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نتائج البحث: 25 من أصل 200

الاشتراطات الوظيفية في ثصاميم الفضاءات الداخلية لقاعات المناقشات الجامعية == Functional Conditions In The Designation of Internal Spaces of University Discussion Halls

اسم المؤلف: اسامة غانم نوري
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: I've seen the stage that followed World War II, a rapid development in the field of modern technologies , as influenced in great shape on the concept of university education , which replaced the clear links between the student and the community , as it became openness toward community goals mainly for educational institutions high , as the ocean , which is supposed to cover its requirements. Adding to the actual value of these educational institutions , is to provide continuity in the ongoing evolution of scientific data by discussing the messages and graduate thesis research that offer a variety of different disciplines sings materials science, knowledge and humanity. Hence, it was necessary to design interior spaces to discuss research students applying various formulations and configurations within the design to suit the level of the event is required. Thus, the researcher found the formulation of the research problem by asking the following : What are the functional requirements that should be adopted in the design of interior spaces for university halls of the discussions , including the designer can achieve the design formulations based on the functional aspect and check the value of advanced functionality in harmony with the level of the event ? The importance of search Aocefh deals with the study and analysis of spaces, private discussions university to engorgement of its function undertaken to discuss and evaluate the Alatarih and research and messages of Graduate Studies as well as it is the spaces to set up seminars or scientific conferences , as well as what it means to function in providing ways to make the most of during the design spaces that form the axis adapted to technical developments and raw materials for the purpose of responding to humanitarian needs and requirements. While the aim of the research : 1 - detection of functional requirements in the design of interior spaces for university halls discussions. 2 - Develop a design proposal for the university hall discussions based on the fundamentals and requirements that result from current research. While defined borders ( spatial and temporal ) to search halls discussions of public universities in the city of Baghdad - Rusafa for the period of ( 1975 - 2014 m) , as well as identifying the terms contained inthe title search out procedural definitions. Included in ( the second quarter ) and previous studies of the theoretical framework , which represent three sections , the first section dealt with " functional requirements and dimensions Avatar ," while the second section came Study " " variables functional and organizational dimensions in interior design " , while the third section guarantees the " principles of the design of interior spaces for university halls of the discussions , "and resulted in a set of indicators that the detective form adopted in the analysis of search patterns. As for the third quarter , which included the research methodology and procedures , as adopted research on the descriptive approach in the process of analyzing (3) models represented spaces inner halls of the discussions at the public universities of the city of Baghdad / Rusafa , have been selected in a deliberate from the research community overall 10% according to the rationale clarified by the researcher , and also included the chapter on the search tool , which included axes form analysis ,which included a group axes to cover the analysis of the mechanisms Almokhtarhoha models as follows : (1 - functional feature 2 - the organization of cognitive motor 3 - Safety and security 4 - techniques ). The fourth quarter included a review of the results and discussion that resulted through the process of analysis models and then out through the results to devise a set of conclusions , including : - 1 - that visibility was the result of realizing designer in fact the embodiment of the field of vision and visual receipt due to the structural design of the space as well as include ground and intensity of illumination of convenience. 2 - check the functionality of the rooms in varying degrees to achieve a comfortable indoor environment for users because of the proportions of the standard dimensions between formative vocabulary of space and movement of users as well as acoustic insulation , which came as a result of the use of sound - absorbing materials on the level of space limitations. 3 - should the designer be aware of the impact of color in space and its occupants ( psychologically and Aihamaa ) by adopting the kind of rationality and objectivity in the selection of ratios and color values in thespaces of the discussions as embodying two of them ( the state of anxiety and uneasiness visual and psychological ) , so it should not be used colors high - frequency wavelengths and varied, but the emphasis on some of the colors that achieve harmony. And generate a sense of attention and not feel bored during long sessions. And then make recommendations , and the conclusion of this chapter to provide the proposed design , which included an outline of the spaces engineered internal discussions university halls.

وظيفة القراءة والتلقي في تشكيل معنى العرض المسرحي العراقي == Function of Reading And Reception For Forming The Meaning of Iraqi Theatrical Show

اسم المؤلف: عمر فاروق محمد
اسم المشرف: سافرة ناجي جاسم
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Reading is considered as an interactional space between sender, recept - ionist and the message which acts as a mediator through them. So without read - ing action, the invention achievement is not fulfilled, particularly in theatrical di - scourse since reading itself forms the mental dimension and effects the audient - the reader actor, because receiver in theatrical discourse typifies the intellectual presence of text and show in same time. So reading symbols as a connection channel of its aesthetical service which forms the meaning of Iraqi theatrical show. Interpretation and its conception which assume as reading tools discuss with the achievement of invention for discovering the explicit meaning in the show, especially contemporary show. Brecht said : “Our audient’s decaycomes from lack of knowledge that both audient and theatre do not know what should appear on the stage”1. The research has divided in to four chapters. First contains the methodical frame and the problem of research. The emergence of reading and reception methods changed the rout of critique to follow the innovation, and taking from these methods a new way about recipient role and reading deed to reform critique looking in creating show, and exuded new different ways of relationship with the receiver. So, from research question we could ask … “Does the creator of Iraqi theatrical show use reading and reception methods as a new way and aesthetical dimension to build his attitude to his show”. Depending on this, the researcher shaped his research title “Function of reading and reception to forge the meaning of Iraqi theatrical show”. The importance of research is to raise a critiqued study to Iraqi theatrical show depending on reading and reception methods for reforming the theatrical show. In addition, theresearch introduced an assumed plan of strategic pattern to read, receive and explain theatrical show to release audient - receiver from what has been obstructed him before. It sprang up the variation of theatrical practice among contemporary cultures. Then research defined some of sides that can benefit from it. And the goal of research tried to discover the track of reading and reception to reform the meaning of the theatrical show, the limit of objective research locally and temporally, and ended 1 Brecht, Bertolt : Epic Theatre, translator : Jameel Nasef, Baghdah - Al Hurria publishing, 1973 the chapter with defining some expressions which limited on ‘function’ only and leaving the others to theoretical frame. Chapter two (theoretical frame) has three topics; everyone has a part of the title to set up the basis which can be as a starting ground for its procedures. First topic held the title (reading) which has displayed how this term has changed and established from the past until now, tools and the relationship with the (doer - the reader) that does the act. Second topic titled (reception) because of the subject significance to review the way of studying the drama, and dealt with some sides that we often ignored them like; audient as a person and a member of certain culture, his own expectation horizon which is formed by that culture frame, choosing specific events to participate in, and currently developing in dramatic studies, which gave the audient the way to be free from the theatrical show’s capture. So it is not required from this topic (reception) to describe audient’s response to a certain show. Third topic (forming the meaning) which this research discussed this through the relation with reading, reception, and receive. And theoretical frame ended by choosing two reception samples toanalyze, (external reception theory) and (internal reception theory).Chapter three (procedures of research) analyzed and studied specific samples. Then the researcher has examined show reading, through prepared text, or created one, or some other texts stand basically on other texts, and comparing them with originalpieces which leaded to value the theatrical figure more precisely. Chapter four enclosed the results and the conclusions. Some of results are; 1 - Waste the postponed meaning because the show juThe conclusions which became our answer to the researchquestion is;1 - Reading and reception function has participated in theatrical show more effectively for out put the meaning which is made it to reform inside the show not out of it

البنية الدرامية والايديولوجية في نصوص محي الدين زنكنه المسرحية

اسم المؤلف: عباس فاضل عباس
اسم المشرف: سافرة ناجي جاسم
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Ideology shapes the theme of man’s struggle. Because it represent the conflict of different wills about a subject. So it is really one of man’s struggle ways in the existence, and it’s his dramatically problem with it. It becomes the motive to many philosophers and writers. As theatre considers one of mind’s systems, which discovers the clash dimension, and it rests on it, the ideology frames on his ideas, which the theatrical texts declare this or that ideology through an aesthetical investment. And with in, the playwright states his attitude about any human matter, as the fate and human being, the problem between the authority and a person, religion complex and other intricate which were a space of resistance and contradiction.The playwright offered his aesthetical ideology based on his dramatically dealing that developed according the time needs, and the conception and political problems. In order to get the full cognitive of aesthetical and intellectual ideology delivered, the researcher divided his research to four chapters index of references, appendix of names and dating of publishing of Muhi Addin Zankana’s plays.The first chapter contains the problem of research which concentrated on the relationship between the theatre and its technique, then its relationship with people to embody their dreaming and agony, and leads to look for the dramatically structure distinguishof Zankana’s texts. And how the ideology appears inside the texts. The importance of research is to study the creative achievement of one of Iraqi dramatist significant, which we see that can add more knowledge. And be useful to theatrical studiers, and to the theatrical foundations.The aims of research : discover the characteristic of Zankan’s texts through technique and ideology. The limit of the research restricted locally in Iraq where Zankana had written all his plays. And chronically in the dramatic texts which published from ( 1859 - 2002 ). And objectively, it is a study and analysis of the technical structure and the intellectual of Zankana’s texts. The second chapter comprises the theoretical framework and previous studies and its discussion. It includes three topics. The first one heeds to the dramatic structure notion and reviews the dramatic structure of theatrical text from Aristo to these days. Historically, talkingabout the methods of writing plays. Second topic pays attention to the ideological meaning and its relationship to society classes. The relationship between the ideology and artists, and how it reflects in their works, the position of government authority from the opposites.The third topic is discussed the text connotation, then the text language structure, and the text semantically structure. The third chapter includes the research procedures which embraces the research society that involves Zankana’s plays, which extended around fourty years. Limit locally and temporally and broach to search method. The tools depend on the indicators that bring out the theoretical framework, as the main tool to analysis the samples, and to realize the research goal and solves its problem, reaching toscientific result. The chapter holds two fields of research, first, the dramatic structure of Zankan,s texts. Second, the ideology, how it is reflected inside the texts, and inside the playwright himself.The chapter four implies the results that the researcher reached, through analysis Zankana’s plays, which declare that Zankana used many methods from traditionalism to experimentalism to reach wider horizons. He was effected by Brecht, using his method to break out the traditional plot, push people to think about what is going on the stage, not to identify with it. Discussing the tragedy concept which destroys the heroes. Zankan’s interesting to the poetic prose, and to range his dialogue between dramatic and narration, because he wrote both plays and stories. And to put the idea of the character before its art structure.The conclusion of the research attained that Zankana is an ideological playwright, but he was not the type of writers that ideology can limit his work or capture his creation. His erudition and the high human feeling helped him to put the ideology under his hand, not the opposite. Ideology appears in his works through his choosing characters, their dialogue, actions. He was not talking friendly when he descried the capitalism class and its political or economical representatives. He strips of their sick behaviors, their slavery tobenefits and privileges, and how easy for them to commit the crimes without twinge of conscience. But he changed his situation, when he descried poor people. He is kind, a friend, caring them the best human feeling and actions. They sacrificed themselves to the others, refusing the injustice, and revolted against it

