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التمثلات البنائية والفكرية للمكان في مشاهد الاستهلال في الفيلم الروائي == Representations Structural And Intellectual Place In The Scenes Initialization In The Feature Film

اسم المؤلف: محمد عبد الحميد ضيدان
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتلخص موضوع البحث ( التمثلات البنائية والفكرية للمكان في مشاهد الاستهلال في الفيلم الروائي) كونه يبحث الجانب البنائي للمكان, اي مجموع العناصر التي تتفاعل معا في تحقيق تلك البنائية وما يترتب عن ذلك من وظائف تحقق تلك البنائية المكانية وخصوصا في مشاهد الاسته | Boils research topic ( representations structural and intellectual place in the scenes initialization in the feature film ) being looking side constructivist place, any sum of elements that interact together in achieving those Constructivism and the consequent functions check those structural spatial and especially in the scenes of initiation which usually reveal the nature of the events and the dimensions of the characters and their actions , and the atmosphere psychological, social , cultural and otherwise, for the link to place a lot of dimensions that can be drawn or expected , so I saw a structural place over the course of art film a lot of transformations which Erafqgaha necessarily a change in the functions performed. In terms of representations intellectual place , the directors usually hire the place in order to bring out their ideas , either directly provides an understanding of the receiver to the idea of the film from the beginning, or indirectly by encoding the place and thus may postpone the director in the detection of the idea of the film to movie scenes Other may sometimes up to the end , and it will be a key component in place to receive information either visible or invisible and a substitute for the usual methods such as dialogue or commentary , or other methods of narrative.The research is divided into five chapters : Chapter One : to ensure a systematic framework for research and included a research problem , which was the following question : What representations structural and intellectual place in the start - up scenes in the feature film ?And also included a theoretical framework to search a target detection modalities that their place is structurally and intellectually in the start - up scenes in the feature film. The search also included the importance of and the need for him , as well as to clarify and define the limits of search terms.The second chapter included a theoretical framework and previous studies theoretical framework has been divided into three sections : The first topic : the concept of the place and divided into three main axesDiscourses place linguistically and philosophical concept of the place and the concept of the place of artThe second section was talking about the structural location and the types of films that Abanna?aat what are the cinematic elements that participate in these structural and how they operate.The third topic : it was the place to talk about the film structure and significance , particularly in the start - up scenes , and touched on the concept of search start - up in literature and cinema and what is the structure of the privacy of the place in the opening scenes , and how they hired Bna?aat place in those scenes.He then discussed the intellectual side of the place in the opening scenes and how they were dealt with by the directors of place in the presentation of their implications intellectual ways and means Ctoziv many cinematic elements and other methods such as the use rhetorical symbol and metaphor. After the completion of the theoretical framework presented earlier studies that dealt with the subject of research from afar or from nearby , concluded the researcher to a number of indicators that felt researcher to be a tool for analysis after the presentation to the experts and ratification by them , so the researcher analyzed the three films has arrived at a set of results was the most important : 1 - saw the place in the structure of scenes initialization shifts and many changes as a result of the active role of this structure and of its own functions on the level of dramatic and aesthetic and intellectual.As of the most important conclusions was : 1 - maker cares about the structure of the work place in the side as a start - up scenes of the most influential and enjoyed plenty of the recipient in terms of reaction and anticipation fascinate and expand the horizon of expectations.Then your search is over some of the recommendations and proposals.Find then concluded with a list of the most important references and sources that hired the researcher and a summary in English

التمثل الدلالي للسريالية في الفيلم الروائي == Semantic Assimilation of The Surreal In The Feature Film

اسم المؤلف: اثير عبد الرزاق بدن الساعدي
اسم المشرف: ماهر مجيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يركز صانع العمل في خطابه على انتاج المعنى، عبر توظيف الوسائل التي تولد المعاني الظاهرة والضامرة، وترتبط عملية انتاج المعنى بالمرجعيات التنظيرية التي ترتبط بذات الموضوع، فللموضوعة الواقعية خصوصتها في التعامل مع المعنى، وهذا ما ينطبق على باقي المرجعيات التن | Focuses maker working in his speech on the production of meaning, through the employment of means which generates meanings phenomenon and vestigial, and linked to the process of production of meaning reference laparoscopic, which are associated with the same subject, subject realism particularity in dealing with meaning, and this is what applies to the rest of the references laparoscopic, such as formal theory or Cinema dogma, and other references that assume a particular form of dealing with the raw material and the elements of the language of the mediator, and Surrealism one of these references, which are characterized by particularity in dealing with the meaning and production of special means, represent this means the basic features of the surreal, which crystallized images cinematic configurations working to represent the significance of Surrealism in the film, hence the title of his research researcher identified the following : (semantic assimilation of surreal in the feature film), and the researcher dividing the search on four chapters, were as follows : Chapter I (methodological framework), which included the research problem, and summarized by asking the following : What are how they are semantic assimilation of surreal in the feature film? Then the importance of research and the need for him, as well as the objectives of the research and its borders, and identify the most important chapter seal the terms contained in the title search. Chapter II (theoretical framework) and came on the three sections, are as follows : The first topic : the concept and references Surrealism : researcher where the concept of Surrealism, and techniques adopted, as well as the attributes of the surreal. The second topic : embodiment and abstraction of the cinematic image : in this topic was discussed modes of assimilation in the picture Surrealist film, once deprivation through symbol and metaphor and again personification by employing elements mediator Film Festival. The third topic : the significance and layers of meaning : in this section have been addressed to the term significance, and the beginning of this science, and the mechanism for making semantics and Production of meaning, as well as layers of meaning direct and implied indirect, through which assimilation Surrealist inside feature film. In light of this, the researcher to a set of indicators that represent the summary of the theoretical framework. Chapter and seal with previous studies.Chapter III (action research) : has included research methodology, tool research and analysis unit and the research community and the sincerity of the tool and steps of analysis and research sample that has been selected Deterministic are as follows : First : the movie (Black Swan) output (Inception) Second : the movie (Inception - Inception) Directed (Christopher Nolan) Then, the researcher analyzed the sample from the theoretical framework of indicators after taking the opinion of the Committee of Experts and arbitrators. Chapter IV (findings and conclusions) : it ensures results that came out of the researcher after analyzing the sample, and the most important results 1. activation rhetorical elements of the language of the mediator film for the production of meaning in ways different from what is familiar, becomes a meaning associated consciously receiver, and the capabilities of psychoanalysis to uncover the nature of relations constructivism in movie scenes, as demonstrated in the research sample (film Black Swan, and film Inception) 2. shape the narrative in the film Surrealist manner vehicle, it is beyond the formats of traditional narrative, clinging to such modalities narrative hybrids that overlap the middle of texts, and becomes a sequence of Psychological is dominant in the presentation of the events, as demonstrated in the research sample (film Black Swan, and film Inception) The researcher then went out to a number of conclusions, and recommendations and proposals. Find and seal a list of sources and supplements and a summary in English.

التصور الذهني وفلسفة التشكل في التصاميم الكرافيكية رباعية الابعاد == Intellectual Conception And The Philosophy of Formation of Four Dimensional In Graphic Design

اسم المؤلف: فلاح حسن علي العتابي
اسم المشرف: سعدي عباس كاظم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم التصميم
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Researcher found the importance of studying the topic of Intellectual and structural design idea in graphics designs, because not to address this issue by scholars, and the researcher presented his thesis tagged (Intellectual conception and the philosophy of formation of four dimensional in graphic design ) to fill Containment of research.The Thesis has four chapters. The first one talked about the problem in the search centered on President (Formation of the design process and design construction) and respect which the steps and rationale invent designer, and adoption of any level of thinking. And show the principles and the methods of intellectual, philosophical, and the relationship between philosophy conception in graphics four - dimensional designs, and procedural dimensions associated with the practical application.This chapter discussed the objectives of the research, which was to identify the vision intense evidentiary of intellectual conception, and accordance with the basic foundations of functional building and aesthetic considerations.The second chapter, focused about the theoretical framework of four sections, the first one, explained the subject (fantasy and building of Intellectual and creativity, and apply the creative process, as relates with Intellectual conception of design, perception and form, which active the problem. Therefor this study contributes for understanding the stages of design process.The second section, the researcher talked about the idea and thinking appearance. And then reaching to goals of design. That’s means the design specified direction of our thinking during the problem subject, and also helps us to focus for reaching and getting a short and easy ways.The third section talks about essential of philosophy and characteristics, as well as philosophy of shapes and philosophy of formation in design. As it, the philosophy adopts on the shape roads, thus; the designer Realize the value and elements of design Aesthetics.The fourth section contain the four dimensional in graphic design, The importance of regulation in design Aesthetics, also the researcher talks about two &three dimensions in graphic design. Then Focus concerning four dimensions through his studied the Movement and time in design.Where the researcher find, the Cognition for four dimensional creates Integration with Environment, then humans and them Movement, subsequently, the Construction stage Linked with design, during the time which creates the four dimensional in graphic design and their related with the roots of design.The third chapter included measures research, and researcher chose for community of research as studying “self - Selection” for analysis methods , which is most appropriate ways to achieve the objectives of the research, by expressive and aesthetic effects.The fourth chapter has results of research. As follows : The movement is receiver eye, and it’s a part of four dimensional realizing processes. Through the expresses and time. The four dimensional meaning in graphic design as movement and space depth.In this chapter also have research results discussion, conclusions, recommendations and proposals.The study revealed results including : that the four - dimensional design in graphics, its temporal dimension is very closely with movement and physically dimension in two & three dimensions designs, through the visual process.The researcher find after simple’s analysis, most of them has an aesthetic structure, while there free selected uses by designers during control of design styles. Through diverse methods and units.The end of research is References

البنية الجمالية والتعبيرية في زخارف المنمنمات الاسلامية == Expressionism And Aestheticism Structure In Islamic Miniatures Ornament

