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التحريض في الخطاب المسرحي العراقي == Instigation In The Iraqi Theatrical Discourse

اسم المؤلف: حسين رضا حسين
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2013
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لقد كان التحريض وما يزال احد الوظائف الاصيلة في التجربة البشرية كما هي في الدراما باعتبارها اداة للتغيير بكشفها عن الزوايا المظلمة في هذه التجربة على مختلف انواعها ومسمياتها واضاءتها، وذلك بالتحريض عليها ورفضها والدعوة لتبني موقفا انسانيا جديدا. وينطوي ال | Instigation has been one of the genuine functions in human experience as well as in drama. this is because it is a tool to discover the dark spot in this experience on its various types names and lighting. By instigation we mean alert and continuous stimulus and by active wishes that intentionally in deep structure of theatrical experience to show a meaning respond to human values. for this reason we find that it's important to explore instigation, in theatrical discourse. this research contain four chapters. The first chapter included the frame approach on research in which we discuss instigation in Iraqi drama as it as an active sign to enrich the structure of the speech so the researcher limits the problem of his research which is to follow the important of instigation in the Iraqi theatrical discourse. this chapter also contains the important of the research and its aim and limits. And reflected the importance of research in approaching the concept of instigation, and effectiveness within the paths of the Iraqi theatrical discourse. The 2nd chapter has three aims. the 1st studied the concept of instigation as it is an active corner in human experience and so in the movement of existence , in addition to its activity in universal theatrical discourse. the 3rd studied instigation in the Arab and Iraqi theatrical discourse. then it comes to the end to show the indicators which were generated by the theatrical frame work and previous studies. The 3rd chapter studies the research procedures, which included the research community and appointed by the researcher selected randomly to comply with the object and purpose of the search. The researcher adopted the descriptive method as an approach to analyise the research. The 4th chapter included the following result; 1. Incitement is embodied in the form of discourse as in (countdown to Macbeth), while aimed Doctor (Mikdv) crown on the head (Macbeth). At the scene of writing the petition (rehearsal in hell). 2.The instigation can be seen clearly and directly in the play" Rehearsal in the hell" and it is codded for the 2nd time in countdown for Macbeth. Then the researcher present the results conclusions recommendation add bibliography.

البنيوية التركيبية كاستراتيجية في التصميم الداخلي == Structural Construction As A Strategy In Interior Design

اسم المؤلف: حسين جمعة نجم الزبيدي
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن التصميم الداخلي من الفنون الوظيفية الخدمية التي تهتم بالفضاءات الداخلية لماوى الانسان واستخداماته المتنوعة، والتي تتطلبها الظروف البيئية والمعيشية، بعدها المؤثر الفاعل لدوافع تصميم البيئات الداخلية ومنها بيئات الفضاءات السكنية، التي تشغل اك | The interior design considers of the service functional arts concern to Interior spaces to man shelter and his uses differently, the required by the living and environmental conditions then the effective factor to motives of design like housing spaces environments, that contain more concerns between other environments. interior design means produce man or society as all, it is my specialization depends on study of different science kinds by man directly like general, psychological, social and economical etc. besides opinions role and thought interpretations that treat these subjects and found to their results as sorts designs tuning with man nature or his subjective reality. Because man limit or change with other, tune with developing in all life as now study or activity and relation as its number private receive or group so found different fields especially spaces of group, should be thought systems treat to interfere to perform to mend achieved design. According it is necessary to depend thought to study man use as social creature limited or effected by objective real or his relation to level as fields to these social levels like compounding structure, The structural compound of related structure between Markis intellectual structure in general established by (George Lugash) and (Jan Biajeht) leading by (Lwsian Ghuldman) in the second trend and the importance in this trend or the structural procedure swept Europe in the beginning and mid of the 20th century, moreover of what it presents of intellectual products with their effectiveness in studying and analyzing and orientation of aesthetic applicable systems as in literature and configuration arts, design art being an art depending on configuration structure with intellectual, professional and aesthetic institutions, an important part of from this analytic description, and could be part of work strategic presented by the structure compound to college of Fine Arts which depending analytic and compounding. The researcher study in a deliberate way of (Goldman) that are developed by (Lukash) analyses and (biajeh) of structural mixing by compounding knowledge theory, It has been Found find that this trend of thinking and analyzing could become procedure or strategic Planning for productive actions in the internal design, moreover could be critical tool, by which this production is evaluated. Thus, it has also Found that the outcomes produced by the structuralism, regarded critical and analytic tool, modernization time and what followed considered the optimum stage of artistic production in representing the strategic relation between theory and application or among intellectual interpretation and their reflection in their appearance material, moreover, we find the artistic movement swept and dominated the common aesthetic sense from the early of 20th century, like we find more of future, surrealism, expression and realism. Depending this equation and regarded it as constituent to it as in relation with idealism and the realism with materialism and Surrealism with existence. Towards this, we find the necessity to research it as an intellectual institution affected to a great extent in productive artistic movement among the design arts , the researcher opined to choose the title of the research named (the structural compound) as strategic in the interior design, whereas it cared studying the intellectual of the structural compound procedure And demonstrate their bases in the interior design, specified by residence horizons of the instructor za'farania (the new), Baghdad, the capital / Rusafa, affiliated to technical educational faculty in the Ministry of Higher Education and Scientific Research, and the research aiming at to refer theses givings to the Structure of interior spaces strategic to them and towards that, The research contained four chapters. the first on deals with the research problem and its importance and goals, limitations and assigning the used terms in the research and their definitions. as for the second chapter, displayed the previous studies, so we could not find a study cope with our study and the theoretical frame which is consisted of four categories. the first one, contained the structural thinking trends and its development in general to explain the fundamental and references of the structural compound procedure reliable in this study and the most convergences and divergences between the two structuralism (formal and structure) to know the most important of similarities and differences between the two under the title between the (structure and formal) and the second category theses of intellectual thinking in details, and under title (the structural compounds, the bases and institutions), the intellectual trend deals with, which procedure pursuant, and its role to specify its basics, and then these bases role in specifying the ground adopted to analysis the artistic structure and the third category, under title the interior design, the bases and institution , whereas it displayed sufficient explanation of the interior design and residence spaces in them , at last, the fourth category, which contained the dialectic relation between theory and application, and their role in structure of art design, and under title, between the theoretical strategy and the applicable strategy by referring the bases and intuitions of structure compound procedures to interior structure design of the residence spaces, embodying the truth of intellectual relation between the strategic field of the first and the second applicable field and this chapter has concluded numerous notes that are depending in analytic process to the field procedures of the research. The third chapter contained, the research procedures of programmatic and the research community and the research sample, the research instrument used, which is form of analysis subjects and describing samples and analyzing them. In the end the fourth chapter, included the results that the research reached through analytic process and conclusions with suggestions and recommendations The most important results : 1. Repeat of designing thought in housing society all details as interfere between mind users through similarity of total structure so to hide social differences besides spread social relations by all treatment with one design language.2. The housing unit appeared as closed structure in system firstly determining distribution spaces or elements optical result to loss of develop or change possible.3. The designer concern to total subject without certain to partial structure specialty of activities, depend of spaces distribution to back operational functional relations without concern to environmental regulations to house use, as closure of middle space or open of special rooms or kitchen. This certain on coherence to lay compound structure.4. The bases were not do to like strategic compound course to society or surrounding real, though their presence in achieved redesign as partial or total appeared weak in coherence of mental use randomly relation as space or window opens or depend polish walls or ceilings or functioning units of made one quantity to repeat boring to silence stability, not prefer structure though repeat thought.5. Did not concern or pay attention to characteristics of spaces in general or special, through doors opens near, to distribute suitable locations as indication but determine by relation that come axis opposite with short distance between mentality to used level or structure to that specialty in spaces General and special.6. That come as determine to surround spaces walls did not contain in the front side to interior middle space through central distribution to thither spaces of thought to relations or activities.7. They were not complete of structure relations connecting between parts, or inclusion led to weakness of coherence these designing for users starting from matching thought with applicable field or weakness of link relation with construction elements of design as appeared in the interior space to receiving hall as absence of specifying to three activities that contained by sleeping space or appear moist spaces.

التدليل العلامي في افلام لارس فون تراير == Semiotic Semantics In Lars Von'S Movies

