الصفحات الاولى:

تحولات تقنيات الاظهار في النحت العراقي المعاصر == The Technical Transferring In Showing Off The Contemporary Iraqi Sculpture

اسم المؤلف: اياد حامد ماجد

اسم المشرف: جبار محمود حسين العبيدي

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: النحت

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: يتناول بحثنا هذا موضوع التحولات التقنية التي تحدث في اظهار واخراج المنجز النحتي العراقي، اذ يرصد هذا البحث التحولات التقنية من نحات الى اخر كما يرصد التحول التقني في تقنيات النحات نفسه وعلى صعيد استعمال المواد الخام المختلفة وبوسائل عدة وما تشكله هذه التق | Our research talks about the technical transferring that occurs on the Iraqi sculpture piece of work. It observes the technical transferring happens from sculptor to another as it also follows the technical transferring in the sculpturing techniques of the sculptor himself, like different types of raw materials and the verity of methods in technique and its elements to show off the alternative pressures of the sculpture piece of work and fix its influence on each other. In the first chapter, research plot is revealed which is represented in the definition of the technical transferring used in showing off the Iraqi sculpture works and the role of the technical pressures on the final shape of the project according to the used materials as they act as an inter - medium to show its physical characteristics in the aesthetic form. Also the first chapter included the importance of the research and the definition of the research through discussing how far is the influence of the transferring techniques on the sculpture art. This research is one of the primary researches about the Iraqi sculpture between the period 1940 - 2007 and exposes the contemporary Iraqi sculpture generation and their changeable and verity of techniques to accomplish their sculpture works. In the second chapter - first section, the researcher discussed the definition of the transferring in the general definition and how it is defined in different philosophical schools such as : perfection, existence, physics, Pragmatics; also its definition in the contemporary critics programs like structure and expression. Additionally, it talked about changes of techniques of the sculpture piece of work that the researcher called "Transferring in the Contemporary Plastic Art" starting from the Romantic and impressionist school to he most recent Art Schools and how this technical transferring happen to reach the final shape of the painting and sculpture piece of work accompanied with artistic examples. In the second section, the researcher discusses the definition of the technique and how the philosophies and thinkers express their ideas about the subject. Moreover, in the very section ,the researcher mentions the definition of the showing off in the Contemporary Plastic Art and the relation between the shape and material ,and the consistency of this relation of alternative technical pressures in choosing each other also accompanied with opinions of some philosophies about shape and material and their importance to the showing off techniques, and how they form the important basics in the continuous transferring in these techniques along with some examples of painting and sculpture which emphasize this definition. In the third section, the researcher talked about the distinguished technical transferring that occurred in the contemporary sculpture and how they happened and their techniques in showing off the sculpture piece of work. Also the researcher discussed the noticeable sculpture accomplishments which considered as important transformational points in the contemporary technical sculptures and whatever of materials used like raw materials and techniques and this mentioned also in the signs of the methodical section in the end of this chapter, where the researcher talked about the importance of the verity of the raw materials to make the technical transferring on the sculpture work and so on. Moreover, in the second chapter, the researcher goes through the previous studies concerning this subject and he reveals the distinguished points in these studies and the results and conclusions they have reached. In the third chapter, the researcher fixed the measures of the research which are : the title of the research population, fixing the samples, the research tools and the limitation of the research tools then he moved to the applications of eleven Iraqi sculptor works from different generations. Such verity of techniques had an obvious crucial influence on showing off many different sculpture accomplishments that formed a technique transferring could be fixed and studied in those sculptures works and considering them as important cause in choosing the number of examples of each sculpture then leading to the aimed results and conclusions and recommendations in the forth chapter, and they are : 1. The technical transferrings of the showing off in the contemporary Iraqi Sculpture came through reshaping of the formation and foundation systems of sculpture accomplished.2. The technical transferrings of the showing off in the contemporary Iraqi Sculpture achieved through the simplification and abbreviation processes in the piece of sculpture accomplished.3. The Contemporary Iraqi Sculpture Art emphasized the technical transferrings of the showing off through considering and supremacy of some plastic work elements of other elements.4. The raw material had a principal influence in achieving the technical transferrings of the showing off in the contemporary Iraqi Sculpture Art.

الرؤية الاخراجية للفنان جعفر السعدي : دراسة نقدية == The Directorial Vision For The Artist Jaafer Alsaady : Critical Study

اسم المؤلف: علي محمد علي العطار

اسم المشرف: اسعد عبد الرزاق

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: جعفر السعدي احد الفنانين العراقيين المسرحيين الذين كان لهم دور بارز في العمليه الاخراجية، وكان متاثرا ومؤثرا في الوقت نفسه، اسهم في تطوير التجارب الاخراجية باسلوب واقعي، واعتمد الحياة الاجتماعية الواقعية في مجتمعه بما فيه من تناقضات ليقدمها باسلوب واضح | The study is include four chapter : The first chapter : the symmetrical frame : The chapter is deal with the problem of the research and the necessity for it.Al saady experience of direction has not documented , and that induce the researcher to made a critical and analyze study about al saady Theatrical shows. and that to stand on Al saady directorial vision. the main reason to use the study is to fixed that privation and provide to researcher and critic the experience of one of the Iraqi theatrical movement leaders.Second : - the importance of research : the importance of research is to put the light on one of the Iraqi theatrical leader ,who participated in activate the theatrical movement , and that who was Jaafer Al Saady third : the research target : Deal with directorate vision of the director Jaafer Al Saady Through a critical and analyses study about his theatrical works during his artist life fourth : time and place objective limitations the researcher seeing that it is the period from his super vision (Bait al dummia) team till dead on 2005 , and renewing his acts on Iraq theaters as well as an analyze and critical study about that shows.Fifth : limitations of idioms which compose the directorial vision : - The researchers identify the vision, and put an identification.Second chapter : - theoretical frame. It includes the following : The first research : 1 - the reality concept.2 - the reality in art.3 - the researcher deals with the reality as a concept and trying to find its growth , and its historical , and society march.The second research : 1 - social reality.2 - direction in real style.3 - directorial vision of gustinteen stanslavski the researcher trying to deals with the social reality, and the reason of its appearance , as well as the reality of theatrical directory vision of Stanislavski. showing its effect and effect in the directory process of many directors.The third research : - 1 - The past studies : The research did not find and study that deal , with the directorial vision of the director Jaafer Al Saady as a critical study and that which gives.2 - then the researcher summarize , in the end of the chapter , the significant points which results the theoretical frame.Third chapter : the research procedures include two researcher : The first one is the researcher identify the society , the sample , the methodology and the means , of the research and the researcher made the second chapter to analyze the samples as the following : - 1 - (Bait al dummia) play2 - (shahrazad) play3 - (Ayam zaman) play4 - ( Raqsat Al - Aaqnana )playFourth chapter : the results The researcher made a show of the main results as well as the supplement and sources and the summary in English language.

دراسة في توظيف التقنيات الصوتية الرقمية في الدراما التلفزيونية == Deploying Digital Sound Techniques In Television Drama

اسم المؤلف: محمد ثائر عدنان ناجي البياتي

اسم المشرف: عصام عيسى علوان السامرائي

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الفنون التلفزيونية

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: لقد تناول الباحث في هذا البحث (توظيف التقنيات الرقمية الصوتية في الدراما التلفزيونية) كيفيات توظيف التقنيات الصوتية الرقمية في الدراما التلفزيونية لتعزيز القيمة الدرامية للمجرى الصوتي بكل محتوياته بالعمل مع الصورة لدعم القيم الدرامية التي تنقلها الصورة من | This study is about the Deploying of Modernized Digital Techniques in the Line of Modern TV Production in Order To Increase & Support the Dramatic Parameters in TV Dramatic Searle’s & Series, Which Evolve the Components of the Sound Track (Dialog - Music - Sound Effects). This study consists of five chapters; the first chapter comprises the methodic frame, which handles the themes of the research like; how did the Digital Sound Techniques Employed in the Area of The Sound Track to Enhance the Dramatic Parameters of the Television Image? This chapter also comprises the Fallowing : - 1 - aims of the research, like getting acquainted with the Latest Digital Sound Techniques & the Deploying Methods for it deploying in modern TV Series’. 2 - Significance of the Research.3 - Research Boarders. 4 - Defining Terms. The second chapter tackled theoretical frame which includes Three topics : - 1 - Historical Introduction to the use of digital techniques in TV production. 2 - Deploying Digital techniques To Enhance the Sound Track.3 - The Dramatic Employing of Audio with Video in TV Drama. The 3rd chapter consists of the research procedures including the 1 - research course. 2 - Research s' sample. 3 - The analysis tool. 4 - The research sample included Three (3) TV Series, as follows : - a - Lost - 2003 - 2008. b - Battlestar Galictica - 2003 - 2008. c - Terminator : Sarah Connor Chronicles - 2008. 5 - The analysis tool Validity.6 - The analysis Unit. The 4TH chapter consists of the analysis of the samples using the analysis tool.The 5TH chapter consists of the : - 1 - Results. 2 - Conclusions. 3 - Recommendations.4 - Suggestions.5 - Resources, the appendixes and the abstract.

