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تعددية المعنى في بنية التصميم الطباعي المعاصر == Multiplicity of meaning in contemporary graphic design structure

اسم المؤلف: منى اسعد عبد الرزاق السعيدي
اسم المشرف: مها اسماعيل الشيخلي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الابعاد الاتصالية في بنية تصاميم المواقع الالكترونية == Dimensional Communicative In Structure Designs Websites

اسم المؤلف: احمد ناجي علي سالم
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد المواقع الالكترونية من ابرز معالم التطور الذي شهدته صناعة الرسائل المرئية خلال السنوات الماضية والتي استثمرت جميع امكانيات وقدرات تكنولوجيا الحاسوب الالي وشبكات الاتصالات ومختلف التقنيات الرقمية المستخدمة في صناعة النشر الالكتروني, مما احدثة الكثير من | Is the websites of the most prominent features of the evolution of the industry messages visual and digital over the past years and which has invested all the possibilities and capabilities of computer technology, automation and communications networks and various digital technologies and electronic used in the manufacture of electronic publishing, which evolved in their design and structure of formal and functional for what it was in the past and have become owns many interactive technologies and a lot of media communication multi Loyalty to excellence in the provision of all services communicative diverse as an exchange e - mail and presentation of audio and video files, animations, text, images, and many of the capabilities and capacities of communication and other functional, and took advantage of these sites features the publishing industry - mail to the user is provided video messages and digital to compete with the means of communication and media other traditional such as newspapers and television stations and space, as characterized by methods designed processors modern technology to combine many of the stimuli and the ingredients visual and auditory in its Design and digital displays on the screen and find where all classes of informatics, to form the world of cultural, intellectual and media integrated and unlimited, and here researcher sees the need to address to study its design and communication and see how The role of the elements formative in achieving dimensional communicative different way communication comprehensive and integrated, so addressed researcher in this research, which included four chapters devoted the first chapter of which to view the research problem and its significance, which came Baltsaullac the following : (what - dimensional communication infrastructure in the design of websites and what the extent to which the design of the structure of these sites for the functional and aesthetic aspects in terms of graphic design and technical performance, and what is the relationship Elements of in the formation of structure and the nature of its design performance and speed browsed) Hence the importance of research, which came as follows : such benefit workers in the field of design and digital output of an optical means of modern technology that opens new horizons for design Graphic future and its contribution to the development of the work of these sites and the realities of technical and communication by providing scientific article based on scientific research studied to handle errors and develop a design and functionally, and also in a supplement branches of scientific knowledge - oriented interactive means of visual communication by digital technology. The aim of the research in (the detection and diagnosis of dimensional connectivity and functional in structure design for websites), either its borders has been identified objectively : the study of dimensions of communicative and functional structure (designs websites) The spatial boundaries he was in (page's main websites Iraqi Network international information (the Internet) and published in 2014 for being the period of time to conduct the study. It then came to identify the most important scientific terms, which came in the title search.The second chapter includes a theoretical framework and most previous studies of the relationship and the researcher who divided into three sections were as follows : First research 1 - (contact and electronic publishing in the websites). 2 (websites on the Internet (concept, origination, evolution). 3 (infrastructure design for websites (foundations, elements, components).Loyalty to the most important indicators that came out of the researcher and was a summary of the literature of spec ialization to contribute to the completion of the research and Sobriety scientific and methodological, and then came the third quarter, which was devoted to the Procedures search, which follow the researcher descriptive analytical approach to suit the objective with the goal of the study is through the selection of (8) Samples research and, deliberately, representing all Iraqi sites electronic on the Internet, either fourth chapter devoted to the display and discussion of results, conclusions and recommendations and proposals of theoretical and applied the researcher reached for a variety of scientific results based on the analysis of the samples, which serve the purpose of research and placed the most important of which include : 1 - Varying interest employing Activations communication in all its forms and types of external and internal in the design of the page header and try to distinguish them through the Post an some of the effects of technical and Manifesting explanatory upon which contributes to strengthening the role of communication in the process of interaction with the receiver and easily governed by the information inside and outside the site.2 - concern employing Activations communication in all its forms diverse body of the page and try the most prominent importance and functional connectivity in the design of the site and in terms of importance and functional connectivity within the page and their contribution effectively to enrich the process of interaction and communication between the page and its contents and components of the site and between the user and the process of sailing - mail it. 3 - Distinguish sites e - recruiting technology links and links activated Communicative all kinds of different as one of the structural elements and the core used in the design and work to be invested in the various parts of the pages of the site, particularly on the home page of them and take advantage of the effectiveness of technology in the service of the browser and liberal of the linear modes in the process of receiving and neglect employ other types of techniques such as active links and buttons still and moving images and video clips and flash in the design of the page header and body and characterized by a high capacity to attract attention and the visual excitement of the browser. 4 - lack of interest in investing techniques multimedia elements well in the design of all websites surveyed and the absence of an effective role in the process of communication and navigation and access to information published and which have an influential role in the increasing polarization of the optical and increase factors tensile strength and gravity of some of the elements on the page and Giving some fun and personality aesthetic therein. 5 - was hired material and textual information in all the pages of the websites researched and differing employed in terms of the types of fonts used, size and colors, Loyalty to the multiplicity of places to invest within the Home and distributed according to the function and performance of communication required With the addition of the diversity of the use of images and colors on the home page and employ mostly as links Soah activated commensurate with their function communicative and aesthetic within the page and display pages on the browser using the system (RGB) chromatography, which depends on the width of all colors that contain page through the rush of three electronics optical color red, green and blue towards the screen and complete the process of vision with the browser.6 - lack of interest in employing all the tools of interaction communication in Home Design for all websites surveyed, and was confined to utilize them on the investment tool e - mail communication and the neglect of the possibilities and techniques and other interactive tools provided by the environment connectivity and diverse Web sites, such as methods of participation and direct vote and arenas of dialogue and debate and mechanisms of the questionnaire the opinion polls, including a negative impact on the process of interaction for the browser. 7 - able researched some websites that check some dimensional connectivity required functionally and Contact means comprehensive communication has contributed to the nature of the communication techniques and tools used in the design of interactive Web sites effectively and significantly enhance the functional roles and communicative and interactive with the browser .The most important conclusions which they came researcher : 1 - contributes to the recruitment technique links active internal and external ones, and all the diverse forms of (icons and still images and animated texts and other communication mechanisms) in the structure of the site to promote and enrich the role of communication to the main page of the site and increase their interaction with the browser. 2 - link the success of Home Design and functionally Communicative interest designer employing Activations communicative diverse in the body of the page and try to highlight their importance communicative and interactive on - site and distributed according to the function and importance of communication with and work on distinguishable from surrounding elements by using one influences electronic and design available. 3 - that the increased interest in employing multimedia such as audio and video clips, animations and other effects flash the other has positive effects on all the functions of the communicative and aesthetic of the website and increase the effectiveness of the performing and design for the process of receiving and fun browsing and contribute to enrich the role of communication and information for the page and to facilitate the process of the transfer of information and integration of the recipient. 4 - contributes to the use of images in all its forms and types, different as one of the elements Graphic key in the design of the structure of the site to promote and strengthen the features of the communicative and interactive and expressive of the page for having some of the functions of expression and reference to topics posted and increase the interest of the browser out and stir up attention and interaction psychological with it. 5 - contribution textual information and Calligraphy to do many of the functions of communication and design and symbolism within the site by employing objective and in terms of information and its impact morphologically and aesthetically pleasing in its design and by way of distribution and employ communication and technical inside it, according to its effectiveness performing and character of the visual for the browser. 6 - provides the use of the system (RGB) color - many of the possibilities of color and visual multi - which may reach to show hundreds of hues and more for each color user Loyalty to his contribution to the effective and influential role in the completion of all events of design and functional in the space of the page and performance design for its formal and technical. 7 - to employ tools to interact communication different, such as the use of e - mail and opinion polls and lines of chat and voting mechanisms within the structure of the design of the web site, particularly on the home page it is one of the reasons the task of enriching and integrating function connectivity of the site and increase its ability to do many of the events and activities communicative multiple which contribute to strengthening ties with communicative browser. 8 - is linked to the achievement of dimensional connectivity of different websites successfully its design and functionally and aesthetically and exploit the advantages of its environment and digital electronic and informatics technically and employ all of its elements and components design of various forms, text, images, multimedia and assorted colors for the benefit of her job design and tools of communication and interactive multi - and highlighting its vital role in The browser needs to achieve his ambitions to meet the different communicative.The researcher also recommended the following : 1 - need to pay attention employing all kinds of links and links activated Communicative and two types of external and internal in all parts of the home page and intensify their use in areas of vital and relevant visual interest, such as the head, neck, and upper parts and the side of the page. 2 - need to pay attention employ multimedia technologies of various kinds within the site's home page and in parts of the mission and the vital and design of them and especially to work on the maximum benefit from the advantages of communication and design to strengthen the multi - functionality and interactive and aesthetic of the site. 3 - interest in employing elements Calligraphy and Graphic inside page and the need to use a design and formally and technically consistent with the nature of the performing and communicative and interactive. 4 - adaptation of all technical possibilities and connectivity offered by the digital environment and technological websites in order to invest and employ various kinds of interactive tools, service and communication with the browser and the increased attention Development work inside Home in particular, and the rest of the parts of the site generally and attention to the nature of the trends connectivity of the web site and work to employ all the possibilities The features and capabilities possessed by the structure design and communication sites in order to achieve the goals and dimensional connectivity and functionality required to do so.As suggested by some studies, the researcher conducting complementary research and Modouh including : 1 - purine body structure designs websites and their role in achieving dimensional connectivity. 2 - recruit in the development of multimedia performance communication infrastructure in the design of websites 3 - Use the abilities of the visual effects in enhancing the communicative functions of the structure to design Web sites. Loyalty to the researcher to provide some suggestions and Applied Post an deems scientific and complementary to the research topic.