اسم المؤلف: حسن قاسم مطشر الساعدي
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينطلق البحث في محاولة لتاشير اهتمام سيميائي بالتجارب السينمائية المتميزة في السينما العالمية عبر تاريخها الطويل، ابتداء من عفويتها التي سحرت المشاهدين بتصوير وصول القطار الى المحطة، وانتهاء بالدهشة البصرية من افلامها الحديثة التي غلبت عليها تقنيات الغرا | The research stems as an attempt to indicate the natural magic interest in distinct cinematic experiments in the world cinema through its long history, beginning from its spontaneity which fascinated the audiences by shooting the train arrival to the station, and ending with the visual surprise at its modern films dominated by the technical graphics, within two main axes : the trial to associate among those experiments which their indicative features and the indicative structure they represent on one hand, on the other hand observing the new experiment to find different formats of semiotic semantics in new, distinct and good works for analysis and theoretical framing processes which the researcher endeavors to apply them and the trial to find a real example for them through cinematic text which the researcher thinks it represents a suitable sample for search and operation. The movies had been classified on analogical bases (realistic and impressionist) which were two main attitudes within them the cinema began to develop until the structuralism and the sign science appearance at early 1970s. The natural magic borrowed from eloquences its search methods to reveal the semiotic and semantic structure owned by the cinematographic images; therefore, this study represents an attempt to read the semiotic semantics in intended film texts using the natural magic analogical effort. The study entitled (The Semiotic Semantics in Lars Von's Movies) included four chapters as the following : The first chapter (The Methodological Frame) addressed the research problem displaying the avoidance of many studies from studying the cinema unless through deliberative starting points, so they were implicative studies related to what said in the movie and not to how it was saying. Consequently, the way to that was knowing the structure of the semiotic semantics in the cinematic film in which it saw the modern criticism of the natural magic method with semiotic value that could be count. The research addressed the research significance and its analogical location among the natural magic studies in the field of cinema. The chapter contained the aims put by the researcher and the limitations within which the research worked. The second chapter (The Theoretical Frame) came including the rules previously established, which the overall operating on them would be the application of some of them, or with some changes besides preserving the general lines of the critical achievement. The search first would be through the first section (The Natural Magic of the Cinematic Image) on the signalization of the cinematic image which due to its iconism resembling the reality it depicted, referred to or symbolized, formed the secret of its excellence, after an inevitable analysis of the sign in general as being an icon, indicator or a symbol. After distinguishing the weak iconism resembled by the planning, and between the direct iconism and the metaphoric iconism established by the successive and compound images in shots, scenes and chapters inside the movie, through this resemblance embodied by the similarity between the cinematic image and the realistic subject it shot, we could read that image in natural magic. Then the research dealt with (The Indication of the Cinematic Sign) the title of the second section in the cinematic address which arranged its images as its language, the open and closed text, deliberative, perceptive, psychological, social and cultural contexts, and the codes through the association of the cinema functions with its meanings closely due to their being video signs, and the transformation of the perceptive example represented by the signs into an indicative example related to the cinema via its video and audio languages which distinguished it from the remaining arts. The research presented in the third section (The Semantic Elements in the Cinematic Film) the filmic narration, the filmic shape, the operating mechanisms of indications in the elements of the cinematic language through adopting (linguistic - cinematic) inducing techniques contribute in exploding the closed structures at the level of the shape, evacuating the filmic text from the dramatism at the narration level rich of playing with times and multiplicity of viewpoints, and using the repetition and overlapping which restore, paste the text segments with an internal and external vision hanging in time and place, and liberate it from mixing with other text. Then, the researcher discussed a group of previous studies covering the natural magic in the cinematic art and some of their sections mingled with the study sections, afterwards the researcher came out with six indicators, i.e. types of indications constituted from the theoretical frame, the researcher wanted to indicate through them what the research tried to confront by exposing them on a committee of experts and specialists who modified them in a way fitting the research. These indicators were summarized in six types of semiotic semantics : intensified and compound indication, transformed indication, additive indication, individualized indication and the accompanying indication, all of which were applied to the sample. The third chapter (The Research Procedures) consisted of two axes : First : the research method where it was relied on the descriptive analytical method, the analysis unit, elected filmic sample, the reasons behind selecting this sample in a way fitting the research nature, and the reasons laid by the researcher for defining the sample. Second : the sample discussion submitted to the analysis according to the indicators extracted from the theoretical frame. The selected filmic samples consisted of three movies for the Danish director (Lars Von Trier) : 1 - Antichrist movie. 2 - Dancer in the Dark movie. 3 - Dogville movie. These three movies were selected because they were distinguished works, since the second movie was awarded the golden palm prize in Cannes cinematic festival, while the movie song (everything I saw) performed by the movie heroine the singer (Burk) written by the director (Lars Von) was awarded the Oscar prize as a best song. The other two movies were praised among the cinematic and critical circles. For information, the director (Lars Von) gained prizes from Munich cinematic festival and won the golden palm prize twice. The fourth chapter came with the research results, the most important of which were that the image had a tremendous number of signs forming the analogy and contrast processes among them to produce the predominant meaning which the maker wanted to uncover. It was relied on the receiver's awareness in reading the coded structures inside the space of the shot or scene which altogether led to reveal the levels of the semiotic structures producing the meaning. Then, the research arrived at conclusions and suggestions. Finally, the researcher's recommendation came asserting the importance of the natural magic method in the cinematic criticism and the necessity to expand working with it within the department methods for the undergraduate and higher studies. Afterwards came a list of the research references, a group of appendices and an English abstract

سمات الاداء التمثيلي في تجربة قاسم محمد المسرحية

اسم المؤلف: حسن قاسم محمد
اسم المشرف: حسين علي كاظم التكمه جي
الموضوع العام: الفنون الجميلة
السنة: 2011
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينقسم البحث الموسوم (سمات الاداء التمثيلي في تجربة قاسم محمد المسرحية) الى اربعة فصول تضمن الفصل الاول الاطار المنهجي للبحث عن طريق مشكلة البحث والحاجة اليه، واهميته، وهدفه، وحدوده وختم بتحديد المصطلحات ثم تلا ذلك الاطار النظري للبحث وتضمن ثلاثة مباحث الا

جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة == Aesthetic Employment of Photograph In The Art of Post Modernism

اسم المؤلف: حسن عطوان كاظم
اسم المشرف: كامل عبد الحسين الشيخ خضير
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناول البحث الحالي ( جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة ) وقد حاول الباحث التعرف على جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة، من خلال الاجابة على هدف البحث الحالي، وقد اشتمل في بعض جزئياته، بيان طبيعة والية توظيف الصو

انساق العلاقة بين جسد الممثل والسينوغرافيا في العرض المسرحي : ماكبث انموذجا

اسم المؤلف: جواد كاظم حسن الحسب
اسم المشرف: فاضل خليل رشيد
الموضوع العام: الفنون الجميلة
السنة: 2010
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يرتكز العرض المسرحي الى عدة عناصر تشكل هذه العناصر اساس لغته البصرية، فالممثل وهو العنصر الاساس، وهو صورة العرض الحية الى جانب العناصرالاخرى المتمثلة بالسينوغرافيا، كالاضاءة والديكور والملابس والمكياج والموسيقى والمؤثرات الصوتية والاكسسوارات التي تتحرك في

جمالية الايهام البصري في رسوم سلفادور دالي == Aesthetic Visual Illusion In Paintings of Salvador Dali

اسم المؤلف: شاكر عبد النبي جباره وطبان
اسم المشرف: محمد عودة سبتي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Fill Find beauty of human thought since ancient times, being an important part of his feelings and his sense of the world, which showed the his attempts at making beautiful as he sees fit consistent with the feelings and human identity and social affiliation, and characterized without other creatures of being beautiful pictures and creator maker, this led to allocate some of the search the values of these images and their interpretation, Venco so aesthetics, has produced a lot of art images from the caves to the present day, and the great artists who excelled in this area a significant impact in the technical experience considering that their greatest impact on the thoughts and emotions of the people, and who left a legacy artistically valuable a significant impact later is the Spanish artist (Salvador Dali), which occupied a prominent position and an excellent location in the history of European art.The current research has dealt with (Aesthetic visual illusion in Paintings of Salvador Dali) and containing these fees from the beauty of art through the methods of structural treatments, techniques and technologies.Salvador Dali acquires great importance as an artist, he is an artist Urby singularly in his career, and has a level of privacy on the aesthetic tools and on the level of human and social position.As artist Silvader Dali belongs to the school Surrealism, which emerged and was famous in the early twentieth century and affiliation that did not make it affected the fundamentals of technical classic, but search for himself space to override contrary in outside those limits, making it the most famous surrealist artist from among a number of his peers Europeans.As long as his work is that talk, Salvador Dali has left a number of important works, carrying privacy orientations Surrealism.This research is an attempt to reveal the editorial systems in his art, and the qualities that could be achieved in the aesthetic elements of the plastic painting very magnificence and excitement is not technically part, but in metaphor and embedding elements configuration.The search is over to combine analysis who cares fragmented, examination and induction and formulate conclusions,.Thus adopted research the following question : (What aesthetic the illusion in the Salvador Dali fees?)The research is divided in four chapters, the first chapter included, the problem of the definition of research and its importance and need for, and the aim of the research that has been summed up as : (learn visual aesthetic giving the impression in painting of Salvador Dali). The first chapter also includes a definition of the limits of the search, and determine the terms contained therein.The second chapter, which is the theoretical framework of the research, it has been divided in four sections : 1. The first section Me (perceptive formal in painting between reality and create the illusion).2. The second section Me ( illusion in modern painting)3. The third topic Me (Surrealism, origination, vision and method).Also included a theoretical framework and previous studies indicators.While the third quarter included research procedures, from the research community, and a sample search, search tool, the research methodology and analysis of the research sample.• The fourth quarter included the search results, Among the findings of the researcher : 1. The arguments of Surrealism seemed clear in the works of Salvador Dali imagined and underlying vocabulary that seemed a substitute for logic and reason authority since defected to the fundamentals of building formal relations that would achieve a balance between the painting and the unity and harmony dimensions allowing the artist to form a pattern of Fine relations and Avatar on the surface Photogrammetry which met the elements of alienation, imagination and subconscious.2. How important photo in the works of Salvador Dali appeared by employing them in collage techniques as it appears in the painting (3), or in making it as an essential element for the establishment of his work with elements of playing is reflected in the paintings (9.11, 14, 15) of the sample research.The most important conclusions : 1. Depending on the different themes of the diversity of the latest so that the grapes can be classified into the task of the artist's life stages where it was confirmed on a specific theme which completed a large collection of his works2. create the illusion that the key element in most of the works of Salvador Dali Surrealism within the period in his artistic life form.• recommendations, including : the need to establish cultural and intellectual relations between the global arts colleges and technical institutions) with arts colleges in Iraq to take advantage of the technical expertise and experience and acculturation between them, and interest in the study Surrealist art depending on Salvador Dali techniques in the implementation of his paintings.• proposals, including : the impact of Salvador Dali fees in contemporary art.Then comes after chapter four : sources, supplements index, and abstract in English.

