عرض: 25 50 75 100 النتائج

نتائج البحث: 50 من أصل 15,462

الفخر عند الفرزدق والمتنبي : دراسة موضوعية فنية == Pride In The Poetry Of Al - Farazdaq And Al - Mutanabi Technical Objective Study

اسم المؤلف: علا وفقي محمود العباسي
اسم المشرف: انعام داود سلوم
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Study depends on two Poets from two different ages, they are (AL - Farazdak) and (AL - Mutanabbi) who is genius distinguished at Poetry art of (Pride) which is dish gushed from their other Poetry arts.Without doubt the Pride is alumni tertian phenomenon but its incentives are different from one poet to other and the reason which urged the poets to embrace or follow this kind of Arabic poetry is the genuine (original) Arabic Values which were considered by them of pride position, and this was as a response to that environment and noble values, for it express their natural tendency towards disdain and pride.The two poets were so skilled at this art in the way it became in normal in their poetry in general.The (Farazdak) is one of the eminent poets of the first (Omawi) age distinguished with Arabism genuineness, and he is of nomad (Bedouins) tendency with pride and vaunting tendency. (AL - Mutanabbi) is one of the masters of (AL - Abbasi) age distinguished with pride from his earliest youth , once imitating and on other time (creator) contriving , and he stayed with his character , distinguished feature so that his pride was the key it know his character.The study depended on the introduction and three chapters. The introduction included the most important development stages through which the (pride) passed since the (pre Islam) age till the (Abbasi) age. The first chapter included the political, social and physiological life and there effect on the pride poetry of the two poets. The second chapter includes the intellectual (ideological) dimensions of pride which depended on three axes : - 1) Pride with once soul and this has many incentives (anger, rebellion, to advance - promote - the self /ego, narcissism, grandness and glory).2) Pride with poetics and it has many incentives (struggle between the old and the new - modern - , competition, publicity, spreading - circulation - poetry superiority, materialistic earning - gaining - ).3) Pride with the group this includes pride with the characteristics of the group such as (generosity) munificence, courage, heroism, patience and (prudence) mildness. The third section included the technical study of the pride poetry, the first topic subject is for the structure of the pride poetry and what is the single lion of poetry and what is the independent poem, the second topic subject is about the poet language including the pronunciations, ideas and meanings of the pride poetry with the two poets, the third topic / subject includes the poetry picture including rhetorical (eloquence) arts as simile , metaphor , metonymy - antonomasia - also the rhetorical beautifying such as alliteration (paronomasia) And antithesis in addition to adaptation (adoption) and implication. At the end I don’t forget remember who helped and assisted me and gave me the chance , first of them is my supervisor ms Dr.Anaam Dawood Salloom who helped me to over come great difficulties and gave me a lot of her time , science and knowledge , may god reward her with the best reward. Also may I thank with gratitude other teachers of Arabic section specially Dr. Adel ketab and Dr. Runak tawfik with all my respect to them. I hope this study enlightened even a little the dark ways and gave the first torch to the new scholars to expose new secrets which assist our study and make it as radiant land mark to the generations.

شعر ابن المعلم الواسطي : دراسة موضوعية وفنية == The Poetry Of Ibn Al - Mu'Alim Al - Wasiti : A Study Of Topics And Style

اسم المؤلف: ثائر عبد الزهرة لازم المياحي
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This thesis is a study of an unknown poet who lived in the late era. The Poet concerned is Mohammed bin Ali bin Abdullah bin Al - Hussein bin Al - Qasim, who was called as Al - Harathi - Wasiti,Ibn Al - Mu’alim (Teacher) and referred to as Najim Al - Deen with the family name "Abu Al - Ghana’im”. The study tries to uncover the aspects of seriousness and innovation in his poetry in one hand, and to set the part to serve the whole so as to use the poet as a witness of his time. Thus the group of creative poets, among whom Ibn Al - Mu'alim lived, constitutes a strong evidence of the value and the level of literature at that time. This study tries to present a full vivid picture of the Artistic style of the poetry of Ibn Al - Mu’alim; a question which was very rarely tackled in details by the researchers before. There were only some hints and some quick remarks that were not adequate to provide a sufficient picture of the position and role of this poet at his time.The study starts with an introduction followed by two books. Book one deal with the political, social, religious, cultural, and literary aspects of his time. Book two is devoted to a biography of the poet concerning his name, family name, and year of birth, career and opinion of the critics of his time and the modern ones of his poetry, education and his death.Then, the study contains two parts consisting of nine chapters. Part one is a study of the topics tackled in his poetry such as those of courtship, praise, elegy, correspondence among brothers,…etc. Part two is concerned with the artistic style which includes the language, the rhyme, and the poetic image in Ibn - Al - Mu’alim's poems.The study ends with a conclusion that introduces the most important findings arrived at by the researcher

التوجيه البياني للتعبير القراني عند الدكتور فاضل صالح السامرائي

اسم المؤلف: سعد جمعة صالح الدليمي
اسم المشرف: مشحن حردان مظلوم الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Ph. D. prof. Fadel Al - Sammurai the Iraqi scholar in expression Quran and grammar. And that appeared in his studies. 2. Dr. Fadel Al - Sammurai expanded in his studies in modern material.3. Many of writers said that Dr. Fadel Al - Sammurai return his written the same material but the write that only the main tittle similar but the contents deferent.4. Dr. Fadel Al - Sammurai concentrate upon the level speech in Quran expression.5. The talking about Quran expression from Dr. Fadel Al - Sammurai emphasis the linguistics sides for Quran text; there for it's became better in it's information and more satisfy for the reader.6. Study each expression in the Quran reach us to the right picture which is Quran god put it, so we can know some of that secrts which are surprise the nitive speaker in that time (Arbian).7. Dr. Fadel Al - Sammurai interests with high objectivity and right believe in his translate and transferee. 8. Dr. Fadel Al - Sammurai has great draw in his brain, he make the (Clearness) one of the styles which used in Quran when he talk about medicine, sky and all the humanity science.9. Dr. Fadel Al - Sammurai clears that each word in Quran putting with fine picture and there is no way to sustitnte this word with another.10. Dr. Fadel Al - Sammurai in his books shows more of Qurans secrets which are didn’t discover ago.11. He is found new items in his books.12. He makes from the context and the meaning importance point in Quran expression.

الشخصية في شعر ادونيس : المرجع، الحضور، التحولات

اسم المؤلف: حازم هاشم منخي عبد السيد
اسم المشرف: سوادي فرج مكلف
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

ايات الماء والنبات في القران الكريم : دراسة اسلوبية == The Aias of Water And Plant in Holy Quran A Stylistic Study

اسم المؤلف: رائد رشيد صالح حبيب الحمداني
اسم المشرف: محمد سعيد حسين مرعي الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2009
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:
المستخلص: Because of the importance of water and plant in human life, and the importance of Quran studies in general stylisticity in particular. The study was entitled of water and plant in the Holy Quran - A stylistic study The study comprises an introduction preliminary study and three chapters. The preliminary study falls into two axes : the first - the importance of water and plan in the Holy Quran. The second - The importance of stylistic studies in the Holy Quran. The first chapter deals with the diversity between statement and composition through the metaphoric meanings and the diversity between statement and composition through the mwtaphoric meanings and the deviation of the sentence from its real use. The second chapter deals with the stylistic evidence and the rhetorical jokes found in the study. The third chapter comes to search for the basic rules of the Quranic sound system. Finally, the results of the research came as follows : 1.Water and plant are mentional in about 500 Aias and this affirms the amportance of these two elements in life. 2.The study revealed some matters that are consideretl sure evidence and undisputed proofs that prove the greatness of the creatur - Allah. 3 - The words of water form arate of %8 of water form arate of %62,3, while words of plant at the rate %38,7 the general rate is %8 for the Aias of the Holy Quran. 4 - The stylistic phenomena in the Aias related to water and plant achieved special presence to reveal the artistic and aesthetic sides for the stylestic means that enrich those Aias with various evidence. Are related and connected In a very Aias The - 5 to each other Fantastic way to show the greatnessof this book. 6 - Th phonetic style of the Holy Quran represented the unique style of the sound system for the letters,words and structures showing the greatness of Quran.

التمرد الاجتماعي والفني في شعر الجواهري == The Social And Artistic Rebelion In The Poetry Of Al - Jawahiry

اسم المؤلف: جلال عبد الله خلف
اسم المشرف: فاضل عبود خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Muhammed Mehdi Al - Jawahiry, agreat Iraqi poet, was born in Najaf in 1899. He studied rhetoric while he was very young and begun composing poetry at the age of sixteen. His first poetic anthology with the title of Halabat Al - Adab (The Circle of Literature) was published before 1927. He edited a number of newspapers and worked as an official in the palace of King Faisel I in 1927. In 1947, he was a member of the parliament for kerbala.In 1948, he taravelled to paris, and then to poland. In 1950, he travelled to Egypt and stayed as a guest of the Egyptian Government. In 1956 he travelled to Syria and returned to Baghdad in 1957. He went to kuwait as a member of the Iraqi Cultural Delegate. Al - Jawahiry migrated to prague in 1961 until 1980. Then he remained in Syria until he died in 1997 and was buried in Damascus. This Al - Jawahiry becamse of a number of factors environmental, psychological, idiological, social and economical. All these factors participated in constructing the personality of Al - Jawahiry. He was very courageous in declaring his points of view in which challenged the dectators using his poetic talent ln his poetry, he defended his people who were suffering from hunger and death because of their bad rulers. This thesis also shows the poet's rebellion against the backward social treatment of women. He called for the freedom of women and their equality with men. The thesis studies Al - Jawahiry's artistic rebellion in which he called for poetic modernism both in form and content. Al - Jawhiry left the unity of the line of verse to the poetic sentence

الحزن في شعر العصر الاسلامي == The Melancholy In Islamic Age Poetry

اسم المؤلف: شيماء صباح %التميمي
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي | مشحن حردان مظلوم الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The concept of Sadness in Arabic Poetry the Islamic Age”This thesis attempts to study the concept of sadness through its causes that excited the Islamic Poet to express this feeling by all its aspects which appeared in his poetry. The Introduction discusses the lexical definition of the term, Sadness, Sadness in the Per - Islamic Age, its causes and its appearances. Chapter one treats the causes of Sadness and it cantions four sections one, “Death” ; section two “Home - Sickness” ; Section three, “Deprivation”, and Section for, “Old Age”. In all these sections the concept of Sadness is treated from its humanistic aspects. Chapter two dectares the appearances of sadness in the poetry of the Islamic age. Sadness was represented by weeping, moaning, watering graves, waking throughout the night and the night appears to be longer. These are the most widely used appearances of sadness through which the poets expressed their feeling of sorrow. And chapter three shows the most important technical abevices which appear in the poetry of sadness. The chapter consist of three sections. The first, “Language”, deals with the poetic lexicon. The words and abstractions from the Holy Quran ; the second, “Style”, contains : Intoragation, Addressing, Oath, repetition. Those devices were employed by the poets to express the images and meanings of sadness; And the third section which deals with the imagery through simile and metaphor which were the most important rhytorical devices that expressed the meaning and appearance of sadness in the Islamic poetry.

