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شعر ابي تمام : دراسة بنيوية تكوينية == Abu Tammam Poetry Structural , Formative Studying

Author name: ايناس كاظم شنبارة الجبوري
Supervisor name: عباس محمد رضا حسن البياتي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: All researchers agreed that the poet Abu Tammam represents an important poetical school in the history of Arab's verse, that is because of his poetical experiment represented a modifying stage in the Arabic innovation, he transferred the experiment from the emotion to the intellect and from the instinct to the meditation and prying. I presented in my current research a new reading to the verse of Abu Tammam according to the structural and formative method. That comes after an accurate study to Goldman's method and adjust his procedural tools notably in his book ( Hidden God) and I came up with that the method is about four major corners, first is : Discovering the vision of the world for Abu Tammam and then find the conceptual path that joined him with the conceptual level that represented him and make him one of its individuals. After understanding reading to his verse aimed to discover the referring environment that ruled the poetical experiment and give it the final shape. Finally, reading the structure of the Early AbbasiEra from all economic, political and cultural sides and discover the dominant conceptual structure at that time which resulted in producing that level and forming its individuals by that way exclusively and the impact of that over the formation of Abu Tammam 's verse. The early Abbasi Era is different from all other eras that preceded it, most distinguished things are : Culture and conceptual opening on the out world led to the cultural mixing between the culture of Persian, Greece , India with the Arab culture. Many conflicting conceptual schools have turned up. One of the schools is Almuatazila as the most important conceptual and cultural school represented that era and dominated all its joints and extended to the extent that Almamoon declared that it is the formal ideology of Abbasi state. Almuatazila school depended upon the mind among all conceptual schools, it analyzed the religion and prying the universe and solved problems depending upon the mind thoroughly. That came as a logic result due to the culture of the school that relied on the Greece philosophy. We can find out these prints very clear in the verse of Abu Tammam and in his conceptual attitude that he was well - known of his producing a poetic vision in which mind is raised over the instinct and emotion. In addition to the dominance of the philosophical style over his poetic language that push some researcher to return his roots to the Greece and Roman. The conceptual changes that occurred in the structure of Abbasi Era have affected on the politics and made the era of Al - Mammon is different from other eras and then affected on the society, culture and the intellect till Abu Tammam came up with a extraordinary poet as a logic result to the changes of the era.

مقبولية الانسجام في النقد الادبي العربي حتى نهاية القرن الخامس الهجري == The Acceptability Of Coherence In Arabic Criticism Till The End Of The Fifth Century Of Hegira