جماليات بنية الخطاب التلفزيوني الموجه للطفل == The Aesthetics of Constructing T.V Discourse For Child

اسم المؤلف: هناء خضر يوسف
اسم المشرف: متي عبو بولص
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يشكل الطفل بنية حيوية يصعب الكشف عن جانب من مكوناته الانسانية دون الرجوع الى البنية الكلية، انه شان الخطاب التلفزيوني، فهو يشكل بنية متكاملة يصعب النظر الى مكون من مكوناته في معزل عن تلك البنية العضوية التي تؤسس وحدته الكلية، وهناك عناصر لا يمكن تجاوزها ع | Child is considered as a vital construction which is difficult to discover any thing about his human components unless go back to his total construction. It is a concern of T.V discourse because it represents a total construction which is difficult to watch any component is aloted from the organism construction which establish his unity. In addition, there are other elements which can not be avoided when searching about the reasons of constructing any discourse especially T.V discourse for child. These elements fall among the audio visual construction and become very important in its communicative - technical role or in its aesthetic - expresional role to add more meaning and contribute to improve the aesthetic teste in child and develop his character.However , the following study is going to study this case and falls in five chapters. The first one is ascribed for the theoritical background, and the problem of the study which Represented by the following question : What are the characteristics of constructing T.V discourse for child, and how to employ the elements of audio - visual construction in this discourse to represent the aesthetic qualities which attract the child interest.The aims of the study concentrate on : - The automation of receiving in child. - The aesthetic - expresion employment of the audio - visual elements in T.V discourse for child.The limitation of the study is confined to T.V films for child within the age 9 - 12 year, regardless with a limited time because the study is studying the artistic aspect of all films away from the date.of its fits productiong or showing.Chapter two comprise the previons studies and the thearitical background, the researcher found two close studies for hers while the thearitical background includes these three sections : - - The psychological receiving in child in which, the researcher shed light on the concept of communication and its effects on the sensational and psychological perception in addition, she studied the age division of child and the factors which effected the efficiency in child. - The elements of discourse construction : This section studied the most important element. of montage and audio - visual. This is to now the impact of expressional and notional emplaymention on discourse for 9 - 12 year child to achieve the cognitive and aesthetic aim of discourse. - The aesthetics of discourse between testing and conception : This section includes the concept of aesthetic, conception and aesthetical testing in child, and how he feel in art. The researcher, then, draw up the theoretical background and the instrument of the study atter they were exposed to ajury of experts.Chapter three includes the procedures of the study which had been adopted by the researcher to analys the selective sanples of the study which were 1 - the film (Garfield) 2 - the film (Bridge to terabithia) 3 - The film (Edde’s cook) and the justification of selecting these samples in addition to the research instrument and the unit of analysis.Chapter four includes the analysis of selected samples and concluding the final results which where included in chapter five, then the results of the study.Which are as follow : - 1 The variaty of discourse ideas for child straint from his essencial needs and the system of educational , social and cognetive values.2 Using the simple plot in which a strugle between mind and intellegent will appear instade of body violent.3 Lighting had an effective role to attract the attention of child and delighted him.4 Concentrating on natural colures as an indication vitality and loving the life.5 Fashion had an effective role to discover the psychological aspect of the character.6 Simplicity were adopted in the language of discourse for child.7 Songs , effects and music play an important role for entertaining and amusing the child.8 Montage is depending on longitudinal style to sequencing the events and employing the process of clipping , cutting and mixing. Finally , the researche state the conclusion according to the results of study , and some necessary recommondation and suggestions for further study to cover all the gaps. this study because it needs a specific researcher. Then the researcher end the study by the lislt of references and appen dences and the abstract in English.

جماليات النظام التصميمي لهيئة جهاز الحاسوب المحمول وعلاقته بالمستخدم == Aestheticisms of Designing System For Shape of Laptop And Its Relationship With User

اسم المؤلف: مهند جورج الياس فتح الله
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد? جهاز الحاسوب المحمول , من التقنيات الحديثة المهمة والاكثر فعالية وتاثيرا في حياة الانسان. وبما ان الهدف الرئيس لاي عمل في مجال التصميم هو النظام التصميمي المناسب , فقد تناول البحث الحالي دراسة امكانات وضع مرتكزات تصميمية تطويرية لهيئة جهاز الحاسوب | The lap top is consider one of most modern techniques and most influential and activity in life of human , the main aim for any work in field of designing , is fit designing system where present research deals with studying of potentialities set rests of developing designing for shape of lap top in order to contribution of present research with its artistically and scientific materials in finding knowledge base to studying aestheticisms of designing system for shape of lap top in order to achieve designing aspects with concerning with aestheticism formative system and functional aspect which achieve qualification in work with provide security and safety , both from contains of 1st while 2nd consist of three topics , the first was concerning with in designing system ( formative ) , while 2nd topic was deals with what's lap top and relation of its function with designing variables and its components and ways of used connection beside its relation with surrounding circumstances , 3rd topic have introduced explanation in humanbeing engineering ( Anthropometry ) and designing of designing of designing systems , 3rd have concluded measures of research where I depend studying of case in descriptive methodology in order to form base of scientific analysis of for sample of research which represent 50% from community of research through analysis and current descriptive for phenomenon. The researcher have depended on indicators was outcome sources and references were depended by researcher and field visits for shops of lap tops , and also interviews with owners of experiment , beside reconnaissance of researcher through use application of interview to specify how dealing of user with designing system for shape of lap top. 4th chapter have described sample of research and analysis it according to application of specification of axis of analysis. 5th chapter and last to introduce results and conclusions and designing rests and recommendations besides suggestions.Most results were been discovered by research as following : - 1 - Confirming on designing system which concludes well - organized relations which connect parts each other and with public shape which reforming as whole for structure against its functions within one connected idea.2 - key boards become on shape of bowed in outward and with tendency angle fit with direction of hands in order to functional values and getting rid of stress to wrist joint as result its twist towards inward ( where direction of hand of user in direction same or extension wrist joint and in same extension of hand ) , aesthetics value through movement and variety to its designing variables to cope with desired function. 3 - designing shape of lap top with well - organized structural system from ordered relations? between system of structural techniques designing system and operational smaller size , lighter weight and more competence and between forming designing variables to provide desired function and aestheticism value in order to carry out requirements of user. 4 - employing of shape lap top connect with abilities of loading , moving , and facility of treatment and usages in different environments of work with less range from surrounding space.5 - achieve elements of quality , and designing formatval structure through use material of plastic ( type ASB ) in shape of lap top through physical features and requirements of manufacturing and economic consideration. 6 - relying on movement and variety in structural shape in order to achieve renew structural configurations , original and development with aestheticism influences and by dynamic spaces and not similar and nderstanding for certain aims of designing work.

جماليات السينـوغرافـيا فــي العرض المسـرحي : نماذج من المسرح العراقي == The Aesthetics of Scenography For The Theatrical Performances

اسم المؤلف: جبار جودي جبار العبودي
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: في ظل انفتاح العالم على مختلف انواع العلوم والتكنلوجيا والمنجزات التقنية التي شكلت العصب الاساسي في الحياة المعاصرة بدات التجارب المسرحية بوصفها فنا يعكس انماطا شديدة الخصوصية، وعلى تماس مباشر باحاسيس ومشاعر المتفرجين، بدات هذه التجارب محاولات اللحاق | This research deals with the problem concerning the authority of the aesthetic elements in the scenogrphy for any play production and the ability to cause their effects in the final form of the stage pictures. The goal of the thesis is to define the aesthetics of scenography considering the dominating authority for the Iraqi theatrical productions and the role of the main factors in showing the images of the directors and the designers. In chapter two , the researcher reviews the resources dealing with the subjects. Section one of this chapter reveals and discusses the opinions of some scholars about the conception of scenography and the development of its implications through out the history of the theater. The researcher chooses the opinions of the three well - known play directors and designers - Adolf Apia , Robert Wilson , and Taduez Cantor. In section two of the chapter , the researcher discusses the aesthetics of scenography elements - the actor, the make - up, the costumes, the scenery , the accessories , and the theater building architecture. In chapter three , the researcher anal sizes the aesthetics of scenography of, three Iraqi play productions : The first is ( picnic ) adapted and directed by (Ahmed Hassan Mussa) , and ( Jabbar Juddi ) is the scenogerahper. The second is ( Cerfew ) written , directed , and scenogerahpy by ( Muhannad Hadi ). The third is ( The Blood Horse ) adapted ,directed and scenogerahpy by ( Jabbar Juddi ) , The text of this play was adapted from ( Macbeth ) of Shakespeare. In the fourth chapter the researcher discusses the results of his analysis and reaches the following conclusions : 1/ The theatrical performance depends a lot on the visual theater nowadays more than the others.2/ It is important to achieve the harmony between the visual , the auditory, the kinetic element and the dramatic element according to the vision of the director.3/ The aesthetics of scenography could be achieved only in well equipted stage.4/ The authority of scenography dominates the contemporary theatrical performances.5/ In order to achieve the aesthetics of scenography successfully it is necessary to manipulate the plastic elements.

جماليات الاشكال الزخرفية في الخزف العراقي المعاصر == The Aesthetics of Decorative Figures In Contemporary Iraqi Ceramics

