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الدلالات الفكرية والجمالية في تصميم الفضاءات الداخلية == Intellectual And Aestheticconnotations In The Design of Interior Spaces

Author name: رجاء سعدي لفتة
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Looks Researchers from designers internal and architects about renewal in their quest to achieve the aims functional and aesthetic response to the requirements of the living human being contemporary, so it meant the study "connotations of intellectual and aesthetic design spaces Interior" to find a link between the connotations of intellectual and aesthetic in the act of design objective and functionally. And the lack of study dealing with the subject of intellectual and aesthetic connotations in the design of interior spaces, and for the purpose of bridging the gap and the lack of knowledge in this area.So ensure that the first chapter on the research problem that summarized the following question : Does the data intellectual, aesthetic and adopted within the general concepts of interior design its required role in the opera houses designs?. Or that there occurred variables have been adopted concerning those aspects when initiating design spacesrole of the opera? The important data are included to provide an intellectual and aesthetic role contribute to supplement the opera companies and institutions involved in the internal spaces designs textured scientific knowledge have a presence in translatingdesign to reality cosmetic formulations carries the meanings and implications of intellectual and aesthetic. Down to the objective of this research, which represents disclose intellectual and aesthetic connotations of the internal spaces of international opera houses. And the adoption of the limits of temporal and spatial search that was the main study hall for seven of the role of the opera world (Australia, Egypt, Paris, Norway, Scotland, China, Oman) for the period from 1974to 2012.And contained the second quarter on previous studies and theoretical framework, which included four Detectives first (verb significance), while the second part guarantees the (semantic property), and third (semantic aesthetic), and finally meant the fourth section (developments formal aesthetic spaces of the role of the Opera), and after the completion of theoretical framework was extracted indicators adopted by the form analysis axles. The third chapter was devoted to research procedures where the researcher followed the descriptive method for analysis through the analysis of the seven models of international opera houses spaces.Among the findings of research are : Adoption of intellectual frameworks according to its historical variations in the design of buildings opera houses, each according to its terms of reference, which are thus reflected on the external and internal appearance, and depending on the cohesion between the urban fabric of the building and incidence within the social and cultural environment and heritage. And the emergence of mixed functional and aesthetic throughout the investments made by the designers all walks of life, and it comes from Advanced aware of my design was dictated by intellectual imperatives and its data to be imposed on the designer alignment and harmonization of vocabulary space. Through the contents of ideas and their significance, whether subjective or objective, or is the theory relied upon by the designer in the design space of Procedure of the hall's main role of the opera world, confirm the harmonization formal environmental, came this assertion to install a mechanism to promote and partnership between the building and surrounded by the words, which were reflected in clear the internal data as well, which is clearly manifested in the choice of items and processors that has. Illustrate the innovative dimension identify determinants attributes, and by addressing the ceilings and rises, walls and floorsand afford values and color, and benefit from the strengthening of relations link between the board space and worker his items. Activation of the internal space design elements such as : lines, textures, sizes and color values, optical, and benefit from the raw materials and what happened from the development, which provided the inner space in a variety of ways and unfamiliar, Also concluded Find the most important conclusions, including : Conformation and semantic representation and symbolic transformations such as an integrated part of the functioning of a link between the symbol and the history..As well as mixing clear and precise them.. integral formalism with the design elements of the space of the opera, that is the only representation formed lighting, furniture, finishes and materials textile dimensions important in it. That interaction semantic - functional and aesthetic between different patterns represented in opera houses meant impact of where meanings and deepening confirms relational format - space, the environment and architectural body was both. Down to the recommendations and proposals, and finally the list of sources and supplements.

اشكالية الحضور والغياب للرمز في خطاب العرض المسرحي العراقي == The Problematic of Symbol'S Presence & Absence In Iraqi Theatrical Discourse

Author name: ماهر عبد الجبار ابراهيم الكتيباني
Supervisor name: مصطفى تركي السالم
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: شغل مفهوم الحضور والغياب جانبا من التفكير الانساني، عبر تجسير العلاقة التي تشكل معادلة الوجود، الذات،الاخر، بوصفها تمثلت في ثنائيات تراوحت بين ما هو حسي ظاهر، وما هو ذهني غائب، ومن خلال ذلك توافر المعنى، على وفق صيغ اتفاقية تمثل (الحضور) او من خلال تساؤلا | The aspect of Absence & Presence occupied a wide space of Human Thinking via simulating the relationship that formulate the Existence Equation, The Echo and The Other since they were represented in the duality limited between the apparent sense and the metaphysical to mind, through the presence of sense, according to the agreements of (Presence) or through questions and meditations in the universe and its appearances (Absent), that motivated to find justifications, via linking them with supreme absent energies which initiate the Mythological Thinking, that was reflected on life of man, as resident symbol, embedded the signs that represent Thought, which extracted forms and images of human vision for Presence & Absence, whereas, the philosophic thought went far to the horizon of variant vision of the Presence & Absent, assuming that the symbolizations of the example put the the absent in prior position, and the spiritual presence made the available present in the sense and material as secondary symbol, which resulted the discourse problematic upon the quality of this assumption; yet, the conscious philosophy drew that absence from total metal imaginations, to be represented the reality of the area in the man echo, both philosophic assumptions were achieved in the symbol, the main column of that symbol, accompanied by man relationship with universe, which interface with life aspects, with culture, with psychology, with art, with language, with theatre as a system of symbols among their material presence and represent the value of their limitation for its present class, that assume a justification via the other absent class that care with the differentiation and the replacement as basic core recalled absent by its deep structure which makes the absent and presence in problematic which center is a need of each other to be exposed to each other, neither presence present posses the priority or centralization not the absent, yet, its sense comes according to context. We find that this was jointly posed in the staging discourse, through the attempt of directors to draw the symbols that emphasis its effects on the their staging systems as far as presence & absence and as emphasis on their symbolization, in a form constitutes the abundance of the sense, which was explored by the visual and acoustic systems that form its discourse by assuming its ability to establish the presence and produce the absent sign. Therefore, thesis titled (The Problematic of Symbol's Presence & Absence in Iraqi Theatrical Discourse) came into being to determine the paths of the researcher in four chapters, as follow : Chapter One : the Syllabus frame which include the problem of the research that was formed as follow : Are the symbolism system creating in staging sign abundance work on more readings that makes the absence & presence in the problematic that its column in need of each other to be exposed to each other? Also syllabus frame included the importance aims and limits and definition of problematic terms and discourse. the Second Chapter : it included the theoretical frame that came into three parts as follow : The First Part : The Presence & Absence of Philosophic Thought The Second Part : The Symbol between The Presence & AbsenceThe Third Part : The variety of The Presence & Absence for the symbol in the contemporary directing tendencies The researcher concluded with the below indicators for the theoretical frame : 1. The symbol formed an alarm that motivated the memory, in a form higher than reality, and in a manner gave imaginary reality, it may be done through imagination and remembering, recalling the absent sense of the symbol, which acquire its signs via acoustic display system and visual staging where part occupied the all in continues unit in absence and presence. 2. The actor is the most important element of staging discourse, the presence of actor life in his / her past and present that motivated him or her to seek what enable him or her to understand overall or single memory in unconsciousness and dream world, to transfer the possible and the probable into assumption world, that would be clear through his / her voice and nodding and body motion when his level of the spelling of the visual nodding retroactive that explain the absent sense through the visual action, according to the context of non verbal communication. The Third Chapter : it included the procedures frame related to determine and limit the sample of the research, by choosing and analyzing the sample, it consisted of the following proposals : 1. Herostrat, Directed by : Fadhel Khalil 2. The Heart Apple, Directed by : Riyadh Shaheed 3. Women at War, Directed by : Kadhum Nassar 4. Laurca Women, Directed by : Awatif Naeem 5. The Shoemaker, Directed by : Aqel Mahdi The Fourth Chapter : it included the discussion the results of the research, conclusions, suggestions and recommendations, as follow : 1. The aesthetic space was motivated at (Research Sample), activating them to the ability to be deducted through the translation, and interpretation, according to transference of the symbol between the Presence & Absence, the multiple of its irritate signs for the positive reaction as the imagination subject matter that would be present during the innovation and deduction. 2. The Acoustic and Visual Symbolism formed the staging structures and their real material, Skelton, motivation, and spelling if they were not external goal by themselves, rather they are serious necessity and real goal and changed from the marginal (Presence) into the spiritual exchange (Absence), that generated complex signs aspects and changeable according to dramatic action and the characters motion, and the distraction of thoughts and their reaction in one dramatic stream. Finally, the researcher listed the references, supplementary and English Abstract.

