered from its predecessors in the chrononlogical past eras,model (6) has achieved the formal variable as the design derected towards the formal shorthand and became more slim than before.2 - The variables effect of the functional performance was achieved significantly with average (33%) in the specimens (6,3), while achieved with (16%) in the specimen (2),and was achieved to some extent in specimen (5), not achieved in specimen (4,1).The most important conclusions in the research as follows : 1 - The transformation and change in the characteristics of design system adopted functional addition according to the technical development besides maintaining the essential system in some specimens a matter which led to waekness of the expressive power and the apparent conductivity of the system from the innersome design, in addition to the recommendations and proposals then references
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البعد التعبيري لبورتريه الخزف الاوربي المعاصر Dimension Expressionist Portrait of Contemporary European Ceramic

اسم المؤلف: مياده حسن مرهج الكعبي
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: دراسه قائمه على التنقيب عن المفاهيم والاصول في قيام العوامل التكوينيه والعليا والوظائفيه بهدف تاطير الانظمه التعبيريه للخزف الاوربي المعاصر. فالتعبيرية الى جانب بواعثها الفطرية لدى الفنانين بما تحمل من دلالات الابداع الشخصي, تنقلنا ايضا الى الحاضن الخارج | Based study exploration concepts and assets in the textural factors and upper and functionality in order to framing regulations expressive of European contemporary ceramicsExpressive motivation along with artists including fungal afford connotations of personal creativity, also Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureake uArtist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitures outside the custodial culturally, and culturally.Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureNow that seen in the art of portraiture European porcelain contemporary offsets Azha and implications in the context of technical and stylistic and aesthetic implications revealed thought Alheiomana which still governs taste new milestones keep pace with progress.from here it seemed the emergence of diversity Graphic showing expressive portrait rights of the reality of cross - fertilization between the past and the goal thought Alheiomana and between the paths of renewal in the framework of modernity and onwards to praise the subject of portraiture new formulas dimension expressionist despite control of quantitative models of the products of different kinds, but the employers doctrine clastic had reached a dimension expressionist the legitimacy of the chaos emerged a clear relationsformalism the most profitable products in portraiture to find this topic rationale for the present study to decode meaning boarder behind diversity in crafting dimension expressionist for portrait porcelain European contemporary in light of the sensitivity of the artist and the expression and contain the aesthetic as well as read the shifts shapes depending on the subject matter of his face and the services of hand in a time of as the body of contemporary portraiture relationship dimensions syntheticAllow to be exploited for artistic expression through various technical treatments in addition to the presence of attributes and Graphic sculptural portraiture of contemporary ceramics from functional integration and aesthetic and associate with everyday life.ln light of the foregoing researcher assumed possession of European porcelain portrait of contemporary characteristics and dimensions of new creative expressive phenomenon influenced the art of modernity and its aftermath a lot of artistic and aesthetic concepts.and offers a researcher fragile study in four chapter included the first chapter the importance of research problem in dimension expressionist porcelain portraiture European comtemporary, have been identified in this chapter bending search time period 2014 - 2000this addition to identifying procedural came in this chapter for the most important termsbasic searchthe chapter has two within the theoretical framework, which included three sections pertalning to contemporary European ceramic portraiture.first research : expressive elements in the art of portraiture and supplements the body. section twante : first concept art of potraiture in formation section third topic of prtraiture contemporary ceramics. the fourth topic : methods of forming ceramic portraiture and techniques. As the third quarter came from search procedures for the busy professionalcontrolled by research community and appointed the fourth chapter select to discuss the results derived from the analysis of samples of research and including checks of this research and included from this study, which ended in a pri acy statement ceramic portraiture European contemporary in terms of its distinguished presance as the value of art and aesthetic affecting the various arts era and in accordance with the regulations , which relied on businessman and big goals in the history of art and ask him pictures of the body.