التحولات التقنية لمناظر المسرح العراقي خارج مسرح العلبة == Technical Moves of The Iraqi Theater Views Outside The Box Theater

اسم المؤلف: منى سلمان محمد

اسم المشرف: يوسف رشيد جبر

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الفنون المسرحية - تقنيات

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: ساعد النموذج المغلق بوصفه تجربة سابقة على تاسيس تجارب لاحقة وخلق حيز مسرحي يتكشف عن تشكلات جديدة لخطاب عرض يعتمد مشهدية منظرية لا تمت الى مرحلة زمنية بصلة، وان تعدد القراءات يستدعي تحولات ومتغيرات مستمرة للامكنة المتخيلة ضمن صياغات لامكنة مستقبلية، اذ ظه | The closed model helped as a previous experience in setting subsequent experiences and in creating a dramatic apace that discovers new selections for dialogue depending on a panorama that is not related to any era. The many readings require continuous changes for the imaginary place within formulas for future places as there have been diversities to activate the place because it is related with the philosophical idiogy for each era.The Greek texts were characterized by the stability of the panorama without a change and the harmony within the unit as it was related with the political idiology of the era. While the panorama in the Roman stage depended on the shape and style of the Greek panorama until the appearance of the panorama taken in 100BC. The philosophical view of the medival panorama was influenced by the church view of place consisting of three parts : Sky, earth and hell.The foundations of panoramas in the vision and philosophy of the renaissance era came as a result of having a different view of the new world that made it lose its faith in the past through duality in the areas of sciences, philosophy and political doctrine. The panorama changes influenced the spectacle view of each era. The many places expressed the depth of place, their, out, tangeable, imaginative and objective. In addition, the light director helped in inventing big spectacles. Illumination tends to distribute the shadows and to multiply the places and to have changes in vision to turn the equation in the traditional theatre in that it adds a new existence within an extended frame or flexible space. From here transfer is done from "the Achledes place to an undulated extension". The Achledes place has its own characteristics in which it becomes limited away from the subject of research or exploration. But the technical changes through out the theatre eras made the feature of getting away from the tradition of place, its principles and rules among the most important aspirations towards new horizons for a theatre expressing a future vision. Therefore, the theatre worked with optical corners in finding new formulations that changed the vision cites through selectional and portrayal understanding to make the panorama open to modern currents in viewing the era that helped in choosing places for showing in the circus sequares, streets, churches and relics. Accordingly, the research is divided into four chapters. The first includes the systematic frame - the problem, the significance, the importance which sheds light on the dramatic view and its changes. As for the aims, they are set to find out the technical moves of the Iraqi dramatic shows outside the theatre of box. The scope of the research has come through standing the panorama and its technical moves that come according to the special boundaries of Baghdad from 1987 - 1999. This chapter ends with a list of definitions.The second chapter, the theoretical frame and the previous studies, is divided into three sections, the first deals with the technical moves of the international theatre, the second with the technical moves of the modern age and the third with the types of shows of the theatre of outside the box. The third chapter deals with the procedure including, the community, sample, method, tool with an account about the technical moves the Iraqi theatre had and an analysis of the samples. The fourth chapter is about the results and discussion. The research ends with a list of sources and references in Arabic and English.

جماليات بنية الخطاب التلفزيوني الموجه للطفل == The Aesthetics of Constructing T.V Discourse For Child

اسم المؤلف: هناء خضر يوسف

اسم المشرف: متي عبو بولص

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الفنون السمعية والمرئية

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: يشكل الطفل بنية حيوية يصعب الكشف عن جانب من مكوناته الانسانية دون الرجوع الى البنية الكلية، انه شان الخطاب التلفزيوني، فهو يشكل بنية متكاملة يصعب النظر الى مكون من مكوناته في معزل عن تلك البنية العضوية التي تؤسس وحدته الكلية، وهناك عناصر لا يمكن تجاوزها ع | Child is considered as a vital construction which is difficult to discover any thing about his human components unless go back to his total construction. It is a concern of T.V discourse because it represents a total construction which is difficult to watch any component is aloted from the organism construction which establish his unity. In addition, there are other elements which can not be avoided when searching about the reasons of constructing any discourse especially T.V discourse for child. These elements fall among the audio visual construction and become very important in its communicative - technical role or in its aesthetic - expresional role to add more meaning and contribute to improve the aesthetic teste in child and develop his character.However , the following study is going to study this case and falls in five chapters. The first one is ascribed for the theoritical background, and the problem of the study which Represented by the following question : What are the characteristics of constructing T.V discourse for child, and how to employ the elements of audio - visual construction in this discourse to represent the aesthetic qualities which attract the child interest.The aims of the study concentrate on : - The automation of receiving in child. - The aesthetic - expresion employment of the audio - visual elements in T.V discourse for child.The limitation of the study is confined to T.V films for child within the age 9 - 12 year, regardless with a limited time because the study is studying the artistic aspect of all films away from the date.of its fits productiong or showing.Chapter two comprise the previons studies and the thearitical background, the researcher found two close studies for hers while the thearitical background includes these three sections : - - The psychological receiving in child in which, the researcher shed light on the concept of communication and its effects on the sensational and psychological perception in addition, she studied the age division of child and the factors which effected the efficiency in child. - The elements of discourse construction : This section studied the most important element. of montage and audio - visual. This is to now the impact of expressional and notional emplaymention on discourse for 9 - 12 year child to achieve the cognitive and aesthetic aim of discourse. - The aesthetics of discourse between testing and conception : This section includes the concept of aesthetic, conception and aesthetical testing in child, and how he feel in art. The researcher, then, draw up the theoretical background and the instrument of the study atter they were exposed to ajury of experts.Chapter three includes the procedures of the study which had been adopted by the researcher to analys the selective sanples of the study which were 1 - the film (Garfield) 2 - the film (Bridge to terabithia) 3 - The film (Edde’s cook) and the justification of selecting these samples in addition to the research instrument and the unit of analysis.Chapter four includes the analysis of selected samples and concluding the final results which where included in chapter five, then the results of the study.Which are as follow : - 1 The variaty of discourse ideas for child straint from his essencial needs and the system of educational , social and cognetive values.2 Using the simple plot in which a strugle between mind and intellegent will appear instade of body violent.3 Lighting had an effective role to attract the attention of child and delighted him.4 Concentrating on natural colures as an indication vitality and loving the life.5 Fashion had an effective role to discover the psychological aspect of the character.6 Simplicity were adopted in the language of discourse for child.7 Songs , effects and music play an important role for entertaining and amusing the child.8 Montage is depending on longitudinal style to sequencing the events and employing the process of clipping , cutting and mixing. Finally , the researche state the conclusion according to the results of study , and some necessary recommondation and suggestions for further study to cover all the gaps. this study because it needs a specific researcher. Then the researcher end the study by the lislt of references and appen dences and the abstract in English.