Author name: علي قيس حمزة الخفاجي
Supervisor name: محمد شاكر ناصر الربيعي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The Title of this thesis has been based on two important technical terms taken from text linguistics : (acceptability) and (coherence), in order to coin a new term, i.e. the acceptability of coherence. The aim of doing so is to investigate the critical conceptions and applications written by ancient Arab critics which might be congruent with the intended significance of this new critical term. This is especially true according to the fact that the significance of the acceptability of coherence has gained important attention by the ancient Arab critics as this research has shown. The Arabic literary and critical movements had depended on what could be called (acceptability) in accepting the literary products or in putting them in hierarchical ranks since the acceptability was declared by (very well qualified persons) according to the most important criterion of the seven textual criteria of the text linguistics, i.e. coherence. Yet, the researcher will try to extend the concept of the coherence and make it more congruent with the topic of this study. The non scholarly treatment has been very helpful in this respect; moreover, making use of this concept has enabled in shedding light on the topic of this research.The topic has been based on a plan of three chapters preceded by an introduction and followed by a conclusion which included the most important and salient results. Then, a full bibliography of reference and consulted books has been supplied.The first chapter, entitled (The Acceptability of Coherence in the External Rhythmic Dimension) which is divided into two subsections : the first, (The Acceptability of Coherence in the Prosodic Dimension); and the second (The Acceptability of Coherence in the rhyming Dimension). The second section deals with (The Acceptability of Coherence in the Internal Rhythmic Dimension). The second chapter is devoted to discuss (The Acceptability of Coherence in the Syntactic Dimension). It includes two sections : the first studies (The Acceptability of Coherence in the Syntagmatic Axis), and the second investigates (The Acceptability of Coherence in the Poetic Necessity). The third chapter, which is entitled (The Acceptability of Coherence in the Semantic Dimension), also includes two sections : (The Acceptability of Coherence in the Semantic Correlation) and (The Acceptability of Coherence in the Reproduction Dimension). All these chapters have been dealt with two critical points of view : the theoretical critical conceptualization and the application efforts concerning central the concept of the acceptability of coherence.Investigating the data of the ancient Arabic criticism has shown that the referential concept of almost all critical judgments is coherence. As a result, it is noticed that whenever this criterion is available, the acceptability will be achieved. Since coherence focuses on the semantic aspect of the ideas and thoughts found in the text, then the process of judging the consistency in the syntactic aspect will be, according to the theoretical point of view adopted in this research, either through the coherence of the semantic concordance of all the elements of a given text, or through several texts. The same is true in case of information and whether it is based on the semantic factors or on the contextual factors. This point can be achieved according to whether it tries to join the situation & the intended significance and the intentionality as the relational link between intention and the given semantic significance in the text. Accordingly, intertextuality, i.e. the inevitable relationships between literary texts, is just the semantic linkage of the syntactic components of several diverse texts on one hand and the components of the new text on the other hand. This means that coherence is linking thread between these elements which necessitates that acceptability of the coherence can be achieved whether this coherence is semantic, consistent, informative, contextual, intentional, or contextual. Using the techniques and terminology of the text linguistics in studying the Arabic critical texts covering the period of pre - Islamic decades till the end of the fifth century of Hegira has shown that every critical behaviour or speech can be rendered to only one specific foundation the acceptability. This term be very useful in pinpointing the main characteristics of the Arabic unified critical conceptualization of literature and poetry. Subsequently, this type of conceptualization can present a comprehensive account of its issues, solve its problems, and reveal its diverse attitudes. It also shows that modern criticism is able to get deep insights in the ancient Arabic criticism and make use of its vivid and active features. It also reveals the type of coherence, its examples, and throws light on the area of acceptability and its activeness in the ancient Arabic criticism.

اثر الاستعمال اللغوي لاسلوبي الاستفهام والنفي في الدلالة القرانية

Author name: زاهد جميل هاشم الحسيني
Supervisor name: علي عبد الفتاح محيي الحاج فرهود الشمري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The topic of the research is "The Effect of Lingual Usage of interrogative and negative in The Quran's connotation" , and it has great importance at the field of indicative studies, because it shows or (for showing) the type of negation or (denial), and interrogative as lingual and typecast. As well as modern connotation rely on the type of lingual way and its connotation' s Indicatives and through this kind of study could understand the development In the public field of life for all people relying on the depiction of the lingual type, and what it produces of semantics with regard to target audience (addressee). The Thesis included introduction , and it has research summary and flatten (pave) the language of "Quran" , and its knowledge mysteries, and the first chapter deals with the grammatical effects towards connotation. On the other hand the second chapter ; the effect 'of interrogative type in connotation. Finally, the third chapter deals with the effect of negation on connotation, at the end of it we find the results of the research as well as resources and references

نظم الحوار في سورتي (الكهف) و(مريم) : دراسة في الدلالة النحوية == Dialogue Coordinate In Two Surats (Al - Kahf And Maryam) A Study In Grammatical Significance