تنوع اساليب عرض المنتجات في تصاميم الاعلانات التجارية المطبوعة == Diversity of The Methods of Presenting Products At Printed Commercials Designs

اسم المؤلف: بشرى محمود مصطفى
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد التنوع في الفن عامة، والتصميم على الاخص وجها من اوجه التطور والنماء والاستمرار، فضلا عن وجهه الابداعي، ولولا التنوع لما وصل التصميم الى ما وصل اليه من رقي قل نظيره، واخذ تنوع الاساليب منحى مهما في التعزيز الوظيفي والجمالي في مجالات ع | The diversity in the art is general ,but particularly the design is considered as a one aspect of development, growth and continuation, without diversity the design would not reach the prosperity and development. The diversity took an important role in the aesthetic and functional reinforcement at different scopes of design process. In the field of ad design, the diversity is considered as a condition to activate the environmental marketing, to stimulate the consumer to purchase, and to be in touch with products, therefore the corporations and production companies sought searching for new methods to present products and fulfill the demands of the consumers which are increasing day by day according to the human needs, these companies and corporations found a good way to achieve marketing aims through the experience that designers have in representation of clear ad discourse, the current research is shedding light on these issues, after it shows its demands in the first Chapter which includes the problem statement which comes with the following question : • What advertising methods that designers can approach to present printed commercial products?The significance of this research is : 1. To develop artistic skills of ad designers. 2. Supporting the corporations and public companies in the field of commercial ad, newspapers, magazines, and market advertisements.The aims of the research are : 1. To explore the diversity of the methods adopted by advertisement designers to present printed commercial products.2. presenting practical suggestions according to the results that show the diversity in the ways of presenting the products in the designs of the commercial ads To suggest practical methods according to the results of current research.The scope of this research is divided into three types : 1. Objectivism scope : studying (diversity of methods of presenting the products at commercial ads). 2. Spatiality scope : the commercial ads at Dar - Alhayat magazine, Lebanon. The scientific justification is that the magazine is considered an important Arabic magazine specialized in the women affairs, and the products of cosmetics, accessories, and the nutrition.3. Period scope : printed ads issued in 2013, for that 2013 is being the year which had many editions of the commercial advertisements which showed the diversity in the methods of presenting the products, moreover its relation (2013) to the year of doing this current research.The technical terms, Diversity, Method, and the product have already been defined. The second Chapter (the literature review and past studies) has included many topics : 1. An introduction to advertisement.2. Design of advertisement and the commercial concept.3. Diversity of methods in presenting products.4. Methods of presenting products. 5. The advertisement and the communication process.Then the research continues with data of the theoretical framework, represents a scientific summary for the literatures of theoretical article, then the third chapter which cares for the procedures of the research, Methodologically, the research community, picking samples for analyzing, research tool, and etc. The forth Chapter which dedicated to the results and its discussion, some of them are : 1. Use the style of product presentation or a part of it, this method included all advertising models, and this pattern stylistic meets the recipient who wants to watch the product or parts of it to be sure of its kind and potential requirements and specifications which is important to always look for buyers.2. Using method of presenting product by making the product appears in multi - colors. This method has many benefits through moving the intentions of the customers towards the product, and also its effects on their economical and psychological purchase desires. The research conclusions are : 1. The diversity in the ways of presenting is based on the affectivities of the enterprises ,and the factories locally and internationally , in addition to the technical development which effects on the ways of presenting ads which has been shown clearly in technical , and directorial.2. The diversity of presenting products comes in response to the consumption needs such as matching human interest related to daily activities; these requirements makes an important channel for transmitting the ads ideas.Then the research appended with the following recommendations : 1. The importance of diversity in using the printing methods which are increasing in the world of journalistic and advertising design, that is an important thing for the designers and marketers who communicate with the society in general, and especially with the consumer.2. Opening developing courses for the employers in the field of ads design in order to identify the some problems like structural , ideal ,or technical which appear through direct contact with the working market ,and the consumers. Then the researcher suggested to do the following study : - Reflecting the style of ads design on the way of presenting the Iraqi products.Afterwards the researcher presented practical suggestions according to the aim of the research these suggestions relate to the topic of the study, then a list of sources, appendices, and the summery of the research in English.