تداخل اساليب الاداء التمثيلي في عروض المسرح العراقي == Interlinking of Artistic Performance Styles In Iraqi Theatrical Shows

اسم المؤلف: عتاب جاسم نصيف

اسم المشرف: عادل كريم سالم

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: يتفق كل الباحثين والدارسين في حقل الفن المسرحي ان لفن الاداء التمثيلي اسلوبين اساسيين احداهما (تمثيلي) والاخر (تقديمي) من حيث الاداء اذ تنضوي تحت لوائهما مدارس تمثيلية عدة منها الكلاسيكية والتعبيرية والواقعية والرمزية...وقد تولدت عنهما اساليب ادائية شتى | All the Researchers And Students In The Field of Theatrical Art Agreed upon That the artistic performance has two basic styles one of them is (performance) and the another is ( introductory) they included numerous performance schools among them the classical, realistic and symbolic schools…… From them numerous performance styles have been originated, opining avenue to the actors to introduce numerous of these performance styles with in the numerous concept of and interlinking of artistic performance in the single theatrical show. For achieving the purposes of the researcher in her thesis to recognize the machinery of artistic performance in single theatrical show so the research has come under the title (interlinking of artistic performance styles in Iraqi theatrical show. The research includes four chapters.The first chapter concentrated on the systematic frame of the research whereas the research problem dealt with an obstacle deters the actor performance considered the basic authority and the active element in theatrical show address which is as a result of the numerated school performance and their styles perplexion has prevailed in the theatrical performance so the criteriia have become imbalance as a result of ignorance resulted from this interlinking and non - distinguishing and awareness to the reality these styles, also the chapter includes the importance of the research ,its aim ,limits and assign the terms, while the second chapter includes theatrical frame , it contains three main categories under titles The first category : - the concept of interlinking in which I have displayed in this category the most important psychological, and Knowledge fundamentals of the interlinking concept The second category interlinking of artistic performances which I have reviewed the interlinking of styles in theatrical show of reading the text in a contemporary directory vision which will be subjected to the interlinking of new economical, political and social relations this will lead to interlinking in artistic styles which connected in its circumstances, stage and its reconstruction in away conform to the nature the direction of the modern vision. While the third category includes the machineries of interlinking of artistic performance styles in theoretical directions, I have displayed in this category techniques of artistic performance styles and its methods. The theatrical frame has produced indications, the most prominent of them are : - 1.Interlinking of artistic performance styles the in the research of new performance styles, new the artistic performances connected another styles references temporary connected with harmonious interlinking unity, in which the principles of mixing organizing, diversity , balance, harmony and rhythmic achieved the artistic effect which represent aesthetic tendency to attain the communication process between the actor and the spectator.2 - Mixing of artistic performance styles randomly doesn't mean in a random method without subjecting to unified harmony for their diversity with in the diversity concept in the unity, interlinking in styles, whereas the interlinking always move on the base of finding a central focus in performance in which and through them another performance styles move after interlinking with units of building personality, scene and action.The third chapter based on measures taking frame and it includes the structure and the specimen of the research that are represented in elected shows of the Iraqi theatre like ( Oteil in the kitchen), ( Macbeth) and(the Ghost)I have displayed in the most important and conclusions in the fourth chapterAmong these results : - 1. Thearitcal artistic performance styles interlinking which is process of liberating the actor tools from their usual expressional mode, and oriented towards new animation and movable existence being the interlinking in its essence mean movement concluded by the action in its dealing with things for revealing its hidden secrets then representing them in forms, images and expressional contexts of theatrical show address.2.Theatrical artistic performance styles interlinking means the organized technical and aesthetic structure of the whole relations of these styles inside the performance structure within central harmony, it is creative action in organizing the action of the actor and it is equivalent to organizing his tools. The research is terminated of foreign and Arabic sources and the abstract in English language and appendix with pattern of Iraqi theatre.

السمات الجمالية للتركيب الشكلي في الخزف العراقي المعاصر

اسم المؤلف: ايثار فهمي عمر الخفاف

اسم المشرف: نبراس احمد جاسم الربيعي

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الخزف

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: تناول هذا البحث دراسة السمات الجمالية للتركيب الشكلي للنتاجات الخزفية المعاصرة في العراق، وجاءت الدراسة من خمسة فصول، مثل الاول الاطار العام للبحث والمتضمن المشكلة التي وضعت الفرضية الاتية ( في الوقت الذي يكشف الخزف المعاصر في العراق عن المهارات التشكيلية | This search to deal with studying the Characteristics of Aesthetic for Figuration Constrictive in the modern Iraqi pottery. and where established this studying of four chapters for example. First : The general fame to search and including the problem that status theory as follows ( In this time that discover pottery in the modern of Iraqi for The Skill Plastic , assembly , The constrictive and the technique , this emphasize of probation , although. The figuration system to overlap between the function and the aesthetic , and the different protection of the experience and the art thought that productive with characteristics figures. The presents for equations if answer is that : Is there the deference among experience and other , to distinguish to be reference was be cultural or sociological or the tradition civilization , in another phrase in state of this difference , This style limit text pottery and concerning Art ?. In this time , Is constrictive operation of potteries to be based on to imitate on the reality figure , or the addition modern ?. And , Is preparing the production for operation , the constrictive achievement , pattern or creativity in light to overlap and mixture and synthesize in constrictive operation ?. Is stretch aesthetic of this treatment , to interpret disposition has possessions of symbols , codes , signs and stretch cultural … or that has satisfaction treatment of the pattern or traditional have include of tributary and the different elements in beside of the difference material and the way execution and treatment. According to get this operation has to coordinate figuration another side and the stretch aesthetic of the Creativity from another side ?. While the important supplement of search to consider is quality studying and addition to , of scientist in the characteristics subject special with the Constrictive Figuration Aesthetic in The Art Pottery , and to Contribute the search in produce on to be conscious of Aesthetic and Article of Iraqis Potteries through of the importance with the constrictive building the figure. And the discover of experiment the Iraqis artist in the probability, instrument and the aims in addition of the new including has the pottery production. If the aim this studying illustration in discover of the characteristics of aesthetic with the Iraqi production Pottery that constrictive figure and if instate of the natural technique uses.In method collection that achievement and also reference this the Constrictive in the environment and the belife and the schools modern art.If when limited this studying timely in the period ( 1970 - 2002 A.C ) and in the place of ( Iraq ) , as known as the researcher in the natural light of the search now of Linguistic , Article , Philosophy and Procedural. As well as , the researcher go on to the chapter two that included four searches , First : That is talk the studying has the concept of characteristics of aesthetic to deal with some of thought of philosophy that belong to the subject of aesthetic and evaluation of aesthetic at achievement of artily and with that concern of some if opinion the aesthetic between the philosophical and the art and also that deal with to importance of the characteristics of the aesthetic are limited the characteristics a knowledge - the emotional - the movement a constructive and the static - the invention while to discuss with the second that included two parts ; First : ( the concept title of constrictive theoretical and related with as the important theoretical , and the second the systems of constrictive a figure of pottery Constructive is contain symbols ( Line , Color , Size ,Volume Lighting and Texture ). And includes on the principal as ( the Balance , the Rhythm , the Discrepancy , the Repetition , the Succession and the Interchange ). While , to discuss with the third topic the ore and techniques uses in the methods collection the woks fictile and also concept. The technique and importance in field pottery and the relationship when has between the various ores clay or the clay with another materials on the important techniques which uses in collection the achievement pottery.The same constrictive figuration or orally while the four tittles has discuss with the historical root is constructive in the art pottery the researcher has to explain to the development stages of this constructive since the old ages passing if the Islamic age and the dark ages and from then in this time , his schools artily and effect that stages on the production the art the fictile in the modern Iraqi.If that tittles the researcher had to extract to mention that the fame of theoretical whom with example this capture to level off the captures three what include performance of the search , if following a investigation of truth a tool of search and goes with numbers of especial to ask for an explanation and the importance interview with artists Iranian potteries and asking them for questions , that help him in thuthly analyzing samples , and then that production of the analyzing and the researcher is showing results in the capture four and this following : - 1. aesthetic characteristics in Iraqi modern pottery is coming according to varied compound manner and as follows : A. According to neighborhood relation as samples no. 5 \6\8 \9 \10 \25.B. According to cooperated relation as in samples no. 1\3\5\7\13\23\24\26\27\29C. According to interact relation as in samples no. : 20\24D. According to centralization as samples no. : 3\4\5\11\13\14\15\17\18\19\26\28.E. According to spread relation as samples no. : 1\2\10\12\20\21\22\24.2. the aesthetic characteristics of compound shape in some of modern Iraqi pottery was according to remarkable varied as follows : A. in using heritage civilization as samples no : 5\7\8\9\16\17\18\20\22\23\28.B. In using the Islamic heritage as samples no : 6\8\22.C. In using the folklore heritage as samples no : 2\3\9.3. the compound operation in order to created the aesthetic characteristics in modern Iraqi pottery with the experiment of Iraqi Artist( Sa'ad Shaker) as shape no. (23) in fourth searching.4. the aesthetic characteristics (aesthetic excitement as basic in the operation of compound shape in Iraqi modern pottery and according to many manners as follows : A. the social manner as in samples no. : 2\9\13\29.B. The political manner as in samples no. : 1\20\27.C. The psychological manner as in samples 21\24\27\28\29.D. The pure aesthetic as samples no. : 4\8\11\12\14\15\17\25.5. the aesthetic characteristics for compound shape is coming through moveable varied and harmonious manner as follows : A. Colored harmonious manners as samples no. : 3\4\6\7\8\9\10\11\13\14\16\20\25.B. According to harmonious lines manners in samples no. : 1\5\7\8\9\\11\12\14\16\18\22\24\25\27\29.C. According to harmonious texture manner as samples no : 3\5\6\7\9\10\11\13\14\15\16\18\20\21\22\25\26\29.D. According to valued harmonious lighting manner as samples no. : 2\3\5\6\8\10\11\13\15\16\19\20\23\24\25\26\27\28\29.E. According to harmonious structure manner in samples no : 5\7\8\18\22\24\25\29.6. the aesthetics characteristics for structure shape in modern Iraqi pottery and according to moveable varied different manner and as follows : A. colored - different moveable manner as samples no : 2\5\6\15\17\19\21\23\24\26\29.B. Moveable different structure manner as samples no : 1\2\5\9\10\12\16\18\19\24\29.C. Different moveable materialed manner (varied materials) as samples no. : 3\5\7\10\20\24\25\27.D. Moveable different texture manner as samples no. : 4\5\7\8\16\18\19\20\23\24\25\29.7. the aesthetic characteristics for structure shape is coming in Iraqi modern pottery according to varied musical manner as follows : A. according to musical structure manner as samples no. : 1\6\8\9\16\24\28.B. According to colored musical manner as samples no : 3\5\8\11\14\19\20\23\25.C. According to texture musical manner as samples no : 2\7\15\18\19\20\22\23\29.D. According to musical lined manner as samples no : 1\3\5\6\7\\8\9\11\12\14\16\1\8\21\22\24\25\27\29.E. According to musical volumed manner as samples no : 1\6\9\10\11\12.8. the aesthetic characteristics of shaped structure appeared in Iraqi modern pottery according to the quit manner that result of the balanced static of the unit (structure units) in the finished structure pottery as samples no : 1\2\6\7\17\19\21\23\26.9. the structure shape in Iraqi pottery and its aesthetics characteristics respond to modern technical as follows : A. according to using the power of material (clays - minerals - plastics )in order to create aesthetic characteristics in the building of shapes as samples no. : 1\3\5\7\9\10\20\21\23\24\25\26\27.B. According to mix the colored clays as sample no : 25.C. According to use the colors of glazing in different degrees of heat as samples no : 3\15\17\21\22\26.D. According to total manner for above mentioned points as samples no : 3\4\19\20\21.10. some aesthetic characteristics for structure shape appeared in Iraqi modern pottery according to repeating of the figure of shape as samples no : 2\11\15\26.11. the aesthetic characteristics coming in the structure shape in Iraqi modern pottery according to varied manner in adding sorted shape of the complete pottery which used in many functions as like (Jar) that is give aesthetic trace out of its lined shape as samples no : 5\11\21.12. the aesthetic characteristics coming for structure shape in Iraqi modern pottery through the solvent of the specialized parts of plastic arts (painting - structure - sculpture) as in samples no : 3\5\6\7\9\10\12\14\16\17\18\19\22\24\25\26\27\28\29.13. he researcher like this go on has production in special the characteristics of subject constrictive figuration aesthetic in achievement Iraqi pottery , showing after that his testament and suggestion.

