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الايثار الدلالي في القران الكريم

الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: اللغة
السنة: 2014
الموضوع العام: اللغة العربية وادابها
اسم المشرف: ليث اسعد عبد الحميد
اسم المؤلف: بشرى عبد المهدي ابراهيم التميمي

التشكيل البياني في شعر الصعاليك والفتاك حتى نهاية العصر الاموي Rhetorical Formation In Ai - Saaleeq And Al - Fattacks Poetry To The End Of Umayyad Ere

المستخلص: The study deals with Rhetorical Formation as a critical idiom which works in effective poetry field and it is very clear in procedural use. The picture in the poem or the portrait needs the senses and feelings of the receiver and it colours his experience. Thus the drawer and the post use certain means to fulfil his works.As it is known poetry is based on rhetorical arts and means from linguistic and rhetorical view point to create motivation and astonishment. The thesis aims at revealing the art movement of rhetoric and describing it inside the poem structure and outside it. The poem includes in its multi - understanding. The poem is considered as abase the field for poetic rhetoric. AL - Saaleeq and Al - fattacks poetry was chosen to be the subject of the present study because it has literary importance. it gathers two literary eras.Which are considered the most prominent literary eras for poetry production. They include poetic interest and researchers tackled this rich literature. Since the researcher is interested in old literature and has a great wish to study and read it he chose this topic. The study falls in to the following parts : Preliminary (Rhetorical formation in Language) was studied from two sides , the first studies the formation and its relation with poetry. The second deals with the rhetoric term and its development. The study falls into three chapters. The first chapter deals with assimilation formation and its activity.The decoding assimilation structure was studied in the first part and the rhetoric assimilation structure is studied in the second part.The second chapter studies metaphorical formation. The chapter is divided in to three sections.The first deals with metaphorical structure the second part deals with the body metaphorical structure and the third deals with recognize able decoding structure. The third chapter deals with the exceeding rhetorical formation. The study arrives at the following conclusions and suggestions : - The study identifies formation concept.It investigates its concept deeply. - AL - Saaleeq and AL - Fattacks poetry have a great ability in poetry. - They were able to re form environment from poetic viewpoint. - They deal with poetic language as scientists who know every thing concerning its content. - In the assimilation structure art is mixed with psychology. - Most of Al - saaleeq and Al - Fattacks poctic assimilation pictures are very clear. - Al - saaleeq and Al - Fattacks poctic were able to change the task of the main assimilation structure from being printed on the poets conscience to being printed on the receivers conscience. May - The other studies in future study Al - saaleeq and Al - Fattacks poetry from a semantic point of view. - A study can deal with semiotic formation phenol menon in Al - saaleeq and Al - Fattacks poetry. - Al - saaleeq and Al - Fattacks poetry am be studied from a stylistic viewpoint.
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: الادب
السنة: 2014
الموضوع العام: اللغة العربية وادابها
اسم المشرف: فاضل عبود خميس التميمي
اسم المؤلف: خالد جعفر مبارك

شعر حارثة بن بدر الغداني : دراسة موضوعية فنية Hair Haritha Bin Badr Algdani Objective Study Of Art

المستخلص: The thesis is specialized with the study of ( Harith Bin Badr Al - gdani poetry - artistic and objective study ) The poet died in 64 Hijri. The selection of this poet wasn't futilely because he wasn't from those well - known poets and literature books didn't contain him so we studied him to show his poetic subjects.The importance of the thesis is latent that he was a poet trying to treat troubles protesting in his life. The thesis is consist of introduction , prelude , tow chapters and epilogue ( conclusion ) shows the most important results.In the Drelude , the researcher dealt with the poet's life.Parentage , his era and the life effect in developing of the poetry in Al Amawy era , his fluency , eloquence , his place among other notable at that time his death.The first chapter is specified to objective study which contained two topics , the first topic contained main subjects in his poetry (wine - contrast - praise) while the second topic involved in the secondary subjects in his poetry like ( satire - elegy - blame - wisdom - pride - preaching - apology - complain and dispraise). The second chapter dealt with artistic study of his poetry , it included three topic , the first topic studied the structure of the poem and poetic figure ( imagery ). The second topic involved with the music of the poetry ( inner and outer ) , the last topic specialized with pronunciation and structures. The thesis ended with epilogue in which the researcher concluded that ( Haritha Bin Badr ) presented various figures in praise , satire and elegy - He didn't care to the introductions of his poems - His language was distinguished with mildness of express , easy ejections , clarity meaning with stuff of fluency and eloquence.
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: الادب
السنة: 2014
الموضوع العام: اللغة العربية وادابها
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
اسم المؤلف: ليث سامي علوان الكرخي

الفاظ الزمان في صحيح مسلم : دراسة نحوية دلالية Words Decade In Sahih Muslim Study Grammatical Tag

المستخلص: Define the research topic is marked by (the words of the time in Sahih Muslim study semantic grammatical) taking the texts hadith Mtona eloquent to keep track of words decade, and secrets semantic and syntactic where, and was selected (Sahih Muslim) after consultation with the Scientific Committee in the Department of Arabic Language, it does not Dahir closer than advice in the study (the words of the time) in the hadith, and the choice fell on the book is for talking books standing between literature in hadith; because of the healthiest books, and gives her words after the Book of Allah, and Sahih Bukhari, has met the from the words of the time a bit too much, and after that Haorne my teacher supervisor powers of my resolve and encouraged me pulling from Azeri love is not protecting the sanctity of love, and the reason is optional words decade; Vlohmatha and bone will in the lives of all the creatures in general and the rights, especially in their religious affairs and mundane, but all creatures linked to time since God created the heavens and the earth, and created man for days and months, represents the time of great importance in human life and human progress whenever progress with a sense of its importance, in time feeling of a sense of instinctive in humans since ancient times and is a natural phenomenon of the items of interest. Thus, the study three chapters are arranged unprecedented, with an introduction, and pave, and followed by a conclusion followed by a list of sources, and dealt with the following; Chapter One : Words temporal Arabized, and built in the Hadith, was the first topic words temporal Arabized include; (Pots, time, time, time, morning, morn, tomorrow, night, day, day). And dealt with in the second topic : the words temporal based include; (As if, now, yesterday, and while Pena, while, when). The second chapter : I studied the phenomena of language, and includes three sections : the first section : the common verbal. The second topic : opposites. The third topic : the difference of significance language development The third chapter dealt with the rhetorical phenomena, and includes five sections are; The first topic : metaphor. The second topic : alliteration. Section III : counterpoint. The fourth topic : juxtaposition. Section V : repetition. In conclusion, a conclusion which I decided the results of the work of stylistic at the level of theory and application, has been adopted in the completion of this study on a range of sources, said the study in the Hadith Lehigh study is difficult and tedious, but enjoyable and interesting; what Tthmrh of benefits, and the results of a solemn reveal some secrets of the modern prophetic, then Irfan Balavdhal, and favors big gratitude, and I would like to thank the generous to my teacher Mr. Prof. Dr. (Leith Asaad Abdel Hamid) on his Lee observations and corrections that would have made the message flat on its market apologetically - in this Almqam - to person Karim for many accountabilities and Arhaqa him encounters and Almhatvat, a Saber and keen to show the message image the best, he to me in all believe invitations and Okhalsa the reward of God is better reward, this is the effort and the God Almighty dependency, the search was stylistic in the Hadith is not clear the form and level that meets diving in the depths of the style of prophecy for evacuation purposes stones, Vhsabha try, and I've tried with the help of Allah Almighty that the pain of the parties to the subject, and the whole is enough to study, draw conclusions, you would rightly as I wrote it is by the grace of God, though not so Vhspa I tried and did my best, In conclusion extend my thanks and gratitude to the members of the committee discussion esteemed professors who will sing the message flags observations and directives that will enrich the message and straightened, ask them to reconcile God and Time tender..
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2014
الموضوع العام: اللغة العربية وادابها
اسم المشرف: ليث اسعد عبد الحميد
اسم المؤلف: صدام محمد اسماعيل

عود الضمير في الحديث النبوي الشريف في متن صحيح البخاري : دراسة نحوية Promises Of Conscience In The Hadith And Its Impact In Guiding The Meaning Sahih Bukhari Aboard An Example

المستخلص: These included the message subject of promises conscience was the title of the message( Promises of conscience in the Hadith and its impact in guiding the meaning Sahih Bukhari aboard an example) , came the message on the four chapters preceded by an introduction and a boot , in the boot addressed the extent of conscience in the language and terminology grammar , and its divisions , and a number of its provisions , the first chapter Fbgest which promises conscience on Advanced mentioned came on two themes The first topic : I studied the promises of conscience at the earliest mentioned.Second section dealt with the promises of conscience to further mentioned.The second chapter was in the late promises of conscience , and also came on two themes : The first topic : promises of conscience on a single late explained.The second topic : the late promises conscience clause explained. The third chapter in the promises of conscience is not listed , and included two sections : The first topic : the promises of conscience mentioned evidenced by the presumption of verbal.The second topic : the promises of conscience mentioned evidenced by the presumption of sensory , or moral.The fourth chapter in the match was in the promises of conscience , and also came on two themes : The first topic : congruence in terms of numbers : individuals, Deuteronomy , and the combination.The second topic : congruence in terms of masculine and feminine.I have spent a great time on this trip with beautiful modern Messenger of Allah ( Allah bless him and his family) , but I had difficulties therein; unavailability of books that deal by expressing the Hadith , as well as the inadequacy of studies that affect the subject of my research when compared to sources linguistic and grammatical dealing with other topics.Has been adopted in studies on three annotations Head of Sahih Bukhari , namely : Sahih Bukhari explaining Kirmani , known planet Darari , which Muhammad ibn Yusuf al - Kirmani (d. 786 AH ) , and the opening of Bari in the correct explanation of Hafiz Ibn Hajar (d. 852 AH ) , and the third mayor continental correct explanation of Badr al - Din Aini (d. 855 AH ) , as well as Astaanti explanations other , and the grammar books that enlisted them are many of them writers Sibawayh (d. 180 AH ) , and the detailed explanation of Ibn live (d. 643 AH ) , and explain the facilitation of the son of the owner (d. 672 AH ) and appendix and supplementary and others, as well as books of interpretation such as the Scouts Zmkhcri (d. 538 AH ) , and the interpretation of the great Fakhr al - Din al - Razi (d. 606 AH ) , and the ocean sea to Abu Hayyan (d. 745 AH ) and the spirit of the meanings of the guardian (d. 1270 AH ).I can not help in this regard, but to pay tribute beholden great teacher supervisor Prof. Dr. Abdul Rasoul Salman Zaidi, who was Yes supervisor and directed for his direction and guidance , and to correct imperfections , and RPR its largeness , and literature senior treated on me , God has divided the penalty fully.This does not claim perfection in this research has been on the Mount of human error , and I tried not Hasbi is , what was in it from the right of Thanks to God and him alone , and it was a mistake myself and I ask forgiveness from God.In conclusion, the oldest thanks and gratitude to the Committee as percentage of total Alokmlan precious discussion professors flags.Lord, do not forget that Taakhzna or wrong , and I pray to you God, and pray thee, blessed and Taalit , thank you, thank Alaik.
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2014
الموضوع العام: اللغة العربية وادابها
اسم المشرف: عبد الرسول سلمان ابراهيم الزيدي
اسم المؤلف: غازي فيصل عزاوي اللهيبي

التصوير البياني في المشاهد الكونية القرانية : دراسة في الانماط والوظائف Rhetorical Portrayal In Qur'anic Cosmic Scenes : A Study In Patterns And Functions

