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الخــطاب النقدي في نــهج الــبلاغة : دراسة في الاليات والوظائف والمرجعيات == Critical Discourse in the Road of Eloquence ( A Study on References, Techniques and Functions

Author name: حاتم عبد الواحد شويع
Supervisor name: قاسم محمد كامل السعيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

الحجاج في كتاب خطاب المرحلة للشيخ محمد اليعقوبي من 2003 حتى2014م == Argumentation in the Book of 'Khatab Al-Merhala' by Sheikh Muhammed Al-Yaccobi From 2003 to 2014

Author name: ثامر ناصر علي العبادي
Supervisor name: قصي ابراهيم الحصونة
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

شعر امية بن عبد العزيز الداني : دراسة اسلوبية == Poetry Umayia Ibn Abd AL- Aziz AL-Dani (stylistic study)

Author name: اسراء حسن عبد علي السهلاني
Supervisor name: حسين مجيد رستم الحصونة
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

ابنية الافعال في شعر الجواهري : دراسة دلالية == Verbs Structures in AL- Jawahiri Poetry (Semantic study)

Author name: عباس فاضل داود
Supervisor name: جلال الدين يوسف العيداني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

ما ذكر فيه القران من ايات القران : دراسة دلالية == The Quranic verses in which the word "Quran" was mentioned An indicative study

Author name: ايمان جثير عبد النبي الجابري
Supervisor name: عبد الرحمن فرهود جساس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

المهيمنات الاسلوبية في الشعر مظفر النواب == THE STYLISTIC DOMINATIONS IN MUTHEFER AL - NAUAB POETRY

Author name: موسى جاسب فرحان
Supervisor name: ساهر حسين ناصر
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: This thesis studies stylistic dominations in the Iraqi poet Muthefer Abdulmajed Al - Nauab's poetry. it depends on statistical method to obtain information that helps in analyzing poems according to the descriptive method. It begins with an introduction followed by three chapters; each chapter is divided into two parts as well as the introduction.The first part of the introduction discussed the stylistic study briefly; defining the style, itemizing its kinds and defining each kind to form a basic idea for the reader about this method of criticism. It also explains the meaning of the term "Dominations" in accordance to the critics. The second part discussed Muthefer Al - Nauab's life and his entire work because of his life's importance and its distinction.Chapter one in its first part illustrates the dominant vocal characteristics in Al - Nauab's poetry and defines the poems that this characteristics dominate and their influence on the meaning of these poems. The second part deals with the segment; gives its definition and its kinds. Additionally it takes samples from Al - Nauab's poems and analyzes them.Under the title of " Morphological Dominations", the first part in the second chapter discussed the nominal and verbal dominations briefly after it explains the states of the nouns and verbs; introducing the statistical surveying which the poems getanalyzed according to its results. The second part deals with the derivational nouns; defining each noun and analyzing the poems with regards to the results of the statistics.The final chapter demonstrates the formational dominations. Its first part deals with "Reference" in syntactical dominations as pronouns, adverbs and demonstrative. Then it studies conjunctions. The second chapter studies the rhetorical styles.The thesis concludes that the vocal, morphological, syntactical and rhetorical dominations have an apparent influences on the poems.

البناء اللغوي في القصص القرانية : دراسة دلالية == The Linguistic Construction In Quranic Stories (Semantic Study

Author name: عادل غانم حيال الشويلي
Supervisor name: مهند ذياب فيصل الجبر
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The research deals with the meanings of linguistic construction in the Quranic stories on the levels of phonetic, morphological and syntactic, through which the linguistic miracles of the Holy Qur'an emerged, which is the basic objective that the research sought to achieve.At the vocal level, the sound has a clear effect in highlighting the significance of revelation in the presentation of meaning and its impression on the level of the individual and the linguistic context of the verses of the Qur'anic stories. We see in the places of strength and strength the powerful sounds that characterize these qualities, while in another place, And the mollified in the places of the remembrance of mercy and the divine kindness of his servants.And we see another sound phenomenon close to the construction of the same word according to the balance of one word, which is called the balance of morphology, noting the changes of the semantic change in the construction of the word and its impact in achieving the meanings that are sometimes multiplied by the construction of that word morphological, In the indication according to the context.The research also aims to identify a very important and accurate phenomenon that is manifested in verbal relations that include various structures and tools in achieving a systematic structure in which the Quranic narrator understands theThe Ministry of Higher Education and Scientific Research Dhi Qar University College of Education for Human Sciences The department of Arabic language

شعر الهذليين : دراسة في الانساق الثقافية == Hothailians poetry A studiy for cultural Modes

Author name: علي عمار جخر الرماحي
Supervisor name: ضياء غني لفتة العبودي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Generally , related poetry is considered to be more acceptable and more conference, and that’s because it has the ability to last for a long time preserving itself without being twisted or getting falsification , as well as its accurate lens that can observe the whole details of Arabs old life and register their history . It’s Arabs’ divan and their tongues field in which they can show their ability in language .Hothail’s poetry represents an important sample in the old Arabic poetry for its particularity and queerness and purity because that clan hadn’t mixed with other ones . As a result of its heritage access to us , unlike lots of Arabic clans who their poetry was lost , its divan is enumerated as one of the enduring clans divans . It’s also various in topics and not depending on a specific purpose , and for its high quality and broad quantity which made Hassan Bin - Thabit see that this clan are the best men of means .We studied through this poetry the politician , religious and social life of Hothail , and we recognized the nature of thinking and the behaviors of a Hothailian member , that’s because poetry is a mirror that reflects what happens in any of the societies .We depend in this study the cultural criticism syllabus in analyzing poetry . The cultural criticism is a western roots syllabus that depends on culture as a main part assuming it as a style of living life in a way differs in its nature from another one and it appeared In the second half from the 20th century trying to pass Structuralism and what comes after it and novelty and what comes after it and breaking the bars and cancelling the limits and hit the concentration and allowing the margins to go up , extroverting on other sciences such as sociology , history , philosophy and anthropology . Then Arabs moved in a try to get benefit from it enlightening the entire Arab mentality and fixing the dyslexia by passing the literary criticism to a criticism that takes the ugliness under the syntactic building and not focusing only on the aesthetics . We discovered , while studying Hothail’s poetry , in this syllabus that this clan is well known for its members belonging for it . First, by the blood association and the lineage beginning from the family and moving to the uncles and the neighboring circle with the non - Hothailian member , and this is abvious from the solidarity and unity between all the members . Second , by the place association whether it was realistic or symbolic . On the realistic or natural place level Hothailian people prided in their environment and yearned for it and they were linked with their land in which they were born and grow until it became like a mother for them . On the other hand , on the symbolic level , the real properties of the place changed into artistic and Hothailians turn to feel superiority and elevation because of their high geographical location , and that was abvious from the ego hugeness and the spread of the format of confusion in most of their poetry . And about what their geographical location known in its reduction , and this was mentioned rarely , they use it to express their hard living and then change it to be a motivation for climbing the ladder of glory .Hothail’s religious life seemed to be idolatry and heathenism and the weak creed , as this clan aimed to reinforce the idolatress thoughts and practice many habits which showed its spiritual weakness and its low - minded level in the ignorance era . And that continued even after Islam’s coming and its historical periods , thus religion stayed an outside cover only and a mask which this clan used to hide its rejection for the new creed and yearn for their fathers and grandfathers idolatry past .The social life of Hothail can be characterized that this clan was known for some habits and essentials although it was mutual in practicing with other Arabic clans . And singularity in some new habits and essentials that were stocked in it without any other clan . And retraction of some habits and essentials on its various practices and its style of thinking .This clan poetry disclosed generally about the nature of the insurgent and breaking the mainstream and changing the positions between tops and bottoms and renewing the concept of the definitions and standards and the basic essentials Hothalian self , depending on a special culture and knowledge treasure which made this clan in the administration of the Arabic clans .

علل التعبير القراني في الامثل في تفسير كتاب الله المنزل للشيرازي == The Causes of Al Quranic Expression in Al_Amthal of Al_Shiraze