التحولات الفنية للتكعيبية وتطبيقاتها في تصاميم الاقمشة المعاصرة

اسم المؤلف: سناء محمود ابراهيم النعيمي
اسم المشرف: فاتن علي حسين العامري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Occupies designs fabrics ample space in the developed world , making the interest in these designs is increasing day by day and this is due to the urgent need of the cloth and the multiplicity of uses to suit the desire of the consumer, no longer fabrics just forms of design it is the interaction of the bases , systems and relationships that lead really expressive and functional requirement the act of design and its impact gustatory in others, they are subject to the taste of a designer who builds upon the idea consistent with the style and material and technical relied upon to show the artwork design. As well as they are in line with the change and development , and develop and enrich the taste of art, fit and prestige which focused phenotypic need to keep pace with the movement and in the field of regenerative design fabrics.. Has seen contemporary thought movements and technical schools shifts the new shape and configuration - including the art movement of cubism - which is one of the most modern art schools interested in form , and formed a starting point and starting to achieve the unique methods varied and varied depending on the renewal of continuing its impact in the field of design , inciting the Cubist movement shift technical systems relations formal level of scientific , technical and aesthetic , and based on the above and through the informed researcher of the importance of these transformations and technical applications in design - designs fabrics - ( women - Upholstery ) created a justification for the study of the subject of current research and marked ( transitions technical Cubist and its applications in designs contemporary fabrics ) , where research includes four chapters , the first chapter came the research methodology and included asking the following question : Is the technical transformation of the movement of Cubism role in achieving techniques in the design of a multi - purpose fabrics career ? In order to shed light on the important concepts and rich in the history of fine arts in general and contemporary design , in particular through the fact - depth intellectual and stylistic aesthetic that characterized the most important features of the Cubist school , goals came search : . 1 - Identify all transitions intellectual movement of Cubism.. 2 - disclosure of technical features and practical designs in fabrics. 3 - Develop design proposals showing shifts of Cubist art and Tabiqatha Fabrics contemporary designs in a multi - functional purpose..The study identified technical changes to the movement of Cubism in the multi - purpose functional fabrics ( woven and printed) of Chinese origin and Turkish as available in the local market of the city of Baghdad and designs of women's fabrics and upholstery from 2011 - 2012. The second chapter , which included theoretical framework , which included three sections covered in the first section shifts the intellectual and artistic movement of cubism , while the second section of Cubism and enforcement mechanisms in the designs of fabrics , and the third section is the impact of contemporary art trends in designs fabrics. As previous studies did not find a researcher study concerning the subject of the search, and so is the search the first study in the field of application of the school Cubist designs in fabrics women - Upholstery, The third chapter dealt with research procedures , which included research methodology , a descriptive analytical and research community , which amounted to (96) model design parameter was selected sample in a deliberate and by 25 % and adult (24) model , has been prepared by the researcher form analysis of the designs fabrics women's Upholstery , which included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter building axes on the form and for the fourth quarter included the results and conclusions reached Albaagesh to the most important conclusions as follows : . 1. Technologies that backs a role in highlighting the verb design of woven fabrics and printed , which represents a shift in the phenotypic characteristics of formal , given privacy in the use of design for multi - purpose fabrics Title ( Women - upholstery ).. 2. The method of engineering and engineering hub dominant trait to show content, as embodied in the processors technical attributes and characteristics of the Cubist art movement characterized by solid and sharp formations in the framework of the formal unity and objectivity. The method of abstract Kmthakq Toy formal and overlap with the geometric method.. 3. The exploitation of space overall as a result of overlap Vocabulary in build formal invested mutual relations between form and space design , which showed both of them as part of the design fabrics women , while requiring upholstery fabrics pronounced in Show content formality and color commensurate with the purpose career Alosthaddama and adaptedto the place. This enhances the transformation of the intellectual and stylistic art cube.. 4. Harnessing the trend All or part of the shapes of the effect corresponds to the privacy level job promising for him , as it is employed in the designs of fabrics women's trends multiple on the basis of their ability to forming and employment are governed by the nature of the raw material and adapted to act Alosthaddama , while confirmed upholstery fabrics on the need to employ the trend one which copes with the act Alosthaddama. 5. Showed most of the designs of the models to harness the attributes of art and design inspired by Cubism analytical second phase , through repetition and diversity of surfaces , colors , style intense and contrasting closer to chaos, but the system , which formed a shift in the structure of the design appeared in the periods required by contemporary visions of design and the need for changes in attraction and excitement in women's designs and upholstery fabrics , followed by the third phase , a synthetic Cubism , which forms produced by the unfamiliar achieved tensile visual composed year.. As well as to ensure the same chapter , proposals and recommendations to ensure this chapter also proposed designs prepared by the researcher access to a computer the possibility of a formal variables and color ways and methods to repeat different , of (27) design proposal which is designed to fit women's fabrics and upholstery.

القيم الخلافية في الخزف العراقي المعاصر == The Controversial Values In The Contemporary Iraqi Ceramic

اسم المؤلف: زيد محمد رحيم فاضل
اسم المشرف: محمد علي اجحالي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The importance of studying the controversial values in the system of plastic art and notably in ceramic poses an artistic aesthetic study due to the importance of these values in the network of aesthetic innovation , that we see these values moving and contradict with each other due to the continuous modification in the certain development of the whole cognitive specialization for the favor of the permanent controversial in the artistic and conceptual performance, in addition to what critic theories submit, and philosophic theses that submit logics of art's moving tastes from a site to another conflicting site and argue with in crystallization the importance of these controversial values and that is behind enriching the controversial values withcontroversies, disputes and contradiction which are exist and permanent in the network of art and beauty.We see the position of the ceramic is in the center of aesthetic dispute, because it is considered one of the contradicted plastic arts where attitudes are variance based on formal and cognitive foundation for its high plastic flexibility, that led to studying the systems of dispute as reading and criticizing contradiction.For that , the research aimed to study ((Controversial values in the Iraqi contemporary ceramic)) and was in four chapters : - - First chapter included the problem of the research by a punch of questions about the controversial values in the contemporary Iraqi ceramic and urged us to wonder about the structural design in the contemporary ceramic form based on the contemporary ceramic forming in Iraq, and on what level that contradiction was, and were there specific values which the art of ceramic has worked on? And how could it include most of its values in one constructional structure? The answer will be the resultant of that question , about the mechanism of employment the controversial values in the contemporary ceramic in Iraq?Therefore , the study aimed to : - Discovering the controversial values in the Iraqi contemporary ceramic , on the level of shape, technique and content.The researcher was limited with studying the contemporary ceramic works within the period between ( ) to ( ) existed in the Iraqi museums or as special findings the researcher has found in old books or online , then reviewing the term of values and the term of dispute and defining the controversial values by term and procedure. - Second chapter was represented by the theoretical frame including three sections , first one concerned with studying (controversial values by a conceptual approach) , second chapter concerned with studying (the controversial values in the arts of modernity ), second pivot concerned with (studying the controversial values in post modernity arts) , while the third section included three pivots, first pivot concerned with studying (representing of controversial values in ceramic) , second pivot concerned with studying (the contemporary Iraqi ceramic) and ended the theoretical with a punch of indications and then the previous studies. - Third chapter tackled with procedures of the research that included specifying the society of research and choosing the research population that were ( samples) , then the method used for analyzing the sample, depending the depictive method in analyzing the artistic works.While the four chapter included results of research, conclusions plus recommendations and suggestions from the results the researcher had come up with the following results : - The controversial value turn out through the using of the potter to couple of contradicted values in the aesthetic, artificial and academic phenomena which are (reality & experiment). - The controversial value is achieved through contradiction and closeness of two values that are of one element and between them there is a controversial contend. - Controversial value may be achieved by analyzing the reality for the human shape that carry composition and diagnostic features differ from the origin totally. - The controversial values have turned out through granting the brain its authority in implementing and granting the action of the emotion its authority also. - The controversial value also can be achieved by the letter - composition for the read ceramic work and the instantaneous composition of the ceramic work.The conclusions : Up to the results obtained by the researcher, he come up with the following conclusions. - The controversial values in the cognitive, aesthetic and intellectual knowledge , entangled circle of relationships and gathering of intervening letters. - The aesthetic knowledge for the system of contradiction in the art of contemporary ceramic, applied on the basis of the formative composition and the open - eye illusions and what these elements pose of intervenient values.The system of the controversial is a future system based on the historical instantaneous basis , so it emanated newly every time

اشتغال الشفرات الثقافية في المسلسلات التلفزيونية التركية == The Functioning of Cultural Codes In Turkish TV Series

اسم المؤلف: علي عبد الرضا مزبان المطيري
اسم المشرف: ياسر عيسى حسن الياسري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بدات العروض الدرامية التلفزيونية الاجنبية وبالخصوص المسلسلات التركية تاخذ مداها الاوسع في البث والانتشار في الساحة العربية عبر وسائل العرض المتنوعة ومنها القنوات العربية كافة الحكومية والاهلية، وصارت تشق لها طريقراحبا وسط المتلقين العرب عبر ما تبثه من قيم | Began offers dramatic foreign TV and in particular Turkish soap operas take a range of broader in broadcast and spread in the Arab arena through the means of various display including Arab television all government and private , and became make their its way welcomed amid recipients Arabs over what was done to the values , ideas, and the meanings of various , across what was done to their offerings dramas diverse in terms of form and content , and therefore it has become necessary to monitor this phenomenon art by researchers and scholars in the fields of film and Television Arts so that it can understand and comprehend the vast amount of marks artistic , aesthetic and semiotics posed on according to their own perspective , and that seemed to constitute as mentioned phenomenon of great artistic occupied Arab public opinion and Muslim world as a whole. In order to prove a research that this phenomenon is its own language was we have to disclose their tools and language Tglatha aesthetic and expressive and semantic terms of form and composition and meaning , and here began , the first steps in the study of this phenomenon artistic expatriate us , through an approach to language film structures semiotics active and effective participation in Mndzha iconic pregnant for the meaning of the signifier ( s dramatic itself ) , in terms of function units and compositional organization and shape and Altmzar , and the resulting emergence of Encode cultural meet the privacy of work and gives him his identity , social and cultural well and shown on according Achtglatha multiple hidden and implicit within the overall context of the presentation of dramatic television , the offer system nested and linked to cultural life public and the same time is a separate system of cognitive intellectual aesthetic operates according to its own language and Its blades specialized Kalza and theorist , music, physical movement , and here and where resulting from this approach several results had them , the possibility of the application of most of the structures of semiotics linguistic the accomplished television drama based on the manifestation and emanation built Alamih lingual and non - lingual actor like , blades , and built a communicative other is determined by which identity and privacy accomplished dramatic television and his art , through interdependence and different and Talvadtha markers ( iconography , and symbolism , and indicative) incarnated and is operated in the body art , and the problem with this , a system of rules and technical norms , which in turn lead later to deliver a message with deep meanings , using all elements of cinematic language. And according to the progress of speech and a request to build the foundations of scientific research , academic, and in order to stand on the details of the chapters of this research work and covered components of the various it has been the study title, year ( the functioning of cultural codes in the dramatic TV series Turkish ) and were divided into four chapters , as follows : Chapter I ( methodological framework ) : The intake of this chapter the research problem , which crystallized and was studying the modalities of the functioning of cultural codes in the structures of television dramas Turkish embodied in the form of dramas and demonstrate their functional and semantic through the identification of structures cryptographic elements display art and semiotics. Vassana work uses blades cultural reality expressed through the expressive elements of cinematic language , in turn, creates a cultural Its blades that gives the drama of technical specificity and uniqueness distinctive. Also included this chapter objectives of the research , also included a chapter on the rest of the ingredients methodology other than the importance of research and its limits , and the definition of terms and came second chapter ( the theoretical framework and previous studies ) : Based on the manifestation of the subject of current research into the levels of synthetic and Alamih and expressive , diverse saw the researcher to study what's covered by the installation of elements within the construction and semiotic recaps of the drama television show as a structure and shape Accordingly, the researcher finds this chapter is divided into several sections , were as follows : First : dramatic structure in Turkish TV series : Second : the semiotics of dramatic television building : Third, the concept of semiotic codes in the field : The third chapter ( research procedures ) is based on two main pillars : research methodology , and it has been adopted descriptive analytical method based on the unit of analysis that are part of the selected sample Qsidia a way that fits with the nature of the research, in addition to clarifying the reasons for choosing this sample. The resulting theoretical framework for a number of indicators adopted by the researcher as a tool for the analysis of the sample after the presentation to the committee of professors and experts for the purpose of examination and evaluationCO : Analysis of selected sample according to the tool that came out of a researcher from the theoretical framework. , The sample consisted of the series ( Valley of the Wolves ) measure performed seventh.And ensure the fourth quarter , a set of findings and conclusions , the most prominent of which contribute to the adoption of cultural codes through Ostglatha multi as markers or glitter Tgeorah and deliberative adopt the concept of relational in the supply , transportation and neighborhoods structures and forms Alamih with Achtgalat extinct and dead , or specific markers ( arrows ) (Poison ) ( cord ) ( secret rituals ) , employed in the service of a broader meaning and shows the function within the context of the Great unity (Serial ). The research also included a series of recommendations and suggestions for the search ends with a list of diverse sources and a summary of research in English