المستخلص: The present study, which is entitled "Rhetorical Portrayal in Qur'anic Cosmic Scenes : A Study in Patterns and Functions", is in the core of the Glorious Quran studies as it is full of a great number of cosmic verses that are counted by researchers to mount up to sixth of its verses. These verses are dealing with various cosmic elements. When the Holy Quran tackles the (cosmic scene), it deals with it for the sake of accomplishing a variety of functions; ranging from those indicating divinity, an evidence of resurrection, a reminder to humans of Allah's blessings for them, or an identification of the relation of the universe in all its minute details to Allah the Creator. Rhetorical portrayal is regarded on of the phenomena of expression in literary language. The text of the Holy Quran is the apex of such texts. It is characterized by the clear and distinct presence of the rhetorical portrait inside of it along with its distinguished tackling of rhetorical patterns (simile, metaphor and metonymy) in the production of portrait. Of the most significant previous literature is a thesis entitled "The Concluding Sentence in the Qur'anic Cosmic and Humanistic Verses : A Stylistic Study" by Noor H. Mohammed that aimed at dealing with the concluding sentence in the cosmic and humanistic verses with no due reference to the rhetorical portrait except within the scope of her study method.The thesis comprises a preface and four chapters. The preface concentrates on the trilogy of image, imagination and the Qur'anic cosmic scene so as to uncover the concept of image and its relation to imagination among ancient and modern writers. Afterwards, the study moves on from the preface to the practical side. Therefore, the first chapter entitled "Simile in the Cosmic Scenes System" is subdivided into five sections. The first of them is the two sides sense image, the second is the intermingled sense image, the third is the image in the implicit simile, and the fourth is the effectivity of representative image, while the fifth section is the employment of transformational devices in simile. Chapter two focuses on the "Metaphor in the Cosmic Scenes System". It is split into four sections; the first is the employment of personification in the cosmic scenes system, the second is inserting the metaphorical portrait in the cosmic scenes system, thirdly is modes of embodiment in the cosmic scenes system, and the last is the antithesis binaries. The third chapter is entitled "The Mental & Hypallage Trope in Cosmic Scenes System". The researcher favored studying these two types in a separate chapter because they are dangling between metaphor and metonymy as well as due to the huge portrayal energy innate in them that opens forth to both types with regard to their various connotations and relations. I preferred to put this chapter in two sections due to the nature of the analytical, inductive method which is close to descriptive approach of the study; the first is the mental pattern in the scenic system, and the second is the Hypallage pattern in the cosmic scenes system. Chapter four is allocated to the study of "Metonymy in the Cosmic Scenes System". It lies in five sections; the first is the employment of the human and his/her related matters in the cosmic scene, the second is the use of plant and its related issues in the cosmic scene, the third is the usage of time and its related matters in the cosmic scene, and the fourth deals with the metonymy of sighted and chilly cosmic phenomena in the cosmic scene, while the last tackles color implementation in the form of metonymy image. The most significant conclusions perceived from the study are : 1. The letter (Kaaf) comes with the word (mithl/ like) to assure the state of intermingling between the two ingredients of simile.2. The researcher has founded that the rhetorical pattern exceeds the limits of portraying the form into abstract and imaginative worlds, and that the elements forming the cosmic scene participated in the eccentricity of portrait and the activation of its poeticity. 3. Cosmic scenes are mostly count on visual images that are related to natural elements, especially plants. They might address readers' eye to associate more than one human sense with the aim of accomplishing many functions, most importantly, purgation
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: اللغة
السنة: 2015
الموضوع العام: اللغة العربية وادابها
اسم المشرف: اياد عبد الودود عثمان الحمداني
اسم المؤلف: حميد جفات ثويني الجبوري

التوظيف البلاغي للتجنيس والمشاكلة في شعر المتنبي Rhetorical Utilization Of Paronomasia And Homonymy In Almutanabi's Poetry

المستخلص: My study which is entitled "Rhetorical Utilization of Paronomasia and Homonym in Al Mutanabi's Poetry" aimed at expressing the artistic literary power of this great poet as shown in his poetic gift. The utilization of paronomasia and homonymy in his poetry has prominent musical features on the two levels of phonetics and semantics. This artistic selective study came in an introduction, a background, three chapters and a conclusion. In the background, I shortly reviewed some of the rhetorical touches in Al Mutanabi's poetry because what is said about him is more than what it can be said, studied, or analyzed. The first chapter dealt with paronomasia and homonymy in stylistic perspective as it was discussed by old and modern rhetoricians. The second chapter dealt with rhetorical utilization of paronomasia and its types trough analyzing selected examples from his poetry. The third chapter has dealt with the two types of problems in Almutanabi's poetry : investigative and suppositional in certain examples and concluding artistic significances and aesthetic touches in the poetic context. The conclusion discussed the results appeared in the study
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2014
الموضوع العام: اللغة العربية وادابها
اسم المشرف: باسم محمد ابراهيم الفهد
اسم المؤلف: رائد حمد خلف كريش الجبوري

المكان في شعر صفي الدين الحلي Place In The Poetry Of Safieddeen Alhilli

المستخلص: All thanks are due for Allah, praise and blessings are on the final prophet, Mohammed, and his family and companions and those who follow him. The study aims at studying the significance of place in the poetry of Safieddeen Alhilli in terms of his humanitarian experience which mirrored the poetic vision of the tormented self. The thesis comprises three chapter, preceded by a preface and followed by a conclusion summing up the findings of the study, followed then by a bibliography. The preface deals with the linguistic, conventional and philosophical meaning of place as well as identifying the significance of place in literature. Chapter one is allocated to the study of "The Objective Place", which is in turn subdivided into two sections; familiar place, and unfamiliar (hostile) place. Chapter two tackles verses of time and place and their connotations. I concentrated in the first section the connotation of general place, while in the second I shed light on the connotation of breeze. The third chapter is conducted to deal with "The Objective and Artistic Treatment of Place". It is, as well, divided into two sections; the first studies the delineation of place for poetic purposes, while the second with the treatment of place in the rhetorical image. The present study is a textual one questing for the significance of place in the poetry of Safieddeen Alhilli. A poetry that was the source of nostalgia, sighs and pains, the instigator of feelings and the exposer of the tormented self because of departure from family and loved ones. Therefore, the study moves within the range and scope of this analysis
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2014
الموضوع العام: اللغة العربية وادابها
اسم المشرف: صلاح مهدي الزبيدي
اسم المؤلف: عادل خضير احمد

مظاهر الانزياح في الشعـر الاندلسي : عصر الطوائف والمرابطين مثالا Aspects Of Stylistic Deviation In Andalusian Poetry : Poets Of Age Of Al - Tawa'If Kings And Al - Murabiteen

المستخلص: This dissertation is an attempt to study aspects of stylistic deviation in the poetic genre, in an introduction and three chapters. The introduction is dedicated to deal with the different terms and Arabic translations of stylistic deviation.The first chapter tackles "Substitutional Deviation", in three sections : Section one : Deviation of characterization structure.Section two : Deviation of simile structure.Section three : Deviation of impersonation and personificationstructure.The second chapter is devoted to study syntactical deviation, in three sections : Section one : Metonymic deviation.Section two : Deviation of hyperbaton, omission and intertextuality.Section three : More syntactical deviation aspects, such as : annexment and shift, apostrophe, interrogation,order, prohibition, swearing and exclamation. The third chapter is dedicated to the musical host of the poetical form, with a theoretical introduction and three sections : Section one : outer music : metres and rhymes.Section two : inner music in forms of : consonance, repetition, fronting, isocolon and lionine rhyme.Section three : Terza rima (Al - Muwashah). The dissertation has come up to a conclusion summarizing the final academic results.
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: الادب
السنة: 2015
الموضوع العام: اللغة العربية وادابها
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
اسم المؤلف: لؤي صيهـود فـواز التميمي

فتح الرحمن في تفسير القران لمجير الدين العليمي (ت 928هـ) : دراسة لغوية ونحوية Fateh Al - Rahman In Interpreting Quran By Mujeer Al - Deen Al - A'Alimi (Syntactic And Linguistic Study)

المستخلص: The books of interpreting the Glorious Quran is considered as one of the most important Arabic resources because they ,first, deal with the first reference in Arabic language that is the holy Quran that is why most researchers shed more light on it.Though many studies tackled with the books of Quran interpretations but most of them forgot some of these books as "Fateh Al - Rahman in Interpreting Quran" which has a great deal of linguistic and syntactic material.As the researcher tends to collect that material in this book depending on other books of interpretations and the books concerned with Quran meanings and analysis as well as other books of linguistics and syntax. The study is divided into four chapters, chapter one deals with the phonological aspect.Whereas the second chapter deals with the morphological aspect concerning the verb forms and derivations.The third chapter is the semantic aspect concerned with the antonyms ,and the linguistic differences.Finally, the fourth chapter which deals with the syntactic aspect as the verbs, nouns, conjunctions and the articles.All these chapter preceded by d by the prologue and followed by the apologue which presents the results the searcher has found out.To sum up the conclusions that have been drawn are : Eleimi is a dignified Hanbali scientist who has different writings in interpretations, philology and history as "Fateh Al - Rahman".The book which has many syntactic and linguistic affairs.Also, he attempts to separate the various opinions preferring one aspect of any affair if there is any controversy.Moreover ,he goes for the Basr scientists' opinions following the priors ' interpretations as Al - Baghwi, Ibn - Atiah, and Al - Bidhawi as well as his interest in the Quranic readings and the prophet quoting the prophet sayings and the speeches of his followers and companions.Finally, Asking Allah to help us in this work
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2015
الموضوع العام: اللغة العربية وادابها
اسم المشرف: ابراهيم رحمن حميد الاركي
اسم المؤلف: شهد نائل ناجي محمد

التفكير النحوي في كتاب النهاية في شرح الكفاية لابن الخباز الموصلي (ت : 639هـ) Syntactic Thinking In Alnihaya Fi Sharh Elkifaya By Ibn Khabbaz Elmousili (B.639 H.)

المستخلص: Syntactic Thinking in Alnihaya fi Sharh Elkifaya by Ibn Khabbaz Elmousili (b.639 H.) is the title of the present thesis. I chose to study the syntactic thinking in one of the most astound scholars of Mosul in the fifth Hijri century. With regard of the topic of the study, it comprises three chapters, preceded by a preface and introduction, and followed by a conclusion and a list of sources and references. The preface is subdivided into two sections; the first is entitled "The Concept of Syntactic Thinking among Arabs" which deals with the starting points of the emergence of syntactic thinking, while the second which is entitled "Ibn Elkhabbaz's Biography and Works" briefly tackles the life of Ibn Elkhabbaz, his tutors, students and publications. The first chapter of the thesis is entitled "Ibn Elkhabbaz's Approach and Scientific Sources in His Alnihaya fi Sharh Elkifaya". The chapter is divided into two sections; the first studies his approach in his book, while the second concentrates on the scientific sources he relied on when writing his book. Chapter two, "Syntactic Evidence in Elnihaya by Ibn Elkhabbaz", is once more split into two sections. Section one is dedicated to unwritten evidence, and the second to intellectual evidence, showing how great was Ibn Elkhabbaz's interest in them. The third chapter is entitled "Ibn Elkhabbaz's Point of View Concerning Syntactic Differences between Basra and Kofa Grammarians and His Genuine Issues", as he has set a number of genuine issues not specified before him. The study concludes that Ibn Elkhabbaz is an eminent grammarian who paid due attention to all fundaments of grammar, and who has many great publications in Arabic Syntax as he had distinguished influence on his successors. Moreover, I included a various number of grammar, linguistics, and literature books in my thesis.
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2014
الموضوع العام: اللغة العربية وادابها
اسم المشرف: عثمان رحمن حميد الاركي
اسم المؤلف: فاطمة محمد عبد الستار هلال

شرح التصريف للثمانيني ( ت442هـ ) : دراسة تحليلية في ضوء علم اللغة الحديث Sharh Altassreef To Althamanini(442 AH) Within A Modern Scope Of Linguistics

المستخلص: This study aims at analysing the explanation of Althamanini in accordance to the data of modern linguistics. What researchers know is that modern linguistics explain and elaborate the grammatical issues on a phonetic basis , as grammar is considered the corner stone of any successful study for it is the scale of Arabic language, by which the origin of the word is differentiated from its redundant suffixes; beside being the science of structure, substitution, epenthesis, attenuation and elision.This study is divided into an introduction that treated the life of Althamanini and the concepts of morphology and morphological scale, and three chapters followed by a list of conclusions. Chapter one isentitled as( The Structureof Nouns, Verbs And The Fraction of Present Letters) and is diveded into three sections : the first is (Nouns' Structures), the second ( Verbs' Structures) and the third ( The Fraction of Present letters).Chapter two is entitled as ( Substitution, Epenthesis And Assimilation) and arranged in three sections : 1) Substitution, 2) Eepenthesisand 3) Assimilation. And chapter three is entitled as (Addition And Elision) arranged in two sections : the first is (Addition ) and the second is (Elision).This study is ended up with a list of conclusions followed by a list of bibliography. One of the most important conclusions of the current study is to investigate all the grammatical issues in ( SharhAlthamanini) and analyse them within a modern linguistic scope. It is also concluded that the approach of modern linguists is very important in explaining and eliminating many grammatical issues on phonetic bases.
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2016
الموضوع العام: اللغة العربية وادابها
اسم المشرف: ليث اسعد عبد الحميد
اسم المؤلف: رائد احمد عزيز

ادب فؤاد التكرلي السردي في الخطاب النقدي العراقي الحديث The Narrative Works Of Fuad Al Tikirli In Modern Iraqi Critical Discourse