اسم المؤلف: مهدي نوري عبيد السبهان
اسم المشرف: صباح احمد حسين الشايع
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: تتاثر الانجازات الفنية عادة بحسب نوعية البنية الثقافية للعصر والخطاب الذي تبثه هذه الثقافة ذلك ان الحضارات القديمة ارسلت بلاغها عبر منجزاتها , ولما للفخار من اهمية قصوى ورغم ارتباطه بدا بالنفعية الا ان سطحه اصبح فيما بعد نصا مقروءا متناميا فيه ال | The Artistic achievements are usually stirred according to the cultural structure of the generation age and the message conveyed by the culture , the ancient civilizations ceramic is thus crucially important and beneficial , However it has had readable surface with growing aesthetic a wariness, Methods of ceramic figures building have developed and varied , bringing out figure system , thus decorations by all kinds covered ceramic surfaces with symbolic indications , These creations reflected the spirit of the ages and through stages a solid base of original civilization was founded which have enable contemporary arabistic to develop their free intellectual views. The aesthetic sense has crockery during the Balioarteological ages inspite of the beneficial purposes of crockery , the ceramic artists could decorate their ceramic objects with particular engraves. which have inspired the contemporary artists. Some works of contemporary artistes are distinguished by making ceramic figures on ceramic surface.The monographic of this study aims at explaining the conception of the aesthetic system producing the ceramic body. Doing so enable us to enrich the knowledge medium with the research thesis ( The Aesthetics of Decoration Figures In Contemporary Iraqi Ceramics ). This research paper includes for basic chapters.The first chapter is concerned with the research main issue , importance , and need. It aims to identify the decorative figures in the contemporary ceramics and fined related terms and definitions.The second chapter is related to the theoretical frame it's result and results of previous studies. This chapter is further concerned with four topics. The first topic is intended to study the aesthetic philosophy ; the second one is about history entrance on ceramics art , the third topic is about shape and the fourth one id about history of decoration.Chapter three is concerned with procedures of the research using descriptive and analytic style. The research selection includes works of some ceramic artists during a limited time.The research sample includes ( 25 ) ceramic works chosen from the original selection in an intentional way. Chapter four is concerned with the statement of important results as follows : 1. Shapes balance in terms of contents and units on ceramic surface which showed aesthetic appearance. This created stability state result from the balanced ceramic works in addition to color harmony and mass balance.2. Among the aesthetic characteristics of ceramic components are the symmetrical decorative shapes which symmetrically depend on both ' X ' and ' Y ' axes.3. Ceramic figures beauty is made prominent by repetition characteristic in which units and items are related closely by drawing ceramic items repeatedly with out change.4. The Arabic letter appeared to be elegant with an arranged position with other letters , especially when it is used as a decorative figure in the contemporary ceramic. Therefore the ceramic artist manipulated the letter in two ways : Firstly , calligraphy was done with recognized script rules but in an occasionally repeated letter shapes and drawings. The letter was also drawn in a way so that repletion and symmetry were clearly apparent.In the second way , the letter was drawn and made with free - script rules.5. The geometrical elements decorative shapes with arrangements , symmetry , repletion , balanced and counter linear relations among them contributed to clear manifestation of the aesthetic aspect of the contemporary ceramics. The decorative construction of items was represented by triangles , rectangles , squares and circles

ثنائية الادارة والانتاج في تسويق العرض المسرحي العراقي == Duality of Management And Production In Marketing of Iraqi Theatrical Show

اسم المؤلف: احرار صيهود حسين
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The world has known the importance of management and production in achieving successful businesses that people could actually benefit from. The world has known too how important that these administrative and productive operations should be accompanied by others that deals with business marketing. Just like there are commodity products achieve profitability direct material, if successful, there are also service products achieve profitability moral and material direct and indirect.The artistic activity, in general, and the theatrical one, in particular, is one of the these activities or businesses that achieve profitability moral and material, as well as help spreading awareness and increasing the level of culture in the countries. To pay attention to the administrative, productive and marketing aspects will emphasize that the community is being developing and progressing. Therefore, this study has came to emphasize the importance of both management and production in marketing the theatrical show and help achieving its goals and reach for the artistic, aesthetic, and cultural aspects in the country. All this because the three operations of management, production and marketing have been taken and discussed in order to having the theatrical show successful.Chapter one of the study which shows the methodological framework, addresses its problem, its need, its importance, its objectives and its limits as well as identifying its terms. While chapter two of the study which shows the theoretical framework that comes in three sections : the first addresses the concepts of managing production and marketing, the second addresses the management and production in a theatrical show, and the third addresses the duality of management and production in marketing a theatricalshow. Then, the researcher comes up with indications of the theoretical framework as follows : 1. That management is considered like a factory of making resolutions and a field for arranging resources in order to use them to achieve specific goals - like results.2. That management is one of the operations of achieving results through the effect of a manner in a framework of a specific environment.Chapter three of the study, which shows the procedural framework, addresses its society, the sample and tools and study methodology, in addition to analyzing the samples according to the indications of the theoretical framework.Chapter four includes the results, conclusions, and recommendations of the study. It ends with list of resources, appendixes and an abstract in English.

توظيف الملحمة في الدراما التلفزيونية == Employment In The Epic Television Drama

اسم المؤلف: حسن هادي زاير المحمداوي
اسم المشرف: ياسر عيسى حسن الياسري
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بالرغم من تعدد وسائل التعبير للمنجز الفني الا ان لكل واحدة من هذه الوسائل نكهتها الخاصة التي يحاول من خلالها صانع العمل الوصول الى المتلقي. لكن يبقى الفن السينماتوغرافي الثمرة الناضجة والوسيلة الواعية للنتاج الانساني، اذ انه يشكل مجموعة من الخبرات والاف | Despite the multiplicity of means of expression of artistic accomplishment, but for each one of these means special flavor that which tries to work maker access to the recipient. But art remains Alcinmatugrave ripe fruit and conscious of the way the product of the human, as it constitutes a set of experiences and ideas humanity to get to a distinct form of art is an extension of the creative product of civilization. There is no doubt that art Alcinmatugrave tool and a means of intellectual working to transfer the beliefs and ideas of the people towards each other, an employee at the various kinds of topics, including tales of epic and mythical, historical and other. If you look at the old epics that have reached us, we find that it includes many anecdotal theme, and often we find that These themes independent of each other, in spite of its independence, but it where the unit subject is available, and this is what we find, for example, in the Epic of Gilgamesh or even in the epics of the ancient Greeks and ancient Romans, and this thing made filmmakers working on each of these themes separately in an attempt to find a technical ports to connect between them and to build up a convincing dramatic and leads to the ends of the aesthetic and creative. The cinema and for long periods they have monopolized the provision of those movies epic that dealt with the drama interesting carrying humanitarian meanings widely in form and content, but the television followed the example of cinema in the provision of those humanitarian epics on according to high - builders level and it was necessary to search in the recruitment of the epic and construction epic television series, Valmhamh of narrative story - based systems are listed in the delivery to the recipient of the expression of tournaments and events that mixes myth with reality. Those heroic stories we find is the champion matter given society defend them achieve their desires and is characterized by high strength and configuration of physical and psychological unique. The researcher divided the research on the four seasons, were as follows : The first chapter (methodological framework), which included the problem of research, summarized as follows by asking : How employs saga in TV drama? Then the importance of research and the need for him, as well as the objectives of the research and its borders.Chapter II, who came under the title (theoretical framework) was on the three sections, are as follows : First topic : the saga term and concept. Their definitions and their relationship to philosophy and what it is when Aristotle and comparing myth and at the end the researcher said a summary of the most important characteristic of the epic concentrated in eight points.The second topic : Building and construction dramatic epic elements : in this section were searched drama and dramatic elements of the general construction and construction epic researcher concluded at the end of his research also points to eight.The third topic : the employment of construction in the epic television series : in this section have been addressed to the foundations of the traditional dramatic structure and the president and his staff dealt with in the order as well as transition and connection between the viewer and the units of time in the series Almhumai.ol_khas Find researcher in the end to six points.In light of this, the researcher suggested a set of indicators that represent the theoretical framework summary. And seal Chapter previous studies.Chapter III (research procedures) to ensure the research methodology, and the research community and the research sample search tool and sincerity and integrity analysis steps and then the sample analysis tool that has been selected Qsidia analysis of a series Spartacus Part I : Then, the researcher analyzed the sample from the theoretical framework indicators after taking the opinion of the Committee of Experts and arbitrators.Chapter IV (findings and conclusions) : has included the results that came out of the researcher after the sample analysis, and the most important results : - 1. The construction in epic movies and serials that rely events Epic or epic mythical figures not only to seek clarity of interpretation but seeks to clarity of expression because the business epic intellectual progress summary of the beliefs and feelings of non - specific.2. Non - Molovih events and actions in Business epic coated myth make such acts implausible because it is located in the virtual worlds in a way just the viewer and lend the work a thing of beauty and surprise by tricks cinematic special effects, which was surrounded and carried out as in the sample series Spartacus.And he went after the researcher a number of conclusions and recommendations and proposals.Find and seal a list of sources and supplements and a summary in English.

تنوع التراكيب الخطية في لوحات الخطاط حامد الامدي == Diversity of Calligraphy Formations In The Paintings of Calligrapher Hamid Alaamdi

اسم المؤلف: ميثم عبد ابراهيم
اسم المشرف: جواد عبد الكاظم فرحان الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This research aims to study the diversity of compositions written in the paintings of calligrapher (Hamid Aamidi), being an area rich achievements written for this type of art, and showed its different kind, where they have been used Kufi, Diwani and Thulth Jelly calligraphy for its ability to form potential in the formation of beautiful structure depends on these scripts that enable perform their skills in order to achieve different results in these compositions for other calligraphers, research has included four chapters, the first chapter of which comprised the research problem and its significance, objectives and limits of the search, as well as search terms. The second chapter includes three sections. First section dealt with diversity concept and meaning in general, and second section addressed identifying the types of structures of sin, and the technical underpinnings of the structures of scripts, and the third section focused on script composition features by (Hamid Aamidi), as well as his biography, and indicators of the theoretical framework, and previous studies that seal out the second quarter. The third chapter dealt with the research procedures and rely on the analytical descriptive method and the research tackled (150) model of calligrapher's paintings (Hamid Aamidi) distributed on three types of scripts : are (Thulth Jelly, Diwani Jelly and Kufi), were selected each sample of (10) models, and after analysis of the sample according to the search form appeared number of results that were addressed in the fourth chapter as follow : 1 - assure the diversity of outcomes (Aamidi) through adoption different forms some of which is inline with its three types (one level, two levels, three levels and above), also the geometric forms of the following (circular, oval, oval, triangle, square, rectangle), as well as all achieved through the adoption of forms (corresponding, iconography and Tgra?ah).2 - was found through analysis of the sample adoption of a variety of geometric forms and to varying degrees as follows : A - Adoption of mounting ring Satari and radiographic by 10% each. B - appeared adoption rate of installation Albbi 20% of the total samples. 3 - iconic compositions is characterized by matching the text with the content in the products of (Aamidi), which appeared during the analysis of 20% of the total sample. The researcher set out conclusions, including : 1 - The calligrapher in most of the scripts achievements depended on Satari structure that has three levels (heavy), so as to demonstrate the Altjoadah skill, the fact that this structure is a measure of the calligrapher Previews, through which the great calligraphers are compete, as well as reveal beautiful decorative dimension and create diversity for by organizing forms of letters and words within the levels of structure. 2 - characterized most of the structures with technical fine art compositions, being one of the key pillars that must be met in the design script achievements, to give some kind of integration of the technical achievements. Number of recommendations and suggestions been addressed which will be another focus in the script search and leading to appendices and resources concluding of the current research.