تحليل بنيات الرسم الواقعي الفانتازي == Analysis Structures of The Realistic Fantasy Painting

اسم المؤلف: رعد فـليح حـسن
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد ظاهرة الرسم من ظواهر الوجود التي تتخطى القياس والتثبت منذ الكهف ومرورا بتتابعات تاريخية اسسها الرسم بانواعه وتقنياته المختلفة، نجد ان الواقعية او الرسم الواقعي يعد من اوسع هذه النتاجات واعمقها تاريخيا بل يمكننا القول ان الواقعية ابتدئت مع الرسم، | Is the phenomenon of drawing from the phenomena of existence wich go beyond measurement and validation when you want and calling it since the cave and through historical sequences founded by painting types and its different techniques , we find that the realism or realistic painting is one of the broadest of these productions and the farthest in the history of painting , but we can say that realism began with the painting is continuing and will continue ,put this historic wide area provided different methods of realistic production in the art of painting , including realistic fantasy painting , which is the basis and logic of this Thesis , in short can be defined as the foundations of the technical and ideational structure , and its style depends imagination and requires total time from the past to the present to the future and achieve that accurate Performing interaction between sudden exciting form and the compound structures established this which we call realistic fantasy painting.And a researcher at his prospecting that adopted academic study during years of his work of his preliminary studies through the Masters preparatory year found a problem that needs a solution and exploration stationed in referring realistic fantasy painting with its different structures that need to analytical prospectical accuratical study , which achieved a desire to be of this study on the master's level and was him what he wanted with the help of his professors Distinguished majoring in painting , especially when he found that this area of research is almost to be missing as it did not address her any study only study ( magical realism ) which is close to the fantasy realism put it is not that the difference between them is broad and many.Against this researcher fought the first chapter represented the methodic framework of the research which shortened partical conceptuals of the system box for scientific research , while the second chapter was based following studies : First : the structure and the structures and functioning mechanism.Second : realism and fantasy realism of its history , its institutions and its releases.Third : between realist painting and realism surrealism and magical realism and fantasy realism. Fourth : changeable in the fantasy realism manners in contemporary painting.This after entering in the subject study and , we came to a set of indicators for the theoretical framework were adopted equivalents analysis of selected samples in the third chapter Representative procedures followed in the collection of the research community and the selection of the sample within the rationale justifying selected , and the search tool and its role in the detection and analysis within certain mechanisms , and then choose the curriculum analysis samples ( descriptive analytical ).The fourth chapter has been committed to the article spammers methodology competent displays the derived results that can sum up the most important of the following : 1 The absurd is the most important theme of my speech broadcast in drawing realistic fantasy2 The absurd in drawing realistic fantasy doomed somehow ( varying according to the text itself ) credible same3 Diagnosis and meaning in the vocabulary of the construction drawing fantasy effective governor can not dislodge4 Drawing fantasy inclined to create excitement and surprise ( the result is a dramatic draw ) the effectiveness of the secret of success and transmit the dramatic5 Timelessness and nowhere tools show effective in drawing fantasy6 the human body Interestingly for the wishes of the sexual content ( man، woman ) is an important element of the elements of fantasy structures require relationships with neighborings and regimented with laws and regulations governed by the subject which belongs to it's the same text

الخصائص اللحنية والايقاعية للتهليلة والذكر القادري : دراسة تحليلية == The Melodic And Rhythmic Characteristics of Al - Tehlila And Al - Qadiri Recital “Analytical Study

اسم المؤلف: انمار علي حسين
اسم المشرف: حسام يعقوب اسحق
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The research comprises a list of contents, five chapters, list of references and annexes.The First Chapter “The Methodical Framework” in which the research studied the Tehlila and the recitals as samples of Iraqi religious singing; as this type of singing has not received enough attention on the studies of researchers according to required scientific vision. The researcher attempted to study this matter in a methodical way to identify the melodic and rhythmic characteristics of Tehlila and Al - Qadiri Recitals, and then explain the significance of the research by several milestones. Afterwards she studied the objective which is the discovery of characteristics of the said Tehlila and recitals. The objective threshold of the research was the melodic and rhythmic characteristics of Al - Qadiri Tehlila and recitals. The time perimeter was (2003 - 2013). Whereas the location perimeter was the shrine of Abdul Qadir Al - Gaylani in Baghdad. The Second Chapter is titled “The Theoretical Framework and Previous Studies” in which the researcher demonstrated a chronological presentation of the origin of song within various civilizations to include Mesopotamian civilization in the ancient Iraq, and the song in the pre - Islamic age, Islamic era, religious music and singing in the Ottoman age. In the second section, she addressed the religious recitals within the divine religions, then she the Sufi approaches in Iraq, the religious recitals in Iraq, and presentation of Al - Qadiri Tehlila and recital music definition, and their objective features. The researcher presented previous studies, namely two academic studies of researchers Zinat Mahmood and Arif Mohsin.The Third Chapter is titled “Research Procedures”, in which the researcher determined the descriptive - analytical approach, and then she selected the research community, and the targeted audience of (10) samples within the community. Thereafter she addressed the analysis system which she prepared and then the tools employed in the research. While the Fourth Chapter “Musical Analysis” which is devoted to the musical analysis of the selected samples that the researcher divided into two groups : Tehlilas and Al - Qadiri Recitals. The Fifth Chapter which is titled “Musical Analysis Conclusions” of samples of the two groups by which the researcher realized the indicated conclusions according to the required objective of this research. Then she moves forward with the recommendations and suggestions, followed by a list of references and annexes, and then the abstract with its title written in English language.

التنوعات التصميمية في اللوحة الحروفية الخطية == Design Variation In The Colourful Calligraphic Paintings

اسم المؤلف: علاء عطية داخل محمد
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة التنوعات التصميمية في اللوحة الحروفية الخطية، بوصفها واحدة من الاتجاهات الفنية الجديدة، وما تميزت به من مواصفات فنية شكلت انفتاحا نوعيا للخطاطين في السعي بهذا الاتجاه. وقد ساعد ذلك في اغتناء وتطوير التنوعات التصميمية لهذه الل | This research study deals with designing varieties of painted calligraphy, as one of the new Artistic trends, and was characterized by its artistic specifications that formed a start for calligraphers to pursue this trend.This has helped in enriching and developing the designing varieties of these paintings, considering these calligraphic paintings as achievements that bring out alphabetical letters in specific artistic formats. This has had a clear impact on the tendency towards an artistic development and bringing out design structures that are unrestricted with traditional structural forms. The emergence of these artistic calligraphy paintings is a natural outcome of the development of Arabic Calligraphy and how it has been handled designingly in accordance with the principles of Arabic Calligraphy and its general restrictions.Using samples of these Calligraphies, the researcher has presented his research study issue with the following question : What are the designing variations of the Calligraphy paintings?The importance of this research is related to the fact that these calligraphic paintings are a wide field of invention, renewal, creativity, and change, especially in the composing structure of the painting. This research will be more helpful for future researchers in the field of Arabic Calligraphy.The focus of this research is to uncover the designing varieties of the Calligraphy paintings and identifying the areas of creativity and beauty that emerged in countries like Iraq, Egypt, Iran & Turkey through the period (1965 AC/1385 H) till (2013 AC/1434 H).The second chapter contains the theoretical frame work which in its turn is composed of three researchable subsections : the first one deals with The Emergence and Development of the Calligraphic Paintings and what they went through during the developmental process till the birth of the concept of Alphabetical Calligraphic Paintings. The second subsection is dealing with the Artistic Characteristics and Beauty of these Calligraphies. The third section handles the varieties of designs in both the Free and geometrical aspects. Followed by reading of the theoretical indicators of the framework and previous studiesThe third chapter has the research methodology which has adopted a descriptive method. There were 79 calligraphic paintings and the researcher took 8 selected painting which is approx. 10% of the total number of the paintings. The selected paintings have undergone an analysis using an analysis form which has 4 pillars accredited by Specialists The fourth chapter presents the outcomes and conclusions which are : 1) Benefitting from the flexibility of the Arabic Calligraphy in finding calligraphic compositions.2) The artistic variability of the calligraphic painting in both ways : organizing or composition construction. 3) The flexibility in changing the measurement shapes and direction of the letters leads to inventing new distinctive letter compositions.4) The various shapes of one letter help the calligraphist in deciding the suitability of one formatting instead of another in the process of building the structural design of the compositions of calligraphy.5) The Arabic Calligraphic Compositions are considered as a kind of liberation from the domination of the (classical) traditional compositions.6) The characteristic of composing and overlapping the letters and words have lead to a designing connection which helped in forming the composition and the general outlook.7) The calligrapher has been able to make the letters flexible to satisfy their artistic taste by extending and lengthening the letters when composing in order to show the infinite beauty of the letter.The researcher comes to the following conclusions : 1) The calligraphic painting is the outcome of the development of the Arabic Calligraphic Art and this is due to the fact that the global art movement is in continuous developing and the calligraphers sought to make this kind of art global.2) The calligraphic paintings have the ability to produce compositions with different shapes and designs, particularly the free format designs : the constructional feature, multi - faceted and the variety of the letters.The researcher recommends the following : 1) Teaching the designing variety of Calligraphy in the college of Fine Arts and the equivalent educational institutes considering it as a new trend in the Arabic Calligraphy. Take the research study conclusions and outcome into consideration and get the most benefits of them and consider them as evolutional point when comparing between calligraphers in art events competitions, exhibitions and festivals.