المستخلص: There is a huge critical movement around the works of Fuad Al Tikirli that can be traced back to the mid - fifties of the past century. This is because of the unique characteristics of Al Takarli's works that are marked by intellectual attitudes of development, renewing, and modernism towards writing fiction. Al Tikirli has an exclusive touch that can be noticed by his stories, novels, plays, and articles. This exclusivity is marked by the various literary genres with the accuracy and incredibility of the style at the same time. Al Tikirli has his special style that distinguishes him from other Iraqi writers of his age. Accordingly, critics had followed his writings from his first short story. Nihad Tikirli is regarded as the first critic who reviewed his successful story "Al Uioun Al Khudhr" (The Green Eyes). Before that, many critics tried to analyze his experience according to their intellectual and academic attitudes towards stories and novels like Dr. Ali Jawad Tahir, Dr. Abdulilaah Ahmed, Dr. Umar Talib, Dr. Muhsin Al Mousawi, Dr. Shuja' Al Ani, and the critics : Fadhil Thamir, Yaseen Naseer, and Basim Abdulhameed Hamoudi.The Tikirlian Experience was a subject of many critical studies. All of which tried to find an approach to describe its nature with different procedural devices. This gave his works a critical richness especially in the intellectual fundamentals and the various vision procedural devices. What encouraged the variety of critical approaches of the narrative experience of Al Tikirl is his humanitarian attitude, artistic beauty, and the definite ideological message. His experience is open yet comprehensive with various attitudes, which is a subject of many interpretations. The most important reason behind conducting this study is the variety of critical topics about Tikirli's fictional experience as one of the leading figures of fiction and novel in Iraq as well as the genuine, deep, and continuously developed experience. Al Tikirli was able to take a prestigious status among the Iraqi and Arab novelists.The strong interest in narrative literature participated in choosing this study. It is well known that Fuad Al Tikirli wrote in various literary genres like story, novel, drama, essay, translation, and diaries, but this study will be devoted to narrative literature. Other genres, especially drama, will be left for two reasons. First, those plays did not reach the desired level. They were sole dialogs in which he aimed at trying to write in other genre near to his type. Secondly, the rarity of critical studies that dealt with his plays. The researcher found about two or three essays on his plays, which means that it is regarded as a secondary to his first interest, i.e., stories and novels.Some of the few essays that were concerned with dramatic criticism are "Fuad Al Tikirli : the Dramatist" by Dr. Dhia Khudhayir which was published in the journal Aqlam 3 (1989). The second essay was entitled "The Structure of Dialogue Scenes in the Plays of Fuad Al Tikirli" by the critic Abid Ali Hassan that was published in his book Drama and Application and republished in the journal Emdha 5,6 (2014). The third essay was written by the researcher Mudhafar Salim Shakir and entitled "The Foreign Shadows in the Plays of Fuad Al Tikirli" which was published in Emdha (ibid). The methodology of the study will be based on the textual analytical approach that utilizes the narrative techniques and their aesthetic achievements and the two main narrative streams : traditional novel and Formal Structural Narrative that dealt with the relations between narrative units in a literary work.The study chapters were based on the elements and components of narration as well as the modern techniques of Fuad Al Tikirli's works. The study consisted of four chapters as well as an introduction, a conclusion, a bibliography, and an abstract in English. The introduction contained two aspects. The first one was concerned with Al Tikirli's biography, his narrative innovation and its sources, and his characteristics according to critics and researchers. The second aspect was an introduction to the most important modern narrative elements and techniques contained in the study. The first chapter studied the components of narrative discourse in the works of Fuad Al Tikirli. It is the longest chapter of the study and contained many sections like style, dialogue, and the narrative setting represented by time, place and characters. All those elements participated in the development of his narrative works through the role played by each element in forming and organizing the structure. Style is regarded as the front of the writers work. Dialogue reveals the extent of the writer's attention to people interaction, as well as the monologue that reveals the inner worlds. Narrative setting (time and place) has a great effect on preparing the circumstances to embrace the characters and affect their role in the novel. Characters represent the main factor in narration. Main and secondary characters are the reason behind the existence of the novel.The second chapter contained the components of narrative discourse that is almost similar to the first chapter except with the analysis and scripts.The third chapter entitled "Criticizing Psychological Structure". It was divided into preliminaries and two sections. The preliminaries dealt with an introduction to psychological approach theory and its way of analyzing literary text according to a comprehensive social vision. It showed the relation between fiction and society and the effect of each one on the other in a controversial relation. The first section discussed the issues of sexuality, woman, and adultery in the works of Fuad Al Tikirli. It also discussed the attitude of critics towards this vital and important issue as an advanced topic in this type of literature. The second section was devoted to study the character of the cultivated in his novels and the critics' explanation of the cultivated psychological and financial problems. The fourth chapter contained the criticism of formal structure. Critics have structurally analyzed the scripts Al Tikirli in a punctual and subjective way in building organized relation between narration techniques. This chapter was divided into preliminaries and three sections. The preliminaries were devoted to investigate the formal structural method and its most important techniques. The first section studied the movement forward and backward in narration time. The second section dealt with narrative novel or writer's perspective towards certain topic. The third section contained the subject of textuality of multiple texts to form a new meaningful text. The researcher would like to express his deepest thank to Assistant Professor Saeed Abdulridha Kamees Al Tamimi Ph. D., the study supervisor, for his valuable observations and his dedication towards the perfection of this study. The researcher also extents his gratitude to the professors of the Department of Arabic Language, especially, Dr. Mohammad Abdulrasoul Salman - the dead of the Department of Arabic Language, as well as Professor Fadhil Aboud Al Tamimi, Professor Ayah Abdulwadoud Al Hamdani, Professor Salah Mahdi Al Zubeidi, and Assistant Professor Ali Mutib Jasim. The researcher also thanks the public libraries for their provision of sources and references namely : the higher study library - College of Arts - University of Baghdad, the central library - University of Baghdad, the central library - Mustansiria University, The National Library - The House of Books and Documents, and the central library in Diyala Province.Finally the researcher expresses his deepest gratitude to the debate committee for their efforts in studying and identifying the pitfalls of the study.
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: اللغة
السنة: 2015
الموضوع العام: اللغة العربية وادابها
اسم المشرف: سعيد عبد الرضا خميس التميمي
اسم المؤلف: فاهم طعمة احمد سبتي

التشكيل الاستعاري في شعر اديب كمال الدين

الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2015
الموضوع العام: اللغة العربية وادابها
اسم المشرف: باسم محمد ابراهيم الفهد
اسم المؤلف: ابراهيم خزعل خليفة حسين

الاصوات عند سيبويه في ضوء علم الاصوات الحديث

الصفحات الاولى:
مكان الجامعة: بغداد
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: اللغة
السنة: 1999
الموضوع العام: اللغة العربية وادابها
اسم المشرف: حسام سعيد النعيمي
اسم المؤلف: عبد العزيز سعيد بن حمان الصيغ

البحث الصوتي عند ابن السراج (ت316هـ)

الصفحات الاولى:
مكان الجامعة: بغداد
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 1998
الموضوع العام: اللغة العربية وادابها
اسم المشرف: حسام سعيد النعيمي
اسم المؤلف: علي خليف حسين اللامي

البحث الصوتي والدلالي عند الفيلسوف الفارابي

الصفحات الاولى:
مكان الجامعة: بغداد
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 1992
الموضوع العام: اللغة العربية وادابها
اسم المشرف: محمد ضاري حمادي
اسم المؤلف: رجاء عبد الرزاق كاظم الدفاعي

لغة الشعر عند عارف الساعدي Poetic Language To Arif Al Saidi

المستخلص: Due to the poetic tendency formed by modern currents towards new poetic horizons that lead to appearing individual creations; poetic prints started the spoiled Iraqi poetic scene limiting its identity as a new style in the achieved text image. Arif Al Saidi was one of the famous experiments that took part in supplying the literary climate in general and the poetic one in specific for what was achieved by this poet of texts with modern and contemporary spirit. Out of this complexity, it is necessary for the poetic language to witness a case of transforming responding for the stimuli of the modern expansion and emergence for it is described as the incubator of more comprehensive for whatever the underlying poetic textual structures imply. This formed a motif which drew me to engage in poetic language. It is one of the Iraqi poetic experiment with its uniqueness of form and content. This is what recognizes it or makes it very close to the nation's experiment. Nature of the study demanded the thesis to contain four chapters preceded by a preface and followed by conclusion included the most important results. The preface has two sections. The first included the poetic language concept and its turn in the poem constructing. The second tackled Arif Al Saidi's experiment and his poetic achievement. That's why it was entitled Arif Al Saidi : the experiment and affiliation. Concerning first chapter which is entitled poetic rhythmical constructing, the researcher talked about rhythm in his poetic texts. Second chapter which is entitled constructing poetic vocabulary, the researcher dealt with studying the poetic vocabulary that is described as basic foundations that the poet built his linguistic building. Third chapter which is entitled structure of poetic construction, the researcher showed the prominent expressive harmonies that participated in the poetic language construction. Fourth chapter that came under the title constructing the poetic image. Here, the most important image devices were mentioned that the poet resorts to incarnate creative experiment. The current study followed the analytical descriptive approach which depends on interrogating the poetic texts and exploration the prominent stylistic phenomena and their analysis to reach the poet's interests and his artistic ability. In brief the real value of Arif Al Saidi's poetry lies in their deviation of the familiar linguistic, ready - made, and repeated forms especially that the Iraqi poet's sensation in particular and of Arif Al Saidi's in specific belonging to a new limited poetic generation or to a particular group ( for example stanza poetry). It was a pushing power towards more privacy and to be distant isolated of rumination, repetition, and fluctuation in the first position of the particular poetic experiment. That was in spite of its privacy and depth. It is the matter that has deep penetration in the daily, marginal, neglected, and the ignored in the Iraqi real movement
الصفحات الاولى:
مكان الجامعة: كربلاء
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: الادب
السنة: 2017
الموضوع العام: اللغة العربية وادابها
اسم المشرف: عبد الامير مطر فيلي الساعدي
اسم المؤلف: عباس عبد الحميد عدنان الموسوي

التناص الحجاجي في خطب عصر صدر الاسلام والعصر الاموي Argumentative Intertextuality In The Speech Of The First Islamic Period And The Umayyad Period

المستخلص: يجترح هذا البحث مصطحا مهما من المصطلحات الحجاجية الا وهو(التناص الحجاجي) الذي يعنى بالخطاب والتعالقات النصية في خطب عصر صدر الاسلام والعصر الاموي، واثر هذه التعالقات النصية في حجية هذا الخطاب، فالعلاقات النصية التي تقيمها الخطابات تمتد الى ثقافة مختزن | The current research suggests a significant term which is one of the argumental terms that is the arguemental style. It tackles speech act and relative texts in the speeches of beginning of Islam and the Umayyad era and the effect of these relative texts in the argument of this speech act. The relative texts that are evaluated by orations extend to a stored culture in the collective memory which are inflected in departures and changes that are covered always with a modern garnet. This linguistic event is revived through precipitated procedures in the new oration. The text here is a web of linguistic, constructional, and ideological data, all cooperate to form speech acts. After completion, it practiced a great influence so as to produce other texts, so, the text depends on renewal according to its readability and on quantity according to its supplying privacy.The incoming text comes loaded with argumental references charges with pragmatic productive features to penetrate with the current text and melt in its essence, so the incoming text appears in various levels : the explicit and the implicit. This pragmatic fertilization results in new text with a directed argumental dimension. The pragmatic interaction which is established between the incoming text and the current text cannot be of a single path instead it goes towards the giving and taking reference; it grants the incoming a new reference as it grants an argument power to the current text with all its pragmatic referential roots within its environment. So, the coming text may grants old text new interpretation or show them with a new garment that was hidden before. They could not be seen before so long as the style process, that achieves great deeds that practice argumental power which guide the path of speech act.The research results in several argumental style that the orator adopted in the beginning of Islam and the Umayyad era. These speeches were coloured with different stylistic feature that carried the tendencies orientations and how to form the speech and presenting it to the listener as well as their dependence on the textual loadings that differentiate in their argumental guidance.The research plan included an introductory chapter, followed by three chapters, and conclusion included the most important results of this research in which all this term interpretations and details were discussed in addition to its influence on speeches of the beginning of Islam and the Umayyad era.
الصفحات الاولى:
مكان الجامعة: كربلاء
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: الادب
السنة: 2017
الموضوع العام: اللغة العربية وادابها
اسم المشرف: حسن حبيب عزر الكريطي
اسم المؤلف: امل عبد الرحيم جمعة القره لوسي

الحوار في المقامات الحريـرية واللزومية : دراسة موازنـة

الصفحات الاولى:
مكان الجامعة: كربلاء
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: الادب
السنة: 2017
الموضوع العام: اللغة العربية وادابها
اسم المشرف: عدنان محمد ال طعمة
اسم المؤلف: امينة ثعبان يوسف نجد الاسدي