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مرجعيات البناء التشكيلي للقطة في الفيلم السينمائي References For The Formation Structure of The Shots In Cinema

اسم المؤلف: نصير حيدر لازم
الجامعة: جامعة بغداد
اسم المشرف: رعد عبد الجبار ثامر الشاطي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: The Formation represents one of the concepts that came from the Plastic Art, which has been effectively Involved in the cinematic shot structure, adapting with the cinematic form that produces motion, although The Formation in the drawing art generally an important reference for film director in the study of the nature of the composition or to suggest movement or flexibility in the usage of colors, and this led to reproduce films for global paintings, from here the researcher put the title of the subject for his research (References for the Formation Structure of the Shots in Cinema).The first Chapter includes (Methodological framework), beginning the problem of research, which is formulated on this question (what qualities which were represented by the References for the Formation Structure of the Shots in Cinema?), And the importance of this research was in addressing important issue of linking the Film Art and Plastic Art, in addition to the benefit of students and scholars in this field of study. The aim of the research has focused on the revelation of representation of References for the Formation Structure of the Shots in Cinema.The research has three limits, the substantive limit addressed feature films that dealt with global Fine paintings as a reference in the construction of the film shots, temporal limit represented by the period between (2004 - 2014), and the spatial limit represented by Films that was produced globally.The second chapter (The theoretical framework and previous studies) in three sections : The First section : Cinema relativity with plastic art.(References for the Formation Structure of the Shots in Cinema) This section has dealt with the chronology of plastic art techniques that helped to develop the Film Art over the years, such as the dark room and Magic Lantern, in addition to the will of cinema to introduce motion to be unique and different from the plastic art, and the Performing relationship between film Art and plastic art and the most important approaches and differences between these two arts.The second section : Formation Structure elements of the Shots in Cinema.Turning topic to Formation Structure elements shared between the art of painting and film art, from the point, line, color, balance and rhythm... etc., have been clarified that the basis for the Formation Structure is not a formative element, but relationships do from this element and make it an interactive capabilities with the rest of the elements for the production of meaning and information, and how the director Employs his tools in ways that leads to a Formation Structure supporting the middle of formative elements and cinematic language elements.The third section : Formation references according to the diversity of performance theories.The Operation types Selected in this section engage in the relationship between cinema and drawing, and joint productions between these two arts, and also addressed to the references of formation art that have had a significant impact in film history, such as classical, surrealism and abstract… etc., in addition to reproduce paintings cinematically, especially those paintings that belong to the global well - known painters, and how they match Formative with the final cinematic image.Finally... the researcher at the end of the second chapter came with indicators that formed the theoretical framework recap, including : that the(References for the Formation Structure of the Shots in Cinema) configuration in the cinematic shots inspires its Formation Structure from the joint proposals between plastic art and film art, and also the motion represents the diversity structure between the painting formation and cinematic shot formation, in addition to Dealing consciously with the optical script as a basic structure between the film shot and formational painting. As for The previous studies the Researcher did not find any study that specializes in his subject (References for the Formation Structure of the Shots in Cinema), except for a few references here and there in a number of books, references and researches related to his subject (The Shots Formation) which the Researcher relied on in his research.Then, in the third chapter, the researcher developed (Research Operations), he used the descriptive method for the analysis of samples in this research and then chose the intentional samples for the purpose of conducting the analysis process through the fourth chapter (Samples of the Research) : 1. Film (The Passion of the Christ).2. Film (Goya's Ghosts).3. Film (The Mill and the Cross).Then the results and conclusions in Chapter five, which the researcher reached what he purports through this research, and the most important results of the researcher is revealed that the film art has the ability to achieve symmetry between the shot and its formational references with pinpoint accuracy, which leads to the production of intellectual and aesthetic level in film structure. Plastic Art theories represent a basic reference that completes Film Art theories in dealing with the raw material (facts).(References for the Formation Structure of the Shots in Cinema) The motion represents the diversity structure between the painting formation and cinematic shot formation. As well as the painting affects the cinematic shots by making them an indication unit with specific features without linking it in the image intellectual context that insures it's formational and dramatic interaction.The recommendations and proposals by the researcher, followed by a list of sources and references which the researcher adopted at his research process, and then the supplements and the Abstract in the English language.
