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الرؤية في القصائد العشر == Visibility In The Pre - Islamic Arabic Poetry - Pendants Ten A Model

Author name: افراح عبد محمود الصباغ
Supervisor name: مؤيد محمد صالح اليوزبكي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: Poetry was a means to detect the human realities of things 'but detection of objects and symbols, and exposing Astmlae. Poet is best able to call things by their proper names, because it is capable of creation and creativity stemming from the inherent ability of self and maturity of the intellectual and artistic and aesthetic and depth of the horizon of knowledge - Find useful in employment macroscopic and significant or realistic to reveal behind the facts related to the experience of the poet life' and poetry with a vision to confer on the objects and a new reality is possible 'which is different from the reality recognized when people who are rust and obsolescence no longer serve, and to build state of the world new better that they want to go Viosaun thought to the people and their world and their presence which Jmdoh and identified' Understanding to carry out the soles of life and reality Spraguar art and swept up the veil for the truth that lies behind the necessities of life. And poetic vision of linking the visual and the invisible between reality and dream as it revealed the strength and energy to create a virtual tool and knowledge, to enrich reality The bypassing of vision as the border meaning lexical beyond the vision of the seeing and the apparent meaning of things to the awareness and briefing Bhakaigaha to be more inclusive and better able to discovery which can not impaired his vision and take Bhakiqth been overtaken incursion into the depths of things and try Astbtanha the finest exposing and preserved in the feelings and concerns and attitudes through incursion in the depths of the unconscious and The dark depths of truth and thus become Bassurah vision and insight together to and identifies the vision and interfere with them in the meaning by trying to creation of new horizons of thinking is not at the level of topics only But in terms of a holistic view of the world that you are working on a creation that is the task of the vision that binds reality dream and graduated Language Baekr working on the Union form to the content so that is no longer the poet but Seeing which is the same and others in that, Vlgosaidp) Revelation) in the sense that they embody the aesthetic / perfect for the transition poet to express the world to see and how to say it is a vision of the interior. The pendants Arabic poetic form in which the body immortal vision and poetic vision of a strong character because she was the product of human experiences and a broad and multifaceted, embodied the rights and issues raised by both communities and the various ages. The effects of that melted the hearts of the recipients in all forms, government had met a matter of creation and regeneration in the Permanent Technical immortality is a feature unique texts and high - end, which has become an aesthetic structure identifies in detail the vision and keep the vision.

الشخصية في شعر ادونيس : المرجع، الحضور، التحولات

Author name: حازم هاشم منخي عبد السيد
Supervisor name: سوادي فرج مكلف
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

البحــث اللغــوي عند السيد محمد باقر الصدر == Al - Sayyid Muhammad Baqir Al - Sadr's Linguistic Study

Author name: حسين مزهر حمادي
Supervisor name: عبد الحسين علك المبارك
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: This is a study of the linguistic efforts of one of the most significant modern figures in the field of the science of origins and sources of Fiqh;namely, Ayatollah Sayyid Muhammad Baqir Al - Sadr It investigates his works on Sources of Fiqh ,especially his book. Lessons in Science of Sources as well as his investigation of External studies which one of his students, Sayyid Muhmood Al - Hashimi published under the title, Papers in Science of Sources A descriptive approach has been followed here to trace back the linguistic phenomenon on the part of the linguists on the one hand. On the other hand the very phenomenon of language is investigated as part of the work of the scholars of Sources. Finally, this investigation covers the point of view held by al - Sadr to trace the methods followed by such scholars and the their views so as to anchor at the recognition of the seriousness and mastery Al - Sadr practices while discussing and evaluating earlier linguistic view points. As far as the section on the thought and viewpoints of Sayyid Al - Sadr ,is concerned it analyzes these viewpoints into their main components and supporting ideas to pinpoint the sources from which AL - Sadr has drawn his own opinion when developing his view points here and there Then all that is of some relevance to what Al - Sadr suggests whether held by those pioneer linguists preceding or succeeding him has to be matched to arrive at the originality and novelty of his very suggestion or opinion By so doing , the researcher aims at showing the application and value of Al - Sadr ‘s contribution to language and interpretation of certain aspects of the very phenomenon of language. To outline the thesis, one may say that this research work falls into two parts preceded by an introduction on Al - Sadr biography including the features of his linguistic approach. Again, each of these two parts subdivides into two chapters. The thesis ends with some relevant results. Part I is entitled Sound and Meaning. The first chapter of the first part is on the source of meaning This chapter falls into three sections.Chapter Two carries the title of A Variety of Semantic Patterns. This chapter divides into two sections : Factual and Figurative language and Equivalence and Association. Part II is given the title, Letters and Sentences. Chapter One is on letters and it is divided into two sections. On the other hand, Chapter Two is has got the title of Sentences. This is also subdivides into two sections.The first and most important result of the present research work is the description of the theory developed by Al - Sadr. This theory can be added to the two traditional theories of sources of language. In the light of his new linguistic theory, Al - Sadr explains the origin of language and how sound is associated with meaning in the field of semantics. Al - Sadr's novel theory is called “Approved Association”. In this study of Al - Sadr's theory, the researcher has done his best to shed the light on the very linguistic theory under investigation discussing its basic components as well as its knowledge bases and linguistic dimensions within the frame of modern linguistics. Thus, this is a comparative study that seeks the application of such a linguistic theory to the significant interpretation of the initiation of meaning or semantics emphasizing the first connection between word and word meaning. Furthermore, among the other results of this study is the exposition of the various view points held by Al - Sadr. These views cover matters such as reality and fiction, association and equivalence, function words and their meanings, the use of prepositions as well as types of sentences. Al - Sadr's views have dealt with almost all aspects of language; starting with the word and ending with the whole sentence. Al - Sadr's efforts reflect this unique pioneer's own brilliance and innovation.. It is to this man, one may safely relate the invaluable innovation.that can never be matched in linguistics.