الفوائد المحررة في شرح مسوغات الابتداء بالنكرة اسماعيل بن محمد العجلوني المولد الدمشقي المنشا، ولد سنة (1087)، والمتوفى سنة (1162هـ) : دراسة وتحقيق == Shaykh Lsmaeel Bin Muhammed Bin Abdul - Hadi Known As Al - Harahi , Al - Shafii, Al - Ajlooni Born In 1087 H. And Died H62H A Study And Lnterpretation

اسم المؤلف: يحيى خليل اسماعيل حسين الطائي
اسم المشرف: كريم سلمان الحمد
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: اللغة - النحو
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: No language in the world has received as much attention as the Arabic language since it was honoured by AIIah when the Glorious Quran was delivered in Arabic.Muslims paid great attention to the Arabic longuage in order to prevent any mistake in reading the Glorious Quran. The first linguistic book was written by Sibawaihi in 180 H., and then thousands of books on language and linguistics were written successively. The present study studies and interprets one of the subjects of Arabic which is entitled (AL - Fawaid AL - Muharyara Fi Sharh Musawighat AL - Ibtidaa Bil Nakira) by lsmaeel AL - Ajlooni. The researcher began his interpretation with two chapters.Chapter One deals with the life, books , students and poetry of the writer. Then, the canses of writing the book and the author s procedure in writing are shown.Chapter Two deals with the Syntactic disputes in the book under study and the authors answers to problems raised by some grammarians. The basic principles of (Syntax, Samaa, Qiyas, lstis hab AL - Hal, AL - ljmaa), as well as the books examples has been displayed in the best way the researcher thinks to be

رثاء المـدن فـي الشعـر العربي في العصر العباسي (132 - 700) هـ (732 - 1100)م == Elegizing Of Cities In The Abbasid Poetry (132 - 700 A.H.) (732 - 1100) A.C

اسم المؤلف: عبد الله بيرم يونس
اسم المشرف: غانم سعيد حسن الطائي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Elegizing (Rithaa) is generally considered one of the loftier poetic purposes. It is the supreme and superior one. Elegizing of Cities is the more - exalted kind of Elegizing. The poet lets his country and home cry because he loves them and feels unhappy and pain when he loses them. He, by that, does not wait to be rewarded from someone sooner or later. This type of poetry is characterized by sincere emotion and deep feeling of sorrow and sadness.Standing on debris in the ancient Arabic poetry, by which the line of poetry be started, is a great evidence that art of elegizing is closed to the Arabic man's deepness and feelings. This standing was not upon the first origins of cities elegizing art, which was prosperous in the Orient at the Abbassid era by reason of unsettled political situations for some time and of foreign invasion at other times. Poets lamented their cities when they were destroyed because of interior and political troubles and affected by the natural disasters and calamities such as earthquakes and floods as well as occupied by their enemies, crusaders and moguls. Baghdad elegies (197 A.H.) were the oldest cities ones. They were the truest as to sorrow. They preceded well - known Andalus cities. This study showed that the Orient people preceded Andalusians in cities with regard to cities Elegizing.When he was elegizing his city, Abbasid poet was affected by the ancient poetry from which he derived many expressions and forms. Also, he was obviously affected by Islamic principles that imbued all ideas, forms and meanings

علل الاختيار عند الازهري ت(370 هـ) في كتابه معاني القراءات == Reason Of Selection On Al - Azhari (370 A.H.) In His Book The Meanings Of Reading

اسم المؤلف: انعام جبار عبد العجيلي
اسم المشرف: ليث اسعد عبد الحميد
الموضوع العام: اللغة العربية وادابها
السنة: 2009
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The selection is made to study one of the important book that dealt with the holly Quran and its reading. This book is ( the meanings of Readings). The study is titled as Reasons of Selection on AL - AZHARI (370 A.H.) in his book "The Meaning of Reading" what is meant by reasons of selection in that book , is the cause and its consequence of selection. As the selection of words in the holly Quran - as it is well known - was not done randomly. But it is chosen for showing the purposes of souls. Therefore ,we find the accuracy in the selection among many other linguistic abilities that are provided by richness and wealth of Arabic language. Thus , the human style.Although it may reach the highest degrees , it cannot reach the level of Quran style which is always adequately sufficient to make the word in the desired level of meaning , and this is one of the marvelous secrets. The study includes : an introduction , three chapters , conclusions in which I pointed the most important Results. In addition to a list of references , and finally an English summary of the research. In the introduction I studied the life of Al - AZHERI briefly as there are many papers and studies dedicated for and enriched his aspect. In the first chapter I studied The Reason of Sound selection. As for the second chapter which is Reasons of morphological selection. As for the third chapter which is Reasons of selection in structures

مناهج دراسة الشعر العباسي (132 ـ 354هـ) عند الباحثين العراقيين في القرن العشرين == Methods Of The Stndy Of Abbasidian Poetry (132 - 354 A.H.) By The Twentieth Century Lraqi Researchers

اسم المؤلف: نردين رضا كريم العميري
اسم المشرف: مشحن حردان مظلوم الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: تضمنت الدراسة مقدمة وتمهيد، وفصول اربعة. فالمقدمة بينت خطة البحث ومنهجه وما اشتمل عليه من محتويات، اما التمهيد فكان عن اهمية المنهج وتطوره في الفكر العربي والعراقي الحديث. حيث وضح اهمية المنهج وحتميته وقدمه، وحضوره في الفكر العربي الاسلامي، ورسوخ المنهجية | Methods of the Stndy of Abbasidian poetry (132 - 354 A.H.) by the Twentieth Century lraqi Researchers. Submitted by Nerdeen Ridha Kareem, to the Council of College of Education Vniversity of Dyala - 2004. The present stndy consists of an introduction, preface, and four chapters. The introduction is devoted to discuss the outline of the research and its method. While the preface aims at showing the importance of the method and its development in the Arabic thought. It also embodies Sections about the importance of method and its necessity (inevitability) , its attendance in the Arabic Islamic thought, the stability of methodology in Arabic studies, the methods of Arabic ancient studies, the reasons of methodology the Arab researchers poverty at the beginning of the twentieth century; the care for method and methodology in the Arabic studies during the twentieth century, as well as the method of the literary research in Iraq during the Modern Age and the reasons which lead to its development. Chapter One is devoted to discuss the historical backgroud of method; it includes : an explanation of its merits and perits, the care for the Western researchers’ use of it (method) in their studies; as well as this chapter shows an illustration of the priorities of this research in the ancient Arabic composition and its popularity (prevail) in the Arabic and Irqi composition at the beginning of the twentieth century. The chapter is divided into two Sections : the first section presents the regional studies, and includes an entry for these studies, and illustration of their merits and perits (dismerts). Then it shows the existence of the regional in the ancient Arabic composition and the care for it in the modern Arabic studies, as well as the variety of the regional academic studies of the Arab Neo researchers. After that it exposes the regional Studies of the Iraqi.Neo - researchers according to the geographic regions firstly, and the towns secondly. While the second section is devoted to discuss the studies of the literary biography, and also contains an entry to this study and an illustration of the merits and dismerits of its method. Then it shows the variety of the studies of the literary biography of the lraqi Neo - researchers, and its exposure is according to the time - span. Chapter Two is devoted to study the technician (artistic) method and includes an entry to this method, and illustration of its components, merits, dismerits, and the variety the technical university studies of the Arab. researchers in the Modern Age. Neo - researchers. After that these studies of poetic arts of lraqi Neo - researchers are exposed in the following phase : 1. studies of poetic language.2. studies of the artistic construction of poetry. 3. studies of varies artistic phenomenon in poetry.4. studies of the critic tendencies after modernism. Chapter Three is devoted to discuss the method of the studies of arts and poetic subjects. The study of arts consists of an entry to these studies and an illustration of the components merits, and dismerits of their method. Thenit shows the variety of studies of the poetic arts of the Arab researchers in the Modern Age - After that, these studies of poetic arts of lraqi Neo - researchers are exposed in the following phase : 1. studies of the art of Lament (bemoaning).2. studies of satire (Lampoonery).3. studies of the art of ascentism and mysticism.4. studies of the art of admonition and apology.5. studies of the art of hum or and jesting. 6. Another studies of (wine (alcohol), hunt, praise, boast). Chapter four is devoted to study the mixed methods, and includes an enture an entry to this method, showing the nature of the mixing of the various methods in literary studies, popularity of this mixing in the Arabic studies, Then it illustrates and exposes the studies of the lraqi Modern research s in the mixed methods, and They are arranged in the following phrases : 1. studies of the historic technical method.2. studies of the objective technical method.3. studies of the social technical method. 4. studies of the psychogical method, and.5. studies of the cultural technical method. The conclusion sums up the findings of the study. At the end of the study there is a list of sources and references (bibliography) and table of contents, and the summary of the study.

علل الاختيار في تفسير ابي السعود

اسم المؤلف: توفيـق هلال احمد ناصر الجبوري
اسم المشرف: عبد الرسول سلمان ابراهيم الزيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Elal AL. Ekhtiar fe tafser Abi AL.soud For along I wished my study to be about the glorious kuran.what ever the subject is until Allah quides me to the explanation of Abi AL. Soud which call(Irshad AL.Akl El.saleam Ela mazayia AL.kitab AL.kaream).so the tittle of my letter was (Elal AL.Ekhtiar fe Tafser Abi AL.soud ). what ment by Elai AL.Ektiar is what abi AL.soud account for the reasons behind glorious kuran choice is what available in and its expressive meaning.it is prefering some utterance and forms on another ones.In all that is an evidence for the eloquence and miriculous kuran.Elal AL.Ekhtiar subject regard as conec - or in another meaning between the grammar and its meaning because of its indication and aloquent meaning With respeet and thanks to the supervisor and whoever helps me to accomplish the research are my letter begins and there is the general introduction to identify the research. Imentioned the tittle of the letter and why the subject has chosen and the letters divisions and sections and the most important books Idepend on. the precis comes after the introduetion which deals with abi AI. soud life. his birth. name.surname.epithet his chiefs and students his character traces and finally his death.then the chapter one comes. starts with an introduchon shows the identify of this chapter and what themes has this chapter stands on three themes : one - specialized in utterances. divided into : specialization.intention and the style Two - the preference in utterances this theme includes the preference in the name verb and preposion. Three - the repetition in uttreances which includes the repetition in the name verb preposion and other The secand chapter begins with intro - duction to identify the chapter and its parts which is divided into five themes first - femanine and masculine.second - singular dubal and plural.Third - verb forms.fourth - Derivative.fifth - stability and ewal. And each themes of them devided into many other parts. The third chapter begins as well as the first and the second with introduction to identify it and we list under this chapter these themes. first - precedence and following. second - definite. indefinite third - the turning round.forth - showing clearness and ambiguity.seventh - the stress. eighth - conjunction. later on we mentioned theme sonsist varias reasons wichis : exaggeration. opposition. prefe… rence. sbstitution and last colouring.Then we reach the conclusion and in brief mentioned the results we got from.Lastty Id like to mention the important sources Idepend on which are (AL.kashaf ) by the zemkhashry (D.538A.H).(MAGEMAH AL.Bian) by tabricy (D.541A.H) (AL.Tafser AL.Kaber ) by AL. Fakhr AL. Razi (D.604A.H).( AL. Tabian) by AL. Okbary (D.616A.H).( AL. Jamehle Ahkam AL. kuran) by AL. Kurtobi (D. 671A.H). (AL. Bahar AL.mohet) by abi Hayan (D.745A.H) (Anwar AL. Tanzel) by AL. Bydawy (D.791A.H) (Ma ani) AL.kuran ) by AL. Farra a (D.207A.H) (Ma ani AL..kuran)by. Akhfash (D.215A.H) (Ma ani AL.Kuran wa aerabihi) AL. Zajjaj (D.311A.H) and another books we have no range to mention now.