تنوع اساليب عرض المنتجات في تصاميم الاعلانات التجارية المطبوعة == Diversity of The Methods of Presenting Products At Printed Commercials Designs

اسم المؤلف: بشرى محمود مصطفى
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد التنوع في الفن عامة، والتصميم على الاخص وجها من اوجه التطور والنماء والاستمرار، فضلا عن وجهه الابداعي، ولولا التنوع لما وصل التصميم الى ما وصل اليه من رقي قل نظيره، واخذ تنوع الاساليب منحى مهما في التعزيز الوظيفي والجمالي في مجالات ع | The diversity in the art is general ,but particularly the design is considered as a one aspect of development, growth and continuation, without diversity the design would not reach the prosperity and development. The diversity took an important role in the aesthetic and functional reinforcement at different scopes of design process. In the field of ad design, the diversity is considered as a condition to activate the environmental marketing, to stimulate the consumer to purchase, and to be in touch with products, therefore the corporations and production companies sought searching for new methods to present products and fulfill the demands of the consumers which are increasing day by day according to the human needs, these companies and corporations found a good way to achieve marketing aims through the experience that designers have in representation of clear ad discourse, the current research is shedding light on these issues, after it shows its demands in the first Chapter which includes the problem statement which comes with the following question : • What advertising methods that designers can approach to present printed commercial products?The significance of this research is : 1. To develop artistic skills of ad designers. 2. Supporting the corporations and public companies in the field of commercial ad, newspapers, magazines, and market advertisements.The aims of the research are : 1. To explore the diversity of the methods adopted by advertisement designers to present printed commercial products.2. presenting practical suggestions according to the results that show the diversity in the ways of presenting the products in the designs of the commercial ads To suggest practical methods according to the results of current research.The scope of this research is divided into three types : 1. Objectivism scope : studying (diversity of methods of presenting the products at commercial ads). 2. Spatiality scope : the commercial ads at Dar - Alhayat magazine, Lebanon. The scientific justification is that the magazine is considered an important Arabic magazine specialized in the women affairs, and the products of cosmetics, accessories, and the nutrition.3. Period scope : printed ads issued in 2013, for that 2013 is being the year which had many editions of the commercial advertisements which showed the diversity in the methods of presenting the products, moreover its relation (2013) to the year of doing this current research.The technical terms, Diversity, Method, and the product have already been defined. The second Chapter (the literature review and past studies) has included many topics : 1. An introduction to advertisement.2. Design of advertisement and the commercial concept.3. Diversity of methods in presenting products.4. Methods of presenting products. 5. The advertisement and the communication process.Then the research continues with data of the theoretical framework, represents a scientific summary for the literatures of theoretical article, then the third chapter which cares for the procedures of the research, Methodologically, the research community, picking samples for analyzing, research tool, and etc. The forth Chapter which dedicated to the results and its discussion, some of them are : 1. Use the style of product presentation or a part of it, this method included all advertising models, and this pattern stylistic meets the recipient who wants to watch the product or parts of it to be sure of its kind and potential requirements and specifications which is important to always look for buyers.2. Using method of presenting product by making the product appears in multi - colors. This method has many benefits through moving the intentions of the customers towards the product, and also its effects on their economical and psychological purchase desires. The research conclusions are : 1. The diversity in the ways of presenting is based on the affectivities of the enterprises ,and the factories locally and internationally , in addition to the technical development which effects on the ways of presenting ads which has been shown clearly in technical , and directorial.2. The diversity of presenting products comes in response to the consumption needs such as matching human interest related to daily activities; these requirements makes an important channel for transmitting the ads ideas.Then the research appended with the following recommendations : 1. The importance of diversity in using the printing methods which are increasing in the world of journalistic and advertising design, that is an important thing for the designers and marketers who communicate with the society in general, and especially with the consumer.2. Opening developing courses for the employers in the field of ads design in order to identify the some problems like structural , ideal ,or technical which appear through direct contact with the working market ,and the consumers. Then the researcher suggested to do the following study : - Reflecting the style of ads design on the way of presenting the Iraqi products.Afterwards the researcher presented practical suggestions according to the aim of the research these suggestions relate to the topic of the study, then a list of sources, appendices, and the summery of the research in English.

تقنيات الفضاءات المتعددة في عروض المسرح الاكاديمي : عروض كلية الفنون الجميلة - بغداد - انموذجا == The Multiple Technical Spaces Performance, College of Fine Arts Baghdad As Sample

اسم المؤلف: بلال وليد شامل حسين
اسم المشرف: رياض شهيد علي الباهلي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نشات الدراما في فضاءات متنوعة وواسعة وتبعا للمحيط المكاني والزماني والتجمعات البشرية, ولكل حدث او عمل فضاءه الخاص, حتى بدا نشوء الدراما بالوحدات الثلاث التي نظر لها الفيلسوف والمعلم الاول ارسطو واصبح للممثلين فضاءهم الخاص في السفوح العالية على شكل نصف د | Drama Originated in a variety of spaces , spacious and depending on the perimeter of the spatial and temporal and human populations,the concept of private space philosophers since the Greeks and for each event or work space where his own. As the Dionysus rituals were in wide open spaces as in open air in honor of the god, until the emergence of the three units Aristotelian drama and became representatives of their space where audience is seated outdoors to watch the performanceAnd with the development of societies across the stages of history came out ideas and put art and development in various areas of life, including the Architectural Engineering, which contributed a great contribution to the invention, innovation and development in the theaterThe space of the actors changed a great deal depending on the ages that passed by, and the most prominent style of the Greek and Roman Open through eras canon and squares even began to stage Renaissance and built theaters, including traditional and became viewable dramatic special character in terms of the relationship and communication between the representatives and the audience.Since the late nineteenth century and early twentieth century, what happened in the world of innovations in modern technology reflected the theatrical art in terms of lighting and its effects and music, and many other techniques.Many ideas and visions of directors and designers emerged out of the idea of choice for space for treatment of the text and the choice of the appropriate place allows and highlight theater and offer different flavors especially after the emergence of the modern filmmaker in the nineteenth century.The directors and designers try to present their performances outside the traditional box theater, they have chosen several places such as yards, streets, coffee shops, houses, and even historical and Archeological places and garages. Some denied the space of closed and box theater and call for theater to go back to its origin and to the beginning of it.The peoples of different and diverse cultures has their own footprint and that are commensurate with the nature of the space in which they reside performances, whether rituals l or ceremonial or traditional techniques using scenery, lighting, music, customs , properties and make - up play important role with special cultural touches in the basis of the success of the theater..The researcher selected the title of his research ( The multiple technical spaces performance ,college of fine arts Baghdad as sample ).The research is divided into four chaptersChapter One : systematic framework consists of the research problem and the need for it, the importance of research, the goals of the research, the limits of the search, and determines the terms.The second chapter contains a theoretical framework and contains a concept of space and multiple spaces for performances includes the aesthetics of space in the theater and the various technologies in the space of theaterThe third chapter of the research is the proceeding which includes : The researcher studied twenty theatrical performances presented In a variety of places by the College of Fine Arts at the University of Baghdad, The researcher have chosen three samples deliberately.Macbeth was presented in the courtyard of the Department of Performing Arts. the second play( The republic of AlGawahiri ) was presented at a big wedding hale in Erbil the third play was ( of refraction) , was presented in the gardens of the college of fine Arts. Chapter IV : consists of the search results, and conclusions, recommendations ,proposals ,a list of sources , references and a summary in English.

التحولات الدلالية اللونية في السينوغرافيا المعاصرة == The Colorful Significant Changes In The Contemporary Scinography

اسم المؤلف: فلاح كاظم حسين
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان كل المتغيرات والتحولات في انتاج مستجدات السينوغرافيا القائمة من الواقع المعيش على المسرح، الذي لم تكن يوما ولن يكون بعيدا عن هذه التحولات والتطورات الحديثة. اذ يسهم في بنية العرض المسرحي وسائط تقنية متعددة يتم توظيفها من قبل اختصاصيون في مختلف الانشط | All the variables and changes in the product of the new things that base on the actual condition that is depended on the theatre, which was not be and will not be for from these changes and new development. It contributes in the building of the theoretical show and there are many technical means that are employed by specialists in different scientific activities like : musicians, engineers of lights and sound effects and optical tricks as well as the formation, architecture and fashion designers, however, the theatre depends today on different expressive techniques that are represented in using sound and body language and its elegance to produce the meaningful expression through formation and shaping the gesture movements and music and dancing to make the receiver interact with them. Also, in all these techniques, the theatre needs to make a practical study for the technical changes especially the colorful ones, and it is the subject of research. So, the changes, in the theatre, are not the outcome of today; but they do have an origin in the present days until they reach to the new cinematic language that fabricated its forms in technical currents and directions; which had appeared and spread especially after the Second World War in all Europe and United States and the Arab world. These currents have used the technical tools and their significance and functions in different creative operations to find out their capacious in different creative operations to find out their capacities, dimensions and aestheticism and thoughtful applications. And that is named "The Colorful Significant Changes in the Contemporary Scinography" which deals with the study of understanding the alternations and how to produce the colorful significance inside the temporary scinography? Also, the study includes four chapters in addition to the abstract, results, and conclusions. The first chapter includes the methodological framework, the research problem and its need. Then, the researcher illustrates the researcher's importance throughout the changeable operation to produce the singnificance inside themodren Scinography, and thereafter he explains the research aim that is represented in ( illustrating the colorful Significant changes in the temporary Scinography); in which tine research illustrates the terms limitations like change , Significance, and Scinography. Besides, cheapter two mentions (the theoretical framework) and it includes three topics, they are as fallow : 1 - The first topic is the significant changes in the theoretical show.2 - The second topic is the color and its concept, psychological characteristics in theoretical show. 3 - The third topic is the deviation color and the Scinography elements.And the chapter has ended in pointing at the previous group studies by concentrating at the indicators from which the theoretical framework is produced, and chapter three deals with the found procedures which include the intentional samples that are represented in the following theoreticalshowws; 1 - ) The play of Atael in the Kitchen, that is authorized by; SamiAbd al - Hameed in 1996.2 - ) Macbeth play that is authorized by : Salah al - Kasab in 1998. 3 - ) Saedrah play that is authorized by Fadel Khaleel in 20014 - ) Ghosts play that is authorized by : Adel Kareem in 2004 - 2005..5 - ) Ali al - Wardi play and his opponent that is authorized by : Akeel Mahdi in 2008.Besides, the syllabus and tools of the research with its analysis that is represented in : 1 - ) The theoretical framework.2 - ) The compact discs.3 - ) The photographs.Therefore, making analysis for the samples and indicating the colorful significant changes that are used is another step.Finally, the fourth chapter includes the results that are found or got by the researcher and then the conclusions with the suggestions and recommendations. Also, the sources are mentioned with the annexes. Ultimately, we have mentioned the abstract in the English language.