تطور البنى الشكلية في تصميم العلامات التجارية == Evolution Frmslism Structures In Branding Design

اسم المؤلف: زيد حيدر خالد فرمان
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: There is no doubt that the history of art movement in the general framework has produced many of the related art of general design indicators, graphic in particular, including the Contact thought, some of which reach the technology, including the Contact be working design, and without a history of design many of the innovations that serious by designers through their history intellectual and practical, posters history, and the announcement date and covers the history, and the signs of history has spilled since the human deal with the human as an individual or group, marks which promised an important part in The evolution of human life and community and economic and trade activities, and was a commercial activity among the most important thing I've worked upon the human mind to it, any brand represented a tool for defining and communicating, where knighted by their goods and products, and this was the documentary position the first thing that happened in the field of design Alameda Abut structure that has evolved over the years of work and production until we got into the modern era since grown and developed companies and institutions that have their own signs to compete in domestic and global market, current research focuses on the stages of the formal structures of trademarks evolution, in the first chapter identified the following research problem by asking : "What mechanisms that have evolved through the structures in designs formalism brands?"While identified the importance of research in : 1. In his contribution to the benefit of interested scholars and researchers in the field of general design, and design brands in particular.2. contribution in providing the scientific library research and studies in the field of specialization, which will be reflected on providing new insights in the field of design, the study is unique discussing the evolution of morphological structures in designs brands, and through researcher Note that he does not exist specialized study in this area.While the goal of the research was to : "Reveal the evolution of morphological structures in designs Trademarks" It also identifies Find the following limits : 1. substantive limit : includes global brands that achieved by the effectiveness of the evolution of morphological structures in designs brands. t globally.2. Spatial limit : includes designs corporate branding and international institutions active in the market.3. Moreover identified the following terms : (evolution, structure, format, tag)The second chapter of the theoretical framework, which over the following axes : (The evolution of designs brands), (structure formalism of marks), (mark), (Global Dimension), (significance expressive of the mark), (functional dimension of the mark), as well as the last axis, which represents (b Bade communication and economic mark), then interpreted Researcher most important indicators that came out of the theoretical framework. As well as his presentation of the previous studies.The third chapter the researcher the actions carried out by then,, Study of the analysis, as the researcher analyzed (15) model according to the axes created of indicators that spawned the theoretical framework, which consisted of the following axes : 1. stages of the development of label design.2. formal structure in the design of the mark.3. recipe and type of tag.4. Dimension Global in the design of the mark.5. functional and expressive significance of the mark.6. communication dimension of the mark.Then singled out the fourth quarter results and discussion, as came from : 1. teamed stages of the evolution of signs according to functional reason, Economic primarily resulted from new insights for owners of companies, or mergers between two or more companies, or for some reason intended to update and renewal, as in the models (1,2, 3, 4,5,6, 7, 8,9, 10, 11,12, 13, 14,15).2. The development did not come all at once, but came according multi including the stages of multiple intervals, as in models (1, 2, 4.6, 7, 8.9, 10, 11.12, 13, 14.15), and this is normally located in him the gradual evolution of the design being linked to the owners of private companies and aspirations of philosophy, and deliberate, and competition.The researcher concluded a set of conclusions, came from : 1. All structural patterns and stages of development of what was happening to not Refuge circumstances that accompanied the establishment of major industrial companies and institutions that have a direct impact on the global economy.2. harmonic and differences in the evolution of designs built marking identify the limits of correlation between the performance of companies and the formal vocabulary constituents and both like the ultimate embodiment of the structure Alabama and put deliberative communication.The conditions and requirements resulting from the strategic changes to institutions and society alike a big role in the evolution of structures and signs consistent with what is going through companies and institutions concerned.Then the researcher recommended that some of the relevant current study recommendations, including : 1. the need to dismantle and analyze the evolution of the stages of design labels to take advantage of the circumstances that passed by, which is mainly related to the organizational and visual structures This is important for workers in the field of design brands.2. Study the structural conditions of each sign of the unity of intellectual and economic fact their references, which led it to a big stages of economic and commercial competition at all levels, an important episode of communication and continue the design catalog.Then the researcher doing the study suggested the following : • evolution working symbolic designs in employment brands.His current research concludes the list of sources and supplements and a summary in English

التنوع العلامي في بنائية الملصق المعاصر == Diversity of Signs In Constructivism Contemporary Poster