التنواعات التصميمية في التراكيب الخطية الايقونية == The Designing Variations In The Compositions of Calligraphies Iconography

اسم المؤلف: حيدر جبار عبد
اسم المشرف: محمد سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد التراكيب الخطية الايقونية نوع متميز من التراكيب الخطية المتداولة ؛ يعبر عن التطور الحاصل في الخط العربي عموما والتراكيب الخطية خصوصا، ولعدم وجود دراسة سابقة بحثت هذا المنحى الفني (بحدود علم الباحث)، فقد تمت دراستها وصيغت مشكلة البحث بالتساؤل ا | The compositions written iconic distinct type; expresses the evaluation in the calligraphy in general and compositions written especially, the absence of a previous study that examined the technical - oriented (up science researcher), has been studied and formulated the research problem by asking the following : ( What are the structural foundations of the variations in the design of linear structures iconic ?) The objective of this research was to determine (by reaching structural foundations of design variations in compositions written iconography), has been identified by research.1 - (Compositions written in the iconic paintings calligraphers since the beginning of the eighth century AH to 1434 AH). The researcher came out of the theoretical frame work adopted by the indicators in the design of his research tool ; analysis of samples for the purpose of the adoption of a set of actions contained in Chapter III , namely : 1 - Collect researcher community's consideration and (200) plate; was classified into : Iconic structures in the form of plant and animal and human figures and architectural and industrial (Max) and a variety of bodies. Then extracted six samples by one sample from each category. The researcher came out a set of results, was the most prominent : 1 - The third line is the most obvious lines adopted by calligraphers in linear iconic building installation. 2 - The levels of installation rates were relatively close.3 - Has been the adoption of the rules and regulations in calligraphy. The majority of movements syntactic language used within the need. 4 - The most iconic compositions written coincided with indications of the contents of iconic texts directly. The researcher set out conclusions, including : 1 - Can be expressed as the content of the text through the iconic figure and approving letters and words and read it without having to read the text linguistically; without the need to adopt the colors. 2 - The third line is clear and one - third the average for the largest share in two iconic structures. The researcher came out a set of recommendations, including : 1 - Emphasized by the jury in exhibitions and competitions on the availability of safety requirements for spelling and reading sequence and the rules and regulations of Arabic calligraphy in the paintings of the iconic installation.2 - that is the introduction of competition in the production of plates written with iconic structures, in order to make way for creativity in the field of calligraphy.The researcher came out a set of proposals; including : 1 - A comparative study between the compositions written iconography Iraqi and other other countries.2 - A comparative study between a group of compositions written iconography of the period of time past and the other in the present time and the extent of development in the directorial vision.

التنوع التصميمي لزخارف مشبكات الاضرحة الاسلامية المقدسة في العراق == Design Variety of Ornament of Sacred Islamic Shrines Lattices In Iraq

اسم المؤلف: ظافر عباس جسام العيساوي
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمثلت مشكلة البحث بالنقاط الاتية : 1. تعدد الاشكال" العناصر الزخرفية النباتية والهندسية والتكوينات الكتابية" في تصاميم مشبكات الاضرحة مما اثر في وحدة الشكل ووحدة التصميم الزخرفي. 2. ان تعدد الخامات والتقنيات المعدنية المستخدمة في تزيين المشبك اثر عل | Problem of the research is represented in the following points : - 1. Multi forms " engineering and vegetal ornament elements and written formations in the designs of shrines lattices which affected form unity and ornament design unity "2. Multiplicity of raw materials and metal techniques used in adornment of the interlace , affected the design meaning which leads to losing the functional side of the interlace of the shrines.Accordingly , the researcher formed the problem of the research according to the following question : - (Design Variety of Ornament of Sacred Islamic Shrines Lattices in Iraq ?) The importance of the research is embodied by warning the designer to adhere to the unity of the subject in ornamented design specially for the shrines due to their spiritual and doctrine sanctity , and commitment with elements signs and the technologies of the material used by accurate expression of both sides functional and aesthetical due to the sanctity of these places and the reason of using. The objective of the research is to response the above question mentioned in the problem of the research. The research deals with design variety of ornament of sacred Islamic shrines lattices in all its kinds ( vegetal , engineering and calligraphy ) in Iraq ( Holy Najaf , Holy Karbala and Baghdad ) for the period from ( 1928 A.D - 2013 )( 1347 A.H - 1435 ). The second chapter is dealing with the following subjects : historical background about the beginning of holy Islamic shrines and lattices , meaning dimensions in the variety sacred Islamic shrines lattices , besides the variety in areal division of the ornament of sacred shrines lattices , variety of ornament of sacred Islamic shrines lattices in all its kinds ( vegetal , engineering and calligraphy ) , ornamented design elements and the basics of ornamented design , and finally adopted raw materials in executing sacred Islamic shrines lattices , besides technical methods in execution used in sacred Islamic shrines lattices. Then followed by theoretical framework and previous studies. The researcher adopted descriptive method ( analyzing the content ) in order to reach and achieve the objective of the research. The samples have been chosen intentionally , so the researcher chose ( 5 ) lattices of the shrines out of ( 20 ) lattices. Analyze form has been made for the selected samples according to the indications of theoretical framework , then presented to the experts to check its validity. According to the analyze form, the selected samples have been analyzed and showed the following results : - 1. The designer adopted one system for ornamented design process in sacred Islamic shrines lattices , in which the ornamented design were similar in general design by adopting unified design system ( bi - similarity ) across halved vertical pivot of ornamented formations 2 - The mobilized decorations have appeared in net of a scared Islamic shrines in Iraq of three types(plantation - calligraphic, engineering ) where they could be assorted as follows : A - Single work of one decoration type ( Flower) and (liner) and ( engineering ).B - Double work of two decoration( of cup and vase shape) and reality and calligraphic and(vassal , calligraphic, shape).3 - Several materials have embodied in designs ( decoration, lattice of sacred Islamic shrines, depending three material (gold, silver, and enamel ).4 - It was depended on the type of material(gold, silver and enamel) essentially via using various methods in accomplishment of decorations and writings, such as prominent cold hammering , crafting and perforation, besides using another colors for the mobilized decoration on Enamel materials. Based on results, the researcher has reached to a number of conclusions represented by the following : - 1 - The Islamic lattice of sacred shrines of engineering shapes( rectangular solid), that make for the designer, availability to implement one front and to repeat it on the other fronts, besides, depending, diversity of area division for the single lattice to get of the red tape of recurrence.2 - Depending the decoration diversity( vegetable, engineering, calligraphic) in Sacred Islamic lattice of shrine to realize the appearance opulence and to highlighted the estheticism, which contributed in self relation of the visitor via effectiveness added by these decoration to human spirit, and adding the spirit of humility and sublimation.3 - Not to mobilize the detective decoration( human and animal) in Islamic sacred lattice of shrine, and this related to the researcher's belief of credit motives, and hatred of picturing the creatures especially in the sacred places. According to what the researcher has reached of results , conclusions, and to complete the utility and knowledge, thus he deems specifying a group of recommendations , most important of them are : 1 - Make use of the current research results to sustain the academic curricula for the given departments. Amongst , the Arabic calligraphy and Islamic decoration in institutes and colleges of fine arts.2 - Emphasizing on the scientific and academic aspect in the process of selecting decoration especially in the Sacred Islamic lattice of shrines to realize the unison of the subject.And to meet the requirement of the research, and to realize the scientific utility, the researcher has suggested collection of suggestion useful for the successive studies, amongst : Studying the design manipulation for the lattice of sacred Islamic of shrines in another Islamic countries.

التمثلات البنائية والفكرية للمكان في مشاهد الاستهلال في الفيلم الروائي == Representations Structural And Intellectual Place In The Scenes Initialization In The Feature Film

اسم المؤلف: محمد عبد الحميد ضيدان
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتلخص موضوع البحث ( التمثلات البنائية والفكرية للمكان في مشاهد الاستهلال في الفيلم الروائي) كونه يبحث الجانب البنائي للمكان, اي مجموع العناصر التي تتفاعل معا في تحقيق تلك البنائية وما يترتب عن ذلك من وظائف تحقق تلك البنائية المكانية وخصوصا في مشاهد الاسته | Boils research topic ( representations structural and intellectual place in the scenes initialization in the feature film ) being looking side constructivist place, any sum of elements that interact together in achieving those Constructivism and the consequent functions check those structural spatial and especially in the scenes of initiation which usually reveal the nature of the events and the dimensions of the characters and their actions , and the atmosphere psychological, social , cultural and otherwise, for the link to place a lot of dimensions that can be drawn or expected , so I saw a structural place over the course of art film a lot of transformations which Erafqgaha necessarily a change in the functions performed. In terms of representations intellectual place , the directors usually hire the place in order to bring out their ideas , either directly provides an understanding of the receiver to the idea of the film from the beginning, or indirectly by encoding the place and thus may postpone the director in the detection of the idea of the film to movie scenes Other may sometimes up to the end , and it will be a key component in place to receive information either visible or invisible and a substitute for the usual methods such as dialogue or commentary , or other methods of narrative.The research is divided into five chapters : Chapter One : to ensure a systematic framework for research and included a research problem , which was the following question : What representations structural and intellectual place in the start - up scenes in the feature film ?And also included a theoretical framework to search a target detection modalities that their place is structurally and intellectually in the start - up scenes in the feature film. The search also included the importance of and the need for him , as well as to clarify and define the limits of search terms.The second chapter included a theoretical framework and previous studies theoretical framework has been divided into three sections : The first topic : the concept of the place and divided into three main axesDiscourses place linguistically and philosophical concept of the place and the concept of the place of artThe second section was talking about the structural location and the types of films that Abanna?aat what are the cinematic elements that participate in these structural and how they operate.The third topic : it was the place to talk about the film structure and significance , particularly in the start - up scenes , and touched on the concept of search start - up in literature and cinema and what is the structure of the privacy of the place in the opening scenes , and how they hired Bna?aat place in those scenes.He then discussed the intellectual side of the place in the opening scenes and how they were dealt with by the directors of place in the presentation of their implications intellectual ways and means Ctoziv many cinematic elements and other methods such as the use rhetorical symbol and metaphor. After the completion of the theoretical framework presented earlier studies that dealt with the subject of research from afar or from nearby , concluded the researcher to a number of indicators that felt researcher to be a tool for analysis after the presentation to the experts and ratification by them , so the researcher analyzed the three films has arrived at a set of results was the most important : 1 - saw the place in the structure of scenes initialization shifts and many changes as a result of the active role of this structure and of its own functions on the level of dramatic and aesthetic and intellectual.As of the most important conclusions was : 1 - maker cares about the structure of the work place in the side as a start - up scenes of the most influential and enjoyed plenty of the recipient in terms of reaction and anticipation fascinate and expand the horizon of expectations.Then your search is over some of the recommendations and proposals.Find then concluded with a list of the most important references and sources that hired the researcher and a summary in English

التمثل الدلالي للسريالية في الفيلم الروائي == Semantic Assimilation of The Surreal In The Feature Film