Author name: منال فالح حزام
Supervisor name: اسعد خلف العوادي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: فان العلماء والباحثين ، مسلمين وغير مسلمين ، قدماء ومحدثين ، قالوا كثيرا في القران الكريم وكتبوا عنه ، واثبتوا بمقالاتهم وكتاباتهم ان التعبير القراني يمثل ارقى انواع البيان العربي ، فان هذا الموضوع يبقى بكرا وحديثا . ولعل خير دليل على حداثته انه ما زال يؤثر فينا تاثيرا لا يحدثه اي تعبير فني اخر، مهما بلغت درجة فصاحته وبلاغته . فان التعبير القراني قد اثر وما زال يؤثر في المسلمين وغير المسلمين ، وما زال القران غضا طريا ، يكشف كل يوم عن جديد من اسرار بيانه لمن شاء الله من عباده ، ويفتح الله لاهل كل عصر من ابواب البيان فيه ما يتناسب مع ما وصلوا اليه في مسيرة الحياة ، فعطاء القران في هذه الناحية عطاء متجدد، وليس كما زعم بعض الناس ممن كتبوا الاعجاز في القران وقراوا عنه ان هذا الميدان قد فرغ منه قديما، وان الحياة العلمية والادبية والدعوية الجديدة بحاجة الى البحث ، والدراسة القرانية تؤتي اكلها كل حين باذن ربها . ومن المسلمات ان القران الكريم كلام معجز، وان العرب تاثروا بالقران تاثرا كبيرا ، ووقفوا امام روعة نظمه موقف الذهول والدهشة والاعجاب والحيرة ، فانه لم يات بلغة موافقة تمام الموافقة لما عليه العرب ، بل كان له طريقة جديدة في استعمال اللغة استعمالا يخرج بها كثيرا عما هي عليه عندهم ، فنقض القران الكريم العادة وخرق المالوف وهو بلسانهم وعلى سنن كلامهم ، فانفرد باسلوبه ؛ لانه ليس وضعا انسانيا البتة ، ولو كان من وضع انسان لجاء على طريقة تشبه اسلوبا من اساليب العرب او من جاء بعدهم الى هذا العهد ، وان معرفة اللغة العربية وحدها لا تكفي في الفهم الدقيق لبعض خفايا الكتاب ، فالقران ليس عربيا فقط بوصفه متنزلا بلغة العرب ، ولكنه بناء الهي ضمن هذه اللغة استوعب مفرداتها ضمن استعمالات دقيقة للغاية .وقد كنت متابعة بعض الدارسات التي كانت تعنى باظهار اللمسات البيانية في ايات القران وكان التعبير القراني احد المناحي الدلالية ، فوجدت في نفسي هوى في متابعة هذه المسالة ، لا سيما وانا اقرا في كتب الدكتور فاضل السامرائي ، فلقي الموضوع قبولا من لدن استاذي الدكتور (اسعد خلف العوادي) الذي شجعني انذاك على ذلك ، ثم ذهبت بعد ذلك ابحث عن مكمن دراستي الى ان رايت تفسير (الامثل في تفسير كتاب الله المنزل) هذا التفسير جاء نتيجة جهد جماعي اي الفه مجموعة من الباحثين وباشراف الشيخ ناصر مكارم الشيرازي فاستقر بي الحال وارتايت ان تكون الدارسة فيه بعد الاتكال على الله تعالى .والبحث عن العلل التعبيرية ومعرفتها جعلني اقرا القران الكريم بقراءة اخرى وبفهم اخر ، اذ اجدني امام كنز عظيم من كنوز العربية ، زاخر بالعجائب ، مملوء بالدرر والجواهر . ومما دفعني الى اختيار هذا النمط من البحث هو الميل الشخصي الى الدراسات القرانية ، والرغبة الشديدة في دراسة التعبير القراني لتعلقه باشرف كتاب وهو القران الكريم الذي لا ياتيه الباطل من بين يديه ولا من خلفه ، وما اجده فيها من متعة وفائدة تتجلى في الوقوف على احكام النص وما فيه من بلاغة واعجاز .فضلا عن تنمية ملكة الفهم والاختيار والبناء الجيد لي ، وارتباط الموضوع بالاعجاز القراني والتامل والبحث فيه ، ويعد تفسير (الامثل) احد اهم تفاسير الشيعة الامامية الحديثة الذي يرتقي الى مستوى الدراسة ، وهذه الامور كلها رسخت في انتخاب هذا العنوان .اما الرسالة فقد قامت على ثلاثة فصول ، يسبقها تمهيد وتتلوها خاتمة ، فجاء التمهيد على ثلاثة محاور اساسية ، احدهما : في مفهوم العلة والتعبير والقران ، والثاني : نبذة عن حياة المؤلف وسماته الشخصية والعلمية ، والثالث : القيمة العلمية لتفسيره الامثل ومنهجه فيه. اما الفصل الاول فوسمته علل التعبير القراني في ايثار الالفاظ ، وجاء على ثلاثة مباحث : ايثار الاسماء ، وايثار الافعال ، وايثار الحروف . واشتمل الفصل الثاني على علل التعبير القراني في التراكيب والاساليب ، وجاء على اربعة مباحث : الذكر والحذف ، والتقديم والتاخير ، والتعريف والتنكير ، والالتفات . ثم وسمت الفصل الثالث بعلل التعبير القراني في الابنية ، وقد اشتمل على اربعة مباحث : ابنية المشتقات ، والبنية الزمنية ، والافراد والتثنية والجمع ، والتذكير والتانيث. وبهذا اكون قد وصلت الى الخاتمة التي سجلت فيها اهم النتائج التي توصل اليها البحث . وان كثرة الكتب وسعة رقعتها التاريخية الزمت الباحثة بانتقاء كتب بعينها لتكون اصولا ، من دون اهمال غيرها ، لاسيما الكتب التي انفرد اصحابها براي او فكرة في اية قضية من قضايا البحث. وقد اتبعت المنهج الوصفي التحليلي في الرسالة الذي يقوم على اخذ العلة من تفسير الامثل وعرضها على الكتب الاخرى وصولا الى معرفة موافقة الشيرازي لسائر اللغويين والنحويين او مخالفته لهم ، وطريقتي في البحث هي طريقة الاختيار من الامثلة القرانية وذلك لكثرتها ، وبما ان الامثلة في القران الكريم هائلة جدا مما الزمني بتتبع الملامح الاكثر بروزا ، ولان قضايا التعبير القراني وظواهره كثيرة ، وليس لاحد ان يحصيها ببحث ، فقد اثرت ان اقف عند بعض هذه القضايا والظواهر المشهورة عند الشيرازي في امثله .ولا استطيع القول انني عرضت صور علل التعبير القراني كلها عند الشيرازي ، فلا ادعي لنفسي ايفاء الموضوع حقه ، ولا الوصول به الى مرتبة الكمال فهما امران لا يمكن ادعاؤهما مهما كانت الامكانات ، فالتقصير والعجز هما شعور كل من يقصد الى دراسة في القران الكريم ولله در ابن السراج الشنتريني(ت550ه) اذ يقول : وما ابرئ نفسي انني بشر *** اسهو واخطئ ما لم يحمني قدرولن ترى عذرا اولى بذي زلل *** من ان يقول مقرا انني بشرواخيرا ، هذا ما هداني الله اليه ، وما اعانني عليه ، فان كنت قد اصبت فذلك فضل الله ، وان كانت الاخرى فحسبي اني بشر اخطئ واصيب ، واستعيذ بالله من الشيطان الرجيم ، فلا تعينوه علي واعينوني عليه بارشادي الى طريق الحكمة ، فهي ضالتي وضالتكم .والله ولي التوفيق لا شريك له ، وله الحمد اولا واخرا | The Qur'anic expression has the cornerstone of time in dominating the ideas and aspirations of generations. Each generation seeks to achieve greater cognitive perfection than the previous generation and to a lesser extent the next generation. In time, a person is aware of the fact that he has no knowledge of the Qur'an. For the accumulations and developments at the same time, but no matter how the human race has taken advantage of its mental and scientific potentials on the fruits of the text, it must remain meaning that has not reached it yet and will not arrive.I was following some of the studies which were concerned with showing the graphic touches in the verses of the Quran. The Quranic expression was one of the semantic aspects. I found myself interested in following up on this issue, especially as I read in the books of Dr. Fadel Al - Samarrai. The subject accepted by was my professor Dr. Asaad Khalaf Al - Awadi .I has searched about the essence of my study until have found the explananation of Al_Amthal in which he answers significantly to what is included in this thesis, after the dependence on Gad, I decided to study it .And the search for expressive ills and knowledge made me read the Koran with a non - eye that I read it and understanding other than I understand it, as I found a treasure of great treasures of Arabic, especially the Koran remains Zachra wonders, filled with dowries and jewels, and the magic of the Koran in its expressive format , The hope that has long been for me is to dive into the verses of this book to of taste some the places of magic and beauty in it.This thesis included three chapter , they are preceded by preface by and followed conclusion . The preface has two basic : one of them deals with concept of causes and expressions and the other includes brief of the author life , his personal and scientific features and the scientific value of explanation and method .In the first chapter , I have studied of Quranic expressions . It has three investigations : choosing of nouns , choosing of verbs and choosing of letters . The second one deals with the structures and the styles . It includes investigations : mention and omission , preceding and postponement , definite and indefinite and attitudes . the third one has four investigations : formula of nouns , verbs , masculinity and femininity and single , dual and plural .Finally , this is what Gad leads and helps me to , If Iam right , it is by his virtue . But if Iam not , Iam a human , commits an error or to be right , I seek refuge in Gad form the cursed Satan , don’t help him against me but help me against him by guiding me to the way of wisdom , it is what you and I are seeking for . Gad is the Arbiter of success , firstly and finally , praise be to Gad

النحو العربي بين الظن واليقين == The Arabic grammar between suspicious and certainly

Author name: معتصم وارد حاتم العجلي
Supervisor name: رياض يونس السواد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: فعلم النحو جزء من نظام العربية له منزلة كبيرة، واهمية جليلة في ميادين متنوعة، منها واهمها الحصانة التي يقدمها للنص القراني عن التحريف، فضلا عن ذلك ان النحو يهب الدارس نضجا عقليا، ولسانا سليما في حال مراعاته قواعد النحو.النحو يبسط من لسان الالكن والمرء تكرمه اذا لم يلحنواذا طلبت من العلوم اجلها فاجلها منها مقيم الالسن( )وانطلاقا من هذه الاهمية جاء البحث ملقيا الضوء على ظاهرة نحوية، حللها الى اسباب، واشكال، ونتائج.كان السعي فيه جهد الامكان التمركز والحفر في صميم الموضوع، والعدول به عن المواضيع ذات الصلة، التي قد تطيل المقام، او تخرج عن قصد القول، متجنبا القضايا النحوية التي قد استنفذ فيها الباحثون الدرس، فاضحى تحليلا واقعيا، يفتح نافذة للنظر الى ما وراء النظام النحوي، تمثل ذلك في التحليل الواقعي للمرتكز الذي قام عليه الحكم النحوي.والبحث عبارة عن بذرة القاها الي صاحبها، الدكتور رياض السواد ، فاخذتها وغرستها وبذلت لها جهد الزارعين، فاهتزت الارض لها، ونبتت البذرة، واخرجت شطاها، الى ان اكتمل نضجها، مشكلة صورة كاملة، على شكل بحث، يحمل ملامح مخصوصة، من غير ان يجري على مثال سابق بحسب اطلاع الباحث.فقضى الباحث مع هذه الفكرة شطرا من الوقت بحثا وتفكيرا، من اجل ظرف خاص، يحوي مادة البحث، مفصلا تفصيلا علميا، يستوعب النحو العربي مصنفا بين مفهومي الظن واليقين.وكان لسان حال الباحث يقول : سهري لتنقيح العلوم الذ لي من وصل غانية وطيب عناقفشكل التفكير المتواصل والموازي لعملية البحث من اجل توجيه المادة النحوية بين الظن واليقين احد صعوبات البحث، ولاسيما بعد الايمان بالمبدا الحكيم : ان العلم روحه الفهم، بمعنى الصدق في الطرح، وفي تبني المسائل العلمية، وهذا ما حاول الباحث جاهدا على تحقيقه. وبتوفيق الله واقبال الاستاذ المشرف توجيها ودعما توصل البحث الى صورة نهائية، جاءت في مقدمة، وتمهيد، وثلاثة فصول، وخاتمة، وهي : التمهيد : تناول الباحث فيه مفاهيم عامة وهي (القاعدة، والظن، والاحتمال، واليقين) محاولا تحديد المعنى الذي تم توظيفه في البحث.الفصل الاول : حمل عنوان اسباب الظن ومصادر اليقين، وقد ضم مبحثين, المبحث الاول : اسباب الظن التي تفرعت الى نقطتين رئيستين الاولى : اسباب ذاتية والثانية : اسباب خارجية ضمت الاسباب الذاتية : (سعة المعنى وقصور الشكل، وغياب القرائن، وقابلية اللغة على التاويل، وتداخل المعاني الاعرابية، واختلاف الالسن).اما الاسباب الخارجية فكان نصيب الحديث فيها عن (التعصب، والوضع والانتحال، وضعف الاستقراء، والتمايز والظهور), واما المبحث الثاني : فجاء تحت عنوان مصادر اليقين : تخصص الحديث فيه عن خمسة موضوعات شكلت مصادر لليقين في النحو العربي وهي : (تواتر النص، والقياس المطرد، والاجماع النحوي، وانسجام المعنى، وتوافر القرائن).الفصل الثاني : جاء تحت عنوان (اشكال الظن) تطرق فيه الباحث الى نماذج من الاشكال الظنية في النحو العربي، فصنف على شكل نقاط رئيسة متسلسلة، وهي : الادلة النحوية، وقد تحدثنا فيها عن (النص القراني، والحديث، والشعر), وكذلك شمل عنوان الادلة النحوية الحديث عن (القياس، واستصحاب الحال), وبعد ذلك كان الحديث في اشكال الظن عن (المصطلح النحوي، والعلل النحوية، والتقسيم والتفريع، وتم التطرق في هذه النقطة الى (اقسام الكلمة، واقسام الجملة), وفي النقطة الخامسة كان الحديث عن (مسائل في النحو) مثلت شكلا ظنيا.الفصل الثالث : حمل عنوان (اثار الظن) تخصص الحديث في هذا الفصل عن اثار الظن النحوي على شكل مبحثين الاول : اثار ايجابية وقد شملت (اتساع دائرة البحث في الاصول النحوية، وتنشيط الحركة الفكرية عند الدارسين، والتوسع في الجواز، والاتساع الدلالي). اما المبحث الثاني : فقد تخصص الحديث فيه عن الاثار السلبية، وكان نصيب الحديث فيها (الاختلاف الى مدارس نحوية، وتوظيف الاراء الظنية في الخلاف المذهبي، والابتعاد عن الجانب العملي للنحو، وفي هذه النقطة من الاثار كان نصيب الحديث في التمارين غير العملية، كثرة العلل النحوية). وانتهى البحث بخاتمة لاهم النتائج التي توصل البحث اليها.وفي الختم انني اتوجه بوافر الشكر ومزيد الامتنان لاستاذي الدكتور رياض السواد، للعناية التي احاطني بها ارشادا علميا، ودعما معنويا، مما جعلني اجد نفسي محظوظا باشرافه لي على الرسالة.واخيرا فان هذا البحث هو محاولة علمية، تمخضت عن جهد ومثابرة مع بضاعة علمية محدودة، فان اصبت فيما كتبت فمنه وحده سبحانه، وان اخطات فهو بسبب القصور الذي جبل عليه الانسان. | The Arabic grammar between suspicious and certainly The research is a grammar study , in which It explains the descriptive thinking and certainly in the Arabic grammar issue, which included the grammatical rule and it's origins and questions of expression . The researcher examined the general concept mentioned in the research (rule . Reasoning. Probability and certainly ) in order to determine the meaning that was employed in the first chapter. The first tow point : the reason why . And the second : external reason included the subjective reasons (the capacity of meaning , the lack of form , the disappearing of evidence, the ability of language to interpretation, the overlap of meaning, and the difference of tongues ).The topic is the sources of certainly : The discussion is divided into five topics, which are sources of certainly (text tiers, steady measurement, grammatical consensus , and the availability of the similaritiesChapter Tow : It came under the title (forms of suspicious ) in which the researcher mentioned the style of the suspicious forms in the Arabic grammar consists of : Through grammatical evidence has been talking about( holy Quranic , talk , poetry ) as well The title of the modern grammatical evidence included (measurement , and acquiesce ), and the it talk about kinds of suspicious of (grammatical terms, alms, division ). and was titled in this point to (section of the words section of sentence )(Question in grammar represented a form of Some of things that it has share in research are (non_pactical exercises and many reasons of form the grammar . Then the research ended with conclusion of important results in the research