اسم المؤلف: ثامر حميد رزوقي
اسم المشرف: شيماء كامل داخل الوائلي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Sign represented a kind of visual language immemorially , which has been long drawn by the old man to express those Moot memory that he has stockpiled for the assets around him exceeded the net assets of around. So he began painted on the walls of caves and has added and deleted portions of the forms previously that its product mentally to give her a tangible dimension and could be the core that merged emotions and feelings, yet over Ages and keep up with environmental changes need to visual language has become an urgent need to document the humanitarian implications as a way to linguistic transfer and document the concepts of civilized several were the interim necessities which manages the changes of events of the most important reasons for this finding language that participated with one goal which is to express ,With the advent of the Industrial Revolution multiplicity of trade exchanges between the peoples and to understand the nature of the products and discrimination issuers of goods and what to use andunderstand the purpose of the acquisition, the mark grew as a means of tariff, and the passage of time and the widening amid the economic environment, which is the prime mover of all that happened and is happening from social and cultural variables, it was necessary for this language to grow and grow to include other areas of life and wide The means of communication that evolve gradually according to a major role in the spread of this visual language, which included formations in the form of countless natural assets and innovative forms of time And considered the intellectual propositions of different types and orientations that are competing in the shortcut receiving time and install the meanings to be delivered to the public reeducates, fast and effective and productive manner as a kind of language which is based in the mark approach contributes to the detection and patterns of expressive implications. And this language is in an existing design on which the communication act, and in the poster is a diversity in the use of these marks one of the main factors that contribute to the interpretation and the interpretation of the hidden connotations with it by holding a series of intellectual and objective factors, the main supporter of the requirement for ad idea. That diversity in the media contributes to design posters to highlight the good and meaningful ideas, as it is an attempt to overcome the prevailing function poster concepts without dropping the social trends of the individual recipient, as well as, this task can it achieve its goals by relying on technical expertise and awareness and to go beyond the limits of art forms and move it to the substantive terms of innovation, which can grow to the growth of the idea within the artistic process The diversity of the mark in the label would be listed from interpretive reading of no compromise biography tells the other features a capacity of its surroundings and the multiplicity of readings So the researcher found a possibility to raise the following questions, and scope to identify the problem of the current search : How can the diversity of marks be shown in the structure of a poster?. he current study is designed into three main chapters, the first includes the problem, aims and definitions of the study. As well as suggested designated models that can illustrate the meaning of the diversity of marks in designing a poster. The study is limited to study the diversity of marks in designing a modern poster as a subject, the posters of the exhibition ( world without violence ) as a special limit and the academic year of the study was (2014).The second chapter of the theoretical framework as it was divided into three sections, the first dealt with the diversity of marks and designing as a concept and approach through the study of diversity of technical and objective dimensions and diversity of an idea and the relationship between unity and diversity. The second topic touched upon the concept of the mark and its nutrients , divisions and their implications and the mechanism selected, composition and factors affected in functioning and exposing tosemantics of those marks and their symbolic dimensions, and the third section was dedicated to the study of structural poster and included the design structure and types and levels of properties achieved, and also structural poster and its objective aspects and its typographic and graphic elements, and the study indicators relating to the ethics of jurisdiction, including : There is no communication by signs without the presence of a poembehind the act of communication and without the presence of creativity or without the presence of synthesis of signs, as the good mark urge to communicate, being considered compromise a vector for the experiences and the culture of a community man - portable inside as cultural connotations..Conversions in the structure of the poster arise from the inside through the forms and spaces of color in them and interacting broadcast interpretive biography that will change the mental image formed by the individual and the creation of an area of broadcast interpreted formula sings advertising message..Marked poster is a way to pay public poignant and expressive and developer of consciousness and have the ability to create ranges of interpretation and enjoy through the implications of what it has of connotations and the ability to blow up new ideas moving towards the overall bias for creativity... And the third chapter include identifying research methodology or procedures to choose the descriptive approach, a chapter on the structural analysis of the signs of mechanisms, then the researcher analyzing search patterns and number (18) a model in the fourth quarter to reach a number of findings. Invoking the mark in the poster to my design a system that has the ability to represent the reality of inhumane retained by a designer to create a structural formula Tagged interact with him, as the structural mark value embodied in the label, according to the formal structurebased approach in the embodiment of intellectual given... Alternate levels, according to the structural analysis of the forms that have been functioned and design a system that is used by the designerand according to the nature of the reality of interim necessities and needed to be embodied, representation iconic or the indicative or symbolic.. The researcher concluded : that embodies some diversity methods the mark resulting from the diversity of formal and chromatography in the implicit and motor and mutual and closed space with the rule of one or more elements and their interaction with fixed and non - fixed elements, in placed and the idea of the poster as well as the selection and production of brand, controlled by environmental factors and community prevailing addition to the psychological factor and cultural heritage and trends interim ruling, as the researcher developed the foundations of design to achieve the second goal.. Then the researcher presented a set of recommendations including : pay attention to what result his brand interaction through the issue with the rest of the labelcomponents with interest in the subject basic idea, and attention element sovereign of the mark in the label because of its role in attracting attention and shorten the reception time, and take care side of the drama of the mark and its role in moving the feelings of the recipient, and focus on the objective aspects experienced by modern man of societal changes and political challenges and security and social in the framework of its environment and the embodiment of its implications technically a way that makes a poster of the importance of graphical directly pose the kind of language that translates it faces daily problems and challenges. The researcher has also drawn a set of proposals, including : .1. Studying the manifesting implementation and selection of the mark in the mark design methods. .2. Studying brand structure in the mark and its role in fomenting the recipient.3..Studying deliberative mark in the poster..Then inflicted Find a list of sources and supplements related to the study.. English abstract..

التحولات التعبيرية في تصميم ملصقات ما بعد الحداثة == Expressve Transitions In Desing Posters Postmodrn

اسم المؤلف: احمد عبيد كاظم سلطان الغزالي
اسم المشرف: انتصار رسمي موسى | عباس جاسم حمود
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناول البحث التحولات التعبيرية في الفكر الفلسفي والجمالي ودورها في كل من حقبتي الحداثة وما بعد الحداثة , واثرها في توجيه اليات الاشتغال في تصميم ملصقات مرحلة الحداثة وما بعد الحداثة , وقد تضمن البحث اربعة فصول اهتم الفصل الاول بالاطار المنهجي للبحث متمثلا | This thesis tackles (expressive transformations in designs of post modernity posts )and it studied the expressive transformations of the philosophical and aesthetical and their roles in both eras of modernity and post modernity also its role in guiding the mechanisms of operation in design of posts during the eras of modernity and post modernity. The first research consisted of four chapters, where the first interested at the Methodist form of the research focusing on the problematic of the research which was determined by responding to the following question : what are the expressive transformations in design of post modernity post? The first chapter contained the aims of research which were uncovering the expressive transformations in design of post modernity posts, while the limits of research limited to the study of expressive transformations in design of post modernity posts and analyzing of pictorial samples of cultural posts represented the movements of expressive abstract, folk art , visual art ,minimal art , conceptual art , hyper realism , superlism and graphic which appeared in USA and Europe during the era 1970 - 2000 where the analyzing was conducted depending on descriptive and analytical approach through philosophy , aesthetic and acknowledgment vision within its theoretical and procedural dimensions. The second chapter included theoretical frame consisted of three research where the first tackled the expressive transformations conceptually and aesthetically. It contains ideological , aesthetical, formal, stylistic, functional transformations beside the transformations of meaning , concept and technician. The second research dealt with the pillars of expressive transformations during the eras of modernity and post modernity while third research talked the expressive transformation in designs of post modernity posts. The chapter was concluded by discussing the quotations from it in order to be used in analyzing the sample of research. The third chapter contained the procedures of reaserach where it contained the culture of research , sample and research tool then analyzing the research samples (16 ). The fourth chapter contained the findings and conclusions of research beside the recommendations and suggestions. The most significant findings of research : 1 - The expressive transformations of the post modernity post distinguished with rejecting the central authority , expanding over the ideological and value structures also they rejected the separation among multi contrasting dualities and that means rejecting the logical of existence or believing in the Universe teleo. 2 - In the ideational side, the post modernity posts distinguished with interpreting the texts ,destabilizing the fixed meaning and diversifying the readings with teleo text which depends on inner necessities where it is allowed to the receiving to form unlimited readings. 3 - In stylistic transformation, the expressive transformation distinguished with mixing between the subjective and objective as a hybrid way quoted within structural and compositional procedures by using borrowable elements from multi cultures. 4 - In functional side, they confirmed the expedient, marketing and circulation of the post. 5 - In technical side, they distinguished with what confirms the trial side of the varied technicians such as printing with words and using digital technology as a tool. The most important conclusions reached by researcher : 1 - The expressive transformations of the post modernity posts came to uncover new sides in the reality emerging from the desire of man in transforming , expressing and rejecting for what circulated and common and they are shifts in the structure of thought being it is the main and active generator in each transformation aiming to smash the acknowledgment structures with others to reconsider in majors and generals. 2 - They came with the side of formal transformation toward the borrowable form which stipulates the necessity of rejecting all what related to the ideology and conventional theoretical formats which are far from social humanitarian concepts. 3 - They came within the transformations of simple and conception in connecting with the icon of cheap format requested by commercial market dominated by capital powers and their media institutes where all of them call for cultural project basing on refusal aesthetics and contrariness. The researcher referred to a set of recommendations and conclusions beside indexing the references, indexes and the abstract of researc