اسم المؤلف: منى كاظم عبد الموسوي
اسم المشرف: عباس جاسم حمود الربيعي | باسم قاسم الغبان
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: دكتوراه
الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم الخط العربي والزخرفة
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمثلت مشكلة البحث بتساؤل اساس ماهي : البنية الجمالية والتعبيرية في زخارف المنمنمات الاسلامية؟ ويهدف البحث الى الاجابة عن التساؤل الوارد في المشكلة كما يتحدد البحث، في دراسة زخارف المنمنمات الاسلامية بانواعها المختلفة المتمثلة ب(النباتية والهندسية والكتابي | The problem of the research represented with an essential question ; what is.The research aimed at replying the question mentioned in the problem as defined in the research in studying Islamic miniatures ornament in different types represented in ( vegetal , geometrical , graphical and animality in both ( Iran & Turkey ) from Since 1489 to1596. The researcher has covered several titles such as : First category deals with the structure in Islamic art , structure of ornament forming which are represented in vegetal ornaments which are used with glass , flowers and branches , besides animality , mason tree forms and shapes which are employed in combination with vegetal ornament , formal spatial organization from the stages of establishment of spaces , organizing the units and branches in its terminology to get fundamental unit , and repeat it according to the fundamentals of mason , animality and geometrical designs.The second category includes the following : First : aesthetical structure starting from the concept of aesthete at Arab philosophers , concept of aesthete at modernizers ,besides the principles lSecond : Includes the expressionism structure of Islamic miniatures and expressionism dimension in ornament forms.Third : The third category is ( Islamic miniatures art ) represented in establishment , idea and sense and meaning in miniatures and the importance of the color in the art of miniatures. Finally Islamic painting schools. Chapter three includes procedures of the research and dealing with the titles to define the methodology of the research and sample of the research. The sample has been selected intentionally. The number sample distributed in both Iran ( 59 ) and turkey ( 38 ) samples. It was selected ( 20 ) sample from original society of the study ,and design the form , then showing it to the experts to check its validity achieving its objectives. Following pages allotted to analyzing of the samples. Below the most important results of the research : - 1. Expressionism structure expressed in Islamic art that represented miniatures art about events combined thoughts and cultures so that become connection instrument included multi - meaning symbols.2. Adopting expressionism structure concept in Islamic miniatures art upon intellectual and knowledge of the true religion Islam and itrelation with feeling and realization that accompanied to gratification and acceptance of the receiver., then follow up its aesthetical and intellectual implication 3. Confirmation of meaning structure of the opinion h in the research sample specimen , which offers for Islamic painter a chance of boosting related to indication and meaning , on the assumption that the thought produced according to intellectual formula and structural consolidate from aesthetic rich giver and expressional for artistic work as in most of sample of the specimen. 4. Expressional structure of Islamic art represented in miniatures art which made the concept of aestheticism gaining intellectual assimilation as new gates bear clearly different emotional trends and direction achieve joy and happiness to the receiver. 5. Aesthetical structure in ornament forms structure demonstrated obviously through harmony and compatibility between pivot ornament formations and reality , and subjected it to internal system to adjust their correlation in emotional , sense and cognitive derived from indications and signs in accordance with Islamic faith , and its implications of expressional results that consolidate 6. Variables of the ornament forms and shapes are geometrical , vegetal and masonic , mostly ornamented with different colors. Its gestures lead to intentional forms in its signs ; which is that form regarded in mien thinking between two directions : direction confirm upon notification nature and continuity of ornamental sign , other direction focus on interpretation of the sign i.e. the possibility of the sign and interpretation towards receiver. 7. Miniatures executed by one artist whereas several calligrapher participated in writing the texts before or after painters or embellished. The ornamented text gives the miniatures an abstract and ornamentation nature , even the scene was in battle field. accompanied with colored life, gives the miniatures harmony including great amount of regularity and logical sequences of the forms and elements.8. Islamic miniatures samples showed clear spread - out in dealing with structural and technical treatments for forms , dimension , color , written and touch units which are description works on it the Islamic photographer in order not to fall in prohibition issue , therefore they have to be away from embodying and from using the couple of light and shadow.9. Aesthetical standard ( proportionating , unity , variability , balance and repetition ) which the decorator tried to compare and depart them as basis for visible action and establishment in Islamic miniatures ornaments.Below The Conclusions 1. Using geometrical and vegetal ornaments in the art of Islamic miniatures to reflect aesthetic richness through absolute accuracy in execution.2. The art of miniatures connected with ornamented terminology greatly which is achieved through expressional structure multi - aesthetic characters participated within formal intensification that depend on determined spaces.3. The Muslim artist adopted in his miniatures upon flat perspective which depend on two dimension and ignore embodying which is represented in the three dimensional.4. The pictures of the personalities in Islamic miniatures characterized in different forms and shapes regarding special features such as the face or nature of the dress or structural formula of the form , adopting anatomical percentage according to belongingness , cultural and geographical references of Islamic country.5. Concentrate on tape and line system in written texts within the tapes and ornamented frame , adopting lines with functional performance such as ; caption ,on third uncombined in order to create connectional action to read the text , besides forms especially after adopting attached miniatures to ornament the ground of line text.According to the details mentioned above , the research has bring forth sample of the study from very deep and effect of al expressional structure , aesthetic ,and the mechanism of their operation in Islamic art represented in miniatures arts. Eventually the researcher recommended the following : - 1. Study Islamic miniatures art , its multi - aesthetical system specially ; colleges and fine arts institutes in order to understand its elements and subjects.2. Encouraging issuing publications , print material and aesthetical and technical studies that dealt with the concept aesthetic and expression in Islamic art which includes miniatures arts.3. Using subject (Islamic miniatures ) in the textbooks of the students who studied ornament Arabic writing for both studies primary and higher studies.For more scientific benefit for the research , the researcher presents the following suggestions : - 1. Aesthetical and expressional structure for handwritten formations in Islamic miniatures art.2. Aesthetical and intellectual dimensions for gilding of Islamic miniatures art.

البنى الارتكازية لفن التصميم الطباعي المعاصر == Infrastructures of Contemporary Graphic Design Art

اسم المؤلف: دينا محمد عناد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم التصميم
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The art of graphic design from more arts modernity which appeared beginnings in the nineteenth century and the evolution in the mid - twentieth century, the owner of this development a particular focus on the development of theories of knowledge, bring about the way the designer base model represents a built anchor, any (ground knowledge firmly) based upon The art of design, and can not be achieved without taking into account the design of these structures and aesthetic value to the success achieved by the design. Although the essence of the design idea is gaining value only the veracity of the results that can be achieved at the application level and then detect the role of the creative process, which is often coupled with the idea of design, construction and technical design meets the requirements of the message and influence in the receipt.Based on the foregoing, this study comes tagged (the infrastructure of contemporary graphic design art) to clarify the subject through the four seasons, which included the first chapter, which has been allocated to research methodology on the research problem identified by asking the following ((What are the key pillars upon which the art of graphic design as a theory ))? The objective of the study ((Essential for building the foundations of the theory of the art of contemporary graphic design)).It also included the importance of research and the limits of research as well as identifying terminology.The second chapter includes a theoretical framework and previous studies, they did not find the researcher taught by a previous study approach to the subject of current research in graphic design, so this study is considered the leading theme in graphic design.The theoretical framework has included four sections focuses First research on (a brief history of the graphic design art), and focused the second topic on the (Strategies graphic design) and ensure that the third section (Features theart of graphic design on according to the intellectual trends of contemporary), while the fourth section guarantees the (Modernity and postmodernism in graphic design). This has resulted in a theoretical framework on several indicators. The third chapter is devoted to research procedures as researcher followed the descriptive method and the method of content analysis for the purpose of monitoring phenomena. Means of objective critical analysis of each model separately, to reach accurate results. It ensures the research community a hundred and fifty (150) culturally poster technically universally contemporary publications on the international information network (Internet), countries (Germany, Holland, Switzerland, France, USA), which included the years (2004 - 2014) and due to the capacity of the research community, and the multiplicity specialties areas posters cultural art, arrogating the researcher exclusion of (100) poster depending on the way (not the probability of intentional) in the selection of research models, bringing the number of models of the sample (fifteen 15 culturally poster technically worldwide) Elected out of (50) Model for the purposes of analysis, (33%) of the research community overall, with three posters for each state. For the purpose of analyzing the sample form was designed to determine axes analysis, which was approved by experts and was based on the analysis of its clauses. And ensure that Chapter Four of this study was to review the results and conclusions for research, and the most important results : - Was to determine the infrastructure of the theory of the art of contemporary graphic design : - 1 - Reliance on cognitive theories, especially the new objectivity, which confirmed the technology and manufacturing processes and function. The purpose of design, and sobriety and strength in design and visual communication to mind.2 - Designer culture that rely on the construction of knowledge. 3 - Rely on innovation and artistic creativity to achieve the image of visualculture. 4 - Accrediting simplicity and abstraction and symbolism.5 - Employ modern technologies in order to serve the idea and content, to bring the power of visual communication and cognitive, by addressing the fonts and color values, and linking elements and styles of design to achieve movement and tensile visual, in order to serve the idea and secured to the success of the design work.6 - Recruiting employ methods of design elements and characteristics of intellectual and aesthetic, which is the language of design.7 - Verb match career with the formats for design aesthetic expression. 8 - Employ metaphor in the formal design built to achieve a synthesis based on visual discourse, bearing dimensions intellectual and aesthetic contribute to the understanding of the structure of the underlying design.The main conclusions of the research : - 1 - Activating the role of the recipient in the field of fiction and the future vision, and read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge, and to make it mainly in the construction of knowledge. 2 - Achieved a designer horizons and a new perspective in the presentation of design work, so as to break the traditional context, by relying on inspiration, a theories of artistic creativity and application of discovering the same fantasies and imaginative jets occur suddenly, to achieve the image of visual culture and linked to the contemporary.3 - Resulted in graphic design strategies to build a knowledge base, any emphasis on theoretical knowledge to work as a precedent Executive, to achieve the anchor structures, based on the culture of creativity and innovation, and to identify the strengths of the unique design of the building implementation approach and the development of future standards work.It is then incorporated the recommendations, including : 1 - Emphasis on activating the role of the recipient to read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge.2 - Introducing new systems design using a new method of connecting elements and coordination among them ensures the effectiveness of the design and achieve new and innovative formulas lead to a reaction force to provoke an implicit attract an audience.The research proposals : 1 - To conduct a study on the technological standard and its impact on contemporary designs.2 - Combination study of structures based on visual discourse in contemporary designs, printing and its impact on the receiver