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الاضداد في النظم الشكلية للمنتج الصناعي وامكانيتها في استجابة المتلقي Opposites Formal Systems For Industrial Product And Their Ability In The Response of The Receiver

اسم المؤلف: نور عباس حسين السعدي
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: تشكل الاضداد بالنظم الشكلية في تصاميم المنتجات الصناعية التي تؤدي دورا اساسيا في شكلها ودورها في استجابة المتلقي. ولعدم قيام اي من الدارسين بدراسة موضوع الاضداد في النظم الشكلية ودوره في عملية الجذب والابهار للمتلقي قامت الباحث بطرح الدراسة الموسومة ب ( | Opposites constitute formal systems in industrial designs products that play a key role in its form and its role in the recipient's response. And the failure of any of the students studying the subject of opposites in the formal system and its role in the process of attraction and fascination for the recipient the researcher asking study tagged (opposites in the formal systems for industrial product and their ability in the recipient's response) through the four seasons, the first chapter dealt with the problem of the search centered What is the role of opposites in formal systems and their ability in the recipient's response, then the importance of research in a statement opposites systems formalism for industrial product came as one of the means in the recipient attract, and can benefit from them and put it as a way of moving Bsykologgio receiver to achieve the benefit of the individual and the community, has been the first quarter included the goal of research is to determine the effectiveness of opposites relations and their ability in response Almtgay.vdila eating it identify the terms that Tzmnha search.Chapter II has included previous studies and theoretical framework, the theoretical framework it contains three sections, dealing with the first part, the subject of the idea of spatial contrast broad faithful to the concept of antagonism and Mbdoaltdhad and philosophy of antagonism and theories contrast, while the second topic antagonistic relations and organizational bases (formal systems) for industrial product and explained the foundations of organizational relationships and their types and their relationship contradistinction, while the third section psychology of visual perception and responsive recipient and explaining the cognitive and understandable, and some theories of cognition and the excitement and response and aesthetic judgment.The third chapter included research procedures and methodology that has been through the selection of the research community and choose the descriptive approach in the case study.Chapter IV has included the search results, and most important of these The results : 1. aesthetic values achieved regulatory connotations and at different rates, where the sudden rhythmic patterns in the formal system and color models (1,2,4), while the rhythmic patterns came clades formalism of the model (2.3), either model (5) rhythmic patterns have been achieved in design through raw material (Mca).2. Tmzart formal systems for industrial body product through objective and subjective job performance achieved functional mechanism in the human body models (1,2,3,5), which have the effect of a clearly defined response in the recipient and to realize the function of the product through Almnzawmth formalism.The most important conclusions of the researcher are : 1. The recruitment of antagonism through sudden rhythmic patterns in the formal and tonal system in the industrial product design aesthetic values occur regulatory connotations which they can check the recipient's response.2. antagonism is a goal to create a sense of where the transfer of translational appointed receiver from one area to another investigator continuity, so that the contrast makes winning product design art is visually obvious and makes high - alone form different but interconnected.And the researcher then to set the foundations of the design was the most important : 1. You must sudden rhythmic systems for industrial product adoption in its system of formal and color that affect directly affect the response of the receiver.2. The use of contrast in the system size, shape and direction to enhance highlight the formal systems for industrial product and must be employed is not limited to color spaces equal and flat
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فاعلية طريقة الاستكشاف في تنمية المهارات الفنية لدى تلامذة المرحلة الابتدائية في مادة الاشغال اليدوية Effective Exploration Method In Substantive Skills Development To The Pupils of Primary School In The Subject of Handmade Works

اسم المؤلف: هالة محجن نعمان
الجامعة: جامعة بغداد
اسم المشرف: احلام مجيد سلمان