الريادة الجمالية في الرسم العراقي الحديث == Aesthetical Pioneer In Modern Iraqi Painting

اسم المؤلف: عمر مجبل جبر المطلبي

اسم المشرف: سلام جبار جياد السوداني

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الرسم

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: تعد الريادة احدى اشكاليات ومظاهر التحديث في الابداع ومنه ماحصل في الفنون التشكيلية عبر التاريخ، وتكمن اشكالية الريادة اساسا في تصارع التاريخي والجمالي والمفصلي وتداخلها بحيث يشتركون بما لايمكن معه فكاك الخواص المتداخلة والظاهرة في تشكلات المنجز التشكيلي | Pioneer was distinguished as a dispute or conversation elements in describe and criticize modern art. Pioneer here doesn't mean some thing old or former historical events exclusively, but it is mean a process of forming pioneer phenomena as completing entity in a way to be able of breaking what is common and enters in new also imposing its change in art movement, it is distinguishing a separation, which creates a changeable, the last one is considered as a companied property for aesthetical pioneer styles. Also In art the process of works can not be worked separately, but the element of effect and affect is control at the work, and by the Pioneer creating, the image of stage will be and history of movement will be formed according to the aesthetical indications of institution which always depend on creative element. As creative has a degrees and levels also in aesthetical indications their degrees depend on creative degrees in forming phenomena and creating separation which take at it is shoulders imposing historical changeable.So researcher concentrated that the study will be at what aesthetical Pioneer mean and work which are the base in change in modern art. According which we mentioned above the study of this subject has four chapters.First one is a procedure frame beginning with problem of research explained the nature of term which contained number of interiors which showed the problem in determining frame and to reach at determining the jelly and form of term after then. And driving in roots of the subject starting from Pioneer movement generally (Internationally) arriving at aesthetical Pioneer in Iraq and this is a subject of this study (research) by observing two aims of research first one is determining the concept of Pioneer historically and then aesthetically and then showing the features and affective varieties in forming the Pioneer phenomena in modern Iraqi drawing, in addition to the term of aesthetical Pioneer terminology and measurement.In chapter two the study of theoretical frame three parts, distributing the parts of study in attempt of showing the form and content of Pioneer movement.First section is about the concept of Pioneer in its historical form and then determining their forms within old historical periods and changeable movement through times arriving to determining elements which begin to establish the concept of aesthetical Pioneer by changeable towards more self - work in art.Section two concentrated on Pioneer in art and creative term (aesthetical) and this is a base of creating aesthetical exploring creative creation in view changeable which control in aesthetical concepts through history and expanded in create styles which achieve the self - created within aesthetical exploration changes, that the styles have a direct forming in their latest stages from aesthetical Pioneer in history specially in modern.Then we found that is necessary to shed a light at the twentieth century as a directed representative of modern concept which the former studies stages struggle to arrive, so it's the point to enter to chapter three by pay attention at the aesthetical Pioneer in century time, changeable movements, the space of Pioneer expansion which formed in that time, and print a stamp of modernization at its aesthetical image.Chapter three included the measurements of research by determining research society and depended on selected samples intended way according what indicators separated in determine the concepts which dealt with subject of research in addition to the opinions of experts in this matter which are served this research. Chapter four contained the results and recommendations. 1/Chapter four includes the results and conclusions of research which are related with researches' targets, and the extent of the relations of the indications by theoretical frame and what is produced by the process of samples analysis with the showed figures of study, the most distinguished one is 1/ esthetic pioneering, although it is relation with history movement, but it doesn't accept to separate or deflect in style of Art Movement inside history2/ The transferring from general in former time to self in times after Al - Kawti was the real emerge in what known now esthetic pioneering, so the turning is the companied feature of pioneering nature.3/ Pioneering is shown by style of turning and deflecting and then the context changing in Art this declination in Art and in communications as a result of breaching which lead to change the method which is became tradition need to new pioneering.4/ one of the important condition of pioneering is to put an effect on next experiments which are emphasized and make it a base joint to be esthetic pioneering.5/ changing towards modernization was result of needs and inter pressures has a relation with time itself which is more verities in common world.6/ the modernization time is the time of increasing in generating individual styles and pioneering especially in twentieth century.7/ the form of esthetic pioneering is determined according to the nature of reference which is feed it some of them return to the historical hypothesis other for tradition, also the changes in western, history, modernization, tradition, local and western all of them emphasis the type of pioneering in Modern Iraqi Art.8/ one of the most important phenomena in pioneering in Iraqi draw was style creation as a result of merging between tradition and modernization as a result of searching on existence the modern Iraqi draw identity which is considered as an important element in Modern Iraqi draw. Some Conclusions are : 1/ It is not important that every painter be pioneer, but pioneer the person who make a creating discovery and he makes a deflecting in Art movement so to form its pioneering.2/esthetic pioneering begin from artist liberation from subject and changing the art view which is full of subjectivism.3/ style is one of the important element of pioneering it lives in style atmosphere which is created by pioneering and to be responsible of style creation and making historical extension of this pioneering.4/ searching on reality is the pioneer duty which is to be first discovering of esthetic reality by its art means and creative view.5/Pionner the person who is struggle for self â€“independent which was obeyed from many times to the history events by arriving for individuality and strangeness, these are the most important elements in pioneering in modern styles. 6/ Modern Iraqi Painting considers one of the pioneering experiment within the frame of Arabic east.In addition, researcher submits some of recommendations and suggestions which find them important for future criticism studies, such as : 1/ Look at the pioneering as a science, it is an establishment depend at it self and responsible on historical changes in History Art Movement.2/ esthetic pioneering is one of the aesthetic face so look at esthetic achievement by its first structure to achieving the principle of procedure specialty in phenomena study.3/research advice to study the pioneering effect which is responsible on arriving of pioneering effect, and its time that need to create its effect.Besides, some suggestion by researcher to expand in study and understanding the pioneering as a basic joint of aesthetic, with list of references contains the references of thesis besides the locations of interne which are used by the researcher. And at the end number of appendix with appendix of figures' photos and appendix of samples besides experiments information papers.