الانزياح الدلالي في الخطاب المسرحي == Semantic Shift In The Theatrical Discourse To The Council of The Collage of Fine Arts As Partial Fulfillment of The Requirements of Master Degree

اسم المؤلف: سعاد نعمة حسين
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: في المسرح تكتسب الاشياء التي تقوم بدور العلامات المسرحية مقومات خاصة وخصائص نوعية وصفات لا تملكها في الحياة الواقعية. بمعنى ان كل ما يكون في المسرح هو علامات ذات وظيفة دلالية , لان التجلي الحقيقي والواقعي للظواهر على خشبة المسرح يفقدها وظيفتها العملية ال | In the theater gaining things that play a role play elements of private labels and quality characteristics and qualities not possessed in real life. In the sense that everything will be in the theater is the signs of a semantic function, because the Transfiguration real and realistic phenomena on stage loses her job process, which seeks to clarify the role of the semantic code. At a time that is in the show theme in everyday life more important than its meaning, then lose the display structure of the task built a theater symbolic significance based upon the structure Avatar. Characterized by the nature of the play marks a special ability to produce connotations included, and the inclusion of this comes within the context of cultural, social or moral structures for special theatrical presentation of actors and spectators. Where you specify the semantics according to a tacit agreement between the supply and the future. In this context can be expressed decoration - for example - at the level of a particular social or cultural. It can reflect the fashion for a feature of the figures as attributes moral and social as well. Where in this process is gaining each additional sign of play semantics. As well as the real implications of each sign, there are indications, including the result of a cultural agreement implied about the significance of the sign, and this leads to the understanding of pluralism semantic markers in the theater. So it can be a sign of one of several indications that lead. The brand is characterized by high drama In dynamic because they lead to the exchange of elements play with each other, and this leads to the replacement of mutual formats to mark the play. In the display can mark certain belong to more than a certain format. The sense that the significance of the table can be produced for a certain movement performed by the body of the actor. The table that belong to the pattern is indicative decoration and then expressed by the body that belongs to the coordinated movement or gesture, and this is to be the representative element to generate President connotations place. That any actor can have is through a certain movement that depicts scenes of the existence of a river or a door or fence.... Etc.. Hence, we conclude that he can sign one play that kill jobs Tag is finished and this is what we are seeing in the theater mobster in general. And that the growth of the semantic probably was the cause of the occurrence of an objective process of semantic displacement in the texts, as the literature was not a specific connotation, like other sciences, or topics. It was the growth in the promotion of universal semantic earned him more than others. In order to reach the objectives of this study came four seasons and the following format : - In the first quarter it included a research problem by questioning follows is (Is there shift indicative discourse playwright?) And then came the importance of research which provides a critical study looking at the formation of the speech playwright through a variable displacement and movement semantic see the creative aesthetic and the light of the results from these visions of outputs in media discourse playwright as well as the benefit of students in the field of jurisdiction and stated aim of the research to reveal the offsets semantic discourse playwright and limits the temporal and spatial and objectivity of the research as limited offers on the province of Baghdad exclusively was the time period from 1995 until 2005, then touched search to define terms Thread. The second chapter came, including three sections of which the first interested in the concept of significance origination, development and care of the second part, in terms of the text and the significance of the display either the third section has himself to the concept of displacement semantic discourse theater and then came indicators theoretical framework approval to offer the detective to ask then explained the researcher that he there were not previous studies or a similar approach to study them. Then came the third quarter, which meant the samples were analyzed three samples are : 1. Othello in the kitchen to Sami Abdul Hamid 2. Play Macbeth directed by Salah reeds 3. Drama Ghost, directed by Adel Karim Find then concluded the fourth quarter, which included findings, conclusions and recommendations and proposals. Finally, Arab and foreign sources which Adopted researcher examined and then placed in the appendices and summary in English.

الاثراء الجمالي للكادراج في تشكيل فضاء اللقطة لبنية الفيلم السينمائي == Aesthetic Enrichment For Cadrage In The Formation of A Snapshot Space of The Film Structure

اسم المؤلف: علي حيدر خالد فرمان
اسم المشرف: متي عبو بولص
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: When he was told earlier that the film image and the movement were matched at the same moment that attempts perpetual to find potential unique art film , a possibility that must be characterized and unique among the rest of the other arts , which laid with the long history of the foundations of language unique.. as he says Eisenstein in his book Movie format that the musician uses a ladder of votes , as well as a painter uses the area graded colors as that of the scribe set of characters and words.. but in return what fired on cinema recipe she image and movement have come to the recipe opaque in the eyes of aesthetics film since there is no image transmitted the camera does not move CONTAINED within this cadre express virtually no way for the uniqueness of this special art.. the picture itself is a possibility of many other visual arts... as well as the movement within a specific framework cadre is also a feature of the theater.The image and movement are two of the data of this language does not mean in themselves this language , but is just data , and these data are recoverable only to the restructuring and the creation and then the way restructuring is the same as that language desired , which will uniqueness of the art film venue solo the rest of the languages of art, because the cinema visual art , it was the configuration the effect of the basis of the formation of the mainstay of this art , Valtkoan picture film performs a critical function in the development of any accomplish my film , not surprising that the overlap in the configuration process all the technical elements and technology that contribute to the making of the film , way out and photographer and designer decor , actor and sound engineer contributing to all of us in creating a configuration Film Festival, as well as " all this, the film largely depend on the aesthetic image problem system configured I mean , it can be Mahbuka Banazare and special effects nearby , which qualifies the process of attracting viewers and raise their senses and provoke Maiqathm about topics that drama Moot film , particularly as it was the product of a technical support look and feel as a showpresenting , and leaning on the configuration elements and forming processes in the formation of the final image of the drama movie , which up to the viewer , carrying in its content story or idea , in the framework of art was his mastery and drafted through the techniques and tools employed by Maker work with his style and his way and visions.Hence the researcher in identifying placed his research (such as the inclusion of aesthetic enrichment in the formation of a space snapshot of the structure of the movie), has been divided into five chapters on research were as follows : The first chapter ( frame systematic ) : to ensure the research problem, which was questioning follows ((what qualities by which to achieve enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie?)), As well as its importance and the need for him in being dealt with articulation accurate one language elements film, in addition to the aim of the research, which represents detects modalities by which or contribute to the enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie, as well as ensure that the limits of the search, and seal Chapter determine the terms contained in the title search.Chapter II (theoretical framework and previous studies ) : The researcher dividing the chapter on the three sections, as shown below : 1. The first section : (Alkadraj in the structure of the movie)2. Second topic : ( plastic film shot in space )3. Third topic : (aesthetic building frames acoustically and visually)Finally, the researcher came out at the end of the second chapter of inter indicators formed a summary of the theoretical framework.Chapter III ( action research ) : ensure research methodology and the research community and the research sample, and the search tool has been identified through the indicators derived from the theoretical framework after a presentation to a committee of experts for examination and evaluation.Chapter IV (sample analysis and discussion) : ensure that the sample analysis and discussion of the analysis was to deliberate three movies to get to the results and objectives , A film (Shakespeare in Love), directed by John Madden and film (Kingdom of Heaven), directed by Ridley Scott and the film (a nightmare of blood and sex), directed by Joseph Kolbyk.Chapter V ( findings and conclusions ) : Review of the researcher to ensure that the most important results that came out of the analysis of the sample , including : 1. Enrichment is a given aesthetic basis for action when Alkadraj composition of space from the vision of self - treatment of structural frames in the film , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( Shakespeare in Love ).2. The building Alkadraj means the ability of the director to manipulate the rhythm and the mass distribution through homologues and antonyms , which represents the process of enriching the aesthetic of the snapshot in the structure of the film as a whole , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( the nightmare of blood and sex ).3. Represent the process of the mass distribution within the framework of the standard basis in shaping the aesthetics of the rhythm of the picture and the overall unity of rising onthe balance of the overall composition of which , as demonstrated in our research sample movies.4. Achieved enrichment aesthetic through activation of the text scanner , and the gradient hormonal colors or Alcontrast which is a factor creating clarity and isolation and vision , as well as distortion and guess in a sense, as demonstrated in our research sample film ( Shakespeare in Love ) and film ( the nightmare of blood and sex).As well as the conclusions that the researcher extracted from the overall theoretical framework and analysis of the sample and that of the most prominent : 1. The Alkadraj is one of the most important means of creating distance aesthetic image , Valotra aesthetic in the picture is constructive Eptgeh director of that image in its final form, it is that expresses the sum of intellectual and formative vision of Foreign Affairs of the same artist to public life , which is the result of all his thoughts and instincts on differing trends and inclinations and different affiliations , culture and consciousness , experience and practice , which represents emotions and maturity and the extent of his capabilities , which led him to this level of performance excretory , especially since the plastic snapshot extends to the meanings of Interior , which is closely related to and interacting with all shapes and sizes , and the characters and decoration , furniture, fashion and color and lighting of during that intentionality regulatory those different elements.2. Said enrichment aesthetic such as the inclusion controlled by the ability of the director to manipulate the rhythm mass distribution language brevity of its subject , who is filming , as well as by staff and the framework Ikts intent to form was footage establishes turn later scenes , which in turn containsall elements of the picture and formations granted by the characteristics and dynamics , which is incorporated in the final form of image expression and its beauty.3. Polarization and induction of wonder and exoticism at the viewer , to establish enjoy and gravitate to the image Bmoduaadtha , shape and construction of the picture and the objective and all this is thanks to the amount and type and multiplicity ( abundance ) and the shape , color, size and method of formation of fonts, colors and decorations and sculptures , which are in constant flux and constant , and that even included fashion accessories and all assets in most movies samples.Chapter and seal the proposals and recommendations , and then the list of sources and references that benefited the researcher and seal search extract in English.