البحــث اللغــوي عند السيد محمد باقر الصدر == Al - Sayyid Muhammad Baqir Al - Sadr's Linguistic Study

اسم المؤلف: حسين مزهر حمادي
اسم المشرف: عبد الحسين علك المبارك
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This is a study of the linguistic efforts of one of the most significant modern figures in the field of the science of origins and sources of Fiqh;namely, Ayatollah Sayyid Muhammad Baqir Al - Sadr It investigates his works on Sources of Fiqh ,especially his book. Lessons in Science of Sources as well as his investigation of External studies which one of his students, Sayyid Muhmood Al - Hashimi published under the title, Papers in Science of Sources A descriptive approach has been followed here to trace back the linguistic phenomenon on the part of the linguists on the one hand. On the other hand the very phenomenon of language is investigated as part of the work of the scholars of Sources. Finally, this investigation covers the point of view held by al - Sadr to trace the methods followed by such scholars and the their views so as to anchor at the recognition of the seriousness and mastery Al - Sadr practices while discussing and evaluating earlier linguistic view points. As far as the section on the thought and viewpoints of Sayyid Al - Sadr ,is concerned it analyzes these viewpoints into their main components and supporting ideas to pinpoint the sources from which AL - Sadr has drawn his own opinion when developing his view points here and there Then all that is of some relevance to what Al - Sadr suggests whether held by those pioneer linguists preceding or succeeding him has to be matched to arrive at the originality and novelty of his very suggestion or opinion By so doing , the researcher aims at showing the application and value of Al - Sadr ‘s contribution to language and interpretation of certain aspects of the very phenomenon of language. To outline the thesis, one may say that this research work falls into two parts preceded by an introduction on Al - Sadr biography including the features of his linguistic approach. Again, each of these two parts subdivides into two chapters. The thesis ends with some relevant results. Part I is entitled Sound and Meaning. The first chapter of the first part is on the source of meaning This chapter falls into three sections.Chapter Two carries the title of A Variety of Semantic Patterns. This chapter divides into two sections : Factual and Figurative language and Equivalence and Association. Part II is given the title, Letters and Sentences. Chapter One is on letters and it is divided into two sections. On the other hand, Chapter Two is has got the title of Sentences. This is also subdivides into two sections.The first and most important result of the present research work is the description of the theory developed by Al - Sadr. This theory can be added to the two traditional theories of sources of language. In the light of his new linguistic theory, Al - Sadr explains the origin of language and how sound is associated with meaning in the field of semantics. Al - Sadr's novel theory is called “Approved Association”. In this study of Al - Sadr's theory, the researcher has done his best to shed the light on the very linguistic theory under investigation discussing its basic components as well as its knowledge bases and linguistic dimensions within the frame of modern linguistics. Thus, this is a comparative study that seeks the application of such a linguistic theory to the significant interpretation of the initiation of meaning or semantics emphasizing the first connection between word and word meaning. Furthermore, among the other results of this study is the exposition of the various view points held by Al - Sadr. These views cover matters such as reality and fiction, association and equivalence, function words and their meanings, the use of prepositions as well as types of sentences. Al - Sadr's views have dealt with almost all aspects of language; starting with the word and ending with the whole sentence. Al - Sadr's efforts reflect this unique pioneer's own brilliance and innovation.. It is to this man, one may safely relate the invaluable innovation.that can never be matched in linguistics.

شعر امال الزهاوي : دراسة موضوعية فنية == The Poetry Of Amal Al - Zahawi (An Objective & Artistic Study)

اسم المؤلف: ياسر عمار مهدي علي الشبلي
اسم المشرف: ابتسام عبد الستار محمد الطائي
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The Poetess Amal / Abdul - Qadir Salih Muhammed Faydhi is from AL - Zahawi family born in Baghdad in 1943. The great Iraqi , Poet Jameel sidqi Al - Zahawi as well as the uncles of the poetess wrote a lot of poetry books.The poetess graduated from the college of Arts, Baghdad university in 1963. She had a prominent activity in Journalism, & a number of essays on knowledge & culture by her were published in various Iraqi newspapers. The first group of poems by the poetess has the title “The Fidaii & the Beast” & was published in 1969. A number of books of poetry were published successively by the poetess & the last one was in 2000 under the name of “AL - Shatat” (the Fxile).This study falls into three chapters. Chapter one studies the objective study and it is divided in to three parts. Part one presents the life of the poetess and the events that had their influence on her poetic creativity. Part two shows the political side which had great influence on the procedure of the poetry of the poetess. Part three portrays the humane side with which the poetess dealt in a very delicate, throbbing & conscious awareness of a poetess with the problems of the world.Chapter two is dedicated to the Artistic study & it falls into three parts. Part one deals with Al - Sard ( Narration) which occupies a great deal of the creativity of the poetess. Part two studies Al - Tanas (Inter texuality) which is found in the poetry of the poetess where the poetic, religious & heritage aspects are found. Part three deals with AL - Balagha (Rhetoric) where simile, oppositeness, repetition, etc. are found abundantly.Chapter three is divided into three parts. Part one deals with the Rhythm in Amal's poetry. Part two studies the Rhyme in the poetry of our poetess, whereas part three presents the poetic Dictionary in which the vocabulary items usually used by the poetess are presented. It is hoped that this study would be a positive contribution of shedding light on Arabic Literature through the presentation of Amal AL - Zahawi's poetry.

التوجيه النحوي للقراءات القرانية في التفسير الكبير لفخر الدين الرازي (544هـ ـ 606هـ)

اسم المؤلف: ستار فليح حسن جاسم العبيدي
اسم المشرف: علي عبد الله حسين العنبكي
الموضوع العام: اللغة العربية وادابها
السنة: 2002
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

النقد القصصي عند علي جواد الطاهر

اسم المؤلف: ياسمين احمد علي محمود العنبكي
اسم المشرف: فاضل عبود خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: In the name of God the com passionate the merciful.Dr. Ali gawad Al - Tahir is a bright name in the sky of Arabic contemporary literature in Iraq. He sory of identification collected between discussion criticism and references identification and teaching.He clearly contributed in writing of litrary essay and he loved Arabic language as scholar and teacher. Until he passed away on 26 Jam adi First, 1417 A - H of 9/19/1996 A.C.Ali Al - Tahir is known that he loved story reading and criticism. He wrote terso f essays and their studies, theyate formed a contem porary criticism heritage must be studied and fully insigt in its arts to present in its theoritical and practical fram wort, thus I pains take in my the ses which is entitled by my some difficulties face this tueses. Most of which are Ali Al - Tahir essays and hisstories study were shattered in vavious media and magazins but the little copied and books. After the events of nine April/2003. The works in these articals was stopped for the stopping of the public.Of the public libraries also. So I sought special libraries as I intended Ali - Al - Tahir's house to make use of his writing, it was clear that what he puplished in papers and magazines collected and arranged in the hope of issuing by public hous in Lebanon but yet have not been issued.This theses is depended his criticism of stories as well as his most important book is [G.S] consisting of the majority of literature meetings and the magazine which held a meeting with him, in which he expressed his intellectual and criticism stances - His book “introduction in lite rary criticism” This theses includes introduction, four chapters, conclusion and references. The introduction involves study the interesting of the critic in story reading first stage is before the departure to Paris and the second stage after he returned to the country. The introduction also convers conditions put by Al - Tahir for the narrator and critic, and then it convers scheme of critic by which he tries to manifest critics thoughts. Chapter one is an attempt to study the structure of the story in Al - Tahir concept during analysis of his criticism views, This chapter is devided into six researches. During which and attempt to search the mechanism building narration of Al - Tahir, The first research convers the title and initiate, and their infulence within the narration building, while the second research convers thoughts and stances of the critic and conditions of its formation with in the narration building as wellas the situation of the personality and its effect within the article structure for the novel.The fourth research involves the form and content’ of Al - Tahir studies by which the formation of every one serves the narrative text. While the fifth effect in delimitation the narrative work However the final research discusses the conclusion of the narrative work and some views of Al - Tajhir about their successes and foulings - chapter two devotes the study of the structure of the narrative language trying to manifest its influence within the story and the way of formation this language. This chapter divides into five researches, the first one devotes the woven of language to show the stance of critic towards the language and its influence in his criticism. The second research devotes the language correction within the narrative criticism.It was a conspicous stigmatize in Al - Tahir criticism for the research stop here to show the concerning of Al - Tahir.The third research convers the poetic and its role within the narrative text in view of Al - Tahir criticism. The fourth research covers the stance of critic in the discussing and monologue within the narration of the language and the way of formation everyone. While the fifth research anf the final devotes Al - Tahir view about 6 place and rtime 9 within the language building. The third chapter studies building. The third chapter studies the creation of the story as the critic sees. The chapter is divided into sit researches.The first one is devoted the imagination and its effect in the creation of the story in the view of Al - Tahir while the second research is devoted for the importance of humanitarian problem within the story.The third research is a statement for the critic stance over the authority of narrator with in the story. While the fourth research comes under the title of “fermentation” is devoted to wards the maturation of work before it would be published.While the fifth research is the effect of depiation in the creation of the novel and the final research is the influence of the “arts faith” in creation of a successful narrative action.Chapter four includes specific criticism by which Al - Tahir identifies. The research could stand and insight its effect and influence.This chapter is divided into nine researches.The first research is devoted the “terminology identification” Al - Tahir devotes deeply importance to manifestes his view while the second research is devoted another important sign is the 6 criticism of the criticism” the critic assured the practical importance during certain conditions manifests by the research. While the third research covers the “intend” and the role that is played within the criticism operation in aview of Al - Tahir in the fourth research under what is titled the 6 researching for the typical story” it is an important in the criticism of Al - Tahir, while the fifth research covers an eminent stigmatize for critic is the presentation of an abstract of a novel that criticizes. The sixth research covers an important point is the 6 reminisce of critic in narration and its connection between what is read yesterday and today’ while the seventh research under the title the 6 intere sting of the critic in time sequemces” while the eight research is devoted to the priority of advantages oveer the disadvantages”And finally the ninth research is a statement of “the view of the critic in the narrative influence the conclusion of this study includes the following results.I owe a deep dept of gratitude to my supervisor Dr. Fahdil Aboud Al - Timimi in Diala university. College of Education Department of Arabic language.Suggestions and invaluable guidance enable me to carry out the present study

الاشتراط النحوي في كتب اعراب القران : دراسة تطبيقية في اعراب القران لابي جعفر النحاس ( ت 338هـ) == The Syntactic Stipulation In The Books Of Syntax Of The Holy Kuran , A Practical Study In The Syntax Of Holy Kuran By Abi Jaafar Al - Nahas ( Died - 338 - H. )

اسم المؤلف: يحيى خلف داود
اسم المشرف: وليد نهاد عباس
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The science of growth ( development ) is considered from the most notable Arabic sciences , the subjects and phenomenon of this science were the theme and oxis for all researchers who intended to study them , and whenever they examined closely in these subjects, they found out that there are aspects which are possible to search about and to add an effort for the efforts of the previous researchers. Our work in this study was restricted to the Holy Kuran , and this study has observed a syntactic phenomenon in the syntax of the Holy Koran with a title ( The syntactic stipulation in the syntax of the Holy Kuran ) , practical study in the syntax of the Holy Kuran ) by Abi Haafar Al - Nahas ( born - 338.H ). This thesis dealt with what the syntactic stipulated in all the syntactic issues with providing all their evidences on that. The thesis was built with an introduction and three chapters as the following : 1. The introduction : - I have stated the definition with the stipulation and I declared briefly about knowing the expression ways in the books of the syntactics. 2. In the chapter one , I studied the syntactic impacts the abrogating verbs for the beginning.3. As for the chapter two , I studied the stipulation in the work of the letters.4. In chapter three I studied the stipulation in the different syntactic aspects and as a result, I came out with a group of conclusions like : The non publicity of the term " the stipulation" at the ancients whereas they were expressing by the two ways , narration and continuity and Abi Jaafar wasn't gust a carrier of the syntactics , He gave his directions and preferrings that reflected his own opinions. It was stated that the getting out of the abrogating verbs for the beginning from their meanings will cause the loss of syntax the two objects and it was shown that " the close ( the neighbour ) even" is more popular than " syntax even ". Also there are another results that showed the importance of this study.