النقد الاجتماعي : دراسة في النقد القصصي العربي الحديث تنظير واجراء == Social Criticism Study In Modern Arab Fiction Criticism Theoretical View And Procedure

Author name: خالد علي ياس
Supervisor name: فاضل عبود خميس التميمي | متعب مناف جاسم
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:

الايثار الدلالي في القران الكريم

Author name: بشرى عبد المهدي ابراهيم التميمي
Supervisor name: ليث اسعد عبد الحميد
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:

التشكيل البياني في شعر الصعاليك والفتاك حتى نهاية العصر الاموي == Rhetorical Formation In Ai - Saaleeq And Al - Fattacks Poetry To The End Of Umayyad Ere

Author name: خالد جعفر مبارك
Supervisor name: فاضل عبود خميس التميمي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: The study deals with Rhetorical Formation as a critical idiom which works in effective poetry field and it is very clear in procedural use. The picture in the poem or the portrait needs the senses and feelings of the receiver and it colours his experience. Thus the drawer and the post use certain means to fulfil his works.As it is known poetry is based on rhetorical arts and means from linguistic and rhetorical view point to create motivation and astonishment. The thesis aims at revealing the art movement of rhetoric and describing it inside the poem structure and outside it. The poem includes in its multi - understanding. The poem is considered as abase the field for poetic rhetoric. AL - Saaleeq and Al - fattacks poetry was chosen to be the subject of the present study because it has literary importance. it gathers two literary eras.Which are considered the most prominent literary eras for poetry production. They include poetic interest and researchers tackled this rich literature. Since the researcher is interested in old literature and has a great wish to study and read it he chose this topic. The study falls in to the following parts : Preliminary (Rhetorical formation in Language) was studied from two sides , the first studies the formation and its relation with poetry. The second deals with the rhetoric term and its development. The study falls into three chapters. The first chapter deals with assimilation formation and its activity.The decoding assimilation structure was studied in the first part and the rhetoric assimilation structure is studied in the second part.The second chapter studies metaphorical formation. The chapter is divided in to three sections.The first deals with metaphorical structure the second part deals with the body metaphorical structure and the third deals with recognize able decoding structure. The third chapter deals with the exceeding rhetorical formation. The study arrives at the following conclusions and suggestions : - The study identifies formation concept.It investigates its concept deeply. - AL - Saaleeq and AL - Fattacks poetry have a great ability in poetry. - They were able to re form environment from poetic viewpoint. - They deal with poetic language as scientists who know every thing concerning its content. - In the assimilation structure art is mixed with psychology. - Most of Al - saaleeq and Al - Fattacks poctic assimilation pictures are very clear. - Al - saaleeq and Al - Fattacks poctic were able to change the task of the main assimilation structure from being printed on the poets conscience to being printed on the receivers conscience. May - The other studies in future study Al - saaleeq and Al - Fattacks poetry from a semantic point of view. - A study can deal with semiotic formation phenol menon in Al - saaleeq and Al - Fattacks poetry. - Al - saaleeq and Al - Fattacks poetry am be studied from a stylistic viewpoint.

التصوير البياني في المشاهد الكونية القرانية : دراسة في الانماط والوظائف == Rhetorical Portrayal In Qur'anic Cosmic Scenes : A Study In Patterns And Functions

Author name: حميد جفات ثويني الجبوري
Supervisor name: اياد عبد الودود عثمان الحمداني
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: The present study, which is entitled "Rhetorical Portrayal in Qur'anic Cosmic Scenes : A Study in Patterns and Functions", is in the core of the Glorious Quran studies as it is full of a great number of cosmic verses that are counted by researchers to mount up to sixth of its verses. These verses are dealing with various cosmic elements. When the Holy Quran tackles the (cosmic scene), it deals with it for the sake of accomplishing a variety of functions; ranging from those indicating divinity, an evidence of resurrection, a reminder to humans of Allah's blessings for them, or an identification of the relation of the universe in all its minute details to Allah the Creator. Rhetorical portrayal is regarded on of the phenomena of expression in literary language. The text of the Holy Quran is the apex of such texts. It is characterized by the clear and distinct presence of the rhetorical portrait inside of it along with its distinguished tackling of rhetorical patterns (simile, metaphor and metonymy) in the production of portrait. Of the most significant previous literature is a thesis entitled "The Concluding Sentence in the Qur'anic Cosmic and Humanistic Verses : A Stylistic Study" by Noor H. Mohammed that aimed at dealing with the concluding sentence in the cosmic and humanistic verses with no due reference to the rhetorical portrait except within the scope of her study method.The thesis comprises a preface and four chapters. The preface concentrates on the trilogy of image, imagination and the Qur'anic cosmic scene so as to uncover the concept of image and its relation to imagination among ancient and modern writers. Afterwards, the study moves on from the preface to the practical side. Therefore, the first chapter entitled "Simile in the Cosmic Scenes System" is subdivided into five sections. The first of them is the two sides sense image, the second is the intermingled sense image, the third is the image in the implicit simile, and the fourth is the effectivity of representative image, while the fifth section is the employment of transformational devices in simile. Chapter two focuses on the "Metaphor in the Cosmic Scenes System". It is split into four sections; the first is the employment of personification in the cosmic scenes system, the second is inserting the metaphorical portrait in the cosmic scenes system, thirdly is modes of embodiment in the cosmic scenes system, and the last is the antithesis binaries. The third chapter is entitled "The Mental & Hypallage Trope in Cosmic Scenes System". The researcher favored studying these two types in a separate chapter because they are dangling between metaphor and metonymy as well as due to the huge portrayal energy innate in them that opens forth to both types with regard to their various connotations and relations. I preferred to put this chapter in two sections due to the nature of the analytical, inductive method which is close to descriptive approach of the study; the first is the mental pattern in the scenic system, and the second is the Hypallage pattern in the cosmic scenes system. Chapter four is allocated to the study of "Metonymy in the Cosmic Scenes System". It lies in five sections; the first is the employment of the human and his/her related matters in the cosmic scene, the second is the use of plant and its related issues in the cosmic scene, the third is the usage of time and its related matters in the cosmic scene, and the fourth deals with the metonymy of sighted and chilly cosmic phenomena in the cosmic scene, while the last tackles color implementation in the form of metonymy image. The most significant conclusions perceived from the study are : 1. The letter (Kaaf) comes with the word (mithl/ like) to assure the state of intermingling between the two ingredients of simile.2. The researcher has founded that the rhetorical pattern exceeds the limits of portraying the form into abstract and imaginative worlds, and that the elements forming the cosmic scene participated in the eccentricity of portrait and the activation of its poeticity. 3. Cosmic scenes are mostly count on visual images that are related to natural elements, especially plants. They might address readers' eye to associate more than one human sense with the aim of accomplishing many functions, most importantly, purgation

مظاهر الانزياح في الشعـر الاندلسي : عصر الطوائف والمرابطين مثالا == Aspects Of Stylistic Deviation In Andalusian Poetry : Poets Of Age Of Al - Tawa'If Kings And Al - Murabiteen

Author name: لؤي صيهـود فـواز التميمي
Supervisor name: خليل ابراهيم عبد الوهاب القيسي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: This dissertation is an attempt to study aspects of stylistic deviation in the poetic genre, in an introduction and three chapters. The introduction is dedicated to deal with the different terms and Arabic translations of stylistic deviation.The first chapter tackles "Substitutional Deviation", in three sections : Section one : Deviation of characterization structure.Section two : Deviation of simile structure.Section three : Deviation of impersonation and personificationstructure.The second chapter is devoted to study syntactical deviation, in three sections : Section one : Metonymic deviation.Section two : Deviation of hyperbaton, omission and intertextuality.Section three : More syntactical deviation aspects, such as : annexment and shift, apostrophe, interrogation,order, prohibition, swearing and exclamation. The third chapter is dedicated to the musical host of the poetical form, with a theoretical introduction and three sections : Section one : outer music : metres and rhymes.Section two : inner music in forms of : consonance, repetition, fronting, isocolon and lionine rhyme.Section three : Terza rima (Al - Muwashah). The dissertation has come up to a conclusion summarizing the final academic results.