Author name: نبا حميد بكيع المسافري
Supervisor name: علي عبد الفتاح محيي الحاج فرهود الشمري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: Koran is miraculous, as the highest speech, it cannot keep up with it or get close to it. It is still outrigger for scholars. So, it is the wider field and the sufficient spring from which scholars water their topics in all ages. This study attempts to show the significance of dialogue coordinate in both surats (Al - Kahf) and (Maryam), how the dialogue coordinate has been built in both surats, the arrangement of its linguistic structure (fronting, delaying, repetition, elision, and mention) and the styles on which this coordinate has been built. This study comprises three chapters, in front of them, there is introduction, named (the significance of the dialogue coordinate) deals with the concept of the dialogue in the language and in the convention as well as its figures and styles. The first chapter, (structural styles), presents two sections : the first section ( the request or demand styles) such as : interrogative, imperative, inhibition, prayer, call, please, show, customize), the second section includes the unrequested styles that are not found in both surats except the style of ( Al - Qassam). The second chapter, ( the predicate styles), shows the concept of the predicate, language and convention, the predicate purposes, and its styles : ( the primary predicate, the requested predicate, and the denial predicate).The third chapter, (the dialogue structure), has three sections : The first section deals with the fronting delaying style and significances and intimations that belong to this style. The second section presents the repetition style such as the repetition of some sounds, some words, and sentences. The third section shows the phenomenon of elision and mention , the scientists' opinions about it and what its significances are. Finally, there is the conclusion that includes the most important results arrived at this study, as follows : 1 - The composition styles, as in : interrogative, imperative, inhibition, prayer, call, please, show, customize. They are considered as one of the contents the principal dialogue and they are found highly in the two surats (Al - Kahf) and (Maryam). 2 - Most of the interrogatives that found in the Quran dialogue in both surats (Al - Kahf) and (Maryam) are interrogatives about events that have happened or will happen which refer to something that is movable and renewed and this suited with the verb that refers to the occurrence. 3 - The repetition records the distinctive structural style in the Quran dialogue especially in the surat of (Maryam). 4 - The dialogue coordinate in both surats has more than one significance, some related to the vocal side, and other related to the abstract side.

منجز جبران خليل جبران الادبي في الدراسات النقدية == Artificial Deeds of Jubran K. Jubran In Criticism Studies

Author name: حمزة عبيس عبد السادة الجنابي
Supervisor name: حسن دخيل عباس الطائي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: ? Jubran K. Jubran tried to undermine the manhood values that have marginalized woman and make her so far, he called for the equality with man in duties and rights, and push away the oppression and persecution she suffered from due to the manhood dominance being affected by feminine movements in west. ? In spite of many good relations , Jubran K. Jubran has made, but he never get married with any of them, may be the reason behind that was Odeib's complex. ? Jubran K. Jubran criticized classic values and traditions that prevailed the past Lebanon community exclusively, the eastern community generally, that made the woman as a trade for sale or purchase and not seen as a human has the right in choosing her husband by herself without and pressure may she face.? Jubran K. Jubran has criticized both autocratic and religious authority during the period he live in Lebanon, which persecute poor and weak people worst persecution, they made their luxury via poor and weak people, that motivated Jubran K. Jubran to be the outspoken of poor people by his literature. ? The artificial deeds of Jubran K. Jubran discovered defects of the structure of Arabian community that glorify the past, and compliance under its rules and traditions although it doesn’t match the modern life and development and that was the main reason behind the unconsciousness of the east generally.? The literature of Jubran K. Jubran a liberation tool for any spoiling to the freedom of human or any violation to it being affected by Marccism beliefs, and the thoughts of French revolution that called for freedom, equity and fair, plus to his affection by his friend (Mary Haskil) who was well known of socialist beliefs. ? Belief of Jubran K. Jubran in sneaking belief, and immortality of love made him to believe that , the life of human get integrated through multi born and combined after integration with the eternal self. ? Jubran K. Jubran made himself as a social preacher via his literature to criticize the non - responsible acts of fathers like wasting money and deprive their families from respectful life needs, that act was triggered due to his father's non - responsible behavior with his family. ? He has renewed the classic narrative gender through his affection by western literature so he invented the modern fiction that based on fictional structure, concerned with drawing the characters, imaging the environment, concern with story, correlation of events and its growth using a language that involved verse and narration. ? Jubran K. Jubran based the article as an artificial new kind of born from ancient artificial arts like messages of the old Arabian literature. ? He renewed the form of classic Arabian poem as he get rid of the classic form (column verse) so he created the parts - verse, he made the tacit Arode of verse which was considered as a defect by the critics, so the poet become an integrated unit.? The renewal has included the language of Jubran K. Jubran, he tended to public language and desert the past people language of dictionaries terms. ? Jubran K. Jubran and his fellows called the pencil - association for the spiritual love to be included in the verse and exceed the sensual love. ? He deserted his natural sensations to focus on civil live and its materialism, to exceed its external description and consider it as loving mother and melted with it spiritually. ? Jubran K. Jubran clings with humanitarian self, trying discovering its secretes, he meditated it as the closest one to himself because of the homesick he suffered during his abroad living, his missing to family invented the meditation verse in his works.