المفارقة في شعر عدنان الصائغ == The paradox in Adnan Al - Sayegh 's poetry

Author name: امال مدلول عطية الفرطوسي
Supervisor name: مصطفى لطيف عارف الحسيني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: اصبح اسلوب المفارقة اسلوب حياة وواقع, في اغلب الظروف والاحداث الباعثة عليه, بعد ولوجه وارتكازه في داخل الانظمة والابنية الادبية والنقدية, فما تزدحم به الحياة المعاصرة, وما يعايشه الانسان في داخلها, من تناقضات واحداث, هيات له من اسباب ذلك, ومن هذا المنطلق جاءت هذه الدراسة الموسومة ﺑ" المفارقة في شعر عدنان الصائغ ", لتسلط الضوء على احدى شواغل المفارقة في الشعر العربي, ولا نجانب الصواب ان قلنا والعالمي المعاصر, وفي الحياة والواقع, عن طريق المخزون الشعري والابداعي للشاعر العراقي المغترب عدنان الصائغ, لتتمثل لنا المفارقة واساليبها, في اجلى صورها, والوانها, وفي الوقت نفسه كان ذلك دافعا مؤهلا لاختيار الموضوع للدراسة الاكاديمية, لتماسه مع ما يمر به وطننا العزيز من تناقضات واحداث واقعية, اثقلت كاهله منذ سنين مضت, ومازالت, لتخرج بتاويل وتفسير لذلك, ففي خضم تلك الظروف واحداثها, كان الشاعر عدنان الصائغ مطلق العنان لخياله وافكاره, وبكل حرية واصرار, لتلتقط من الوسائل والاساليب الممكنة والجديدة القادرة على البلوغ بها الى غاياتها واهدافها المتنوعة وكان من بينها او اساسها هو اسلوب (المفارقة), وهنا تكمن قيمة الاحساس بها, في القدرة لدى الشاعر على التماسها من اعماق ذلك الواقع او الحياة المعاصرة, ومن ثم في حسن التوظيف لها في داخل نصوصه المعباة بالمقاصد منها, ليوحي الى المتلقي اليه بمهمة استكشافها والبحث عنها, ليكتب له التوفيق في كسب المشاركة في العملية التواصلية الابداعية, ومع هذا لم تخل الدراسة من بعض المصاعب في اثناء الكتابة, واختيار الموضوع, الا انها كللت بالتذليل لها, بلطف الاتكال على الله, والتشبث بنسائم كرمه ومنه علينا, فكان من بين ذلك كثرة الدراسات الاكاديمية السابقة في موضوع المفارقة, والتجنب من الوقوع في دوامة التكرار والتقليد لها, مما ضاعف من مسؤولية الاهتمام في البحث عن الجديد, وغير المطروق مسبقا قدر الامكان, وان كنا قد تجاوزنا ذلك عند اختيار الانموذج المدروس المتمثل بنتاج الشاعر عدنان الصائغ, وعوالمه الابداعية, فانها تشكل نقطة اكتشاف واستباق جديدة, تغني موضوعة المفارقة, وتضيف الى رصيد مخزونها الثقافي والابداعي العام. وقد اعتمدت هذه الدراسة على المنهج التحليلي في الاستبطان للنصوص الشعرية والتاويل لها, عن طريق البحث عما وراء ذلك التناقض والاختلاف بين المعنيين الظاهر والباطن العميق, لتلك الالفاظ والمفردات الموحية عما في داخلها من مفارقة. ومن ثم فقد جاءت هذه الدراسة موزعة بين ثلاثة فصول, سبقها تمهيد, وتلتها خاتمة باهم النتائج, وقائمة بالمصادر والمراجع, وملخص باللغة الانكليزية, كان التمهيد بعنوان (المفارقة وعدنان الصائغ ـــ مدخل تعريفي), وقد جاء بمبحثين, الاول منها بعنوان (المفارقة), متضمنا ملخصا لاهم المحاور او الجوانب الرئيسة لموضوعة المفارقة, لغة واصطلاحا, وعند العرب القدماء والمحدثين, ولدى الغرب, اما المبحث الثاني فجاء بعنوان (حياة الشاعر عدنان الصائغ), وقد تضمن اهم المفاصل الحيوية والادبية والتكريمية الحافلة بالانجاز والعطاء للشاعر المغترب, اما الفصل الاول فجاء بعنوان (البعد المرجعي للمفارقة في شعر عدنان الصائغ), وتضمن مدخلا موجزا لالقاء الضوء على ابرز ما جاء في داخله من محاور ومضامين, فجاء موزعا بين مبحثين, الاول منهما بعنوان (المرجعية الطبيعية), وجاء موزعا بين عنصرين, الاول (المرجعية العلمية الصرف), والاخر (المرجعية الجغرافية), ليشمل كل ما يتعلق بالطبيعة العلمية والكونية عامة, اما المبحث الثاني فجاء بعنوان (المرجعية الانسانية), وجاء موزعا بين خمسة عناصر, كان الاول بعنوان (المرجعية الدينية), والثاني (المرجعية الاسطورية), والثالث (المرجعية التاريخية), والرابع (المرجعية الاجتماعية), والخامس (المرجعية الادبية). والفصل الثاني جاء بعنوان (البعد النحوي للمفارقة في شعر عدنان الصائغ), متضمنا مدخلا تعريفيا ومبحثين, جاء الاول بعنوان (بعد العمدة الاسنادي), وتضمن عنصرين, الاول بعنوان (المفارقة بالفاعل), والثاني (المفارقة بالخبر), اما المبحث الثاني فجاء بعنوان (بعد الفضلة), وجاء بخمسة عناصر, الاول منها بعنوان (المفارقة بالمفعول), والثاني بعنوان (المفارقة بالنعت), والثالث (المفارقة بالمعطوف), والرابع (المفارقة بالمجرور), والخامس (المفارقة بالتمييز). اما الفصل الثالث الاخير فكان بعنوان (البعد الفني للمفارقة في شعر عدنان الصائغ), وجاء بمدخل تعريفي ومبحثين, الاول بعنوان (البعد البلاغي), وجاء متضمنا ثلاثة عناصر, الاول منها بعنوان (البعد الاسلوبي), وقد تطرقنا فيه الى كل من اساليب (النفي, والاستفهام, والحذف), والثاني ﺑ(البعد البياني), وتطرقنا فيه الى كل من (المفارقة التشبيهية) و(الاستعارية), والثالث ﺑ(البعد البديعي) وتطرقنا فيه الى كل من (المفارقة الطباقية) و(التكرارية), اما المبحث الثاني فكان بعنوان (البعد التقني), وجاء بثلاثة عناصر, الاول منهما بعنوان (تقنية الحلم), والثاني ﺑ(تقنية السخرية), والثالث ﺑ(تقنية التشكيل الطباعي).وكان ذلك ابرز ما توصلت اليه الدراسة عن (المفارقة في شعر عدنان الصائغ). وفي الختام لا يسعني الا ان اتقدم بوافر الشكر والامتنان الى الاستاذ الدكتور مصطفى لطيف عارف المشرف على الرسالة, وارجو ان اكون قد وفقت في انجاز هذا العمل بفضل الله ورعايته, وبفضل التوسل اليه بال البيت الطيبين الاطهار, ولا ادعي الكمال في ذلك, فهو خالص لله سبحانه وتعالى, واخر دعوانا ان الحمد لله رب العالمين, والصلاة والسلام على سيدنا محمد وعلى ال بيته الطيبين الطاهرين. | The paradoxical style of life has become a way of life and reality in most of the circumstances and events that lead to it, after it has been established within the systems and the literary and monetary buildings. What is crowded with contemporary life, and what man experiences within it, contradictions and events, created the reasons for this. This study, entitled "The Paradox in the Poetry of Adnan al - Sayegh", sheds light on one of the concerns of the paradox in Arabic poetry, and we do not deny the right to say and the contemporary world, and in life and reality, through the poetic and creative inventory of the exiled Iraqi poet Adnan Sayegh, In the most vivid images, and colors At the same time, it was a qualified motivation to choose the subject of the academic study, to keep up with what our dear country is going through in contradictions and realistic events. It has been burdened by years of ignorance and interpretation. And the selection of the subject, but it was humiliated by gently, relying on God, and clinging to the pillars of generosity and from us, was among the many academic studies in the previous subject of paradox, and avoid falling into the cycle of repetition and tradition, which doubled the responsibility of interest in research About new, and as rough as possible In advance, though we have exceeded this in the selection of the model studied and the production of the poet Adnan Sayegh, and creative worlds, it is a new point of discovery and anticipation, enrich the subject of paradox, and add to the stock of cultural and inventive public.The study relied on the analytic approach to the interpretation and interpretation of the poetic texts by searching for the contradiction and difference between those who areCapparent and those who are deep, to those words and words that suggest an inner paradox.In this sense, the study was divided into three chapters, preceded by a preface, followed by a conclusion of the most important findings of the study, a list of sources and references, and a summary in English. The first was entitled "The Reference Dimension of Paradox in the Poetry of Adnan Al - Sayegh" The first of which is entitled "Natural Reference", and in turn distributed on two axes, the first "purely scientific reference" and the other "geographical reference", to include everything related to the human nature and the universe in general , And the second section came to Aden "Humanitarian reference", and was divided into four themes, the first entitled "religious authority" and the second "historical reference", and the thir"social reference", and the fourth "literary reference".The second chapter was entitled "The grammatical dimension of paradox in the poetry of Adnan al - Sayegh", which included an introduction to two topics. The first was entitled "After the Mayor Al - Ansadi," and included two axes, the first entitled "The Paradox of the Actor," and the second "The Paradox of Conscience" "The Paradox by the Object", the third "The Paradox of the Blind", the fourth "The Paradox of the Pastor" and the "Paradox of Discrimination. "The third chapter was entitled "The artistic dimension of paradox in the poetry of Adnan al - Sayegh". It came with a descriptive approach and two topics. The first was entitled "The rhetorical dimension." It included three axes, the first of which was entitled "The Stylistic Dimension" "The second dimension was entitled" The technical dimension, "and came with two axes, the first of which was entitled" The technique of the dream and the second" technique " Ridicule ", and this was the most prominent findings of the study on" the paradox in Adnan Sayegh's poetry