ادب فؤاد التكرلي السردي في الخطاب النقدي العراقي الحديث == The Narrative Works Of Fuad Al Tikirli In Modern Iraqi Critical Discourse

Author name: فاهم طعمة احمد سبتي
Supervisor name: سعيد عبد الرضا خميس التميمي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: There is a huge critical movement around the works of Fuad Al Tikirli that can be traced back to the mid - fifties of the past century. This is because of the unique characteristics of Al Takarli's works that are marked by intellectual attitudes of development, renewing, and modernism towards writing fiction. Al Tikirli has an exclusive touch that can be noticed by his stories, novels, plays, and articles. This exclusivity is marked by the various literary genres with the accuracy and incredibility of the style at the same time. Al Tikirli has his special style that distinguishes him from other Iraqi writers of his age. Accordingly, critics had followed his writings from his first short story. Nihad Tikirli is regarded as the first critic who reviewed his successful story "Al Uioun Al Khudhr" (The Green Eyes). Before that, many critics tried to analyze his experience according to their intellectual and academic attitudes towards stories and novels like Dr. Ali Jawad Tahir, Dr. Abdulilaah Ahmed, Dr. Umar Talib, Dr. Muhsin Al Mousawi, Dr. Shuja' Al Ani, and the critics : Fadhil Thamir, Yaseen Naseer, and Basim Abdulhameed Hamoudi.The Tikirlian Experience was a subject of many critical studies. All of which tried to find an approach to describe its nature with different procedural devices. This gave his works a critical richness especially in the intellectual fundamentals and the various vision procedural devices. What encouraged the variety of critical approaches of the narrative experience of Al Tikirl is his humanitarian attitude, artistic beauty, and the definite ideological message. His experience is open yet comprehensive with various attitudes, which is a subject of many interpretations. The most important reason behind conducting this study is the variety of critical topics about Tikirli's fictional experience as one of the leading figures of fiction and novel in Iraq as well as the genuine, deep, and continuously developed experience. Al Tikirli was able to take a prestigious status among the Iraqi and Arab novelists.The strong interest in narrative literature participated in choosing this study. It is well known that Fuad Al Tikirli wrote in various literary genres like story, novel, drama, essay, translation, and diaries, but this study will be devoted to narrative literature. Other genres, especially drama, will be left for two reasons. First, those plays did not reach the desired level. They were sole dialogs in which he aimed at trying to write in other genre near to his type. Secondly, the rarity of critical studies that dealt with his plays. The researcher found about two or three essays on his plays, which means that it is regarded as a secondary to his first interest, i.e., stories and novels.Some of the few essays that were concerned with dramatic criticism are "Fuad Al Tikirli : the Dramatist" by Dr. Dhia Khudhayir which was published in the journal Aqlam 3 (1989). The second essay was entitled "The Structure of Dialogue Scenes in the Plays of Fuad Al Tikirli" by the critic Abid Ali Hassan that was published in his book Drama and Application and republished in the journal Emdha 5,6 (2014). The third essay was written by the researcher Mudhafar Salim Shakir and entitled "The Foreign Shadows in the Plays of Fuad Al Tikirli" which was published in Emdha (ibid). The methodology of the study will be based on the textual analytical approach that utilizes the narrative techniques and their aesthetic achievements and the two main narrative streams : traditional novel and Formal Structural Narrative that dealt with the relations between narrative units in a literary work.The study chapters were based on the elements and components of narration as well as the modern techniques of Fuad Al Tikirli's works. The study consisted of four chapters as well as an introduction, a conclusion, a bibliography, and an abstract in English. The introduction contained two aspects. The first one was concerned with Al Tikirli's biography, his narrative innovation and its sources, and his characteristics according to critics and researchers. The second aspect was an introduction to the most important modern narrative elements and techniques contained in the study. The first chapter studied the components of narrative discourse in the works of Fuad Al Tikirli. It is the longest chapter of the study and contained many sections like style, dialogue, and the narrative setting represented by time, place and characters. All those elements participated in the development of his narrative works through the role played by each element in forming and organizing the structure. Style is regarded as the front of the writers work. Dialogue reveals the extent of the writer's attention to people interaction, as well as the monologue that reveals the inner worlds. Narrative setting (time and place) has a great effect on preparing the circumstances to embrace the characters and affect their role in the novel. Characters represent the main factor in narration. Main and secondary characters are the reason behind the existence of the novel.The second chapter contained the components of narrative discourse that is almost similar to the first chapter except with the analysis and scripts.The third chapter entitled "Criticizing Psychological Structure". It was divided into preliminaries and two sections. The preliminaries dealt with an introduction to psychological approach theory and its way of analyzing literary text according to a comprehensive social vision. It showed the relation between fiction and society and the effect of each one on the other in a controversial relation. The first section discussed the issues of sexuality, woman, and adultery in the works of Fuad Al Tikirli. It also discussed the attitude of critics towards this vital and important issue as an advanced topic in this type of literature. The second section was devoted to study the character of the cultivated in his novels and the critics' explanation of the cultivated psychological and financial problems. The fourth chapter contained the criticism of formal structure. Critics have structurally analyzed the scripts Al Tikirli in a punctual and subjective way in building organized relation between narration techniques. This chapter was divided into preliminaries and three sections. The preliminaries were devoted to investigate the formal structural method and its most important techniques. The first section studied the movement forward and backward in narration time. The second section dealt with narrative novel or writer's perspective towards certain topic. The third section contained the subject of textuality of multiple texts to form a new meaningful text. The researcher would like to express his deepest thank to Assistant Professor Saeed Abdulridha Kamees Al Tamimi Ph. D., the study supervisor, for his valuable observations and his dedication towards the perfection of this study. The researcher also extents his gratitude to the professors of the Department of Arabic Language, especially, Dr. Mohammad Abdulrasoul Salman - the dead of the Department of Arabic Language, as well as Professor Fadhil Aboud Al Tamimi, Professor Ayah Abdulwadoud Al Hamdani, Professor Salah Mahdi Al Zubeidi, and Assistant Professor Ali Mutib Jasim. The researcher also thanks the public libraries for their provision of sources and references namely : the higher study library - College of Arts - University of Baghdad, the central library - University of Baghdad, the central library - Mustansiria University, The National Library - The House of Books and Documents, and the central library in Diyala Province.Finally the researcher expresses his deepest gratitude to the debate committee for their efforts in studying and identifying the pitfalls of the study.