المفارقة في مقامات العصر العباسي Irony In Maqamat Of Abbasside Era

المستخلص: Most of the Abbaside era Maqamat were based on a bitter irony out of a painful and a tragic reality that is full of contradictions and change of standards and values. Axiomatically they had a lot of instances of irony for it is the most suitable among artistic styles. It was , there fore , adopted by Maqamat writers as the artistic styles through which they expressed their suffering and boredom ; it had been a reflection of the time they lived. For them , irony was a defensive means for facing the cruelty , deprivation and misery in their lives ; a purification means , so to say , that would eliminate the deposits of dreadful ideas and would relieve the strains of poverty and need deep inside them. The irony of the Abbaside Era Maqamat is of three main types : 1. Verbal irony : it includes anti expectation , pedantry equivocation , pun , simile and quotation. 2. Irony of situation : it includes the self uncovering , dramatically and event irony. 3. Narrative irony : it includes spatial and temporal , the narrator - hero and the secondary characters irony. These three main types make up the three chapter of the this study , with each chapter being devoted to one type preceded by an introduction that illuminates the lexical and terminological meanings of "Maqama" and "Irony" and also the nature , importance , motives and aims of each one of them. All that followed by a conclusion that sums up the findings arrived at and most important of which are the following : 1. Maqama is a dramatized story that combines the techniques of both fiction and drama. It both narrates and displays ideas. It is based on a dramatic scene with action and dialogue , a matter which tints it with vitality and excitement that it has been an impressive type of art up to the present time. 2. Linguistic irony is produced by one signifier leading to two or more signified ideas. It , then , enables us to practice a multi - reading criticism because it deepens the text , extends its interpretative limits and widens its horizons. 3. The irony of situation embodied the suffering of the Maqamat writers that their Maqamat seemed to be a reverberation of what they lived and co - lived and what they thought and felt. The irony was their outlet to steam off and express their attitudes towards their surroundings. 4. Time and place in the Abbaside Era Maqamat where open. The characters moved about in absolute time and place. That is to generalize the purpose - idea and indicate that it is likely to happen at any time and place and to implicitly indicate the bad conditions and corruption. 5. The narrator in Abbaside Maqamat is an observer who seldom takes part in the events unlike the hero who undertakes the creation and activation of events and through whom the writer pictures what he wants to deliver. Most likely , the narrator represents the writer , whereas the hero represents the socially , politically and ideologically oppressed class
الصفحات الاولى:
مكان الجامعة: بغداد
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: الادب
السنة: 2003
الموضوع العام: اللغة العربية وادابها
اسم المشرف: سامي مكي العاني
اسم المؤلف: تغريد ضياء مشفي الفخري

المنهج في الخطاب النقدي العراقي المعاصر : تجربة رحمن غركان اختيارا 2003 - 2016م The Method In Iraqi Contemporary Critic Attempt Of Rahman Gharkan Selectively 2003 - 2016 A.D.

المستخلص: This study has concluded to a group of results briefly mention as follows : The critical method represents a main element which the critical literature based to reach through to goal from reading that work art of this , the method has been distributed in Iraqi Contemporary Critic two paths : firstly the research method that take the critical literature data at its subjective and art possibilities , this become widespread in academic thesis especially when the researcher or the study deals with literature or literature phenomena or critical case, the dissertations and thesis represent that studies specific cases (subjective art) a model in functioning the literature curriculum, secondly the critical methods that based on dialogue between a particular work art and critical mind in the light of specified critical method , there are four methods used widely that the contemporary Iraqi critic impacted of western methods. so that , known : stylistic critic on multi methods and constructional critic on also multi methods , cinematography critic on vary theories then literature critic on differential set forth. The poesy critic dominates on other prose arts in the contemporary Iraqi critic due to domination the poesy literature on the awareness critic from a part and abundance poesy production , quantitatively and qualitatively from other side. besides the richness of old Arabic critic record by deal with critic poesy. The Iraqi critic beware also researcher and studying to the importance of the critic term conducting with all doctrine apart and connecting with each arts a part , the term in poesy language different from tale or story , thus in other arts and terms in constructional different in stylistic and as in other doctrines. The critical studies are similar in academic critic particularly those using as methods : stylistic , constructional , cinematography or rhetorical , ways to reading works art then similar studies that read : poetry image or poetry language or constructing presentation personality or arguments. this due to little number of diligent critics , large number of studying or familiar researchers which making create new rarely , spreading the familiar or repetitions as familiar. Rahman Gharkan's critic mostly deal with other arts critic, between twenty two books as sample of this study on the poetry as subject for twenty books some of them for other arts and second rank which the tale , story , the play , the sculpture , music and art construction , for the critic art distributed on four books. The stylistic doctrine presented in critical speech of Rahman Gharkan through four books which are the stylistic as being method as describe doctrine and method of Arabic eloquence , the standard of rhetorical method and the components of the stylistics the poetry column for the rhetorical method represents three books which are : Arabic rhetorical theory , the rhetorical critic method and lectures of the rhetorical teaching , most the rhetorical books have the known teaching method in Arabic rhetoric. He was remarked by the new critic method theorization and applied in books (constructive method in view of procedures / towards suggested method in reading the text and receive the meaning ) whereas this method present five forms of application is constrictive structural readings in five arts which are poetry at the second chapter , story art in the third chapter, tale art at the fourth chapter , theater art in fifth chapter , narrative art in sixth chapter , to concluded to possibility to apply6 in other arts. The application prevail on theorizing at the critic speech for Rahman Gharkan so that he was caring with application data of critic method by making critic procedure at his work art mostly attend the literature's methods. His language characterizes with the critical term level also on descriptive and analysis to affiliate to the method so that the method's language was rhetoric : term and analysis other than stylistic method language. His traditional reference composes of his critic mind attended impact and deep impact on imported reference and his using the Arabic tradition most effective of the modern western critic. The method represents a significant sign of his work that produced six books : the tools of curriculum readings and stylistic as being a doctrine, doctrine's language , talk's doctrine and its standards of methodology , the critic rhetoric, and composition's doctrine from view to procedure. At Rahman Gharkan's critic speech in his written in 2017 another field for study other than its specialization in this study : The critic term in critic speech for Rahman Gharkan's and the text materials at speech critic and written language for him.
الصفحات الاولى:
مكان الجامعة: كربلاء
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: اللغة
السنة: 2017
الموضوع العام: اللغة العربية وادابها
اسم المشرف: خضير عباس درويش
اسم المؤلف: صالح مجيد علي الخزرجي

جمالية المفردة والتركيب في مكاتيب الامامين جعفر الصادق وموسى الكاظم عليهما السلام Aesthetics Of The Word And Expression In The Two Imams' Correspondence, Ja'Afer Al Sadiq And Musa Al Kadhim ( P.B.U.T)

المستخلص: تداخل مفهوم الجمال مع النقد والفلسفة والفن والبلاغة، ولكنه كسب استقلاله في الدراسات الحديثة فهذه الدراسات قد اعطت ابعاده النهائية حتى بات للجمال مذاهب ومدارس، وتحول الاهتمام بالجمال من الجوانب الفلسفية الى المذاهب الادبية والنقدية.يحاول البحث الكشف عن جم | Aesthetics concept interfered with criticism, philosophy, arts, and eloquence. But it gained its independence in the modern studies, for these studies gave its ultimate dimension, to the extent that it has own ideologies and schools. The interest in aesthetics transferred from the philosophical sides to the literary and critical ideologies. The study tries to discover the word aesthetics and its manifestation hints in the construction by selecting a traditional text and still keeping with a lot of aesthetic and virtual elements. The study tries, in addition to its induction and observation for aesthetic elements in the text, to understand the aesthetic philosophy in content from the function and goal sides, whether it is psychological, social, and so on. Nature of the subject demanded that the study is divided into an introduction, preface, three chapters, conclusion, and a list of references. Concerning the preface, it was entitled ' an introduction to aestheticism with a definition of correspondence'. It was divided into two branches. The first was entitled ' an introduction to aestheticism : roots and concepts'. It tackles some topics such as emergence and definition of the concept in the Old Greek and Arab studies. Then, it stated the concept - aestheticism - in the modern studies. The second part of the preface had an idea about the author of Imams' correspondence book, and definition of Imams' correspondence with clarifying their importance. First chapter which was entitled ' aestheticism of the musical level' was divided into three sections. The first which was entitled 'aestheticism of repetition' dealt with the extent of musical activity that can be achieved by repetition in the correspondence with taking into account of non - separation between this function and other functions of repetition. The second section which was entitled ' aesthetics of rhyme' came to uncover discovering functions of this musical style in the correspondence. The most prominent of these are rhythm and caring of listener's psychological aspect; whereas, the third section was devoted to ' aesthetics of alliteration' that had its influence on the text in the form and content levels. Second chapter was entitled 'aesthetics of structural level'. It has two sections. The first is composition styles. It included interrogative, imperative, and vocative; as well as efficiency of each style and its influence in achieving aestheticism in the text, in addition to efficiency to implement other functions. The second section dealt with the conditional style with clarifying its means and use of every one concerning structure and text coherence. Third chapter was about ' aesthetics of semantic level'. It has three sections. The first is concerned with aesthetics of simile. The study showed other functions that simile implied such as psychological or social functions : the second section tackled aesthetics of metaphor. The study also showed what is the benefit of metaphor. Finally, the third section discussed aesthetics of metonymy.
الصفحات الاولى:
مكان الجامعة: كربلاء
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: الادب
السنة: 2016
الموضوع العام: اللغة العربية وادابها
اسم المشرف: جنان منصور كاظم الجبوري
اسم المؤلف: حسين فاضل عيسى الحلو

صورة المراة في الشعر العربي في كربلاء 1950 - 2000م

الصفحات الاولى:
مكان الجامعة: كربلاء
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: الادب
السنة: 2016
الموضوع العام: اللغة العربية وادابها
اسم المشرف: فاروق محمود عبد الله الحبوبي
اسم المؤلف: زينب عزيز هادي الموسوي

شعر ابن حماد العدوي : دراسة في الموضوع والفن Ibin Hemmad Al Adewi's Verse : A Study In The Subject And Art

المستخلص: Ibin Hemmad Al Adewi is one of the great figures of the fourth Hegira century and one of Basrah scientists. He is considered one of poetry publisher. His verse is loyal to the family of the prophet (p.b.u.t.). the current thesis dealt with his verse under the title (Ibin Hemmad Al Adewi's Verse : A Study in the Subject and Art).The thesis consisted of six chapters preceded by introduction and preface, and followed by conclusion. Concerning the preface, it consisted of two parts. The first tackled a general idea about the situation in Iraq during the fourth hegira century while the second part dealt with aspects of the poet's life and culture. The objective study was divided into two sections. The first comprised eulogy and what relates to the family of the prophet's (p.b.u.t.) laudation and elegiac which includes lamentation of the family of the prophet's (p.b.u.t.).The second chapter was devoted to other poetic purposes, that is pride, satire, complaint, and wisdom. The artistic study was distributed as follows and according to the chapters series in the study. So, third chapter concerned with the artistic construction, that is, constructing the traditional dialogue poem ( poems with introduction) and the ideological which concerns his ideological tendencies towards the family of the prophet's (p.b.u.t.). other introductions comprise complaint, wisdom, and a single erotic introduction of an elegiac poem. The poet expresses his sufferings, pains, feelings, and emotions by these introductions as well as his abilities to attract the listener's attention and to prepare him to receive the main topic, in addition to the conclusion, thus, conclusions were in harmony with the subject nature. Fourth chapter came to discuss poetic language; it was of two sections. The first comprises vocabularies. They are vocabularies of doctrine, proper nouns, sadness, time, place, war, and peace.Constructing was taught in the second section such as interrogative with all its categories, imperative, vocative, negation, and emphasis that refer to attractive meanings in his poetic text. These increase rhythm with fascinating music. Fifth chapter was about the artistic image. It has two sections. The first comprises means of image formation particularly the rhetoric image ( simile with all its types, metaphor with its two types : implicit and explicit, metonymy with all its types : attributed, described, and relative). These images add shining colors of the beautiful music that evoke inspiration and urge the listener to listen and enjoy the poet's verse. Second section had two subsections. The first was the sensory image ( optical, acoustic, tactile, and gustatory, whereas the researcher could not find the olfactory image in the divan). The second comprises the single and compound image.Six chapter discussed rhythm.it was divided into two sections. The first was the external rhythm that contains meters, measures : perfect, long, simple, abundant, absolute, restricted, and rhyme faults. The second section, internal rhythm included repetition, inlaying, rotating, turning second hemistich to the first hemistich, and alliteration that increase musical harmony.Concerning the end was about the conclusion. The researcher depended on a long list of references and resources to complete the study. Some of them were literary, critical, linguistic, historical, philosophical, dictionaries, and university theses and dissertations.
الصفحات الاولى:
مكان الجامعة: كربلاء
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: الادب
السنة: 2016
الموضوع العام: اللغة العربية وادابها
اسم المشرف: حربي نعيم محمد الشبلي
اسم المؤلف: سالم محمد ناصر

لفظ الرحمة في القران الكريم : دراسة دلالية Al - Rahma Term In The Holy Quran Sense Studying