اسم المؤلف: اثير عبد الرزاق بدن الساعدي
اسم المشرف: ماهر مجيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يركز صانع العمل في خطابه على انتاج المعنى، عبر توظيف الوسائل التي تولد المعاني الظاهرة والضامرة، وترتبط عملية انتاج المعنى بالمرجعيات التنظيرية التي ترتبط بذات الموضوع، فللموضوعة الواقعية خصوصتها في التعامل مع المعنى، وهذا ما ينطبق على باقي المرجعيات التن | Focuses maker working in his speech on the production of meaning, through the employment of means which generates meanings phenomenon and vestigial, and linked to the process of production of meaning reference laparoscopic, which are associated with the same subject, subject realism particularity in dealing with meaning, and this is what applies to the rest of the references laparoscopic, such as formal theory or Cinema dogma, and other references that assume a particular form of dealing with the raw material and the elements of the language of the mediator, and Surrealism one of these references, which are characterized by particularity in dealing with the meaning and production of special means, represent this means the basic features of the surreal, which crystallized images cinematic configurations working to represent the significance of Surrealism in the film, hence the title of his research researcher identified the following : (semantic assimilation of surreal in the feature film), and the researcher dividing the search on four chapters, were as follows : Chapter I (methodological framework), which included the research problem, and summarized by asking the following : What are how they are semantic assimilation of surreal in the feature film? Then the importance of research and the need for him, as well as the objectives of the research and its borders, and identify the most important chapter seal the terms contained in the title search. Chapter II (theoretical framework) and came on the three sections, are as follows : The first topic : the concept and references Surrealism : researcher where the concept of Surrealism, and techniques adopted, as well as the attributes of the surreal. The second topic : embodiment and abstraction of the cinematic image : in this topic was discussed modes of assimilation in the picture Surrealist film, once deprivation through symbol and metaphor and again personification by employing elements mediator Film Festival. The third topic : the significance and layers of meaning : in this section have been addressed to the term significance, and the beginning of this science, and the mechanism for making semantics and Production of meaning, as well as layers of meaning direct and implied indirect, through which assimilation Surrealist inside feature film. In light of this, the researcher to a set of indicators that represent the summary of the theoretical framework. Chapter and seal with previous studies.Chapter III (action research) : has included research methodology, tool research and analysis unit and the research community and the sincerity of the tool and steps of analysis and research sample that has been selected Deterministic are as follows : First : the movie (Black Swan) output (Inception) Second : the movie (Inception - Inception) Directed (Christopher Nolan) Then, the researcher analyzed the sample from the theoretical framework of indicators after taking the opinion of the Committee of Experts and arbitrators. Chapter IV (findings and conclusions) : it ensures results that came out of the researcher after analyzing the sample, and the most important results 1. activation rhetorical elements of the language of the mediator film for the production of meaning in ways different from what is familiar, becomes a meaning associated consciously receiver, and the capabilities of psychoanalysis to uncover the nature of relations constructivism in movie scenes, as demonstrated in the research sample (film Black Swan, and film Inception) 2. shape the narrative in the film Surrealist manner vehicle, it is beyond the formats of traditional narrative, clinging to such modalities narrative hybrids that overlap the middle of texts, and becomes a sequence of Psychological is dominant in the presentation of the events, as demonstrated in the research sample (film Black Swan, and film Inception) The researcher then went out to a number of conclusions, and recommendations and proposals. Find and seal a list of sources and supplements and a summary in English.

التصور الذهني وفلسفة التشكل في التصاميم الكرافيكية رباعية الابعاد == Intellectual Conception And The Philosophy of Formation of Four Dimensional In Graphic Design

اسم المؤلف: فلاح حسن علي العتابي
اسم المشرف: سعدي عباس كاظم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Researcher found the importance of studying the topic of Intellectual and structural design idea in graphics designs, because not to address this issue by scholars, and the researcher presented his thesis tagged (Intellectual conception and the philosophy of formation of four dimensional in graphic design ) to fill Containment of research.The Thesis has four chapters. The first one talked about the problem in the search centered on President (Formation of the design process and design construction) and respect which the steps and rationale invent designer, and adoption of any level of thinking. And show the principles and the methods of intellectual, philosophical, and the relationship between philosophy conception in graphics four - dimensional designs, and procedural dimensions associated with the practical application.This chapter discussed the objectives of the research, which was to identify the vision intense evidentiary of intellectual conception, and accordance with the basic foundations of functional building and aesthetic considerations.The second chapter, focused about the theoretical framework of four sections, the first one, explained the subject (fantasy and building of Intellectual and creativity, and apply the creative process, as relates with Intellectual conception of design, perception and form, which active the problem. Therefor this study contributes for understanding the stages of design process.The second section, the researcher talked about the idea and thinking appearance. And then reaching to goals of design. That’s means the design specified direction of our thinking during the problem subject, and also helps us to focus for reaching and getting a short and easy ways.The third section talks about essential of philosophy and characteristics, as well as philosophy of shapes and philosophy of formation in design. As it, the philosophy adopts on the shape roads, thus; the designer Realize the value and elements of design Aesthetics.The fourth section contain the four dimensional in graphic design, The importance of regulation in design Aesthetics, also the researcher talks about two &three dimensions in graphic design. Then Focus concerning four dimensions through his studied the Movement and time in design.Where the researcher find, the Cognition for four dimensional creates Integration with Environment, then humans and them Movement, subsequently, the Construction stage Linked with design, during the time which creates the four dimensional in graphic design and their related with the roots of design.The third chapter included measures research, and researcher chose for community of research as studying “self - Selection” for analysis methods , which is most appropriate ways to achieve the objectives of the research, by expressive and aesthetic effects.The fourth chapter has results of research. As follows : The movement is receiver eye, and it’s a part of four dimensional realizing processes. Through the expresses and time. The four dimensional meaning in graphic design as movement and space depth.In this chapter also have research results discussion, conclusions, recommendations and proposals.The study revealed results including : that the four - dimensional design in graphics, its temporal dimension is very closely with movement and physically dimension in two & three dimensions designs, through the visual process.The researcher find after simple’s analysis, most of them has an aesthetic structure, while there free selected uses by designers during control of design styles. Through diverse methods and units.The end of research is References

البنية الجمالية والتعبيرية في زخارف المنمنمات الاسلامية == Expressionism And Aestheticism Structure In Islamic Miniatures Ornament

اسم المؤلف: منى كاظم عبد الموسوي
اسم المشرف: عباس جاسم حمود الربيعي | باسم قاسم الغبان
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمثلت مشكلة البحث بتساؤل اساس ماهي : البنية الجمالية والتعبيرية في زخارف المنمنمات الاسلامية؟ ويهدف البحث الى الاجابة عن التساؤل الوارد في المشكلة كما يتحدد البحث، في دراسة زخارف المنمنمات الاسلامية بانواعها المختلفة المتمثلة ب(النباتية والهندسية والكتابي | The problem of the research represented with an essential question ; what is.The research aimed at replying the question mentioned in the problem as defined in the research in studying Islamic miniatures ornament in different types represented in ( vegetal , geometrical , graphical and animality in both ( Iran & Turkey ) from Since 1489 to1596. The researcher has covered several titles such as : First category deals with the structure in Islamic art , structure of ornament forming which are represented in vegetal ornaments which are used with glass , flowers and branches , besides animality , mason tree forms and shapes which are employed in combination with vegetal ornament , formal spatial organization from the stages of establishment of spaces , organizing the units and branches in its terminology to get fundamental unit , and repeat it according to the fundamentals of mason , animality and geometrical designs.The second category includes the following : First : aesthetical structure starting from the concept of aesthete at Arab philosophers , concept of aesthete at modernizers ,besides the principles lSecond : Includes the expressionism structure of Islamic miniatures and expressionism dimension in ornament forms.Third : The third category is ( Islamic miniatures art ) represented in establishment , idea and sense and meaning in miniatures and the importance of the color in the art of miniatures. Finally Islamic painting schools. Chapter three includes procedures of the research and dealing with the titles to define the methodology of the research and sample of the research. The sample has been selected intentionally. The number sample distributed in both Iran ( 59 ) and turkey ( 38 ) samples. It was selected ( 20 ) sample from original society of the study ,and design the form , then showing it to the experts to check its validity achieving its objectives. Following pages allotted to analyzing of the samples. Below the most important results of the research : - 1. Expressionism structure expressed in Islamic art that represented miniatures art about events combined thoughts and cultures so that become connection instrument included multi - meaning symbols.2. Adopting expressionism structure concept in Islamic miniatures art upon intellectual and knowledge of the true religion Islam and itrelation with feeling and realization that accompanied to gratification and acceptance of the receiver., then follow up its aesthetical and intellectual implication 3. Confirmation of meaning structure of the opinion h in the research sample specimen , which offers for Islamic painter a chance of boosting related to indication and meaning , on the assumption that the thought produced according to intellectual formula and structural consolidate from aesthetic rich giver and expressional for artistic work as in most of sample of the specimen. 4. Expressional structure of Islamic art represented in miniatures art which made the concept of aestheticism gaining intellectual assimilation as new gates bear clearly different emotional trends and direction achieve joy and happiness to the receiver. 5. Aesthetical structure in ornament forms structure demonstrated obviously through harmony and compatibility between pivot ornament formations and reality , and subjected it to internal system to adjust their correlation in emotional , sense and cognitive derived from indications and signs in accordance with Islamic faith , and its implications of expressional results that consolidate 6. Variables of the ornament forms and shapes are geometrical , vegetal and masonic , mostly ornamented with different colors. Its gestures lead to intentional forms in its signs ; which is that form regarded in mien thinking between two directions : direction confirm upon notification nature and continuity of ornamental sign , other direction focus on interpretation of the sign i.e. the possibility of the sign and interpretation towards receiver. 7. Miniatures executed by one artist whereas several calligrapher participated in writing the texts before or after painters or embellished. The ornamented text gives the miniatures an abstract and ornamentation nature , even the scene was in battle field. accompanied with colored life, gives the miniatures harmony including great amount of regularity and logical sequences of the forms and elements.8. Islamic miniatures samples showed clear spread - out in dealing with structural and technical treatments for forms , dimension , color , written and touch units which are description works on it the Islamic photographer in order not to fall in prohibition issue , therefore they have to be away from embodying and from using the couple of light and shadow.9. Aesthetical standard ( proportionating , unity , variability , balance and repetition ) which the decorator tried to compare and depart them as basis for visible action and establishment in Islamic miniatures ornaments.Below The Conclusions 1. Using geometrical and vegetal ornaments in the art of Islamic miniatures to reflect aesthetic richness through absolute accuracy in execution.2. The art of miniatures connected with ornamented terminology greatly which is achieved through expressional structure multi - aesthetic characters participated within formal intensification that depend on determined spaces.3. The Muslim artist adopted in his miniatures upon flat perspective which depend on two dimension and ignore embodying which is represented in the three dimensional.4. The pictures of the personalities in Islamic miniatures characterized in different forms and shapes regarding special features such as the face or nature of the dress or structural formula of the form , adopting anatomical percentage according to belongingness , cultural and geographical references of Islamic country.5. Concentrate on tape and line system in written texts within the tapes and ornamented frame , adopting lines with functional performance such as ; caption ,on third uncombined in order to create connectional action to read the text , besides forms especially after adopting attached miniatures to ornament the ground of line text.According to the details mentioned above , the research has bring forth sample of the study from very deep and effect of al expressional structure , aesthetic ,and the mechanism of their operation in Islamic art represented in miniatures arts. Eventually the researcher recommended the following : - 1. Study Islamic miniatures art , its multi - aesthetical system specially ; colleges and fine arts institutes in order to understand its elements and subjects.2. Encouraging issuing publications , print material and aesthetical and technical studies that dealt with the concept aesthetic and expression in Islamic art which includes miniatures arts.3. Using subject (Islamic miniatures ) in the textbooks of the students who studied ornament Arabic writing for both studies primary and higher studies.For more scientific benefit for the research , the researcher presents the following suggestions : - 1. Aesthetical and expressional structure for handwritten formations in Islamic miniatures art.2. Aesthetical and intellectual dimensions for gilding of Islamic miniatures art.