الاصوات عند سيبويه في ضوء علم الاصوات الحديث

Author name: عبد العزيز سعيد بن حمان الصيغ
Supervisor name: حسام سعيد النعيمي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

التناص الحجاجي في خطب عصر صدر الاسلام والعصر الاموي == Argumentative Intertextuality In The Speech Of The First Islamic Period And The Umayyad Period

Author name: امل عبد الرحيم جمعة القره لوسي
Supervisor name: حسن حبيب عزر الكريطي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:
Abstract: يجترح هذا البحث مصطحا مهما من المصطلحات الحجاجية الا وهو(التناص الحجاجي) الذي يعنى بالخطاب والتعالقات النصية في خطب عصر صدر الاسلام والعصر الاموي، واثر هذه التعالقات النصية في حجية هذا الخطاب، فالعلاقات النصية التي تقيمها الخطابات تمتد الى ثقافة مختزن | The current research suggests a significant term which is one of the argumental terms that is the arguemental style. It tackles speech act and relative texts in the speeches of beginning of Islam and the Umayyad era and the effect of these relative texts in the argument of this speech act. The relative texts that are evaluated by orations extend to a stored culture in the collective memory which are inflected in departures and changes that are covered always with a modern garnet. This linguistic event is revived through precipitated procedures in the new oration. The text here is a web of linguistic, constructional, and ideological data, all cooperate to form speech acts. After completion, it practiced a great influence so as to produce other texts, so, the text depends on renewal according to its readability and on quantity according to its supplying privacy.The incoming text comes loaded with argumental references charges with pragmatic productive features to penetrate with the current text and melt in its essence, so the incoming text appears in various levels : the explicit and the implicit. This pragmatic fertilization results in new text with a directed argumental dimension. The pragmatic interaction which is established between the incoming text and the current text cannot be of a single path instead it goes towards the giving and taking reference; it grants the incoming a new reference as it grants an argument power to the current text with all its pragmatic referential roots within its environment. So, the coming text may grants old text new interpretation or show them with a new garment that was hidden before. They could not be seen before so long as the style process, that achieves great deeds that practice argumental power which guide the path of speech act.The research results in several argumental style that the orator adopted in the beginning of Islam and the Umayyad era. These speeches were coloured with different stylistic feature that carried the tendencies orientations and how to form the speech and presenting it to the listener as well as their dependence on the textual loadings that differentiate in their argumental guidance.The research plan included an introductory chapter, followed by three chapters, and conclusion included the most important results of this research in which all this term interpretations and details were discussed in addition to its influence on speeches of the beginning of Islam and the Umayyad era.

المفارقة في مقامات العصر العباسي == Irony In Maqamat Of Abbasside Era

Author name: تغريد ضياء مشفي الفخري
Supervisor name: سامي مكي العاني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Most of the Abbaside era Maqamat were based on a bitter irony out of a painful and a tragic reality that is full of contradictions and change of standards and values. Axiomatically they had a lot of instances of irony for it is the most suitable among artistic styles. It was , there fore , adopted by Maqamat writers as the artistic styles through which they expressed their suffering and boredom ; it had been a reflection of the time they lived. For them , irony was a defensive means for facing the cruelty , deprivation and misery in their lives ; a purification means , so to say , that would eliminate the deposits of dreadful ideas and would relieve the strains of poverty and need deep inside them. The irony of the Abbaside Era Maqamat is of three main types : 1. Verbal irony : it includes anti expectation , pedantry equivocation , pun , simile and quotation. 2. Irony of situation : it includes the self uncovering , dramatically and event irony. 3. Narrative irony : it includes spatial and temporal , the narrator - hero and the secondary characters irony. These three main types make up the three chapter of the this study , with each chapter being devoted to one type preceded by an introduction that illuminates the lexical and terminological meanings of "Maqama" and "Irony" and also the nature , importance , motives and aims of each one of them. All that followed by a conclusion that sums up the findings arrived at and most important of which are the following : 1. Maqama is a dramatized story that combines the techniques of both fiction and drama. It both narrates and displays ideas. It is based on a dramatic scene with action and dialogue , a matter which tints it with vitality and excitement that it has been an impressive type of art up to the present time. 2. Linguistic irony is produced by one signifier leading to two or more signified ideas. It , then , enables us to practice a multi - reading criticism because it deepens the text , extends its interpretative limits and widens its horizons. 3. The irony of situation embodied the suffering of the Maqamat writers that their Maqamat seemed to be a reverberation of what they lived and co - lived and what they thought and felt. The irony was their outlet to steam off and express their attitudes towards their surroundings. 4. Time and place in the Abbaside Era Maqamat where open. The characters moved about in absolute time and place. That is to generalize the purpose - idea and indicate that it is likely to happen at any time and place and to implicitly indicate the bad conditions and corruption. 5. The narrator in Abbaside Maqamat is an observer who seldom takes part in the events unlike the hero who undertakes the creation and activation of events and through whom the writer pictures what he wants to deliver. Most likely , the narrator represents the writer , whereas the hero represents the socially , politically and ideologically oppressed class

المنهج في الخطاب النقدي العراقي المعاصر : تجربة رحمن غركان اختيارا 2003 - 2016م == The Method In Iraqi Contemporary Critic Attempt Of Rahman Gharkan Selectively 2003 - 2016 A.D.