اشكالية التواصل العلامي في الخطاب البصري المعاصر : دراسة في تحولات الانساق == Signal Communication Issue In Contemporary Visual Discourse Study In Patterns Turns

Author name: اخلاص ياس خضير
Supervisor name: محمد جلوب جبر الكناني
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The human has the capability of thoughts production and the expression of these thoughts. This attribute make us to be unique between all living creatures to finding communication ways to discover feelings and senses, which is often to guide us to production of thoughts that satisfy the expression that depended on mind level.Our living on earth has forced us to be engaged in communication fostering willingly or forcibly so in reverse to what old theories raise that the pattern broad caster receiver doesn’t man much even thought it has had an importance as receiver broad caster receiver pattern but still not enough explain the communication phenomena.Our character grows and develops based on our traditions and life experiments and based on our culture and environment also. So what we do basically is obtained from previous experiments which we keep turning it to take the new receivers.We have been adopting with moment status based on previous one so.Communication depends on implied patternsWhat is more important is that we behave modestly and react continuously with each other when man is simulatorAs he is a mirror and echo of him mirror of what he sees and saw echo of what he hears and heard.The searcher divided the search to four chapters * first chapters involves the search problem content the flowing questions : 1 - Are the contemporary communication concepts representing a base in pushing the modern art toward the receiving circle?2 - Are the contemporary bearings represents systemic conflicts with nature of aesthetic conceptual communicating?3 - Are the contemporary communication theories representing an approach for building visual system?4 - Are the wares references representing the based in the building of modern textual body?5 - Are the modern textual bodies representing an active more in the rebuilding of the visual systems by removing the references?The targets of the search are : 1 - Revealing the symptomatic communication in the modern art.2 - Revealing the working approaches of the communication pattern in the modern art.The searcher identified the limits of the search spatially in the modern art, and epochal between the years (19_200) then the followed approach in the artists work followed by the determination of the terms that need to be cleared.In the second chapter (theoretical frame) it divided to five studies, the first is involved in the concept of communication in the Gnostic filed and the second represents the lingual communication in the filed of the new criticize studiesThe third study which took the title (symbol and the communication activity) considering that since the first existence the symbol has been found when it is directly contacting the nature and react with it for the enplane of the phenomena and its employment by the enter interpretation of its meanings to obtain the gregarious conditions as human character which cannot be obtained, unless in the presence of idiomatic system in the symbolsThe forth study was specifically for the deliberate and the communication activity addressing in that the deliberate in the lingual field and the visual field and the pattern which is the incubators which the deliberate works when the texts don’t face us separately from it patterns except in the absence or disconnection away from experiment around us or inside as or text or the contact facility is foreign and that is what happens to culture importers when the drop a culture reality peculiar from the actual reality with out a consideration to the local patterns.The fifth study was for the detection of communication in art in which a search in the visual field and the allegory and communicational activity was done.Chapter third (search procedure) represents the procedures used in the collection of the research community with the adoption of applied studies to analyze the simples in accordance with what we have reached from the theoretical from work indicators in building search too.Finally, the four chapter content, conclusions & suggestions and recommendations.

اشتغالات المنظومة اللونية في تصميم الزي المسرحي

Author name: اشواق كاظم ابراهيم الجنديل
Supervisor name: روعة بهنام الشعاوي
General topic: Fine Arts
Specific topic: Theatrical Arts - Costumes
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

اشتغالات التابو في النص المسرحي العراقي

Author name: نورس عادل هادي
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد التابو احد اهم المفاهيم المهيمنة في بنية العمل الفني ولاسيما النص المسرحي بوصفه اشتغالا على ثنائيــــــــة الوعي والوجود بمجمل تحولاته وافرازاته التي تؤثر في تشكل الخطاب الدرامي وبالتالي تنوعه في الرؤى والاساليب بحسب المعطيات الفكرية والجماليــــــة | Taboo Presents one of the most important influencing concepts in the structure of the art work , especially in the theatrical text because it works on the duality of consciousness and existence in all its alternative aspects and discharges which affect in forming the dramatic rhetoric in consequence its variety in visions and styles according to the intellectual and beauty findings which arose from them the culture of individual and society. From that above crystallized the specialty of the research in its chapters , where it implied four chapters : The first chapter : - Which dealt with methodical frame which includes studying the implications of Taboo as influencing concept for the whole social, economic and political transformations and their reflection and influence in the behavior action of the individual within the social system specially the conflicts the Iraqi society confronted in the Iraqi theatrical text for the period between ( 1990 - 2000 ) which led to disturb the individual behavior Forms and exceeding the virtual order limits as a collector of the taboo concept in its different forms. The second chapter : - Which dealt with establishing and following the taboo concept through the human consciousness system along its intellectual periodical differences. Also in the researcher discussed the way in following the Taboo concept between the philosophy of beauty and science. In addition to that the researcher pointed out the most important implications of Taboo as procedure term its influences had reflected in the structure of the theatrical text.The third chapter : - implied the research Procedures. Where the research was limited as a whole in the published Iraqi theatrical texts in the 1990's where the researcher refuted to the intentional way in selecting the sample of its research. The forth chapter : - the final chapter dealt with the research results , conclusions and the list of references.

الانساق التصميمية في الفضاءات الداخلية الملحقة بالملاعب الرياضية == Design Patterns In Interior Spaces Attached To Sports Playgrounds

Author name: اسمى عبد الحميد عبد المهدي
Supervisor name: بدريا محمد حسن فرج
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد تناول موضوعة الملاعب الرياضية موضوعا حيويا ومهما لما يقدمه من جوانب فكرية وثقافية واقتصادية للبلد المقام فيه, ونظرا لما يمثله هذا الصرح الذي يعد حاليا ليس مجرد مبنى رياضي يخدم اغراض اللعبة فقط, وانما يمثل نقطة استقطاب الدول وكلما كان التصميم خلاق ويجس | The sport stadiums subject is an important and vital subject because of the intellectual, cultural and economic aspects that it offers for the country which it held in. As to this edifice and what it represent which consider not only a sport building for just playing, but it also represent a polarization point for other countries and as much this design is creative and embodies certain idea represented by a certain figure that symbolize the country where the stadium is built mingled with the technical creation in a harmonious way with the internal and outer view and the content with exterior of the stadium. As a result the subject of the soccer international stadium is submitted by the searcher because of the mentioned reasons and it limited by the interior spaces that is expansion the stadium with other expansion spaces “ Athletes’ changing clothes room and it expansions” Depending on the design features of stadiums; build up including the expansion spaces. These features are different according to the differences of designers and architects who devoted their practical, engineering and designed potential to put design scheme for a stadium complies with all conditions and approved specification by FIFA to compatible with the stadium exterior which has special identity an belong to the country culture. It also should be modern and technical just like other stadiums in other countries. As a result the searcher submitted this subject “The Designed Layouts of interior expansion spaces of stadiums” The research consists of four chapters : 1. Chapter 1 : The methodological framework that included the research problem that crystallized by the following questions : Q : Are there specific design patterns specialized in the nature of formative system in organizing the attached spaces to the international athletics’ stadiums? And to which degree it is connected to the systematic performance to the mentioned spaces, in addition to its role in insure a positive psychological behavior by the athletes? While the research objective : To detect the systematic design patterns in the interior spaces attached to athletics stadiums, and its fittingness to its users from the performance perspectives and the variable formatives linked to Aesthetic and expressive sides. The importance of the of this study appeared in its participating in providing information with a new system that depends on scientific and artistic bases clarifies a special evidence for the values that express the identity of the spaces that is the theme of this study. And it also represents an added study to the athletics stadiums supported by a diagram to the designing patterns, and use a special expression to the interior spaces attached to the international athletics stadiums, which is what the subjective limits for this study has represented. While the spatial and temporal limits specified to the spaces (specialized to the athletes) in Iraq and parts of the world for the years (2012 - 2014), in addition to specifying the terms included with the study title to get executive definitions as outcomes. 2. Chapter 2 : Include the previous studying. Discussions and the theoretical framework. This chapter divided into three main parts. a. Part 1 : Focus on “concept of the layout and its relations with interior design”. b. Part 2 : Include “The layout and its formal regulations in interior spaces” c. Part 3 : ” Invest the layout’s standards in the expansion spaces of stadium”.The results of theoretical framework some indictors that depends on them in analysis the research models form3. Chapter 3 : Consist of research procedures and its methodology where it depends on defining the method in analysis. It chose 3 models from the whole research, in purpose, for studying and it depends on the analysis of form aspects, point the level that achieve these aspects, in addition to describe and analysis the research models 4. Chapter 4 : Included the outcomes and conclusions that have been reached to in this study : 1. No color coordination in such vital space to athletes as it is the only space specified for them that offers comfort and psychological motivation which affects their performance. And this have not been achieved in two study samples, while has been achieved in one study sample only. 2. There were no designing patterns whether they were functional or graphical specified to this space for its many functional characterization as (holding lectures, planning for games, break times after playing… act) this was achieved in one study sample. 3. The shortage of the indicative meanings that represent the meaning of such a space, like the nature of space organizing and its lake to the necessary requirements that relates to the training and all other important activities), this has been achieved in the first study sample only. Also, chapter four included the theoretical designing foundations, designing suggestions and recommendations, beneficiaries of this study, and a list of the resources and appendix.