المستخلص: جاء البحث امتدادا للدراسات القرانية متناولا لفظا، مادامت النفوس تستشعره وتصبو اليه الارواح بدراسته، الا وهو (لفظ الرحمة في القران الكريم - دراسة دلالية) وتكمن اهميته في كونه يظهر تناسق الالفاظ وانسجامها في النظم القراني، فهي تشترك جميعها في بيان دلالة | The research comes continuing for the Quranic studies which dealing with term as long as the spirits feeling it and the souls look at it in studying it (Al - Rahma term in the Holy Quran - meaning study), its importance found in it is appear the terms harmony and according in the Quranic regulation which all participate in explaining the term sense which depended on in the research studying.Which make the reader more understanding and thinking with the terms essence , the terms in its stated in vary context and different compounds tell in each time about sense derive from that, it is miracle in its arrangement and essence.Following the linguistic matter of Al - Rahma in the Holy Quran, and after count it I found it occupy 562 position. The stylistic study required that the research structure be divided into two chapters preceding by the preliminary chapter and following by conclusion quoted from the research lights. Showing its marvel in variation of the senses for the one term with beauty of harmony and according of the terms as a collar crowned that harmony in participate all in giving the term sense. I talking in the preliminary about (Al - Rahma in the linguist and legal concept) followed that study by the first chapter studying in it (Al - Rahma in the Quranic using and its relationship with the holy tow terms (Al - rahman and Al - Raheem), dividing it into two themes, the first one, (Al - Rahma in the Quranic using) consist of three axe's : the first one titled ( number of the forms which build on them the matter of RAHMA), and the second one (the apparent cases which the Al - Rahma term mentioned in it), and the third one (Al - Rahma terms' senses in the books of faces and the counterparts).The second theme was titled (Al - Rahma and its relationship with the two holy terms Al - Rahman and Al - Raheem) consist of five axis's, the first one titled (Al - Rahman and Al - Raheem are descriptions not adjectives), the second one , the tow forms of Al - Rahman and Al - Raheem, and their senses and the relationship of Al - Rahman with (Ruhm) and Al - Raheem with (Marhama), and followed by explaining scheme for explain that, and the third one (AL sense in the AL - Rahman and Al - Raheem terms), and the fourth axis ( the sense of cutting and increasing in Al - Rahman and Al - Raheem terms), and the fifth one (Pairing sense between the two holy names Al - Rahman and Al - Raheem), the chapter followed by schemes explaining what we mentioned before, we limit by put name of the chapter (Aya)and the number of the verse (Sura) , dividing it into two themes, the first one is (senses of the mercy of Al - Rahman Al - Raheem) contains 30 senses, and the second theme titled (Al - Rahma sense among the creatures) contains one sense that is the fineness.And the analysis for the Quranic verses shows within the second chapter in the two themes according to the forms which term of Al - Rahma mentioned by it in the one sense, preceding the infinitive form on others , because of the infinitive form is the dominant, taking from the explanation , syntax, conjugate, and the eloquence books.The very important results are : The linguistic and legal concept tell that Al - Rahma has two meanings are compassion and sympathy, and the relationship among Al - Rahma, Al - Rahman and Al - Raheem prove that Al - Rahma in the Holy Quran has two meanings are compassion and the sympathy according to sense both Al - Rahaman and Al - Raheem, and the sense of pairing the holy two terms that its mercy are self actual, comprehensive full, multiplying absolute, non restricted mercy.And the dividing senses of AlRahma recommended within one chapter that Al - Rahma even had two meanings, it is has one origin and make it in two themes confirming to the Al - Ragheb Al - Asfhani speech that Allah focus in the people natures the fineness and He marked by charity.Confirming that and documented it by saying of Allah ((My Mercy broaden everything)) Al - A"Raf chapter / 156. And what came in Albukhary Book in the Messenger Hadith (Allah make the mercy in one hundred parts, catch 99 parts and landing one , from it the creatures be merciful by each other even the mare left its hoof on its child fear of hurt it.Through analyzing for holy verses showed that prefer some senses on others through the Quranic context (charity. Allah order, piety, reward, patience, good, compassion, preservation, rain, perfection, forgiveness, cordiality, ……).Finally, this thesis regards a continuing participation in the knowing of sense of a term in the Quranic context.
الصفحات الاولى:
مكان الجامعة: الموصل
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2011
الموضوع العام: اللغة العربية وادابها
اسم المشرف: هدى طاهر محمد
اسم المؤلف: محمد شكر محمود

شعر مديح الخلفاء في العصر العباسي الاول : مقاربة تداولية Praise Poetry Of Caliphs In The First Abbasid Era Pragmatic Approach

المستخلص: Pragmatics deals with the relation between linguistic activity and its users, and successful methods of using the linguistic marks and different keys and contexts within which the discourse is made. Also it finds out the elements that make the discourse as a successful and obvious massage and it finds out the reasons for failure in communication with natural languages.Since pragmatics has the ability to call for non - linguistic aspects in the process of criticism and analysis in the address, this method has been chosen to approach the praise poetry of Caliphs in the first Abbasid era in a way which is different from most literary studies that deals with this poetry with regard to artistic form only. Praise poetry in general, and of Caliphs in particular isn’t based on the aesthetic conditions only, but also it takes into consideration the pragmatic and social conditions that require forms of speech manner according to tone keys in response to a general law that regulates the human communication and prescribes that the success of communication between speaker and addressee is based only on the response to the pragmatic rules, such as cooperation, politeness, courtesy … etc. Since these rules are characterized by usual communication, it is better that these rules are characterized by poetic speech which requires aesthetic form. So, how do the poets leave the dignity that they seek? The poetry that praises Caliphs requires special types of criticism, so the pragmatics is the most appropriate manner to approach this type of poetry. So, we followed the pragmatic manner in studying and analyzing the praise poetries mentioned in the Abbasid royal palace.
الصفحات الاولى:
مكان الجامعة: الموصل
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: الادب
السنة: 2012
الموضوع العام: اللغة العربية وادابها
اسم المشرف: منتصر عبد القادر الغضنفري
اسم المؤلف: عبد الله بيرم يونس

المطابقة في النحو العربي وتطبيقاتها في القران الكريم Concord In Arabic Grammar And Its Applications In The Glorious Quran

المستخلص: The present thesis consists of an introduction, three chapters, and a preface explaining the nature of “concord” according to Arabic linguists. Chapter one contains two sections. Section one is entitled “concord between subject and predicate”. Section two is entitled “concord between verb and subject”. Concord deals in this section with number and genre. This type is applied to the Glorious Quran. Chapter two consists of four sections. The first section deals with concord between noun and adjective. Adjective here is of two types : real adjective as in number, genre and definiteness and indefiniteness, and causal adjective. It deals with definiteness and indefiniteness. All Quranic examples are applied to this. Chapter two focuses on “concord and conjunctions”. Conjunction is in turn of two types. All Quranic examples in this domain are given. Section three deals with concord and apposition. Apposition has four types. Chapter three deals with “concord between pronoun and its referent”. This chapter has four sections. The first one is “concord between the singular pronoun and its referent”. It has two sections : when the pronoun is masculine singular or feminine singular. Examples are given from the Glorious Quran. Section two deals with “concord between Dual Pronoun and its Referent”. Quranic examples are given here. Section three discusses “Concord between plural pronoun and its referent”. It has two subsections : when the pronoun is masculine plural and when the pronoun is feminine plural. Examples are given from the Glorious Quran. Section four deals with “concord between partition pronoun. The thesis ends up with conclusions and references
الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2005
الموضوع العام: اللغة العربية وادابها
اسم المشرف: عدنان عبد الكريم جمعة السالم
اسم المؤلف: فراس عصام شهاب السامرائي

ايات السبيل في القران الكريم : دراسة تحليلية The Verses Of Al Sabeel 'Way' In The Holy Quran : - A Analytic Study

المستخلص: This thesis entitled (the verses of al sabeel 'way' in the holy Quran : a analytic study) was in the first place a title preposed by the super visor , Dr. Zahida Abdullah Muhammad. Then this title became an idea and finally it turhed into an MA research. It tackles the verses of the Holy Quran where the word of Al sabeel (way) were mentioned (167) times.The choice of this topic is due to the importance of the Holy Quoran as asuorce of. All Quoran and linguistic studies for its well coined texts and the accurate choice of words and their uses in the suitable contexts. It is known that the Holy Quoran in its preposition , words , sentences and verses has been massively studied by researchers , there fore ; We preferred to focus in this research on a specific word mentioned in different contexts where the research material was distributed. The research includes a prelude where the word of Al sabeel (way) was defined linguistically and idiomatically and the difference between the word of Al sabeel and the word of Al tareeq (road) and Ah sirrat (straight way) was also mentioned and two chapyres. The first chapter entitled (Al sabeel (way) in the context of verses of the Jihad (the holy war) consist of there parts. part one tackle verses of Al sabeel within the context of the physical Jihad which treats three issues. The first issue focuses on the verses of Al sabeel within the context of the verses of Al Jihad. The second one tackles verses of Al sabeel within the context of the verses of Al Hijra (immigration). While , the third issue discusses the verses of Al sabeel within the context of the verses of fighting in association with the Hijra (immigration) part two is about the verses of Al sabeel (way) within the context of the financial Jihad while which contains two issues. The first is about the general spending. While the second one is about the verses of Al sabeel within the context of the private spending. This chapter ends in part three which discusses the verses of Al sabeel within the context of the physical Jihad in association with the financial Jihad. chapter two is entitled (Al sabeel) within the context of verses of guidance and misleading.It consists of three parts. part one tackles Al sabeel within the context of the verses of guidance. It focuses on two issues. The first issue discusses Al sabeel in the context of the verses of the materialistic guidance. While , the second issue is concerned with Al sabeel within the context of the verses of religious guidance. This issue consists of two items. The first item tackles Al sabeel within the context of the verses concerning the special religious guidance and the second item treats Al sabeel within the context of the verses of the general guidance. As for the second part , Al sabeel is discussed within the verses of the misleading. It includes two issues. The first issue tackles Al sabeel within the context of the verses concerning the misleading and the misleaders. The second issue is about Al sabeel within the context of the verses related to the punishment for misleading while the third part treats Al sabeel within the context of the verses of rejection It comprises three issues. The first is concerned with Al sabeel within the context of the verses of the disbelievers' and the hypocrites' rejection. The second issue is about Al sabeel within the context of the verses of the devils' rejection. In the third issue , Al sabeel is tackled within the context of the verses regarding the people of the verses rejection. At the end of chapter two , three is an appendix including verses mentioned together with those of chapter one. In fact , chapter one is closer to these verses therefore they are attached to it. These verses are concerned with the Islamic laws and rules which if followed, we would be then on the way of guidance ; Otherwise we would be on the way of misleading. The sources used in this research are new and old. They include interpretation books , language books and dictionaries. I would like to express my deepest gratitude and thanks to all friends of mine and the library staff who helped in this research. The findings of this research shows the following : - Most of what is said about Al sabeel (way) cam as religious not materialistic. - The word Al sabeel (way) is used in the Holy Quran to show the religious matters in materialistic way like religion , guidance and misleading. - Al sabeel (way) is mentioned as singular , plural and added , when it is singular , it refers to good and guidance. When it is plural , it refers to misleading and when it is added , it is meant to honour and glorify the word of Al sabeel. When it is added to people , it is meant to honour and glorify them. - To praise Al sabeel (way) is meant to praise its user and to censure Al tareeq (road) means to censure its user. - The word Al sabeel (way) is used more than both the of Al sirrat (the straight way) and Al tareeq (road) due to its easy letters and its form
الصفحات الاولى:
مكان الجامعة: الموصل
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2011
الموضوع العام: اللغة العربية وادابها
اسم المشرف: زاهدة عبد الله محمد العبيدي
اسم المؤلف: طه محمود احمد العلي

التوجيه الصرفي للقراءات القرانية المتواترة في البحر المحيط لابي حيان الاندلســـي (ت745هـ)

الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2005
الموضوع العام: اللغة العربية وادابها
اسم المشرف: علي عبد الله حسين العنبكي
اسم المؤلف: زينب محمد صالح

اثر الاسلام في شعر النقائض Influence Of Isalam In Paradoxical Poetry

المستخلص: I handle in my thesis : preface of culture of Arab Islamic Society and how this culture influenced on art level for poetry specially correspondence of poets because it is a source from culture sources, paradox started from this society and was a mean from means that used to make people laugh through humor which its essence was political most of time and declared among people as daily journals to get the component and call him names on sight and hear of ruling authority or by order from it, paradox reach its op and developed in Amawi age on hand of three poets (jarir, Al - Farazdiq, Al - Akhtal) and how Islam influenced in poetry of those poets and Islam influenced in poetry of those poets and how they influenced by it. In the first chapter ,handled influenced of Islam in meanings and how these meanings influenced in poetry of three Amawi poets, we study that they have colors of immaterial influenced which depend on adding properties of faith and good and Justice and mercy and wellness and belief and erasing the Injustice from complement persons of paradox poetry and most of its Islamic meanings were derived from holy Koran.In the second chapter I handled influence of Islam in terms and styles ,or terms and styles of three poets influenced by Islam, where they invested most of their terns from holy Koran ,also their ways influenced in way or another by Islam from style which reflect personality of poet where (style is a man).While third chapter handled poetical image for those three poets from their influence in poetical image by Islam and being derived from holy Koran and how reflect this image the experiences of poet where image connected with experience of poet and some specific emotional thought and related with feelings and control on poem and become apart from it and cooperate with rest parts by this complete experiences transfer and it is exactly structure of Arab poetry and from the most distinguish means which Koran depend upon it imaging meanings to apply feelings of material issues this wade it look like it is live image in movement ,poets used Koran image and refer to tern and Koran idiom and it is aesthetic mean in directing art consequence.
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: الادب
السنة: 2008
الموضوع العام: اللغة العربية وادابها
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
اسم المؤلف: ميادة محمد عبد اللطيف المشهداني