Author name: صالح مجيد علي الخزرجي
Supervisor name: خضير عباس درويش
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:
Abstract: This study has concluded to a group of results briefly mention as follows : The critical method represents a main element which the critical literature based to reach through to goal from reading that work art of this , the method has been distributed in Iraqi Contemporary Critic two paths : firstly the research method that take the critical literature data at its subjective and art possibilities , this become widespread in academic thesis especially when the researcher or the study deals with literature or literature phenomena or critical case, the dissertations and thesis represent that studies specific cases (subjective art) a model in functioning the literature curriculum, secondly the critical methods that based on dialogue between a particular work art and critical mind in the light of specified critical method , there are four methods used widely that the contemporary Iraqi critic impacted of western methods. so that , known : stylistic critic on multi methods and constructional critic on also multi methods , cinematography critic on vary theories then literature critic on differential set forth. The poesy critic dominates on other prose arts in the contemporary Iraqi critic due to domination the poesy literature on the awareness critic from a part and abundance poesy production , quantitatively and qualitatively from other side. besides the richness of old Arabic critic record by deal with critic poesy. The Iraqi critic beware also researcher and studying to the importance of the critic term conducting with all doctrine apart and connecting with each arts a part , the term in poesy language different from tale or story , thus in other arts and terms in constructional different in stylistic and as in other doctrines. The critical studies are similar in academic critic particularly those using as methods : stylistic , constructional , cinematography or rhetorical , ways to reading works art then similar studies that read : poetry image or poetry language or constructing presentation personality or arguments. this due to little number of diligent critics , large number of studying or familiar researchers which making create new rarely , spreading the familiar or repetitions as familiar. Rahman Gharkan's critic mostly deal with other arts critic, between twenty two books as sample of this study on the poetry as subject for twenty books some of them for other arts and second rank which the tale , story , the play , the sculpture , music and art construction , for the critic art distributed on four books. The stylistic doctrine presented in critical speech of Rahman Gharkan through four books which are the stylistic as being method as describe doctrine and method of Arabic eloquence , the standard of rhetorical method and the components of the stylistics the poetry column for the rhetorical method represents three books which are : Arabic rhetorical theory , the rhetorical critic method and lectures of the rhetorical teaching , most the rhetorical books have the known teaching method in Arabic rhetoric. He was remarked by the new critic method theorization and applied in books (constructive method in view of procedures / towards suggested method in reading the text and receive the meaning ) whereas this method present five forms of application is constrictive structural readings in five arts which are poetry at the second chapter , story art in the third chapter, tale art at the fourth chapter , theater art in fifth chapter , narrative art in sixth chapter , to concluded to possibility to apply6 in other arts. The application prevail on theorizing at the critic speech for Rahman Gharkan so that he was caring with application data of critic method by making critic procedure at his work art mostly attend the literature's methods. His language characterizes with the critical term level also on descriptive and analysis to affiliate to the method so that the method's language was rhetoric : term and analysis other than stylistic method language. His traditional reference composes of his critic mind attended impact and deep impact on imported reference and his using the Arabic tradition most effective of the modern western critic. The method represents a significant sign of his work that produced six books : the tools of curriculum readings and stylistic as being a doctrine, doctrine's language , talk's doctrine and its standards of methodology , the critic rhetoric, and composition's doctrine from view to procedure. At Rahman Gharkan's critic speech in his written in 2017 another field for study other than its specialization in this study : The critic term in critic speech for Rahman Gharkan's and the text materials at speech critic and written language for him.

صورة المراة في الشعر العربي في كربلاء 1950 - 2000م

Author name: زينب عزيز هادي الموسوي
Supervisor name: فاروق محمود عبد الله الحبوبي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:

شعر مديح الخلفاء في العصر العباسي الاول : مقاربة تداولية == Praise Poetry Of Caliphs In The First Abbasid Era Pragmatic Approach

Author name: عبد الله بيرم يونس
Supervisor name: منتصر عبد القادر الغضنفري
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: Pragmatics deals with the relation between linguistic activity and its users, and successful methods of using the linguistic marks and different keys and contexts within which the discourse is made. Also it finds out the elements that make the discourse as a successful and obvious massage and it finds out the reasons for failure in communication with natural languages.Since pragmatics has the ability to call for non - linguistic aspects in the process of criticism and analysis in the address, this method has been chosen to approach the praise poetry of Caliphs in the first Abbasid era in a way which is different from most literary studies that deals with this poetry with regard to artistic form only. Praise poetry in general, and of Caliphs in particular isn’t based on the aesthetic conditions only, but also it takes into consideration the pragmatic and social conditions that require forms of speech manner according to tone keys in response to a general law that regulates the human communication and prescribes that the success of communication between speaker and addressee is based only on the response to the pragmatic rules, such as cooperation, politeness, courtesy … etc. Since these rules are characterized by usual communication, it is better that these rules are characterized by poetic speech which requires aesthetic form. So, how do the poets leave the dignity that they seek? The poetry that praises Caliphs requires special types of criticism, so the pragmatics is the most appropriate manner to approach this type of poetry. So, we followed the pragmatic manner in studying and analyzing the praise poetries mentioned in the Abbasid royal palace.

حذف المرفوع من الاسماء في الحديث الشريف : دراسة في كتب اعرابه من العكبري الى السيوطي == Omission Of Raised Nouns In Prophet's Says Study Of The Books Of Its Syntax From Al - Uqburi To Al - Syuti

Author name: وليد خضر عمر الحماوي
Supervisor name: عبد الوهاب محمد علي العدواني
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:

العقيدة الاسلامية في الشعر العراقي الحديث == The Islamic Doctrine In Modern Iraqi Verse

Author name: سناء جميل حنون العلي
Supervisor name: سوادي فرج مكلف
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

التقابل في العبارات القصيرة في نهج البلاغة : دراسة تحليلية == The Equivalence In The Short Phrases In Nahj Al Balagha Analytical Study