تطوير انظمة تصميم الفضاءات الداخلية لمعاهد المعاقين الاطفال == Devlopment of Internal Spaces Design Principles For The Handicapped Children Institues

اسم المؤلف: رواء مصطفى خلف محمد
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث الحالي دراسة الانظمة في الفضاءات الداخلية لمعاهد المعاقين الاطفال وكيفية تطويرها، فكانت مشكلة البحث تجسدت بالسؤال التالي (هل ان تلك الانظمة التصميمية المعتمدة تتلاءم مع وظيفة الفضاءات الداخلية من الناحية الادائية والجمالية حيث تحقق الراحة ال | The current research is taking the study of the principles in the internal spaces of the handicapped children institutes and how to develop them. There was the research problem that raised a question about (Are these taken designing principles suit with internal spaces functions from the practical and beauty sides, that achieve body rest for the handicapped children in away that suits them handicaps) for this the aim of the research with its four chapters : (finding designing bases that depend on the development of the current internal principles spaces for the handicapped children institutes. It was concentrated in first chapter to point to the problem of the research and the need to it ,and pointing to its literary and scientific terms. The second chapter it contained a detail for the optical frame that the researcher depended it.it consisted three researches, the first topic is talking about the principles and the internal design and how to connect these principles with the design and the ways of developing them. As well the kinds of the environmental principles which are used to success these internal spaces and make them more suitable. The second topic ,is about the meaning of the children handicap in the history and the classification of the handicaps. With pointing to the types of the body handicaps (movement) that the children perform it, for this purpose details understand to them to reach to an internal spaces design which suit the nature of the body handicaps (movement). The third topic which is the last one, that contained the limited items for the internal spaces of the handicapped children institutes , which contained many items through knowing of the meaning of the internal design , and to success these spaces through group of factors. As well as knowing the limits of these spaces and their designs that is concerning the materials and the range of being suitable , and the touchier of them ,and the areas are specialized for the movement ,as well as is to know the visual items with their formal and measure description through these three topics , we reached a point of the theoretical from that flows into the subject of the research, to a form tool that help for reaching to a curium method of the research that depending on the third chapter which contained the procedures of the research depending on its curriculum that the researcher depended the curriculum description (the general survan method) to the whole research society on justifications that the researcher cleared them for analysis , using some tools that helped in achieving this research within its two parts the first tool is a document to notice the description of the nature of the internal spaces for the research society.the second is a document of the analysis items to analyze the society that is taken deliberately that the exit of dialogue through it ,was reached by the research in the theoretical form in the previous chapter.to reach to the study results ,also it contained the knowing of the previous studies in subjects that take care in the study of the handicapped. The last is the fourth chapter that contains the deigning of the gain of the results that the researcher had reached them through the study of the whole society in analysis of the second stage is to reach to the conclusions that the theoretical material was summarized from it in the second chapter. To reach to the last third stage in introducing recommend dictions and an example designed by the computer for the internal spaces for the handicapped children institutes to get benefit from it.

تطوير الاداء الوظيفي في تصميم اجهزة اللياقة البدنية == Development of Functional Fulfilling In The Design of Fitness Corporal Apparatuses

اسم المؤلف: هشام زامل حمدان اللامي
اسم المشرف: لبنى اسعد عبد الرزاق
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: البحث الموسوم (تطوير الاداء الوظيفي في تصميم اجهزة اللياقة البدنية ) سلط الضوء على كثير من المفاهيم والافكار المعروضة في مضمار التصميم , التي فسحت المجال لتعدد الاساليب والاتجاهات التصميمية التي يمكن اعتمادها كتقنيات تنفيذية, اظهرت تحقيقا واضحا لتطوير | Research is marked by (Development of functional fulfilling in the design of fitness corporal apparatuses) highlighted many of the concepts and ideas presented in the field of design, which provided for the multiplicity of techniques and design trends, which could be adopted in operational techniques, an investigation showed a clear development of the industrial productThe study, which included five technical chapters of condensation approach applied to the development of functionality in the design of fitness equipment. It was the first chapter, including the research problem and its importance, objectives and boundaries as well as to determine the terms and illustrated the problem of the following research question : How to contribute to the development of functionality through the intensification of the devices increase the effectiveness of physical fitness?And it was the aim is to reach through the intensification of technical design appropriate to the platform for the development of effective functioning of the organs of physical fitness.It originated during the study as the importance of this work to build a foundation of knowledge and a theory of the concept of intensification and the development of functionality to address the design of physical fitness. And the limits of the study included the design of mechanical fitness, and traded in local markets of the city of Baghdad and manufactured during the period between the years 2007 - 2008.The second chapter, such as the conceptual framework of the topic and included a three - Investigation came under the title of the first (development and design), while the second was on my b (fitness equipment), while the third topic dealt with the subject (Anthropometry and industrial design).And in accordance with the above indicators were adopted by the outcome of reference sources and Arab and foreign briefed by the researcher as well as on field visits to the fitness rooms and shops selling sports equipment and interviews with the owners with the expertise and jurisdiction.The third chapter has included the actions of research and methodology, as the approach adopted in the process of historical description and analysis of samples, which represented the percentage (33.3%) of the research community. While Chapter IV describes the analysis of samples taken.While Chapter V contains the results, the most important : 1. Technological development has the possibility of adding different regimes within the same organ in the light ofwhat's effective and functional as well as to stimulate thedesire of the user. 2. Technical developments have had a significant impact in promoting the intensification of the career possibilities in the composition of the raw materials available and the different methods of linking.This chapter included the conclusions reached by the study is perhaps the most important are : 1. Industrial designer was able to express their potential in creativity and development through investment and technological development work on the technical and exploitation in all levels of design and production, which form a crucial element in the success of any design. 2. 2. Systems such as different types within the organ, which results in a difference in the performance an actor in the design patterns to add excitement to achieve the vision and motivation through the design resulting from the performance difference and diversity in some designs.A researcher and then a set of design was the most important pillars : 1. That the adoption of a technical career condensation on the basis of scientific theories and results in performance and functional diversity through the effective capacity and potential performance, which recorded the highest level of interest and benefit to the user. 2. Intensification of the use of technology to achieve the goal of functional industrial design to reduce the high cost byhighlighting the potential of each part of the device to perform two or more, resulting in shortening of the space,which can be filled and then storage and ease of use. 3. Antherubomtrip Arcnomkip and the adoption of the human body in the design of fitness equipment gives a betterperformance as well as the safety and security to the user. 4. Should be designed to keep pace with technological developments and technology in the production of new materials and composition, and the possibility of deploying them in the design to achieve the performance and the best aesthetic and functional. Researcher has spared no effort in the recruitment of these cornerstones design of the study body of a design proposal for the physical fitness.

تطور البنى الشكلية في تصميم العلامات التجارية == Evolution Frmslism Structures In Branding Design