ايات العتاب في القران الكريم : دراسة بلاغية

الصفحات الاولى:
مكان الجامعة: الموصل
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة - البلاغة
السنة: 2006
الموضوع العام: اللغة العربية وادابها
اسم المشرف: احمد فتحي رمضان الحياني
اسم المؤلف: ابراهيم حسين علي

البحث الصرفي في التفسير الكبير لفخر الدين الرازي

الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2004
الموضوع العام: اللغة العربية وادابها
اسم المشرف: عبد الرسول سلمان ابراهيم الزيدي
اسم المؤلف: حسين حمود خضير الشمري

وظيفة الشعر في التراث البلاغي النقدي عند العرب من الـجاحظ (ت255هـ) الى حازم القرطاجني (ت684هـ) The Function Of Poetry In The Arab Rhetorical Heritage Of Criticism From Al - Jahiz (D.255H) To Hazim Al - Qirtajni (D. 684H)

المستخلص: The present study, “The Function of Poetry in the Arab Rhetorical Heritage of Criticism from Al - Jahiz (d.255H.) to Hazim Al - Qirtajni (d.684H.)” Falls into an introduction four chapters and a conclusion A list of references and an abstract in English are also provided. The Introduction pinpoints the concept of function as well as showing the importance of poetry in the Arab rhetorical heritage of criticim and the role of the Arab poet. Chapter One presents a study of aesthtics as a coneept and science related to poetry within the sensational and descriptive frame, as well as the cognitive and semantic frame. Chapter Two shows the poetic benefit (al - nafii al - shiiri)as a term which is not found in the Arab heritage. So, it was the task of the researcher to look for the origins of this term by studying it in formationully and historically Chapter Three studies the concept of ethics linguistically and terminologically. It also includes a study of the poetic ethics beginning with pre - Islamic era. Chapter Four investigates the educational function of poetry which can be classified into general and specific functions. The study ends with the conclusion that shows the results concluded
الصفحات الاولى:
مكان الجامعة: ديالى
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: الادب
السنة: 2004
الموضوع العام: اللغة العربية وادابها
اسم المشرف: فاضل عبود خميس التميمي
اسم المؤلف: وســـن عبد المنعم ياسين ال فليح الزبيدي

الطيف في شعر البحتري Phantom In Al - Bohtri's Poetry

المستخلص: This Phantom covered a wide aspect of the Abbasi's poetry in general and Al - Bohtri's poetry in Particular. Al - Bohtri's phantom is restricted in the introductions of his Praises which draws attention to the fact that it is not concerned with a real woman but it was a symbol for what is beautiful and lovable to the poet himself.The facts that contributed to the use of phantom , Social and psychological ones. The poet suffered a lot when he was a way from the Caliph and the minister who loved them and had real friendship and admiration relation ships with them. The happy and nice time , had spent with them , made his life bored and not pleasant when the two characters got killed. These two characters were the central pillar in the phantom of Al - Bohtri's Poetry. The poet was Calliy for thers his old happy and nice days in the Abbasi Calphate Palace. Also , their phantoms were Called whenever he wanted to praise a Caliph or a stateman. The faculty of his poetic imagination helped his link vision with reality and real world with dream. The poet goes back to his memory to get the power from the old happy days. when hard times stand against the poet. He faces the painful present time with the old times.
الصفحات الاولى:
مكان الجامعة: الموصل
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: الادب
السنة: 2011
الموضوع العام: اللغة العربية وادابها
اسم المشرف: نوار عبد النافع الدباغ
اسم المؤلف: ياسر محمود حسن عواد الحديدي

المصطلح البلاغي في كتاب الكليات للكفوي (1094 هـ) Rhetorical Term In Al - Kulliyat Book For Al - Kafawi (1094 A.H.)

المستخلص: The terms, being practical and epistemological keys in any area of study, have become an effective tool that helps researchers in a certain discipline to understand them and to trace their true sense. The work on terms has busied a number of scholars in various areas. They exerted great efforts in the cause of illuminating concepts, and defining senses. They compiled dictionaries and encyclopedias which encompassed these terms. One of these books is Abi Al - Baqa Ul - Kafawi's (1094 A.H.) entitled Al - Kulliyat, a dictionary of linguistic differences, which contains a great number of terms that entered different scientific fields. We opted for studying this book for its highlighting of the rhetoric terms. The present thesis comprises four chapters. Chapter One studies the rhetorical term, which had undergone no changes. Chapter Two deals with the overlapping terms. The overlapping terms are those rhetorical terms that were presented by Al - Kafawi as overlapping with such disciplines as grammar, jurisprudence, logic, etc. Chapter Three is devoted to the rhetorical terms that were presented in a rather abridged manner to which we gave the label “condensed rhetorical term”. Chapter Four is dedicated to the rhetorical terms treated by Al - Kafawi away from their rhetorical arena. They were dealt with within grammatical, logical or fundamental frames - or other frames. The findings of the present study are : 1. Al - Kafawi depended on very subtle senses to show the differences among terms.2. Al - Kafawi has deviated from rhetoricians in his coning of some terms especially the term “ tandheem”.3. The obscurity of some terms of Al - Kafawi stems from his adoption of some rhetoricians’ limitations before having matured.4. Al - Kafawi has sometimes cited some concepts in an inaccurate way such as the term “altajnees”5. Al - Kafawi's style was coloured by a philosophical and logical colure, which became one of his distinctive features
الصفحات الاولى:
مكان الجامعة: الموصل
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: الادب
السنة: 2011
الموضوع العام: اللغة العربية وادابها
اسم المشرف: محمد سالم سعد الله الشيخ علي
اسم المؤلف: لمياء حسين حسن حميد الهاشمي

حذف المرفوع من الاسماء في الحديث الشريف : دراسة في كتب اعرابه من العكبري الى السيوطي Omission Of Raised Nouns In Prophet's Says Study Of The Books Of Its Syntax From Al - Uqburi To Al - Syuti

الصفحات الاولى:
مكان الجامعة: الموصل
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: اللغة
السنة: 2011
الموضوع العام: اللغة العربية وادابها
اسم المشرف: عبد الوهاب محمد علي العدواني
اسم المؤلف: وليد خضر عمر الحماوي

الدكتور كامل حسن ا لبصير ودراساته البلاغيـة والقرانيـة Dr. Kamil Hassan Al Baseer And Has Rhetorical And Critical Studies

المستخلص: It is my pleasure that my studying of master's stage deals with one of the Iraqi scientists of Arabic language ,he is the Prof. Dr Kamil Hassan AlBaseer who suggested by Prof. Dr Hamid AlDalimi to the subject of my studying. the reason behind his suggestion is that most of the Iraqi scientists are far away from the eye in spite of their good views in the sciences of Arabic language. Dr. kamil AlBaseer is one of the prominent Iraqi scientists who enriched the circle of rhetorical and critical researches with his great ideas and views. He also has a significant role in the defense of the authenticity of the Arab heritage on the rhetorical and critical level.As well as a lot of opinions who criticize and refute the opinions of the Arab researchers and orientalists that believe the effect of the Arabic rhetoric in foreigner.He adopted in his criticism in a lot of cases on the verses of the holy Quran thoroughbreds text.From hence the tittle is”Dr Kamil Hasan LBaseer and his rhetorical and critical studies. The aim behind this studying is that to appear the importance of his Quranic rhetorical studies. According to nature of this research ,we divided it into three chapters. Every one include many searches.this preceded by an introduction then a conclusion escorted which include the key finding of the research results.This follow by a list of references and sources that the research took its article from.The first chapter contains six sections ,the first include his autobiography and his scientific.the second topic handled his views on the development of Arabic language in the autonomous region (Kurdistan now). The third is on his contribution to the solution of the Kurdish problem with most important statement dialects of their language. The forth topic includes the opinions of the Ray Academy linguistic issues as what AlBaseer believe. the fifth topic is about the issues of technical interdependence between Arabs and Kurds in the cases of brotherhood and peace. The last one deals with the call of commitment in the contemporary felt between the views of Plato and Quranic standards. The second chapter include three sections ,first one is about the authenticity of Arab statement and his criticism to those who denied the authenticity of Arab statement and its influenced with foreigners especially Greek. The second part focuses on the concepts of technical image and its divisions.The third section is on his criticism Dr.Nusrat Abdel Rahman and Dr. Ali AlBatalon the subject of technical image. The third chapter has three sections ,the first is on his studies for the development of the wordy indication in the use of Quranic words according to four methodology and technical foundations : psychological foundation, sensory foundation, environmental foundation, vital foundation. The study of the second topic is to root method of the scientific researches in the light of the verses of holy Quran. The third section include his study of artistic Quranic metaphor in two of social issues.first is the technical Quranic metaphor in the verses of family and the second is the technical Quranic metaphor in the verses of Jews.
الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2015
الموضوع العام: اللغة العربية وادابها
اسم المشرف: حامد ناصر عبود الظالمي
اسم المؤلف: محمد رحيم غريب

العقيدة الاسلامية في الشعر العراقي الحديث The Islamic Doctrine In Modern Iraqi Verse

الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: اللغة
السنة: 2015
الموضوع العام: اللغة العربية وادابها
اسم المشرف: سوادي فرج مكلف
اسم المؤلف: سناء جميل حنون العلي

الافعال المتعلقة بالانبياء والمرسلين (عليهم السلام) في القران الكريم : دراسة صرفية ونحوية ودلالية

الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2015
الموضوع العام: اللغة العربية وادابها
اسم المشرف: احمد رسن صحن
اسم المؤلف: ازهار فاضل حسين

التقابل في العبارات القصيرة في نهج البلاغة : دراسة تحليلية The Equivalence In The Short Phrases In Nahj Al Balagha Analytical Study

المستخلص: Praise be to Allah from Him, we wish completion and acceptance the good works He and His Prophet Mohammed (PbH). During our preparatory and upon reviewing the linguistic curricula taught literatures, we knew that it is in continuous movement never been stopped and in permanent loop never been calm so that it is renewed and released from the old without separation from it as it is in need to quote from it so that studying the text concluded integrated text without division , segmentation or partition; i.e. phonetic level never been studied independently from the grammatical level nor studying syntax away from the phonetic level , but studies all levels together in one subject and on one text. This curricular is the association law or association curricula by its two level : The essence of association ( associating text by its elements present in the text) and the nonappearance ( associating text with absent elements ), the first one is done through distribution while the second is done through election and some of which is characterized with literature behavioral speech and their role in forming and pivoting text. In the second degree after Holy Quran and Hadith of the Prophet (PbH) are studied later pertaining their superiority and their huge status , Approach of Rhetoric( Nahj Al Balagha) is came its speeches were taken from Imam Ali (PbH). In fact, my wish is that my Doctorate study to be in this great proverbs book so that my thesis is titled : Semantic Equivalence in the aphorisms of Imam Ali (PBH) and his sermons In The Approach of Rhetoric. Preliminary is the basis to form the straits of the thesis as it is the theoretical material of the thesis discussing the Equivalence by language and terminology and the twin of equivalence and antithetic and is there twin or both terms are of one meaning. And then the equivalence in Hadith semantics and expansion of term and at last the Prince of Rhetoric and its approach(PbH). In First chapter : I entered in its applications which is the equivalence of two antonyms upon showing the intention by it in language and terminology as it is divided by three parts; the first is real antonyms and the second is metaphor and the third is the equivalence of real antonyms with metaphor antonyms or what is called antonym delusion. Second chapter is about the equivalence of two similarities which is divided by three sections the first was is about the similarity equivalence singular by singular or what is called by the Rhetoric scientists by confusion and the second one is the similarity equivalence sentence by sentence or what is called in the moral creativity ( Al Badee’a) arts by conversion and replacement while the third one is called morale similarity in which the following types of Al Badee’a arts are entered : Consideration the peer, similarity of terms of sentence ( the beginning of the sentence with its end ) and giving sentences of relative meanings ( Tafweef) as I studied all that as it has all its meaning. Third Chapter is about the equivalence of two antonyms which has three pivots the first pivot as the equivalence of negative with positive which is the meaning of negative and positive synonyms and the second pivot is about regression as its meaning is the antonyms and thus I called it the equivalence of antonyms. Third pivot is about the equivalence of two added meaning as a different concept rather than antonyms equivalence. We studied due to the rarity of application on both of them and for other reasons e enlisted in its situ. Last chapter is about with antonyms equivalence including first section. First the apparent antonyms equivalence or moral synonyms and the second one is about the hidden antonyms equivalences ( hidden synonyms) while third one is studied the range of difference of entering two antonyms and added antonyms within it so that the title became added and antonyms confusion equivalence by which the study is concluded. The conclusion or results of the result , it argued the most important points are concluded by the research or study ending with references
الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: اللغة
السنة: 2015
الموضوع العام: اللغة العربية وادابها
اسم المشرف: سليمة جبار غانم
اسم المؤلف: انوار عزيز جليل الاسدي