Author name: انوار عزيز جليل الاسدي
Supervisor name: سليمة جبار غانم
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise be to Allah from Him, we wish completion and acceptance the good works He and His Prophet Mohammed (PbH). During our preparatory and upon reviewing the linguistic curricula taught literatures, we knew that it is in continuous movement never been stopped and in permanent loop never been calm so that it is renewed and released from the old without separation from it as it is in need to quote from it so that studying the text concluded integrated text without division , segmentation or partition; i.e. phonetic level never been studied independently from the grammatical level nor studying syntax away from the phonetic level , but studies all levels together in one subject and on one text. This curricular is the association law or association curricula by its two level : The essence of association ( associating text by its elements present in the text) and the nonappearance ( associating text with absent elements ), the first one is done through distribution while the second is done through election and some of which is characterized with literature behavioral speech and their role in forming and pivoting text. In the second degree after Holy Quran and Hadith of the Prophet (PbH) are studied later pertaining their superiority and their huge status , Approach of Rhetoric( Nahj Al Balagha) is came its speeches were taken from Imam Ali (PbH). In fact, my wish is that my Doctorate study to be in this great proverbs book so that my thesis is titled : Semantic Equivalence in the aphorisms of Imam Ali (PBH) and his sermons In The Approach of Rhetoric. Preliminary is the basis to form the straits of the thesis as it is the theoretical material of the thesis discussing the Equivalence by language and terminology and the twin of equivalence and antithetic and is there twin or both terms are of one meaning. And then the equivalence in Hadith semantics and expansion of term and at last the Prince of Rhetoric and its approach(PbH). In First chapter : I entered in its applications which is the equivalence of two antonyms upon showing the intention by it in language and terminology as it is divided by three parts; the first is real antonyms and the second is metaphor and the third is the equivalence of real antonyms with metaphor antonyms or what is called antonym delusion. Second chapter is about the equivalence of two similarities which is divided by three sections the first was is about the similarity equivalence singular by singular or what is called by the Rhetoric scientists by confusion and the second one is the similarity equivalence sentence by sentence or what is called in the moral creativity ( Al Badee’a) arts by conversion and replacement while the third one is called morale similarity in which the following types of Al Badee’a arts are entered : Consideration the peer, similarity of terms of sentence ( the beginning of the sentence with its end ) and giving sentences of relative meanings ( Tafweef) as I studied all that as it has all its meaning. Third Chapter is about the equivalence of two antonyms which has three pivots the first pivot as the equivalence of negative with positive which is the meaning of negative and positive synonyms and the second pivot is about regression as its meaning is the antonyms and thus I called it the equivalence of antonyms. Third pivot is about the equivalence of two added meaning as a different concept rather than antonyms equivalence. We studied due to the rarity of application on both of them and for other reasons e enlisted in its situ. Last chapter is about with antonyms equivalence including first section. First the apparent antonyms equivalence or moral synonyms and the second one is about the hidden antonyms equivalences ( hidden synonyms) while third one is studied the range of difference of entering two antonyms and added antonyms within it so that the title became added and antonyms confusion equivalence by which the study is concluded. The conclusion or results of the result , it argued the most important points are concluded by the research or study ending with references

جماليات الاستشهاد بالقران الكريم في كتب التراث الادبي العربي

Author name: فرحة عزيز محسن
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Quran citing takes a distinctive status in the critical work due to the great importance in determining the cited situations and matters.The writers s and authors are soncerned with citing at cuIturaI , religious and Literary references ( the aesthetics of citing of holy Quran in the Arab literary legacy books ).There are many reasons motivating the writers and critics to cite from the Quran text. This Quranic citing gives the text beauty and magnificence It heIps to discovere context and posside suggestible relations between terms and meanings. The thesis is divided in to three chapters in adduction a preface in which : it has studied the meaning of citing linguistically and idiomatically and its nature ,its motivtes , its reasons and its. It also contained three chapters. In the first chapter : we have studied the linguistic level in three parts, the first part deals with the grammatical level the second is semantica and third one is with morphological level. In the second chapter : we have studied the rhetorical level in three parts : the first part is Al - Badee'a science matters , the second is graphical matters and the third one is on the semantic matters. For the third chapter we have studied other levels , it has four parts. In first part, we have remedied the religious level. The second was concerned on the political level, third was on the intellectual level and the fourth one related to the social level. in the end we have mentioned the results, findings and research references. After all, in the these efforts, the researcher has not claimed that she reaches to perfection in this thesis, perfection only belongs to Allah.

ملامح الدرامية في شعر الاغتراب النسوي العراقي الحديث == Dramatic Structure In Modern Iraqi Female Poetry Of Expatriation

Author name: جنان عايد محمد الحسيني
Supervisor name: جبار عودة بدن الشحماني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Poetic drama has been an important subject that draws much attention since lyricism has begun to lessen and be replaced by ways of depicting the different problems that people face in their every - day life. Thus , it is necessary that the poet be aware of this change and the relation between drama and poetry. This depends on his / her view of the dimensions and levels of the text in the discourse and his / her recognition of the artistic work he / she is performing and through which the poet embodies the drama that includes conflicting events and persons who make the temporal and spatial frames of the dialogue in its multi - direction aspects. This study is about the dramatic structure in modern Iraqi female poetry of expatriation. Woman is always considered as the weakest and most narcissist creature who attempts to prove her active existence and presence in a narrow - minded society that once cam cells her identity once establishes it depending on her supremecy on man. She is more skillful especially in poetry of expatriation. While she is away from her homeland , she tries to be a part of the reality of expatriation. She expresses that through her sensitivity and warm feelings and , at the same time , is facing the tragic life and the painful reality. Even though , she is the most able to face all types of political , economic and social expatriation in the society. The researcher has noticed a substantial link between the poetic drama and expatriation and to how the Iraqi female poet expresses that in her poetry. This study consists of an introduction , three chapters and a conclusion. The introduction defines drama and expatriation and establishes the origin of the relation between drama and poetry or one side and between expatriation and loneliness on the other to define and limit those notions in their final form in light of modern studies. The researcher also highlights female poetry and how it responds to the situation especially that the Iraqi female poets live outside their country. The question is how able they are to embody the dramatic structure in their poems and to express the feelings of expatriation. Chapter one is made of three sections and discusses elements of the dramatic performance. The three sections are about the dramatic event , the dramatic characters and dialogue and conflict respectively. Chapter two , " Techniques of contemporary poems " , consists of two sections : The disguise on the level of the symbol and the disguise on the level of the myth respectively. Chapter three includes two sections : the first is about place and the second is about time. The conclusion includes the important results of the study ; among which is the overlap of drama and poetry as for as form and content are concerned. The study also reveals the nature of relation between expatriation and loneliness and their effect on those who are expatriated while they are seeking to prove their human existence against conflicts and crises. The female poet finds in her texts an outlet and escape from her expatriation and a reflection of her inside. She is firstly a woman and then she is a poet. She , as a female , has the characteristics of motherhood and homesickness. All that expressed in the dramatic structure of female poetry of expatriation.

الظواهر النحوية القرانية في دراسات المحدثين : دراسة وتقويم == Quranic Grammatical Phenomena In Modern Studies Of The Study And Evaluate