المسكوت عنه في الادب الفاطمي

Author name: افتخار عدس كاظم الشويلي
Supervisor name: حسين علي الدخيلي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: اضحى الادب مع بداية القرن التاسع عشر ، محورا لدراسات عديدة استنطقت مختلف الاعمال الادبية ، من اجل تحديد المبادئ والاسس التي تحكم العملية الابداعية ، بالبحث عن ماهية الادب وغاياته وطرائق تشكيله ، وكثيرا ما يشير الاسلوب الادبي الى التنوع وهذا التنوع يضفي على النص الادبي ابعادا فنية وجمالية ، لكن تبقى الرقابة الادبية على النصوص فاعلة وهي ليست جديدة على الادب ككل ، واهمها الرقابة السلطوية التي كانت مفتحة الاعين على كل ما يكتبه الادباء 0لذلك فان كثيرا من الادباء اتجه الى تقانات اللغة للخروج على هامش الحرية الممنوحة له في تناول تقنية المسكوت عنه التي تجعل الحديث عنه محرما ، لان غاية المسكوت عنه هي الخوض في جملة من المحظورات ( الاخلاقية _ والسياسية _ والدينية ) التي لابد من ان ياتي بها الادباء في كتاباتهم اي كما اطلقوا عليه الثالوث المحرم ( الدين والسياسة والجنس ) ، لان مفهوم المسكوت عنه ليس كما هو متعارف عليه علامة للرضا والقبول وانما هو العكس تماما ، اذ يتداخل المفهوم ظاهريا مع مفاهيم اخرى كاللامفكر فيه ، والمضمر ، والمخفي ، والمهمش ، والمقموع ، والمكبوت وغيرها ! والحقيقة قد يشابه عمل هذه المفاهيم الا انه غيرها تماما ، لانه فعل مقصود وخبر مؤكد لذلك فان الحديث عن المسكوت عنه في الواقع حديث ذو طابع اشكالي في الساحة الادبية والنقدية ، نظرا لعدم الاستقرار على مفهوم واحد فقد تعددت الاراء وتضاربت فيما يخص هذا المفهوم 0وكان الداعي وراء اختيار الموضوع اسبابا عدة اولها، تلك التي غابت نوعا ما عن المشهد النقدي لاسباب تتعلق بضرورة تغييب هذه الحقبة التاريخية من الادب العربي ، وثانيها المادة الغزيرة التي شهدها الادب العربي في ظل هذه الحقبة من الزمان وثالثها الرغبة في الكشف عن بنية الادب الفاطمي وخباياها ولذلك اعتمدنا على منهج تحليل الخطاب لانه المنهج الذي يعطي للباحث مجالا اوسع وارحب في الاحاطة بملابسات النصوص ، وكذلك فهو احد مستويات التحليل الاساسية التي يطالب فيها الخطاب النقدي بحرية لا حدود لها0 ولهذا فان القرن الرابع الهجري شهد ـــــ وهو زمان بلوغ الحضارة الاسلامية ذروتها في العلوم والاداب والفنون واكتمال النضج المنهجي والبناء المعرفي لها ، ويعتقد انه زمان استثمرت فيه الامة جهد العلماء مدى القرون الثلاثة السابقة ، ففيه استقرت المذاهب الفقهية الكبرى وتوطدت اركانها وفيه امتازت العلوم بانها اشتقت لنفسها منهجا علميا على وفق طريقة معينة وفيما يتعلق بمصطلح المسكوت عنه فلم يحظ بالدراسة الكافية والاهتمام على خلاف طرائق التعبير الاخرى ، على الرغم من انه يحتل موقعا كبيرا في حياة الافراد لانه يرجع اليه في لحظات التفكير وعدم الاكتراث والانزواء وفي غيرها من الحالات لذلك فان من الصعوبات التي واجهتها الباحثة هي قلة الكتابات في موضوع المسكوت عنه اولا والادب الفاطمي ثانيا ، الا ( كتابات تاريخية ) ولا نظن ان هناك دراسات استطاعت ان تتيح للباحثة الفرصة لكي تنمي البحث اكثر الا اطروحتين عنيتا بدراسة المسكوت عنه هما : ( المسكوت عنه في شعر عبد الوهاب البياتي _ محمد عبد الموجود _ جامعة الموصل ــــــ 2011 ، والمسكوت عنه في الادب العربي _ حميد فرج عيسى _ جامعة البصرة ، 2015 ) فضلا عن بعض البحوث الاكاديمية التي غالبا ما انحصرت في السرد العربي باستثناء عنوان كتاب للناقد فاضل ثامر صدر له بعنوان ( المقموع والمسكوت عنه في السرد العربي ) الا انه لم يتطرق فيه الى اصول المصطلح واشكالية المفهوم او تقاناته ، وكذلك بعض المقالات النقدية التي تشير اشارات بسيطة الى المصطلح منتشرة في مواقع الانترنت وقد انقسمت الدراسة على : بابين يقدمهما مقدمة وتمهيد ويليهما خاتمة ففي التمهيد تناولنا تعريفا بالمصطلح لغة واصطلاحا ، اما الباب الاول فقد قسم على ثلاثة فصول حوت الجانب الشعري فكان الفصل الاول بعنوان المسكوت عنه الاجتماعي ، والفصل الثاني المسكوت عنه السياسي ، والفصل الثالث المسكوت عنه الديني 0 اما الباب الثاني فقد كان في النثر ايضا جاء على ثلاثة فصول الفصل الاول المسكوت عنه السياسي ، والفصل الثاني المسكوت عنه الاجتماعي ، اما الفصل الثالث فكان المسكوت عنه الديني ، ثم تنتهي الدراسة لتخرج بعدة نتائج سجلها البحث ويليها مسرد بقائمة المصادر والمراجع 0 وبعد هذا القول ان الكمال لله تعالى وحده ، وحسبي انني بذلت ما استطعت من الجهد والمواصلة ومن الله التوفيق. في الختام لا يسعني الا ان اتقدم بجزيل الشكر والعرفان والامتنان الى الاستاذ المشرف الدكتور( حسين علي الدخيلي ) لسعة صدره ولمنحه مزيدا من الوقت ، ولما قدمه للبحث من ملاحظ وتقويمات جمة لاثراء هذا العمل فاسال الله تعالى له المزيد من التقدم والازدهار ، واخر القول نساله تعالى التوفيق والتسديد وان الحمد لله رب العالمين والصلاة والسلام على محمد واله الطيبين الطاهرين . | The implicit meaning in the poetry of the Fatimid literatureThe term of the implicit meaning carries an ambiguous understandings to the degree that it could be interpreted in different ways. The term is simple and clear at the first glance but in fact it is very complex and ambiguous.The implicit meaning is a hidden order behind the masks of ( the literary aesthetic) and it is considered as a wide basement of the iceberg which dives in deep water afraid of being burnt or melt by the sun beams can be everywhere . the term "silenced "carries a confusing pluralism in drafting and shaping . and may change its significance from one researcher to another expansion and understanding and the silence of his advantage is endless , that is opens the prospects for other new texts . Any penetration or crack in the explicit order of the iceberg means the unveiling the basement, destroying and melting this huge iceberg to uncover the prevented ( repressed), the suppressed and the disregarded which is a resistant order to the political, social and religious authorities and it is the most important one.The task of the (writer, poet, critic and the narrator) is not only to talk but also to push the addressee to participate in the talking and conversation. i.e. to call the unveil of the implicit meaning from its silent and waiting. Silent is not arbitrary vacant but is a structure able to be interpreted in different ways. Therefore, it is preferred to explain the implicit meaning in the poetry in the Fatimid literature and it is naturally to be differ from one researcher to another.

الشعر النسوي المعاصر في ذي قار : دراسة تحليلية == Contemporary Feminist poetry In Dhi Qar An Analytical Stu