التمثل الشكلي في رسوم فخاريات عصر ما قبل الكتابة بالعراق القديم == Formal Assimilation In Pottery Paintings of Pre - Writing Age In Iraq

Author name: اسعد مطر خليل العزاوي
Supervisor name: انغام سعدون طه العذاري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ساهم الفكر الرافديني في البناء الحضاري للانسان والذي تجلى بانجازات مهمة على صعيد الفن والادب والعلوم، فقد ابتكر الفخار والاختام ثم ابتكر الكتابة وطورها، وابتكر الدولاب اليدوي والعجلة وعرف الرياضيات والكيمياء والتنجيم وبرع في هندسة المدن والابنية والمعاب

انظمة التكوين الشكلي وتقنياتها الاظهارية في تصاميم الاقمشة الرجالية == Systems of Formal Training And Techniques Alazaaria In Menswear Fabrics Designs

Author name: اسعد عاتي هليل سعد الموسوي
Supervisor name: فاتن علي حسين العامري
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد انظمة التكوين الشكلي بمثابه اسس يقوم المصمم بابتكارها وصولا الى اختيارات تنظيمية بفعل تقنيات الاظهار التي تعطي للنظام التصميمي جاذبية اظهارية تحقق غايات الفكره التصميمية, فانظمة التكوين الشكلي تهدف الى تحقيق غاية التصميم من خلال تقنياتها الاظهارية الن | The formalistic composing orders are considered a basement. This basement which is the designer made to reach forming choices depending on displaying technics that give attractiveness to formalistic composing which leads to applying the aim of the design itself. They work to apply the aim of the design through the finished displaying technics and this is the essence of the research. This research which depended on this question : what are the formalistic composing orders of the designs of men fabrics ? Do displaying technics make changes in formalistic composing order of men fabrics? The importance of this research has these roles : 1. It helps in the opportunity of managing the scientific and artistic benefit for those who are studying and interested in the field of designing and technical in the colleges of technics and institutes as well.2. It may participate in increasing the knowledge of the researcher and technicians in ways and technics. It also stabilizes the artistic designing principles, and put them in front of the designers to inspire them consequently bring new ideas of designs. These inspirations raise the designs of Iraqi cloth in quantity and quality. The research also wants to applying these goals : 1. To know the formalistic composing order of the designs of men fabrics. 2. Showing the relationship between the formalistic composing order and displaying technics in the designs of men fabrics.Th research of formalistic composing orders and the applying displaying technics, and the designs of men fabrics consisted shirt , (Indian or Chinese ) made , which are available in the public shops of Baghdad ( Al Shorja trading shops) from 2010 - 2012.The seconds chapter contained the theoretical work which consisted of three ideas. The first one was about the formalistic composing in designing men fabrics. The second chapter was about the designing composing in the design of men fabrics. The third was the effect of technics in the formalistic composing order. After that it is concluded the most important signs that comes from the research. Then come the preceding studies and their discussing.The procedures in the third chapter represented by depending on descriptions of the analysis of samples. These samples were (240) designed samples. About (160) of them are excluded. The reason was that they are similar in showing the essence of the design and repeated in one hand and repeating it on the other hand. Add to that it repeat the same defect on variation of colour to this design, which is not in harmony with the needs of Iraqi shops and styles. So what was rest (80) which represented the base samples. According to that samples were chosen intentionally in (30%) , which was about (24) samples. These samples are varied according to displaying technics.The analysis tools are listed in points of analysis. This analysis tools depended on some theoretical signs, which the researcher presented with the help of the supervisor, and certificated by number of experts. These tools were depended on in analyzing samples. In the same course, the samples of research were also analyzed depending on the points of the list.The fourth chapter contained the result that is found by the researches and the conclusions. The notable of them were the dependence of men clothes designs firstly on the mixed fabric. they did that since it is durable, comfortable and cheap. This led to reduction of using the natural fabric due to their high prices. In addition, the artificial fabrics also reduced in usage because it is not suitable for the weather of Iraq.The formalistic composing orders are actively represented that within them, the designer used the reticular fabric and liner fabric which is prevalent which suggested a limited space for similarity and repetition in the parts of the main unit. This unit has connected totally with the capability of the designing to weave fabrics through the crossing of the vertical lines with the horizontal lines to show the essence of the fabric on its surface, as the central organization appeared in least percentage. The distribution of the random consistence which gives variety in directions and the design unit via the connection of the relations of its factors could appear in less percentage. This is because it a reflection of a real technic of fabric printing which is usage has reduced in making men fabric designs. The chapter is consisted the recommendations and suggestions and the Arabic and Foreign. In addition to that, it is consisted the summary in a foreign language.

الغرائبية في نصوص مسرح الطفل == Exoticism In The Texts of Children'S Theatre

Author name: اسراء علي سلمان القيسي
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان قلة نادرة من البنى المسرحية وجدت طريقها في الذيوع والانتشار بين العامة مثلما وجدت بنية الغرائبية، لكثرة ما دار حولها من جدل ونقاش بغية تفسير مدلولاتها ومعانيها وحصر مكوناتها التي اختلفت باختلاف الثقافات والبيئات الاجتماعية المختلفة. لقد تعددت الرؤى وال | The lack of a rare theatrical structures and found their way to publicity and spread among the public, as found between exoticism, for the large number around the house of controversy and debate in order to interpret their meanings and their meanings and inventory components that differ in different cultures and different social environments.I have multiplied visions and ideas about the process of using this structure in the theater in general, and particularly in children's theater where they can reflect the themes and drafted meticulously crafted to reach the connotations and meanings with values intellectual bear the stamp of education - education - an education from this perception identified researcher title researched (exoticism in the texts of children's Theatre), the search was organized in four chapters as follows : Chapter I : (methodological framework) : Which includes a research problem and the need for as represented through the problematic question (how it works exoticism in the texts of Children's Theatre), as well as a researcher by highlighting the importance of research and its objectives and seal its borders and separation required number of terms.The second chapter (the theoretical framework and previous studies), has been divided into three sections came as follows : • The first topic : exoticism concept.• The second topic : exoticism in children's literature.• The third topic : the ages of the child.The chapter concluded with the theoretical framework indicators, and previous studies.The third chapter, a chapter on action research by taking indicators theoretical framework analysis tool after it was presented to a group of experts, and research methodology adopted a descriptive approach - analytical and research sample for the period (2001 - 2010) has been selected three texts play, then the unit of analysis, where the researcher adopted as a scene analysis unit, as well as the sincerity of the tool where the researcher relied on virtual honesty to ascertain the veracity of the analysis tool.The fourth chapter included the most important findings and conclusions reached by the researcher, including : The results are : 1. The exoticism is given the role of beauty for the emergence of the Transfiguration through events and actions more attractive and realistic and expressive.2. The exoticism is an effective impact on the feelings of the child, and the content of the passionate and emotional content comes according aware of aesthetic and scientific drama.The conclusions reached by the researcher were : 1. The theme most Exoticism texts, based on educational issues - educational, and were formulated in a way Western and unfamiliar, but she eventually refer to the nature of the subject formulated it.2. Personal Exoticism has the same qualities of the ordinary in terms of personal feelings and emotions, but it is characterized with its extraordinary capabilities and boundless acts, and it appears that through its actions.And finally been presented recommendations and proposals, and then concluded Find a list of sources and references, appendices and abstract in Englis

اساليب التصميم الزخرفي في الفن الاسلامي : دراسة مقارنة == Styles of Decorative Design In Islamic Art (Comparative Study