التحول من الثبات التقليدي الى المفاهيمي في بنية تكوينات الخط العربي == The Transition From Stability Traditional To The Conceptual Structure Configurations Calligraphy

اسم المؤلف: حسين علي جرمط
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: دكتوراه
الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم الخط العربي والزخرفة
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بما ان اتجاهات فن الخط العربي واساليبه تغيرت مع تطور الحياة وتلاءمت مع ظروف الانسان في كل مكان وزمان، فان هذا الفن شهد تحولات كثيرة عبرت عن طاقة ابداعية كامنة للوصول بالخط العربي الى ارفع المستويات الفنية والمزيد من الكمال الفني , كما فتحت افاقا ج | Since the trends in the art of calligraphy and his methods have changed with the evolution of life and Tlamt with the human condition in every place and time, this art has seen shifts many expressed their creative energy latent access calligraphy to the highest levels of technical and more artistic perfection, has also opened up new avenues within the limits of consciousness and dogmatic faith associated with the Islamic religion. The pressures and the effects of the environment and references the historical as well as political changes and cultural community as the necessities of expressions influential in artistic achievement, these trends happened to her shift, according to these circumstances, while I took the other kind of fortitude traditional, so these study tagged (the transition from stability traditional to the conceptual structure configurations calligraphy) included four chapters, the first chapter of which put the research problem and its importance and the need for him, and it turned out that the necessities of conceptual shift came through the birth of philosophical ideas new unconventional overshadowed calligraphy and aesthetics, and the detection of linear transformations new light paths traditional art of Arabic calligraphy. The second chapter included a theoretical framework across three sections dealt with the first of them hard and unstable.. concept and meaning, while the second was referred to the traditional fixed structure in linear formations, while addressing the third conceptual shift in the structure of linear formations, then followed indicators theoretical framework. The third chapter included measures Finder search and display the new terminology and analysis applications written form according to the analysis prepared for the achievement of the objectives of the research. The fourth quarter has included the results of the study show, including : 1 - over the stability of the configurations formal written several historical stages, associated with the march of the art of calligraphy across its long history, and his appearance came in line with the knowledge of Arabic calligraphy in the first era of Islam. 2 - that the creative efforts of calligraphers have established the foundations and the technical rules of Arabic calligraphy and helped to stabilize the forms of letters at the hands of top - line media who formed their tactics parameters Baghdadi school and walked them calligraphers since then and to this day. 3 - The school Baghdadi of assets and the rules of linear static stability established formal Arabic calligraphy and helped to spread and prevalence in major cities in other parts of the Muslim world. 4 - The formations linear transformations conceptual configurations in bore signs of turning affected assets and the rules that have long committed by calligraphers for centuries. 5 - The shift to grant the linear configuration on added importance in drawing attention and in turn has achieved more sensual pleasure, and this is a clear indication of the importance of the extraordinary transformation taking place in the structure of the linear configuration.

المتغير الصوري في الفكر المعاصر وانعكاسه على التصميم الكرافيكي == The Variable of Picture In Contemporary Thought And Its Reflection On Graphic Design

اسم المؤلف: شيماء عبد الجبار عبد الكريم السامرائي
اسم المشرف: نعيم عباس حسن
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم التصميم
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Image is the new language that all human languages are superior. Image worthy of contemplation and research as an industry controlled sector and a wide range of fields of science and knowledge and art. It has connotations and symbols, with meanings and a high value that makes it an instrument for active communication for technical changes to achieve beautiful, civilization, satisfactorily, communication role. It is major component indispensable, in new advertising media. Image dispense with a written speech or audible to change our reality and affect on our awareness and (self - optic) and attributes of our current dominance in the field of image continues to humans and take site of domination and sovereignty of the other elements and cultural tools in contemporary. The design of the arts that are related to the lives of individuals and the community for its services related to the development of artistic taste, through visual attraction and influence in the forum to promote the ideas of design and achieving goals. The design is particularly graphic of the most important types of designs of what constitutes direct contact or indirectly, intellectually, socially, politically and economically, the main function of through is reflected publish, through the design of the poster, magazine, newspaper, book, logo, trademarks, and the other. As well as the advertisement with its types. Current research explores the subject of the dummy variable in the contemporary through to reveal its effectiveness in design graphics which depends on the development and transforming to implement the idea. The hiring picture to form the audience and effectiveness in influencing for the purpose of culture specific image, and work to deepen the artistic culture, finding points of interest and a common understanding of the goals and effects the image on the forum and designed the structure of the first quarter, which contained are search problem, which formed are search problem : - 1 - Varied investments in the variables topics.2 - Focus on the structural aspects of the design in parts of design.3 - The pursuit of what is unfamiliar was important to identify users and workers in this area, important conceptual aspect to enrich knowledge and skills to design specialists graphic.Also we imputed the goal of the research according to (detection achieved intellectual contemporary picture of the variable and its reflection on the graphic design) for the other hand we limited the boarders of the research according to place, time, subject and limited the terms : image variable, contemporary thought, graphics design, the second part of research includes the theoretical framework of cognitive, which covered by the researcher with the following points : first topic, image relations in graphics design from the artistic vision for the image and the artistic affection for the image, the employmentpicture structurally and aesthetically pleasing and finally the image variable in the design structure.In the second topic the image variable in graphic designs from the philosophical concepts for the image variable and its effectiveness and formal configuration with image variety and optical configuration but the third topic, is graphic designs in contemporary thought from the intellectual theories and the variety in design finally the image reflection, with the indexes of theoretical framework in fact the third topic consists of the research procedures and the methodology of the research.The fourth topic contains an analysis and critique models and the last contains the poster with logo by eighteen model, lastly the conclusions of the research : 1 - The majority of samples depended on organizing a diverse tectonic from the figure, containing to achieve functional beautiful expressional side, from the other hand I embarked on a new path to achieve aesthetic that give rise to the forum and afford to link and meditate and tight attention with enriching the visual rhetoric by symbols, variety that was optical.2 - It was defected achieved intellectual for the image by many transformation and resources that are mental and optical under many meanings contrary to the image. After that it was considered as a variable achieves by effectiveness in a change for image. The contemporary thinking is renewed, evolution, and change.3 - Varied employment visual rhetoric in the variable of image rhetoric. (image, geometric, written) in the effectiveness which carries beautiful guides that required by function dimension.Finally the conclusions that are : 1 - The necessity to make many studies to show the importance of an image and the image variable and deepen in its role, affection in developing the sides like intellectual, artistic, cultural.2 - The necessity of knowledge of the rapid developments, in the world of the software which connected by contemporary graphic designs, and the techniques of communication and the role of greatest image in the advertising, and contemporary media.3 - Publish a magazine specialized scientific in the study of an image and its variables, in the contemporary thinking.4 - Seminars and the establishment of scientific sessions and artistic in the field of digital graphic designs.Then been indentified subsequent pages of references and appendices and display summaries in English.

التشاكل الحداثي في اساليب تصميم الاقمشة والازياء المعاصرة == Moderization Isotopie of Contemporary Fabrics & Fashion In Design Styles

اسم المؤلف: هادي نفل
اسم المشرف: رؤيا حميد ياسين
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم التصميم
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انشغلت الباحثة بشكل واسع في موضوع يعد من اهم الموضوعات المتعلقة بتصميم الاقمشة والازياء، هو التشاكل بوصفه فكرا حداثيا وظاهرة سيميولوجية تعمل على تنظيم المدركات العملية لاجزاء البنية التصميمية وتلخيصها بالجوهر الابداعي الذي تلتقي عنده الاجزاء لتكون غاية جم

توظيف منهج بريدج لتدريب مدرسي التربية الفنية على استعمال التقنيات الحديثة في تدريس عناصر العمل الفني == The Employment of Bridge’s Methodology To Training Teachers of Art Education On The Use of Modern Techniques In Teaching Elements of Art Work

اسم المؤلف: نوال حسين خلف
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Bridge’s model is regarded as one of the most important model as it contribute to the development of the skills of different types and improve the cognitive aspect as well as enhancing the confidence between the teachers who assume e the process of teaching. Itrepresents a professional training program based on the concept of efficiency surpasses the concept skills and teaching in particular which trespasses the trainer ability to these skills. We can also describe this method as employing the mid, hand, finger in theprocess of fulfilling the requirement of work ad also encouraging the ability to transport the educauitoal expert.The most important feature of the teaching process is the introduction of the educational computer and its various techniques that it has become an important means of the curricula of teaching.The advanced institutions of educator care for developing the faculties of its teachers through training programs that can achieve educational and teaching ends.Upon all the above, the researcher preferred to found the problem of her research through training the teachers of art education I the use of power point - interactive board in teaching the items in general and elements of the art work in particular for themultiple advantages of this in facilitating the process of teaching ad training the leaders to achieve the objectives hoped from it.Therefore, the preset study aims at : Training the teachers of art education working in secondary schools on the use of modern techniques (power point - interactive board) in teaching the elements of art work. In order to achieve the objectives of the study, the research put thefollowing sub - objectives : 1 - Design a training program according to Bridge’s Methodology of carrying out the requirements of art work.2 - Measuring the effectiveness of the training program on a sample of teachers of art education working in secondary schools.a. In carrying out the requirements of elements of art work posttest.b. In using the modern techniques of teaching art work posttest.Upon these objectives, the researcher used (90) zerohypotheses : The research community is made of teachers of art education working in secondary schools of (287) teachers. of which she chooses 36 teachers I agreement with the General Directorate of Sport ad Art Activity who were included in a training course held atthe Center of Staff Development that affiliated to the Institute of Technical Teaching after getting the permission. The center includes an electronic hall and includes smart board. The sample includes (3) groups two are experimental and the third is control. The first experimental group was taught according to the power point program and the second experimental group were taught according t smart board, while the control group was taught in the normal methods. A training program was built according to Bridge’s Methodology which is suitable for training while I service including 3 units. For this, two types of tests were designed to is acquisitive cognitive in art work and the other is skill. Also, two design forms to inspect to check the skills of the sample to teach the elements if work art. The tools were displayed on experts to verify their validity. In order to show the result, the researcher uses SPSS program which include Kruskal - Wellis and coefficient and distinguishing and Richardson /20 and Copper equation.The most important finding which the researcher comes to are : 1 - The excel of the first experimental group which was taught according to power to program on their peers in second experimental group who smart board in acquisitive test posttest.2 - The excel of the first experimental group which was taught according to power to program on their peers in second experimental group who smart board and also the control group in posttest.The most important results : 1 - The excel of the first experimental group which was taught according to power to program on their peers in second experimental and control group.2 - The excel of the second experimental group which was taught according to power to program on their peers in second experimental and control group.Upon the above, the researcher recommends the following : 1 - Using the training program design according to Bridge’s Methodology by the use of modern techniques (power pointsmart board) adopted in this research.2 - Any teacher specialized in this elements of art work resort with the training program in teaching this material as it