الاستعارة الايقونية ودورها في تعزيز الخطاب الاتصالي للمنجز الطباعي == The Iconic Borrowing And Its Role In Enhancing The Communicative Discourse of The Printed Achievement

اسم المؤلف: هدى علي لفتة
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The printing achieved works is regarded as one of the artistic variations with functional and aesthetic considerations as it is a means of communication that is active and addresses the audience. As a result of that the means of expression varied for the designer. Perhaps one of the most important mechanisms of adaptation is the resort to the created and the renovated media in the printing design through the borrowing of form that are not familiar within other contexts to obtainpredetermined intellectual contents.Hence comes idea of the study. Chapter One includes the problem of study represented in the following question : What is the role of iconic borrowing in enhancing the communicative discourse of the printed achievement? Then the justifications of the study that is : 1. It contributes to the manifestation of the communicative idea between the designer and the receiver through depending on the iconic borrowing. 2. The possibility of contribution of scientific knowledge which the designers need in the designing field. The researcher then determined her objectives in knowing the role of iconic borrowing in enhancing the communicative discourse of the printed achievement. The limits of the study included the posters of ads published in the websites whereas the time limit is from 2010 to 2015. The researcher includes the following terms (iconic, borrowing, iconic borrowing, communicative discourse). Chapter Two tackles the theoretical framework including three inquiries that concentrates on the first inquiry on (borrowing and the methods of design form), the second is about (iconic and their suggestive indications), the third includes (the iconic borrowing in communicative discourse). Then the indicators of the theoretical framework which is one of the means of the building of the analysis form. Chapter is devoted to the study of the procedures of the study depending on the descriptive approach for the purpose ofanalysis and then determine by (%10) and the tool of the study which wasprepared for that purposeChapter Four includes the findings of the study like : 1. The iconic borrowing is an important means of the achievement of many designing means like the ascertain of meaning and the greater possibility of achieving more suggestion.2. The designing idea is distinguished by depending on the principle of double communicative discoursebetween the direct and the indirect as in the sample (1, 2, 3, 5, 7, 8, 9, 11, 16) and the indirect as in the models (4,6,10,12,13,14,15) through the rhetoric images that refer to other meaning. Thus they found the idea of communicative discourse with the recipient concenteringthe product advertised on.The researcher comes up with important results life : 1. The invention of new form (creative) which is represented by the iconic borrowing leading to the achievement of expressive force within the sensational realization into a potential expressive unit that leads to attractiveness, excitement, and attention. Therefore, it enhancing the communicative discourse of the printed achievement.2. The variety of the sources of iconic borrowing which contributes to the making of communicative discourse, The researcher comes up with some suggestions and recommendations and then a list of the references.

قراءة الصورة الاعلانية على وفق الاتجاهات النقدية المعاصرة == Reading of Ad - Image According To The Contemporary Critical Trends

اسم المؤلف: نضال مهذول محمد الطائي
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The research seeks to study of Ad - Image as a given which links with the lighting of areas of communicative significance according to the critical reading of contemporary actress modernity and beyond… Where adopted reading direction structural descended concept within the design work in determining the structure of the text as a system, a (structural) thus provides a model in the analysis, and that this form originated in the curricula of contemporary linguistics. Has on the perception of structural linguistics possible that that will be useful in the study of phenomena, including the images on the grounds that they account for our attention and breathtaking Pope, which acts as sites for the production of meaning and representation. As confirmed in a text read on his promise on a closed system has the same rules of procedure and told him that His profit. It is a system lies not in the order of the elements in the network, but the relations between them and it was a focus on infrastructure, which we explore in which the system according to internal analysis, and the importance of relationships and the underlying pattern in the picture. And then came propositions postmodern from the terms of reference of modernity in critical structural terms of film criticism and effectiveness in reading design work (Ad - Image ) and based on the two entrances first means to establishment and the second reading of the description and detection down to the inner depths so as to sentencing, and this is what a breeze (verb critical ) and the two areas, the first to understand and to involve the other, and the second assessment in accordance with the measure assumed. It falls within the circle of mental assumption (of the image ad) a work of art.. and according to film critic goes beyond description and analysis assumes another dimension according to the founding of the given sensuous, where clear cinematic landmarks to indicate according to the theme of linguistic logic signal or significance. When searching in the application is embodied within the concept of communicative triangle limbs (the message sender and the receiver) and moving this process based on the awareness of compatible between forming and between receiving. He defined the position of communicative Pierce (b reference, subject, meaning) and the form of the concept of (Pierce) mark. Which fall under three types (code, signal, Aliqona) and receiving here to sign is a place in the aesthetic value of the formation, which is open to readings forward to the new insights frame for levels up to the type of space semantic which raises the interpretation and makes it (receiver) center in the movement pattern artistic aesthetic. Then comes the arguments of cash clastic and read the most contentious part of the proposals of the monetary contemporary, as it supports the principle of the weakness of the text and disintegrated down to the Imam the well core embedded in it that on one side, and by two other text comes out in drafting mold and volatility in the method which is not subject artwork in which to dominance Law or the influence of the style of openness and difference and the difference in the formulation of the Foundation is to generate aesthetic within disassembly. Thus we find the aesthetics of reception are subject to the concept of the public to the impact strength inherent in image advertising as a given, specific stylistic expression and out of the ordinary in the formulation of meanings and connotations and receive operation here shared between the work and the receiver and (taste aesthetic), which is the climate in which reimburse these taste or those. Accordingly, the recipient may be divided into three levels : the recipient is simple and recipients can reproduce the text and the recipient is as much on a new formulation affect the recipients of another type I and II. This whole process is leading to read the text according to the determinants of exegesis and interpretation of specific obsolete interpreter and the possibility of drafting an aesthetic according to a given sensory, and this is confirmed by the theory of interpretation on the identification of a brilliant concept associated with the image to read the ad. And it was determined the importance of research, which included a specific problem reading the image ad, In accordance with the trends of contemporary criticism. And the importance of, and the objectives and limits and define terms.The second chapter (theoretical framework) has included four topics meant to read the ad's criticism of contemporary trends according to each of structuralism and semiotics and deconstruction, and reception and interpretation.Is then extracted indicators that resulted from the theoretical framework as a scientific researcher reported them in its procedures and evaluate the way in analyzing the content of the samples. This is what has been discussed in the third chapter, a separate research procedures.Either search tool that will that was designed form analytical critique includes several axes, perhaps honest experts for the purpose of adoption in the analysis, where the analysis of the samples and then discussed on the basis of axes form. The fourth quarter has included the most important findings of the analysis, including : 1. That reading according to the trends of the contemporary monetary image ad referred to the concept of systems in relations significance disciplined and removed in accordance with the pre - selectors. And systems within the grasp formed depends on the specialized expertise in the design merits of the phenomenon.2. Reading according to the trends of contemporary criticism reflected a change in the concept of function equations merits of the ad images as a symbol of the state of mind.3. The facts in all formats semantic image ad unbearable to read meaning, one such directly through the visible face of the incident, or through its located in the apparent shape, and the second reading because of hidden facts that exercise selection for possible semantic units.4. Image advertising according to the theory disassembly open in a speech linguistic agreed on the future without prior controls where the power of the audience to turn to enriching the absence of potential significance, due to system variation. As an indication that the differences are numerous, he frees a difference in the receiver of the specified reference to evoke the image of advertising and leaves him the option to evoke or reference to float its own, and that the existence of a difference between the partial (signifier and signified) and (meaning and reference).5. Image advertising according to established contemporary reading of the structure of power in the map of thought which aims to break the concerned central existential images in advertising as a commercial presence infinity.6. Image advertising impression formed in drafting the formal frameworks are determined to get out from the mold or pessimism in the method or stylistic difference to announce this industry and the difference in the elements and compounds involved in the structure of the image advertising.