النقد الاجتماعي : دراسة في النقد القصصي العربي الحديث تنظير واجراء == Social Criticism Study In Modern Arab Fiction Criticism Theoretical View And Procedure

اسم المؤلف: خالد علي ياس
اسم المشرف: فاضل عبود خميس التميمي | متعب مناف جاسم
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

الايثار الدلالي في القران الكريم

اسم المؤلف: بشرى عبد المهدي ابراهيم التميمي
اسم المشرف: ليث اسعد عبد الحميد
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

التشكيل البياني في شعر الصعاليك والفتاك حتى نهاية العصر الاموي == Rhetorical Formation In Ai - Saaleeq And Al - Fattacks Poetry To The End Of Umayyad Ere

اسم المؤلف: خالد جعفر مبارك
اسم المشرف: فاضل عبود خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The study deals with Rhetorical Formation as a critical idiom which works in effective poetry field and it is very clear in procedural use. The picture in the poem or the portrait needs the senses and feelings of the receiver and it colours his experience. Thus the drawer and the post use certain means to fulfil his works.As it is known poetry is based on rhetorical arts and means from linguistic and rhetorical view point to create motivation and astonishment. The thesis aims at revealing the art movement of rhetoric and describing it inside the poem structure and outside it. The poem includes in its multi - understanding. The poem is considered as abase the field for poetic rhetoric. AL - Saaleeq and Al - fattacks poetry was chosen to be the subject of the present study because it has literary importance. it gathers two literary eras.Which are considered the most prominent literary eras for poetry production. They include poetic interest and researchers tackled this rich literature. Since the researcher is interested in old literature and has a great wish to study and read it he chose this topic. The study falls in to the following parts : Preliminary (Rhetorical formation in Language) was studied from two sides , the first studies the formation and its relation with poetry. The second deals with the rhetoric term and its development. The study falls into three chapters. The first chapter deals with assimilation formation and its activity.The decoding assimilation structure was studied in the first part and the rhetoric assimilation structure is studied in the second part.The second chapter studies metaphorical formation. The chapter is divided in to three sections.The first deals with metaphorical structure the second part deals with the body metaphorical structure and the third deals with recognize able decoding structure. The third chapter deals with the exceeding rhetorical formation. The study arrives at the following conclusions and suggestions : - The study identifies formation concept.It investigates its concept deeply. - AL - Saaleeq and AL - Fattacks poetry have a great ability in poetry. - They were able to re form environment from poetic viewpoint. - They deal with poetic language as scientists who know every thing concerning its content. - In the assimilation structure art is mixed with psychology. - Most of Al - saaleeq and Al - Fattacks poctic assimilation pictures are very clear. - Al - saaleeq and Al - Fattacks poctic were able to change the task of the main assimilation structure from being printed on the poets conscience to being printed on the receivers conscience. May - The other studies in future study Al - saaleeq and Al - Fattacks poetry from a semantic point of view. - A study can deal with semiotic formation phenol menon in Al - saaleeq and Al - Fattacks poetry. - Al - saaleeq and Al - Fattacks poetry am be studied from a stylistic viewpoint.

شعر حارثة بن بدر الغداني : دراسة موضوعية فنية == Hair Haritha Bin Badr Algdani Objective Study Of Art

اسم المؤلف: ليث سامي علوان الكرخي
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The thesis is specialized with the study of ( Harith Bin Badr Al - gdani poetry - artistic and objective study ) The poet died in 64 Hijri. The selection of this poet wasn't futilely because he wasn't from those well - known poets and literature books didn't contain him so we studied him to show his poetic subjects.The importance of the thesis is latent that he was a poet trying to treat troubles protesting in his life. The thesis is consist of introduction , prelude , tow chapters and epilogue ( conclusion ) shows the most important results.In the Drelude , the researcher dealt with the poet's life.Parentage , his era and the life effect in developing of the poetry in Al Amawy era , his fluency , eloquence , his place among other notable at that time his death.The first chapter is specified to objective study which contained two topics , the first topic contained main subjects in his poetry (wine - contrast - praise) while the second topic involved in the secondary subjects in his poetry like ( satire - elegy - blame - wisdom - pride - preaching - apology - complain and dispraise). The second chapter dealt with artistic study of his poetry , it included three topic , the first topic studied the structure of the poem and poetic figure ( imagery ). The second topic involved with the music of the poetry ( inner and outer ) , the last topic specialized with pronunciation and structures. The thesis ended with epilogue in which the researcher concluded that ( Haritha Bin Badr ) presented various figures in praise , satire and elegy - He didn't care to the introductions of his poems - His language was distinguished with mildness of express , easy ejections , clarity meaning with stuff of fluency and eloquence.

الفاظ الزمان في صحيح مسلم : دراسة نحوية دلالية == Words Decade In Sahih Muslim Study Grammatical Tag

اسم المؤلف: صدام محمد اسماعيل
اسم المشرف: ليث اسعد عبد الحميد
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Define the research topic is marked by (the words of the time in Sahih Muslim study semantic grammatical) taking the texts hadith Mtona eloquent to keep track of words decade, and secrets semantic and syntactic where, and was selected (Sahih Muslim) after consultation with the Scientific Committee in the Department of Arabic Language, it does not Dahir closer than advice in the study (the words of the time) in the hadith, and the choice fell on the book is for talking books standing between literature in hadith; because of the healthiest books, and gives her words after the Book of Allah, and Sahih Bukhari, has met the from the words of the time a bit too much, and after that Haorne my teacher supervisor powers of my resolve and encouraged me pulling from Azeri love is not protecting the sanctity of love, and the reason is optional words decade; Vlohmatha and bone will in the lives of all the creatures in general and the rights, especially in their religious affairs and mundane, but all creatures linked to time since God created the heavens and the earth, and created man for days and months, represents the time of great importance in human life and human progress whenever progress with a sense of its importance, in time feeling of a sense of instinctive in humans since ancient times and is a natural phenomenon of the items of interest. Thus, the study three chapters are arranged unprecedented, with an introduction, and pave, and followed by a conclusion followed by a list of sources, and dealt with the following; Chapter One : Words temporal Arabized, and built in the Hadith, was the first topic words temporal Arabized include; (Pots, time, time, time, morning, morn, tomorrow, night, day, day). And dealt with in the second topic : the words temporal based include; (As if, now, yesterday, and while Pena, while, when). The second chapter : I studied the phenomena of language, and includes three sections : the first section : the common verbal. The second topic : opposites. The third topic : the difference of significance language development The third chapter dealt with the rhetorical phenomena, and includes five sections are; The first topic : metaphor. The second topic : alliteration. Section III : counterpoint. The fourth topic : juxtaposition. Section V : repetition. In conclusion, a conclusion which I decided the results of the work of stylistic at the level of theory and application, has been adopted in the completion of this study on a range of sources, said the study in the Hadith Lehigh study is difficult and tedious, but enjoyable and interesting; what Tthmrh of benefits, and the results of a solemn reveal some secrets of the modern prophetic, then Irfan Balavdhal, and favors big gratitude, and I would like to thank the generous to my teacher Mr. Prof. Dr. (Leith Asaad Abdel Hamid) on his Lee observations and corrections that would have made the message flat on its market apologetically - in this Almqam - to person Karim for many accountabilities and Arhaqa him encounters and Almhatvat, a Saber and keen to show the message image the best, he to me in all believe invitations and Okhalsa the reward of God is better reward, this is the effort and the God Almighty dependency, the search was stylistic in the Hadith is not clear the form and level that meets diving in the depths of the style of prophecy for evacuation purposes stones, Vhsabha try, and I've tried with the help of Allah Almighty that the pain of the parties to the subject, and the whole is enough to study, draw conclusions, you would rightly as I wrote it is by the grace of God, though not so Vhspa I tried and did my best, In conclusion extend my thanks and gratitude to the members of the committee discussion esteemed professors who will sing the message flags observations and directives that will enrich the message and straightened, ask them to reconcile God and Time tender..

عود الضمير في الحديث النبوي الشريف في متن صحيح البخاري : دراسة نحوية == Promises Of Conscience In The Hadith And Its Impact In Guiding The Meaning Sahih Bukhari Aboard An Example

اسم المؤلف: غازي فيصل عزاوي اللهيبي
اسم المشرف: عبد الرسول سلمان ابراهيم الزيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: These included the message subject of promises conscience was the title of the message( Promises of conscience in the Hadith and its impact in guiding the meaning Sahih Bukhari aboard an example) , came the message on the four chapters preceded by an introduction and a boot , in the boot addressed the extent of conscience in the language and terminology grammar , and its divisions , and a number of its provisions , the first chapter Fbgest which promises conscience on Advanced mentioned came on two themes The first topic : I studied the promises of conscience at the earliest mentioned.Second section dealt with the promises of conscience to further mentioned.The second chapter was in the late promises of conscience , and also came on two themes : The first topic : promises of conscience on a single late explained.The second topic : the late promises conscience clause explained. The third chapter in the promises of conscience is not listed , and included two sections : The first topic : the promises of conscience mentioned evidenced by the presumption of verbal.The second topic : the promises of conscience mentioned evidenced by the presumption of sensory , or moral.The fourth chapter in the match was in the promises of conscience , and also came on two themes : The first topic : congruence in terms of numbers : individuals, Deuteronomy , and the combination.The second topic : congruence in terms of masculine and feminine.I have spent a great time on this trip with beautiful modern Messenger of Allah ( Allah bless him and his family) , but I had difficulties therein; unavailability of books that deal by expressing the Hadith , as well as the inadequacy of studies that affect the subject of my research when compared to sources linguistic and grammatical dealing with other topics.Has been adopted in studies on three annotations Head of Sahih Bukhari , namely : Sahih Bukhari explaining Kirmani , known planet Darari , which Muhammad ibn Yusuf al - Kirmani (d. 786 AH ) , and the opening of Bari in the correct explanation of Hafiz Ibn Hajar (d. 852 AH ) , and the third mayor continental correct explanation of Badr al - Din Aini (d. 855 AH ) , as well as Astaanti explanations other , and the grammar books that enlisted them are many of them writers Sibawayh (d. 180 AH ) , and the detailed explanation of Ibn live (d. 643 AH ) , and explain the facilitation of the son of the owner (d. 672 AH ) and appendix and supplementary and others, as well as books of interpretation such as the Scouts Zmkhcri (d. 538 AH ) , and the interpretation of the great Fakhr al - Din al - Razi (d. 606 AH ) , and the ocean sea to Abu Hayyan (d. 745 AH ) and the spirit of the meanings of the guardian (d. 1270 AH ).I can not help in this regard, but to pay tribute beholden great teacher supervisor Prof. Dr. Abdul Rasoul Salman Zaidi, who was Yes supervisor and directed for his direction and guidance , and to correct imperfections , and RPR its largeness , and literature senior treated on me , God has divided the penalty fully.This does not claim perfection in this research has been on the Mount of human error , and I tried not Hasbi is , what was in it from the right of Thanks to God and him alone , and it was a mistake myself and I ask forgiveness from God.In conclusion, the oldest thanks and gratitude to the Committee as percentage of total Alokmlan precious discussion professors flags.Lord, do not forget that Taakhzna or wrong , and I pray to you God, and pray thee, blessed and Taalit , thank you, thank Alaik.

التصوير البياني في المشاهد الكونية القرانية : دراسة في الانماط والوظائف == Rhetorical Portrayal In Qur'anic Cosmic Scenes : A Study In Patterns And Functions

اسم المؤلف: حميد جفات ثويني الجبوري
اسم المشرف: اياد عبد الودود عثمان الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The present study, which is entitled "Rhetorical Portrayal in Qur'anic Cosmic Scenes : A Study in Patterns and Functions", is in the core of the Glorious Quran studies as it is full of a great number of cosmic verses that are counted by researchers to mount up to sixth of its verses. These verses are dealing with various cosmic elements. When the Holy Quran tackles the (cosmic scene), it deals with it for the sake of accomplishing a variety of functions; ranging from those indicating divinity, an evidence of resurrection, a reminder to humans of Allah's blessings for them, or an identification of the relation of the universe in all its minute details to Allah the Creator. Rhetorical portrayal is regarded on of the phenomena of expression in literary language. The text of the Holy Quran is the apex of such texts. It is characterized by the clear and distinct presence of the rhetorical portrait inside of it along with its distinguished tackling of rhetorical patterns (simile, metaphor and metonymy) in the production of portrait. Of the most significant previous literature is a thesis entitled "The Concluding Sentence in the Qur'anic Cosmic and Humanistic Verses : A Stylistic Study" by Noor H. Mohammed that aimed at dealing with the concluding sentence in the cosmic and humanistic verses with no due reference to the rhetorical portrait except within the scope of her study method.The thesis comprises a preface and four chapters. The preface concentrates on the trilogy of image, imagination and the Qur'anic cosmic scene so as to uncover the concept of image and its relation to imagination among ancient and modern writers. Afterwards, the study moves on from the preface to the practical side. Therefore, the first chapter entitled "Simile in the Cosmic Scenes System" is subdivided into five sections. The first of them is the two sides sense image, the second is the intermingled sense image, the third is the image in the implicit simile, and the fourth is the effectivity of representative image, while the fifth section is the employment of transformational devices in simile. Chapter two focuses on the "Metaphor in the Cosmic Scenes System". It is split into four sections; the first is the employment of personification in the cosmic scenes system, the second is inserting the metaphorical portrait in the cosmic scenes system, thirdly is modes of embodiment in the cosmic scenes system, and the last is the antithesis binaries. The third chapter is entitled "The Mental & Hypallage Trope in Cosmic Scenes System". The researcher favored studying these two types in a separate chapter because they are dangling between metaphor and metonymy as well as due to the huge portrayal energy innate in them that opens forth to both types with regard to their various connotations and relations. I preferred to put this chapter in two sections due to the nature of the analytical, inductive method which is close to descriptive approach of the study; the first is the mental pattern in the scenic system, and the second is the Hypallage pattern in the cosmic scenes system. Chapter four is allocated to the study of "Metonymy in the Cosmic Scenes System". It lies in five sections; the first is the employment of the human and his/her related matters in the cosmic scene, the second is the use of plant and its related issues in the cosmic scene, the third is the usage of time and its related matters in the cosmic scene, and the fourth deals with the metonymy of sighted and chilly cosmic phenomena in the cosmic scene, while the last tackles color implementation in the form of metonymy image. The most significant conclusions perceived from the study are : 1. The letter (Kaaf) comes with the word (mithl/ like) to assure the state of intermingling between the two ingredients of simile.2. The researcher has founded that the rhetorical pattern exceeds the limits of portraying the form into abstract and imaginative worlds, and that the elements forming the cosmic scene participated in the eccentricity of portrait and the activation of its poeticity. 3. Cosmic scenes are mostly count on visual images that are related to natural elements, especially plants. They might address readers' eye to associate more than one human sense with the aim of accomplishing many functions, most importantly, purgation