جماليات الواقعية الخيالية في عروض المسرح العراقي == Aesthetics Fantastic Realism In The Iraqi Theater Performances

اسم المؤلف: ثابت رسول جواد الليثي
اسم المشرف: حسين علي كاظم التكمه جي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يخوض البحث الحالي في تحديد الابعاد الجمالية للواقعية الخيالية، لتبيان الحضور الجمالي للواقعية الخيالية في العرض المسرحي العراقي، وتمثلات ذلك الحضور وعمقه، وبما يمكن اجماله بالسؤال التالي : ? ما هي تمثلات الواقعية الخيالية في عروض المسرحي العراقي؟وذلك بقصد | The current research engages identify the dimensions of aesthetic Fantastic realism for illustrating the aesthetic attendance by it, representations this attendance and depth ; what we can brief by the following question : What are the representations of Fantastic realism in the Iraqi theatre performances?This is in order to take advantage of the stand on the techniques and methods of processing, which represents aesthetic of fantastic realism Which were produced by the creative experience of the Iraqi playwright and theatrical director, Which is identified the research in two central topics : ? Identify the dimensions of the aesthetic of fantastic realism.? Illustrating the aesthetic attendance of fantastic realism in performances' systems in Iraqi theatre.This research it comes limited temporally , spatially and objective as in the methodological approach for pursuing the phenomenon under study to know it , tuned and employed humanly.This study is of four chapters : ? The first chapter, the methodological approach, studies the following : the research problems, its important, its aim, its limits, plus the procedural terms.? The second chapter, the theoretical frame and previous studies, is of three sections : A. First section, the cognitive Dimensions of fantastic realism, which aims to know the Philosophic foundation of fantastic realism and the factors affecting it.B. Second section, the aesthetic of fantastic realism, which aims to Determine the aesthetic framework for fantastic realism by Decoding overlap with deviating literary schools, and decoding overlap with the aesthetic types.C. Third section, fantastic realism in performance, it is an approach the aesthetic of fantastic realism to framework of aesthetic art theatre. By it, researcher end to the Indices of the theoretical framework.The researcher has not found any previous study on this topic, fantastic realism, in limit of the time and place of the research, so this study would be the first in this domain.? The third chapter, aims to apply the procedural approach on the study samples; five Iraqi drama show : Message bird, In the heights of love, Fog, The nomad and the Orientalist, Almaqama al - Waasitiyyah.? The fourth chapter, presents the results, conclusions of the research. The main results are as follow : 1. The aesthetic Framework of fantastic realism is determined by : ? Attribute the dramatic in fantastic realism because of the principle (here and now) in the presentation of theme.? The theme Based on to myth or history or folklore.? The theme is less serious than theme in myth, history and folklore.? The theme is the assumption self for objective data.? Time and space are hypothetical aesthetic structure.2. The text of play in fantastic realism is intertextual parody with narrative from myth or history or folklore.3. The technical processors take The Exaggeration and the amplification to break up a realistic figure Such an approach caricature, by the Violent overlap between subjective and objective impression what leads to the Grotesque in the situation.

جماليات المتكون التصميمي الرقمي وتطبيقاته في الاقمشة الحديثة == The Aesthetics of The Digital Design Component And Its Implications In Modern Fabric

اسم المؤلف: حيدر هاشم محمود الحسيني
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم التصميم
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد الحاسوب من اهم مظاهر التقدم العلمي والتقني الذي ساد العالم، بل اصبح لغة العصر التي تخدم مجالات الحياة المتنوعة، واصبح الحاسوب من اهم اهداف المجتمع نحو تحقيق مستقبل افضل لامكانياته الواسعة في استعمال اساليب وطرائق اخراج متعددة، مما ادى الى ظهور طرق | The component is regarded as of the aspects scientific and technological progress all over the world. It became the language of the modern age that is used in various fields of life and the computer became one of the best means for societies to chive a better future due to its wide potentials in using various ways and styles of output. This led to the appearance of new ways of thinking performance and expression and the formation (to the contemporary creators ) of symbolic and visual possibilities affected the structure of ideology , culture and art since the computer is one of the bridges between art , since the technique and it is an inevitable development of channels began to be digged years ago. According to the design core which takes the creation approach as a means to almeve its functional and aesthetic goals , the meaning of aestheticism depends basically on the latest technical innovations. The researcher sees that, according to the contributions of the digital technique and the potentials of the programmers of the digital design including the Photoshop ( focus of thing study ) it became a new way to invent new designs leading To the renewal of the the design structure in from as well as in content in accordance with the conceptual transitions in the art of design and in scene in the twenty first century.Accordingly, the researches stopped at the following questions that represent the problem of the present study. They are : 1. Does the digital technology help in a achieving dimensions for the design component in the modern feminine cloths ?2. Are the aesthetics of the design component aliened through the effects of the digital technology or through the components of the structure and what it includes of elements bases , systems and its relationships or through this harmony.3. Are there digital design bases help achieving aesthetics dimensions for the design component of the modern feminine clothes ?The study aims at showing the role of the digital technology , its means , styles and effects in achieving the aesthetics dimension of the digital design of component in modern feminine clothes and pulting design bases help in achieving the aesthetics dimension for the digital design component in modern feminine clothes. It also aims at putting design suggestions in the light of the theatrical bases. The study limits itself to the feminine clothes implemented a according to the digital technology of various sources within the period of 2011 - 2012. After that it limited Four terms , namely, ( aesthetics , consisting of design , digital technology , design fabrics ) researcher has developed a procedural definition of each term. This is what came in the first chapter of the research , consisting of four chapters. With regard to the second quarter , which contained the theoretical framework and previous studies , it has included in the carrying four sections , which included the first section of what beauty and the mechanics of the operation of the theories aesthetic in design and aesthetic dimension of the composed design digital , while included the second part, the elements and the foundations of building regulations and relationships and methods governing the design Women cloth , In regard to the third section has cared Balozifah aesthetic and cognitive and aesthetic judgment and experience and then touched on the implications of the expressive and symbolic composed of digital design. The fourth topic , including concept and technical sophistication of the design is composed of digital and then the components of the computer and digital design software ( Photoshop ). He then went on to search the most important indicators on which the general theoretical framework and then the previous studies. The third chapter dealt with research procedures , as follow researcher descriptive survey ( content analysis ) , and represent the research community to (123) model diverse special designs fabrics women's modern , ruled researcher (13 ), a model of which to replicate the idea of design in multiple colors , and this has become a community Find ( 110 ) was chosen as a model design parameter (22) in a deliberate model and 20% of the total research community and came selected depending on what serves the objectives of the research. The search tool Vtmthelt form for analysis according to the scientific method , and presented to the experts specialized in designing fabrics for gaining virtual sincerity. And then analyzed the models and discussed. And then eat the fourth quarter results and conclusions Among the most important are : 1 - adopted the most effective form designers ready in the toolbox program Photoshop , which includes geometric and floral shapes and forms in a variety of other building design and artwork that have achieved the aesthetic dimensions of the canvas.2 - wizards of digital technology has made the aesthetic dimensions of the design is composed through the adoption of effective color cast Color Overlay intent to show diversity chromatography vocabulary inside the building design. It also granted the effectiveness of the filter Filter effects variables in the visual design of the product forms and vocabulary and achieve aesthetic dimensions of the canvas. It also adopted the effectiveness of border effects and Stroke , who worked on the framing shapes the design and increase the strength of its appearance.Based on what came from the sequential action of the researcher discuss the status of the most important pillars of design that contribute to the aesthetic dimensions of the digital design is composed of the women's modern fabrics and as follows : 1 - Take advantage of ready - made shapes in Photoshop toolbox with the addition of some minor aesthetic that serves the goals of the artwork design.2 - Attention to employ digital effects technical vocabulary of shapes and design , according to experience and taste of the designer, what possesses these effects ( processors ) of aesthetic additions attractive integrated with the rest of the aesthetics of the design and verification consisting of cloth female attraction. The fourth quarter included recommendations and proposals mention the most important thing , which stated : 1 - emphasis on the role of digital technology in the field of design fabrics , and keep up with the latest software versions with respect to digital design and employ them in the art of design and art in general design fabrics in particular.

التوظيف الجمالي لعناصر التعبير للخطاب السينماتوغرافي في الفيلم الروائي القصير بتن التجريب والتقليد : افلام وزارة الشباب والرياضة انموذجا == Aesthetic Mobilization of The Cinema - Graphic Speech Expression Components. In Short Fiction Film Between The Abstract And Tradition Films of Ministry of Youth And Sport As A Model)

اسم المؤلف: باسم مطلب شحيل
اسم المشرف: محمود اكباشي خلف الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: جاءت هذه الدراسة في وقت تهيمن فيه الثورة التقنية الحديثة على مرافق الحياة المختلفة تزامنا مع المتغيرات الحاصلة في العالم على المستوى السياسي والاجتماعي، مما جعل من هذه المتغيرات ان تلقي بضلالها في الصورة المتحركة ونتاجاتها الفيلمية عموما، مما اسهم في ح

اشكالية تحول المفهوم في التشكيل العالمي المعاصر : دراسة في ضوء المنهج التاويلي == Problematic Transformation of Concept In The Contemporary World Formation