اسم المؤلف: زيد حيدر خالد فرمان
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: There is no doubt that the history of art movement in the general framework has produced many of the related art of general design indicators, graphic in particular, including the Contact thought, some of which reach the technology, including the Contact be working design, and without a history of design many of the innovations that serious by designers through their history intellectual and practical, posters history, and the announcement date and covers the history, and the signs of history has spilled since the human deal with the human as an individual or group, marks which promised an important part in The evolution of human life and community and economic and trade activities, and was a commercial activity among the most important thing I've worked upon the human mind to it, any brand represented a tool for defining and communicating, where knighted by their goods and products, and this was the documentary position the first thing that happened in the field of design Alameda Abut structure that has evolved over the years of work and production until we got into the modern era since grown and developed companies and institutions that have their own signs to compete in domestic and global market, current research focuses on the stages of the formal structures of trademarks evolution, in the first chapter identified the following research problem by asking : "What mechanisms that have evolved through the structures in designs formalism brands?"While identified the importance of research in : 1. In his contribution to the benefit of interested scholars and researchers in the field of general design, and design brands in particular.2. contribution in providing the scientific library research and studies in the field of specialization, which will be reflected on providing new insights in the field of design, the study is unique discussing the evolution of morphological structures in designs brands, and through researcher Note that he does not exist specialized study in this area.While the goal of the research was to : "Reveal the evolution of morphological structures in designs Trademarks" It also identifies Find the following limits : 1. substantive limit : includes global brands that achieved by the effectiveness of the evolution of morphological structures in designs brands. t globally.2. Spatial limit : includes designs corporate branding and international institutions active in the market.3. Moreover identified the following terms : (evolution, structure, format, tag)The second chapter of the theoretical framework, which over the following axes : (The evolution of designs brands), (structure formalism of marks), (mark), (Global Dimension), (significance expressive of the mark), (functional dimension of the mark), as well as the last axis, which represents (b Bade communication and economic mark), then interpreted Researcher most important indicators that came out of the theoretical framework. As well as his presentation of the previous studies.The third chapter the researcher the actions carried out by then,, Study of the analysis, as the researcher analyzed (15) model according to the axes created of indicators that spawned the theoretical framework, which consisted of the following axes : 1. stages of the development of label design.2. formal structure in the design of the mark.3. recipe and type of tag.4. Dimension Global in the design of the mark.5. functional and expressive significance of the mark.6. communication dimension of the mark.Then singled out the fourth quarter results and discussion, as came from : 1. teamed stages of the evolution of signs according to functional reason, Economic primarily resulted from new insights for owners of companies, or mergers between two or more companies, or for some reason intended to update and renewal, as in the models (1,2, 3, 4,5,6, 7, 8,9, 10, 11,12, 13, 14,15).2. The development did not come all at once, but came according multi including the stages of multiple intervals, as in models (1, 2, 4.6, 7, 8.9, 10, 11.12, 13, 14.15), and this is normally located in him the gradual evolution of the design being linked to the owners of private companies and aspirations of philosophy, and deliberate, and competition.The researcher concluded a set of conclusions, came from : 1. All structural patterns and stages of development of what was happening to not Refuge circumstances that accompanied the establishment of major industrial companies and institutions that have a direct impact on the global economy.2. harmonic and differences in the evolution of designs built marking identify the limits of correlation between the performance of companies and the formal vocabulary constituents and both like the ultimate embodiment of the structure Alabama and put deliberative communication.The conditions and requirements resulting from the strategic changes to institutions and society alike a big role in the evolution of structures and signs consistent with what is going through companies and institutions concerned.Then the researcher recommended that some of the relevant current study recommendations, including : 1. the need to dismantle and analyze the evolution of the stages of design labels to take advantage of the circumstances that passed by, which is mainly related to the organizational and visual structures This is important for workers in the field of design brands.2. Study the structural conditions of each sign of the unity of intellectual and economic fact their references, which led it to a big stages of economic and commercial competition at all levels, an important episode of communication and continue the design catalog.Then the researcher doing the study suggested the following : • evolution working symbolic designs in employment brands.His current research concludes the list of sources and supplements and a summary in English

تضايف الرسم والعمارة في تشكيل المكان : دراسة تحليلية == Correlation of Painting And Architecture In Place Formation Analytical Study

اسم المؤلف: مهند مسعود جميل
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعيش الرسم اليوم حالة من الوجود الجديد على مستوى العرض والاسلوب معا، فقد غادر بعض مستوياته التاريخية والثقافية ليس في الادوات فحسب وانما في وجوده المكاني.ان اية مراجعة لتاريخ الرسم سوف تدلنا على بعض اقتراحاته، منها المتحف وقاعات العرض، والاقتناء الخاص | Drawing lives on the case of a new presence on the level of presentation and style together, have left some of its historical and cultural in not only the tools, but in the presence of spatial.That any review of the history of painting will guide us to some of his proposals, including the museum and exhibition halls, stakeholders in the acquisition of this kind of art, namely systems that are interested labels : artist’s subjects, its recipients, and place of display.But today, some of the vibrations of structural injured joints that pattern, and the foundations of the new approaches stand the place in front of an active and influential when it became seeks, to intensify the kind of new relationships, as it became architecture and one of the most important humanitarian needs, and moved to the New World Center, identity and presence, and set up a series endless data of contemporary life.This research is interested in one of them is to stand on the ability of architecture to attract art to it as an aesthetically pleasing, meets what has been termed the needs for humans as well as lend a cultural identity on the places, so the correlation between architecture and painting one of the pillars of cultural venues and is a global phenomenon and humane public.Accordingly, The current research is trying to study these points And outputs, was based on a systematic four chapters : Chapter One : In the two sections dealing with the first following topics : structural transformation of art and architecture in the third millennium, references conceptual, theoretical needs of emerging - places, modernity and coordinated environmental needs, art and the needs of the architecture of the interior, architectural style, environmental data in art and architecture.The second section deals with the following topics : art and ether, attendance photography, painting and wall. Chapter II : in two sections : the first includes the following titles : receiving and handling, and display modes, art and production places, methods of presentation, display elements (scenography)The second topic : the alienation of aesthetic, architectural design Chapter III : In the first two sections : Art and Architecture in Iraq The second is the maintenance of the national cultural heritage Chapter IV : Results, conclusions and recommendations and proposals. Then sources and references.Results : 1. The art key role in satisfying the desires of Neanderthal and psychological needs , emotional and existential , which indicates the interaction of art and human whole.2. Architecture and art refers to ideological and religious expression, which select models and types of concordance between technocracy as the Renaissance and beyond.3. Was the walls of the graphic display methods, which bases on the type of art called the parietal art, present a work of enduring architectural form.4. Drawings shares on the facades of Architecture in the age of modernity in the emergence of models and patterns, and create new environments for Architecture and propose new styles of painting.5. Cities became in the era of modern systems place for media and advertising, making the drawing takes new aesthetic forms such as writing on the walls and illustrations and advertising.Conclusions : 1. There are fundamental forces prevailed against the presence of art and architecture in the spatial environment, artist, architect, and the new jobs, which make up a whole new aesthetic and proposes a system to correspond to the races at the expense of individuality in the type of art on the historical level.2. Contemporary techniques has become an alternative to the idea of the murals painted for building, making this art takes atrophied in the joints of contemporary spaces.3. The Architecture in Iraq did not contribute in giving proposal which met between art and space; we cannot establish a pattern of contemporary test, because of the absence of the rule aesthetic and architectural patterns.4. Almost the art of Iraq drawing loses it presence in architectural places, for cultural reasons, popular, and the propensity to alternative methods based on the decline in public taste.Recommendation : In light of this study and its findings, the researcher recommends the following : 1. Building a curriculum process between drawing and architecture and sharing needs, to build awareness of contemporary places. 2. Trying to make the drawing goes out to public places and in the space of interior design without anchoring in the exhibition halls. 3. Planning to cooperate with the institutions responsible for the city lay the foundations for the presence of Iraqi art in the joints of buildings for both the public and private sectors. 4. The introduction of new approaches to the drawing go by methods appropriate areas with major transformations architecture and the environment together. Suggestions : An update of the current research suggests a researcher conducting a number of scientific studies and research of the following : 1. Alienation between architecture and art in contemporary spaces. 2. Deconstruction in architecture and art, conceptual approach

تركيب الخامات المعمارية في تشكيلات الرسم المعاصر == Architectural Raw Construction In Modern Draw Formations

اسم المؤلف: سها عبد الجبار رشيد خزعل
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Research adopted on readings of modern technical systems and that architecture materials contributed in large amount for art production whether in show means or the beauty action.Already art change and leave history when entered rules and materials were non known for huge extent to depart it's indicated influence for interest of location existence , as their influence with environmental architecture and technical materials until it become to pull out for board lines in their constructional combination therefore research meant in study of such large constructional attempts and to stand to on their elements and reassembling their indicated codes and it fell down for new raw as wood and stone and sand and cement and plaster tree roof glass and metal and fiberglass and it's adjacent raw were found presence in modern art so research laid many of questions about modes that enable art for investment their abilities then study the combination units and borrowing power that harmonic with new art formulas.These questions leads to locate research goal : ( discloser on modes of employment architectures raw in modern paint board ).And it's study of art architecture system and matching between them on material level of acknowledgment mutation and theory that work as reference for two cases and research was limited with art drawing and movements and arts tendencies for age extended from the year of ( 1942 - 2012 ) and research adopted theoretical frame as follow : First research : historical resume for material system and their mutations about architecture raw and their employment in plastic achievement starting from human cave until space setting and ( earth art ) adding to the architecture raw the value and basic pivot for optical surface as description of importance pivot of beauty values.Second research : got of location dimensional representation in modern draw.Third research : got (architecture raw investment in school of Albahouse ).Fourth research : got the kinds of adding architecture materials for optical surface and it was ended by some of previous signs and studies that benefited in analysis the research sample and upon chapter three was contained research procedure and research community and sample selection and research instrument and analysis and sample description that amount (19 ) of samples and fine all fourth chapter comes with many of results and conclusionsCand recommendations and suggestions. and the most of results they were as : 1 - Adding multi architecture materials to enable it for speech in modern language of art and continuity with it's new try between them by breaking boundaries of different arts fields and the use it indirect or intervene manner with of tissue board surface or wooden or metal or mixing by more than type and engaged between draw and relief in article work and we could restrict the emerging architecture materials were in modern draw as follow : sand ,cement, stone, wood ,metal ,glass ,ceramic waterproof ,glue and different materials.2 - Interfering of constructional systems for draw and architecture and sculpture and design in technical work for raw and architecture combination in optical field by using technologies gathering and combination and blending , adhesives (collage ) with colored spaces of engineering style design.3 - Contrast in thickness of accumulated surfaces that consists of technical work give sense of material deepness wherein show the upper part for paint surface draw as rotate over another surface by contracts of work so by waving the surface protrusions and size or levels over each other.4 - The use of welding bolts and knifes and biggest brushes and cutter and sponges pieces and electrical tools and mechanical and natural power.5 - Artist selection with appropriate of architecture materials to build the modern art when the execution for addition artistic dimension and beauty this represented as reference for the origin of civilization in spite of developments technology.Conclusions : 1 - Motivated of Architecture raw ability for imagination and fantasy of creative and progressive the residual supporting material that consider as inventive stage wherein artist was started from with some of elements and the idea growing up through the use of raw capabilities in artistic work2 - Versatile the use of material and technologies forming the artistic work that lead to diversity of touch signs of pictorial surface as expressional value or beauty or the gathering between them.3 - It's ability put the artistic work any were on the base without need of stand or hanging on the wall.Recommendation : 1 - put fixed curriculum study for students Art College consider as study of versatile raw in modern draw.2 - Employment of basic technologies for modern art in studying curriculum.Suggestions : 1 - Study of architecture material touch in modern draw.2 - Study the mode of furnished the modern draw by architecture raw.