اسم المؤلف: فلاح قاسم عجيل

اسم المشرف: علي حسين صفوك الركابي

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الفنون السينمائية

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

اتجاهات النقد المسرحي الصحفي في العراق (1990 - 2008) == The Tendencies of Journalist Dramatic Criticism In Iraq - For The Period 1990 - 2008

اسم المؤلف: علي حلو داشر

اسم المشرف: يوسف رشيد جبر

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: ان النقد المسرحي الصحفي العراقي يمثل احد الانماط النقدية المسرحية العراقية ذات الحضور الواسع والفاعل ضمن حراك النقد المسرحي العراقي، وان هذا الحضور جاء نتيجة لتفاعله النشط مع العرض المسرحي العراقي على مستوى المهرجانات والعروض الفردية داخل المؤسسة الاكادي | The dramatic criticism in Iraq represents one of the dramatic criticism patterns that have crucial impact within the movement of criticism in Iraq. The importance of this thesis is entitled (The Tendencies of journalist Dramatic Criticism in Iraq - for the Period 1990 - 2008). The title bears questions and inquiries. The question is what are the tendencies of journalist dramatic criticism in Iraq for the period 1990 - 2000. The inquiry, on the other hand, is why we are investigating these trends, for this very periods which represent the last period in which journalist dramatic criticism was practiced in Iraq. To answer the question, the researcher shed his analytical efforts on the dramatic shows (plays) by Iraqi directors, and international and local plays attempting to know the trends of criticism and their aesthetic tendencies through analyzing these critical texts, employing the simple and compound cases in the known trends and their uses such as the method of content - analysis after determine the standards critical trends. The units were employed to analyze the sample to get closer to the scientific fact by numbers and statistics in an attempt to get away off the disguised relativity that is not accurate. To answer the inquiry, on the other hand, the researcher analyzes the results employing the descriptive procedure and the method of case study in order to know the scopes of this type of criticism, i.e. journal criticism. Thus, we detect point of strength and weakness through the evaluation of journal dramatic criticism. Thus, we will be able to rise up the aesthesis of society. The research is made of four chapters. The first chapter included the problem of the study, the need for it, objectives and the limits of the study. The second chapter is made of the theoretical framework that consist, in turn, of two inquiries; the first is about the concept of criticism and the second deals with the tendencies of dramatic criticism and aestheticism. The second chapter also contains the indicators and standards that the researcher has come up with such as sample analysis, and the analysis of the conclusions of the study and the discussion. The fourth chapter includes the conclusions, recommendations and suggestions. Then, the references and appendices. The researcher shed light of his analytical effort on what has been published in the Iraqi journals by Iraqi critics about the Iraqi critic shows for world and local texts trying at knowing the reading texts and employing them in the simple and composite critical trends made of the critical method of the content analysis and the use of percentage to derive every critical aspect alone within one critical article after specifying the criterion and indicators as an instrument which the researcher has come up with within the theoretical framework, which the research employed as his method of analytical instrument vis - à - vis the idea taken from the approach of content analysis as the unit of analysis to achieve the highest degree of closeness to the scientific reality by numbers and statistics in an attempt to get away from the illusionary percentage that sprout here and there and mostly, inaccurate.

التقنيات الحديثة في سينوغرافيا العرض المسرحي == The Modern Technique In Scenography of Drama Show

اسم المؤلف: انعام معن ابراهيم

اسم المشرف: صلاح مهدي القصب

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الفنون المسرحية - تقنيات

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: ان المسرح كائن حي يتفاعل مع كل المتغيرات والمستجدات القائمة، فلم يكن يوما ولن يكون بعيدا عن هذه المبتكرات والتطورات الحديثة في عالم التكنولوجيا. فالعرض المسرحي تساهم في بنيته وسائط تقنية عديدة يتم توظيفها من قبل اختصاصيون في مختلف الانشطة العلمية ,كالم | The second chapter (theoretical frame) is divided it into five section , in the first, the researcher has explained the importance of technology and its reflections on dramatic culture through the concept of cultures dialogue which was elaborated by the French thinker ( Rojeh Garody) who embraced Islam. In the second section ,the researcher explain the work of that technology through composing dramatic speech. The third section is divided in to two directions; in the first she refers to the most important technical techniques that contributed to development of drama show structure ;identifying it by computer firs and then by internet, while in the second she talks about the most important computer techniques and how to employ it in designing the element of drama show. The fourth section touches the most important direction techniques of directors whom the researcher has divided into tow current, each has a different way when building the Scenography of drama show in the light of using those techniques. She closed the section with the most important techniques used by modern theatre which are body performance through gesture language, sound expression and dancing. She concludes this chapter with former studies and set of indexes resulted from theoretical frame; the most important of them is that the modern theatre is mixture of many cultures that is affected by those cultures, furthermore the director has dealt with the actor as a body having mythological and expressing abilities capable of producing a new language with the receiver. However, modern techniques don't neglect the human being role and his creation, but it increases the opportunities of innovation and renewal in modern theatre.The third chapter includes the research procedures throug the research society and samples represented by the following designs and drama shows : 1 - The play of "The Bedouin and the Orientalist" directed by Akeel Mehdi. Theatre is considered as a living thing that interacts with all standing and revived variables, it was ever and will never be far from these modern innovations and developments in the world of technology. Several technical means contribute to drama show, these means come from specialists in various scientific activies such as musicians, lighting designers, sound effects, optical tricks, as well as designers of fashion, building and shaping. Today theatre also depend on various expressing techniques represented by using the language and grace of the body to put through the meaning by shaping gesture movement, singing and dancing so that the receiver can interact with. So, technology in theatre is not a newborn, but it accompanied it since the Greek times till the present. Consequently, it appeared with a new language whose features have been employ in the artistic currents that emerged and spread definitely after the Second World War in Europe,USA and the Arab World. These current used technology as a technical means employed in various innovation processes to discover its abilities and its intellectual and aesthetic dimensions. Upon this basis ,the researcher has identified the research problem in the first chapter of her thesis designated " Modern techniques in Scenography of drama" , in the following question : How to employ modern techniques to build the Scenography of drama show?Then, the researcher has explained the importance of her research which is regarded as one of the scientific efforts looking for the importance of technical development and its inflection on drama show techniques in Scenography building, and she considered it as an important reference for students at Fine Arts Academy. Then ,she explain the objective of the research , its limits and finally defining the most important term that is the concept of technology and Scenography.