اسم المؤلف: صاحب جاسم حسن بندر البياتي
اسم المشرف: محمد جلوب جبر الكناني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناول البحث الحالي : اشكالية تحول المفهوم في التشكيل العالمي المعاصر( دراسة في ضوء المنهج التاويلي)، احتوى البحث على اربعة فصول، عني الفصل الاول بالاطار المنهجي للبحث متمثلا بمشكلة البحث التي تجلت بتحول المفهوم غير المحدد سلفا في اي شكل من اشكال الو | The current study addressed : problematic Transformation of concept in the contemporary world formation (The study according to the hermeneutical approach)), The study contains four chapters, The first chapter is dealing with the systematic framework of the research represented by research problem which reflected by transformation of the concept which is un determined in any form of artistic or aesthetic awareness, represented by the borders of multiple spaces, including cultural and social spaces.The research included two objectives : 1. To identify the concept in the cognitive, philosophical, aesthetic and artistic fields.2. To discover the transformation of concept in the contemporary global formation to investment of hermeneutical approach. The borders of the this study has focused on the studying of transform of the concept in the contemporary world formation, for the period from 1949 - 2013 In America and Europe. The second chapter, represented the theoretical framework, it contained four sections, The first section is dealing with : The concept and the multiplicity of meaning / The philosophical root, and the theory of the concept and meaning in the cognitive field, and the conceptual root of the concept and the meaning in the critical field. The second section is dealing with : Introduction to the modernity concept, and establishing of reference to the modernity concept, and the modernity concept in the modern philosophical trends. While the third : (Introduction to the hermeneutical approach) consisted of : philosophical approaches to interpretive. The hermeneutical approach : controlling formats. Hermeneutical approach : The mechanism and engaging or (production of meaning). And the interpretive art : (Heidegger) and (Gadamer) as a model. First : Phenomenology of being Aesthetics. Secondly : From Aesthetics to Alhermenaoutiqa : 1. Antlogia picture.2. Antlogia play. While the fourth section : is dealing with (problematic concept in post - modern art) in : The concept of communication, The shift of concepts (experiences and insights). And the historical movement to the contrary concepts for understanding of contemporary art, or (from fixed to changeable), and the conceptual communication in the Pop Art. And the reading in producing and controlling systems in formulation of contrary concepts in contemporary world formatiom : 1. Alsimeologia visual.2. The happening art3. The minimal art4. The image through the media culture The third chapter was devoted to reveal the problematic transformation of concept in the contemporary world formation by research procedures represented by the research population and analysis of their sample which was (18) models. While the fourth chapter contains the findings and the results of the study , conclusions , recommendations and proposals. Based on the results of the study, the researcher reached to the basic results, including : 1. The problematic of concept intuitively is achieved when no longer objective time and place, which did mysticism approaches, narrativism and symbolism, which in turn, intersect with the political , cultural, and ideology contexts.2. The problematic of concept is manifested through light and movement in space is being translated means cases of psychology and phenomenology (phenomenology) and emotional forces, which as a whole represent a visual language intangible, qualify through winning performance from the interaction of the receiver with the offer. The researcher found a set of conclusions and recommendations and proposals and then the list of sources and references, appendices and the abstract of search in English.

اشتغالات المنظومة اللونية في تصميم الزي المسرحي

اسم المؤلف: اشواق كاظم ابراهيم الجنديل
اسم المشرف: روعة بهنام الشعاوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - ازياء
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التمثل الشكلي في رسوم فخاريات عصر ما قبل الكتابة بالعراق القديم == Formal Assimilation In Pottery Paintings of Pre - Writing Age In Iraq

اسم المؤلف: اسعد مطر خليل العزاوي
اسم المشرف: انغام سعدون طه العذاري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ساهم الفكر الرافديني في البناء الحضاري للانسان والذي تجلى بانجازات مهمة على صعيد الفن والادب والعلوم، فقد ابتكر الفخار والاختام ثم ابتكر الكتابة وطورها، وابتكر الدولاب اليدوي والعجلة وعرف الرياضيات والكيمياء والتنجيم وبرع في هندسة المدن والابنية والمعاب

انظمة التكوين الشكلي وتقنياتها الاظهارية في تصاميم الاقمشة الرجالية == Systems of Formal Training And Techniques Alazaaria In Menswear Fabrics Designs

اسم المؤلف: اسعد عاتي هليل سعد الموسوي
اسم المشرف: فاتن علي حسين العامري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم التصميم
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد انظمة التكوين الشكلي بمثابه اسس يقوم المصمم بابتكارها وصولا الى اختيارات تنظيمية بفعل تقنيات الاظهار التي تعطي للنظام التصميمي جاذبية اظهارية تحقق غايات الفكره التصميمية, فانظمة التكوين الشكلي تهدف الى تحقيق غاية التصميم من خلال تقنياتها الاظهارية الن | The formalistic composing orders are considered a basement. This basement which is the designer made to reach forming choices depending on displaying technics that give attractiveness to formalistic composing which leads to applying the aim of the design itself. They work to apply the aim of the design through the finished displaying technics and this is the essence of the research. This research which depended on this question : what are the formalistic composing orders of the designs of men fabrics ? Do displaying technics make changes in formalistic composing order of men fabrics? The importance of this research has these roles : 1. It helps in the opportunity of managing the scientific and artistic benefit for those who are studying and interested in the field of designing and technical in the colleges of technics and institutes as well.2. It may participate in increasing the knowledge of the researcher and technicians in ways and technics. It also stabilizes the artistic designing principles, and put them in front of the designers to inspire them consequently bring new ideas of designs. These inspirations raise the designs of Iraqi cloth in quantity and quality. The research also wants to applying these goals : 1. To know the formalistic composing order of the designs of men fabrics. 2. Showing the relationship between the formalistic composing order and displaying technics in the designs of men fabrics.Th research of formalistic composing orders and the applying displaying technics, and the designs of men fabrics consisted shirt , (Indian or Chinese ) made , which are available in the public shops of Baghdad ( Al Shorja trading shops) from 2010 - 2012.The seconds chapter contained the theoretical work which consisted of three ideas. The first one was about the formalistic composing in designing men fabrics. The second chapter was about the designing composing in the design of men fabrics. The third was the effect of technics in the formalistic composing order. After that it is concluded the most important signs that comes from the research. Then come the preceding studies and their discussing.The procedures in the third chapter represented by depending on descriptions of the analysis of samples. These samples were (240) designed samples. About (160) of them are excluded. The reason was that they are similar in showing the essence of the design and repeated in one hand and repeating it on the other hand. Add to that it repeat the same defect on variation of colour to this design, which is not in harmony with the needs of Iraqi shops and styles. So what was rest (80) which represented the base samples. According to that samples were chosen intentionally in (30%) , which was about (24) samples. These samples are varied according to displaying technics.The analysis tools are listed in points of analysis. This analysis tools depended on some theoretical signs, which the researcher presented with the help of the supervisor, and certificated by number of experts. These tools were depended on in analyzing samples. In the same course, the samples of research were also analyzed depending on the points of the list.The fourth chapter contained the result that is found by the researches and the conclusions. The notable of them were the dependence of men clothes designs firstly on the mixed fabric. they did that since it is durable, comfortable and cheap. This led to reduction of using the natural fabric due to their high prices. In addition, the artificial fabrics also reduced in usage because it is not suitable for the weather of Iraq.The formalistic composing orders are actively represented that within them, the designer used the reticular fabric and liner fabric which is prevalent which suggested a limited space for similarity and repetition in the parts of the main unit. This unit has connected totally with the capability of the designing to weave fabrics through the crossing of the vertical lines with the horizontal lines to show the essence of the fabric on its surface, as the central organization appeared in least percentage. The distribution of the random consistence which gives variety in directions and the design unit via the connection of the relations of its factors could appear in less percentage. This is because it a reflection of a real technic of fabric printing which is usage has reduced in making men fabric designs. The chapter is consisted the recommendations and suggestions and the Arabic and Foreign. In addition to that, it is consisted the summary in a foreign language.

الغرائبية في نصوص مسرح الطفل == Exoticism In The Texts of Children'S Theatre

اسم المؤلف: اسراء علي سلمان القيسي
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان قلة نادرة من البنى المسرحية وجدت طريقها في الذيوع والانتشار بين العامة مثلما وجدت بنية الغرائبية، لكثرة ما دار حولها من جدل ونقاش بغية تفسير مدلولاتها ومعانيها وحصر مكوناتها التي اختلفت باختلاف الثقافات والبيئات الاجتماعية المختلفة. لقد تعددت الرؤى وال | The lack of a rare theatrical structures and found their way to publicity and spread among the public, as found between exoticism, for the large number around the house of controversy and debate in order to interpret their meanings and their meanings and inventory components that differ in different cultures and different social environments.I have multiplied visions and ideas about the process of using this structure in the theater in general, and particularly in children's theater where they can reflect the themes and drafted meticulously crafted to reach the connotations and meanings with values intellectual bear the stamp of education - education - an education from this perception identified researcher title researched (exoticism in the texts of children's Theatre), the search was organized in four chapters as follows : Chapter I : (methodological framework) : Which includes a research problem and the need for as represented through the problematic question (how it works exoticism in the texts of Children's Theatre), as well as a researcher by highlighting the importance of research and its objectives and seal its borders and separation required number of terms.The second chapter (the theoretical framework and previous studies), has been divided into three sections came as follows : • The first topic : exoticism concept.• The second topic : exoticism in children's literature.• The third topic : the ages of the child.The chapter concluded with the theoretical framework indicators, and previous studies.The third chapter, a chapter on action research by taking indicators theoretical framework analysis tool after it was presented to a group of experts, and research methodology adopted a descriptive approach - analytical and research sample for the period (2001 - 2010) has been selected three texts play, then the unit of analysis, where the researcher adopted as a scene analysis unit, as well as the sincerity of the tool where the researcher relied on virtual honesty to ascertain the veracity of the analysis tool.The fourth chapter included the most important findings and conclusions reached by the researcher, including : The results are : 1. The exoticism is given the role of beauty for the emergence of the Transfiguration through events and actions more attractive and realistic and expressive.2. The exoticism is an effective impact on the feelings of the child, and the content of the passionate and emotional content comes according aware of aesthetic and scientific drama.The conclusions reached by the researcher were : 1. The theme most Exoticism texts, based on educational issues - educational, and were formulated in a way Western and unfamiliar, but she eventually refer to the nature of the subject formulated it.2. Personal Exoticism has the same qualities of the ordinary in terms of personal feelings and emotions, but it is characterized with its extraordinary capabilities and boundless acts, and it appears that through its actions.And finally been presented recommendations and proposals, and then concluded Find a list of sources and references, appendices and abstract in Englis

اليات بناء الصورة المسرحية في عروض مهرجان منتدى المسرح التجريبي السادس عشر (لسنة 2011) == The Mechanisms of Forming The Image Dramatic In The Shows of The 16Th Festival of Experimental Theater Forum For (2011)