التوظيف البلاغي للتجنيس والمشاكلة في شعر المتنبي == Rhetorical Utilization Of Paronomasia And Homonymy In Almutanabi's Poetry

اسم المؤلف: رائد حمد خلف كريش الجبوري
اسم المشرف: باسم محمد ابراهيم الفهد
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: My study which is entitled "Rhetorical Utilization of Paronomasia and Homonym in Al Mutanabi's Poetry" aimed at expressing the artistic literary power of this great poet as shown in his poetic gift. The utilization of paronomasia and homonymy in his poetry has prominent musical features on the two levels of phonetics and semantics. This artistic selective study came in an introduction, a background, three chapters and a conclusion. In the background, I shortly reviewed some of the rhetorical touches in Al Mutanabi's poetry because what is said about him is more than what it can be said, studied, or analyzed. The first chapter dealt with paronomasia and homonymy in stylistic perspective as it was discussed by old and modern rhetoricians. The second chapter dealt with rhetorical utilization of paronomasia and its types trough analyzing selected examples from his poetry. The third chapter has dealt with the two types of problems in Almutanabi's poetry : investigative and suppositional in certain examples and concluding artistic significances and aesthetic touches in the poetic context. The conclusion discussed the results appeared in the study

المكان في شعر صفي الدين الحلي == Place In The Poetry Of Safieddeen Alhilli

اسم المؤلف: عادل خضير احمد
اسم المشرف: صلاح مهدي الزبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: All thanks are due for Allah, praise and blessings are on the final prophet, Mohammed, and his family and companions and those who follow him. The study aims at studying the significance of place in the poetry of Safieddeen Alhilli in terms of his humanitarian experience which mirrored the poetic vision of the tormented self. The thesis comprises three chapter, preceded by a preface and followed by a conclusion summing up the findings of the study, followed then by a bibliography. The preface deals with the linguistic, conventional and philosophical meaning of place as well as identifying the significance of place in literature. Chapter one is allocated to the study of "The Objective Place", which is in turn subdivided into two sections; familiar place, and unfamiliar (hostile) place. Chapter two tackles verses of time and place and their connotations. I concentrated in the first section the connotation of general place, while in the second I shed light on the connotation of breeze. The third chapter is conducted to deal with "The Objective and Artistic Treatment of Place". It is, as well, divided into two sections; the first studies the delineation of place for poetic purposes, while the second with the treatment of place in the rhetorical image. The present study is a textual one questing for the significance of place in the poetry of Safieddeen Alhilli. A poetry that was the source of nostalgia, sighs and pains, the instigator of feelings and the exposer of the tormented self because of departure from family and loved ones. Therefore, the study moves within the range and scope of this analysis

مظاهر الانزياح في الشعـر الاندلسي : عصر الطوائف والمرابطين مثالا == Aspects Of Stylistic Deviation In Andalusian Poetry : Poets Of Age Of Al - Tawa'If Kings And Al - Murabiteen

اسم المؤلف: لؤي صيهـود فـواز التميمي
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation is an attempt to study aspects of stylistic deviation in the poetic genre, in an introduction and three chapters. The introduction is dedicated to deal with the different terms and Arabic translations of stylistic deviation.The first chapter tackles "Substitutional Deviation", in three sections : Section one : Deviation of characterization structure.Section two : Deviation of simile structure.Section three : Deviation of impersonation and personificationstructure.The second chapter is devoted to study syntactical deviation, in three sections : Section one : Metonymic deviation.Section two : Deviation of hyperbaton, omission and intertextuality.Section three : More syntactical deviation aspects, such as : annexment and shift, apostrophe, interrogation,order, prohibition, swearing and exclamation. The third chapter is dedicated to the musical host of the poetical form, with a theoretical introduction and three sections : Section one : outer music : metres and rhymes.Section two : inner music in forms of : consonance, repetition, fronting, isocolon and lionine rhyme.Section three : Terza rima (Al - Muwashah). The dissertation has come up to a conclusion summarizing the final academic results.

فتح الرحمن في تفسير القران لمجير الدين العليمي (ت 928هـ) : دراسة لغوية ونحوية == Fateh Al - Rahman In Interpreting Quran By Mujeer Al - Deen Al - A'Alimi (Syntactic And Linguistic Study)

اسم المؤلف: شهد نائل ناجي محمد
اسم المشرف: ابراهيم رحمن حميد الاركي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The books of interpreting the Glorious Quran is considered as one of the most important Arabic resources because they ,first, deal with the first reference in Arabic language that is the holy Quran that is why most researchers shed more light on it.Though many studies tackled with the books of Quran interpretations but most of them forgot some of these books as "Fateh Al - Rahman in Interpreting Quran" which has a great deal of linguistic and syntactic material.As the researcher tends to collect that material in this book depending on other books of interpretations and the books concerned with Quran meanings and analysis as well as other books of linguistics and syntax. The study is divided into four chapters, chapter one deals with the phonological aspect.Whereas the second chapter deals with the morphological aspect concerning the verb forms and derivations.The third chapter is the semantic aspect concerned with the antonyms ,and the linguistic differences.Finally, the fourth chapter which deals with the syntactic aspect as the verbs, nouns, conjunctions and the articles.All these chapter preceded by d by the prologue and followed by the apologue which presents the results the searcher has found out.To sum up the conclusions that have been drawn are : Eleimi is a dignified Hanbali scientist who has different writings in interpretations, philology and history as "Fateh Al - Rahman".The book which has many syntactic and linguistic affairs.Also, he attempts to separate the various opinions preferring one aspect of any affair if there is any controversy.Moreover ,he goes for the Basr scientists' opinions following the priors ' interpretations as Al - Baghwi, Ibn - Atiah, and Al - Bidhawi as well as his interest in the Quranic readings and the prophet quoting the prophet sayings and the speeches of his followers and companions.Finally, Asking Allah to help us in this work

التفكير النحوي في كتاب النهاية في شرح الكفاية لابن الخباز الموصلي (ت : 639هـ) == Syntactic Thinking In Alnihaya Fi Sharh Elkifaya By Ibn Khabbaz Elmousili (B.639 H.)

اسم المؤلف: فاطمة محمد عبد الستار هلال
اسم المشرف: عثمان رحمن حميد الاركي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Syntactic Thinking in Alnihaya fi Sharh Elkifaya by Ibn Khabbaz Elmousili (b.639 H.) is the title of the present thesis. I chose to study the syntactic thinking in one of the most astound scholars of Mosul in the fifth Hijri century. With regard of the topic of the study, it comprises three chapters, preceded by a preface and introduction, and followed by a conclusion and a list of sources and references. The preface is subdivided into two sections; the first is entitled "The Concept of Syntactic Thinking among Arabs" which deals with the starting points of the emergence of syntactic thinking, while the second which is entitled "Ibn Elkhabbaz's Biography and Works" briefly tackles the life of Ibn Elkhabbaz, his tutors, students and publications. The first chapter of the thesis is entitled "Ibn Elkhabbaz's Approach and Scientific Sources in His Alnihaya fi Sharh Elkifaya". The chapter is divided into two sections; the first studies his approach in his book, while the second concentrates on the scientific sources he relied on when writing his book. Chapter two, "Syntactic Evidence in Elnihaya by Ibn Elkhabbaz", is once more split into two sections. Section one is dedicated to unwritten evidence, and the second to intellectual evidence, showing how great was Ibn Elkhabbaz's interest in them. The third chapter is entitled "Ibn Elkhabbaz's Point of View Concerning Syntactic Differences between Basra and Kofa Grammarians and His Genuine Issues", as he has set a number of genuine issues not specified before him. The study concludes that Ibn Elkhabbaz is an eminent grammarian who paid due attention to all fundaments of grammar, and who has many great publications in Arabic Syntax as he had distinguished influence on his successors. Moreover, I included a various number of grammar, linguistics, and literature books in my thesis.

شرح التصريف للثمانيني ( ت442هـ ) : دراسة تحليلية في ضوء علم اللغة الحديث == Sharh Altassreef To Althamanini(442 AH) Within A Modern Scope Of Linguistics

اسم المؤلف: رائد احمد عزيز
اسم المشرف: ليث اسعد عبد الحميد
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This study aims at analysing the explanation of Althamanini in accordance to the data of modern linguistics. What researchers know is that modern linguistics explain and elaborate the grammatical issues on a phonetic basis , as grammar is considered the corner stone of any successful study for it is the scale of Arabic language, by which the origin of the word is differentiated from its redundant suffixes; beside being the science of structure, substitution, epenthesis, attenuation and elision.This study is divided into an introduction that treated the life of Althamanini and the concepts of morphology and morphological scale, and three chapters followed by a list of conclusions. Chapter one isentitled as( The Structureof Nouns, Verbs And The Fraction of Present Letters) and is diveded into three sections : the first is (Nouns' Structures), the second ( Verbs' Structures) and the third ( The Fraction of Present letters).Chapter two is entitled as ( Substitution, Epenthesis And Assimilation) and arranged in three sections : 1) Substitution, 2) Eepenthesisand 3) Assimilation. And chapter three is entitled as (Addition And Elision) arranged in two sections : the first is (Addition ) and the second is (Elision).This study is ended up with a list of conclusions followed by a list of bibliography. One of the most important conclusions of the current study is to investigate all the grammatical issues in ( SharhAlthamanini) and analyse them within a modern linguistic scope. It is also concluded that the approach of modern linguists is very important in explaining and eliminating many grammatical issues on phonetic bases.