برنامج تعليمي لاكساب طلبة قسم التربية الفنية مهارات استخدام الالوان الزيتية == Teaching Program To Acquire The Students of Department of Artistic Education The Skills of Using Oil Colours

اسم المؤلف: محمد عبد الله غيدان

اسم المشرف: سلام جبار جياد السوداني

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: التربية الفنية

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: تعد الاتجاهات الحديثة التي افرزتها الثورة العلمية والتكنولوجية والتي من مبادئها واسسها الاهتمام بهندسة البيئة التعليمية المخصصة لتعليم المتعلم الذي يعد محورا للعملية التعليمية وباساليب تخضع للتحليل والتركيب والتطبيق والتقويم,وما توظفه من معلومات ومفاهيم | The modern trends developed by the scientific and technological revolution which its principles and bases are concerned with teaching environment teaching technology devoted to teach the learner who is the pivot of the teaching process,by methods subjected to analysis, structuring, applying and rectification along with what they employ of scientific data, concepts and activities made according to programmed courses arranged in regulations and law invented by science of teaching design introduced in all fields of specialization.This prompted the teaching institutions with all stages to accompany the developments of this science through directing postgraduate students to search for modern scientific means contributing in developing the teaching process.This include using teaching programs, systems and models and trying to applying and experimenting them in different fields of art, specially in acquiring them the skills of using oil colours which are a basic subject in Department of Artistic Education in College of Fine Arts, specially in practical plastic arts, then employing them in their artistic oil painting.According to the abovementioned, this study aims to : 1.Designing a teaching program to acquire the students of Department of Artistic Education the skills of using oil colours.2.Measuring the efficacy of the teaching program through applying it on empirical sample of 3rd grade student of Department of Artistic Education for the academic year 2007/2008. In order to achieve the objective of the study, a zero hypothesis will be invented according to study procedures.To ascertain those objectives, the researcher invented tow zero hypotheses. The group of the study consists of 3rd grade student of Department of Artistic Education of College of Fine Arts. Their number is (40) male and female students. A random sample of (13) male and female students was chosen whom the researcher adopted to apply the experiment.Since the present study adopted the empirical methodology, a teaching program was designed through analysis the subject of oil colours re - froming it according to the model of (Ganne & Briggs,1988).To measure this program, two types of tests was designed : the first one was cognitive achieving to measure the data that the student acquire and the second is skillful which measured through rectification form of skillful performance prepared for this purpose, those tools were subjected to truth and consistency procedures.To manifest the results of the study concluded by the researcher, he used the following statistical means : (Willcoxn Test) to show the prior - posterior differences between the students of the empirical group, (Difficulty and Discrimination Coefficient) equation to analyze the paragraphs of the cognitive achieving test and (Holsti) equation to find the agreement between the two criteria also those noted in consistency on performance rectification form.In addition to using (Kauder Richardson / 20) equation for consistency of cognitive achieving test.Most significant result concluded by the researcher : 1. The adequacy of the designed teaching program for how to use oil colours through its capability to acquire the students the artistic skills and to assist them to prompt them to think and making mind imaginations to comply with oil colours requirements and acquiring their artistic skills. This, in turn, contributed to achieve the desired objectives which was obvious in experiment results when applying the prior - posteriorcognitive achieving test for the posterior test.2. The adequacy of the teaching program in acquiring the students the artistic which was obvious in experiment results when applying the prior posterior cognitive achieving test for the posterior test.The most significant recommendations by the researcher are : 1. Adopting the teaching program in teaching colour generally and oil colours specifically in the Department of Artistic Education and the scientific departments in the compatible colleges or in departments of plastic arts in institutes of fine arts. This proved an efficacy in training the students on acquiring cognitive and performance skills.2.The agreement between the results of the present study and the results of former scientific studies and researches which adopted designing and inventing teaching programs in their procedures necessitated to add an academic curriculum specialized in teaching design for undergraduate study, especially in Deparment of Artistic Education in order to introduce most recent scientific and technological developments and their role in developing the teaching process.

المعالجات الدرامية للشخصية التاريخية في النص المسرحي العراقي

اسم المؤلف: محمد مطشر عبد الكريم الغراوي الكحلاوي

اسم المشرف: عقيل مهدي يوسف

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: تعد الشخصية التاريخية في معالجاتها الفنية المسرحية ركيزة من ركائز الدراما المسرحية، فهي العنصر ذو الاهمية، وهي الفعالة في النص المسرحي، لكونها صلة الوصل بين المؤلف والمتلقي، والمعبرة عن فكر الكاتب وما حصل عليه من معلومة موثوقة بعد تقصيه عنها، واستدراكا | The historical character, during its theatrical artistic treatment, is a main pillar of the theatrical drama pillars, it is the most important effective element, of the article, due to it is the connection between the author & the observer, expressed by ideology of the author, by what he has got of a certified &documented information trying to know, the importance of that historical character & the private characteristics of the historical period in which it lived in ,the approach to the historical character, from which the author chose as properties &characteristics discovering the properties ,characteristics of the given historical period & the depressive or liberal circumstances, formed that character, as a result besides its properties in the humanitarian dimensions, perhaps there is an self & influential effects of the historical character, upon the author. There are many historical events in the international history, composed the humanity, is a mean as groups or individuals, coming from the surrounding environmental circumstances, or the resulting individual & collective self agonies suffered, the author is almost obliged by the transfer of the historical events, through historical character, as if this character represents one component of the main resources, composed either the civic development or developed the civilization it self. The theatrical artist (the author) takes the transfer task of these events, even though hypothetically or actually, sometimes, only for the artistic theatrical enrichment, by the inspiration of the passing actual humanitarian history, during different passing eras, containing subjects, ideas and objects lead to the development of peoples vital experiments. It may be seen, from the passing essay, the importance composed from both the history & the characters contained in the past, still have its resonance inside the modern observer, this is the major motive, to look after the reality of the historical character, to be dealt with, theatrically in an artistic style , the research also shows, the author imaginative power, his ideas enrichment of the writing professionalism.Accordingly the research was divided into four chapters : 1) Chapter One : The Text Domain Contains the description of the research problem, importance, targets, limits & the definitions of the terms.2) Chapter two : Covers the theoretical frame, where it contains four research parts, as follows : A) Part one : The concept of public character The public character is treated by its general concept & the limitation of its dimensions (natural, social & psychological dimension) through the ideas &the different theories of the researchers. B)Part two : The concept of the historical character The historical character is treated through its common concept about, as if it is real, not mythic, or imaginary imagined by the author himself, characterized by real humanitarian characteristics lived in real historical period in the past. C) Part three : The concept of the dramatic character The drama is investigated because its importance to the theater, where originally the historical character is contained for the artistic treatment, as considering the character is an important element in the dramatic theatre. D) Part four : the dramatic treatment of the historical character characteristics in the an elective essays, the dramatic treatments of the characteristics was studied by theatrical author, according to the treatments mentioned in the theatrical text. To clarify the complicated image, it was tried to collected different opinions of different writers. The research was stopped, up to this point, on which it was treated as proof supporting the exisistng research, as a specific indicator of the Thesis.3) Chapter three Contains the procedures of the research. The research analyzed the historical plays documented in (1980 - 2005) ,then some specific specimens purposely chosen supporting the research, they are five theatrical essays. 4) Chapter four The results, conclusions, appendences, list of references & English summary.

العمليات الادراكية وتطبيقاتها في الرسم الحديث == Cognition Processes And Its Applications In The Painting Modern

اسم المؤلف: سهاد عبد المنعم عبد المحسن شعابث

اسم المشرف: علي مهدي ماجد | عارف وحيد ابراهيم

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الفنون التشكيلية

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: The current research deals with (the cognition processes and its applications in the modern art) in which limits the qualities of art picture in shape and content. The research contains to four chapters; the first chapter deals with research's problem, importance, need, aim, limits and the most important of terms.Research's two aims are : 1. Acknowledge, aesthetical and art concepts of cognition. 2. Mechanisms of cognition processes in the art modern.The second chapter deals with theoretical framework and previous studies; the theoretical framework consists of four researches : the first research discusses the cognition processes in acknowledge by showing the philosophers' opinions starting at Platon's opinions and ending with contemporary philosophers. The second research deals with the cognition processes in aesthetical in the aesthetical philosophical thinking since its first starting at Greek philosophy until contemporary and modern philosophies thesis.While the third research deals with cognition in the field of psychology and art ingenuity theories, the fourth research devotes the mechanisms of applying the cognition processes in the European modern art and its directions. The theoretical framework gets on several of basic indexes to structure the research's tool.As well as the previous studies contain to two studies; they have discussed because of near it from the current study.The third chapter deals with the research's procedures and samples at (15) forms from the works of modern painting artists, as well as the chapter include the research's tool and analysis sample.The fourth chapter discusses the research's results, conclusions, recommendations and proposals. The results have showed into two groups according to each aim; the following most important results of first aim : 12. The modernity and its art directions have imposed cognition processes have variety levels according to the thinking, art and style framework for each direction; these directions have eager desire to pass the sensitive cognition and this desire becomes grow at the abstractionism painting greatly.13. The cognition processes in the modern art connected with the art's identity and his ability to adaptation the cognition with his thinking, art, stylistic and technical ambitions. This connection supported the freedom in the searching and experimentation.While the most important results of second aim are : 1. Impressionism has immediately performance has taken the cognition process starting at sense as a main source of vision and interference the interior senses such as remembering and imagination to come out of saved pictures with mind interference contributes to organize the picture in its lowly limits; then these powers emerges as direct sense form able to gathering all powers immediately to gloss the shapes and remove it from the its visible reality lightly.2. The barbarism follows the cognition process prevalence on it the imagination and sentimental; whereas it starting at sense but it is not absolute sense cognition. The works could complete with painting without observation the scene from the nature; the picture has visible shapes. The wildish and effective by (Gogan) has achieved a cognition phrase on the sense, so that it restored to the mind to organize the picture and give it designing features and give the shapes symbolic significance. In order to limit from the mind's whole power, the imagination comes with sentimental pressure to absence the objective relationships and confirmation the cognition's subjectivity; that's give the picture abstract aesthetic and formalism enjoyment exciting the sentimental, with intuition outcome all acknowledge powers have united in direct cognition for picture in shape and content.

