التحول من الثبات التقليدي الى المفاهيمي في بنية تكوينات الخط العربي == The Transition From Stability Traditional To The Conceptual Structure Configurations Calligraphy
Author name:
حسين علي جرمط
Supervisor name:
عبد الرضا بهية داود
General topic:
Fine Arts
Specific topic:
Calligraphy and Decoration
Degree:
Doctorate
University:
University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language:
Arabic
University location:
Baghdad
First pages:
18T968 - p.pdf
Abstract:
بما ان اتجاهات فن الخط العربي واساليبه تغيرت مع تطور الحياة وتلاءمت مع ظروف الانسان في كل مكان وزمان، فان هذا الفن شهد تحولات كثيرة عبرت عن طاقة ابداعية كامنة للوصول بالخط العربي الى ارفع المستويات الفنية والمزيد من الكمال الفني , كما فتحت افاقا ج | Since the trends in the art of calligraphy and his methods have changed with the evolution of life and Tlamt with the human condition in every place and time, this art has seen shifts many expressed their creative energy latent access calligraphy to the highest levels of technical and more artistic perfection, has also opened up new avenues within the limits of consciousness and dogmatic faith associated with the Islamic religion. The pressures and the effects of the environment and references the historical as well as political changes and cultural community as the necessities of expressions influential in artistic achievement, these trends happened to her shift, according to these circumstances, while I took the other kind of fortitude traditional, so these study tagged (the transition from stability traditional to the conceptual structure configurations calligraphy) included four chapters, the first chapter of which put the research problem and its importance and the need for him, and it turned out that the necessities of conceptual shift came through the birth of philosophical ideas new unconventional overshadowed calligraphy and aesthetics, and the detection of linear transformations new light paths traditional art of Arabic calligraphy. The second chapter included a theoretical framework across three sections dealt with the first of them hard and unstable.. concept and meaning, while the second was referred to the traditional fixed structure in linear formations, while addressing the third conceptual shift in the structure of linear formations, then followed indicators theoretical framework. The third chapter included measures Finder search and display the new terminology and analysis applications written form according to the analysis prepared for the achievement of the objectives of the research. The fourth quarter has included the results of the study show, including : 1 - over the stability of the configurations formal written several historical stages, associated with the march of the art of calligraphy across its long history, and his appearance came in line with the knowledge of Arabic calligraphy in the first era of Islam. 2 - that the creative efforts of calligraphers have established the foundations and the technical rules of Arabic calligraphy and helped to stabilize the forms of letters at the hands of top - line media who formed their tactics parameters Baghdadi school and walked them calligraphers since then and to this day. 3 - The school Baghdadi of assets and the rules of linear static stability established formal Arabic calligraphy and helped to spread and prevalence in major cities in other parts of the Muslim world. 4 - The formations linear transformations conceptual configurations in bore signs of turning affected assets and the rules that have long committed by calligraphers for centuries. 5 - The shift to grant the linear configuration on added importance in drawing attention and in turn has achieved more sensual pleasure, and this is a clear indication of the importance of the extraordinary transformation taking place in the structure of the linear configuration.