Author name: بسام صعب حمد
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: بعدما قام الباحث بدراسة استطلاعية، على التصاميم الزخرفية النباتية المنجزة على المخطوطات الورقية، في القرن العاشر الهجري/ السادس عشر الميلادي. وجد ان هنالك ثمة اوجه تشابه متعددة، ولكن ثمة اختلافات واضحة، سواء على مستوى المفردات والمكونات، او على مستوى الان | After an exploratory study done by the researcher on plant decorative designs on paper manuscripts during the 10th AH century / 16th AD century. The researcher found that there are many similarities, yet there are also some obvious differences, both at the level of motifs and components, or at the level of construction and configuration, also he noticed that there are two distinct Art schools which had established their characteristics and properties gradually through the Safavid school in Persia and the Ottoman school in the land of Anatolia (turkey). Although the two schools are included in the Islamic circle of Art, both show distinct and obvious characteristics. Thus a detailed study required to show both similarities and differences, especially as the researcher had found out as a result of his continuous research in this field and his study of curriculum in the departments of Arabic calligraphy and ornamentation in the scientific institutions concerned in this type of art. That there is confusion and overlap in the way decorative design is applied in these institutions. This requires that we show these differences by answering the following : {What are the similarities and the differences between the two schools of art (the Safavid and the Ottoman) regarding the styles of designing floral decoration?} The importance of research, in that : 1 - It can contribute to enrich the students with the knowledge and competence in various fields.2 - It can contribute in cementing the curriculum, especially in the field of Islamic decorative arts. The research aims at : Revealing the nature of the decorative design styles in the two Islamic schools of art (Safavid and Ottoman) during the 10th AH century /16thAD century.This is achieved by conducting a comparison between these styles and determining the similarities and differences between these schools, based on the following criteria : 1 - Systems of space division.2 - Styles of construction and structure.3 - Types of decorative design.4 - Units of floral motifs.5 - Treatment of colors and methods of illumination. The research is also limited to floral decorative designs which are colored and illuminated on paper manuscripts, such manuscripts are found in the Riza Abbasi Museum in Iran and in Sulaimani Library in Turkey during the above mentioned period. The theoretical framework included the following subjects : Emergence of plant motifs in Islamic art (Introduction) and then referred to the school Safavid in Persia, and to the school the Ottoman Empire in Anatolia, styles of floral decorative design (regarding space division, and methods of construction and structure), color treatment and methods of illumination, components of floral decorative design, types and units of floral motifs (glass, flower), as well as structural units and design bases of floral decorations. The researcher followed in his procedures a descriptive analytic method to reach the results that can accomplish his goal in solving the problem.A sample has been chosen on purpose, 8 samples have been chosen out of a community of 80 forms. The analytic form have been designed and presented to the experts to ensure its validity an ability to achieve the desired goal.The research has reached the following result : 1 - The styles of the Safavid school was influenced by the styles of Chinese arts and the styles of Tamarid school , whilst the Ottoman school was influenced by the Safavid school , and by the Roman Seljuks arts , as well as the Chinese arts.2 - The systems of space division seems to be alike in both schools (Ottoman and Safavid), represented by five divisional systems which are : (bilateral, quadrilateral, radial, network, stripes) systems.3 - The two schools show similarities in their utilization of the double construction (flower cup, floral), yet they show differences in their utilization of the single style of construction for one of these types, the differences are shown in both ways of space construction which are the free and the repetition styles, or even through the use of units belonging to other types within other types of construction.4 - The components of the design (structures) show similarities in both schools regarding their construction of design and the way of placement.5 - Generally, the two schools have used the same methods in utilizing units and types of floral motifs, yet they differ in the minute details of the motif shapes.6 - Color treatment in both schools are close, both utilize the same colors like (deep blue) and (gold dye), these two colors in particular cover most of the space in the chosen samples.7 - Ottoman and Safavid schools used the same illumination methods called (tazmik)

الماكياج والتعبير الدلالي في العرض المسرحي العراقي

Author name: اخلاص فاضل احمد السامرائي
Supervisor name: قاسم مؤنس عزيز
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعتبر الماكياج عنصرا اساسيا مع عناصر المنظومة البصرية، ولاسيما في المسرح الحديث، حيث اكد الماكياج مع باقي العناصر ايصال الشفرات والعلامات، والرسائل وصولا الى المعنى المطلوب كما ان للماكياج خاصية اظهار العوالم الداخلية للشخصيات والعروض والتيارات والتجارب ا

النظم السريالية في الخزف البريطاني المعاصر == Surrealism System In British Contemporary Pottery

Author name: احمد عودة نايف
Supervisor name: نبراس احمد جاسم الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Surrealism appeared as literary and artistic movement from very beginning of the year 1924 which disclosed of the first statement by Andria Briton who was regarded as the inheritor of the movement. It used some of its techniques , besides its affected with roots that established for this movement.Therefore the characteristics of this movement were regarded that it did not practice mental control due to the absence of actual sense.Also conceive aesthetic and moral aspects in far away embodying from as familiar one and different from reality , besides its affect with Fraud modern school and what Fraud discuss about dream, dreams and psychological analysis which allow the Surrealism to for expression about information of their artistic experiences according to visions and directions reflect by its concept and characteristics that tend to gather between the reality and below reality.Confirming upon reflex hallucinations and delirium which was regarded by the Surrealism like wake up process resulted from imagination of the artist who has special presence and works ,. Therefore the Surrealism when it call for destruction of criteria and classic traditions , it aimed at creativity and more developed frameworks. By criticizing the reality and leaves awareness and reflex feeling ,it is related to that movement Founded by the inevitable shake in artistic trends.The renewal of logical system rather than others of philosophy and contemporary artistic trends ; therefore we found that Surrealism nowadays increased its importance and earnestness as in other contemporary arts and trends to understand our new world. Surrealism as term has passed the stage where it was rejected by the earnest critics who regards itfunny ,now it is one of the most great modern artistic and intellectualmovement in which its thoughts affected distinctly at many artists in modernization period and then.Accordingly the researcher specialized the first chapter to explain the problem of the research and what is the stylistic systems in contemporary British pottery ,then define the importance of the research and necessity of such researches in order to know new styles in Surrealism art which has clear vision embodied in contemporary British pottery ,then the limitation of the research which was represented in : - Objective limit in Surrealism , criticism theories and new philosophy , starting point and references of contemporary British pottery. - Time limit in contemporary British pottery ; from 1970 - 2014. - The spatial limit : the machinery of operation in execution of pottery production in the country of the study - British besides specifying the terminology in the research titleThe researcher displaying theoretical intellectual and philosophy frame in the first category identifying the Surrealism formation and its changes in fine art post modernism the roots impact in the general structure in the Surrealism formation and what generated of works incarnated in Mesopotamia and presenting the text in symbolic structure, besides the pharos arts and what they presented of creek arts of analyzing processes and structure in the human and animal body also the art productions(Jerome Bush) which Surrealism sustained a lot of their characteristics which impact clearly and effective in modern Surrealism art and the second category in Surrealism and its transformations in modernism formations and after it which influenced by Existentialism and the physiologicalCanalyzing school especially Freudian thought and intellectual analyzing presented by Friedrich Nietzsche depended by Surrealism as fine art and its theories theoretically entirely and the third category disclose the starting and references and the Surrealism systems in British pottery which effected directly in develop and advance of British pottery leads to broad uses Surrealism - oriented confirmed by the modern period artists in their incarnation of the pottery product which the researcher depended in his research based on indications from which theoretical frame as a tool of analyzing the sample.As for the third chapter represented by the research procedures as follow : - The research community and its sample, then the research approach in which the research sample within the research community for the British potters according to time limit ( 1970 - 2014) and the sample was chosen deliberately consisted of eighteen pottery works and disclose justifications and method of analyzing the sample and the researcher depended the descriptive analytical approach for its consistence with trends, and visions of the immediate research depended on indications of theoretical frame mentioned in P.( 115 - 117)In the forth the researcher achieved the research results reached via them to disclose the Surrealism systems disclosed by pottery works represented by sample analyses and reached conclusions and suggestions then list of Arabic and Foreign sources and references lists and abstract in English language.