Author name: شروق سندان شرشاب الحسيناوي
Supervisor name: علي حسين جلود الزيدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: في اساس وضعه لاجلهن فكانت معالم الشعر متجلية في كلماتهن, وسمات الاصالة الفنية واضحة في اشعارهن, فشرعن بكلمات تسودها معالم الحزن (الرثاء) تارة يصغن ابياتا من الشعر تقف وقوف المعلقات, وتارة يصدحن بابيات الرقة والنعومة (الغزل), باعذب الكلمات, انه وبكل اعتزاز نتاج ادبي متجلبب بجلباب الانوثة, على طوال مسيرة تقدم الحضارة الادبية العربية.ونظرا للدور الذي تؤديه المراة ومكانتها في المجتمع, فضلا عن دورها الادبي منذ العصور الاولى, فقد شغلت حيزا من الاهتمام, ومجالا واسعا في دراسات الباحثين, ولانها تمثل نصف المجتمع ولاهمية اشعارها وشهرتها بالفصاحة والبلاغة وكثرة اشعارها في مختلف العصور وجد الباحثون فيها مجالا خصبا للدراسة والبحث.وقد شكل الشعر النسوي في ذي قار ظاهرة بارزة تستحق الوقوف عندها, وتناولها بالدراسة والتحليل, سواء ا كانت اشعارا سياسية ام اجتماعية ام وجدانية, وما رافق ذلك من مؤثرات دفعت بشواعر ذي قار الى نظم الاشعار في هذا المنحى او ذاك.ولان الدراسة ستقوم على استقراء النصوص الشعرية وتحليلها, وسبر اغوارها, وابراز صورها الجمالية, وتراكيبها اللغوية, فقد وجدت في المنهج التحليلي سبيلا سليما وصولا الى النتائج المتوخاة.وجاءت هذه الدراسة في تمهيد وثلاثة فصول وخاتمة, وقد اشتمل التمهيد على شعر المراة مبينة الدوافع والبواعث على قول الشعر النسوي, مركزة على العامل الاجتماعي والعامل الاسري, وعامل الغربة والحنين ايضا, مما كان واضح المعالم في شعر الشواعر.اما الفصل الاول فقد شرعت ببيان موضوعات الشعر النسوي, وقسمته على ثلاثة مباحث, المبحث الاول : تناول الشعر السياسي والوطني, وجاء المبحث الثاني ليتناول الشعر الوجداني, اما المبحث الثالث فقد اخذ بزمام البحث في الغربة والاغتراب.وخصص الفصل الثاني لدراسة لغة الشعر النسوي, فقسم على مبحثين, الاول : تناول التكرار, مقسما الى تكرار الحرف, وتكرار الكلمة, وتكرار الصيغة, وتكرار العبارة, اما المبحث الثاني فقد خصص للحديث عن التناص, يتضمن التناص الديني, والتناص الادبي. اما الفصل الثالث فقد درس الصورة الشعرية, تضمن مبحثين, في المبحث الاول جاء الحديث عن مصادر الصورة الشعرية, اما المبحث الثاني فقد جاء لدراسة مظاهر الصورة الشعرية. ثم الخاتمة التي اشتملت على ابرز النتائج التي انتهت اليها الدراسة.وختاما فانه ما كان لي ان انجز ما انجزت واصل الى ما وصلت اليه لولا عون الله سبحانه وتعالى, ثم جهود مشرفي الاستاذ الدكتور علي حسين جلود, فله كل الشكر والثناء والدعاء بان يرفع الله قدره في الدنيا, ويجعل ذلك في ميزان حسناته, فهو لم يبخل يوما علي بمجهوده , بارك الله فيه وفي عمله. | Because of the role played by women and their status in society, as well as their literary role since the early ages, they have occupied a great deal of interest and a wide range of research studies, and because they represent half the society and the importance of its poetry and its fame with eloquence and eloquence. .The feminist poetry in Dhi Qar was a prominent phenomenon worthy of standing, and it was studied and analyzed, whether it was political or social or sentimental poetry, and the accompanying effects that pushed the poetry of Dhi Qar poetry systems in this direction or that.The study included a preface, three chapters and a conclusion. The preface included women's poetry, which showed the motives and motivations of women's poetry, focusing on the social factor and the family factor, and the alienation factor and nostalgia, as well.As for the first chapter, I began to address the topics of feminist poetry, and divided it into three topics. The first topic dealt with political and national poetry. The second topic dealt with emotional poetry. The third topic was the study of alienation and alienation.The second chapter was devoted to the study of the language of feminist poetry. It was divided into two sections. The first was to deal with repetition, divided into repetition of the letter, repetition of the word, repetition of the word, repetition of the term.As for the third chapter, he studied the poetic picture, which included two subjects. In the first section, the sources of the poetic image were discussed.And the conclusion that included the main findings of the study.In conclusion, it was not for me to accomplish what I accomplished and get to what I had reached without the help of God Almighty, and then the efforts of the supervisors of Professor Ali Hussein Gloud, he has all the thanks and praise and pray that God raise his ability in this world, and makes it in the balance of his benefits, Days upon me with his efforts, God bless him and his work

صورة الاخر في قصص سناء الشعلان : دراسة تحليلية == The image of the other at Stories of Sanaa Shaalan ( An analytical study

Author name: سناء جبار حياوي العبودي
Supervisor name: علي حسين جلود الزيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Praise be to Allah, Lord of the Worlds, and prayers and peace be upon the Seal of the Prophets Muhammad, may Allah bless him and his family and companions until the Day of Judgment, and after ...The narrative sex is a prose art that possesses a high aesthetic characteristic of concentration and semantic intensification. It is one of the most eloquent literary species to express the image and convey its realist experiences from the mental imagination. This has stimulated the human mind to polarize the story world. And the cultural and cultural implications of their connection to the environment of life, and its contents of intellectual and monetary, which are the interests of the creator and reader, the growing concerns and their effects created a climate of imagination increased the value of this art and distinctive character on the methodical transformation, reduced this climate central foci form of intellectual presence method of evocation In its abstract and non - naked essence, such as self - awareness in an expressive language with an artistic framework with a human sense characterized by continuity and influence .The reason for our choice of this species without other races is due to the fact that this species has a taste of development and renewal as well as subsequent experimentation. Therefore, we thought that the topic dealt with in the search for the image of the other in the storyteller. ) The desire of the researcher to stand on the creativity of the image and sudden transformations thatIntroduction - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Baffected the text with a number of imaginary images, which was the reason for the search and discovery, the text is not born in isolation from the image of the other image, if the other is different or recombinant it is subject to stereotyping and distortion of what he calls stability or Change and volatility, Well on the firm correlation between the self and the other bilateral, nature of the case imposed on Darcy the other image of traffic in particular first and then not too late study first pole eating; because it requires a holistic consideration .The subject of the image of the other is not the result of our study, but is a continuation of previous studies, and because of the breadth in recent times, we just mention the most prominent such as : the image of the other Arab looking From the perspective of him, edited by : Tahir Labib, and the image of the other in the Arab heritage, d. Majda Hammoud, and the other in the poetry of Mutanabi (cultural criticism), Mohammed al - Khabaz, and the image of the other in the Koranic discourse (aesthetic critical study), d. Hussein Obaid Al - Shammari ... and other studies .As for the narrative creativity of Shaalan, our study is the first experiment in which the search for the image of the other is discussed in its stories, and the previous studies include the following : the legendary tendency in the Shaalan stories (a critical critical study), the Master of Skikda University 2009, Stories of Sanaa Shaalan, Maser Ali Mahdi Saleh Al - Jubouri, Master Thesis, Tikrit University 2013, and the narrative visionIntroduction - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Cand its components in the experience of Sana Al - Shaalan stories, Mohammed Saleh Al - Mashaala, MA, Middle East University 2014, and a research group compiled in : In the composition and significance in the creativity of Sana al - Shaalan story, Preparation, submission and participation : Dr. Mohammed Ghanem Mohammed Khudair 2012 m .Because the story world is the closest to taking care of the structures of modern society, the sample of the study includes the collections of Sana Al Shaalan stories without exceeding any one of them to the comprehensiveness of the picture and expanded and tried as far as possible to stay away from the refined onesIt may be appropriate for the study, or it is appropriate for them to choose the analytical approach in dealing with the subject of the research without taking advantage of some of the other monetary approaches called for by the text to finally look at the final solution to three chapters preceded by a preliminary followed by a conclusion of the most prominent results we have reached For a list of sources and references used by the study .The chapters of the study were divided into the following : the picture and the other title to prepare it, the self and the communication title of the first chapter, and the dual masculinity and femininity title chapter II, while the third chapter and theIntroduction - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Dlatter has embodied the diversity of the image of the models of the other .In this context, the preamble discussed three axes. The first included an applied study on the life of Shaalan and its awareness of the hybridization of the text and the calling of different field techniques under the title : The Creative Self between The concept of the image and the appearance of the term old and recent, and the extent of interest in it and the role of imaginary consciousness in the framing of its frames and its displacements and methods of evocation, while passing the other moving concept and tracking the emergence of the term and its transition from the description space to the absolute name of everything that is different or In nature and the studies conducted in different fields of knowledge .The chapter deals with the self - manifestations and the internal social psychological conflict, the extent of their own awareness and the importance of their existence, and the extent of self - absorption of the communication between the structure of the text and the reader. , And included four axes, the first devoted to the expatriate self, and the second to the sarcastic self, while the third revolves around the revolutionary self, and the last search for self and the acquisition of identity, and there are other sub - axes that we mention above, for the necessities of brevity and abbreviation .Introduction - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - EThe second topic was entitled "Communication", which dealt with the first requirement of religious communication in its branches, communication with the Qur'an and communication with religious figures. The second requirement included human and emotional communication. The third requirement included cultural and cultural communication .The title of the second chapter (dual masculinity and femininity), where we talked about the dualism and reflection of the picture in the narration of the other and the surrounding differences and issues of the chapter divided into two sections : the debate (mind, form, body), we dealt with four demands, And the second is masculine when the female narrates, and the third was the research on the title of reason and the formation of the image of the female, and in the last demand we talked about the relationship with the other, the second topic : it was marked (social and national issues), we talked about four axes Early Marriage, Polygamy and Self Effects Of physical and on the family, and in the second we discussed the issue of treason, while in the third study stood on the issues of honor and in the last theme we dealt with the national cause .The third chapter was devoted to talking about the diversity of the picture and its reality and its negative and positive shifts. It was titled "The Diversity of the Models of the Other", in which we dealt with five topics, the first bearing the title of the other Arab image, the second dealing with the Zionist image, , And inIntroduction - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Fthe fourth section, the study tried to shed light on the image of the authoritarian other, while the fifth section we called the image of the other class (people .)The researcher concluded the study with the most important findings of the study .At the end of the journey, I can not but thank my teacher and mentor for his patronage of his father's care and his active role in insisting on the title and its follow - up, to find his way to the light and come to the practical space which is worthy of a clear methodological framework. I do not have to share God with him alone, but I have suffered from the grace of God and his mercy and my mother's continuous calls, and if I make a mistake, the black point in the white paper does not mean to erase the whiteness around it , And all I wanted to be I have agreed to provide what is useful for scholars and researchers after me in the fields of literature and criticism

التشكيل الفني في شعر طالب عبد العزيز == The Technical Construction of the Poetry of Talib Abdulazeez