ابعاد الشكل الجديد في التصميم الكرافيكي المعاصر == The Dimensions of The New Form In Contemporary Graphic Design

اسم المؤلف: لبيد مالك يو سف المطلبي
اسم المشرف: اياد حسين عبد الله الحسيني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يسهم هذا البحث في مراجعة شاملة لمفاهيم مكررة؛ يستنسخ بعضها بعضا، في سياق شهد تحولات كبرى؛ في الجوانب المعرفية، والثقافية، والعلمية، ليسلط الضوء على الشكل التصميمي؛ نظامه، وسماته، ووسائطه، وتقنياته، وعلاقته بما يجاوره من فنون، وانظمة | The thesis tries to give a comprehensive revision of some repeated concepts, each imitates the other. However, the social context has witnessed great scientific and cultural changes. The study also sheds light on the forms, systems, concepts and features, mediums and technicalities of design. It shows the relation of the design form to other adjacent arts and other symbolical systems. This is to enable as to feel the extent to which the design responsive to the already mentioned highly important changes, as it assumes a new form. The aim is to understand the nature this newness as it reveals itself in forms of design.The most important question is this : As the need increases a way that never been, before has the design given up its artistic identity and as being an organic element of what is now known as the aesthetics of arts and not as being a guest to it, borrowing from then its outward appearance. Its core, however, relates to what we may call as the demands of marketing. This deference between the instrumental outward function and the internal aesthetic function is the problematic dialectics of the new form to which the thesis has tried to discuss and to lay down operative concepts of new graphic forms through noting and examining their various models.The thesis consists of four chapter;Chapter one deals with the scientific framework which deals with the problems of the study, its importance the need for it, its aims, and limitation as well defining the most recognized terms as I envisage them.Chapter two (the theoretical framework) consists of four sections. The first sections suggests the intellectual dimension which shows the history of the aesthetic thoughts which has emanated from the philosophic arena known as the aesthetics. It also discuss the aesthetic changes in the language of the form. The ultimate end is to arrive at the philosophy of forms on the basis of the ideal, materialist, existential and pragmatic perspectives. This topic ends with the hermeneutic theory and the openness of the meaning of design.The second section (the sociological dimension) discusses the metaphorical transformation in contemporary graphic design, the metaphorical system and the manifestation of the nous form, especially in color metaphor.The section also deals with the sematic sign to narrow the gap between the function of the form and its beauty. As for the third section (the functional dimension of the new form), its titles go as follows : The new form between realization and meditation; the deconstruction of functional design from which DE familiarization the exclusion.The fourth section [the technical dimension] discusses the description of the technicality as being a tool for history, knowledge and art. Describes the hedge among of the technicality on human life and sheds light on the technical act and the concept of the new form.The section also talks about the effectiveness of the technicality on design and its limited scope of influence not on the form, its practical area but also on its significance.The third chapter is set to analyze models representing various types of designs such as slogan, commercial, environmental instruction and educational (poster, advertisement, heads of magazines, and covers. this models consists of twenty eight ones.Chapter Four comes up with the conclusion of the study which are discussed in details. The chapter ends with deduction and recommendations for further study.

المعطيات الفكرية للفن الشعبي وانعكاساتها على التصميم الكرافيكي == Intellectual Outcomes of Pop Art And Their Reflection On Graphic Design

اسم المؤلف: مها مؤيد عبد الحسين الناصر
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

فاعلية البناء الافتراضي في التصميم الكرافيكي المعاصر == Virtual Construction Effectiveness In Contemporary Graphic Design

اسم المؤلف: نادية خليل اسماعيل العزاوي
اسم المشرف: سعدي عباس كاظم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تاتي العمليات الابداعية لتجسيد الوجه الجمالية والبنائية في التصميم المعاصر من خلال استقراء التصورات الذهنية للبناء الافتراضي بالدراسة والتحليل، وابراز قيمة وفق المفهوم الفلسفي للبنى والمتغيرات، بحسب مخيلة المصمم وامكاناته ليظهر مايحملة من افكار نحو فعل مؤ | Creative processes come to embody the aesthetic and structural face in contemporary design through extrapolation of perceptions of mental default building study and analysis, and to highlight the value in accordance with the concept of the philosophical structures and variables, according to the imagination of the designer and the capacities to show what one holds of ideas impressively did achieve presumably to show contemporary Graphic designs. The current problem has been identified by asking the following question : What Is the effective default of Graphic construction in contemporary design? In order to reach the desired results through the goal set by the researcher as : - 1. Disclosure of the effectiveness of the default construction in Graphic contemporary design.2. To highlight the design pillars , ideas and visions to show expressive, functional and aesthetic values of the contemporary Graphic design. For the purpose of access to the objectives of the current research was to identify key themes contained in Chapter II (theoretical framework) four Bembagesh (the concept of construction in design and concept of the default construction, determinants and objectives of the default construction, the default design and philosophy of the digital age, trends and con temporary & Graphic.),art movements And support including what was resulted about the theoretical framework of the basic indicators, identified the procedures of research in the third chapter following the descriptive method (content analysis) for the diverse research community and with (150) one hundred and fifty - designed default, the appointed elected dele bersrately with the help of experts to considerations envisaged by the researcher and the related subject matter whith (15) model for advertising (magazine (Marie Claire) and one page and two pages, and interface published Web sites on a global site (Deviant Art). The covers of magazine (Time)) for the year 2014,according to imperatives highlighted by the researcher and identified according to the pillars derived from the Theoretical frame and indicators, and relied upon in the selected sample analysis to show the results discussed in Chapter IV has been reached.The set of results including : - 1. effectiveness embodied the idea of the building to the default output suggestive creative thinking distant from the reality on the hypotheses according to comparisons, and the effectiveness of the creative thinking of the imaginary axis innovative and metaphor.2. Effective default construction components emerged through subsequent dimensional visualization for configurable output showing new and fanciful to imagine the result of the integration and re - installation of new builders.A group of the most important conclusions where added : 1. Default formal building associated according to the perception of(an objective basis) based on the assumption of mental interpretation according to interpretation and to impose on the for drafting language, and the assumption according to the representative analogy to like in the forms elements and characteristics.• The default design. shows the temporal assumption excitation with a view time assumption and call for the past and, present and call for the next a mentally presumption gives dimension to the future thinking. Then it caused a series of recommendations including : The necessity to emphasize the effectiveness of virtual relationships in the virtual construction of the use of Hypertext (Ultra) or multi media impressive to embody the impressive character of and to empress expression its content. And she put forward a set of proposals and the most the important of : A study of interactive philosophy, deliberative designed product in the construction of online advertising. The sources , references, and appendices ,were added to the study and Displayed summary in English.

الاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصاميم الطباعية == Aesthetic Response And Variables In The Process of Communication

اسم المؤلف: هبة مزهر محجوب
اسم المشرف: ادوار الاشقر
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تشكل اهمية هذا البحث مؤشرا لمواكبة التطور للاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصمايم الطباعية، فالاستجابة الجمالية تعد ردود الفعل الايجابية التي يثيرها المثير عند المشاهد اثناء الحكم الجمالي او التجربة الجمالية والنفعية اما عند المتغيرات | The importance of this report considers an index to convoy the development of Aesthetic responsive and its changes in the communicative procees for theprinting design.on scientific foundation of effective with using the facilities available for new technologies wich is available in commercial advertising through the computer which through it the effective responsive achieved Conserning with the problem and through the researcher observationjob and her study for the Aesthetic responsive.ahe found that three was aproblem in dealing eith that subject from the searcher specially for the specil reality of the Aesthefic responsive and is changes and effeeing of the communicative rocess in printing design field and that to achieve receiving the actting letter with designs filld with beautiful vaiues to do the job and to get the responses from the listener and his interaction in this letterSearcch target Discovering the changes of the Aesthetic responsive in the communicative process for printing designs ,graphic designs.The search restricted in studing the Aesthetic responsive and is change in the communicative process for the modern commercial advertisement dealing with the beautiful and creer way and that what concerned withchabter one , but chapter tow covered the oretical frame work and it divided to three investigations ,the first study content concept of Aesthetic responsive and Aesthetic concept and the second study content communicative process and the factors which depends on the success of the communicative process, also the third study is commercial advertising and the target of it functions and types artistic side of the most important things in the announcement since it concern with graphic designers?s abilities in artistic and technical skills.Recommendation and propo sals ;1. That are ative and practical application in the commercial side of the announcement.2. confirmation that the work in the design of ommercial advertising deals with receiving advertising me ssage from the designer to the recriver.Suggestions ;1.Undertake astudy similar aesthetic response for the shope and color characteristics in commercial advertising. 2.Practical study to contrast vole of the image in advertisement and its effect on the recever.

الاستعارة الشكلية وابعادها الوظيفية والجمالية في المنجز الطباعي == Metaphor Formal Functional And Aesthetic Dimensions And Layout Done In

اسم المؤلف: مظفر كاظم حميد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتضمن التصميم الطباعي المنجز مجموعة اجراءات تبدا من الفكرة وتنتهي بالاداء، او كما توصف من النظرية الى التطبيق. وهذه الاجراءات لا تخلو من اسس وعناصر تجسد الفكرة في منجز ملموس على ارض الواقع، منها واقعية مباشرة في استعارتها، ومنها خيالية غير مباشرة، كما تتض | Graphic Design done includes a package of measures starting from the idea and ending performance, or as described from theory to practice. These actions are not without foundations and elements embody the idea in a tangible accomplishment on the ground, including realistic directly borrowed, including the fictional indirectly, also includes other designs blends these Alastaartin and variable rates or balanced in many designs that require a sign, and the concept of the dimensions of functional orientation of Use and enhance the aesthetic values. Therefore, the researcher felt choose his research is marked Address : ((metaphor formal functional and aesthetic dimensions in the layout done)). Including four chapters, the first chapter consisted research problem identified in the statement of formal elements aliases finished layout declared Btabaah extremes (direct and indirect), which achieved a sense of desire and acceptance functionally and aesthetically. And its importance in the question of what a metaphor formal functional and aesthetic dimensions. The objectives were focusing on the identification of metaphor formal functional and aesthetic dimensions in the layout done. And finally its limits, and then determine the terms.The second chapter dealt with the theoretical framework and previous studies, as search only one study in Specialization found, a doctoral thesis in graphic design researcher philosophy (Shaima full inside) tagged : (metaphor in the default image for commercial Declaration) and three others on the subject of the metaphor, two of them in Fine Arts (drawing) and third in the specialty of interior design, the researcher did not find the approach between this study and the last three studies. And ensure that the theoretical framework Mbgesin, eat first (metaphor formalism in systems design and relations), the concept of this terminology in general and mechanisms put in the concept of the design and directorial methods in the evaluation of the structure and shape systems design and its role in the design of relations. While the second section came under the title (the metaphor between functional and aesthetic considerations) addressed the functional dimensions and dimensional aesthetic metaphors formalism in Graphic Design Ended formal shift in the design according to these two considerations. Then extracted from this chapter is based on indicators set by the selected sample analysis process to get to the search results.The third chapter has consisted action research, as determined methodology (b descriptive analytical method), then the research community and the samples selected, represented by (12) sample, the two tools of research and two Astmattin, first : determine axes analysis form, and the second : Analysis form. Then ratified tool and stability, and finally describe and analyze samples.The fourth chapter has put search field, conclusions and recommendations, and the results of the proposals.The most important results can be summarized as follows : 1. designer adopted the style excretory to borrow formalism based on the idea of the advertised subject and the nature of the slide or the recipient category, which showed a variety of ways, including direct download character peculiar subject of the idea, including indirect altered form system, some of which were collected between the two dual manner to address these levels according tastes and mental Bnahm.2. excretory focus style with the designer in the most completed designs to blend reality and imagination elements borrowed the idea, and also a mixture of different sources for the delivery speed of the plurality of meaning and interpretation and influence in psychology.3. strange shapes borrowed realism achieved by contradiction relational link between the two, beyond the pattern Alantma?a, circumscribed role shorthand meaning up to the idea, on the contrary, most of the shorthand form of fictional metaphor but a broader interpretation of the meaning.4. I took formal signifier symbolic metaphor as a metaphor for the role that represents wigs, require matching an icon directly in slang layout of what is realistic, abstract and indirect, were similar in matching original craft analogy.