ملامح الفكر الفلسفي الاغريقي في الرسم الاوربي الحديث

Author name: احمد علي كاظم السعيدي
Supervisor name: كاظم نوير كاظم الزبيدي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Current search study( the features of Greek philosophical thought in modern European painting ), research has included four chapters : Me first chapter from the framework of systematic research , represented by the problem of research that have been identified to answer the question (what features of philosophical thought Greek in drawing European modern ), and Browse importance, and it's needed, and the goal of the research was limited to defined ( Features philosophical thought Greek in drawing( EU talk) then custom and select the terms contained in the title search, the second chapter devoted to the statement of the theoretical framework and previous studies of the search , where divided into four topics , eating Section I : ( philosophical thought Greek in terms of (knowledge, beauty) when philosophers Greeks ), while addressing the second part : ( a historical perspective of the relationship reciprocity between philosophical thought and art of drawing EU, starting from the drawing Greek to drawing European modern ), while the third section handled ( the features of philosophical thought Greek in philosophical talk ), while taking fourth section : ( contents of the philosophical currents of art in the modern European painting ), and the theoretical framework of the review concluded indicators derived from the theoretical framework , to take advantage of them in the formulation of the search tool.The third chapter guarantees the research procedures and contains the following : 1 - the research community : Researcher briefed on what available publication of related charges identified the research community and in ( 120) artwork of modern European art paintings.2 - sample : the researcher selects sample after the presentation to the experts , which amounted to ( 19) works of art , including all directions modernity fee covers the limits of European research and its purpose.3 - Analysis Tool : Requests Find a analysis tool for fee artists modernity European , to detect the features of philosophical thought Greek in drawing EU talk , so deliberately researcher to build analysis tool is of introduction disclosure about the features of philosophical thought Greek in drawing European modern according to the following steps : First / formulation paragraphs : Researcher adopted in the formulation of paragraphs on the theoretical framework indicators , and noteArt works of European painting schools to talk to the research sample , he put in philosophical axis features Vertical , and artistic currents of modern European painting schools in the horizontal axis on the form.II / Believe content analysis tool : the researcher to view the tool on a group of experts inThe field of art education and fine arts to express their opinion in the validity of the analysis of the features of philosophical thought Greek in drawing EU talk , to ensure the veracity of paragraphs, and using equation (Cooper ) Cooper, and the percentage of agreement among the experts have reached rate (92% ) which is reliable , after that gained virtual honesty , and equation ( Scott ) to calculate the stability of the tool , with a persistence rate ( 83.5 % ) , and become a viable tool. III / Analysis of the research sample : The researcher analyzed a sample of the research community in the light of paragraphs search tool to access the search results.The fourth chapter handled ; review of the search results , and the conclusions drawn , and the findings : 1 - Emergence feature Happening and Change( Heiraclaitism ) and the expression of the driving forces behind the phenomena of nature in the future technical school.. Where painter EU sought in modern painting to record the moment time accelerating toward changing the visual landscape of the universe , all things in the universe, in the case of the process of change , the world is not fixed on a particular case. This is what philosophers Greeks ( Anxsmander ) , and ( Heiraclaitus ) , and later ( Plato ) hundreds of years ago , and as it appears in the form (1 ), and ( 7) of the sample. 2 - Emergence tendency Engineering ( platonic ) , fees ( Cezanne ) Impressionism, and school fees ( cubism ) , and school ( for the future ), and fees for abstract ( Mondrian ) and ( Malvi? ). Where modernity painter taken the registration point of European self trying to blend the kind of rationality in classic formations ( the hierarchical configuration ) , and the Impressionist vision that is trying to express the variable, and mutated forms of the world that change with surfaces formats. He wanted painter European express the essence of facts shapes found in nature and which belongs to shape the absolute in the world of ideals , which is achieved by sharp lines and geometric shapes box and roller circle, as mentioned ( Plato ), also note that in the models (2), and (6 ), and ( 7) and ( 11) of the sample.3 - Action painter European modern to stay away from the simulation sensory direct ( platonic ), to disclose the deep structure hides improvisations self cancel manifestation abroad to reflect new insights Delivered on fact, the visual contemporary vision , pursued painter European modern to promote the concept ( Platonic ), which finds that beauty lies in abstract shapes also appeared in school in school ( Cubism ) and ( future ) and school ( abstract ), scene visual illusion and shadows and ghosts of the truth as seen ( Plato ), and then on the artist searching for the truth essence, the remaining time. This is what we notice in the models (6), (7), (8), (9), ( 11 ) of the sample.The search also reached several conclusions , including : 1 - found painter European modern Greek thought keys radical solutions to many of the problems that was Want go into it, also found the starting point for the prospects of a civilized new what will happen in the twentieth century and the subsequent sync with the role that caused the world's statements modern scientific and radical changes carry are other attributes intellectual vision consistent with the propositions of Greek thought , there is no peace or standard stand - alone nor space - standing , and dimensions of the stand - alone, this revolution in the face of the Laws seemed suddenly like reforms Hjmtha and Haunted reactions against ( realism) and against signified year 's theme , which stems from susceptibility of us.2 - movements invasion of Europe that have emerged in the seventeenth and eighteenth centuries, especially the invasion (Napoleon ) for (Italy) and the Mediterranean coast , led to bring a lot of books and cultural relics and art to (France) , Which had a leading role in the development of Western civilization. was one of the most important elements of this intellectual movement is a rich intellectual inventories of Greek civilization.The Greek civilization and culture, roots and the intellectual foundation of the Western mindset , they are formed by installing a Western man mentality, and thus was leading philosophers of the Middle Ages and the modern can not get out of the mantle of thought ( Platonic ), and ( Aristotelian ).

التوظيف المجازي للصوت في الدراما التلفزيونية

Author name: احمد عبود العسال
Supervisor name: عبد الباسط محمد علي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يحتل الصوت في الاعمال الدرامية التلفزيونية، مساحة واسعة على مستوى التوظيف والتعبير، فالى الجانب الوظيفي لعناصر الصوت من حوار وموسيقى ومؤثرات وصمت في تشكيل ودعم البنية السردية للصورة في العمل الدرامي اصبح اليوم وفي ظل التطورات التقنية للصوت قيمة جمالية في

اليات بناء الصورة المسرحية في عروض مهرجان منتدى المسرح التجريبي السادس عشر (لسنة 2011) == The Mechanisms of Forming The Image Dramatic In The Shows of The 16Th Festival of Experimental Theater Forum For (2011)

Author name: احلام علي عيدان الغزاوي
Supervisor name: عادل كريم سالم
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان المسرح من اهم الفنون الذي يعتمد على عدد من العناصر ليكتمل خطابة من نص واداء واخراج وصورة وهي التي تحاول الباحثة ان تعرف بها فهي تحمل معنى المسرحية ومكملة لفكرتها ومعبرة عن احداثها ورؤيتها فالصورة المسرحية تحتل دور متميز في العمق التفسيري للافعال, اذ ان | In order submit presentation on stage has to be the availability of a set of basic elements, including text and actor, location, etc, which integrates supply fimnha many pictures innovative bearing the meaning of the play and expressive about events Moreover, they reveal perceptions director has within its vision directorial. The theater does not integrates her address the language only, but there must be interation with the elements of image formation and play between the receiver which reacts with the show visually and acoustically.That`s the play is not the only visual shape, but the relationships are visual, auditory, visual relatiions that are among tha elements of theater itself. Since it does not form a picture of the real substance of which its constituent elements and these elements interfere with each other to be the aesthetic image with signs and symbols of working to attract the attention of the recipient and stimulate his imagination dislodged This study included four chapters : First chapter : contained the theoretical frame which included the problem of the research, the need behind it, the importance of it, the aims of it, its limitation and specified the terms. The problem of the research raised in presenting a question that researcher tries to answer it (what are the mechanism of building the image and its transitions to establish the show, and whether it is stable or changeable). The importance of the research lies in discovering the mechanism of building the image and working on it to form a show. While the aim of the research include discovering the mechanism of building the image and seeing the aesthetic and philosophy of the image that had been formed in the show. Second chapter : titled (theoretical frame and previous studies), which included three sections.First sections : the concept of image which deals with the way of the image's emergence, its nature, its effect on the recipient since the primitive man till this day the way of entering the artistic field.Second section : mechanisms of building the image, this section deals with the elements which produce the theatrical image and fortify the show, including ( actor, theatrical view, lighting, costumes, make up, music and sound effects) which works together to create a special atmosphere to the show and dazzle the audience in addition to conveying them the theme.Third section : changes of image in the directing trends, this section includes : First : the realistic trend in theatrical direction : it presents a realistic trend which the recipient ignores the matter that would amaze him/her. In this trend, the reliance was on the actor in conveying the feelings and emotions to the recipient to be affected and interested in the show.Second : the natural trend in theatrical direction, this trend is considered as a radical extension for the realistic trend that it conveys reality as it is to the recipient without deletion or ornamentation as the show's aim was meant to be presented in a complete honesty.Third : the trend of anti realistic trend in theatrical direction : it aims to strengthen the form and aesthetic values over the content of the work.Forth : the trend of expressionism in theatrical direction this trend deals with presenting an image personifies the essence of things without paying attention to the external form that it is interested in imaging one's mind more than life facts since the fact of man lies beneath him not in its sensual appearances.Fifth : the,trend of symbolis, director Gordon Craig urged to this trend which depends on two elements : The actor's bodyForming the theatrical voidSixth : The epic trend in the theatrical directing : This trend sought to transfer the emotions from the stage to the recipient as the introduced image in this trend transfer events that have direct connection with people's problems, urging them to coup, rebel on the reality and change it.Then the researcher referred to the previous studies that dealt with the subject of the image and then obtain the result of the visual frame of the research to analyze the samples and testing them.While the third chapter (the measures of the research) came with two axes : First : research methodology, as the descriptive analytical method has been adopted.Second : discussing the samples that that have been selected deliberately and analyzing them in accordance with the indicators resulted from the visual frame as the sample consisted of three shows for number of directors.• jaleed play( ice)• ranet hawen play (the sound of pestle)• jalsah sreah play( secret session)he fourth chapter includes the results of the research : After the researcher reached to the conclusion and the suggestions, she submitted her recommendations which confirmed the importance of the theatrical image and the mechanisms that it works on forming them within the directional guidance and the necessity to expand the research and applying them, attaching in a list the sources of the research and an English summary.The mechanisms of forming the image in the shows of the 16th festival of theater forum for 2011Then came the conclusions of the researcher and then came the recommendations of the researcher stressed the importance of play and mechanisms that operate on its composition within the directorial trends and the need for the expansion of research and work out accompanied by a list of sources of research and a English summary.

