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جماليات الواقعية الخيالية في عروض المسرح العراقي == Aesthetics Fantastic Realism In The Iraqi Theater Performances
Author name:
ثابت رسول جواد الليثي
Supervisor name:
حسين علي كاظم التكمه جي
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Directing and Acting
Degree:
Doctorate
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T953 - p.pdf
Abstract:
يخوض البحث الحالي في تحديد الابعاد الجمالية للواقعية الخيالية، لتبيان الحضور الجمالي للواقعية الخيالية في العرض المسرحي العراقي، وتمثلات ذلك الحضور وعمقه، وبما يمكن اجماله بالسؤال التالي : ? ما هي تمثلات الواقعية الخيالية في عروض المسرحي العراقي؟وذلك بقصد | The current research engages identify the dimensions of aesthetic Fantastic realism for illustrating the aesthetic attendance by it, representations this attendance and depth ; what we can brief by the following question : What are the representations of Fantastic realism in the Iraqi theatre performances?This is in order to take advantage of the stand on the techniques and methods of processing, which represents aesthetic of fantastic realism Which were produced by the creative experience of the Iraqi playwright and theatrical director, Which is identified the research in two central topics : ? Identify the dimensions of the aesthetic of fantastic realism.? Illustrating the aesthetic attendance of fantastic realism in performances' systems in Iraqi theatre.This research it comes limited temporally , spatially and objective as in the methodological approach for pursuing the phenomenon under study to know it , tuned and employed humanly.This study is of four chapters : ? The first chapter, the methodological approach, studies the following : the research problems, its important, its aim, its limits, plus the procedural terms.? The second chapter, the theoretical frame and previous studies, is of three sections : A. First section, the cognitive Dimensions of fantastic realism, which aims to know the Philosophic foundation of fantastic realism and the factors affecting it.B. Second section, the aesthetic of fantastic realism, which aims to Determine the aesthetic framework for fantastic realism by Decoding overlap with deviating literary schools, and decoding overlap with the aesthetic types.C. Third section, fantastic realism in performance, it is an approach the aesthetic of fantastic realism to framework of aesthetic art theatre. By it, researcher end to the Indices of the theoretical framework.The researcher has not found any previous study on this topic, fantastic realism, in limit of the time and place of the research, so this study would be the first in this domain.? The third chapter, aims to apply the procedural approach on the study samples; five Iraqi drama show : Message bird, In the heights of love, Fog, The nomad and the Orientalist, Almaqama al - Waasitiyyah.? The fourth chapter, presents the results, conclusions of the research. The main results are as follow : 1. The aesthetic Framework of fantastic realism is determined by : ? Attribute the dramatic in fantastic realism because of the principle (here and now) in the presentation of theme.? The theme Based on to myth or history or folklore.? The theme is less serious than theme in myth, history and folklore.? The theme is the assumption self for objective data.? Time and space are hypothetical aesthetic structure.2. The text of play in fantastic realism is intertextual parody with narrative from myth or history or folklore.3. The technical processors take The Exaggeration and the amplification to break up a realistic figure Such an approach caricature, by the Violent overlap between subjective and objective impression what leads to the Grotesque in the situation.