البنى الارتكازية لفن التصميم الطباعي المعاصر == Infrastructures of Contemporary Graphic Design Art

اسم المؤلف: دينا محمد عناد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The art of graphic design from more arts modernity which appeared beginnings in the nineteenth century and the evolution in the mid - twentieth century, the owner of this development a particular focus on the development of theories of knowledge, bring about the way the designer base model represents a built anchor, any (ground knowledge firmly) based upon The art of design, and can not be achieved without taking into account the design of these structures and aesthetic value to the success achieved by the design. Although the essence of the design idea is gaining value only the veracity of the results that can be achieved at the application level and then detect the role of the creative process, which is often coupled with the idea of design, construction and technical design meets the requirements of the message and influence in the receipt.Based on the foregoing, this study comes tagged (the infrastructure of contemporary graphic design art) to clarify the subject through the four seasons, which included the first chapter, which has been allocated to research methodology on the research problem identified by asking the following ((What are the key pillars upon which the art of graphic design as a theory ))? The objective of the study ((Essential for building the foundations of the theory of the art of contemporary graphic design)).It also included the importance of research and the limits of research as well as identifying terminology.The second chapter includes a theoretical framework and previous studies, they did not find the researcher taught by a previous study approach to the subject of current research in graphic design, so this study is considered the leading theme in graphic design.The theoretical framework has included four sections focuses First research on (a brief history of the graphic design art), and focused the second topic on the (Strategies graphic design) and ensure that the third section (Features theart of graphic design on according to the intellectual trends of contemporary), while the fourth section guarantees the (Modernity and postmodernism in graphic design). This has resulted in a theoretical framework on several indicators. The third chapter is devoted to research procedures as researcher followed the descriptive method and the method of content analysis for the purpose of monitoring phenomena. Means of objective critical analysis of each model separately, to reach accurate results. It ensures the research community a hundred and fifty (150) culturally poster technically universally contemporary publications on the international information network (Internet), countries (Germany, Holland, Switzerland, France, USA), which included the years (2004 - 2014) and due to the capacity of the research community, and the multiplicity specialties areas posters cultural art, arrogating the researcher exclusion of (100) poster depending on the way (not the probability of intentional) in the selection of research models, bringing the number of models of the sample (fifteen 15 culturally poster technically worldwide) Elected out of (50) Model for the purposes of analysis, (33%) of the research community overall, with three posters for each state. For the purpose of analyzing the sample form was designed to determine axes analysis, which was approved by experts and was based on the analysis of its clauses. And ensure that Chapter Four of this study was to review the results and conclusions for research, and the most important results : - Was to determine the infrastructure of the theory of the art of contemporary graphic design : - 1 - Reliance on cognitive theories, especially the new objectivity, which confirmed the technology and manufacturing processes and function. The purpose of design, and sobriety and strength in design and visual communication to mind.2 - Designer culture that rely on the construction of knowledge. 3 - Rely on innovation and artistic creativity to achieve the image of visualculture. 4 - Accrediting simplicity and abstraction and symbolism.5 - Employ modern technologies in order to serve the idea and content, to bring the power of visual communication and cognitive, by addressing the fonts and color values, and linking elements and styles of design to achieve movement and tensile visual, in order to serve the idea and secured to the success of the design work.6 - Recruiting employ methods of design elements and characteristics of intellectual and aesthetic, which is the language of design.7 - Verb match career with the formats for design aesthetic expression. 8 - Employ metaphor in the formal design built to achieve a synthesis based on visual discourse, bearing dimensions intellectual and aesthetic contribute to the understanding of the structure of the underlying design.The main conclusions of the research : - 1 - Activating the role of the recipient in the field of fiction and the future vision, and read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge, and to make it mainly in the construction of knowledge. 2 - Achieved a designer horizons and a new perspective in the presentation of design work, so as to break the traditional context, by relying on inspiration, a theories of artistic creativity and application of discovering the same fantasies and imaginative jets occur suddenly, to achieve the image of visual culture and linked to the contemporary.3 - Resulted in graphic design strategies to build a knowledge base, any emphasis on theoretical knowledge to work as a precedent Executive, to achieve the anchor structures, based on the culture of creativity and innovation, and to identify the strengths of the unique design of the building implementation approach and the development of future standards work.It is then incorporated the recommendations, including : 1 - Emphasis on activating the role of the recipient to read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge.2 - Introducing new systems design using a new method of connecting elements and coordination among them ensures the effectiveness of the design and achieve new and innovative formulas lead to a reaction force to provoke an implicit attract an audience.The research proposals : 1 - To conduct a study on the technological standard and its impact on contemporary designs.2 - Combination study of structures based on visual discourse in contemporary designs, printing and its impact on the receiver

الانزياح الدلالي في الخطاب المسرحي == Semantic Shift In The Theatrical Discourse To The Council of The Collage of Fine Arts As Partial Fulfillment of The Requirements of Master Degree

اسم المؤلف: سعاد نعمة حسين
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: في المسرح تكتسب الاشياء التي تقوم بدور العلامات المسرحية مقومات خاصة وخصائص نوعية وصفات لا تملكها في الحياة الواقعية. بمعنى ان كل ما يكون في المسرح هو علامات ذات وظيفة دلالية , لان التجلي الحقيقي والواقعي للظواهر على خشبة المسرح يفقدها وظيفتها العملية ال | In the theater gaining things that play a role play elements of private labels and quality characteristics and qualities not possessed in real life. In the sense that everything will be in the theater is the signs of a semantic function, because the Transfiguration real and realistic phenomena on stage loses her job process, which seeks to clarify the role of the semantic code. At a time that is in the show theme in everyday life more important than its meaning, then lose the display structure of the task built a theater symbolic significance based upon the structure Avatar. Characterized by the nature of the play marks a special ability to produce connotations included, and the inclusion of this comes within the context of cultural, social or moral structures for special theatrical presentation of actors and spectators. Where you specify the semantics according to a tacit agreement between the supply and the future. In this context can be expressed decoration - for example - at the level of a particular social or cultural. It can reflect the fashion for a feature of the figures as attributes moral and social as well. Where in this process is gaining each additional sign of play semantics. As well as the real implications of each sign, there are indications, including the result of a cultural agreement implied about the significance of the sign, and this leads to the understanding of pluralism semantic markers in the theater. So it can be a sign of one of several indications that lead. The brand is characterized by high drama In dynamic because they lead to the exchange of elements play with each other, and this leads to the replacement of mutual formats to mark the play. In the display can mark certain belong to more than a certain format. The sense that the significance of the table can be produced for a certain movement performed by the body of the actor. The table that belong to the pattern is indicative decoration and then expressed by the body that belongs to the coordinated movement or gesture, and this is to be the representative element to generate President connotations place. That any actor can have is through a certain movement that depicts scenes of the existence of a river or a door or fence.... Etc.. Hence, we conclude that he can sign one play that kill jobs Tag is finished and this is what we are seeing in the theater mobster in general. And that the growth of the semantic probably was the cause of the occurrence of an objective process of semantic displacement in the texts, as the literature was not a specific connotation, like other sciences, or topics. It was the growth in the promotion of universal semantic earned him more than others. In order to reach the objectives of this study came four seasons and the following format : - In the first quarter it included a research problem by questioning follows is (Is there shift indicative discourse playwright?) And then came the importance of research which provides a critical study looking at the formation of the speech playwright through a variable displacement and movement semantic see the creative aesthetic and the light of the results from these visions of outputs in media discourse playwright as well as the benefit of students in the field of jurisdiction and stated aim of the research to reveal the offsets semantic discourse playwright and limits the temporal and spatial and objectivity of the research as limited offers on the province of Baghdad exclusively was the time period from 1995 until 2005, then touched search to define terms Thread. The second chapter came, including three sections of which the first interested in the concept of significance origination, development and care of the second part, in terms of the text and the significance of the display either the third section has himself to the concept of displacement semantic discourse theater and then came indicators theoretical framework approval to offer the detective to ask then explained the researcher that he there were not previous studies or a similar approach to study them. Then came the third quarter, which meant the samples were analyzed three samples are : 1. Othello in the kitchen to Sami Abdul Hamid 2. Play Macbeth directed by Salah reeds 3. Drama Ghost, directed by Adel Karim Find then concluded the fourth quarter, which included findings, conclusions and recommendations and proposals. Finally, Arab and foreign sources which Adopted researcher examined and then placed in the appendices and summary in English.

الاثراء الجمالي للكادراج في تشكيل فضاء اللقطة لبنية الفيلم السينمائي == Aesthetic Enrichment For Cadrage In The Formation of A Snapshot Space of The Film Structure