الصورة الحسية في شعر السجون الاندلسي == The Sensory Image In The Poetry of The Andalusian Prisons

Author name: اسماء بدر محمد العوادي
Supervisor name: قيس حمزة فالح الخفاجي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The scope of the Islamic state expanded in Andalusia, and there were many poetry where topics of sync with the breadth of the different forms of life, knowledge and literature in the country, and has the effect of nature and the way of life on the poetic image in that country and the style of building poetic image and appearance among poets emerged, and it was this appearance coincided with the evolution rapid and remarkable style building poem Andalusian and those buildings that formed them.The first search in any poetic phenomenon requires research in general hair objective and initial and direction of research in these poetic phenomenon, and this was the reason for the emergence of a comprehensive monitoring case that prerogative the research, and monitoring that has been directed towards poetry Andalusian general then about the image it is Special, and then more particularly sensual image.The appearance of the sensory image in the poetry of Andalusia was not a new invention of them, but was depending on the style of the whole Arab poetry extensions and building in the world in general, only to find the face of his energies towards monitoring sensory image as represented by the patterns and structures and methods of the appearance and the terms of reference and fantasies, in the poetry of the prisoner Andalusian. It is known that the poet has slender sense, susceptible, toward any experience going through, how if that experience is the prison?!Search imprisoned Andalusian poetry faces two important issues, namely the issue of prison concept and de facto and the nature of life in prison and manifestations of creativity in prison, and the other issue is the image of sensory modalities appearance and levels, and is the biggest issue in the monitoring and the pairing between the prison and the whole consequences process, and the sensory image with all its difficulties on the level of poetry and scope researched for.Revealed the scope of the search through the buildings that have been handled through with search terms, has appeared find divided pave the four chapters and a conclusion, and preceded by the introduction represents the threshold for entry into placed research has dealt with in the boot concept prison in language and terminology plus poets imprisoned in Andalusia and the definition of their names and places of imprisonment, and extended incarceration, and the reason for their imprisonment, and his imprisonment.The first chapter was titled areas sensual image has this title included titles subsidiary, addressed the optical image, image, audio and image taste and image touch and image olfactory and mentioned poetry which was told one of these types of images, has required research division of the visual image on the partial sections : a visual image kinetic visual image of light and optical image color, image and audio on a hostile voice and the voice of a pet, and the image on the touch sensation seeking, pressure and sensation of pain and burning sensation and cold. It has also reminded the senses and the two exchanged noon meeting in poetry imprisoned in Andalusia.And included the second chapter on the terms of reference of the sensory image was able poet imprisoned Andalusian be employed to serve the poetic text Andalusian a religious references (the Koran and the Hadith religious ritual), or references realistic represents the fact that lives by the poet prisoner Andalusian or memories that lived outside the prison, or literary references include verses of poetry before the era of the Andalusian poet which included in his verses cited in prison to give a poetic text, and there is no poet did not come from other poetry which represents has another life. Include (Proverbs), or historical references include the total historical facts which came to us from previous eras, the amount represented by the well - known historical figures and important cities and centers of civilization, or social resources, including social customs and traditions of the names.The third chapter in which we dealt with the other's sensory came on two topics included the first part, the counter persons particular, represents the other anti - Andalusian poet imprisoned Minister Prince and the jailer and prisoner - associated.The second topic studied the continuers who intercedes for relevant includes parents, friend and beloved, resorts Andalusian poet imprisoned them for decreasing what it joins it from the torment and darkness inside the prison or to be intercessors at him from his imprisonment.The fourth chapter includes graphic patterns of sensory image and dealt with image simulations and allegoricalness image to the fact that those picture a source of the poetic image formation.Finally, it is necessary to point out the difficulty I faced in the search, on the process of getting collections of poets imprisoned in Andalusia.If I had a word of thanks and gratitude I extend it to my teacher Dr. Qays Hamzah al - Khafajy, what I found him the world who does not spare his knowledge and when hit by the study and researcher of guidance and ask God to prolong his life, and bless him with health and wellness, and Praise be to Allah, the Lord of the Worlds.