Author name: ميثاق حسن عبد الواحد صالح الصالحي
Supervisor name: سامي علي جبار المنصوري
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: This Study Tagged Aimed B (Phenomena Grammatical Koranic In Modern Studies Of The Study And Evaluate) To Determine The Achtgalat Modern Scholars, The Manifestations Of Conformation Stylistic In The Quranic Text Adha, Which Bear The Stamp Of Privacy Morphological Characteristic; As Graphical Models Banner Contrasting Sunan Use - Prevailing, And Graduated From The System Provisions Standard Extrapolated, And Deal With Them In Accordance With The Descriptive And Analytical Approach And Linked By Linguistic Thinking Continued, And Research In Curriculum And Procedural Mechanisms And Characterization Of The Nature Of The Readings Stylistic That Emerge For And Extract Values Done Deliberative, Noting The In - Depth Research And Study Grammatical Features; And Take The Data Derived From The Consideration And Monitoring Standard For Balancing The Trade - Offs Readings Between Symmetric And Converged On The Levels Of Procedural Mechanisms And Values Of Stylistic Reading. And Fall Within The Research Goals System Seek To Identify, Over The Independence Of The Layout Communicative Ultimate Studied The Characteristics Of The Appearance Of Conformation Stylistic, Or Comprehensiveness Communicative System Wide Levels, As Well As Trying To Monitor What Has Been Made Available From The Visions And Ideas Of Descriptive And Therapeutic Theory Procedural Relevant, Broadcast In The Literature General Linguistic Studies ; Being Supplements Methodology Unavoidable In A Statement Foundations And Mptnaat Layout Atypical And Clarify Pillars, Finishing In Chapter Calendar To Read The Research Characteristics Of The Studies Modernist And Her Trial, In Light Of What Was Produced By The Data Results That Include Their Values On The Report Of The Advantages Of Congruence Between The Observed Study And Content Address, And Discuss The Attributes Applied Models Employee And Note Expressive Space Properties Relying On Them To Verify Their Eligibility To Embody The Contents Of Common And Regularities, And The Identification Of The Corresponding Winning My Space Between The Theory And Application Potential. The Characteristics Of The Stylistic Reading And Measuring BOUND Borders Functional Area The Model For Levels Share A Clear, From The System Finality To Study Values; Being Of Attention And Care Priorities In The Perspective Of The Research Methodology, And Then Pointing Approach Literacy Site Within The Limits Of Linguistic Advantages Stylistic, The Level Of The Approach Of Synthetic Target.

الاليات النظرية لتحليل الخطاب في ضوء التداولية == The Theoretical Mechanisms Used For Analysing Discourse In The Light Of Pragmatics

Author name: حليم موسى كاظم
Supervisor name: محمد عبد كاظم
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: In the seventies of the previous century, linguistics of discourse emerged in reaction to Ferdinand de Saussure's linguistic theories, especially his dichotomies, which studied the internal core of language and neglected “speaking,” i.e. the use of language. De Saussure considered “speaking” as an outsider from the domain of language and this is why he was considered as the father of formalism. Then, linguists shifted their attention to studying the practical facet of ordinary language; i.e. language used in social, historical, cultural, ceremonial, and doctrinal contexts. Accordingly, pragmatics appeared in the second half of the twentieth century.Pragmatics is a philosophical theory that focuses on the principle of use, advantage, and materialism. Though it was theorized by philosophers of different orientations, it is established due to the theories of the philosopher Charles Sanders Peirce and the additions of Charles Morris. However, it becomes clearer in the studies of ordinary language philosophers who are labeled as the Philosophers of Oxford; a group of philosophers who were influenced by Ludwig Josef Johann Wittgenstein's Analytic Philosophy. Wittgenstein also influenced John Austin who attempted to refute the logical binary of saying truth and lying in judging things. Ordinary language philosophers considered language as a means to describe, amend, and change reality. Then, they regarded it as a tool that does linguistic performances. This tendency was adopted by some philosophers after Austen. Paul Grice presented his theory of conversation and interaction rules in addition to cooperative principle among speakers. John Searle, then, completed Austin's theory and developed Speech Act Theory, i.e. how to perform deeds via language using performative verbs.In this study, the researcher has chosen this area of study for its importance in analyzing discourses since analysis previously focused on exploring and deconstructing the internal core of language. This study, being a contemporary one, serves as a link with modern linguistic thoughts and products which open the door for studying Arabic, especially in old sources, because studying the books of old Arabs would show that they had used pragmatic mechanisms theoretically and practically in notion but not in term. This appears in their devotion to the context in which the Holy Quran was descended and the speaker's intentions when they spoke about the difference between utterance and concept. Besides, their studies encompass other epistemological fields such as eloquence, philosophy … etc. This study aims at exploring the mechanisms used for analyzing a pragmatic discourse. In other words, it aims at studying language in context and use.To achieve this aim, the study is divided into four chapters and a conclusion. In Chapter One, a definition is given to the main terms of the title; i.e. discourse, discourse analysis, and pragmatics. Also, an opinion of some researchers about the term “discourse” is presented. Defining “discourse analysis” says much about the concept of analysis and the shift from analyzing the linguistic structure into analyzing the circumstances in which it is said; i.e. speaker, listener, time, place, channel of commutation, context … etc. Similarly, defining pragmatics says much about its different analyzing mechanisms, its diverse theories, and the influence of other areas of knowledge upon it. In Chapter Two, Speech Act Theory is explained. Also, verbs are received a classification and a study is conducted about analyzing the pragmatic meaning. In Chapter Three, the mechanisms used to analyze meaning in the light of Paul Grice's Theory of Conversation are detailed. Also, an explanation is given about levels of discourse, its intentions, presupposition, and conversational implicature. Finally, in Chapter Four, the basic functions of pragmatic discourse, among them are communicative function, contextual function, argumentational function, are discussed. It is worth mentioning that argumentation is a pragmatic theory that has nothing to do with Aristotle's logical argumentation which is related to old eloquence in addition to speeches, and entered into the domain of linguistic study thanks to Oswald Ducrot's researchers.Finally, the conclusion sums up the following conclusions : - The pragmatic mechanisms in analyzing a discourse are an extended pattern which aims at exploring the performative meanings and intentions depending upon shared knowledge among speakers and social contexts. They also aim at exploring customs, doctrines, and ceremonies. - Language cannot perform actions by itself. In other words, it does not have the performative ability because the matter is related to man and his personal action. Hence, language is just a means for performance

الاخر في الشعر المهجري : دراسة في ضوء النقد الثقافي == The Other In The Immigration Poetry : A Study In The Light Of Cultural Criticism

Author name: احمد طعمة حرب
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: This Dissertation , entitled ( The Other in Immigration Poetry : A Study in the Light of Cultural Criticism ) , deals with the theme of " The types , Ways of its construction , how far do culture , religious and literary authorities impact its construction. It tries to discover the cultural patterns involved in the aesthetic aspects that contributed in the deterioration of the image of " The Other " , and made the poetic discourse suffer from contradiction , where it shows all that is beautiful and human , but it conceals too much ugliness and non - human intentions.This dissertation uncovers that immigration poets are interested in the aesthetic aspects rather than human aspects. Moreover , it shows how critics contributed in justifying and beautifying this discourse in such an exaggerate way.It falls into three chapters preceded by an introduction and followed by conclusions. Chapter one falls into three sections ;section one deals with the term of " The Other " linguistically and terminologically as well as the impact of the Arabic and Western cultures and religion on its formation ; section two dealt with the image of cultural criticism , its nature , its relation with other approaches and its merits and demerits ; section three was about the cultural authorities of immigration poetry and their role in forming the image of " The Other ".Chapter two is entitled The Recombinant Other. It falls into five sections , the first of which dealt with The National other , the second dealt with The Divine Other , the third introduced The Woman as being considered The Other , the fourth tackled Nature , the fifth is devoted to the transformations of The Recombinant.Chapter Three is entitled " The Different Other ". It is divided into five sections , section one dealt with The National other , section two talked about The Different other in color and religion , section three sheds light on The Invisible other , section four is devoted to The Defiled Other , the fifth section studied the transformations of The Different.In the conclusion we stated the most important results that we reached at. Finally the researcher does not claim having done a thorough study that deals with everything about the topic ; it's a mere try to study the topic.