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: نظرا لما تمتلكة طرائق التدريس من دور مهم في العملية التعليمية يرتكز عليه مختلف الاسس والاساليب والانشطة المختلفه التربوية منها والتعليمية، ولكون طرائق التدريس الحديثة لها اهمية بارزة في العملية التعليمية فان طريقة الاستكشافية وفاعليتها في تنمية المهارات ا | Because of their methods of teaching an important role in the learning process. Based upon various grounds and different styles of educational activities , including learning. The fact that modern teaching method of Prominent importance in the learning process the way of exploration and of activeness in manual skills development, of various material especially material handicraft, and activation of different method to its full Potential and the power of the elements to get to high level of education between students and teachers. This is what the current organized (Effective exploration method in the development of skills for students in primary school ). The research consists of four chapters : - The first chapter : Find deals with problem of cross - crystalline question follow : - Q : How effective exploration method in the development of skills among primary school students?The objective search by : - 1 - Disclosure of the effectiveness of exploration development skills to pupils of primary school.2 - Measure the effective of exploration development skills to pupils of primary school for Hand work. The importance of higher research need to upgrade to high level using modern teaching method to active the educational process - and represented by the objective limits and then spatial and temporal boundaries border as well as identifying terms in the title and exit procedural definition.The second chapter : - It is including the cortical frame work which consisted of three research : - 1 - First section : - The skill and the importance 2 - second section : - included the hand work3 - third section : - included about the importance to teaching method relationship with skill sideThe third chapter : - Included research procedures and methodology adopted the experimental method has been selected sample of pupils of Al - Ashbal primary school fifth grade primary and extent of the use of meta , search teat and tribal tool.The fourth chapter : - Includes findings and conclusions that have been reached and was the most prominent1 - All hand work develop performance skills to students 2 - Conscience and artistic expression and associated operations creation and innovation development3 - Through it is to achieve social cohesion among themselves And then the recommendation and proposal, and list of sources and supplements came.
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الاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصاميم الطباعية Aesthetic Response And Variables In The Process of Communication

اسم المؤلف: هبة مزهر محجوب
اسم المشرف: ادوار الاشقر
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: تشكل اهمية هذا البحث مؤشرا لمواكبة التطور للاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصمايم الطباعية، فالاستجابة الجمالية تعد ردود الفعل الايجابية التي يثيرها المثير عند المشاهد اثناء الحكم الجمالي او التجربة الجمالية والنفعية اما عند المتغيرات | The importance of this report considers an index to convoy the development of Aesthetic responsive and its changes in the communicative procees for theprinting design.on scientific foundation of effective with using the facilities available for new technologies wich is available in commercial advertising through the computer which through it the effective responsive achieved Conserning with the problem and through the researcher observationjob and her study for the Aesthetic responsive.ahe found that three was aproblem in dealing eith that subject from the searcher specially for the specil reality of the Aesthefic responsive and is changes and effeeing of the communicative rocess in printing design field and that to achieve receiving the actting letter with designs filld with beautiful vaiues to do the job and to get the responses from the listener and his interaction in this letterSearcch target Discovering the changes of the Aesthetic responsive in the communicative process for printing designs ,graphic designs.The search restricted in studing the Aesthetic responsive and is change in the communicative process for the modern commercial advertisement dealing with the beautiful and creer way and that what concerned withchabter one , but chapter tow covered the oretical frame work and it divided to three investigations ,the first study content concept of Aesthetic responsive and Aesthetic concept and the second study content communicative process and the factors which depends on the success of the communicative process, also the third study is commercial advertising and the target of it functions and types artistic side of the most important things in the announcement since it concern with graphic designers?s abilities in artistic and technical skills.Recommendation and propo sals ;1. That are ative and practical application in the commercial side of the announcement.2. confirmation that the work in the design of ommercial advertising deals with receiving advertising me ssage from the designer to the recriver.Suggestions ;1.Undertake astudy similar aesthetic response for the shope and color characteristics in commercial advertising. 2.Practical study to contrast vole of the image in advertisement and its effect on the recever.
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