شعر اللصوص في العصر الاموي في ضوء البنيوية التكوينية == Hair Thieves In The Umayyad Period In The Light of The Genetie Structuraalism

Author name: بشائر امير عبد السادة الفتلاوي
Supervisor name: هناء جواد عبد السادة العيساوي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: Seeks structural formative to the link between the creative process and social phenomenon in various manifestations and evolution, Vabannah mind on according to the structural formative is isolated from the social structure and see the world its constitue

الحكاية الشعبية في الشعر العراقي الحديث من نهاية الحرب العالمية الثانية الى عام 1990م == Folktale In Modern Iraqi Poetry From The End of World War Ii To 1990

Author name: علي عبد الرحيم كريم المساعدي
Supervisor name: عبد العظيم رهيف السلطاني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: The work attempts to situate the development of modern Iraqi literature in the context of the medieval Arabic literary tradition as well as the new literary forms derived from the West, exploring the interaction between social, political and cultural chan

الدرس النحوي في الحلة نشاته وتطوره حتى نهاية القرن الرابع عشر الهجري مع دراسة تطبيقية في كتاب الصفوة الصفية لتقي الدين النيلي (ت : ق 7هـ)

Author name: قاسم رحيم حسن
Supervisor name: سعدون احمد علي الربعي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

لهجة ناحية الاصلاح في الناصرية : دراسة صوتية صرفية == Dialect Al - Islah Township In Nasiriyah : Sounds Morphological Study

Author name: فريد حمد سليمان النصر الله
Supervisor name: علي ناصر غالب
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: Located AL - Islah township in the province of Thi - Qar, south - east Iraq, a township belonging to the city of Nasiriyah.Founded in 1918, is bounded on the north Aldawayah township and on the east Misan province and to the west Said - Dhkil township an

المكان في قصص محمد خضير == Space In The Stories of Mohammed Khudhair

Author name: علي حسوني شاكة الشريفي
Supervisor name: علي ابراهيم محمد الزرقاني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: Thanks to the Lord (Allah),and peace and prayer upon prophet (Mohammed) and his followers until the Judgment Day. The space is one of the narration elements could be used to establish the distracting dimension in stories, that makes it as an essential su

الدلالة الاجتماعية في الرواية النسوية العراقية للفترة من 2000م ولغاية 2010م == Social Indication In Iraqi Female Novel From 2000 Until 2010 A.D.