الاشتغال الدرامي والجمالي للاكسسوار في سردية المسلسل التلفزيوني == The Dramatic And Aesthetic Occupancy For Accessories In Narration of TV Series

Author name: احسان دعدوش حسن
Supervisor name: علي صباح سلمان
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ينطلق البحث في محاولة لتاشير الاشتغال الدرامي والجمالي للاكسسوارات في الاعمال الدرامية، اذ ان كثيرا من المصادر السينمائية والتلفزيونية قد اغفلت ذلك الاشتغال - بشكل تفصيلي - واكتفت باشارات هنا وهناك لا تكفي الباحثين والمتخصصين في الدراما التلفزيونية، اذ | Kicks off search in an attempt to mark engage in dramatic and aesthetic accessories in dramas , and where many of the sources of film and television have overlooked that engage in - in detail - and merely signals here and there are not enough researchers and professionals in the television drama , it came this search to separates much in use conscious accessory in a dramatic scene. It was a most sources of books and letters Master 's theses Ph.D. inflict Art Accessory art of decoration , and the uniqueness of the accessory chapters separately , which is the same outlook among directors and makers of dramas television , which relied on the dialogue in the narrative stories , and did not activate an Accessory to the is the task of the narrative , but in little business, but after that gained a TV drama tools and potential mediator Film Festival in imaging equipment , lighting, editing and visual tricks , and that gave the image of television and greater clarity in the quality and quality in the area of the screen , and no longer naming the small screen apply to the system of the TV show because of the big change in regulations Display( AJ Dee, and wealthy de ) , as well as the change in screen sizes TV show , which begins a smaller size in the plasma screens of 32 inches , while the screens ( LCD ) is up to 13 inches and less, while the larger size is not an end, and every year show larger sizes for both types. Have contributed to these changes in the evolution of the use of all parts Accessory shots variety of sizes and angles , becoming an active part in the accessory operations to engage in dramatic and aesthetic narrative television series. The research includes four chapters were as follows : Chapter I ( methodological framework ) , researcher in which the research problem , which revealed that the accessories and collectibles lead duty Tagged In addition to its duty aesthetic inside view television , and boils down to that duty Semantic fact that those tools mode to distinguish between places , people and times and cultures , and without them it becomes theorist poor and non - D thing , and therefore there modes operate accessories such as elements of dramatic and aesthetic. The importance of research in the reading of the recruitment events aesthetic and dramatic narrative of the accessory in the television series across clarify the implications.And ensure that the second chapter ( theoretical framework three sections , came the first of the title ( Accessory in the arts , film and television ) Turning to the forms and nature of the accessories employed in works of art and how to employ these accessories to represent part of the narrative or Mudallolah scene , Valxssuarat lead functional aesthetic expressive help build dramatic events , and has become an engine for those events , in addition to the function expressive and functional aspect of the operation of accessories in the structure of the drama. After fighting a Search ( Dimensions drama and aesthetic accessories in the TV series ), which is the title of the second section to confirm that the aesthetic is not a goal itself, and not to be accessory impressive without cause becomes a presence innovative and delightfully and isolation from the work of art , offering cutting accessory whole signs readable and communicate ideas and feelings , can generate meanings and disclose the contents hidden inside the structure moot.The study provides in Section III ( the relationship between the accessories and narrative TV series ) my way narrative central ( subjective and objective ) to know the events occurred in the past ( outside time events ) , as well as the disclosure of what will be located in the future , and the fact that an Accessory able to combo both ways both , whether the purpose of the narrative to know what happened in the past or present alternately (past figures or future ) , and because the TV drama of Arts synthetics can not be any element that serves as the narrator unless there are other elements that are working with accessory to formulate sentence moot , including personal and dialogue The time, place and the lighting and color photography and editing.After discussing the researcher 's previous studies came out after six indicators seized the rhythm of the study and after the presentation to a committee of experts and specialists have modified to suit the requirements of the search.The third chapter with double two : research methodology , and discuss the sample that has been subjected to analysis on according to indicators that came out of the theoretical framework , and formed the sample selected from the second part of the Turkish series ( Harem Sultan ) , which was chosen because of the outstanding works which have earned a great deal of viewing, and being contains the greatest possible use of the aesthetic and dramatic accessories in the context of the narrative of the events.And ensure that the fourth quarter results , which was the most important accessories that has as an element of expression in the ability to narrative drama when placed in different contexts , and are relying maker 's ability to work in different ways to find a narrative beyond the traditional methods that rely dialogue.The researcher went out the conclusions and proposals and recommendations , including the need for the script writers to highlight the role that could be played by the accessory as a key actor in the television drama , not as objects belonging to the decor or complement it , and eventually came Find a list of sources and a summary in English.

الاسس التربوية والفنية في تصاميم سينوغرافيا عروض المسرح المدرسي == Foundations of Educational And Artistic Designs In School Theater Stenography Offers

Author name: طيف جبار رؤوف السامرائي
Supervisor name: شذى طه سالم العبيدي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد المسرح المدرسي من اهم وسائل الاتصال الحديثة التي احدثت نقلة نوعية في مسرح الطفل، اذ اسهمت في دعم العملية التعليمية داخل المؤسسات التربوية وذلك من خلال عروضها التي اتسمت بامكانيات كبيرة وشخصيات عديدة التنوع والتباين ساعدت جميعها في نمو شخصيته فكريا وب

الابعاد الجمالية للموروث الشعبي في الفن التشكيلي العراقي وتوظيفها في مشاريع طلبة قسم التربية الفنية == The Aesthetic Dimensions of The Folklore In The Iraqi Plastic Arts Ad Their Employment In The Projects of Students of Art Education

Author name: غازي لعيبي مجيد الصفار
Supervisor name: هاني محي الدين محمد النعيمي
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Folklore might be a burden that exhaust the living ad not only loyalty to the past. Artists must be effective concerning the meaning of folklore, whether these are inherited values or giving new forms to the windows expressing their horizon. Extracting the information. To stimulate these and their ideological and their formative value has a positive significance, and acquired modern arts new conception as a deposit for the Iraqi artist in his creative experience.The present study aims at the following : 1 - Revealing the aesthetic dimensions of the folklore in the Iraqi plaiting.2 - Designing an educational program of the project subject according to aesthetic dimensions of the folklore in the Iraqi painting.3 - Measuring the effectiveness of the designed program through application on students of Fine Arts Dept. in the subject of the Project.In order to achieve the objectives of the study, the research put the (4) zero hypotheses : The community of study is made up of students of the Furth Grade in Art Education - College of Fine Arts, for the academic year 2013/2014, the sample is (88) maleand female students; (67) male and (21) female distributed in (5) classes.The educational skill program was distributed according the principles of educational design within the one education unit including the art works of (16) contemporary Iraqi artists. This design includes two types of tests; one is cognitive acquisitive in the subject of Project and the other is skill test. Also, two types of forms for the sample were designed. The instruments were shown to the sample.In order to reveal the finings the researcher used Mann - Whitney coefficient, difficulty and distinguishing coefficient, Kudor - Richardson /20 Equation and Holesty Equation.The most important findings of the research are the following : 1 - The artist maturity achieved for the students of the experimental students as a result of passing through the various educational expertise which included in the educational units and the method of displaying them and the educational means used. This created a desire and motivation for them in carrying out their artistic projects through the employment of the symbols and concepts marked out by this program more than the normal methods for the control group.2 - The process of using the educational means represented in the paining achieved by contemporary Iraqi artists which include symbols derived from folklore like gods, domes,shanashil, tattoos, carpets … etc. this has contributed to a great degree in acquiring the students of experimental group the skills they needed to implement the material of the art project. This has generated a strong motivation to learn the component and interact with the requirements of the educational units which were required within the educational program. Then, the information required by this material is required.Upon these results the research comes up with the most important conclusions which are : 3 - The success of the educational program as a method of teaching in the subject of art project arises from the effect on the students’ concept and their change to the best that it allowed to the students to put his\her hands of a scientific list of the concepts and symbols produced by the folklore to be employed his\her artistic works as part of the requirements of this item, which led to the improvement of their artistic skills.4 - One of the most important necessities of the educational is to take into consideration the process of cognitive ad skill learning, which depended on the students and their requirements in order to arrive at the best outcome. This what this study endeavors through presenting the sequential educational expertise supported by the art works in contemporary Iraqi painting on which students can base their art works.