اسم المؤلف: احلام علي عيدان الغزاوي
اسم المشرف: عادل كريم سالم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان المسرح من اهم الفنون الذي يعتمد على عدد من العناصر ليكتمل خطابة من نص واداء واخراج وصورة وهي التي تحاول الباحثة ان تعرف بها فهي تحمل معنى المسرحية ومكملة لفكرتها ومعبرة عن احداثها ورؤيتها فالصورة المسرحية تحتل دور متميز في العمق التفسيري للافعال, اذ ان | In order submit presentation on stage has to be the availability of a set of basic elements, including text and actor, location, etc, which integrates supply fimnha many pictures innovative bearing the meaning of the play and expressive about events Moreover, they reveal perceptions director has within its vision directorial. The theater does not integrates her address the language only, but there must be interation with the elements of image formation and play between the receiver which reacts with the show visually and acoustically.That`s the play is not the only visual shape, but the relationships are visual, auditory, visual relatiions that are among tha elements of theater itself. Since it does not form a picture of the real substance of which its constituent elements and these elements interfere with each other to be the aesthetic image with signs and symbols of working to attract the attention of the recipient and stimulate his imagination dislodged This study included four chapters : First chapter : contained the theoretical frame which included the problem of the research, the need behind it, the importance of it, the aims of it, its limitation and specified the terms. The problem of the research raised in presenting a question that researcher tries to answer it (what are the mechanism of building the image and its transitions to establish the show, and whether it is stable or changeable). The importance of the research lies in discovering the mechanism of building the image and working on it to form a show. While the aim of the research include discovering the mechanism of building the image and seeing the aesthetic and philosophy of the image that had been formed in the show. Second chapter : titled (theoretical frame and previous studies), which included three sections.First sections : the concept of image which deals with the way of the image's emergence, its nature, its effect on the recipient since the primitive man till this day the way of entering the artistic field.Second section : mechanisms of building the image, this section deals with the elements which produce the theatrical image and fortify the show, including ( actor, theatrical view, lighting, costumes, make up, music and sound effects) which works together to create a special atmosphere to the show and dazzle the audience in addition to conveying them the theme.Third section : changes of image in the directing trends, this section includes : First : the realistic trend in theatrical direction : it presents a realistic trend which the recipient ignores the matter that would amaze him/her. In this trend, the reliance was on the actor in conveying the feelings and emotions to the recipient to be affected and interested in the show.Second : the natural trend in theatrical direction, this trend is considered as a radical extension for the realistic trend that it conveys reality as it is to the recipient without deletion or ornamentation as the show's aim was meant to be presented in a complete honesty.Third : the trend of anti realistic trend in theatrical direction : it aims to strengthen the form and aesthetic values over the content of the work.Forth : the trend of expressionism in theatrical direction this trend deals with presenting an image personifies the essence of things without paying attention to the external form that it is interested in imaging one's mind more than life facts since the fact of man lies beneath him not in its sensual appearances.Fifth : the,trend of symbolis, director Gordon Craig urged to this trend which depends on two elements : The actor's bodyForming the theatrical voidSixth : The epic trend in the theatrical directing : This trend sought to transfer the emotions from the stage to the recipient as the introduced image in this trend transfer events that have direct connection with people's problems, urging them to coup, rebel on the reality and change it.Then the researcher referred to the previous studies that dealt with the subject of the image and then obtain the result of the visual frame of the research to analyze the samples and testing them.While the third chapter (the measures of the research) came with two axes : First : research methodology, as the descriptive analytical method has been adopted.Second : discussing the samples that that have been selected deliberately and analyzing them in accordance with the indicators resulted from the visual frame as the sample consisted of three shows for number of directors.• jaleed play( ice)• ranet hawen play (the sound of pestle)• jalsah sreah play( secret session)he fourth chapter includes the results of the research : After the researcher reached to the conclusion and the suggestions, she submitted her recommendations which confirmed the importance of the theatrical image and the mechanisms that it works on forming them within the directional guidance and the necessity to expand the research and applying them, attaching in a list the sources of the research and an English summary.The mechanisms of forming the image in the shows of the 16th festival of theater forum for 2011Then came the conclusions of the researcher and then came the recommendations of the researcher stressed the importance of play and mechanisms that operate on its composition within the directorial trends and the need for the expansion of research and work out accompanied by a list of sources of research and a English summary.

الاشتغال الدرامي والجمالي للاكسسوار في سردية المسلسل التلفزيوني == The Dramatic And Aesthetic Occupancy For Accessories In Narration of TV Series

اسم المؤلف: احسان دعدوش حسن
اسم المشرف: علي صباح سلمان
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينطلق البحث في محاولة لتاشير الاشتغال الدرامي والجمالي للاكسسوارات في الاعمال الدرامية، اذ ان كثيرا من المصادر السينمائية والتلفزيونية قد اغفلت ذلك الاشتغال - بشكل تفصيلي - واكتفت باشارات هنا وهناك لا تكفي الباحثين والمتخصصين في الدراما التلفزيونية، اذ | Kicks off search in an attempt to mark engage in dramatic and aesthetic accessories in dramas , and where many of the sources of film and television have overlooked that engage in - in detail - and merely signals here and there are not enough researchers and professionals in the television drama , it came this search to separates much in use conscious accessory in a dramatic scene. It was a most sources of books and letters Master 's theses Ph.D. inflict Art Accessory art of decoration , and the uniqueness of the accessory chapters separately , which is the same outlook among directors and makers of dramas television , which relied on the dialogue in the narrative stories , and did not activate an Accessory to the is the task of the narrative , but in little business, but after that gained a TV drama tools and potential mediator Film Festival in imaging equipment , lighting, editing and visual tricks , and that gave the image of television and greater clarity in the quality and quality in the area of the screen , and no longer naming the small screen apply to the system of the TV show because of the big change in regulations Display( AJ Dee, and wealthy de ) , as well as the change in screen sizes TV show , which begins a smaller size in the plasma screens of 32 inches , while the screens ( LCD ) is up to 13 inches and less, while the larger size is not an end, and every year show larger sizes for both types. Have contributed to these changes in the evolution of the use of all parts Accessory shots variety of sizes and angles , becoming an active part in the accessory operations to engage in dramatic and aesthetic narrative television series. The research includes four chapters were as follows : Chapter I ( methodological framework ) , researcher in which the research problem , which revealed that the accessories and collectibles lead duty Tagged In addition to its duty aesthetic inside view television , and boils down to that duty Semantic fact that those tools mode to distinguish between places , people and times and cultures , and without them it becomes theorist poor and non - D thing , and therefore there modes operate accessories such as elements of dramatic and aesthetic. The importance of research in the reading of the recruitment events aesthetic and dramatic narrative of the accessory in the television series across clarify the implications.And ensure that the second chapter ( theoretical framework three sections , came the first of the title ( Accessory in the arts , film and television ) Turning to the forms and nature of the accessories employed in works of art and how to employ these accessories to represent part of the narrative or Mudallolah scene , Valxssuarat lead functional aesthetic expressive help build dramatic events , and has become an engine for those events , in addition to the function expressive and functional aspect of the operation of accessories in the structure of the drama. After fighting a Search ( Dimensions drama and aesthetic accessories in the TV series ), which is the title of the second section to confirm that the aesthetic is not a goal itself, and not to be accessory impressive without cause becomes a presence innovative and delightfully and isolation from the work of art , offering cutting accessory whole signs readable and communicate ideas and feelings , can generate meanings and disclose the contents hidden inside the structure moot.The study provides in Section III ( the relationship between the accessories and narrative TV series ) my way narrative central ( subjective and objective ) to know the events occurred in the past ( outside time events ) , as well as the disclosure of what will be located in the future , and the fact that an Accessory able to combo both ways both , whether the purpose of the narrative to know what happened in the past or present alternately (past figures or future ) , and because the TV drama of Arts synthetics can not be any element that serves as the narrator unless there are other elements that are working with accessory to formulate sentence moot , including personal and dialogue The time, place and the lighting and color photography and editing.After discussing the researcher 's previous studies came out after six indicators seized the rhythm of the study and after the presentation to a committee of experts and specialists have modified to suit the requirements of the search.The third chapter with double two : research methodology , and discuss the sample that has been subjected to analysis on according to indicators that came out of the theoretical framework , and formed the sample selected from the second part of the Turkish series ( Harem Sultan ) , which was chosen because of the outstanding works which have earned a great deal of viewing, and being contains the greatest possible use of the aesthetic and dramatic accessories in the context of the narrative of the events.And ensure that the fourth quarter results , which was the most important accessories that has as an element of expression in the ability to narrative drama when placed in different contexts , and are relying maker 's ability to work in different ways to find a narrative beyond the traditional methods that rely dialogue.The researcher went out the conclusions and proposals and recommendations , including the need for the script writers to highlight the role that could be played by the accessory as a key actor in the television drama , not as objects belonging to the decor or complement it , and eventually came Find a list of sources and a summary in English.

الاسس التربوية والفنية في تصاميم سينوغرافيا عروض المسرح المدرسي == Foundations of Educational And Artistic Designs In School Theater Stenography Offers

اسم المؤلف: طيف جبار رؤوف السامرائي
اسم المشرف: شذى طه سالم العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد المسرح المدرسي من اهم وسائل الاتصال الحديثة التي احدثت نقلة نوعية في مسرح الطفل، اذ اسهمت في دعم العملية التعليمية داخل المؤسسات التربوية وذلك من خلال عروضها التي اتسمت بامكانيات كبيرة وشخصيات عديدة التنوع والتباين ساعدت جميعها في نمو شخصيته فكريا وب

الابعاد الجمالية للموروث الشعبي في الفن التشكيلي العراقي وتوظيفها في مشاريع طلبة قسم التربية الفنية == The Aesthetic Dimensions of The Folklore In The Iraqi Plastic Arts Ad Their Employment In The Projects of Students of Art Education