اسم المؤلف: علي حيدر خالد فرمان
اسم المشرف: متي عبو بولص
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: When he was told earlier that the film image and the movement were matched at the same moment that attempts perpetual to find potential unique art film , a possibility that must be characterized and unique among the rest of the other arts , which laid with the long history of the foundations of language unique.. as he says Eisenstein in his book Movie format that the musician uses a ladder of votes , as well as a painter uses the area graded colors as that of the scribe set of characters and words.. but in return what fired on cinema recipe she image and movement have come to the recipe opaque in the eyes of aesthetics film since there is no image transmitted the camera does not move CONTAINED within this cadre express virtually no way for the uniqueness of this special art.. the picture itself is a possibility of many other visual arts... as well as the movement within a specific framework cadre is also a feature of the theater.The image and movement are two of the data of this language does not mean in themselves this language , but is just data , and these data are recoverable only to the restructuring and the creation and then the way restructuring is the same as that language desired , which will uniqueness of the art film venue solo the rest of the languages of art, because the cinema visual art , it was the configuration the effect of the basis of the formation of the mainstay of this art , Valtkoan picture film performs a critical function in the development of any accomplish my film , not surprising that the overlap in the configuration process all the technical elements and technology that contribute to the making of the film , way out and photographer and designer decor , actor and sound engineer contributing to all of us in creating a configuration Film Festival, as well as " all this, the film largely depend on the aesthetic image problem system configured I mean , it can be Mahbuka Banazare and special effects nearby , which qualifies the process of attracting viewers and raise their senses and provoke Maiqathm about topics that drama Moot film , particularly as it was the product of a technical support look and feel as a showpresenting , and leaning on the configuration elements and forming processes in the formation of the final image of the drama movie , which up to the viewer , carrying in its content story or idea , in the framework of art was his mastery and drafted through the techniques and tools employed by Maker work with his style and his way and visions.Hence the researcher in identifying placed his research (such as the inclusion of aesthetic enrichment in the formation of a space snapshot of the structure of the movie), has been divided into five chapters on research were as follows : The first chapter ( frame systematic ) : to ensure the research problem, which was questioning follows ((what qualities by which to achieve enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie?)), As well as its importance and the need for him in being dealt with articulation accurate one language elements film, in addition to the aim of the research, which represents detects modalities by which or contribute to the enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie, as well as ensure that the limits of the search, and seal Chapter determine the terms contained in the title search.Chapter II (theoretical framework and previous studies ) : The researcher dividing the chapter on the three sections, as shown below : 1. The first section : (Alkadraj in the structure of the movie)2. Second topic : ( plastic film shot in space )3. Third topic : (aesthetic building frames acoustically and visually)Finally, the researcher came out at the end of the second chapter of inter indicators formed a summary of the theoretical framework.Chapter III ( action research ) : ensure research methodology and the research community and the research sample, and the search tool has been identified through the indicators derived from the theoretical framework after a presentation to a committee of experts for examination and evaluation.Chapter IV (sample analysis and discussion) : ensure that the sample analysis and discussion of the analysis was to deliberate three movies to get to the results and objectives , A film (Shakespeare in Love), directed by John Madden and film (Kingdom of Heaven), directed by Ridley Scott and the film (a nightmare of blood and sex), directed by Joseph Kolbyk.Chapter V ( findings and conclusions ) : Review of the researcher to ensure that the most important results that came out of the analysis of the sample , including : 1. Enrichment is a given aesthetic basis for action when Alkadraj composition of space from the vision of self - treatment of structural frames in the film , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( Shakespeare in Love ).2. The building Alkadraj means the ability of the director to manipulate the rhythm and the mass distribution through homologues and antonyms , which represents the process of enriching the aesthetic of the snapshot in the structure of the film as a whole , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( the nightmare of blood and sex ).3. Represent the process of the mass distribution within the framework of the standard basis in shaping the aesthetics of the rhythm of the picture and the overall unity of rising onthe balance of the overall composition of which , as demonstrated in our research sample movies.4. Achieved enrichment aesthetic through activation of the text scanner , and the gradient hormonal colors or Alcontrast which is a factor creating clarity and isolation and vision , as well as distortion and guess in a sense, as demonstrated in our research sample film ( Shakespeare in Love ) and film ( the nightmare of blood and sex).As well as the conclusions that the researcher extracted from the overall theoretical framework and analysis of the sample and that of the most prominent : 1. The Alkadraj is one of the most important means of creating distance aesthetic image , Valotra aesthetic in the picture is constructive Eptgeh director of that image in its final form, it is that expresses the sum of intellectual and formative vision of Foreign Affairs of the same artist to public life , which is the result of all his thoughts and instincts on differing trends and inclinations and different affiliations , culture and consciousness , experience and practice , which represents emotions and maturity and the extent of his capabilities , which led him to this level of performance excretory , especially since the plastic snapshot extends to the meanings of Interior , which is closely related to and interacting with all shapes and sizes , and the characters and decoration , furniture, fashion and color and lighting of during that intentionality regulatory those different elements.2. Said enrichment aesthetic such as the inclusion controlled by the ability of the director to manipulate the rhythm mass distribution language brevity of its subject , who is filming , as well as by staff and the framework Ikts intent to form was footage establishes turn later scenes , which in turn containsall elements of the picture and formations granted by the characteristics and dynamics , which is incorporated in the final form of image expression and its beauty.3. Polarization and induction of wonder and exoticism at the viewer , to establish enjoy and gravitate to the image Bmoduaadtha , shape and construction of the picture and the objective and all this is thanks to the amount and type and multiplicity ( abundance ) and the shape , color, size and method of formation of fonts, colors and decorations and sculptures , which are in constant flux and constant , and that even included fashion accessories and all assets in most movies samples.Chapter and seal the proposals and recommendations , and then the list of sources and references that benefited the researcher and seal search extract in English.

التحول من الثبات التقليدي الى المفاهيمي في بنية تكوينات الخط العربي == The Transition From Stability Traditional To The Conceptual Structure Configurations Calligraphy

اسم المؤلف: حسين علي جرمط
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بما ان اتجاهات فن الخط العربي واساليبه تغيرت مع تطور الحياة وتلاءمت مع ظروف الانسان في كل مكان وزمان، فان هذا الفن شهد تحولات كثيرة عبرت عن طاقة ابداعية كامنة للوصول بالخط العربي الى ارفع المستويات الفنية والمزيد من الكمال الفني , كما فتحت افاقا ج | Since the trends in the art of calligraphy and his methods have changed with the evolution of life and Tlamt with the human condition in every place and time, this art has seen shifts many expressed their creative energy latent access calligraphy to the highest levels of technical and more artistic perfection, has also opened up new avenues within the limits of consciousness and dogmatic faith associated with the Islamic religion. The pressures and the effects of the environment and references the historical as well as political changes and cultural community as the necessities of expressions influential in artistic achievement, these trends happened to her shift, according to these circumstances, while I took the other kind of fortitude traditional, so these study tagged (the transition from stability traditional to the conceptual structure configurations calligraphy) included four chapters, the first chapter of which put the research problem and its importance and the need for him, and it turned out that the necessities of conceptual shift came through the birth of philosophical ideas new unconventional overshadowed calligraphy and aesthetics, and the detection of linear transformations new light paths traditional art of Arabic calligraphy. The second chapter included a theoretical framework across three sections dealt with the first of them hard and unstable.. concept and meaning, while the second was referred to the traditional fixed structure in linear formations, while addressing the third conceptual shift in the structure of linear formations, then followed indicators theoretical framework. The third chapter included measures Finder search and display the new terminology and analysis applications written form according to the analysis prepared for the achievement of the objectives of the research. The fourth quarter has included the results of the study show, including : 1 - over the stability of the configurations formal written several historical stages, associated with the march of the art of calligraphy across its long history, and his appearance came in line with the knowledge of Arabic calligraphy in the first era of Islam. 2 - that the creative efforts of calligraphers have established the foundations and the technical rules of Arabic calligraphy and helped to stabilize the forms of letters at the hands of top - line media who formed their tactics parameters Baghdadi school and walked them calligraphers since then and to this day. 3 - The school Baghdadi of assets and the rules of linear static stability established formal Arabic calligraphy and helped to spread and prevalence in major cities in other parts of the Muslim world. 4 - The formations linear transformations conceptual configurations in bore signs of turning affected assets and the rules that have long committed by calligraphers for centuries. 5 - The shift to grant the linear configuration on added importance in drawing attention and in turn has achieved more sensual pleasure, and this is a clear indication of the importance of the extraordinary transformation taking place in the structure of the linear configuration.

المتغير الصوري في الفكر المعاصر وانعكاسه على التصميم الكرافيكي == The Variable of Picture In Contemporary Thought And Its Reflection On Graphic Design

اسم المؤلف: شيماء عبد الجبار عبد الكريم السامرائي
اسم المشرف: نعيم عباس حسن
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Image is the new language that all human languages are superior. Image worthy of contemplation and research as an industry controlled sector and a wide range of fields of science and knowledge and art. It has connotations and symbols, with meanings and a high value that makes it an instrument for active communication for technical changes to achieve beautiful, civilization, satisfactorily, communication role. It is major component indispensable, in new advertising media. Image dispense with a written speech or audible to change our reality and affect on our awareness and (self - optic) and attributes of our current dominance in the field of image continues to humans and take site of domination and sovereignty of the other elements and cultural tools in contemporary. The design of the arts that are related to the lives of individuals and the community for its services related to the development of artistic taste, through visual attraction and influence in the forum to promote the ideas of design and achieving goals. The design is particularly graphic of the most important types of designs of what constitutes direct contact or indirectly, intellectually, socially, politically and economically, the main function of through is reflected publish, through the design of the poster, magazine, newspaper, book, logo, trademarks, and the other. As well as the advertisement with its types. Current research explores the subject of the dummy variable in the contemporary through to reveal its effectiveness in design graphics which depends on the development and transforming to implement the idea. The hiring picture to form the audience and effectiveness in influencing for the purpose of culture specific image, and work to deepen the artistic culture, finding points of interest and a common understanding of the goals and effects the image on the forum and designed the structure of the first quarter, which contained are search problem, which formed are search problem : - 1 - Varied investments in the variables topics.2 - Focus on the structural aspects of the design in parts of design.3 - The pursuit of what is unfamiliar was important to identify users and workers in this area, important conceptual aspect to enrich knowledge and skills to design specialists graphic.Also we imputed the goal of the research according to (detection achieved intellectual contemporary picture of the variable and its reflection on the graphic design) for the other hand we limited the boarders of the research according to place, time, subject and limited the terms : image variable, contemporary thought, graphics design, the second part of research includes the theoretical framework of cognitive, which covered by the researcher with the following points : first topic, image relations in graphics design from the artistic vision for the image and the artistic affection for the image, the employmentpicture structurally and aesthetically pleasing and finally the image variable in the design structure.In the second topic the image variable in graphic designs from the philosophical concepts for the image variable and its effectiveness and formal configuration with image variety and optical configuration but the third topic, is graphic designs in contemporary thought from the intellectual theories and the variety in design finally the image reflection, with the indexes of theoretical framework in fact the third topic consists of the research procedures and the methodology of the research.The fourth topic contains an analysis and critique models and the last contains the poster with logo by eighteen model, lastly the conclusions of the research : 1 - The majority of samples depended on organizing a diverse tectonic from the figure, containing to achieve functional beautiful expressional side, from the other hand I embarked on a new path to achieve aesthetic that give rise to the forum and afford to link and meditate and tight attention with enriching the visual rhetoric by symbols, variety that was optical.2 - It was defected achieved intellectual for the image by many transformation and resources that are mental and optical under many meanings contrary to the image. After that it was considered as a variable achieves by effectiveness in a change for image. The contemporary thinking is renewed, evolution, and change.3 - Varied employment visual rhetoric in the variable of image rhetoric. (image, geometric, written) in the effectiveness which carries beautiful guides that required by function dimension.Finally the conclusions that are : 1 - The necessity to make many studies to show the importance of an image and the image variable and deepen in its role, affection in developing the sides like intellectual, artistic, cultural.2 - The necessity of knowledge of the rapid developments, in the world of the software which connected by contemporary graphic designs, and the techniques of communication and the role of greatest image in the advertising, and contemporary media.3 - Publish a magazine specialized scientific in the study of an image and its variables, in the contemporary thinking.4 - Seminars and the establishment of scientific sessions and artistic in the field of digital graphic designs.Then been indentified subsequent pages of references and appendices and display summaries in English.