المقاربات الشكلية بين الخزف المعاصر والعمارة : دراسة تحليلية مقارنة == Formal Approaches Between Contemporary Ceramics And Architecture (Comparative Analytical Study)

Author name: زينب صالح عباس البيرماني
Supervisor name: صباح فخر الدين عبد القادر | زينب كاظم صالح البياتي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: To understand what the role of the arts in general, and particularly Fine Arts of purposes, one must know the methods of implementation of social relations, historical and cultural of this era, And that they are different from each other, but they remain interconnected we see through the mutual influences between ceramics and architecture, Thus, we find that certain artistic traditions new. In art, including give the value of knowledge and formality with human consciousness, But was a reflection of the cultures of the peoples through secreted Through its productions pillar and porcelain which clearly through its productions pillar, which clearly indicates porcelain asymptote of architecture in terms of its external form which requires research and follow - up to identify the nature of the public to what is in the achievement of this study. Indicating what it takes research to find out the nature of America's cultural. He explained that through the extrapolation of its artistic product as a put forward image prevailing business now.Deals with research in this area of formal approaches to ceramics and architecture, the study determined works ceramic artist who lives in America since the seventies of the twentieth century. Necessary research to know the historical roots of both the statement of one to the other affiliation.The study included in this four chapters, are meant to cover specific objectives of this study. Which included the first chapter, which contained a research problem in determining the formal approaches to ceramics and architecture to know the effects of styles and the overlap between them, Could help in the development of indicators illustrate the features of American art during that period, and determine the specificity of the ceramic artwork. And this chapter is also included on the importance of research and it's needed, As stated in the problem of the vertebrae directly on the nature of thesubject, was also presented research to identify targets on formal approaches and identify the formal specification implementation approach to the work of ceramic and architectural picked, Which is within the limits of the search, and determine the terms contained in the search task, and also included similar previous studies and our search nearby to study this.Chapter Two included the theoretical framework. Where conceptual framework is divided into three sections : the first intake form. And discuss the general concept of the shape, then known in the art form has been to clarify the specific form content, and translated the language of expression through formal organization, defined the trends and shifts the art form over the ages.The second topic included a brief definition of the architecture through a brief history. Architecture modernity included at the end of the nineteenth century and architecture between the wars, as well as the experiences of some style architecture Globally Harmonized System, and Building late modernity and post - modernity. Has addressed the characteristics and advantages in the form of trends and currents and architectural schools, which is important to us in our research.The third section has dealt with a brief definition of the American Ceramic through a brief History, also addressed a comprehensive study to identify the morphological transformations of the American Ceramics.Included Chapter III action research, which was how to gather the research community and the selection of the sample under study it and methods and tools for gathering information, and the statement of the style of presentation of a study and analysis of samples of the research and a table showing the aspects of convergence and divergence between ceramics and architecture in a clear and explicit. The researcher chose «25» contemporary ceramic sample of American potters from the consideration of the community ceramic model for its approach with «100» Building a global intended choiceIn the fourth Chapter, the researcher concluded several results, including : ? show formal approaches between ceramics and architecture and clearly by the engineering construction output through the employment of straight and curved lines, or dashed lines cross, divide the surface of the internal or external shape determines the overall shape of the unfinished ceramic and architectural.? Almost ceramic forms by architectural configurations employ colorimetric surfaces and touch on the outer surface, between the ceramic body and architecture by employing color.? Converged ceramic formations and architectural style in terms of inspiration and artistic trends including intentional and serves the goal of the search.? Sort samples for analysis approaches in the recruitment of internal space and the ocean in the form.? Selected samples showed precedence on ceramic architectural achievement in terms of the time period.As well as search included conclusions that were built according to the results, including : ? Technical trends in the completed form of reference and ceramic pro forma basis approached them and some of them contemporary architecture configurations.? Ceramic figure appeared aesthetic goals by employing the same technical elements that it contains elements of the body of architectural done. In spite of the different sizes of between Achievers ceramic and are excreted architectural aesthetic self - goal in the formal composition of the three - dimensional models.As the researcher has developed some of the recommendations and proposals. And the search ended with a list of sources and references, and appendices and summary in English

جماليات التعبير الفني للنحت المعاصر ودورها في تنمية التفكير الابداعي لطلبة التربية الفنية == The Aesthetics of Artistic Expression In Contemporary Sculpting And Its Role In Developing The Innovative Thinking For Students of Art Education

Author name: عمار جبار حسين الوهج
Supervisor name: صلاح لازم حسن
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The first beginning of contemporary sculpting appeared in the three - dimensional work performed by the artist Picasso (1910 - 1925), which consisted of elements and group of raw materials from iron and wires that formed a new pattern that was not known before. This trend which had appeared in the art of sculpturing is attributed to the Spanish sculptor Julio Gonzales 1876 - 1924.This transformation has given a phenomenon realized by the artistic and the recipient of the artistic work, and this formed a base for other sculptures in performing similar works in sculpture. What aesthetic have presented through their work show new aesthetic according to an artistic perspective that helped in showing the artistic results and achievements that bear aesthetic symbols. These artistic works have manifested life and nature and their intellectual and human reality in all its social, religious artistic and philosophical realms.Since innovative thinking, whether artistic or literary, is a mental activity that is characterized by atypical and not in line with the basics of the regular thinking leading to a production that is characterized by innovation and novelty, thus, this activity could be transformed into a useful behavior on the various fields including art education.Since the Department of Art Education in the College of fine Art aims at the training and the rehabilitation of the students studying in this Department into qualified teachers of the subject of Art Education, then, this teacher is required to possess the cognitive the teaching efficiencies and expertise (cognitive and skill) that qualified him\her to implement the requirements of this subject including (painting, ceramic, sculpturing, etc.).Upon the above, the problem of the present study is founded around the derive the artistic skills that have formed the aesthetic ideas and perspective which the contemporary sculptor have formed in his sculpture works so that they are represented in a group of elements, symbols and the linking relations of the artistic work. This can be done through the use if the various environmental raw materials in constructing of his work. That adds that is distinguished from the conventional. The researcher found that investment can be invested to derive methods which can be given to students of Arts Education who study Sculpturing subject and introduce them to the raw materials and the techniques that are characterized by aestheticism.The present study aims at the revealing the aesthetic of artistic expression of contemporary sculpture.To achieve the objective, the research puts the following sub - objectives : • Designing an instructional paradigm according to the aesthetic of artistic expression of contemporary sculpture to develop innovative thinking.• Measuring the effectiveness of the instructional paradigm through experiment on sample of students from the second grade - Dept. of Art Education in Sculpturing.In order to verify the instructional paradigm, the four null hypotheses were posed. The research community consisted of 53 male\female students of whom the researcher chose 26 students, they were distributed into two group : an experimental group that the subject of Sculpturing according to instructional paradigm and the second is the control group which was taught the same subject in the conventional methods. They were matched in terms of the variables of sex - age - innovative thinking - and skill test.In order to archive the objectives, the researchers design the instructional paradigm according to the principles of instructional design. The content of instructional paradigm includes an analysis of 16 works of sculpture performed by artists of contemporary sculpturing, after that, two types of tests were devised to measure innovative thinking which includes 24 questions each includes 3 branches. The researcher put 1 mark for each correct answer and zero to the wrong one. The total scores become 72 marks. For the skill test, he designed form of evaluation that includes 12 items for which he determined fivefold scale. Thus, the total scores equal 60 marks.The tools were displayed before group of experts in the specialization of art education, Sculpturing and the methods of teaching to verify their validity. The researcher applied on the surveillance sample to know the constancy coefficient which attained (0.89) for the innovative thinking and (0.87) for the kill evaluative form.In order to show the findings of the study, the researcher depended on a set of statistical means like Mann - Whitney, difficulty and distinguishing, coefficient, Kudor - Richardson equation 20 and Holesty equation. The most important findings of the study are the following : The experimental group, who used the instructional program the content of which includes sculpture works of contemporary artists designed according to the principles of instructional designed excelled over, excelled over the control group who were taught the same subject in the conventional methods. The reason for this is the organization in the learning of the heuristicexperiences and the sequence of the steps of artistic skills and convey them to students; this facilitated the acquisition of sculpturing skills for students.Upon the above conclusions, he researcher recommends a number of recommendations : • Depending the instructional program in teaching Sculpturing for the second grade\ Dept. of Art Education for the prove its effectiveness and quality in developing innovative thinking for them in comparison with the conventional methods.• Any teaching specialized in Sculpturing can resort to the content of the instructional program in teaching the subject because it included a set of heuristic means (instructional images of the works of sculpture by contemporary artists) in addition to the analysis of the features and methods of implementations.

جماليات الشكل البصري في المسرح التفاعلي نماذج مختارة == Visual Form Aesthetics In Interactive Theatre Selected Samples