اسم المؤلف: غازي لعيبي مجيد الصفار
اسم المشرف: هاني محي الدين محمد النعيمي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Folklore might be a burden that exhaust the living ad not only loyalty to the past. Artists must be effective concerning the meaning of folklore, whether these are inherited values or giving new forms to the windows expressing their horizon. Extracting the information. To stimulate these and their ideological and their formative value has a positive significance, and acquired modern arts new conception as a deposit for the Iraqi artist in his creative experience.The present study aims at the following : 1 - Revealing the aesthetic dimensions of the folklore in the Iraqi plaiting.2 - Designing an educational program of the project subject according to aesthetic dimensions of the folklore in the Iraqi painting.3 - Measuring the effectiveness of the designed program through application on students of Fine Arts Dept. in the subject of the Project.In order to achieve the objectives of the study, the research put the (4) zero hypotheses : The community of study is made up of students of the Furth Grade in Art Education - College of Fine Arts, for the academic year 2013/2014, the sample is (88) maleand female students; (67) male and (21) female distributed in (5) classes.The educational skill program was distributed according the principles of educational design within the one education unit including the art works of (16) contemporary Iraqi artists. This design includes two types of tests; one is cognitive acquisitive in the subject of Project and the other is skill test. Also, two types of forms for the sample were designed. The instruments were shown to the sample.In order to reveal the finings the researcher used Mann - Whitney coefficient, difficulty and distinguishing coefficient, Kudor - Richardson /20 Equation and Holesty Equation.The most important findings of the research are the following : 1 - The artist maturity achieved for the students of the experimental students as a result of passing through the various educational expertise which included in the educational units and the method of displaying them and the educational means used. This created a desire and motivation for them in carrying out their artistic projects through the employment of the symbols and concepts marked out by this program more than the normal methods for the control group.2 - The process of using the educational means represented in the paining achieved by contemporary Iraqi artists which include symbols derived from folklore like gods, domes,shanashil, tattoos, carpets … etc. this has contributed to a great degree in acquiring the students of experimental group the skills they needed to implement the material of the art project. This has generated a strong motivation to learn the component and interact with the requirements of the educational units which were required within the educational program. Then, the information required by this material is required.Upon these results the research comes up with the most important conclusions which are : 3 - The success of the educational program as a method of teaching in the subject of art project arises from the effect on the students’ concept and their change to the best that it allowed to the students to put his\her hands of a scientific list of the concepts and symbols produced by the folklore to be employed his\her artistic works as part of the requirements of this item, which led to the improvement of their artistic skills.4 - One of the most important necessities of the educational is to take into consideration the process of cognitive ad skill learning, which depended on the students and their requirements in order to arrive at the best outcome. This what this study endeavors through presenting the sequential educational expertise supported by the art works in contemporary Iraqi painting on which students can base their art works.

المقاربات الشكلية بين الخزف المعاصر والعمارة : دراسة تحليلية مقارنة == Formal Approaches Between Contemporary Ceramics And Architecture (Comparative Analytical Study)

اسم المؤلف: زينب صالح عباس البيرماني
اسم المشرف: صباح فخر الدين عبد القادر | زينب كاظم صالح البياتي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: To understand what the role of the arts in general, and particularly Fine Arts of purposes, one must know the methods of implementation of social relations, historical and cultural of this era, And that they are different from each other, but they remain interconnected we see through the mutual influences between ceramics and architecture, Thus, we find that certain artistic traditions new. In art, including give the value of knowledge and formality with human consciousness, But was a reflection of the cultures of the peoples through secreted Through its productions pillar and porcelain which clearly through its productions pillar, which clearly indicates porcelain asymptote of architecture in terms of its external form which requires research and follow - up to identify the nature of the public to what is in the achievement of this study. Indicating what it takes research to find out the nature of America's cultural. He explained that through the extrapolation of its artistic product as a put forward image prevailing business now.Deals with research in this area of formal approaches to ceramics and architecture, the study determined works ceramic artist who lives in America since the seventies of the twentieth century. Necessary research to know the historical roots of both the statement of one to the other affiliation.The study included in this four chapters, are meant to cover specific objectives of this study. Which included the first chapter, which contained a research problem in determining the formal approaches to ceramics and architecture to know the effects of styles and the overlap between them, Could help in the development of indicators illustrate the features of American art during that period, and determine the specificity of the ceramic artwork. And this chapter is also included on the importance of research and it's needed, As stated in the problem of the vertebrae directly on the nature of thesubject, was also presented research to identify targets on formal approaches and identify the formal specification implementation approach to the work of ceramic and architectural picked, Which is within the limits of the search, and determine the terms contained in the search task, and also included similar previous studies and our search nearby to study this.Chapter Two included the theoretical framework. Where conceptual framework is divided into three sections : the first intake form. And discuss the general concept of the shape, then known in the art form has been to clarify the specific form content, and translated the language of expression through formal organization, defined the trends and shifts the art form over the ages.The second topic included a brief definition of the architecture through a brief history. Architecture modernity included at the end of the nineteenth century and architecture between the wars, as well as the experiences of some style architecture Globally Harmonized System, and Building late modernity and post - modernity. Has addressed the characteristics and advantages in the form of trends and currents and architectural schools, which is important to us in our research.The third section has dealt with a brief definition of the American Ceramic through a brief History, also addressed a comprehensive study to identify the morphological transformations of the American Ceramics.Included Chapter III action research, which was how to gather the research community and the selection of the sample under study it and methods and tools for gathering information, and the statement of the style of presentation of a study and analysis of samples of the research and a table showing the aspects of convergence and divergence between ceramics and architecture in a clear and explicit. The researcher chose «25» contemporary ceramic sample of American potters from the consideration of the community ceramic model for its approach with «100» Building a global intended choiceIn the fourth Chapter, the researcher concluded several results, including : ? show formal approaches between ceramics and architecture and clearly by the engineering construction output through the employment of straight and curved lines, or dashed lines cross, divide the surface of the internal or external shape determines the overall shape of the unfinished ceramic and architectural.? Almost ceramic forms by architectural configurations employ colorimetric surfaces and touch on the outer surface, between the ceramic body and architecture by employing color.? Converged ceramic formations and architectural style in terms of inspiration and artistic trends including intentional and serves the goal of the search.? Sort samples for analysis approaches in the recruitment of internal space and the ocean in the form.? Selected samples showed precedence on ceramic architectural achievement in terms of the time period.As well as search included conclusions that were built according to the results, including : ? Technical trends in the completed form of reference and ceramic pro forma basis approached them and some of them contemporary architecture configurations.? Ceramic figure appeared aesthetic goals by employing the same technical elements that it contains elements of the body of architectural done. In spite of the different sizes of between Achievers ceramic and are excreted architectural aesthetic self - goal in the formal composition of the three - dimensional models.As the researcher has developed some of the recommendations and proposals. And the search ended with a list of sources and references, and appendices and summary in English

الفاعلية التداولية في التصميم الاعلاني المطبوع == Effectiveness Pragmatics In Advertisement Printed Design

اسم المؤلف: بشرى محسن ياسر
اسم المشرف: نعيم عباس حسن
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم التصميم
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This research is considered as an important step in dealing with the pragmatic for its interruption in all the scientific, humanity and social fields. This subject has an importance in the foundations? works and the directorates that has a direct connection with the society individuals especially the advertisement foundations because of the need to get the specific and sufficient information about the expression of pragmatic through its properties , directions and the potential meaning in pragmatic the advertisements and their symbolic components between the receiver of the advertisement message in a specific communication sequence. This is what we show in the problem of this research through asking two questions which represents the research problems, they are : - 1 - what are the pragmatic characteristics in printed advertisement design. How they are connected in conveyance the advertisement idea to the audience?2 - How to diagnosis the symbolic pragmatic comprehension of the signs from different audience identifications and different thinking levels , the time and place dimensions and the circumstances of its spreading through the used communications ways to show the printed advertisement design ?This research aims to identify the pragmatic and how its effectiveness and impact on the printed advertisement design. The research deals with the study of the printed design in three pragmatic famous magazines in the world for the period from August 2012 to July 2013. The study consists of four chapters. The first chapter deals with the problem of the research , its importance, its targets, its limitations and specify its expressions. The second chapter which consists of the theoretical frame is divided into three fields. The first field is about the effectiveness and the design theme , the effectiveness and the design theme, the effectiveness and the factors of its achieving and theeffectiveness of using the individuals in design. The second field is about the pragmatic effectiveness systems , the rhetorical meaning in the individuals of characteristics of pragmatic in design. Where as the third field deals with the effective power in the visual impact and gravity and receiving operation, the elements of free and non free - will of attention, the visual impacts and the resulted connections in the advertisement components and the design building ,the basis of advertisement design and its role, the elements of the advertisement design building, the basis of advertisement design and its role and influence on the specter and then showing the signs which resulted from the theoretical frame , that the researcher depended on in making the analysis application form. In the third chapter, the researcher deals with the research procedures of the methodology research, the research society which consists of printed advertisement designs in three world pragmatic magazines.The sample of the research is chosen on purpose which is suitable to the nature of the research. The tool of the research is represented by the analysis application form which consists of many axis. These axis are authorized by the experimentals. They are considered the basis of analyzing the sample and then getting its fixing. The fourth chapter deals with the most important results that this study has reached. This chapter deals also with the conclusions , the recommendations and many suggestions and finally the abstract in English language.The most important results of the research are : - 1 - The advertisement design has many meanings that are identical with the idea of the design. This idea is reached to , by explanation the individuals symbols of the advertisement correctly through transforming into the specific cultural knowledge of the audience , the sequence of the advertisement idea and the way of directing the symbols figures in the advertisement for the audience into the place that understands theadvertisement for the audience into the place that understands the advertisement?s parts sequencely and correctly to understand the advertisement message and achieving its pragmatic effectiveness.2 - The picture symbol in the advertisement design to the sample represents an importance in the way that makes the audience of the advertisement a kind of attention to the meaning it shows and in a way that makes them activate with the meaning and be influenced by it.3 - Making the symbolic work in the advertisement design to inspire what they carry of symbols and their connections to available things in the outside world of the audience and to the mutual thoughts and passions of the audience.The most important conclusions in the light of the research results are : 1 - The pragmatic meaning is in the center of the design operation. The advertisement design operation has an axis represents the reality and expressing it. The effectiveness works by it side to transform this reality into space organization that pay attention to the harmony and perfectness among the different symbols figures.2 - The pragmatic advertisement design has the characteristic of communicates and being effective to achieve the effectiveness which makes and keeps social relations among the society individuals.The researcher recommends the following : - - Emphasis on the visual symbolic that carry the inspiration and meanings that help achieving the effective visual communication and expanding the realization and multi explanations of the audience. Increasing the communication to transform the expressions and information which is about the subject of the pragmatic advertisement.At the end, of the researcher suggests the color employing in the commercial advertisement design and its influence in achieving it pragmatic.
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