سورة هود : دراسة في مستويات البناء == Surat Houd A Study In Syntax Levels

Author name: منى زيدان ذياب صالح المشهداني
Supervisor name: عبد الله محمود طه المولى
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: ان الدراسات التي تناولت القران الكريم كثيرة ولا تحصى، لكونه نصا فريدا، وبناؤه محكم متلاحم الاجزاء واسلوبه معجز، مثل بناؤه جانبا مهما من جوانب اعجازه، سواء اكان باستعمال اللغة وتوظيفها توظيفا يبهر فحول البلاغة، ام بقصصه التي ضمت بنيات متنوعة جاءت بكل | Studies that dealt with the Holy Quran are much and countless, for It is a unique text, coherently constructed and with miraculous style. Since It has represented an important side of its inimitability, either through using the language and employing it to daze the eloquence laureates, or with its stories which contained different constructions with wonderful things which remained forever by the Holy Quran, so that to be as a lesson or an example. I were deeply interested in studying a subject deals with the Holy Quran and relates to one of Its secrets, so I chose (Surat Houd - A study in Syntax Levels), and I have realized from the beginning the importance of this subject, and the accuracy in determining the remarkable criterion, which have formed a distinguished stylistic remark in the text of sura. Another reason made me to keep searching, is that the term construction represents the most distinguished features of the Holy Quran, and it is one of the terms that got a wide dispute in the critical and literary studies which have dealt with the Quranic text with studying and analysis. After I have finished selecting this subject, I decided to analyze the Quranic verses, that represented practical examples of the stylistic criterion related to the research's subject, depending mainly on the critical curricula, and guiding by the rhetorical analysis. It is worthy mentioning to refer to the most important books which I have used in my research practically and theoretically : The Holy Quran Interpretations, the old and modern Arabic dictionaries, as well as the rhetorical and stylistic books, especially the poetic stylistic books - a reading in Mahmood Hassan Ismaeel's poetry, Dr. Ashtar Dawood Mohammad. Also I have to refer to the most important Quranic academic studies which preceded me in this regard and which I have made use of them in my research : * Surat Al - kahif - A stylistic study - Master thesis, Wasan Abdul Ghani * Speech levels in the Quranic story - Ph.D. thesis - Faiza Mohammad. Regarding the most important problems I have faced in this research, most of them are related to the dispute about the construction term, as well as, the difficulty in getting the modern sources in the modern Quranic studies, especially the ones which have dealt with time in the Holy Quran, where they are little and rare, where the researcher has spent more effort to get them.After relying on Allah, and completing the general form of the subject, I have found the necessity of settling a suitable plan for the applied procedure in this study, so I have chosen the following plan : The research consists of an introduction, a preface, four chapters, a conclusion, an index of resources and contents, and an abstract in English language. The preface has been divided into two axes, the first one deals with Surat Houd, where I have explained its revealing order, numbers of verses, aim and reasons of revelation. The second axis deals with the concept of construction in the Holy Quran due to the ancients and modernists. The first chapter has dealt with studying the phonetic level, it has been divided into three parts : * The first part deals with comas harmony and its effect on the phonetic construction.* The second part deals with the phonetic equivalence.* The third part deals with the phonetic assemblies. The second chapter has dealt with the dictionary level, it has been divided into two parts : * The first part deals with studying the dictionary function of the title's construction.* The second part deals with studying the dictionary function of the great figures constructions. The third chapter has dealt with time sign of the structural constructions, it has been divided into two axes : * Verbs constructions.* Negative and interrogative constructions The fourth chapter has dealt with the semantic level, it has been divided into two parts : * The first part deals with the semantic similarity order.* The second part deals with the semantic adjacent order. At the end of this trip, the researcher thanks the Prof. Dr. (Abdullah Mahmood Al - Moula) who have the honor to supervise this thesis, where he has taken the responsibility of this long trip with his guidance and advice. My thanks are also go to my teaching staff in Department of Arabic Language / College of Arts, and for everyone who guided me and helped me in this research, may Allah accepts from me, thank for Him at the beginning and at the end.

تقنيات السينما في الرواية العربية 2000 - 2015 == Cinematic Techniques In The Arabic Novel From (2000 - 2015)

Author name: جبار سلطان حسن
Supervisor name: يوسف محمد جابر اسكندر
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Arabic novel with its regional orientation has not been isolated from the novel in general, since it employs a lot of cinematic techniques, proving, meanwhile, that it is open to other arts, keeping up the vibe of renewal and development, because many writers wrote with cinematic awareness and cinematic technique. This elicited the researcher to delve deeper into the effort found in the novels to achieve new modes of expression, which rely heavily on the image and the cinematic formation to maintain the tools to elevate the narrative speech, granting it the necessary narrative identity, which is featured with innovation and high narrative performance. The study is preceded by a forward, which tackles the definitions of concepts that are relevant to the study such as technicality, the concept of cinema, its techniques, and its impact on the Arabic novel. It also highlights the term "New Arabic Novel", and the classification of the novels under study according to it. Examining eventually the studied novels and the criteria of selecting them. The study falls into three chapters beginning with theoretic entries giving sufficient idea about each technology. The first chapter highlights the scenario. It is divided into two sections; the first includes types of scenario in the Arabic novel; the second is about the elements of scenario in the Arabic novel. The second chapter highlights the functions of the camera put into application. It falls into three main sections; the first tackles the corners of the camera, the second tackles the movement of the camera and its steadiness, and the third tackles the duration of the shots. The third chapter discusses the impact of montaging on the Arabic novel. It is divided into two main sections; the first is entitled "The Narrative Montage in the Novel in its Four Types : Horizontal, Reverse, Parallel, and Alternative Montage"; while the second tackles the Expressive Montage in the novel in its two types : the ideological and the rhythmic. The Conclusion sums up the findings of the research and the proposed recommendations.
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