تحولات الاداء التراجيكوميدي للممثل في عروض المسرح العراقي == The Tragic - Comic Changes of The Actor Performance In The Shows of Iraqi Theatre

اسم المؤلف: هنادي صلاح عزت
اسم المشرف: مصطفى تركي السالم
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: كثيرة هي ثنائيات الحياة، اذ ظلت دافعا للفلاسفة، والعلماء، والمفكرين، لتناولها كل بحسب افقه ومضماره، فكانت ثنائية الليل والنهار، والحياة والموت، والخير والشر ثنائيات كبرى تناسلت منها ثنائيات لا تعد، ولعل الفرح والحزن من بين ابرز الثنائيات التي اخضعها الفل | So many are the dualities that are still incentives forPhilosophers, scientists and thinkers. Each of them deals with dualities within his horizon and aspect. There are the dualities of the night and day, the life and death, the good and evil and so on. Great dualities gave birth to uncountable dualities and perhaps the duality of joy and sadness forms the most distinguished one that the philosophers, since the Greek era up to nowadays, have submitted to test, analysis and derivation. Thus the duality of ( tragedy ) and ( comedy ) was born from it : the two phases which filled the pages of knowledge in general and literature and art especially , and the drama found rich wideness in sequence of thoughts and studies which are connected with them and expressing them as well. Perhaps the articulation of change between them, and moving from one side to another, are regarded a complementary corner for each of them. So the Greek poets and those who came on theatre after them, began to deal with these changes in the structure if their texts, and extended to the textile of the show and found theorization and a wide expansion in many theatre works. Besides, many titles were derived from that duality and its changes. This allowed the concept of ( tragic - comic ) appear as a complete , uniting concept for that everlasting duality in literature generally and in ( the art of performance ) especially , due to the changes that the actor performance acts through the duality of ( voice ) and ( body ) that he embodies through them a fantastic world bearing within it a contrary duality in form and content.As the researchers have dealt with each side separately, the articulations of moving and changes did not find that amount of care in spite of its significance , and this made the researcher go deeply into this subject, trying to discover the nature of ( voice ) and ( movement ) changes in the action of changing and the incentives which lead to it, after a round of the researcher through specialized literary works and found that no one had preceded her in studying the actor performance and its changes both on ( voice ) and ( movement ) levels , and this made her study and choose it as an aspect for her research , choosing for it the address : ( The tragic - comic changes of the actor performance in the shows of Iraqi theatre ). In order to reach the aims of the study, the researcher has drawn the ways of her research in four chapters containingThe following : The first chapter : the curricular frame through examining the research problem and the need for the research. It also contains the significance, purposes and limits of the research, defining its fundamental terms. The second chapter contains the theoretical frame through the following items of study : 1 - The elements of tragic - comic changes in the theatre show. 2 - Tragic - comic performance styles. 3 - The concept of tragic - comic performance and its incentives in the world theatre. 4 - The previous studies. The researcher then concluded the fundamental pointers through her round in the theoretical frame, dividing it into three standards : 1 - The standard of the specifics of tragic performance of the actor. 2 - The standard of the specifics of comic performance of the actor. 3 - The standard of the specifics of tragic - comic performance of the actor. The researcher has specified the third chapter to define the procedures that she has adopted to achieve her purposes as she aimed to make an exploratory study to define the community of research and look over its samples which represents it much , starting out from the standards of the theoretical frame which are carried by its pointers. The study has contained the following two stages : First : Preparing the procedural tool of research represented by a (questionnaire form : close - open ) by a committee of experts from specialists in theatre art , in order to achieve the validity of the tool ,and in the light of its items , the community of research has been reconnoitered to harmonize with the standards of the research. Secondly : Defining the samples of research which are the most representatives of the society , through a ( judges committee )from specialists and others , to assert to the researcher the exactness of the test and its scientism Thus the following play shows have obtained the higher rate in representing society and which the researcher has adopted as samples of the research : 1 - " Sorry Sir. I did not mean that "(Aa tither ultrathin lam aqsud thalik) directed by Haitham Abdulrazzaq. 2 - " Barring wandering "(Hather Tigwal) directed by Muhannad Hadi 3 - " A Prove in the Hell" (Prova fi Jahanam) directed by Hadi al - Mahdi 4 - " Curtain" (Burda) directed by Ghassan Ismail. 5 - " Female Play" (Azif Nisai) directed by Sinsn SL - Azzawi. The third chapter ended with a summary of the research results, while the fourth chapter contained a discussion of the research results according to indicators of the theoretical frame to reach the results of which the following are the most distinguished : The differences in the vocal and movement harmonies of the (Iraqi actor) are those which defined the direction of the changing moment in the tragic - comic performance of the character. Dealing the (Iraqi actor), in the moments of his performing changes. With different body movements besides (dancing) which the tragic - comic character has invested in many situations to distinguish the contradictions in the mood states and deepens the act of changing.Twinning the colloquial and standard language in the performance of Iraqi actor as reflection of the environment and acquired habits in the Iraqi society. This chapter has also involved the recommendations and proposals which the researcher has suggested and found that they are complementary to her present study, with a list of sources and supplements and an abstract in English.

المغايـرة في تجارب المخرجين المسرحيين الشباب في العراق 1990 - 2009 == Variant Directors, Playwrights In The Experiences of Young People In Iraq 1990 - 2009

اسم المؤلف: جبار محيبس مجيد
اسم المشرف: صلاح مهدي القصب
الموضوع العام: الفنون الجميلة
السنة: 2009
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتكون البحث المعنون ( المغايرة في تجارب المخرجين المسرحيين الشباب في العراق من 1990 - 2009 )من اربعة فصول، قسم الباحث هذه الفصول الى مباحث فرعية يتضمن الفصل الاول الاطار المنهجي ومشكلة البحث والحاجة اليه ثم تناول الباحث اهمية البحث وحدود البحث الموضوعية

تجارب المسرح الاكاديمي العراقي ما بعد التغيير : نماذج مختارة == University of Baghdad College of Fine Arts Post - Change Iraqi Academic Theatrical Experiences (Selected Samples)

اسم المؤلف: نبا جبار مناحي الربيعي
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: التجربة المسرحية هي تقديم عرض له مرتكزات علمية تربوية رصينة يهدف من خلالها المخرج تقديم عرضا مسرحيا متكامل العناصر، قدر الامكان ومقاربة الابتكارات المسرحية الجديدة. بالاعتماد على الاكاديمي وهو المنهاج العلمي الذي يعتمده الاستاذ المسرحي التربوي، في تقديم | A theatrical experience is merely a presentation based on firm scientific and educational elements, through which a director aims at presenting, as possible as he can, an integrated theatrical performance, and at approximating new theatrical innovations. Depending on the scientific methodological approach which the theatrical academic professors usually adopt in presenting a qualified theatrical experience on applied scientific bases and theoretical principles, specified objectives and outcomes are brought about and they consequently formulate the elements of any academic theatrical performance in a way parallel to the targeted artistic model. This study mainly aims at discussing the significance of (Academic Director), as well as the main educational additions which can be identified by the innovative achievements of the Iraqi theatrical academic director, in an attempt to point out the most successful educational and scientific achievements within the academic institution, and the means and methods adopted to fulfill this aim. The researcher, in her study entitled "Post - Change Iraqi Theatrical Academic Experiences", has discussed the theme of Iraqi professional academic director. The study deals with four chapters : 1 - Chapter one : The methodological Framework. This chapter deals with the problem, its significance and necessity; aims of the study; the spatial and time limits of the study; terminology and its definition.2 - Chapter Two : The Theoretical Framework. It consists of three sections : - Section One : the global concept of Theatrical Experience. It has been divided according to the study of ancient international experiences. After the introduction, the researcher discusses the concept of experience, main definitions, and elements of experience in the international theatre and, then, the main innovative streams of the theatrical experiences. - Section Two : the influence of political and social changes over theatrical performance. This section includes an introduction, followed by two subsections. The first casts light on the main contemporary schools and trends which greatly influenced by the recent political and social changes. On the other hand, the second subsection discusses the impact of political and social changes over the contemporary European theatre, as well as the most important theatrical achievements in Europe, which , within their performances, greatly affected by politics and social life. - Section Three : the concept of academic theatre on Arab and Iraqi levels. This section is divided to five subsections that deal, after an introduction, with Arab academic theatre, Arab academic director, academic theatre in Syria, academic theatre in Iraq, and the concept of academic director on the Iraqi level, respectively. The researcher has also referred to the phenomenon of the professional academic director in the Arab and Iraqi theatre. The main indicators of the theoretical framework of the study have also been presented by the researcher. They have been applied and tested on some Iraqi theatrical performances by college of Fine Arts\ Theatrical arts Department, in Baghdad, by a number of Iraqi professional academic directors. Previous literature related to acting and directing have also presented and chronologically arranged as follows : A - Bahaa Zuhair Kadhim : Features of Theatrical Performance in the Experimental Theatre in the performances of the College of Fine Arts, 2012.B - Yusuf Hashim : Features of Experimentalism in the Iraqi Academic Theatre, 2014. 3 - Chapter Three (procedures of the study) : In this chapter, a sample has been selected depending on a comprehensive investigation for theatrical performances from 2005 to 2015. The sample has been deliberately selected due to the diversity of these performances to the Iraqi academic director. The researcher thus adopts the (descriptive) approach in studying and analyzing the sample. The study's tools consist of the indicators of the theoretical framework, documents such as books, magazines, CDs, photographs, and notes, which the researcher utilized to pursue certain academic levels, starting from writing, presentation, directing and all the additions that characterize the reliable theatrical performances. The samples selected by the researcher are as follows : a - Al - Hussein Alaan (Hussein Now) , a play directed by Aqeel Mahdi Yusuf. b - Maradh alSharq Dimoqrati (East Disease is Democratic), a play directed by Haitham Abdul Razzaq. c - Ghareeb al - Dar (a stranger), a play directed by Zuhair Kadhim Alwan. 4 - Chapter Four (results and conclusions) : In this chapter results, conclusions, suggestions, recommendations, a list of references, appendices, and an abstract in English have been pinpointed.
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