ادب فؤاد التكرلي السردي في الخطاب النقدي العراقي الحديث == The Narrative Works Of Fuad Al Tikirli In Modern Iraqi Critical Discourse

اسم المؤلف: فاهم طعمة احمد سبتي
اسم المشرف: سعيد عبد الرضا خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: There is a huge critical movement around the works of Fuad Al Tikirli that can be traced back to the mid - fifties of the past century. This is because of the unique characteristics of Al Takarli's works that are marked by intellectual attitudes of development, renewing, and modernism towards writing fiction. Al Tikirli has an exclusive touch that can be noticed by his stories, novels, plays, and articles. This exclusivity is marked by the various literary genres with the accuracy and incredibility of the style at the same time. Al Tikirli has his special style that distinguishes him from other Iraqi writers of his age. Accordingly, critics had followed his writings from his first short story. Nihad Tikirli is regarded as the first critic who reviewed his successful story "Al Uioun Al Khudhr" (The Green Eyes). Before that, many critics tried to analyze his experience according to their intellectual and academic attitudes towards stories and novels like Dr. Ali Jawad Tahir, Dr. Abdulilaah Ahmed, Dr. Umar Talib, Dr. Muhsin Al Mousawi, Dr. Shuja' Al Ani, and the critics : Fadhil Thamir, Yaseen Naseer, and Basim Abdulhameed Hamoudi.The Tikirlian Experience was a subject of many critical studies. All of which tried to find an approach to describe its nature with different procedural devices. This gave his works a critical richness especially in the intellectual fundamentals and the various vision procedural devices. What encouraged the variety of critical approaches of the narrative experience of Al Tikirl is his humanitarian attitude, artistic beauty, and the definite ideological message. His experience is open yet comprehensive with various attitudes, which is a subject of many interpretations. The most important reason behind conducting this study is the variety of critical topics about Tikirli's fictional experience as one of the leading figures of fiction and novel in Iraq as well as the genuine, deep, and continuously developed experience. Al Tikirli was able to take a prestigious status among the Iraqi and Arab novelists.The strong interest in narrative literature participated in choosing this study. It is well known that Fuad Al Tikirli wrote in various literary genres like story, novel, drama, essay, translation, and diaries, but this study will be devoted to narrative literature. Other genres, especially drama, will be left for two reasons. First, those plays did not reach the desired level. They were sole dialogs in which he aimed at trying to write in other genre near to his type. Secondly, the rarity of critical studies that dealt with his plays. The researcher found about two or three essays on his plays, which means that it is regarded as a secondary to his first interest, i.e., stories and novels.Some of the few essays that were concerned with dramatic criticism are "Fuad Al Tikirli : the Dramatist" by Dr. Dhia Khudhayir which was published in the journal Aqlam 3 (1989). The second essay was entitled "The Structure of Dialogue Scenes in the Plays of Fuad Al Tikirli" by the critic Abid Ali Hassan that was published in his book Drama and Application and republished in the journal Emdha 5,6 (2014). The third essay was written by the researcher Mudhafar Salim Shakir and entitled "The Foreign Shadows in the Plays of Fuad Al Tikirli" which was published in Emdha (ibid). The methodology of the study will be based on the textual analytical approach that utilizes the narrative techniques and their aesthetic achievements and the two main narrative streams : traditional novel and Formal Structural Narrative that dealt with the relations between narrative units in a literary work.The study chapters were based on the elements and components of narration as well as the modern techniques of Fuad Al Tikirli's works. The study consisted of four chapters as well as an introduction, a conclusion, a bibliography, and an abstract in English. The introduction contained two aspects. The first one was concerned with Al Tikirli's biography, his narrative innovation and its sources, and his characteristics according to critics and researchers. The second aspect was an introduction to the most important modern narrative elements and techniques contained in the study. The first chapter studied the components of narrative discourse in the works of Fuad Al Tikirli. It is the longest chapter of the study and contained many sections like style, dialogue, and the narrative setting represented by time, place and characters. All those elements participated in the development of his narrative works through the role played by each element in forming and organizing the structure. Style is regarded as the front of the writers work. Dialogue reveals the extent of the writer's attention to people interaction, as well as the monologue that reveals the inner worlds. Narrative setting (time and place) has a great effect on preparing the circumstances to embrace the characters and affect their role in the novel. Characters represent the main factor in narration. Main and secondary characters are the reason behind the existence of the novel.The second chapter contained the components of narrative discourse that is almost similar to the first chapter except with the analysis and scripts.The third chapter entitled "Criticizing Psychological Structure". It was divided into preliminaries and two sections. The preliminaries dealt with an introduction to psychological approach theory and its way of analyzing literary text according to a comprehensive social vision. It showed the relation between fiction and society and the effect of each one on the other in a controversial relation. The first section discussed the issues of sexuality, woman, and adultery in the works of Fuad Al Tikirli. It also discussed the attitude of critics towards this vital and important issue as an advanced topic in this type of literature. The second section was devoted to study the character of the cultivated in his novels and the critics' explanation of the cultivated psychological and financial problems. The fourth chapter contained the criticism of formal structure. Critics have structurally analyzed the scripts Al Tikirli in a punctual and subjective way in building organized relation between narration techniques. This chapter was divided into preliminaries and three sections. The preliminaries were devoted to investigate the formal structural method and its most important techniques. The first section studied the movement forward and backward in narration time. The second section dealt with narrative novel or writer's perspective towards certain topic. The third section contained the subject of textuality of multiple texts to form a new meaningful text. The researcher would like to express his deepest thank to Assistant Professor Saeed Abdulridha Kamees Al Tamimi Ph. D., the study supervisor, for his valuable observations and his dedication towards the perfection of this study. The researcher also extents his gratitude to the professors of the Department of Arabic Language, especially, Dr. Mohammad Abdulrasoul Salman - the dead of the Department of Arabic Language, as well as Professor Fadhil Aboud Al Tamimi, Professor Ayah Abdulwadoud Al Hamdani, Professor Salah Mahdi Al Zubeidi, and Assistant Professor Ali Mutib Jasim. The researcher also thanks the public libraries for their provision of sources and references namely : the higher study library - College of Arts - University of Baghdad, the central library - University of Baghdad, the central library - Mustansiria University, The National Library - The House of Books and Documents, and the central library in Diyala Province.Finally the researcher expresses his deepest gratitude to the debate committee for their efforts in studying and identifying the pitfalls of the study.

التشكيل الاستعاري في شعر اديب كمال الدين

اسم المؤلف: ابراهيم خزعل خليفة حسين
اسم المشرف: باسم محمد ابراهيم الفهد
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

الاصوات عند سيبويه في ضوء علم الاصوات الحديث

اسم المؤلف: عبد العزيز سعيد بن حمان الصيغ
اسم المشرف: حسام سعيد النعيمي
الموضوع العام: اللغة العربية وادابها
السنة: 1999
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

البحث الصوتي عند ابن السراج (ت316هـ)

اسم المؤلف: علي خليف حسين اللامي
اسم المشرف: حسام سعيد النعيمي
الموضوع العام: اللغة العربية وادابها
السنة: 1998
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

البحث الصوتي والدلالي عند الفيلسوف الفارابي

اسم المؤلف: رجاء عبد الرزاق كاظم الدفاعي
اسم المشرف: محمد ضاري حمادي
الموضوع العام: اللغة العربية وادابها
السنة: 1992
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

لغة الشعر عند عارف الساعدي == Poetic Language To Arif Al Saidi

اسم المؤلف: عباس عبد الحميد عدنان الموسوي
اسم المشرف: عبد الامير مطر فيلي الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Due to the poetic tendency formed by modern currents towards new poetic horizons that lead to appearing individual creations; poetic prints started the spoiled Iraqi poetic scene limiting its identity as a new style in the achieved text image. Arif Al Saidi was one of the famous experiments that took part in supplying the literary climate in general and the poetic one in specific for what was achieved by this poet of texts with modern and contemporary spirit. Out of this complexity, it is necessary for the poetic language to witness a case of transforming responding for the stimuli of the modern expansion and emergence for it is described as the incubator of more comprehensive for whatever the underlying poetic textual structures imply. This formed a motif which drew me to engage in poetic language. It is one of the Iraqi poetic experiment with its uniqueness of form and content. This is what recognizes it or makes it very close to the nation's experiment. Nature of the study demanded the thesis to contain four chapters preceded by a preface and followed by conclusion included the most important results. The preface has two sections. The first included the poetic language concept and its turn in the poem constructing. The second tackled Arif Al Saidi's experiment and his poetic achievement. That's why it was entitled Arif Al Saidi : the experiment and affiliation. Concerning first chapter which is entitled poetic rhythmical constructing, the researcher talked about rhythm in his poetic texts. Second chapter which is entitled constructing poetic vocabulary, the researcher dealt with studying the poetic vocabulary that is described as basic foundations that the poet built his linguistic building. Third chapter which is entitled structure of poetic construction, the researcher showed the prominent expressive harmonies that participated in the poetic language construction. Fourth chapter that came under the title constructing the poetic image. Here, the most important image devices were mentioned that the poet resorts to incarnate creative experiment. The current study followed the analytical descriptive approach which depends on interrogating the poetic texts and exploration the prominent stylistic phenomena and their analysis to reach the poet's interests and his artistic ability. In brief the real value of Arif Al Saidi's poetry lies in their deviation of the familiar linguistic, ready - made, and repeated forms especially that the Iraqi poet's sensation in particular and of Arif Al Saidi's in specific belonging to a new limited poetic generation or to a particular group ( for example stanza poetry). It was a pushing power towards more privacy and to be distant isolated of rumination, repetition, and fluctuation in the first position of the particular poetic experiment. That was in spite of its privacy and depth. It is the matter that has deep penetration in the daily, marginal, neglected, and the ignored in the Iraqi real movement

التناص الحجاجي في خطب عصر صدر الاسلام والعصر الاموي == Argumentative Intertextuality In The Speech Of The First Islamic Period And The Umayyad Period

اسم المؤلف: امل عبد الرحيم جمعة القره لوسي
اسم المشرف: حسن حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: يجترح هذا البحث مصطحا مهما من المصطلحات الحجاجية الا وهو(التناص الحجاجي) الذي يعنى بالخطاب والتعالقات النصية في خطب عصر صدر الاسلام والعصر الاموي، واثر هذه التعالقات النصية في حجية هذا الخطاب، فالعلاقات النصية التي تقيمها الخطابات تمتد الى ثقافة مختزن | The current research suggests a significant term which is one of the argumental terms that is the arguemental style. It tackles speech act and relative texts in the speeches of beginning of Islam and the Umayyad era and the effect of these relative texts in the argument of this speech act. The relative texts that are evaluated by orations extend to a stored culture in the collective memory which are inflected in departures and changes that are covered always with a modern garnet. This linguistic event is revived through precipitated procedures in the new oration. The text here is a web of linguistic, constructional, and ideological data, all cooperate to form speech acts. After completion, it practiced a great influence so as to produce other texts, so, the text depends on renewal according to its readability and on quantity according to its supplying privacy.The incoming text comes loaded with argumental references charges with pragmatic productive features to penetrate with the current text and melt in its essence, so the incoming text appears in various levels : the explicit and the implicit. This pragmatic fertilization results in new text with a directed argumental dimension. The pragmatic interaction which is established between the incoming text and the current text cannot be of a single path instead it goes towards the giving and taking reference; it grants the incoming a new reference as it grants an argument power to the current text with all its pragmatic referential roots within its environment. So, the coming text may grants old text new interpretation or show them with a new garment that was hidden before. They could not be seen before so long as the style process, that achieves great deeds that practice argumental power which guide the path of speech act.The research results in several argumental style that the orator adopted in the beginning of Islam and the Umayyad era. These speeches were coloured with different stylistic feature that carried the tendencies orientations and how to form the speech and presenting it to the listener as well as their dependence on the textual loadings that differentiate in their argumental guidance.The research plan included an introductory chapter, followed by three chapters, and conclusion included the most important results of this research in which all this term interpretations and details were discussed in addition to its influence on speeches of the beginning of Islam and the Umayyad era.

الحوار في المقامات الحريـرية واللزومية : دراسة موازنـة

اسم المؤلف: امينة ثعبان يوسف نجد الاسدي
اسم المشرف: عدنان محمد ال طعمة
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

المفارقة في مقامات العصر العباسي == Irony In Maqamat Of Abbasside Era

اسم المؤلف: تغريد ضياء مشفي الفخري
اسم المشرف: سامي مكي العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Most of the Abbaside era Maqamat were based on a bitter irony out of a painful and a tragic reality that is full of contradictions and change of standards and values. Axiomatically they had a lot of instances of irony for it is the most suitable among artistic styles. It was , there fore , adopted by Maqamat writers as the artistic styles through which they expressed their suffering and boredom ; it had been a reflection of the time they lived. For them , irony was a defensive means for facing the cruelty , deprivation and misery in their lives ; a purification means , so to say , that would eliminate the deposits of dreadful ideas and would relieve the strains of poverty and need deep inside them. The irony of the Abbaside Era Maqamat is of three main types : 1. Verbal irony : it includes anti expectation , pedantry equivocation , pun , simile and quotation. 2. Irony of situation : it includes the self uncovering , dramatically and event irony. 3. Narrative irony : it includes spatial and temporal , the narrator - hero and the secondary characters irony. These three main types make up the three chapter of the this study , with each chapter being devoted to one type preceded by an introduction that illuminates the lexical and terminological meanings of "Maqama" and "Irony" and also the nature , importance , motives and aims of each one of them. All that followed by a conclusion that sums up the findings arrived at and most important of which are the following : 1. Maqama is a dramatized story that combines the techniques of both fiction and drama. It both narrates and displays ideas. It is based on a dramatic scene with action and dialogue , a matter which tints it with vitality and excitement that it has been an impressive type of art up to the present time. 2. Linguistic irony is produced by one signifier leading to two or more signified ideas. It , then , enables us to practice a multi - reading criticism because it deepens the text , extends its interpretative limits and widens its horizons. 3. The irony of situation embodied the suffering of the Maqamat writers that their Maqamat seemed to be a reverberation of what they lived and co - lived and what they thought and felt. The irony was their outlet to steam off and express their attitudes towards their surroundings. 4. Time and place in the Abbaside Era Maqamat where open. The characters moved about in absolute time and place. That is to generalize the purpose - idea and indicate that it is likely to happen at any time and place and to implicitly indicate the bad conditions and corruption. 5. The narrator in Abbaside Maqamat is an observer who seldom takes part in the events unlike the hero who undertakes the creation and activation of events and through whom the writer pictures what he wants to deliver. Most likely , the narrator represents the writer , whereas the hero represents the socially , politically and ideologically oppressed class

المنهج في الخطاب النقدي العراقي المعاصر : تجربة رحمن غركان اختيارا 2003 - 2016م == The Method In Iraqi Contemporary Critic Attempt Of Rahman Gharkan Selectively 2003 - 2016 A.D.