Author name: صابرين نعيم مغتاض
Supervisor name: عبد الحسن علي مهلهل
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: لعل من نافلة القول ان الشاعر البصري طالب عبد العزيز قد مثل تجربة شعرية عراقية جنوبية ذات موقع وصدى في الواقع الشعري العراقي عموما والجنوبي على وجه الخصوص , وذلك لما انماز به من المغايرة في القول الشعري , فقد سعى من خلال شاعريته الى رفد القصيدة العراقية المعاصرة بمضامين شعرية تكاد تكون جديدة على ما اعتقد , ومن خلال متابعتي للدراسات التي كتبت عنه وجدت بعض النقاد قد كتبوا عن بعض قصائده قراءات نقدية متفرقة في الصحف والمجلات, مثلا , قراءة للناقد حاتم الصكر بعنوان ( الم اضيق من بحر ) , وقراءة نقدية للناقدة بشرى البستاني بعنوان ( طالب عبد العزيز واللعبة الماهرة ) , وقراءة لهارون رشيد بعنوان ( شعرية اسم الاشارة في الخصيبي ) , وقراءة لخضير الزبيدي بعنوان ( طالب عبد العزيز جوهر ارضي انثوي وروح امومي ) , وقراءة للشاعر زهير الجبوري بعنوان ( بنية الذات الهاربة ) , ودراسة مستقلة في بحث منشور في مجلة جامعة بابل بعنوان " التعبير الاشاري في الخصيبي " للباحث كاظم العزاوي, وقراءات اخرى متفرقة في المواقع الالكترونية.وباقتراح من استاذي المشرف جاءت هذه الدراسة بعنوان ( شعر طالب عبد العزيز دراسة في التشكيل الفني ) , وذلك للكشف عن تجربته الشعرية والبحث في المضامين الفكرية التي يحملها نصه, وكانت الدراسة على ثلاثة فصول وتمهيد.عرضت في التمهيد نبذة عن حياة الشاعر وتجربته الشعرية المعاصرة , وتوضيح مصطلح التشكيل الفني وارتباطه بالشعر.اما الفصل الاول فتناول دراسة ( العتبات واثرها في انتاج الدلالة ) لان العتبات تعد بمثابة مفاتيح اجرائية تساعد الباحث في فك رموز النص وتحليلها , وجاءت الدراسة على ثلاثة مباحث , المبحث الاول : تناول دراسة العتبات المصاحبة المحيطة , والمبحث الثاني : العنوان الرئيس وعلاقته بالنص, والمبحث الثالث : عتبة العنوانات الداخلية , حيث تعد مصاحبات فنية ونصوصا موازية لها دور مهم وضرورة فنية بارزة في فهم المدونة الشعرية وفك بعض شفراتها. اما الفصل الثاني فجاء بعنوان ( وعي الشاعر وتداعي افكاره ) حاولت في هذا الفصل الاحاطة بمفهوم القراءة النفسية في الاتجاه النفسي انطلاقا من تقسيمات سيجموند فرويد للوعي والشعور , وكيف رفد النص بروافد وتكنيكات روائية جعلته يتسم بالحداثة وقدرة الشاعر في استعمال تقنيات رواية تيار الوعي في تشكيل النص , وجاءت الدراسة في ثلاثة مباحث ايضا , تناولت الدراسة في المبحث الاول ( الوعي / التفكير الذاتي ) , وفي المبحث الثاني ( اللاشعور / المسكوت عنه ) وفي المبحث الثالث ( ما قبل الوعي / ارتداد واستحضار الزمكان ).وفي الفصل الثالث جاءت الدراسة بعنوان ( بناء القصيدة فنيا ) , في ثلاثة مباحث , تناولت الدراسة في المبحث الاول ( اللغة الشعرية ) , وفيه عرضت ابراز دور اللغة في تشكيل بنية النص حيث تتمثل في شتى صور الانزياح عن معناها المعجمي من خلال استكشاف الاثر الجمالي والدلالي للمفردة داخل سياق النص الشعري.وفي المبحث الثاني , ( التصوير الشعري ) , حيث قدمت الدراسة مدى افادة الشاعر من طاقات اللغة وايحاءاتها في تشكيل الصورة الشعرية , فضلا عن خصوبة خيال الشاعر الذي اسهم في رفد لغته بقوى جمالية خلاقة.وفي المبحث الثالث ( انماط البناء الفني ) وعرضت للنمط البسيط والنمط المركب وجاء التفريق بينهما هو ان بساطة البناء الفني تعني وضوح العلاقات بين عناصر القصيدة ومكوناتها , اما تركيب البناء الفني فيعني تشابك علاقات العناصر الفنية , ولجوء الشاعر الى اساليب بنائية معقدة في التعبير.كما ذيلت الرسالة بخاتمة وقفت فيها على ابرز النتائج التي توصلت اليها الدراسة. وكان الهدف من هذه الدراسة هو سعينا الى اضافة قراءة جديدة للقراءات المعاصرة من خلال الوقوف على نصوص جديرة بالدراسة والتحليل , وابراز اثر الشاعر في الساحة الشعرية المعاصرة.وقد اعتمدت الدراسة على المنهج الوصفي التحليلي كمقاربة نقدية لتحليل النصوص لما لهذا المنهج من قدرة في سبر اغوار النص وتفكيك بواطنه ومقاربته بالتحليل الدقيق المتكامل لنضعه بين ايدي القارئ والناقد في حلة تشكيل نقدي يبرز مواطن الجمال والفن في النص.وامل ان تكون هذه الدراسة قد استطاعت الكشف عن المقومات التي اسهمت في التشكيل الفني في شعر طالب عبدالعزيز. ولا يفوتني ان اتقدم بالشكر والامتنان لاستاذي المشرف الدكتور "عبد الحسن علي مهلهل" الذي اعطى فاجزل , ونقد فاجاد , وعلم فافاد , وغرس فكان الحصاد اجيالا ستذكره بكل خير وامتنان. | This research aims to study the technical construction in the poetry of Talib Abdel Aziz, and to highlight the effect of this construction in his poetry, which achieved a high degree of artistic depth and contributed to the service of the contemporary poetic experienceIt also aims to shed light on the experience of the poet which has drawn the most beautiful letters in the expression and description and entered into the ashes of human self and dug in the depths of its misery the truth of the images . This study is an attempt to illuminate the subject of technical construction in contemporary poetry and to reveal the features of both (to get effect or to do effect) that en - rich poetic texts and what the technical construction had added, like aesthetic and semantic features to the text.The study was divided into : a preface , three chapters and a conclusion that came as a harvest of the results of the research. The introduction gave a presentation of the poets life and his poetic experience and definition of the term and the disclosure of his relation to poetry and his role in giving the text its aesthetic and artistic strength.In the first chapter, I studied the thresholds of the text and its effect on the production of significance in three sections. The first one dealt with the study of the threshold of the cover. In the second section, the main title threshold and its semantic extension with the internal headings of the group and its interrelationship with the text. In the third section the study dealt with the internal headlines threshold for each group and its relationship to the main headline being present central focus that all the titles of the group go round about it. The second chapter dealt with the study of the poet's consciousness and re call his memory, in which I explain how the poet get benefit from the techniques of the current of consciousness in the formation of its narrative text, such as the monologue, soliloquy and the processes of re - calling the memory in which the narrative path in the poetic text is transformed into the depths of mind and emotional states inherent in the depths of the human self. The study is divided into three sections according to the Freud’s divisions of the feeling, where the psychological analytical approach was adopted in the study, the first section , self - awareness and self - reflection, and the second unconscious study., the third was the study of pre - consciousness Recoil and recall.In the third chapter, I studied the technical construction of the poem, the components and patterns. The study was presented in three sections. The first one dealt with the poetic language. It focused on poetic imaging . In the second and third one section , I presented to the technical construction styles that formed the structure of the poem, In which I dealt with Simple mode and the complex mode of dramatic character, ended up crystallizing a set of results reached by the research in the conclusion

البناء الفني في قصص محمود يعقوب == ARTISTIC CONSTRUCTION IN MAHMOUD YAQOUB' STORIES

Author name: سارة راضي بشارة
Supervisor name: احمد حيال جهاد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: مما لاشك فيه ان القصة القصيرة في ايسر تعريفها هي " نص ادبي يصور شخصية او اكثر تمر بموقف قصصي وتتحرك عن خلفية محددة ، نسميها البيئة القصصية "( ) وهذا ما يعطي للقصة القصيرة من السمات والخصائص النوعية ما يميزها من فنون القص الاخرى ، ولعل سبب ذلك يرجع الى اتصافها بالاقتصاد اللغوي ، والتركيز والتكثيف الذي يتميز به نسيجها السردي ، وهذا ما يجعلها في نظر كثير من الباحثين من اصعب فنون القص واكثرها ادهاشا ، وذلك لافادتها من فن الشعر في تشييد بنائها السردي ، وكذلك لاتكائها على كثير من الفنون الاخرى كالتشكيل ، والسينما ، والدراما ، وغيرها من فنون الادب .وقد كان لكثير من اعلام القصة القصيرة بصمات واضحة في سفر الابداع والتفوق الفني ، وقد وقع اختيار الباحثة على واحد من هؤلاء الاعلام الا وهو القاص ( محمود يعقوب ) كونه لم يحظ باية دراسة موسعة من النقاد والباحثين على الرغم من انه كاتب جيد ، يمتلك اسلوبا تلقائيا .وتتميز قصصه بانسياب افكارها وواقعيتها ، وهو مقل في النشر لكنه مبدع في الكتابة . هذه الاسباب كانت الدافع لاختيار موضوعي الموسوم ب( البناء الفني في قصص محمود يعقوب ) اما فيما يخص منهج دراستنا ، فقد اثرنا ان يكون منهجا وصفيا بنائيا يعنى بدراسة عناصر البناء الفني في القصة ، وعلاقة بعضها ببعضها الاخر ، وكيفية توظيف تقنيات السرد ، وما تحققه هذه التقنيات من غاية جمالية وفنية ، فضلا عن الافادة الواسعة من المناهج النقدية الاخرى ، وبالمقدار الذي يخدم سير الدراسة .وعلى اساس هذه الرؤية المنهجية جاءت صفحات الدراسة ، بغية الافصاح عن القيمة الابداعية للنصوص القصصية ، وقد استدعت طبيعة الدراسة ان تنتظم في ثلاثة فصول مسبوقة بتمهيد ، ومتلوة بخاتمة اوجزنا فيها اهم النتائج التي تمخض عنها البحث ، ومن ثم قائمة بمصادر البحث ومراجعه . اما التمهيد فقد خصصناه لبيان سيرة القاص الحياتية والابداعية وتم تخصيص الفصل الاول لدراسة بناء الزمان والمكان ، وقد قسمناه على مبحثين : في المبحث الاول : درسنا ( المستوى الافقي ) للزمن اي ترتيب الاحداث الماضي والحاضر والمستقبل , وهو ما يقوم على اساس وجود مفارقتين زمنيتين هما : مفارقة الاسترجاع الخاص بزمن الماضي ، ومفارقة الاستباق الخاصة بزمن المستقبل ، اما الحاضر فيقف وسيطا بينهما كونه يمثل الزمن الذي بلغه السرد .اما ( المستوى العمودي ) اي دراسة الايقاع القصصي من حيث السرعة والبطء في سرد الاحداث ، فقد شمل الحركات السردية الاربع ( الحذف ، الخلاصة ، الوقفة ، المشهد ) .اما المبحث الثاني : فتضمن دراسة ( بناء المكان ) وقد سبق بمدخل لبيان مفهوم المكان وتوظيفه في بناء القصة ورصدنا فيه امكنة معادلة للغربة والكبت ، والمتنفس والحرية ، فيما وظف الفصل الثاني ، لدراسة بناء الشخصية ، سبق بمدخل وضحنا فيه مفهوم الشخصية ، وتضمن ثلاثة مباحث ، خصص المبحث الاول : لدراسة انواع الشخصيات وتصنيفاتها ، والتي قسمناها الى شخصيات سلبية وشخصيات ايجابية ، اما المبحث الثاني : فقد تضمن طرائق تقديم الشخصية ، وحدد بطريقتين : الاولى : التقديم عن طريق الراوي ، والثانية : التقديم عن طريق الاحداث .اما المبحث الثالث : فقد اختص ببيان وصف الشخصيات بمحورين ، الاول : الوصف الخارجي ( البراني ) ، والثاني : الوصف الداخلي ( الجواني ) .وحمل الفصل الثالث وهو الاخير عنوان ( السرد وبناء الرؤى ) سبق بمدخل وضحنا فيه مفهوم الرؤى السردية ، وقد قسمناه على ثلاثة مباحث اعتمدنا فيها على تقسيمات ( جان بويون) تناول المبحث الاول : الرؤية من الخلف ، فيما تناول المبحث الثاني : الرؤية مع ، اما المبحث الثالث فقد تضمن الرؤية من الخارج .ومن معاني الوفاء اتقدم بجزيل الشكر والعرفان الى الاستاذ المشرف الدكتور ( احمد حيال جهاد ) للثقة التي اكسبني اياها من خلال ما غمرني به من حماسة ومثابرة ، ولما قدمه لي سواء بقراءته المنهجية لفصول هذه الرسالة ، او بتشجيعه الدائم على المحاولة والبحث ؛ لاجل الوصول بالرسالة الى اكمل وجه ، فله مني وافر المحبة والاحترام وفي ختام هذه الكلمة اقول بتواضع ان هذه الدراسة شانها شان كل دراسة لا تخلو من الاشكاليات والعثرات ، فان اصبت فهو فضل الله ونعمته ، وان قصرت في اي جانب من جوانب الدراسة فالكمال لله وحده ، والحمد لله اولا واخرا ومنه السداد والتوفيق . | A short story is considered a form of modern literature which originated in the late 19th century, in that it is considered natural means of expression of realism that cares about nothing but exploration of the facts consisted of small, normal and ordinary things. For it is the closest literary art to the Zeitgeist because it has transferred the task of long stories from generalization to privatization, in that it benefits from and interacts with all literary genres. Many short stories consist of a character or a group of characters who are presented against a background or in situation, indulging in a state of mind or affairs. Hence, the researcher selected one of the most prominent figures in the short story, namely the storyteller, (Mohamoud Yaqoub), for he was a leftist human voice preoccupied with the concerns of hometown people, their cities and their ideas, as well as with the suffering of all Iraqis from north to south, to reflect the suffering of the entire people during decades of our current history, criticizing and strongly rejecting all colors of hostility to humanity and marginalized of human dignity and freedom. Besides, his short stories have been characterized by a striking poetic language and sweet tone, in addition to his rhetoric that cautiously and knowingly overshadowed the narrative and the smoothness of the text. These are the reasons that drove my subject matter entitled, “ARTISTIC STRUCTURE IN MOHAMOUD YACOUB’S STORIES”, that would serve as a descriptive approach to study the elements of artistic structure in his stories in terms of time, setting, characters and narrative vision