التشاكل الحداثي في اساليب تصميم الاقمشة والازياء المعاصرة == Moderization Isotopie of Contemporary Fabrics & Fashion In Design Styles

اسم المؤلف: هادي نفل
اسم المشرف: رؤيا حميد ياسين
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انشغلت الباحثة بشكل واسع في موضوع يعد من اهم الموضوعات المتعلقة بتصميم الاقمشة والازياء، هو التشاكل بوصفه فكرا حداثيا وظاهرة سيميولوجية تعمل على تنظيم المدركات العملية لاجزاء البنية التصميمية وتلخيصها بالجوهر الابداعي الذي تلتقي عنده الاجزاء لتكون غاية جم

توظيف منهج بريدج لتدريب مدرسي التربية الفنية على استعمال التقنيات الحديثة في تدريس عناصر العمل الفني == The Employment of Bridge’s Methodology To Training Teachers of Art Education On The Use of Modern Techniques In Teaching Elements of Art Work

اسم المؤلف: نوال حسين خلف
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Bridge’s model is regarded as one of the most important model as it contribute to the development of the skills of different types and improve the cognitive aspect as well as enhancing the confidence between the teachers who assume e the process of teaching. Itrepresents a professional training program based on the concept of efficiency surpasses the concept skills and teaching in particular which trespasses the trainer ability to these skills. We can also describe this method as employing the mid, hand, finger in theprocess of fulfilling the requirement of work ad also encouraging the ability to transport the educauitoal expert.The most important feature of the teaching process is the introduction of the educational computer and its various techniques that it has become an important means of the curricula of teaching.The advanced institutions of educator care for developing the faculties of its teachers through training programs that can achieve educational and teaching ends.Upon all the above, the researcher preferred to found the problem of her research through training the teachers of art education I the use of power point - interactive board in teaching the items in general and elements of the art work in particular for themultiple advantages of this in facilitating the process of teaching ad training the leaders to achieve the objectives hoped from it.Therefore, the preset study aims at : Training the teachers of art education working in secondary schools on the use of modern techniques (power point - interactive board) in teaching the elements of art work. In order to achieve the objectives of the study, the research put thefollowing sub - objectives : 1 - Design a training program according to Bridge’s Methodology of carrying out the requirements of art work.2 - Measuring the effectiveness of the training program on a sample of teachers of art education working in secondary schools.a. In carrying out the requirements of elements of art work posttest.b. In using the modern techniques of teaching art work posttest.Upon these objectives, the researcher used (90) zerohypotheses : The research community is made of teachers of art education working in secondary schools of (287) teachers. of which she chooses 36 teachers I agreement with the General Directorate of Sport ad Art Activity who were included in a training course held atthe Center of Staff Development that affiliated to the Institute of Technical Teaching after getting the permission. The center includes an electronic hall and includes smart board. The sample includes (3) groups two are experimental and the third is control. The first experimental group was taught according to the power point program and the second experimental group were taught according t smart board, while the control group was taught in the normal methods. A training program was built according to Bridge’s Methodology which is suitable for training while I service including 3 units. For this, two types of tests were designed to is acquisitive cognitive in art work and the other is skill. Also, two design forms to inspect to check the skills of the sample to teach the elements if work art. The tools were displayed on experts to verify their validity. In order to show the result, the researcher uses SPSS program which include Kruskal - Wellis and coefficient and distinguishing and Richardson /20 and Copper equation.The most important finding which the researcher comes to are : 1 - The excel of the first experimental group which was taught according to power to program on their peers in second experimental group who smart board in acquisitive test posttest.2 - The excel of the first experimental group which was taught according to power to program on their peers in second experimental group who smart board and also the control group in posttest.The most important results : 1 - The excel of the first experimental group which was taught according to power to program on their peers in second experimental and control group.2 - The excel of the second experimental group which was taught according to power to program on their peers in second experimental and control group.Upon the above, the researcher recommends the following : 1 - Using the training program design according to Bridge’s Methodology by the use of modern techniques (power pointsmart board) adopted in this research.2 - Any teacher specialized in this elements of art work resort with the training program in teaching this material as it

جماليات الواقعية الخيالية في عروض المسرح العراقي == Aesthetics Fantastic Realism In The Iraqi Theater Performances

اسم المؤلف: ثابت رسول جواد الليثي
اسم المشرف: حسين علي كاظم التكمه جي
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يخوض البحث الحالي في تحديد الابعاد الجمالية للواقعية الخيالية، لتبيان الحضور الجمالي للواقعية الخيالية في العرض المسرحي العراقي، وتمثلات ذلك الحضور وعمقه، وبما يمكن اجماله بالسؤال التالي : ? ما هي تمثلات الواقعية الخيالية في عروض المسرحي العراقي؟وذلك بقصد | The current research engages identify the dimensions of aesthetic Fantastic realism for illustrating the aesthetic attendance by it, representations this attendance and depth ; what we can brief by the following question : What are the representations of Fantastic realism in the Iraqi theatre performances?This is in order to take advantage of the stand on the techniques and methods of processing, which represents aesthetic of fantastic realism Which were produced by the creative experience of the Iraqi playwright and theatrical director, Which is identified the research in two central topics : ? Identify the dimensions of the aesthetic of fantastic realism.? Illustrating the aesthetic attendance of fantastic realism in performances' systems in Iraqi theatre.This research it comes limited temporally , spatially and objective as in the methodological approach for pursuing the phenomenon under study to know it , tuned and employed humanly.This study is of four chapters : ? The first chapter, the methodological approach, studies the following : the research problems, its important, its aim, its limits, plus the procedural terms.? The second chapter, the theoretical frame and previous studies, is of three sections : A. First section, the cognitive Dimensions of fantastic realism, which aims to know the Philosophic foundation of fantastic realism and the factors affecting it.B. Second section, the aesthetic of fantastic realism, which aims to Determine the aesthetic framework for fantastic realism by Decoding overlap with deviating literary schools, and decoding overlap with the aesthetic types.C. Third section, fantastic realism in performance, it is an approach the aesthetic of fantastic realism to framework of aesthetic art theatre. By it, researcher end to the Indices of the theoretical framework.The researcher has not found any previous study on this topic, fantastic realism, in limit of the time and place of the research, so this study would be the first in this domain.? The third chapter, aims to apply the procedural approach on the study samples; five Iraqi drama show : Message bird, In the heights of love, Fog, The nomad and the Orientalist, Almaqama al - Waasitiyyah.? The fourth chapter, presents the results, conclusions of the research. The main results are as follow : 1. The aesthetic Framework of fantastic realism is determined by : ? Attribute the dramatic in fantastic realism because of the principle (here and now) in the presentation of theme.? The theme Based on to myth or history or folklore.? The theme is less serious than theme in myth, history and folklore.? The theme is the assumption self for objective data.? Time and space are hypothetical aesthetic structure.2. The text of play in fantastic realism is intertextual parody with narrative from myth or history or folklore.3. The technical processors take The Exaggeration and the amplification to break up a realistic figure Such an approach caricature, by the Violent overlap between subjective and objective impression what leads to the Grotesque in the situation.

جماليات المتكون التصميمي الرقمي وتطبيقاته في الاقمشة الحديثة == The Aesthetics of The Digital Design Component And Its Implications In Modern Fabric

اسم المؤلف: حيدر هاشم محمود الحسيني
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد الحاسوب من اهم مظاهر التقدم العلمي والتقني الذي ساد العالم، بل اصبح لغة العصر التي تخدم مجالات الحياة المتنوعة، واصبح الحاسوب من اهم اهداف المجتمع نحو تحقيق مستقبل افضل لامكانياته الواسعة في استعمال اساليب وطرائق اخراج متعددة، مما ادى الى ظهور طرق | The component is regarded as of the aspects scientific and technological progress all over the world. It became the language of the modern age that is used in various fields of life and the computer became one of the best means for societies to chive a better future due to its wide potentials in using various ways and styles of output. This led to the appearance of new ways of thinking performance and expression and the formation (to the contemporary creators ) of symbolic and visual possibilities affected the structure of ideology , culture and art since the computer is one of the bridges between art , since the technique and it is an inevitable development of channels began to be digged years ago. According to the design core which takes the creation approach as a means to almeve its functional and aesthetic goals , the meaning of aestheticism depends basically on the latest technical innovations. The researcher sees that, according to the contributions of the digital technique and the potentials of the programmers of the digital design including the Photoshop ( focus of thing study ) it became a new way to invent new designs leading To the renewal of the the design structure in from as well as in content in accordance with the conceptual transitions in the art of design and in scene in the twenty first century.Accordingly, the researches stopped at the following questions that represent the problem of the present study. They are : 1. Does the digital technology help in a achieving dimensions for the design component in the modern feminine cloths ?2. Are the aesthetics of the design component aliened through the effects of the digital technology or through the components of the structure and what it includes of elements bases , systems and its relationships or through this harmony.3. Are there digital design bases help achieving aesthetics dimensions for the design component of the modern feminine clothes ?The study aims at showing the role of the digital technology , its means , styles and effects in achieving the aesthetics dimension of the digital design of component in modern feminine clothes and pulting design bases help in achieving the aesthetics dimension for the digital design component in modern feminine clothes. It also aims at putting design suggestions in the light of the theatrical bases. The study limits itself to the feminine clothes implemented a according to the digital technology of various sources within the period of 2011 - 2012. After that it limited Four terms , namely, ( aesthetics , consisting of design , digital technology , design fabrics ) researcher has developed a procedural definition of each term. This is what came in the first chapter of the research , consisting of four chapters. With regard to the second quarter , which contained the theoretical framework and previous studies , it has included in the carrying four sections , which included the first section of what beauty and the mechanics of the operation of the theories aesthetic in design and aesthetic dimension of the composed design digital , while included the second part, the elements and the foundations of building regulations and relationships and methods governing the design Women cloth , In regard to the third section has cared Balozifah aesthetic and cognitive and aesthetic judgment and experience and then touched on the implications of the expressive and symbolic composed of digital design. The fourth topic , including concept and technical sophistication of the design is composed of digital and then the components of the computer and digital design software ( Photoshop ). He then went on to search the most important indicators on which the general theoretical framework and then the previous studies. The third chapter dealt with research procedures , as follow researcher descriptive survey ( content analysis ) , and represent the research community to (123) model diverse special designs fabrics women's modern , ruled researcher (13 ), a model of which to replicate the idea of design in multiple colors , and this has become a community Find ( 110 ) was chosen as a model design parameter (22) in a deliberate model and 20% of the total research community and came selected depending on what serves the objectives of the research. The search tool Vtmthelt form for analysis according to the scientific method , and presented to the experts specialized in designing fabrics for gaining virtual sincerity. And then analyzed the models and discussed. And then eat the fourth quarter results and conclusions Among the most important are : 1 - adopted the most effective form designers ready in the toolbox program Photoshop , which includes geometric and floral shapes and forms in a variety of other building design and artwork that have achieved the aesthetic dimensions of the canvas.2 - wizards of digital technology has made the aesthetic dimensions of the design is composed through the adoption of effective color cast Color Overlay intent to show diversity chromatography vocabulary inside the building design. It also granted the effectiveness of the filter Filter effects variables in the visual design of the product forms and vocabulary and achieve aesthetic dimensions of the canvas. It also adopted the effectiveness of border effects and Stroke , who worked on the framing shapes the design and increase the strength of its appearance.Based on what came from the sequential action of the researcher discuss the status of the most important pillars of design that contribute to the aesthetic dimensions of the digital design is composed of the women's modern fabrics and as follows : 1 - Take advantage of ready - made shapes in Photoshop toolbox with the addition of some minor aesthetic that serves the goals of the artwork design.2 - Attention to employ digital effects technical vocabulary of shapes and design , according to experience and taste of the designer, what possesses these effects ( processors ) of aesthetic additions attractive integrated with the rest of the aesthetics of the design and verification consisting of cloth female attraction. The fourth quarter included recommendations and proposals mention the most important thing , which stated : 1 - emphasis on the role of digital technology in the field of design fabrics , and keep up with the latest software versions with respect to digital design and employ them in the art of design and art in general design fabrics in particular.

التوظيف الجمالي لعناصر التعبير للخطاب السينماتوغرافي في الفيلم الروائي القصير بتن التجريب والتقليد : افلام وزارة الشباب والرياضة انموذجا == Aesthetic Mobilization of The Cinema - Graphic Speech Expression Components. In Short Fiction Film Between The Abstract And Tradition Films of Ministry of Youth And Sport As A Model)

اسم المؤلف: باسم مطلب شحيل
اسم المشرف: محمود اكباشي خلف الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: جاءت هذه الدراسة في وقت تهيمن فيه الثورة التقنية الحديثة على مرافق الحياة المختلفة تزامنا مع المتغيرات الحاصلة في العالم على المستوى السياسي والاجتماعي، مما جعل من هذه المتغيرات ان تلقي بضلالها في الصورة المتحركة ونتاجاتها الفيلمية عموما، مما اسهم في ح
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