اسم المؤلف: صالح مجيد علي الخزرجي
اسم المشرف: خضير عباس درويش
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study has concluded to a group of results briefly mention as follows : The critical method represents a main element which the critical literature based to reach through to goal from reading that work art of this , the method has been distributed in Iraqi Contemporary Critic two paths : firstly the research method that take the critical literature data at its subjective and art possibilities , this become widespread in academic thesis especially when the researcher or the study deals with literature or literature phenomena or critical case, the dissertations and thesis represent that studies specific cases (subjective art) a model in functioning the literature curriculum, secondly the critical methods that based on dialogue between a particular work art and critical mind in the light of specified critical method , there are four methods used widely that the contemporary Iraqi critic impacted of western methods. so that , known : stylistic critic on multi methods and constructional critic on also multi methods , cinematography critic on vary theories then literature critic on differential set forth. The poesy critic dominates on other prose arts in the contemporary Iraqi critic due to domination the poesy literature on the awareness critic from a part and abundance poesy production , quantitatively and qualitatively from other side. besides the richness of old Arabic critic record by deal with critic poesy. The Iraqi critic beware also researcher and studying to the importance of the critic term conducting with all doctrine apart and connecting with each arts a part , the term in poesy language different from tale or story , thus in other arts and terms in constructional different in stylistic and as in other doctrines. The critical studies are similar in academic critic particularly those using as methods : stylistic , constructional , cinematography or rhetorical , ways to reading works art then similar studies that read : poetry image or poetry language or constructing presentation personality or arguments. this due to little number of diligent critics , large number of studying or familiar researchers which making create new rarely , spreading the familiar or repetitions as familiar. Rahman Gharkan's critic mostly deal with other arts critic, between twenty two books as sample of this study on the poetry as subject for twenty books some of them for other arts and second rank which the tale , story , the play , the sculpture , music and art construction , for the critic art distributed on four books. The stylistic doctrine presented in critical speech of Rahman Gharkan through four books which are the stylistic as being method as describe doctrine and method of Arabic eloquence , the standard of rhetorical method and the components of the stylistics the poetry column for the rhetorical method represents three books which are : Arabic rhetorical theory , the rhetorical critic method and lectures of the rhetorical teaching , most the rhetorical books have the known teaching method in Arabic rhetoric. He was remarked by the new critic method theorization and applied in books (constructive method in view of procedures / towards suggested method in reading the text and receive the meaning ) whereas this method present five forms of application is constrictive structural readings in five arts which are poetry at the second chapter , story art in the third chapter, tale art at the fourth chapter , theater art in fifth chapter , narrative art in sixth chapter , to concluded to possibility to apply6 in other arts. The application prevail on theorizing at the critic speech for Rahman Gharkan so that he was caring with application data of critic method by making critic procedure at his work art mostly attend the literature's methods. His language characterizes with the critical term level also on descriptive and analysis to affiliate to the method so that the method's language was rhetoric : term and analysis other than stylistic method language. His traditional reference composes of his critic mind attended impact and deep impact on imported reference and his using the Arabic tradition most effective of the modern western critic. The method represents a significant sign of his work that produced six books : the tools of curriculum readings and stylistic as being a doctrine, doctrine's language , talk's doctrine and its standards of methodology , the critic rhetoric, and composition's doctrine from view to procedure. At Rahman Gharkan's critic speech in his written in 2017 another field for study other than its specialization in this study : The critic term in critic speech for Rahman Gharkan's and the text materials at speech critic and written language for him.

جمالية المفردة والتركيب في مكاتيب الامامين جعفر الصادق وموسى الكاظم عليهما السلام == Aesthetics Of The Word And Expression In The Two Imams' Correspondence, Ja'Afer Al Sadiq And Musa Al Kadhim ( P.B.U.T)

اسم المؤلف: حسين فاضل عيسى الحلو
اسم المشرف: جنان منصور كاظم الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: تداخل مفهوم الجمال مع النقد والفلسفة والفن والبلاغة، ولكنه كسب استقلاله في الدراسات الحديثة فهذه الدراسات قد اعطت ابعاده النهائية حتى بات للجمال مذاهب ومدارس، وتحول الاهتمام بالجمال من الجوانب الفلسفية الى المذاهب الادبية والنقدية.يحاول البحث الكشف عن جم | Aesthetics concept interfered with criticism, philosophy, arts, and eloquence. But it gained its independence in the modern studies, for these studies gave its ultimate dimension, to the extent that it has own ideologies and schools. The interest in aesthetics transferred from the philosophical sides to the literary and critical ideologies. The study tries to discover the word aesthetics and its manifestation hints in the construction by selecting a traditional text and still keeping with a lot of aesthetic and virtual elements. The study tries, in addition to its induction and observation for aesthetic elements in the text, to understand the aesthetic philosophy in content from the function and goal sides, whether it is psychological, social, and so on. Nature of the subject demanded that the study is divided into an introduction, preface, three chapters, conclusion, and a list of references. Concerning the preface, it was entitled ' an introduction to aestheticism with a definition of correspondence'. It was divided into two branches. The first was entitled ' an introduction to aestheticism : roots and concepts'. It tackles some topics such as emergence and definition of the concept in the Old Greek and Arab studies. Then, it stated the concept - aestheticism - in the modern studies. The second part of the preface had an idea about the author of Imams' correspondence book, and definition of Imams' correspondence with clarifying their importance. First chapter which was entitled ' aestheticism of the musical level' was divided into three sections. The first which was entitled 'aestheticism of repetition' dealt with the extent of musical activity that can be achieved by repetition in the correspondence with taking into account of non - separation between this function and other functions of repetition. The second section which was entitled ' aesthetics of rhyme' came to uncover discovering functions of this musical style in the correspondence. The most prominent of these are rhythm and caring of listener's psychological aspect; whereas, the third section was devoted to ' aesthetics of alliteration' that had its influence on the text in the form and content levels. Second chapter was entitled 'aesthetics of structural level'. It has two sections. The first is composition styles. It included interrogative, imperative, and vocative; as well as efficiency of each style and its influence in achieving aestheticism in the text, in addition to efficiency to implement other functions. The second section dealt with the conditional style with clarifying its means and use of every one concerning structure and text coherence. Third chapter was about ' aesthetics of semantic level'. It has three sections. The first is concerned with aesthetics of simile. The study showed other functions that simile implied such as psychological or social functions : the second section tackled aesthetics of metaphor. The study also showed what is the benefit of metaphor. Finally, the third section discussed aesthetics of metonymy.

صورة المراة في الشعر العربي في كربلاء 1950 - 2000م

اسم المؤلف: زينب عزيز هادي الموسوي
اسم المشرف: فاروق محمود عبد الله الحبوبي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

شعر ابن حماد العدوي : دراسة في الموضوع والفن == Ibin Hemmad Al Adewi's Verse : A Study In The Subject And Art

اسم المؤلف: سالم محمد ناصر
اسم المشرف: حربي نعيم محمد الشبلي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Ibin Hemmad Al Adewi is one of the great figures of the fourth Hegira century and one of Basrah scientists. He is considered one of poetry publisher. His verse is loyal to the family of the prophet (p.b.u.t.). the current thesis dealt with his verse under the title (Ibin Hemmad Al Adewi's Verse : A Study in the Subject and Art).The thesis consisted of six chapters preceded by introduction and preface, and followed by conclusion. Concerning the preface, it consisted of two parts. The first tackled a general idea about the situation in Iraq during the fourth hegira century while the second part dealt with aspects of the poet's life and culture. The objective study was divided into two sections. The first comprised eulogy and what relates to the family of the prophet's (p.b.u.t.) laudation and elegiac which includes lamentation of the family of the prophet's (p.b.u.t.).The second chapter was devoted to other poetic purposes, that is pride, satire, complaint, and wisdom. The artistic study was distributed as follows and according to the chapters series in the study. So, third chapter concerned with the artistic construction, that is, constructing the traditional dialogue poem ( poems with introduction) and the ideological which concerns his ideological tendencies towards the family of the prophet's (p.b.u.t.). other introductions comprise complaint, wisdom, and a single erotic introduction of an elegiac poem. The poet expresses his sufferings, pains, feelings, and emotions by these introductions as well as his abilities to attract the listener's attention and to prepare him to receive the main topic, in addition to the conclusion, thus, conclusions were in harmony with the subject nature. Fourth chapter came to discuss poetic language; it was of two sections. The first comprises vocabularies. They are vocabularies of doctrine, proper nouns, sadness, time, place, war, and peace.Constructing was taught in the second section such as interrogative with all its categories, imperative, vocative, negation, and emphasis that refer to attractive meanings in his poetic text. These increase rhythm with fascinating music. Fifth chapter was about the artistic image. It has two sections. The first comprises means of image formation particularly the rhetoric image ( simile with all its types, metaphor with its two types : implicit and explicit, metonymy with all its types : attributed, described, and relative). These images add shining colors of the beautiful music that evoke inspiration and urge the listener to listen and enjoy the poet's verse. Second section had two subsections. The first was the sensory image ( optical, acoustic, tactile, and gustatory, whereas the researcher could not find the olfactory image in the divan). The second comprises the single and compound image.Six chapter discussed rhythm.it was divided into two sections. The first was the external rhythm that contains meters, measures : perfect, long, simple, abundant, absolute, restricted, and rhyme faults. The second section, internal rhythm included repetition, inlaying, rotating, turning second hemistich to the first hemistich, and alliteration that increase musical harmony.Concerning the end was about the conclusion. The researcher depended on a long list of references and resources to complete the study. Some of them were literary, critical, linguistic, historical, philosophical, dictionaries, and university theses and dissertations.