الايقاع ودلالاته في شعـــر كاظم الحجاج == The rhythm and its implications in the poetry of kazem Al - Hajjaj

Author name: علي كاظم رحيم الاعاجيبي
Supervisor name: ناجي عباس مطر
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The rhythm is one the more important elements on which the poetry based on; because it is subject directly to the psychological state of the creator issued by it , it is also one of the most important elements of the production of significance in the poetic text, Based on this premise comes the importance of this study (Rhythmic structure and its implications in the poetry of kazim Al - Hajjaj ) and the choice of this poetic experience as a s ample through which to detect those rhythmic dimensions and the implications of the connotations by the poetic text , this study is to identify the most important manifestations of poetic rhythm , the study was able to highlight the most important semantic dimensions resulting from the rhythmic structure of the poetic texts .This comes to connect the rhythm of the emotional experience and the emotional state , the study is on three main aspects : the rhythmic and rhythmic rhythm, the inner rhythm and the plastic rhythm

خطاب الناس للانبياء في القران الكريم : دراسة في دلالة البنية والتركيب == People speech to the prophets in the Qur'an Study in the indication of the structure and composition

Author name: انعام رحیم قاسم المطیرفي
Supervisor name: عبد الرحمن فرهود جساس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Researchers have come a long way, they are drawing from a certain Koran, was apparently one of them he was about to satisfy the appetite for science, what everyone is still weighing, for Igtrv what could accommodate him its container of knowledge, and that only because the Quranic text open letter on space not limited topics, stretching wide to what is not aware of minds.Anmazat verses speech people to their prophets as she recalled what Aatml in the hearts of the tribes toward the messengers, and highlighted clearly what they were agitated by good or evil, and obedience or obstinacy, contribution in shaping the Quranic their stories, and the magnitude of this stories of warning and preaching, and clearly spelled out what It accompanies this story from the mention of the reward or punishment in the same verse, making it the signs indicating the subjects ideological times, and the provisions of the legitimacy again, especially in the verses that remember the words of stubborn, Kufra, in the positions of the controversy, according curriculum alone by the Koran, what to remember the verse claims do not keep track of them, even the argument amounting to come to God, in demonstration or more, to denounce what I call, and Tnsfh blown up, the recipient An understanding of the true faith, or divine rule in the affairs of the creation.2The research on the four seasons came, first chapter discusses the speech of people of the prophets, came on the four sections, highlighted in the first of which features the letter and included the second section placed the unity of the call and the tongue among the apostles and tribes, came third section about the layers of people in the Qur'an, through their rhetoric for their prophets, while the fourth has studied the letter of the faithful of the Quraysh of the Prophet Muhammad (may Allah bless him and his family), and dealt with in chapter II acoustic structure, it was on two topics, the first dealt with acoustic instruments in a speech people to their prophets, and their impact in the context, and Dar es second topic on the phenomenon of refining and audio effects.The third chapter was titled in the morphological structure, it came on two sections, the first names in the circle, and the second acts in a circle. The fourth quarter was below the compositional structure of the title, and split into three sections, the first of which is talking about the news and construction, while the second section talks about Arabic sentence structure, eating a third of some Alandziahih methods, Kaltkadim, delays, deletions, and pay attention.

تاثير المستشرقين في البحث الصرفي والنحو ي عند العرب المحدثين == The impact of Orientalists inmorphological search andgrammar when Arab modernists

Author name: نرجس عبد الرضا حسين السعيدي
Supervisor name: رعد هاشم عبود العبودي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Praise be to Allah, peace be upon the noblest creature of Abu al - Qasim Muhammad and his divine good and after : Emerged as the influence of Orientalism and Orientalists in the Arab world and a clear and concrete in recent times, particularly with the beginning of the twentieth century, especially in the intellectual sphere, and was Orientalists behind most of linguistic modern ideas, they have bulldozed a shift in the path of modern Arabic linguistic thought, what pushed him to the ideas of the new language and exclusively in the fields drainage, as well as the curriculum, some of them seized in Arab researchers who studied under their hands, or look at their tracks, or translate them, Vojb ideas, and influenced by, he took them, adding the delete and kept. Given the importance of this context, the study titled : "Orientalists in morphological search and grammar effect when Arab modernists." Established research foundations on the centrality of the idea that the role of orientalist studies in determining the Modern Arab Studies path in the areas of exchange and as with the curriculum, and to this characterization sought search to track and extrapolate the work of the linguistic application prepared by the Arab pens effects orientalist, has sought search to limit the most important names and works he was able to identify them from the two parties (the influential and affected) are aware of the default can neglecting aspects overlooked, with an ambitious study to reach a result that satisfies the reader.Find and try to answer a number of questions, as a whole : What is the reason for the direction of recent studies about the direction in which we knew about it? The motivation behind it? What causes? Then what benefits earned by the Arab language and then took them the Arabic language as a result of modern orientalist studies? These and other questions raised in the discussion of this research, try to answer them as he could find it from evidence.The importance of the subject of the importance of language, and the impact of modern studies in the light of the receipt of the Arab modern ideas of speed The reason that pushed me because Saussure and Firth and Jomski cited with Orientalists, although theyWestern; perhaps the presence of semi - features between their approach and linguistic thought grammar of the Arab old represented including his Sibawayh and Jerjani, this may clear from the studies presented by researchers including : Abdul omnipotent and Saussure, Ahmed required, and linguistics between Abdul omnipotent and modernists, Rashid Abdul Rahman al - Obeidi, creative dimension in the curriculum of Abdul omnipotent Jerjani, Mohammed Abbas, thinking rhetorical when Arabs, Hammadi steadfastness, and the concept of deep structure between Jomski Arab grammar lesson, for Murtaza Jawad Baqir, and the theory of generation and conversion between potential and performance linguistic,Abdullah dormitory.Because what is important in their door, and the presence of the Arabs adopted by researchers from the modernists adding the added or applied to Arabic. We saw the importance of our work be included in this note that they do not apply to them the term Orientalism.It should be noted that the reason that pushed me because he outlined an entire chapter of the curriculum despite the fact that my address unrestricted research morphological and grammar; is that the researcher morphological or grammar he must approach runs it, and the curriculum is the first step for the researcher, there is no study in the exchange or in the way in the modern era, however, has belonged to the approach of the modern curriculum, and most modern ideas (morphological and syntactic) created the modern approaches to the researchers the opportunity to develop them, and expanded the area in front of them to search The argument in the numerical disproportion between chapters; I left topics expansive mood, they are controlled by the number of pages of each chapter.And it faced the study great difficulties during the collection of subject matter including : the capacity of the subject, and the large number of sources and complexity, and the convergence of ideas and overlap, and the difficulty of access to sources of Orientalists; esulting in a limited study on books translated and available to all, and used the studies that addressed the Orientalist research and study The research plan are based on three main chapters appended to the results of the research and a list of major sources and references, and issued with an introduction and reboot. As for the boot, it was in the term Orientalism and studies that revolved around him, and began to explain the concept of Orientalism, and the evolution of Orientalism, then go to show the motives of Orientalism, and means of Orientalists in spreading their ideas, and then display the previous studies with comparison between them. The first chapter was titled : Impact on the level of the curriculum, and included four sections : Section I : vulnerability historical approach, and the second section : vulnerability and omparative approach, and the third section the vulnerability approach descriptive, and the fourth section : vulnerability statistical approach The second chapter was titled : Effect of Orientalists in morphologicalsearch, and included five topics : The first topic : the evolution of Arab buildings, and the second topic : the origin of derivation and verb tense, and the third section : Alaalal and replacement, heart spatial, and the fourth section : audio clips of the buildings in Arabic and the theory of internal transformation and section V : Instant and feminine and the evolutionof feminization marks.The third chapter was titled : Effect of Orientalists in the search grammar, and included three sections : Section I : at the origin of the phenomenon of expression and its inception, and the second topic : the Arab wholesale, and the third section : the conscience and anned from the exchange, and each separated from those chapters begin featuring now a prologue was a entrance handsome reader to access the content of the chapter.With all the difficulties and Whatever the case, this study has tried to receive what Bdjaptha, the hit - Mawla, it is satisfaction, though, we

البناء التركيبي لشعر البند في القرنين الثاني عشر والثالث عشر الهجريين : دراسة نحوية بلاغية == The Sentence Structure for Al - Band poetry In The Twelfth And Thirteenth Centuries (A.H.) the study of Grammatically And Rhetorically.

Author name: حيدر محمد حسين العتابي
Supervisor name: رياض يونس السواد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Al - Band is a type of the Arabic poetry. It his appeared because of the poets' ignoring to the ancient poem pattern. Other types of Arabic poetry also appeared, as Al - Dobait, Al - Mowashah, Al - Mokhammas …etc. and it is one of anew poetic purposes. Modern poets have rejected traditional aspects that were used for thousands of years, because they found them restricted by enslaving and tradition as well as creating new liberal art.The Poets used it to express their religious, political and social purposes. This new pattern appeared in Arabic poetry during the eleventh century (A.H. ), In southern of Iraq. then it spread to centre of Iraq and Bahrain. So several poets wrote in such new model as Ibn matouk Al - Mawssawi (1087 A.H.), Mohammed Ibn Al - Khalfa (1247 A.H.) and Mohammed Ibn Mehdi Al - Qazwini (1325 A.H.). On the other hand, words and structures are the same in both Al - Band and the ancient Arabic poetry . Its purposes have included the same old Arabic poetry purposes, like praise, slander, lamentation and the praise of women. But more poetic purposes were mentioned by the poets of this literary art, are the praise and lamentation. As for construction of musical poetry, its usually a mixture of two musical patterns in a poem.