الموروث الشعبي في روايات شوقي كريم حسن مظاهره وتجلياته Popular Tradition In The Novels Shawki Kareem Hasan Demonstration And Manifestations

المستخلص: This is the first academic studyAuthor ShawkiKareem HasanWriter and novelist.Shawki Kareem with seven novelsPrinted in addition to his other representative in the story and the television, radio and theater in addition to theactionjournalsShawki fire through his large collection of awards.Inside and outside IraqThe novelist and realistic movement of the suffering of people andcommunityAs well as the pride of Southern history in IraqAnd stretch it to the Sumerian civilizationWhich called attention to the popular heritage and legaciesPronouncing the customs, traditions and religious legaciesThe sayings and songs and poems, legends, tales and superstition.This attention invited him to hire it in his novels directly or symbolic and became a hallmark in his novels and rephrased so popular tradition in a newWith modernity language novel language and literature penned his waist and this attention so he invited me to go and to write a research addressing the populartradition And manifestations and manifestations Created search of an introduction and paveAnd a profile of the biography and life Shawki Kareem Hasan and his creativity andA summary of the research as well as the first three chapters titled popular tradition consists resources and consists of three sections Zama second chapter entitled employ the popular tradition and consists of three sections The third chapter titled inherited popular symbolic and consists of four topics and then a conclusion and a list of References and a summary in English
الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2015
الموضوع العام: اللغة العربية وادابها
اسم المشرف: سوادي فرج مكلف
اسم المؤلف: جابر حسين جبر محمد

الطاعة في القران الكريم : دراسة في البنى التركيبية واثرها في المعنى Obedience In Holy Quran A Study In Componential Structures And Their Effect In Meaning

المستخلص: The holy Quran has always been a pure fountain of resources for learners and searchers. Its verses and suras have been an endless resource which enriched grammarians and the scientists of Arabic with their books. This papers has its subject from the holy verses , Thus it is called '' Obedience in Quran : A study in the componential structures and their effects in meaning''. After analyzing the verses where obedience is clearly uttered or implied in their componential structures. The research plan was to divide the paper into three chapters; starting with an introduction , then preface , and finally, conclusion with the most important results besides resources and reference. The preface dealt with the meaning of obedience , the utterances leading to it , and its types in the holy Quran.The first chapter has the title The grammatical fictional of the names ''. ; it has three chapters. The first topic studies the indication of the nominative names. The second one studies the indications of the subjunctive names , while the third one studies the indications of the genitive names.The second chapter has the title of '' studying styles and their indications''. It is also divided into two topics. The first one is concerned with studying the negative style and its indications, the metaphor meanings used, and the conditional style and its indication.While the third chapter has the title of (Types of the componential structures). It is also divided into three topics. The first one is studies the putting in front and back the studying of words. The most significant difference in the componential structures is meant for the intentions and indications , in which holy Quran clearly illustrated. The chapter is specified to study the illumination of the letter and / or the word. And also studying the predicative elements that are eliminated and none predicative elements. The illumination of the sentence. The chapter has been concluded with the separation and the coordination which has been dealt with in the third topic. Finally the conclusion of the study contained the most important results of the research.This paper has used the analytical descriptive method in studying the componential structures , and the meanings , and the new indications built in the structures. Eventually , I would like to thank my supervisor who has been very kind and compassionate. I am so grateful to him for the information , God bless him and gives him all the best that he deserves. All thanks are to be to Allah and his blessing upon his most honorable creature , prophet Mohammed and his kind pure relative.
الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2015
الموضوع العام: اللغة العربية وادابها
اسم المشرف: صيوان خضير خلف المياحي
اسم المؤلف: زينب هاشم راشد

جماليات الاستشهاد بالقران الكريم في كتب التراث الادبي العربي

المستخلص: Quran citing takes a distinctive status in the critical work due to the great importance in determining the cited situations and matters.The writers s and authors are soncerned with citing at cuIturaI , religious and Literary references ( the aesthetics of citing of holy Quran in the Arab literary legacy books ).There are many reasons motivating the writers and critics to cite from the Quran text. This Quranic citing gives the text beauty and magnificence It heIps to discovere context and posside suggestible relations between terms and meanings. The thesis is divided in to three chapters in adduction a preface in which : it has studied the meaning of citing linguistically and idiomatically and its nature ,its motivtes , its reasons and its. It also contained three chapters. In the first chapter : we have studied the linguistic level in three parts, the first part deals with the grammatical level the second is semantica and third one is with morphological level. In the second chapter : we have studied the rhetorical level in three parts : the first part is Al - Badee'a science matters , the second is graphical matters and the third one is on the semantic matters. For the third chapter we have studied other levels , it has four parts. In first part, we have remedied the religious level. The second was concerned on the political level, third was on the intellectual level and the fourth one related to the social level. in the end we have mentioned the results, findings and research references. After all, in the these efforts, the researcher has not claimed that she reaches to perfection in this thesis, perfection only belongs to Allah.
الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: الادب
السنة: 2015
الموضوع العام: اللغة العربية وادابها
اسم المشرف: حسين عبود حميد الهلالي
اسم المؤلف: فرحة عزيز محسن

ملامح الدرامية في شعر الاغتراب النسوي العراقي الحديث Dramatic Structure In Modern Iraqi Female Poetry Of Expatriation

المستخلص: Poetic drama has been an important subject that draws much attention since lyricism has begun to lessen and be replaced by ways of depicting the different problems that people face in their every - day life. Thus , it is necessary that the poet be aware of this change and the relation between drama and poetry. This depends on his / her view of the dimensions and levels of the text in the discourse and his / her recognition of the artistic work he / she is performing and through which the poet embodies the drama that includes conflicting events and persons who make the temporal and spatial frames of the dialogue in its multi - direction aspects. This study is about the dramatic structure in modern Iraqi female poetry of expatriation. Woman is always considered as the weakest and most narcissist creature who attempts to prove her active existence and presence in a narrow - minded society that once cam cells her identity once establishes it depending on her supremecy on man. She is more skillful especially in poetry of expatriation. While she is away from her homeland , she tries to be a part of the reality of expatriation. She expresses that through her sensitivity and warm feelings and , at the same time , is facing the tragic life and the painful reality. Even though , she is the most able to face all types of political , economic and social expatriation in the society. The researcher has noticed a substantial link between the poetic drama and expatriation and to how the Iraqi female poet expresses that in her poetry. This study consists of an introduction , three chapters and a conclusion. The introduction defines drama and expatriation and establishes the origin of the relation between drama and poetry or one side and between expatriation and loneliness on the other to define and limit those notions in their final form in light of modern studies. The researcher also highlights female poetry and how it responds to the situation especially that the Iraqi female poets live outside their country. The question is how able they are to embody the dramatic structure in their poems and to express the feelings of expatriation. Chapter one is made of three sections and discusses elements of the dramatic performance. The three sections are about the dramatic event , the dramatic characters and dialogue and conflict respectively. Chapter two , " Techniques of contemporary poems " , consists of two sections : The disguise on the level of the symbol and the disguise on the level of the myth respectively. Chapter three includes two sections : the first is about place and the second is about time. The conclusion includes the important results of the study ; among which is the overlap of drama and poetry as for as form and content are concerned. The study also reveals the nature of relation between expatriation and loneliness and their effect on those who are expatriated while they are seeking to prove their human existence against conflicts and crises. The female poet finds in her texts an outlet and escape from her expatriation and a reflection of her inside. She is firstly a woman and then she is a poet. She , as a female , has the characteristics of motherhood and homesickness. All that expressed in the dramatic structure of female poetry of expatriation.
الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: الادب
السنة: 2015
الموضوع العام: اللغة العربية وادابها
اسم المشرف: جبار عودة بدن الشحماني
اسم المؤلف: جنان عايد محمد الحسيني

الظواهر النحوية القرانية في دراسات المحدثين : دراسة وتقويم Quranic Grammatical Phenomena In Modern Studies Of The Study And Evaluate

المستخلص: This Study Tagged Aimed B (Phenomena Grammatical Koranic In Modern Studies Of The Study And Evaluate) To Determine The Achtgalat Modern Scholars, The Manifestations Of Conformation Stylistic In The Quranic Text Adha, Which Bear The Stamp Of Privacy Morphological Characteristic; As Graphical Models Banner Contrasting Sunan Use - Prevailing, And Graduated From The System Provisions Standard Extrapolated, And Deal With Them In Accordance With The Descriptive And Analytical Approach And Linked By Linguistic Thinking Continued, And Research In Curriculum And Procedural Mechanisms And Characterization Of The Nature Of The Readings Stylistic That Emerge For And Extract Values Done Deliberative, Noting The In - Depth Research And Study Grammatical Features; And Take The Data Derived From The Consideration And Monitoring Standard For Balancing The Trade - Offs Readings Between Symmetric And Converged On The Levels Of Procedural Mechanisms And Values Of Stylistic Reading. And Fall Within The Research Goals System Seek To Identify, Over The Independence Of The Layout Communicative Ultimate Studied The Characteristics Of The Appearance Of Conformation Stylistic, Or Comprehensiveness Communicative System Wide Levels, As Well As Trying To Monitor What Has Been Made Available From The Visions And Ideas Of Descriptive And Therapeutic Theory Procedural Relevant, Broadcast In The Literature General Linguistic Studies ; Being Supplements Methodology Unavoidable In A Statement Foundations And Mptnaat Layout Atypical And Clarify Pillars, Finishing In Chapter Calendar To Read The Research Characteristics Of The Studies Modernist And Her Trial, In Light Of What Was Produced By The Data Results That Include Their Values On The Report Of The Advantages Of Congruence Between The Observed Study And Content Address, And Discuss The Attributes Applied Models Employee And Note Expressive Space Properties Relying On Them To Verify Their Eligibility To Embody The Contents Of Common And Regularities, And The Identification Of The Corresponding Winning My Space Between The Theory And Application Potential. The Characteristics Of The Stylistic Reading And Measuring BOUND Borders Functional Area The Model For Levels Share A Clear, From The System Finality To Study Values; Being Of Attention And Care Priorities In The Perspective Of The Research Methodology, And Then Pointing Approach Literacy Site Within The Limits Of Linguistic Advantages Stylistic, The Level Of The Approach Of Synthetic Target.
الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: اللغة
السنة: 2016
الموضوع العام: اللغة العربية وادابها
اسم المشرف: سامي علي جبار المنصوري
اسم المؤلف: ميثاق حسن عبد الواحد صالح الصالحي

الظواهر التركيبية في الصحيفة الباقرية الجامعة لادعية الامام محمد بن علي الباقر (عليهما السلام) (ت 114هـ) : دراسة نحوية دلالية Phenomena Structural In Al - Sahifa Al - Baqiriah (Scripture Of Imam Al - Baqir) Al - Jama'Ah For Duas Imam Muhammad Bin 'Ali Al - Baqir (T.114 H)

المستخلص: This study addressed the prayers of Imam Mohammed bin Ali Al - Baqir (peace be upon them) Group in the book of Alssahifa Al - Baqrya The study titled (structural phenomena in Alssahifa Al - Baqrya University of Prayers Imam Muhammad bin Ali Al - Baqir) as it represents the phenomena of reverse, in the format compositional text Al - Baqrya thoughtful, involves a lot of purposes Aldalalaah jokes rhetorical, and nature of the material studied deemed to be a study plan on the three chapters unprecedented boot and followed by a conclusion and bibliography sources research and Review, the boot having on poverty was three : the first paragraph definition of the owner of Alssahifa AlBaqrya, second paragraph definition Alssahifa Al - Baqrya, came the third paragraph of the definition of the phenomenon and to install, either chapters was first called the phenomenon of submission and delays, and included sections three : first topic : the introduction in the nominative or indicative, the second topic : the introduction in the accusatival, section III : to provide semi - sentence, and came second chapter entitled phenomenon of repetition, Investigation has joined four : first topic : Duplicate name, the second topic : repetition, the third section the character repeat, section IV : repeat the sentence, and was the third chapter entitled phenomenon absolutely restriction, has been included on the Investigation of five : first topic : the restriction in replication , section The second restriction effectives, section III, the restriction condition, Section IV : restriction in the negative, Section V : restriction to minors, the study concluded that the most important results, which include : 1. The phenomena of synthetic disclose the meanings and connotations did not disclose sentence in its infrastructure2. The texts of the newspaper came Al - Baqrya expressive accurately reflect what is going on in the mind of the Imam of the feelings and attitudes.3. The diversity of linguistic usage of the phenomenon of submission and delays, all of these uses has connotations and purposes.4. way redundancy hinting structurally prominent in Dua'as Al - Baqrya paper work to show the central idea is the propaganda of the text which is contained therein.5. Repetition did not come out Dua'as Alssahifa AlBaqrya religious terms of reference which are based on the divine self holy expand the exclusion and benign, urgency in the need for the desired application in supplication.6. Most Dua'as newspaper contexts AlBaqrya was restricted, and perhaps the reason for this is due to the appropriate case and calling the context of the case and the place which is said to pray.7. The impact of these restrictions clear in highlighting the meaning and significance in enriching the Dua'as newspaper AlBaqrya
الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2016
الموضوع العام: اللغة العربية وادابها
اسم المشرف: نوري حساني علوان الكاظمي
اسم المؤلف: نـوري عبد الكريـم نعمة