البساطة والتعقيد في بنية تصميم العلامات التجارية == Simplicity And Complexity In Brands Design Structure

اسم المؤلف: رؤى جعفر سعيد ياسين
اسم المشرف: مها اسماعيل علي الشيخلي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This research addressed the subjects of simplicity and complexity in brands design structure, because these two styles of simplicity and complexity play an effective and important role in the design of brands in order to attract the largest number of recipients. The problem lies in how to use the styles of simplicity and complexity correctly and without exaggeration to deliver a clear message to the public. Thus, the messages will not be limited to the expression of the benefits of products only, but also calls for believing and trusting the brand for greater impact and effectiveness on the recipients, so the brand design structure is considered one of the problems faced by some companies trying to attract consumers to remember their brand and set it apart from competitors, and hence the researcher has put the following question : How is the simplicity and complexity in brand design structure exemplified? The aim of this research is to reveal the simplicity and complexity in brand design structure. This research focuses on the styles of simplicity and complexity in Ogilvy agency in the United State of America, in the years (2011 - 2012). Chapter two included the following topics : first topic : the concept of simplicity and complexity in art and design, second topic : simplicity and complexity in graphic design, and the third topic : the structure of brand design.The researcher then mentions one previous study (Brand Personality Creation Through Advertising Design), then the research’s procedures were mentioned, which included the research methodology and research population which was world famous brand designs. The study sample was chosen to be fifteen (15) samples consistent with the requirements and nature of the study, the researcher has shown the study’s tool represented by the analysis form which included several aspects and were presented to experts and research committee and based on that, the samples were analyzed. The results were based on the most important analyses, of the most important results : 1) the style of complexity in design is represented by an increase in elements during the suggestion process, as the design becomes crowded by many elements adding beauty and visual appeal denoting the vitality, youth and the spirit of the young because of the multiple shapes and colors and their variety. The multiple colors and vitality in design attractthe viewer’s eyes towards commercial advertisements and more importantly towards the brand.2) Globally, brands care about designing the shape of products, and having a unique identity distinguishing it from competitors in designing their products and keeping their principles of providing the same high quality and continuing in providing the best always, the outer shapes of a product helps remind people of the brand and sticks in their minds, even if a company wanted to change it in the future, it will try conserving the general and main style of the product shape, and changing simple minor things like the shape of the Fanta bottle in sample (4) and the shape of the Audi car in sample (13).And the main points of the conclusions : simplicity and complexity are important in brands design structure, and both are used by global brands, andit depends on the strength and success of the idea by the designer and the useof thoughtfully selected elements and how they are distributed in a way to attract attention. The most important recommendations : it’s necessary toselect appropriate elements in terms of colors, shapes, lines and graphics, and how to assemble them to attract attention in a way that achieves a successful thoughtful advertising message with strength in creativity. The most important suggestions : the aesthetics of the simplicity style in graphic design.

التفكير المرئي ومؤثرات الخيال الابداعي في التصميم الكرافيكي المعاصر == Visual Thinking & The Effects of Creative Imagination In Contemporary Graphic Design

اسم المؤلف: بشار شامل كاظم الخفاجي
اسم المشرف: سعدي عباس كاظم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان عملية التفكير المرئي كاستراتيجية وادوات ومهارات لا تتجاوز حدود النظام التصميمي المتكامل ونواتجه الابداعية، وبذلك فان ادوات حل المشكلة التي افترضها الباحث بتلك الادبيات المتعلقة باختصاص التصميم الكرافيكي دفعته الى وضع الفرضية والهدف لتحقيقها وفق منهجية | The process of visual thinking as a strategy, tools and skills do not exceed the integrated design system and its creative outputs, therefore; the tools that the researcher proposed to solve the problem concerning graphic design has led him to develop the premise and goal to achieve it according to the research methodology, and concluded researcher concluded the problem of the research with several questions as follows : ? To what extent do the visual thinking tools and its strategies operate in the design and cognitive process?? What is the relationship between the visual and imaginative thinking as a system lead to the graphic design and its creative capacity?? What are the influences that surround the creative imagination as a generator of ideas and their representation to the actual reality of the visual message?? What is the role of creative imagination in contemporary graphic designation and its being universal cosmic being a visual message.? The researcher put a temporary answers to these questions in the form of a hypothesis that can be achieved through the goals of his research and limit his aim to the following : ? Identify the effectiveness of visual thinking and creative imagination effects in the development of contemporary graphic designer.The researcher identify the limits of his subject of thinking and imagination and what can be employed of them in the system and process of designation with its various outputs of contemporary feature. It is known that spatially in Europe and the United States being the forefront of the cultural landscape of the visual in marketing and advertising globally, the researcher temporally limit and cover the period between 2000 to 2010 to study the research community for being the period of the start of the contemporary graphic design, and the researcher then offers the most important terms in search of a (visual and imaginative creative thinking and the graphic design) the second chapter the theoretical cognitive framework and included three sections cognitive theoretical framework, the three sections as the researcher covered titles and themes that he uses as a base for making his research.In the first section the researcher reviewed the patterns of thinking and view the visual thinking as a system of visual thought processes, inputs and outputs as strategies and tools of visual thinking as well as the thinking skills and uses of visual thinking in education and training and the development of understanding, communication and business management skills.The second section deals with single fiction and fantasy conceptual and the role of the visual insight as well as the mental picture, and also tackles the process of imagination and the types of imagination (scientific, innovative, creative and fantasy) As well as showing the mechanics of the operation of the creative imagination and the role of visual culture, design and employ the mind to think.In the third section researcher reviewed the graphic design and its use as being a visual connection , and tackled the basis of the graphic design that enhance visual thinking in graphic designers and processors as well as the importance of formal relations association in contemporary graphic design. Chapter III contains the procedures of the research and specifying its measures which follow the descriptive analytical method. The form of analysis has been designed and presented to the group of experts and specialists, and accordingly the models, that have been selected in the study, have been analyzed.The fourth chapter included a presentation of what has been reached from the results the most important of which are the following : 1. The process of visual thinking and through visual elements, carried on according to the visual dialogue between these coordinated shapes and interspersed by semantic expressive and aesthetic to create speed in the delivery of visual message and create aside from recalling the recipient is also being generated to stay and then has a long - term impact.2. Adopting strategies of visual thinking in design and integration imparted in the visual dialogue of thinking between the designer and the receiver, being based on a single scientific basis which is clear and has positive result.3. The inherent role in visual thinking to stir the creative imagination of the designer role contributes to fire the imagination of space during the full knowledge of the mechanisms available to show the design and the possibility of the recipient to understand the message and increase its effectiveness.4. Programs and strategies used in the generation of creative imagination into a process leading to the application and realize the available skills of the designer and its potential in the development of his abilities and find new mechanisms to keep pace with the new relationships that lead her creative imagination.Then search the conclusions of which output : 1. The thinking which is based on the human senses depend on the two factors of time and space, and the specific aim away from the infinity of thought in the abstract.2. The scientific studies, dealt with the mechanics of visual thinking in humans offers the possibility to employ them in visual messages between the receivers to the source and the future in training, education and guidance and public discourse operations.3. The element of imagination in the process of thinking, is the core foundation in the integration of visual thinking with the functioning of the creative imagination with the designer and the receiver together.4. The leading programs and strategies used in the generation of creative imagination to ease the process of finding a relationship and infinite imagination within the analog reality away from the fantasy and illusion limits.The recommendations of the study are the following : 1. Interest in visual culture with the community to be a process replete with visual thinking tools and current and common which elevate the technological development and social variables.2. Urging for the spatial intelligence capabilities or the development of the picture, It is the key to technological development versus reality challenges and needs of humanity.3. Depending on the programs and strategies used in the creative imagination in general teaching methods and curriculum design, teaching students, in particular, the fact that the adoption of innovative solutions to the problems and demands of reality must be inherent in human behavior. Finally, the pages of sources are supplied with an abstract in English.