لفظ الرحمة في القران الكريم : دراسة دلالية == Al - Rahma Term In The Holy Quran Sense Studying

اسم المؤلف: محمد شكر محمود
اسم المشرف: هدى طاهر محمد
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: جاء البحث امتدادا للدراسات القرانية متناولا لفظا، مادامت النفوس تستشعره وتصبو اليه الارواح بدراسته، الا وهو (لفظ الرحمة في القران الكريم - دراسة دلالية) وتكمن اهميته في كونه يظهر تناسق الالفاظ وانسجامها في النظم القراني، فهي تشترك جميعها في بيان دلالة | The research comes continuing for the Quranic studies which dealing with term as long as the spirits feeling it and the souls look at it in studying it (Al - Rahma term in the Holy Quran - meaning study), its importance found in it is appear the terms harmony and according in the Quranic regulation which all participate in explaining the term sense which depended on in the research studying.Which make the reader more understanding and thinking with the terms essence , the terms in its stated in vary context and different compounds tell in each time about sense derive from that, it is miracle in its arrangement and essence.Following the linguistic matter of Al - Rahma in the Holy Quran, and after count it I found it occupy 562 position. The stylistic study required that the research structure be divided into two chapters preceding by the preliminary chapter and following by conclusion quoted from the research lights. Showing its marvel in variation of the senses for the one term with beauty of harmony and according of the terms as a collar crowned that harmony in participate all in giving the term sense. I talking in the preliminary about (Al - Rahma in the linguist and legal concept) followed that study by the first chapter studying in it (Al - Rahma in the Quranic using and its relationship with the holy tow terms (Al - rahman and Al - Raheem), dividing it into two themes, the first one, (Al - Rahma in the Quranic using) consist of three axe's : the first one titled ( number of the forms which build on them the matter of RAHMA), and the second one (the apparent cases which the Al - Rahma term mentioned in it), and the third one (Al - Rahma terms' senses in the books of faces and the counterparts).The second theme was titled (Al - Rahma and its relationship with the two holy terms Al - Rahman and Al - Raheem) consist of five axis's, the first one titled (Al - Rahman and Al - Raheem are descriptions not adjectives), the second one , the tow forms of Al - Rahman and Al - Raheem, and their senses and the relationship of Al - Rahman with (Ruhm) and Al - Raheem with (Marhama), and followed by explaining scheme for explain that, and the third one (AL sense in the AL - Rahman and Al - Raheem terms), and the fourth axis ( the sense of cutting and increasing in Al - Rahman and Al - Raheem terms), and the fifth one (Pairing sense between the two holy names Al - Rahman and Al - Raheem), the chapter followed by schemes explaining what we mentioned before, we limit by put name of the chapter (Aya)and the number of the verse (Sura) , dividing it into two themes, the first one is (senses of the mercy of Al - Rahman Al - Raheem) contains 30 senses, and the second theme titled (Al - Rahma sense among the creatures) contains one sense that is the fineness.And the analysis for the Quranic verses shows within the second chapter in the two themes according to the forms which term of Al - Rahma mentioned by it in the one sense, preceding the infinitive form on others , because of the infinitive form is the dominant, taking from the explanation , syntax, conjugate, and the eloquence books.The very important results are : The linguistic and legal concept tell that Al - Rahma has two meanings are compassion and sympathy, and the relationship among Al - Rahma, Al - Rahman and Al - Raheem prove that Al - Rahma in the Holy Quran has two meanings are compassion and the sympathy according to sense both Al - Rahaman and Al - Raheem, and the sense of pairing the holy two terms that its mercy are self actual, comprehensive full, multiplying absolute, non restricted mercy.And the dividing senses of AlRahma recommended within one chapter that Al - Rahma even had two meanings, it is has one origin and make it in two themes confirming to the Al - Ragheb Al - Asfhani speech that Allah focus in the people natures the fineness and He marked by charity.Confirming that and documented it by saying of Allah ((My Mercy broaden everything)) Al - A"Raf chapter / 156. And what came in Albukhary Book in the Messenger Hadith (Allah make the mercy in one hundred parts, catch 99 parts and landing one , from it the creatures be merciful by each other even the mare left its hoof on its child fear of hurt it.Through analyzing for holy verses showed that prefer some senses on others through the Quranic context (charity. Allah order, piety, reward, patience, good, compassion, preservation, rain, perfection, forgiveness, cordiality, ……).Finally, this thesis regards a continuing participation in the knowing of sense of a term in the Quranic context.

شعر مديح الخلفاء في العصر العباسي الاول : مقاربة تداولية == Praise Poetry Of Caliphs In The First Abbasid Era Pragmatic Approach

اسم المؤلف: عبد الله بيرم يونس
اسم المشرف: منتصر عبد القادر الغضنفري
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Pragmatics deals with the relation between linguistic activity and its users, and successful methods of using the linguistic marks and different keys and contexts within which the discourse is made. Also it finds out the elements that make the discourse as a successful and obvious massage and it finds out the reasons for failure in communication with natural languages.Since pragmatics has the ability to call for non - linguistic aspects in the process of criticism and analysis in the address, this method has been chosen to approach the praise poetry of Caliphs in the first Abbasid era in a way which is different from most literary studies that deals with this poetry with regard to artistic form only. Praise poetry in general, and of Caliphs in particular isn’t based on the aesthetic conditions only, but also it takes into consideration the pragmatic and social conditions that require forms of speech manner according to tone keys in response to a general law that regulates the human communication and prescribes that the success of communication between speaker and addressee is based only on the response to the pragmatic rules, such as cooperation, politeness, courtesy … etc. Since these rules are characterized by usual communication, it is better that these rules are characterized by poetic speech which requires aesthetic form. So, how do the poets leave the dignity that they seek? The poetry that praises Caliphs requires special types of criticism, so the pragmatics is the most appropriate manner to approach this type of poetry. So, we followed the pragmatic manner in studying and analyzing the praise poetries mentioned in the Abbasid royal palace.

المطابقة في النحو العربي وتطبيقاتها في القران الكريم == Concord In Arabic Grammar And Its Applications In The Glorious Quran

اسم المؤلف: فراس عصام شهاب السامرائي
اسم المشرف: عدنان عبد الكريم جمعة السالم
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The present thesis consists of an introduction, three chapters, and a preface explaining the nature of “concord” according to Arabic linguists. Chapter one contains two sections. Section one is entitled “concord between subject and predicate”. Section two is entitled “concord between verb and subject”. Concord deals in this section with number and genre. This type is applied to the Glorious Quran. Chapter two consists of four sections. The first section deals with concord between noun and adjective. Adjective here is of two types : real adjective as in number, genre and definiteness and indefiniteness, and causal adjective. It deals with definiteness and indefiniteness. All Quranic examples are applied to this. Chapter two focuses on “concord and conjunctions”. Conjunction is in turn of two types. All Quranic examples in this domain are given. Section three deals with concord and apposition. Apposition has four types. Chapter three deals with “concord between pronoun and its referent”. This chapter has four sections. The first one is “concord between the singular pronoun and its referent”. It has two sections : when the pronoun is masculine singular or feminine singular. Examples are given from the Glorious Quran. Section two deals with “concord between Dual Pronoun and its Referent”. Quranic examples are given here. Section three discusses “Concord between plural pronoun and its referent”. It has two subsections : when the pronoun is masculine plural and when the pronoun is feminine plural. Examples are given from the Glorious Quran. Section four deals with “concord between partition pronoun. The thesis ends up with conclusions and references

ايات السبيل في القران الكريم : دراسة تحليلية == The Verses Of Al Sabeel 'Way' In The Holy Quran : - A Analytic Study

اسم المؤلف: طه محمود احمد العلي
اسم المشرف: زاهدة عبد الله محمد العبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: This thesis entitled (the verses of al sabeel 'way' in the holy Quran : a analytic study) was in the first place a title preposed by the super visor , Dr. Zahida Abdullah Muhammad. Then this title became an idea and finally it turhed into an MA research. It tackles the verses of the Holy Quran where the word of Al sabeel (way) were mentioned (167) times.The choice of this topic is due to the importance of the Holy Quoran as asuorce of. All Quoran and linguistic studies for its well coined texts and the accurate choice of words and their uses in the suitable contexts. It is known that the Holy Quoran in its preposition , words , sentences and verses has been massively studied by researchers , there fore ; We preferred to focus in this research on a specific word mentioned in different contexts where the research material was distributed. The research includes a prelude where the word of Al sabeel (way) was defined linguistically and idiomatically and the difference between the word of Al sabeel and the word of Al tareeq (road) and Ah sirrat (straight way) was also mentioned and two chapyres. The first chapter entitled (Al sabeel (way) in the context of verses of the Jihad (the holy war) consist of there parts. part one tackle verses of Al sabeel within the context of the physical Jihad which treats three issues. The first issue focuses on the verses of Al sabeel within the context of the verses of Al Jihad. The second one tackles verses of Al sabeel within the context of the verses of Al Hijra (immigration). While , the third issue discusses the verses of Al sabeel within the context of the verses of fighting in association with the Hijra (immigration) part two is about the verses of Al sabeel (way) within the context of the financial Jihad while which contains two issues. The first is about the general spending. While the second one is about the verses of Al sabeel within the context of the private spending. This chapter ends in part three which discusses the verses of Al sabeel within the context of the physical Jihad in association with the financial Jihad. chapter two is entitled (Al sabeel) within the context of verses of guidance and misleading.It consists of three parts. part one tackles Al sabeel within the context of the verses of guidance. It focuses on two issues. The first issue discusses Al sabeel in the context of the verses of the materialistic guidance. While , the second issue is concerned with Al sabeel within the context of the verses of religious guidance. This issue consists of two items. The first item tackles Al sabeel within the context of the verses concerning the special religious guidance and the second item treats Al sabeel within the context of the verses of the general guidance. As for the second part , Al sabeel is discussed within the verses of the misleading. It includes two issues. The first issue tackles Al sabeel within the context of the verses concerning the misleading and the misleaders. The second issue is about Al sabeel within the context of the verses related to the punishment for misleading while the third part treats Al sabeel within the context of the verses of rejection It comprises three issues. The first is concerned with Al sabeel within the context of the verses of the disbelievers' and the hypocrites' rejection. The second issue is about Al sabeel within the context of the verses of the devils' rejection. In the third issue , Al sabeel is tackled within the context of the verses regarding the people of the verses rejection. At the end of chapter two , three is an appendix including verses mentioned together with those of chapter one. In fact , chapter one is closer to these verses therefore they are attached to it. These verses are concerned with the Islamic laws and rules which if followed, we would be then on the way of guidance ; Otherwise we would be on the way of misleading. The sources used in this research are new and old. They include interpretation books , language books and dictionaries. I would like to express my deepest gratitude and thanks to all friends of mine and the library staff who helped in this research. The findings of this research shows the following : - Most of what is said about Al sabeel (way) cam as religious not materialistic. - The word Al sabeel (way) is used in the Holy Quran to show the religious matters in materialistic way like religion , guidance and misleading. - Al sabeel (way) is mentioned as singular , plural and added , when it is singular , it refers to good and guidance. When it is plural , it refers to misleading and when it is added , it is meant to honour and glorify the word of Al sabeel. When it is added to people , it is meant to honour and glorify them. - To praise Al sabeel (way) is meant to praise its user and to censure Al tareeq (road) means to censure its user. - The word Al sabeel (way) is used more than both the of Al sirrat (the straight way) and Al tareeq (road) due to its easy letters and its form

التوجيه الصرفي للقراءات القرانية المتواترة في البحر المحيط لابي حيان الاندلســـي (ت745هـ)

اسم المؤلف: زينب محمد صالح
اسم المشرف: علي عبد الله حسين العنبكي
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

اثر الاسلام في شعر النقائض == Influence Of Isalam In Paradoxical Poetry

اسم المؤلف: ميادة محمد عبد اللطيف المشهداني
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: I handle in my thesis : preface of culture of Arab Islamic Society and how this culture influenced on art level for poetry specially correspondence of poets because it is a source from culture sources, paradox started from this society and was a mean from means that used to make people laugh through humor which its essence was political most of time and declared among people as daily journals to get the component and call him names on sight and hear of ruling authority or by order from it, paradox reach its op and developed in Amawi age on hand of three poets (jarir, Al - Farazdiq, Al - Akhtal) and how Islam influenced in poetry of those poets and Islam influenced in poetry of those poets and how they influenced by it. In the first chapter ,handled influenced of Islam in meanings and how these meanings influenced in poetry of three Amawi poets, we study that they have colors of immaterial influenced which depend on adding properties of faith and good and Justice and mercy and wellness and belief and erasing the Injustice from complement persons of paradox poetry and most of its Islamic meanings were derived from holy Koran.In the second chapter I handled influence of Islam in terms and styles ,or terms and styles of three poets influenced by Islam, where they invested most of their terns from holy Koran ,also their ways influenced in way or another by Islam from style which reflect personality of poet where (style is a man).While third chapter handled poetical image for those three poets from their influence in poetical image by Islam and being derived from holy Koran and how reflect this image the experiences of poet where image connected with experience of poet and some specific emotional thought and related with feelings and control on poem and become apart from it and cooperate with rest parts by this complete experiences transfer and it is exactly structure of Arab poetry and from the most distinguish means which Koran depend upon it imaging meanings to apply feelings of material issues this wade it look like it is live image in movement ,poets used Koran image and refer to tern and Koran idiom and it is aesthetic mean in directing art consequence.

ايات العتاب في القران الكريم : دراسة بلاغية

اسم المؤلف: ابراهيم حسين علي
اسم المشرف: احمد فتحي رمضان الحياني
الموضوع العام: اللغة العربية وادابها
السنة: 2006
الموضوع الدقيق: اللغة - البلاغة
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
1 ... 192 193 194 195 196 ... 310