شعر موفق محمد : دراسة في البنية الفنية Mowafaq Mohammed's Poetry : A Study Of Artistic Structure

المستخلص: فان الشاعر موفق محمد من شعرائنا المعاصرين الذين حملوا هموم الحياة واكتووا بنارها وكان الشعر سلاحهم الذي يخفف عنهم الام الحياة واحزانها . وقد وجدت ان هذا الشاعر له حضور فاعل في الحياة الثقافية لمشاركته في المحافل الادبية بصوته المؤثر وقدرته على تحريك المشاعر وجذب المستمعين واستمالة عواطفهم ولما اصدره من مجاميع شعرية لها وقع متميز لدى المتلقين من هنا وقع اختياري عليه لدراسة ( البنية الفنية في شعره ) لمعرفة مدى ما وصل اليه من المهارة والحذق في صياغة الشعر وتلوين خيوط نسيجه وعندما شرعت في البحث عن المصادر التي عنيت بدراسته عجبت لندرتها وانصرافها الى حد كبير عن دراسة ما يتمخض عنه شعره من جوانب فنية فالشاعر موفق محمد على الرغم من مكانته المتميزة بين شعراء عصره لم يحظ بدراسة علمية تعنى بما يشتمل عليه شعره من عناصر الابداع ، فشمرت عن ساعد الجد وجعلت هذه الغاية هدفا اسعى الى تحقيقه . لقد اعتمدت في دراستي هذه مصادر كثيرة منها ما كتبت عن الشاعر نفسه ومنها مصادر نقدية وادبية متنوعة ، كما اعتمدت في تحليل النصوص على مجاميعه الشعرية التي اصدرها ، هادفا الى ابراز اهمية دور الشاعر ومكانته في اوساط المجتمع وجمالية لغته الشعرية وصوره وايقاع الشعر الذي اتخذه منهجا يعبر من خلاله عما يختلج في خاطره من قضايا الوطن والمجتمع والقضايا الانسانية والسياسية بشكل عام . قامت هذه الدراسة على خطة سعيت من خلالها الى الاحاطة بعناصر الفن الشعري عند هذا الشاعر ومهارته في استمالة القلوب اليه ، وكانت الخطة على النحو الاتي ، مقدمة وتمهيد وثلاثة فصول وخاتمة ، تلتها قائمة بالمصادر وملخص باللغة الانكليزية . اختص التمهيد بالتعريف بالشاعر وحياته واعماله الشعرية ومكانته المتميزة بين الشعراء الاخرين ودور الشاعر في الحراك الثقافي والادبي فضلا عن عرض اراء من عاصره من النقاد والادباء فيه . وفي الفصل الاول درست اللغة الشعرية على ثلاثة مباحث تناولت في المبحث الاول : معجمه الشعري . وفي المبحث الثاني : مصادر معجمه الشعري وضم المبحث الثالث : اساليب الطلب عند الشاعر . وخصصت الفصل الثاني لدراسة الصورة الشعرية مبتدئا الفصل بمقدمة عن الصورة ودور الخيال في تشكيلها . وانتظم الفصل الثاني بمبحثين تناولت في المبحث الاول : اساليب بناء الصورة الشعرية . وفي المبحث الثاني : درست انماط الصور ومصادرها . اما الفصل الثالث فقد اهتم بالبنية الايقاعية وقد جاء على ثلاثة مباحث ، الاول : دراسة الايقاع الخارجي . والثاني : الايقاع الداخلي . والثالث : دراسة القافية ، وانهيت دراستي بالخاتمة ذاكرا اهم ما ورد فيها من نتائج وملاحظات توصلت اليها . وفي الختام اتقدم بالشكر الى استاذي المشرف الاستاذ الدكتور ( سوادي فرج مكلف ) لرعايته الابوية وتوجيهاته وملاحظاته التي لم تخل منها صفحة من صفحات هذه الرسالة . ولا ادعي لعملي الكمال فالكمال لله وحده عليه توكلت واليه انيب ومنه التوفيق والسداد . | Mowafaq Mohammed is a contemporary Iraqi poet, who uses poetry as a means to detect the manifestations of infertility in the society and to criticize political situations which led to abuse and bad treatment of people. His poetry came as a loud scream against tyrant rulers and an expression of sadness, depression and hopelessness. The study uncovered the artistic aspects that he employed to achieve the goals and ends he is aiming to. The study critically and analytically tackled the poet's language and his artistic images and poetic rhythm. The poet's language is characterized by; easiness and simplicity, free of complexity and sophistication and diversity of words in his poetic lexicon which varied into words of grief, nature, proper nouns, colloquial words, foreign words, words of love, war, arms and wine. His request styles vary into : interrogation, vocation, command and inhibition which mostly have many metaphoric themes. The holy Qur'an is one of the most important resources that he used to form his poetic imagery. He tends to form his imageries in new different ways to express his positions. Foot poetry is the most dominant type of his poetry, in addition to prose poem. Vertical poetry is a very rare phenomenon in his poetry. He mostly composed his poetry on Alrajaz, ALkamel and Almutadarak meters. He deliberated mixing between the meters within the same poem in many of his poetic texts. The poet employed the phenomenon of alternation between the artistic forms. Once we find his mixing between foot poetry and prose poem, other times he mixes between vertical poetry and foot poetry. He composed his poetry in different poetic themes; however, the most important of them are; elegy, description and satiric political poetry. Elegizing represents the greatest part of his poetry. Elegized persons in his poetry include Imam Hussein (Peace be Upon Him), his family, relatives and friends, especially his lost son. As for description, he is very well known of describing the city of Hilla; its people, allies, bridges and other natural aspects, living and silent ones. In terms of his political poetry, it can be considered as a document that recorded many of the events in Iraq.
الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: ماجستير
الموضوع الدقيق: اللغة
السنة: 2017
الموضوع العام: اللغة العربية وادابها
اسم المشرف: سوادي فرج مكلف
اسم المؤلف: محمد حاكم مسير جاسم

الاليات النظرية لتحليل الخطاب في ضوء التداولية The Theoretical Mechanisms Used For Analysing Discourse In The Light Of Pragmatics

المستخلص: In the seventies of the previous century, linguistics of discourse emerged in reaction to Ferdinand de Saussure's linguistic theories, especially his dichotomies, which studied the internal core of language and neglected “speaking,” i.e. the use of language. De Saussure considered “speaking” as an outsider from the domain of language and this is why he was considered as the father of formalism. Then, linguists shifted their attention to studying the practical facet of ordinary language; i.e. language used in social, historical, cultural, ceremonial, and doctrinal contexts. Accordingly, pragmatics appeared in the second half of the twentieth century.Pragmatics is a philosophical theory that focuses on the principle of use, advantage, and materialism. Though it was theorized by philosophers of different orientations, it is established due to the theories of the philosopher Charles Sanders Peirce and the additions of Charles Morris. However, it becomes clearer in the studies of ordinary language philosophers who are labeled as the Philosophers of Oxford; a group of philosophers who were influenced by Ludwig Josef Johann Wittgenstein's Analytic Philosophy. Wittgenstein also influenced John Austin who attempted to refute the logical binary of saying truth and lying in judging things. Ordinary language philosophers considered language as a means to describe, amend, and change reality. Then, they regarded it as a tool that does linguistic performances. This tendency was adopted by some philosophers after Austen. Paul Grice presented his theory of conversation and interaction rules in addition to cooperative principle among speakers. John Searle, then, completed Austin's theory and developed Speech Act Theory, i.e. how to perform deeds via language using performative verbs.In this study, the researcher has chosen this area of study for its importance in analyzing discourses since analysis previously focused on exploring and deconstructing the internal core of language. This study, being a contemporary one, serves as a link with modern linguistic thoughts and products which open the door for studying Arabic, especially in old sources, because studying the books of old Arabs would show that they had used pragmatic mechanisms theoretically and practically in notion but not in term. This appears in their devotion to the context in which the Holy Quran was descended and the speaker's intentions when they spoke about the difference between utterance and concept. Besides, their studies encompass other epistemological fields such as eloquence, philosophy … etc. This study aims at exploring the mechanisms used for analyzing a pragmatic discourse. In other words, it aims at studying language in context and use.To achieve this aim, the study is divided into four chapters and a conclusion. In Chapter One, a definition is given to the main terms of the title; i.e. discourse, discourse analysis, and pragmatics. Also, an opinion of some researchers about the term “discourse” is presented. Defining “discourse analysis” says much about the concept of analysis and the shift from analyzing the linguistic structure into analyzing the circumstances in which it is said; i.e. speaker, listener, time, place, channel of commutation, context … etc. Similarly, defining pragmatics says much about its different analyzing mechanisms, its diverse theories, and the influence of other areas of knowledge upon it. In Chapter Two, Speech Act Theory is explained. Also, verbs are received a classification and a study is conducted about analyzing the pragmatic meaning. In Chapter Three, the mechanisms used to analyze meaning in the light of Paul Grice's Theory of Conversation are detailed. Also, an explanation is given about levels of discourse, its intentions, presupposition, and conversational implicature. Finally, in Chapter Four, the basic functions of pragmatic discourse, among them are communicative function, contextual function, argumentational function, are discussed. It is worth mentioning that argumentation is a pragmatic theory that has nothing to do with Aristotle's logical argumentation which is related to old eloquence in addition to speeches, and entered into the domain of linguistic study thanks to Oswald Ducrot's researchers.Finally, the conclusion sums up the following conclusions : - The pragmatic mechanisms in analyzing a discourse are an extended pattern which aims at exploring the performative meanings and intentions depending upon shared knowledge among speakers and social contexts. They also aim at exploring customs, doctrines, and ceremonies. - Language cannot perform actions by itself. In other words, it does not have the performative ability because the matter is related to man and his personal action. Hence, language is just a means for performance
الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: اللغة
السنة: 2017
الموضوع العام: اللغة العربية وادابها
اسم المشرف: محمد عبد كاظم
اسم المؤلف: حليم موسى كاظم

الاخر في الشعر المهجري : دراسة في ضوء النقد الثقافي The Other In The Immigration Poetry : A Study In The Light Of Cultural Criticism

المستخلص: This Dissertation , entitled ( The Other in Immigration Poetry : A Study in the Light of Cultural Criticism ) , deals with the theme of " The types , Ways of its construction , how far do culture , religious and literary authorities impact its construction. It tries to discover the cultural patterns involved in the aesthetic aspects that contributed in the deterioration of the image of " The Other " , and made the poetic discourse suffer from contradiction , where it shows all that is beautiful and human , but it conceals too much ugliness and non - human intentions.This dissertation uncovers that immigration poets are interested in the aesthetic aspects rather than human aspects. Moreover , it shows how critics contributed in justifying and beautifying this discourse in such an exaggerate way.It falls into three chapters preceded by an introduction and followed by conclusions. Chapter one falls into three sections ;section one deals with the term of " The Other " linguistically and terminologically as well as the impact of the Arabic and Western cultures and religion on its formation ; section two dealt with the image of cultural criticism , its nature , its relation with other approaches and its merits and demerits ; section three was about the cultural authorities of immigration poetry and their role in forming the image of " The Other ".Chapter two is entitled The Recombinant Other. It falls into five sections , the first of which dealt with The National other , the second dealt with The Divine Other , the third introduced The Woman as being considered The Other , the fourth tackled Nature , the fifth is devoted to the transformations of The Recombinant.Chapter Three is entitled " The Different Other ". It is divided into five sections , section one dealt with The National other , section two talked about The Different other in color and religion , section three sheds light on The Invisible other , section four is devoted to The Defiled Other , the fifth section studied the transformations of The Different.In the conclusion we stated the most important results that we reached at. Finally the researcher does not claim having done a thorough study that deals with everything about the topic ; it's a mere try to study the topic.
الصفحات الاولى:
مكان الجامعة: البصرة
اللغة: العربية
الدرجة: دكتوراه
الموضوع الدقيق: الادب
السنة: 2017
الموضوع العام: اللغة العربية وادابها
اسم المشرف: حسين عبود حميد الهلالي
اسم المؤلف: احمد طعمة حرب