Author name: بردى عطية ثابت
Supervisor name: قاسم مؤنس عزيز
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: This research deals with the visual form aesthetics in the interactive theatre, which is shaping from a number of elements that triggers recipient aesthetics excitement through organizing these elements in order to take their proper place and then achieve form, aesthetic and beneficial function, and by the same time achieving the required meanings and indications for inspiring the recipient to be an effective element in the showing. This research includes four chapters. The first chapter shows the problem under the question : how can the operations of the visual form weave the aesthetics in the interactive theatre? The importance of the research is clarified by it attempt to identify the visual form operation that leads us to the aesthetic aim of the artistic work, for the last is being one of the most important factors in a theatrical show. This research can be very beneficial to workers in all technical aspects. The research aims to identifying the visual form operation and its aesthetics in the interactive theatre.The limits of this research has been identified from the year 2010 to 2015. They are limited to some presentations in Hollywood - Jordan - Kuwait and they all show the visual form aesthetics in the interactive theatre. The chapter is concluded by terms identification and procedural definitions for each of the following (aesthetic, visual form, interactive theatre), the researcher has taken them as the research path and curriculum.The second chapter includes the theoretical framework and has three sections.Section one deals with the tributaries of the interactive theatre. the researcher talked about it in two detailed points; the first is the modernists experiments and the change in the theatre after their experiences, while the second is technology and the modern techniques that refined theatre and opened new ways with other cultures.Section two consists of the elements of the visual form aesthetics : the actor, the lighting, the décor, the costume and props, and make up. They all work together to create the unity of the theme and become of great value than its being just elements. The artistic work is not just a random operation, it is rather an organized operation work according to certain thoughts and meanings that are conveyed to the recipient through these elements.Section three shows how to operate the visual form in the interactive theatre throughout its components (line, mass, formation and color) and through its meanings and indications that are resulting from, and how to convey the meaning of these components to the recipient.Chapter two concludes with the indications of the theoretical framework. They are : 1. Knowledge and its technical mechanisms are considered among the most important tributaries of the interactive theatre. knowledge is sensually and intellectually connected to each element of the showing, that work on lifting it up to a technology degree reflects the progress of the elements in changeable digital math formulas, and then to give one thought that has either a lighting or musical or gestural motion to attract the recipients attention and have them as an important element in the show through incorporation.2. The use of big screens of different kinds provides special areas of greater aesthetic and intellectual importance because they fill up the visual vision area for the spectator.The third chapter includes the research procedures which discuss the research curriculum, research community, research sample, research tool and sample analysis.The fourth chapter includes results and conclusions. The following points are among the research results : 1. The transition speed between what is realistic and what is virtual by the lighting, has added new aesthetics to the showing.2. The visually lines overlap has added aesthetic touches which sends the recipient to interact with them.And the following points are among the conclusions : The contemporary theatre makes use of all the modern techniques abilities in visual and sound effects, by making virtual backgrounds of positive impact on recipient, incorporating imagination with reality and technology with real world.

جالميات الحداثة في تقنيات العرض المسرحي == Aesthetics of Modernity In Theater Techniques

Author name: حبار جودي العبودي
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The problem of thes thesis deals with how the aesthetics of modernism effect the technique of the theatre performance specially the scenery and lighting. The goal of this research is to discover the effects of modern aesthetics on the elements of the play production. Chapter one deals with the phillosophy of modernism and the ideas of some phillosophers like ( Heigel , Kant , Dicart ). chapter two concens the review of literature discusses the aesthetics of modernism of the technical aspects of the theatre performance and the effects of the technology devices. In the third part of the review the researcher discusses the experiments of some modern stage directors like ( Piscator , Brecht , Brook , Kantor , Meyrhold ) on the theatrical technique and its aesthetics. In the precdure of the thesis the researcher chooses three samples from the American and Euorpean theater and he analyses the technical aspects of them as follow : 1. Shakespear's sonnets directed by ( Robert Wilson ).2. The Totem directed by ( Robert Lepage ).3. Travelers a motionless directed by ( Philippe Genty ).The researcher reaches the following conclusions : 1. The languge of the modern perfarmance depend on the visual theatre and its compositions more thar depending on the auditory elements.2. The technology devises play an important role in shaping , the modern teatrical performance.3. The aesthetics of the technical aspects of the modern theatre give the performance new perspectives.4. The aesthetics of modernism renewed the technical aspects of acting , directing and designing.5. The aesthetics of modernism depend on the new devices of technology.6. The aesthetics and the technique of the modern performance create new envirnmants.7. The aesthetics of modernism establised a new relashionships with audience.8. The aesthetics of modernism interrelates the sensual and spritual aspects.9. There is an important role for the different sciences in the modern performance.

تنمية التفكير الابداعي لتلامذة المرحلة الابتدائية على وفق استراتيجيات فورست == Developing The Creative Thinking For The Elementary School Pupils According To Forest Strategies

Author name: تغريد عبد الهادي عبد الامير
Supervisor name: حسين علي هارف | صالح احمد الفهداوي
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Our holly Islamic religion has paid a lot of concern on thinking and urged to depend on the mind , also God made the human as his successor on Earth and distinguished him with the mind from other creatures making his mind to hold responsibilities and encouraging to navigate in his being through thinking and using mind as well as planningThus thinking is not only a mental willingness since there is a significant part controlled by environmental and social factors as it can be developed, taught and learned according to the appropriate environment for developing, also the creative thinking is not monopolized by certain humans for the justice of heaven distributed the creative powers on all humans and every individual can find something which is ready to be created if he looks for it deep inside.This sort of thinking is significant for man and society because of the creative outcome comes from individuals having capability of creation in the various fields of life, if the appropriate environment for creative thinking was available for them.Many programs and strategies in terms of teaching and developing creative thinking in different stages were emerged, whereas the individual is able to think correctly if he could find the one who can help him for acquiring the new thinking skills to see what lies behind appearances and then reaching for the definite facts, therefore the research has targeted the following : 1 - 1st Target : The influence of Forest strategies for the responses of the pupils of elementary schools on the priori and consequent creative thinking test according to its skills ( fluency, flexibility, authenticity), to accomplish this target 8 hypothesis were assumed.2 - 2nd Target : The influence of Forest strategies for the responses of the pupils of elementary schools on priori and the post creative thinking test according to its fields(Narrative thinking, formation thinking, theatre thinking, musical thinking), to accomplish this 8 hypothesis were assumed.3 - 3rd Target : The influence of Forest strategy on the responses of elementary schools students about the creative thinking test the priori and the post according to its skills ( fluency, flexibility, authenticity),and to accomplish this 24 hypothesis were assumed.4 - 4th Target : The influence of Forest strategy on the responses of elementary school students about the creative thinking test the priori according its fields(Narrative thinking, formation thinking, theatre thinking, musical thinking), and this 24 hypothesis were assumed.. Thus 64 hypothesis were formatted.The creative thinking test was constructed according to the skills of ( fluency, flexibility, authenticity) and contains 13 activity distributed on four fields ( narrative thinking, formation thinking, theatrical thinking, musical thinking) , and the Apparent Honesty was used by exposing the test to a group of experts , and also the Associative Honesty by calculating the degree of consistency between the researcher's test and the phonetic formal Torense test.Also Invariability was calculated by the method of re - testing where the researcher has used Correction Invariability with herself and with another corrector.And in terms of Forest strategies the researcher has considered twelve strategies which are ( narrative loop , picking up stories from songs, the vision with thousand words , the plot design , public proverbs , the front door ( imaginary journey ) , family tales collecting, history of art that is full of tales, puzzle tale( assembling the part, old broadcasting shows , personal example tale , story narration festival ).The sample contained 100 male and female pupils of the fifth elementary class distributed into four groups , two experimental ( 25 males , 25 females ) and two controlling ( 25 males , 25 females ) from two separated schools , and the sample was taken from Liwa'a Al Haq females elementary school and Al Ummah males elementary school for the educational year ( 2012 - 2013 ) , the program took 8 including 1 - 2 session a week for both males and females and with average of 90 minutes for a session and two classes for each session.The experimental plan with the two experimental and the controlling groups and the two prior and post tests was chosen , whereas the creative thinking test arranged by the researcher was implemented as a priori on the four groups after equating them in terms of ( gender , Age, educational certification of the parents , the educational outcome of the pupils , intelligence level ( Raven's test ) , creative thinking skills such as fluency , flexibility and authenticity ) and then Forest strategies were established on the two experimental groups and the re - testing arranged by the researcher consequently on the four groups.The results conducted using Wlkinson test , the analysis of Dissimilarity as well as Sheviet test for the multi comparisons as statistical means to treat the present research data have shown of the availability of statistical referential differences among the marks of the experimental and controlling groups for the benefit of the two experimental groups whom were exposed to Forest's strategies , and the results didn't show any statistical referential differences for the gender's variable ( males , females ) between the two experimental groups.In light of the results of the research the researcher has recommended of the necessity of getting used of Forest strategies and creative thinking test by implementing them in the elementary schools

المعالجات الاخراجية لموضوعة الغياب في المسلسل الدرامي التلفزيوني

Author name: عبد الصاحب بزون
Supervisor name: طارق عبد الرحمن الجبوري
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لا تكاد تخلو اي موضوعة او قصة درامية في اي مسلسل تلفزيوني من موضوعة الغياب، وعلاقة هذا الغياب بما هو حاضر ومجسد في الصورة، وانطلاقا من تجربتي المتواضعة في الاخراج التلفزيوني، لاسيما المسلسلات الدرامية التلفزيونية، وجدت ان هناك اهمية قصوى في التعامل مع الغ

الانعكاسات السياسية في عروض المسرح العراقي المعاصر == Political Reflections On Modern Lraqi Theater Peeformance

Author name: سعدي مهدي غربي
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: استمدت الفنون الدرامية جوهر وجودها من واقع الحياة، عبر موضوعات تهتم بجوهر الانسان فالمسرح هو الشاهد والشريك لمعانات الانسان الذي يناجي اخاه الانسان حول مشكلاته الوجودية المعاصرة. ان العلاقة بين السياسي (stateman) والمسرحي ( dramatic) قديمة قدم البشرية،
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