اثار في التيسير النحوي عند هادي نهر == Manifistations Of Hadi Nahr's grammaticall Facilitation

Author name: افراح ميدان حسين
Supervisor name: سعد كريم خشيف
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Grammatical facilitation has gained a great deal of interest among scholars to make it easy for learners. Many books were written about this topic The present study elaborates the efforts of Hadi Nah in this field.The Theises came in a ccordauce with the plan consist of an introduction conclusion and there cgapters.The first chaupter is tihed (Hady Nahar) self and sciemtific Biography, and the concept of Facilitation and dialogue.It includes two sections I chapher one ltady Naher Brography has been presented and in chapter two the concept of Facilitation and dialogue was showen as well by the ancients and modernists, It causes and objectives and its inter locutors : cancel the expression effect, Depend on colloquial Languaye, and Facilitate the curriculum. Chapter two is devoted to Hadi Nahr's theoretical facilitation. It involves three sections; Section one is devoted to Hadi Nahr's theoretical manifistations of facilitation.Section two is devoted to Hadi Nahr's suggestions for facilitating a number of grammatical issues and balancing between his and other scholars's views. Section three is devoted to the Quranic examples.Chapter three is divided into three sections; Section one is devoted to facilitating the Arabic language for media. Section two is devoted to elaborating the relationship between the grammatical rules and writing. Section three elaborates the effects of practical applications on grammatical facilitation.The methodology of the present study is sometimes a balance between Hadi Nahr's and other scholars' views, critical, and descriptive other times.

صورة الكواكب والنجوم في الشعر الاندلسي عهدي الطوائف والمرابطين == The image of planets and stars in the Andalusian literature Trendy sects and Almoraben

Author name: عبير حسن مكحول العبادي
Supervisor name: حسين مجيد رستم الحصونة
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

صورة المراة الجنوبية في روايات شوقي كريم حسن == Image of Southern Woman In The novels of Shawki Karim Hassan

Author name: كفاح حسين عبد الله
Supervisor name: مصطفى لطيف عارف الحسيني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

بنية القصيدة في شعر قيس لفتة مراد : دراسة تحليلية == The structure of poem in Qais lefta Murads Poetry Analytical study

Author name: رياض ماجد مفتن
Supervisor name: علي حسين جلود الزيدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The poetry entered into the lives of most people and dominated their various aspects. Anis became their unity and obsession that they could not tolerate or abandon under any circumstances and throughout the generations in the history of human civilization. Poetry was the world of the soul, the teacher of inspiration and the focus of human groups. Poetry poetry and the poet to be the best messenger to perform his mission. From here the building of the poem was the most prominent window to raise the awareness of the apparent and the inner and to get the emotion by discovering the texts, which in turn reveal the worlds of the poet and stand on the degree of poetical, as it is - the construction of the poem - a cornerstone of the pillars of poetic work, and through this construction closes the curtain to reveal the secrets of beauty with Every attempt to probe the texts of these texts and their content of emotional or symbolic language, the parts through which the text, including the intertwined and continue to achieve the unity of the poem and named them to the top, along with poetic poetic work. The study uses the analytical method, as well as the use of many procedural tools, to detect the poetry of the text or effectiveness, depending on different approaches in order to integrate the image of monetary research. Our study of the poet does not seek to advance procedural laws, that is, to confront the literary text with preconceived notions or to formulate it within the limits of a narrow theory, as we made the text a start or a specific pathway, which is a mechanism for studying with it. The researcher has faced many problems, the most serious of which is the absence of specialized studies on the production of the ***************************************************** C poet. We have only observed some articles that do not exceed two articles on the Internet. The authors of these two articles were not presented in systematic form or rather these studies were not in the process of monetary equivalent, The most important of his poetic texts were in a raging conflict with the neglect, exclusion and absence that the poet faced throughout his life. This letter is the first of its kind in terms of the poetry of Qais Left Murad and his study Ademia, as well as the difficulty of obtaining Diwan (songs Hallaj) only after great suffering and effort upright, the fact that this Court represents an important turning point in the life of the hair measured gesture Murad mystic and philosophical. The basic sources adopted by the research are the writings of the poet Qais Lefta Murad, and the book of aesthetics of contemporary poetry. Taha Wadi, and the levels of poetic construction at the time of Muhammad Ibrahim Abu - Sunnah d. Shukri al - Tawansi, and the construction of the poem in the ancient Arab criticism (in the light of modern criticism) d. As well as the letters and explanations that dealt with the subject of the structure before, as well as rely on many of the sources called by the research to add to the texts of halo of beauty and to be the starting point of the researcher along the research and its various paths, and citing the views of adults academic critics and others to fill the gaps in research , And to move the other messages after these sources of priorities of researchers, Vtnh as factors to support the results of the conclusions of this study and the formulation of the c Introduction : The importance of the subject and the significance behind the study of the poet, the methodology used, and the sources that were helpful for the views expressed by the researcher supported, as well as the problems presented to the research.omprehensive language of the word. The preface includes the translation of the poet Qais Lefta Murad and his life and literary beginnings and highlighting the migration from his city to Baghdad reinforced by the statements of those close ***************************************************** D to him and these words found scattered between the sources of resources that dealt with Nasiriyah from a historical point of view rather than literature on the one hand, on the other hand, (Structure) and we knew in the language and terminology. The first chapter deals with the external construction in the poetry of Qais Lefta Murad divided into three sections. The first topic dealt with the title : The title we took from it is a new structural landmark that joins the series of features that constitute the external construction of each poetry text. And the poet has the obligation to be a solid text subject to the beauty of the texts and the delinquency to the heart of the reader and what is accustomed to ears and eyes, and sensing in a manner appropriate to the size of the hair and its high position, the third topic : it came to include (cut poetry) Every aspect of the hair in the hair Qais gesture Murad. In the second chapter, the internal structure consists of three sections dealing with the first topic (drama structure) as it expresses the universal character of the poet and his integration into the society and addressing his issues and attention to them as an integral part of the universe. Here is the integration between self - awareness and collective awareness. The symbol is a phenomenon that abounds in the poetry of Qais Lefta Murad despite the directness that prevails in most of his texts, but he refers to it and tries to prove to the reader that there are things that he can not reveal and the reader to examine these texts and find out what is behind them. Arusah briefing, as well as the definition of the personalities referred to or directly, including the texts of poetry. The fourth chapter is the rhythmic structure. It consists of two sections dealing with the first subject : the outer rhythm and weight guarantee. We presented the percentage of the weights according to their use by the poet and we adopted the percentages in the statement of the poet's use of these weights starting with the most common ***************************************************** E weight and ending with the least common in his poetry. And the effect of this on the psyche's psyche. We have found the rhyme with the most common rhymes in his poems based on the percentages as well. The second section is devoted to the internal music (Repetition, rotation, response of miracles on the breasts) supported by the poetic evidence that attests to its presence and intensity in the poetry of Qais Left Murad, and carried out by these musical phenomena in the performance of meaning, but there is manipulation in the process of study "Repetition" classical style of the usual (character, or word or sentence), as we studied in accordance with an updated method linked directly to the meaning of the study will show more when reaching it. We can not note that the researcher in some of the citizens of the letter was not parallel between the chapters and the length of the study, because the study does not depend on some things on the length or short, there may be a wide topic for many pages or requires the researcher to lengthen to show his goals, Few pages are sufficient to be in the final form, and then they do not have to be extended and divergent in matters far from the field of study. The researcher also repeated some texts in different places of the letter, to the clarity of the position of the witness more than others. This study coincides with what can be accompanied by each study of shortness, and bear what can be borne by each study of objections, especially in the first way, we follow the previous studies with extreme caution stand in the most important, we make it a lighthouse to guide him in public to finally reach something we think of this Nima from God, and if we sin, we are human beings and infallibility are always disobedient to the human soul, especially in this field, the literature accepts all the possibilities and the text imbued with multiple readings, but I tried and saved my best in it.

الوظائف التداولية في سور الرائيات واثرها في الاتساق النصي == Deliberative functions in Surat novels and their impact on the consistency Script

Author name: نورة عبد جبار الازيرجاوي
Supervisor name: احمد علي حنيحن
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: In the name of Allah, the most Merciful, the most Compassionate Praise is to Allah, lord of the worlds and peace is upon his prophet Mohammad and his sons .The our return to the Koran questioned by the new and re - reading methods of modern mechanisms contribute to deepen our understanding of him and his issues intellectual still suffers from surface to read and contribute to opening new horizons towards the vision of a growing commensurate with the movement of time and such a huge and continuing evolution in the language lesson modern and trendy spirit whole, Also, look at the Koran and forethought which meets the religious needs is to respond to God's command for us to read it and ponder its verses, and meets the need of modern is to find a new understanding of the Islamic spirit that suffer from thematic monotony and the deadlock in the understanding of the heritage, but rarely, and that a new read differently in the light of linguistic lesson modern mechanisms investors in this former efforts with interpreters and linguists.As a result of abstract conception which was limited in the search lingual, both with a leading modern linguistics "Dossosar" which confined the subject Tnzirh language without speech or these enhanced performance statistics, or the owner of the theoretical generating transformational "Chomsky" underIIwhich the subject of his studies on language ability without speaking, as a result of all this has been a trend new leadership "Heems" knows the direction deliberative, tried to rehabilitate what is known in the context in which Mark ever done, "so to speak."We are in this study does not aim to monitor signs of the emergence of this trend as much as we aim to practical attempt basic theory of art known as "deliberative functions," came this study tagged ((Deliberative functions in Surat novels and their impact on the consistency Script)).The research included a prelude and three chapters and a conclusion as well as a list of sources and references.The boot has studied the concept of deliberative, and its roots among the Arabs and the West, the concept of deliberative functions. In the first chapter "deliberative functions communicative" dealt with as divided on the three sections, the first section dealt with "function relationship Aidip," In the second studied "function Mqsidih discourse", and the third section devoted to the study of "the apostle Alastelzam."The second chapter was titled "function persuasion strategy" has been divided on the two themes dealt with in the first part, "pilgrims" which dealt with the concept of the pilgrims, and links orbital, and the factors orbital, stairs orbital, and the second addressed the "verbal acts" in the Wall AlraiaatIIIof news and a question mark, and the order, appeal, and forbade, view and Thouded, and exit these purposes to other meanings.The third chapter, entitled "contextual function," which included two sections studied in the first detective "linguistic context", the second "non - linguistic context." And appended research conclusion included the most prominent findings of the researcher, and finally a list of sources and references.It was the nature of the subject studied that we impose the analytical method of statistical descriptive based on inductive conclusions, with the assistance of a host of sources and references, the most important "deliberative when Arab scientists to Massoud desert, and new prospects in the contemporary linguistic research to Mahmoud Ahmed Bee, the trend deliberative and career in the lesson language Nadia Ramadan al - Najjar, and deliberative functions in the Arabic language to Ahmad Mutawakkil, and deliberative functions and strategies of linguistic communication as a career to Joseph Ngzawa theory. "Journey of my research has been trimming a host of difficulties intercepted my way, most notably those related article and difficult, because it is not going the easy and available to all, and after : This is a modest effort, the successful Success does not discuss, though other ask God to repay my fault, and Iovgueni all that is good.
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