Author name: عبد الحكيم عبد الزهرة حسن
Supervisor name: اوراد محمد كاظم
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: Praise be to Allah, the Lord of all creations, and prayers and peace be upon the master of messengers and the last prophets Muhammad and all his good and virtuous relatives and his valued and chosen companions. Iraqi woman writer could draw attention to

الجملة غير المستقلة في العربية مفهومها ووظيفتها == The Non - Independent Sentence In Arabic Its Concept And Faction

Author name: استبرق تركي مهجهج
Supervisor name: اسيل عبد الحسين حميدي الخفاجي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: In the name of Allah the compassionate the merciful prayers and peace be upon the master of prophets Mohammad bin - Abdullah, upon the purified Ahlul - bait and his honest followers.Allah has glorified the Arabic language when he sent the glorious Quran

تراكيب القسم والشرط في كلام الامامين الحسن والحسين عليهما السلام

Author name: عامر سعيد نجم عبد الله الدليمي
Supervisor name: محسن حسين علي الخفاجي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

دعاء الامام الحسين (عليه السلام) في يوم عرفة : دراسة اسلوبية == Duaa Al - Imam Al - Hussein (Peace Be Upon Him) In Araffa's Day : Stylistic Study

Author name: امنة حسين يوسف الشريفي
Supervisor name: عباس رشيد وهاب الدده الموسوي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Babylon
First pages:

اختلاف النسق في ادب التوحيدي == Difference of The Harmony In The Literature of Al - Tawheedy

Author name: زينب علي عبيد
Supervisor name: فرحان بدري الحربي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: The cultured criticism is a postmodern critical project. It is one of the bases that has been created to deal with the text. Therefore, this study has sought to discuss '' the cultural works of Abu Hayyan Al - tohedi''.It can be summarized as follows :

اشكالية الجميل في الرسم الاوربي الحديث

Author name: غسق حسن مسلم الكعبي
Supervisor name: عاصم عبد الامير الاعسم | جبار حنون مهاوي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

المرجعيات المعرفية في مسرحيات ناظم حكمت == Knowledge References in the Stage Plays of Nadhim Hikmat

Author name: عامر صباح نوري المرزوك
Supervisor name: علي محمد هادي الربيعي
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:

تمثلات الارادة واليات اشتغالها في فنون ما بعد الحداثة

Author name: محسن رضا محسن حسين القزويني
Supervisor name: عاصم عبد الامير الاعسم
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

اثر الفن الاسلامي على رسوم ماتيس == The Influence of the Islamic Art in the Paintings of Matisse

Author name: ايناس حسين علي عمران الخفاجي
Supervisor name: كاظم نوير كاظم الزبيدي | عباس جاسم حمود الربيعي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الانظمة العلامية واليات اشتغالها في الرسم الحديث == INDEX SYSTEMS AND IT'S OPERATIONAL MECHANISMs IN MODERN PAINTING

Author name: ماهر كامل نافع فرحان الناصري
Supervisor name: كاظم نوير كاظم الزبيدي | عارف وحيد ابراهيم الخفاجي
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

الخصب وتمثلاته في فخار العراق القديم == fecundity and its representations in Iraqi Ancient Potteries

Author name: عبد الوهاب رزاق عبيد الدليمي
Supervisor name: محمود عجمي جاسم الكلابي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Babylon
First pages:

تحولات رسوم الطبيعة في الفن الاوربي من (1789م - 1898 م) == Shifts in the nature of charges European art From (1789 - 1898 AD)

Author name: عبد الحمزة عبد الامير عبد الحسين
Supervisor name: مكي عمران راجي الخفاجي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الابعاد الفكرية والفنية للاداء التلقائي في الرسم الاوربي الحديث == The intellective and artistical dimensions for spontaneous performance In modern European drawing

Author name: سكينة حسن خايف الجبوري
Supervisor name: فاخر محمد حسن الربيعي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

تحولات صورة المراة في الرسم الاوربي الحديث : بابلو بيكاسو انموذجا == Transformations of Women's Image in the Modern European Painting - Pablo Picasso - being a case study

Author name: كريم محسن علي سمير الكعبي
Supervisor name: كاظم مرشد ذرب
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:
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