اسم المؤلف: مؤيد خلف حسين الدليمي

اسم المشرف: عدنان عبد المنعم احمد ابو السعد

الموضوع العام: الاعلام

السنة: 2008

الموضوع الدقيق: الاعلام

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

اسم المؤلف: اروى محمد ناصر حمد

اسم المشرف: جايد زيدان مخلف

الموضوع العام: اللغة العربية وادابها

السنة: 2008

الموضوع الدقيق: اللغة

الدرجة: ماجستير

الجامعة: جامعة تكريت - كلية التربية للبنات - قسم اللغة العربية

اللغة: العربية

مكان الجامعة: صلاح الدين

الصفحات الاولى:

اسم المؤلف: قتادة سعد تحسين العاني

اسم المشرف: زياد محمود رشيد العاني

الموضوع العام: العلوم الاسلامية

السنة: 2008

الموضوع الدقيق: الدعوة والخطابة

الدرجة: ماجستير

الجامعة: الجامعة العراقية - كلية اصول الدين - قسم العقيدة

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

الاصول الدينية للتعايش الانساني في الاديان السماوية : دراسة الكتب المقدسة في ضوء القران الكريم

اسم المؤلف: عبد الرزاق رحيم صلال الموحي

اسم المشرف: عبد الامير كاظم زاهد

الموضوع العام: العلوم الاسلامية

السنة: 2008

الموضوع الدقيق: اصول الدين

الدرجة: دكتوراه

الجامعة: جامعة الكوفة - كلية الفقه

اللغة: العربية

مكان الجامعة: النجف

الصفحات الاولى:

الملخص:

المصادر:

جامع الرموز شرح مختصر الوقاية من بداية فصل الصرف الى نهاية كتاب الغصب للامام محمد القهستاني الحنفي المتوفى (950 هـ) : دراسة وتحقيق

اسم المؤلف: طه ياسين خليل الهيتي

اسم المشرف: مفلح عبد الواحد محمد سعيد الحسيني الهيتي

الموضوع العام: العلوم الاسلامية

السنة: 2008

الموضوع الدقيق: الفقه

الدرجة: ماجستير

الجامعة: الجامعة العراقية - كلية الشريعة والقانون

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: الحمد لله رب العالمين والصلاة والسلام على سيد الانبياء والمرسلين سيدنا ونبينا محمد وعلى اله وصحبه اجمعين ومن تبعهم باحسان الى يوم الدين. اما بعد..............فان الاشتغال بالعلوم الشرعية والبحث عنها ودراستها من اشرف المناصب في الدنيا منزلة واعلاها عند | After completing my inquiry for the chapter of Morphology to the book nomed “Al - Rahn” which is a division of the book called the symbols collectors “Jami Al - Romooz” having the subject “Explaining the end summarizing the prevention. I can abridge what I’ve done and what I’ve accomplished in this research : 1 - The book called the symbols colleetor “Jami Al - Romooz” is considered as one of the mothers of books in Al - Hanafi doctrine ; moreover, it hasnot becn printed yet. With the help of God , the part of this manuscript which is specified for me is being investigated (inquired) 2 - To these chapter I’ve presented a study regarding the author and what is being composed. Here you can find a brief summary for some of the results concluded, amony which : A/ I’ve confirmed the composition of the book the symbols collector “Jami Al - Romooz” to the author Al - Din Mohmmad bin Husam Al - Din Al - Qihistam Al - Hanafi. B/ None of the biography books mentioned the birth and the death of the author Itis said that his death was about (950 A.H) and being said (953 A.H) and about (962 A.H) and about (963 A.H). His family was famous for science and was well known with its scientists who were considered as great symbols of science world wide. C/ In composing his book Al - Hanafi “Al - Qihistani” followed the approach of Al - Hanafi scientists doctrine during the period when he lived. In that he depended on the books of principles and branches depended in the doctrine. D/ The book called symbols collector “Jami Al - Romooz” is considered as scientific encyclopedia in Al - Hanafi doctrine and hence it depended on many references. E/ The author had depended on the linguistic and rhetorical references in a large extent to over balance some unlikeness mutters that toke place in the doctrine it self. F/ I’ve facilitated the method of making use of the book for the reader, that is by making several appendixes added to the book.

ايات عتاب الانبياء (عليهم السلام) في القران الكريم : دراسة تحليلية

اسم المؤلف: زين العابدين عبد علي طاهر الكعبي

اسم المشرف: ستار جبر حمود الاعرجي

الموضوع العام: العلوم الاسلامية

السنة: 2008

الموضوع الدقيق: الفقه

الدرجة: ماجستير

الجامعة: جامعة الكوفة - كلية الفقه

اللغة: العربية

مكان الجامعة: النجف

الصفحات الاولى:

الملخص:

المصادر:

الفاظ الاعلام ومدلولاتها فـي القران الكريم

اسم المؤلف: حسام محمد فهد

اسم المشرف: خميس دحام علي الزوبعي

الموضوع العام: العلوم الاسلامية

السنة: 2008

الموضوع الدقيق: الفكر الاسلامي

الدرجة: ماجستير

الجامعة: الجامعة العراقية - كلية اصول الدين

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: Through my vision of the letters before, I found it a far from what is happening on the ground now and how the enemies of Allah had directed hostility and hatred of Islam through the media audio and video, depending on their claim that Islam is a religion of terrorism and religion refers to only violence. their assault on the Quran and the Prophet person (peace be upon him) and I found that it is incumbent on us as Muslims to defend our people from our Quran and our Prophet( peace be upon him) so it was optional for this subject (Information words and meaning in the Koran) to explain how this is to inform that the Koran is a media of Allah and how it calls to renounce violence through the introduction of wisdom and good advice and debate the one that is better.The importance of the subject : The Koran had designed features of media interest derived from its whole constitution in the statement and advocacy and communication and guidance, but Allah Almighty gives the Islamic nation a good mother features drove out to the people of Goodness, I ordered this issue information, and prohibit evil and this information is also important.The importance of the matter lies in the following points : 1. Information and the gravity of its impact on Muslim communities. 2. Highlights the bright image in the Muslim media. 3. Preserves the Islamic nation from the domination of the hostile media. The importance of this subject and what I have a desire, influenced the writing on this topic.Research Plan : The letter was divided in four chapters and Conclusion. Chapter 1 : (definition of terms) Chapter 2 : (direct words information) Chapter 3 : (indirect words information ) Chapter 4 : (media styles in the Koran)The problems as they have faced in writing the letter are many, including : I had displacement from Basra to Mosul because of security conditions faced by the city of treachery and killing and displacement, etc., either the situation in Mosul isn't less than a thing of Basra attended the Escape from what he called for the lack of sources and the late submission of the letter.Conclusion : Through researcher modest effort ,he reaches to following : The Quran has contain many terms of media and they have used these words in a clear image commensurate with the context of verses contained therein. Then we face in this day and age intellectual currents hostile to the principles of Islam and religions in general. They invasion minds of young people all over the world, and to resist such trends should be conducted within the framework of methods and tools developed by the Messenger of Allah (peace be upon him) the guidance of the Lord and has achieved all this success and proliferation of religious values. And the principles of good information which we are most in need now, both in advocacy of religious, social or political evident to us in the evacuated picture clearer statement on the continent the holly Quran , and it is a divine guidance of Allah information and the Sunaa of the prophet (peace be upon him ) are all perfect. The absence of the Lord's media scene today has provided an opportunity for malicious propaganda which seeks to monopolize the call for itself and influencing them toward extremism or showed an invitation to the demolition or stalemate in a world built on the rhythm and make a quick thus delaying the Islamic nation on the progress of civilization to which the prosecution has succeeded in Achieved the first back to Islam. The method of repetition in the Quran has the most in order to achieve the goals of the conviction, mental major monotheistic religion , the most Day and other life. The imaging technique in the Koran has the effect of media large in the hearts of Arabs who knew the Koran and eloquently eloquence and art of photography that words had an impact on many of the idolaters them to believe that the message of Muhammad (peace be upon him).Finally, thank to Allah and the blessings of Lord and peace be upon the Prophet Mohammed, and his family

التخريج الاصولي لمسائل متن القدوري

اسم المؤلف: جاسم حسن عبد الله العبيدي

اسم المشرف: جميل عليوي ناصر الشمري

الموضوع العام: العلوم الاسلامية

السنة: 2008

الموضوع الدقيق: اصول الفقه

الدرجة: ماجستير

الجامعة: الجامعة العراقية - كلية الشريعة والقانون

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: Praise be to Allah He deserves and peace be upon the prophet after whom there is no another prophet, his family , his Companions and those who follow them sin - curly till dooms day. Seeking help with Allah , I have written my thesis which is entitled " AL - Takhrij AL - usuli (fundamental verification ) of Abu AL - Hussein AL - Qudoori's Jurisprudence in His Book Matin AL - Qudoori " Since this blessed matin(text) has been got great attention by the students and because my virtuous sheikhs (scholars) have recommen - deed me to write about this text. This study has been divided into a number of chapters and sections as follows : Chapter one : AL - Takhrij AL - Usuli (fundamental verification ) of the issues related to the logical Judgment.Section One : AL - Takhrij AL - Usuli (fundamental verification ) of the issues related to the legal judgment.Section Two : AL - Takhrij AL - Usuli (fundamental verification ) of the issues related to the AL - Taklif the legal capacity.Chapter Two : The Fundamental verification of the Common issues between The Quran and the Sunnah.Section One : The Fundamental verification of the issues related to the choice of expression.Section Two : The Fundamental verification of the issues related to the expression as used in meaning.Section Three : The Fundamental verification of the issues related to the expression considering how it refors to the meaning.Chapter Three : The Fundamental verification of the issues related to the prophetic Sunnah.Section One : The Fundamental verification of the issues related to the explanation of the Quran by the Sunnan.Section Two : The Fundamental verification of the issues related to the prophet's deeds (peace be upon him).Section Three : The Fundamental verification of the issues related to the prophet's tacit approval (peace be upon him).Chapter Four : The Fundamental verification of the issues related to Concepts of AL - Ijmaa (general Conseusus of scholars ) , AL - Qias (analogy) , AL - Istihsaan (app - lication of discretion in legal matter ) , custom , Compan - ion's opinion , the unspecified public intorests , and prohibition of uhat may lead to Committing sins , Each concept has been tackled in separate section.Chapter five : The Fundamental verification of the issues related to the inconsistency and ways of avoding it.Section One : The Fundamental verification of the issues related to the Abrogation.Section Two : The Fundamental verification of the issues related to the Coucapto of holding evidence together.Section Four : The Fundamental verification of the issues related to the negligence of evidebce. and Considering others of less rank.Chapter Six : The Fundamental verification of the issues related to AL - Ijtihad (discretion) and AL - Taglid (following the prenious authorities and the avoidance of Ijtihad ).Section One : The Fundamental verification of the issues related to AL - Ijtihad.Section Two : The Fundamental verification of the issues related to AL - Taglid. At the end of the thesis , the couclusion summarizes the results among whom the important ones are : AL - Imam AL - Qudoori sees the legal judgement of two ports : legally obligatory and positive.the positive judgemeut are of seven types : AFardh ( obligation ) , AL - Wajib (fund emental practice ) , AL - Mandoob (doing something preferably not obligatory ) , AL - Mubah (Allowable ) , the unblemishing disvafoe , the prohibitive disfavor , and AL - Haram (prohibited) As for the positive jugement it is of three types : The Couse ,the stipulation , and the lega impediment The Cond : tions of AL - Taklif (the legal capacity) , are being alive , adulthood , sanity and the free choice. The legal truth of the imperative form in the Quran and Sunnah is probably olsulere (not in the Quran or sunnah) the prohibition form refers to prohibition when it is free of evidence.If the absolute mentioned without limitation so it will be interpreted as it is , but if it is limited by a limit , suit will be considered by that liwil. If the general is mentioned with a specific cause , its generality will be followed because t priority is given to the generality of expression not to the specification of cause. Truth can be divided in to three types : legal , linguistic and customary. If a legal truth and a linguistic one has become contradictory , the legal one will be given the priority , also the customary truth is given priority over both the legal and the linguistic ones. Figurative expression exists in language and in Allah's speech and His problet's speech. The meaning of AL - Sunnah is related to the Quran sin co AL - Sunnah elaborates what have comprehensively been mentioned in the Quran , explains what is in tricate , simplifies what is summarized ,specifies wheet is general and limits what is absolute. The deed of prophet Muhammad ( peace be upon him ) is in terpreted as it is whether it is obligatory , Mandoob ( preferably doue) or Mubah(allowable).AL - Nasikh (Alorogation) exists in both the Quran and the Sunnah. As for AL - Ijtihad and AL - Taglid , he urges to practice AL - Ijtihad as he sees AL - Mujtahid : as a person who has decided the correctness and invalidated the false , and investigated every issues depending on different evidence without being unable to come up openly with the truth beomje of those who have different opinions

الامام حسن البنا ومنهجه في التربية

اسم المؤلف: بكر حمد سلمان المعموري

اسم المشرف: لبيد ابراهيم احمد العبيدي

الموضوع العام: العلوم الاسلامية

السنة: 2008

الموضوع الدقيق: العقائد

الدرجة: ماجستير

الجامعة: الجامعة العراقية - كلية اصول الدين

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

الخطابات الالهية في الاحاديث القدسية : دراسة وتحليل

اسم المؤلف: الهادي سليمان عبد الرحمن رضوان الهلباوي

اسم المشرف: ياس حميد مجيد محمد السامرائي

الموضوع العام: العلوم الاسلامية

السنة: 2008

الموضوع الدقيق: الحديث

الدرجة: ماجستير

الجامعة: الجامعة العراقية - كلية اصول الدين

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

تخطيط الفحص المؤتمت لاجزاء ميكانيكية ثلاثية الابعاد == Automated Inspection Planning For 3D Mechanical Parts

اسم المؤلف: عمر هاشم حسون

اسم المشرف: حسين سالم كيطان

الموضوع العام: هندسة الانتاج والمعادن والمواد

السنة: 2008

الموضوع الدقيق: الهندسة الصناعية

الدرجة: ماجستير

الجامعة: الجامعة التكنولوجية

اللغة: الانكليزية

مكان الجامعة: بغداد

الصفحات الاولى:

دراسة استخدام مركب لاعضوي (ليثيوم - المنيوم هيدرايد) في انتاج وخواص سبائك الالمنيوم - ليثيوم == Study of using inorganic compound (Lithium-Aluminum Hydride) for production and properties of (Aluminum-Lithium) alloys

اسم المؤلف: سرى عبد الزهرة محسن الفتلاوي

اسم المشرف: عبد الواحد كاظم راجح البكري | جليل كريم احمد الخفاجي

الموضوع العام: هندسة الانتاج والمعادن والمواد

السنة: 2008

الموضوع الدقيق: هندسة المعادن

الدرجة: ماجستير

الجامعة: جامعة بابل

اللغة: العربية

مكان الجامعة: بابل

الصفحات الاولى:

توليد مسار عدة الي للسطوح المعقده لمكائن التفريز المؤتمتة == Automatic Generation Of CNC Tool Path For Sculptured Surfaces

اسم المؤلف: تحسين علي جواد

اسم المشرف: تحسين فاضل عباس

الموضوع العام: هندسة الانتاج والمعادن والمواد

السنة: 2008

الموضوع الدقيق: هندسة الانتاج

الدرجة: ماجستير

الجامعة: الجامعة التكنولوجية

اللغة: الانكليزية

مكان الجامعة: بغداد

الصفحات الاولى:

دراسة عددية وعملية لوصلات اللحام المتقابلة ل(AISI304) == Numerical And Experimental Investigations Of Welded Butt Joints Of (AISI304)

اسم المؤلف: رشاق عبد الله محمد

اسم المشرف: منى خضير عباس | كريمة اسماعيل عموري

الموضوع العام: هندسة الانتاج والمعادن والمواد

السنة: 2008

الموضوع الدقيق: هندسة المعادن

الدرجة: ماجستير

الجامعة: الجامعة التكنولوجية

اللغة: الانكليزية

مكان الجامعة: بغداد

الصفحات الاولى: