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الدعاء في نهج البلاغة : دراسة تحليلية في انماط التركيب ودلالات الصوت والبناء الصرفي

Author name: امجد جيجان يوسف محيي الحلفي

Supervisor name: خليل خلف بشير

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: لاشك في ان البحث في علوم اهل بيت النبوة (عليهم السلام) هو شرف لكل باحث وطالب علم يامل ان يغترف من معين اسفار ال محمد لا سيما امير البلغاء والمتكلمين في سفره الخالد (نهج البلاغة), اذ يعد هذا الكتاب من حيث المكانة الدينية والموضوعات التي حواها بعد كلام الخالق عز وجل وكلام النبي (صلى الله عليه واله وسلم), فكان ذلك دافعا للبحث في احد موضوعاته بما شكله من نص ديني ابداعي, وقد اقترح الاستاذ المشرف موضوع الدعاء فيه, فقبلت الفكرة كون موضوع الدعاء يعد من الموضوعات الزاخرة بالعطاء الروحي والبيان اللغوي, فقد شكل الدعاء عند امير المؤمنين (عليه السلام) بابا من ابواب بلاغته؛ ليرفدنا بنص لغوي حتوى معاني لغوية متعددة, وجاءت الدراسة تحت عنوان(الدعاء في نهج البلاغة دراسة في انماط التركيب ودلالات الصوت والبناء الصرفي)؛ لنتعرف على اهم الميزات اللغوية والدلالات التي شكلت هذا الدعاء, وجاء البحث على تمهيد وثلاثة فصول ثم خاتمة بينت النتائج التي توصل اليها الباحث, تضمن التمهيد : الدعاء لغة واصطلاحا, وفضيلة الدعاء عند امير المؤمنين (عليه السلام), ثم جاء الكلام عن اداب الدعاء عنده (عليه السلام), وكان الفصل الاول بعنوان (انماط التركيب الخبري) وفيه قسمان التركيب الاسمي في جزئيها المبتدا والخبر، وكذا في التركيب الفعلي التي وزعت بحسب الفعل على قسمين تركيب الفعل الماضي ووتركيب المضارع, اما الفصل الثاني فكان بعنوان انماط التركيب الانشائي, وقد كان على ثلاثة اقسام الاول تركيب النداء, والثاني تركيب الامر, اما الثالث تركيب النهي, واما الفصل الثالث فحمل عنوان (دلالات الصوت والبناء الصرفي الادعية في نهج البلاغة) وجاء على قسمين من اقسام الدلالة الاولى الدلالة الصوتية والثانية الدلالة الصرفية، ولم اتعرض للدلالة النحوية؛ لان ما تقدم في الفصل الاول يدل عليها، وضم البحث خاتمة عرضنا فيها اهم ما توصل اليه البحث.اما المصادر فقد استعنت في الاصل على خمسة شروح للنهج كان اهمها, شرح ابن ابي الحديد, ونفحات الولاية للشيخ ناصر مكارم الشيرازي, , ومنهاج البراعة في شرح نهج البلاغة لحبيب الخوئي, وفي ظلال نهج البلاغة لمحمد جواد مغنية, وشرح نهج البلاغة لابن ميثم البحراني, وغيرها من المصادر التي توزعت بين القديم والحديث, ولعل اهم ما واجه الباحث من صعوبات هو عدم وجود شرح لغوي واف لنهج البلاغة يمكن الاعتماد عليه, فالشروح المتداولة والمعتمدة في البحث تطغى عليها الجوانب العقائدية والتاريخية, ومن الصعوبات كذلك المساحة الضيقة للنص الدعائي فلم يكن النص كبيرا ليعطي للباحث حرية البحث والتقصي والاستشهاد. في النهاية اسال الله تعالى توفيقه فهو خير ناصر وخير معين والحمد لله تعالى اولا واخرا | The current study sheds light on the linguistic structure of the text of prayer in Imam Ali's Nahj Albalagha (Peak of Eloquence) and on its semantic level in many respects : investigating the sentence of prayer in terms of its nominal and verb phrases; developing the patterns of prayer, which is represented by the vocative case, command, and prohibition and their semantic aspects, as well as highlighting the syntactic and phonological significance of the text.Additionally, the study expresses the deep meaning implied by the text and its association with the originator of the text, the most knowledgeable of the secrets of language and its implications. The study also explicates the relation of prayer as a linguistic unit and as a spiritual connection between the worshipper and the worshipped tailored in a highly elegant style of politeness, formed by Imam Ali (P.B.U.H.)

الانا والاخر في شعر الابيوردي == THE EGO AND THE OTHER IN AL - ABEORDY'S POE

Author name: الاء جهاد فاضل المالكي

Supervisor name: علي عبـد رمضان

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: يعد موضوع ثنائية الانا والاخر موضوعا نقديا معاصرا مهما تناولته الدراسات الحديثة المعاصرة. لما يحمله من جمالية واهمية؛ لذا عمد البحث الى ان يدرس هذا الثنائي ـــ الانا والاخر في شعر الابيوردي ـــ اذ لا يمكن ان ندرس الانا بمعزل عن الاخر والعكس صحيح ؛ لان الاخر يؤدي دورا حاسما ومؤثرا في معرفة هوية الانا كذلك هو دور الانا في معرفة هوية الاخر، فوجود احدهما دون الاخر لا يمكن ان نلحظه داخل النص الادبي، فهما مكملان لبعضهما بعضا.وكان لاستاذي المشرف الفضل في اقتراح الموضوع وعرضه على اللجنة العلمية الموقرة في القسم، وبعد ان نال الموافقة بصلاحيته للدراسة شرعت في جمع مادته وتتبع كل ما يتعلق به بدءا من اقتناء ديوان الشاعر الابيوردي وانتهاء بما امكنني بلوغه من المصادر والمراجع التي تتعلق بهذا الموضوع وترفد فصوله ومباحثه. وعليه فقد اقتضت خطة البحث ان يدرس هذا الموضوع في ثلاثة فصول سبقت بتمهيد والحقت بخاتمة تبرز اهم ما توصلت اليه الدراسة من نتائج ومن ثم المصادر والمراجع. اختص التمهيد بتقديم نبذة في المفهوم اللغوي والاصطلاحي والنفسي والفلسفي لكل من الانا والاخر. اما الفصل الاول : فقد تناول تمثيلات الانا / الذات . وكان ذلك في ثلاثة مباحث، المبحث الاول : الانا الفردية / الذاتية ومظاهر اعلائها، وتناول المبحث الثاني : تجليات الانا الجمعية، في حين درس المبحث الثالث : الذات / الانا الشاكية. اما الفصل الثاني : فقد خصص لدراسة الاخر في شعر الابيوردي، وكان ذلك في ثلاثة مباحث. تناول المبحث الاول : الاخر السياسي، وتناول المبحث الثاني : الاخر الانثوي، وتناول المبحث الثالث : الاخر الاجتماعي. اما الفصل الثالث فجاء دراسة فنية في مبحثين : شمل المبحث الاول منهما اللغة الشعرية ، وتناول المبحث الثاني : الصورة الشعرية . اما مصادر الدراسة ومراجعها فمتعددة كان في مقدمتها ديوان الشاعر الابيوردي بتحقيق الدكتور عمر الاسعد، والعديد من المصادر والمراجع التي تخص الذات / الانا والاخر، فضلاعن الدراسات النقدية والادبية والنفسية التي افدت منها كثيرا. اما المنهج الذي سار عليه البحث فقد اعتمدت فيه على الاسلوب التحليلي الوصفي كمنهج للدراسة. وقد كان دافعي للقيام بهذه الدراسة اعجابي بهذا الموضوع وبما يحمله من جمالية واهمية، ومما دفعني لتطبيق هذا الموضوع ــ الانا والاخرــ على شعر الابيوردي العباسي، لما يمتلكه من حس مرهف وصدق تجربة الذي حمل بين طيات شعره انا متعالية متفاخرة، وبالمقابل حمل كثيرا من الاسى والمعاناة الذاتية بسبب الاضطراب الذي ساد في عصره . ويعود الفضل في ذلك الى استاذي ومشرفي الاستاذ المساعد الدكتور علي عبد رمضان فهو الذي اقترح هذا الموضوع القيم كما اسلفت فمن واجبي الاعتراف بفضله الكبير، فاتوجه بجزيل الشكر والامتنان اليه اذ لم يبخل علي بتوجيهاته ونصائحه القيمة التي كانت لي عونا في اتمام هذا البحث. وفي الختام ارجو من الله ان يجعل اعمالنا خالصة لوجهه الكريم وان يشمل قصورنا بالعفو والغفران ... | The topic of "The Other " and " Self" is considered a critical and contemporary subject handled by modern studies. Since this topic is of high importance, the current work focuses on analyzing Al Abeordy's poetry from this perspective. The other is always compared , from the analytical point of view, with the self for the former plays a considerable role in understanding the latter. The "other" notion is seen as a reflection of the "self" and also regarded as a point of conceptualizing "the self". Thus, both of them can be seen together in a literary work. They complete each other. The work consists of three chapters besides an introduction and a conclusion. The preliminary is concerned with introducing the poet's life and explanation about the linguistic, philosophical and psychological views of the two concepts : "the other" and "self". Chapter one is specified to the representations of these two concepts, comprising three sections, the first one is about the single self (I), the second studies the plural self (we), and the third one is skeptical self. Chapter two investigates the notion of "the other" in Al Abeordy's poems including also three sections. The first is the political other, the second is about feminist other, and the third is the social other. Chapter three is concerned with the study of the other and the associated discourse in his poetry. It consists of two sections, the first one is about poetic language and the second is poetic images

الدرس البلاغي في العراق في العصر الحديث

Author name: عبد الحسن علي مهلهل السهلاني

Supervisor name: قصي سالم علوان الجلبي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - Faculty Of Education - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

شعر الارجاني : دراسة فنية

Author name: وداد يعقوب سلمان الحراك

Supervisor name: قصي سالم علوان الجلبي

General topic: Arabic Language and Literature

Specific topic: Literature

Degree: Master

University: University Of Basrah - Faculty Of Education - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

السياق واثره الدلالي في دراسات الاصوليين

Author name: انجيرس طعمة يوسف

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: Context' is an issue which the Jurisprudents studied andto which they referred in their rules and categorizations.The Jurisprudents' studies are no less important than thestudies done by linguists, exegetists and rhetoricians,different though their purposes are. Jurisprudents holdcontext as indication of meaning of legislative rulings. Soboth external and internal contexts are topics for study byJurisprudents and religious scholars in the analysis of thelegislative rulings of the Holy Quran and Prophet'stradition (Sunnah). External context or 'co - text' indicatesall the circumstances surrounding the text and whichwould influence the meaning of the text, issues tackledby the Jurisprudents and practiced by doctrinists..The internal context comprises the meanings of thesame text or other texts related to it, whether proving ordisproving it, according to certain methods of collection.My study is based on the researches done so far bythe Jurisprudents and is classified into external andinternal contexts. The first is fallen under three types : circumstantial context, context of situation, and actualcontext. These three kinds of context were addressed bythe Jurisprudents who, however, did not categorize themthis way. But it is appropriate to show them to prove thatthe Jurisprudents were the first to pay attention to theexternal context. The same has been done with regard tothe internal context, which is also classified into threetypes : the objective context, the counter - objectiveharmonious context (in assertion and denial), and thecounter - objective disharmonious context. The crucial١٩٣difference between the second and the third kind is that,while the second means the multi texts that deal with thesame topic, with one clarifying the others, the thirdmeans the multi texts that deal with the same topic,differing in assertion or denial, or in some other sense.The Jurisprudents worked out principles to harmonizethese meanings in a scientific way.I have prepared for the study of the context and itsrelation with some semantic and contextualconsiderations. Also, context and its functions arehighlighted to the Jurisprudents and the difference oftheir treatment to that of the linguists and exegetists.

الغزل في شعر جرير : دراسة فنية

Author name: هاشم طه عبد الصمد اليوسف

General topic: Arabic Language and Literature

Specific topic: Literature

Degree: Master

University: University Of Basrah - Faculty Of Education

Language: Arabic

University location: Basrah

First pages:

الدلالة السياقية عند اللغويين

Author name: عواطف كنوش مصطفى عيسى

Supervisor name: خليل ابراهيم العطية

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature

Language: Arabic

University location: Basrah

First pages:

شعر الاعمى التطيلي : دراسة موضوعية وفنية == The poetry of Al - A’ama Al - Tatuauli An objective Artistic stady

Author name: عبد الله عبد الشمخي

Supervisor name: جنان محمد عبد الجليل

General topic: Arabic Language and Literature

Specific topic: Literature

Degree: Master

University: University Of Basrah - College Of Literature

Language: Arabic

University location: Basrah

First pages:

Abstract: تعد الاندلس واحدة من اهم مراكز الحضارة العربية، التي اشرقت على اوربا، التي كانت قابعة في ظلام التخلف والضياع، ولذلك فان في التراث الاندلسي الكثير من الكنوز التي لم يكشف عنها، ولم يمط اللثام عن نصاعة اشراقتها الزاهية. ان الاعمى التطيلي واحد من الشعراء الاندلسي المهمين، فقد كان يجمع بين نظرة الاجلال والتقدير التي يحملها لاسلافه من المشرقين، جاهليهم واسلامهم وامويهم وعباسيهم، فضلا عن تاثره بجماليات بيئته وبخصوصيتها الحضرية والفكرية، وهذا مادفعني لدراسة الشاعر مستعينا بالمصادر القديمة، وبالاخص ذخيرة ابن بسام، وطراز ابن سناء الملك. غير ان المنطلق الرئيسي للداسة كان ديوان التطيلي، الذي حققه د. احسان عباس، والمستدرك الذي اعده الدكتور محمد مجيد السعيد، مستفيدا من المناهج النقدية لخلق رؤية شمولية تحاول ان تحلل النص وتكشف النقاب عن جماليته وخصوصيته. هذواقد اثرت الاستغناء عن التمهيد الذي يتناول الشاعر وحياته، فقد كان في المقدمة الضافية التي اعدها الدكتور احسان عباس للديوان ما يغني عن التكرار والاعادة، وقد اشرت الى الظروف السياسية والاجتماعية للدولة المرابطية في اثناء فصلي الدراسة الموضوعية، لما لها من صلة بها. توزعت الدراسة على ثلاثة فصول، تناول الاول منها الاغراض الوجدانية، وضم اربعة مباحث، كان الاول للغزل بشقيه الحسي والمعنوي، وقد وجدت ان الغزل الخاص بمقدمات القصائد، كان حسيا تقليديا، في حين كانت قصائده الغزلية الخاصة، تصطبغ بالحزن والالم، وتنحو نحو السرد القصصي الممزوج بالغنائية، مما يذكرنا بالشعر العذري، كمواجد الغزل بالمذكر في موشحاته الذي نعتقد انه تقليد فني يقصد ابراز البراعة والترويج عن النفس. اما الرثاء، فنلاحظ ان رثاءه لزوجته اتسم بصدق الشعور، وحرارة العاطفة، مما جعله من روائع المراثي الاندلسية، مما يميزه عن الرثاء للاخرين الذي كان تقليديا لاعاطفة فيه. وتناول المبحث الثالث الشكوى، فقد تناولت فلسفته في الحياة والموت، ونفوره من الحياة التي حرمته نعمة البصر وجعلته محتاجا لغيره، ويمتزج هذا مع الزهديات التي تناولتها في المبحث الرابع من هذا الفصل. اما الفصل الثاني، فقد تناولت فيه الاغراض الموضوعية، اذ وقفت عند المديح للوزراء، والقضاة وغيرهم، وقد وجدت ان مدائحه تكاد تكون تقليدية مكررة بصورة المشارقة، كمواقفت في المبحث الثاني عند شعر الوصف، فدرست وصف الطبيعة الصامتة والمتحركة، ومظاهر الحضارة، ووجدت ان اوصافه تاثرت كثيرا بكف بصره الذي جعله يصف معتمدا على اوصاف الاخرين لا على رؤية جمالية خاصة. ووجدت للشاعر رؤية جمالية واضحة في العتاب، اذ يستفيد من عاهته في الاستعطاف وطلب العون من الاخرين. وانفرد الفصل الثالث للاغراض الفنية، موزعا على ثلاثة مباحث، اختص الاول باللغة والاسلوب، فوجدت ان الفاظه تراوحت بين السهولة والجزالة، افصح فيها الشاعر عن ثقافته القرانيه والشعرية، مما منحه اسلوبا متينا، امتاز بطول النفس مبرءا من الاسفاف، مستفيدا من الوان البديع المختلفة في حين ادخل في موشحاته اللهجة العامية واللغة الاعجمية في خرجاتها. اما مبحث الموسيقى فقد وجدت الشاعر قد ركز على الاوزان الطويلة، عدا قصيدتين من مشطور الرجز، كمراكز على القوافي الذلل، مبتعدا عن الوحش والنفر من القوافي، كما ان الوشاح استطاع بحسه الموسيقي المرهق ان يوزع انغامه بشكل هندسي رائع على خارطة القصيدة، كما استعان بتعدد القوافي والاوزان في الموشحات، التي توزعت بين الموشح التام هي الغالبة. اما في الصورة فقد درسنا الصور البسيطة والمركبة واللوحة، وقد اعتمد الشاعر على ما اختزنته مخيلته من صور نشات من ثقافته لا من رؤيته وقد ابدع في التشكيل واعادة صياغة صورة، اي اعتماد على ذهنه لا مشاهدته، وصوره يولدها من العدم فهو يقلب المتعارف عليه ولكن بشكل مقنع، فالفكرة لا يتناولها كما هي وانما يولد منها المعاني، فهو يميل الى التفكير الخاص (التفكيك) فالطابع العام هو التامل الذهني عكس المبصرين، فعالمه داخلي في كثير من الاحيان، وقد اثر فقدان البصر في صورة التي اخفق في بعض منها. وفي الختام لا يدعي الباحث لبحثه الكمال فهو لله وحده، لكن عذره انه ساح في طريق وعر، وجمع مناهج شتى، هدفها اضاءة وابراز معالمه الجمالية فالدراسات الانسانية ليس فيها احكام مطلقة | The skillful and creative poet, Al - Aama Al - Tatauli has not gained what he deserves of study and investigation that might correspond to his importance as one of the poets of Andulsia who wrote verse and Muoshahs and who tackled all poetic genres. He is also considered as prominent Washah (writer of Muashah) in Andulsia. For these reasons, the researcher chose this poet to be the subject of his study. As a starting point, the poetic text is taken as the basis of the study. The other approaches of criticism were then utilized to analyse allThe aspects of the text due to the importance of the political , social and psychological immediate influences on any work of creation. he study consists of three chapter. There is no special biography of the poet because the researcher found the comments of the editor about the life of the poet at the beginning of the collection of his works as enough and because there is no significant information to add about this question. Chapter one is concerned with studying the subjective genres of the poet, i.e love, elegy, complaint, and religious devotion. Each of these genres is presented in a separate subsection.Chapter two is a study of the objective genres of his poetry, i.e. praise, description and blame. The genre of praise includes praising of clergymen, judges, princes, women and the infloential men in the state. Description also includes desscribing still and moving nature in addition to describing arms and weapons. Chapter three includes the artistic analysis, it discusses the language, the techinque, the internal and external melody and the artistic image including the simple and compound ones and the portait in the poetry of Al - A ama Al - Tatauli. The researcher arrived at the following condusion : - The poet tackled most of the known poetic genres where he either imitates or innovates but within the known rhythm and framework of the Arabic poetry. - His poems of praising are characterized by the deletion of the introduction and directly going through the main purpose of praising . - He was the first to do this . Besides he made an innovation in one of his introduction where he blamed life in a style of religious devotion. - The poet was behined in the genre of description in comparison with the other poets of his time in Andulsia because of his blindness. - The poet was characterized by his firm technique and soft and eloquent words that flow smoothly and easily to make very sweet music He did so by making use of the different kinds of eloquency such as similie , homonymy , and metaphor in addition to his Knowledge of music and his writing of Muwash which is mainly based on music. - He derived his images from his poetic education and the stock of his imagination . - He tend to mental imagination , abstraction and untying and he has his own internal world

الشعر العربي في العراق في القرنين الثامن عشر والتاسع عشر : دراسة في ضوء النقد الثقافي == Arabic poetry in Iraq in the Eighteenth and Nineteenth centuries : a study in the Light of cultural criticism

Author name: سجاد شعبان حسن

Supervisor name: حسين عبود حميد الهلالي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: Cultural criticism is based on criticizing the cultural patterns that involve the literary and cultural discourses; these are implicit patterns hiding behind the explicit ones. The patterns in the concept of cultural criticism are not only linguistic or literary, but they are cultural content patterns implicitly involved in the discourse that are elicited by explicit patterns. Exploring these patterns requires cultural reading based on accurate and wide knowledge of the studied cultural discourse. A heavy reliance on the interpretation and exploration effort and discourse analysis is needed to discover these culturally implied patterns. Cultural criticism provides the addressee with studies that discover the reality of the literary texts whether they are poetry or prose. It looks at them through a neutral, scientific and honest telescope that aims at studying the marginalized patterns that literary criticism neglected. While literary criticism is concerned with elite texts, cultural criticism is concerned with people's literature that was off - shadowed during the previous eras, it relates the texts to its contexts and circumstances, it also makes use of the human and philosophical sciences. We depended on this approach to study Iraqi poetry. After investigation we discovered the paucity of literary studies that tackled Iraqi literature from the perspective of cultural criticism between the eighteenth and the nineteenth centuries. For this reason the topic entitled (Arabic Poetry in Iraq during the Eighteenth and Nineteenth Centuries : a Study in the Light of Cultural Criticism).The study has been divided into four chapters preceded by an introduction and a prelude and followed by conclusion that involved the most important results and a list of references. The prelude has been formulated according to two ways, the first of which tackled the image of the Iraqi poetry during this period, while the second has dealt with the concept of cultural criticism and cultural patterns. The first chapter is about (The manifestations of the ego), while the second chapter is about (The manifestations of the other). Chapter three deals with (Political Patterns/ the poet and the authority). Chapter four tackles the social patterns, it is entitled as (The Text and the dominance of cultural patterns).

الرواية السيرية في الادب العراقي الحديث == The Autobiographical Novel in Modern Iraqi Literature

Author name: ميثم هاشم طاهر هارون الموسوي

Supervisor name: مشتاق فالح عبيد الفضلي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: Autobiographical Novel has its remarkable presence in the modern Arabic art especially in Iraq due to its abundance capabilities which have assisted novelists to formulate identity of the world. It is common that they sacrifice their life which is full of miseries to serve fictions. Novelists believe that such lives deserve to narrate. The importance of this study comes from rarity of studies that dealt with Autobiographical Novel in Iraq. In order to enrich an Arabic narrative library in general, and the Iraqi one in particular, we endeavor to cover this rare part of the critical studies through this thesis entitled ( Autobiographical Novel in the Iraqi Modern Art).This these has come in three chapters preceded by an introduction and followed by a conclusion.As to the theoretical preliminary chapter, the researcher intends to shed light on a briefed historical account about presence and decline of identity in the Iraqi art. Then, researcher focuses on the problematic concept of an Autobiographical Novel including its limits, its idiom and its conceptual construction through which we are up to answer the question : "What's it? Following that, we go to answer the problem of justification, "why?".Researcher, at the end of the preliminary chapter, set methodology on which "coincidence of horizons" will be guided. This concept is consisted from : composer, narrator and character. This, definitely, could shape a quality identity, narrative construction and story implications. This opens doors wide to practical part of study which is of three chapters. The first chapter is entitled " a qualitative horizon : author - reader". In this chapter, the researcher is after answering question of "a qualitative identity infused in Autobiographical Novel and its evidence" through solidarity between an author - reader, on one hand, and investigation and imagination, on the other hand to approach identity infused in Autobiographical Novel . However, ambiguity is not within the topic of novel/biography, but within the topic of imagination/investigation, disclosing illusion that links novel to imagination and investigation to Autobiographical Novel . Also, there is no objection to entry of imagination in non - literary works, and no objection as well to inclusion of investigation in novels. This chapter section are considered as evidence of the hypothesis of infused identity.In the second chapter "constructive horizon : author/narrator", the researcher answers the question about characteristics of Autobiographical Novel and its superiority as far as possible internally from other types of fiction. It is composed within the question "how?" after bringing "author - narrator - narrated to - reader" together in the narrative scheme. The answer will be determined through " author - narrator" of their relation to the story "text - the constructed" and narration, base on the two narrators : Tzvitan Todorov and Gerard Genet.The last chapter, third one, entitled "semantic horizon : author - hero", a semantic question in Autobiographical Novel . This would not be recognized through searching for a set of topics form semantics for fear of the subject might be drawn to defects weaken this study. However, this could be achieved through on the topic dominating an Autobiographical Novel of the hero - author which is deemed to be a semantic requirement specifically in the Iraqi Autobiographical Novel . "Melancholic Autobiographical Novel " is eventually the study focus which is created by the hero. Following sorting of its characteristics in the Autobiographical Novel , it's time to mention formation of melancholic Autobiographical Novel , causes of its formation, shedding light on dimensions of a melancholic hero and a model recitation for melancholic Autobiographical Novel .

الرؤية الفلسفية في شعر المعري : قراءة تاويلية == The Representation of Philosophical concept In Al - Ma’arri,s Poetry Interpretational study

Author name: سالم عبد النبي جابر العقابي

Supervisor name: سلم حسب حسين

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

الشعر في العصر الفاطمي : دراسة في مرجعياته الثقافية

Author name: احمد حمد سليمان النصر الله

Supervisor name: نضال ابراهيم ياسين

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: The Fatimi state was a separate entity from the Abbasies in 296 AH on the African side of the Islamic state in Kairouan and then they took Egypt as the seat of their caliphate and Cairo as their capital and expanded the area of the Fatimid caliphate to the east, including the Levant, Yemen and Hijaz. The era of the Fatimi state was one of the most fertile periods in the history of Islamic civilization. It was at the peak of its maturity and intensity in all aspects of human knowledge, mental sciences, social prosperity, creativity and translation through creative communication with other civilizations in the countries reached by Islam. Conquests or creative intellectual cross - fertilization with other peoples and civilizations such as Persian, Indian, Greek and Roman. What was decreed by the poetry and culture of the care of the Fatimi caliphs and the care of their contributions in advancing the advancement of civilization and cultural development forward by establishing many mosques, public libraries, science workshops and councils of wisdom and encouraging scientists and poets and giving gifts to them contributed to the establishment of a broad scientific and cultural movement, The Fatimies had a high level of knowledge, love of science, and the bringing together of scholars, some of whom supervised direct supervision of seminars in mosques and councils of wisdom, some of them lecturing on the apostates and learners. Egypt has been the seat of ancient civilizations and inhabited by races and races, all of which had the most prominent effect in advancing the development of forward and enrich the minds and provide them with new factors and provide cards that contribute to the sharpening of minds and broaden the horizons of knowledge have affected those factors cast a shadow on the literary life in Egypt, Our study, which led to the emergence of a growing poetry movement that bears the characteristics of differentiation and personality independent of others because of what the new life in Egypt and Cairo gave them from the capitals of poetic creativity and engraved in their hearts for the commercial in the many rites of prayer and its many occasions such as festivals and religious events and As well as the addition of the Fatimids of the holidays and events of their own and their doctrine, which contributed to the activation of creativity to the maximum extent. The previous factors are the result of the researcher's desire to research and change in the literature of that era of Arabic literature and in those countries living under the rule of the Fatimid was behind the choice of the title of this research for the culture and cultural heritage of the role of fundamental and effective in the creative output of that fertile period of time, (Fatimid poetry study in its cultural references) culmination of many previous cultural studies and to compliment them may contribute to the Arab library to provide more scientific knowledge and reveal what is hidden the eyes of those interested in the Arab literature in that country.The study was divided into four chapters preceded by introduction and followed by a conclusion, and we adopted the abundance of poetic output in the order of classes.The first chapter included religious culture and the faithfulness of several topics such as the culture of Quranic employment, stories, Quranic stories, the Prophet's Hadith, other religions, The second chapter included the historical culture, which includes several topics such as historical events, historical figures, spatial and relative culture. The third chapter included the social culture that included knowledge culture. The fourth chapter was the Deanship of Literary Culture, in which poetic culture, poetic culture and critical culture

البنية الاسلوبية للجنة والنار في القران الكريم == The Stylistic Structure Of Paradise And Hell In Holy Quran

Author name: Ahmad G. Naif Alsaadoon

Supervisor name: عبد الواحد زيارة اسكندر المنصوري

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

الهجاء والسخرية في شعر الجزار السرقسطي الاندلسي : دراسة في البنية الموضوعية والفنية == Spelling And Irony In The Andalusian Poetry Gazzar Alsergsti : A Study Of The Structure Of The Substantive And Technical

Author name: صفى صبيح كريم

Supervisor name: خالد لفتة باقر

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: The Arabic literature has the Spelling and irony , and the Arabic writers gave the importance to the Spelling and irony to take their whole share of literature.The reason behind is that the Spelling and irony are close to the human soul, and are loveable to it, where the humor and irony are matters the create a space amid poetic narrowness. In reality, the poetry is a way that a poet uses to express what he or she feels inside, such as pain or happiness.The introduction showed in its pages that poet lived in the fifth century AH. Even though , it did not mention date of birth neither death.However , that the first chapter of the research has discussed. he looked for motives to create humorous poetry in his poems.These motives could be internal or external motives. The poorness and poverty were internal factors in himself. The external factors were pinted to his opponent Al - Borji, which take much space of his poetry due to a conflict happened between them ,Therefore , he leaned towards humor. He ridiculed his career and his mind by striipping it for science and perfection, it carry a sample in its lingual composition in a text. Then, it is responsible for exciting the reader in one side, and create a poetic picture that can express about the poet,s psychic subconscious mind in other side,making the poetic picture to have the ability to be absorbed by the erceiver and convenient to his ironic expressions.The compositional tendency was important to provide the poem beauty by giving the sayings inspirational measure fits to their lingual position. This allocation was to bound the humorous topics fir his opponent Al - BorJi not another. whereas , he deleted sentences which were their deletion for reasons like embarrass in mentioning some cursing vocabularies.The Stylistic tendency moved up in command , call and question to ensure the activity of directing the critism to a person who he wants to criticize in his poems.then,he come up with metaphorical meanings pointed to his opponent directly emerging a poetic due to these methods which are sharing the texts dy utilizing them physical means realized by senses like vision (color).The color had a dig share in most of his texts such as black , white,and yellow.The color dominated implicitly inside his ironic poems by using vocabularies imply to the color factor,which he appeared directly in other poems.The diagnose based on the age and it had the major part.where he added physical components like a hand and so on.with reference to incarnations, the poet had revive the morale inside bodies moving inside a text to give beauty to the ironic texts,which a reader see when he reads them.The poetic image based satirical in poetry jazzer attribute quotes from the Koran and Hadith, to confirm that poet was abeliever end uncertainty for gloss and include in the xocabulary of koraic of his vereses. Researcher

رموز القران الكريم

Author name: جيهان فضل الحجاج

Supervisor name: حسين عبود حميد الهلالي

General topic: Arabic Language and Literature

Specific topic: Literature

Degree: Master

University: University Of Basrah - Faculty Of Education - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

ظاهرة الاستعمال في كتاب الخصائص لابن جني ت 392 هـ

Author name: ماجد جميل كاظم غيلان الزهيري

Supervisor name: سامي علي جبار المنصوري

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - Faculty Of Education - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

الهدى ومشتقاتها في القران الكريم : دراسة لغوية دلالية == The Guidance In Holly Qur'an Linguistic Study In The Light Of Semantics

Author name: عباس عبد العزيز صيهود

Supervisor name: صيوان خضير خلف المياحي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - Faculty Of Education - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: This Research will be on the basis of modem linguistic study, in which the semantic considered to be a part of it because it the connection tool between the intentional activity of the language and the social activity of it (language) , therefore , the study of the linguistic research has referred in the light of Semantic due to the semantic affect of the interpretation of linguistic phenomena which has so much connection ith the topic of researching in Holly Qur'an , consequently , the study as based on three inseparable main foundations , and they are : Linguistic Study, Semantic and guidance in Holly Qur'an and for at reason I have entitled my research as "Guidance in holly Qur'an, a inguistic study in the light of Semantic". The nature of the research has to led us to divide the research to be onsist of (the preliminary preface, and two chapters; each chapter deals ith one level of language levels , and each chapter divided into three b - researches followed by conclusion and the outcomes of the research. The researcher has found out that, the phonetic level of phonetic tructure of the word ( Hedi) Guidance and phonetic syllables ( reviously & later ) and phonetic extension, have semantic functions that eveal the fact of Guidance in Holly Qur'an. As for morphological level e research showed the connected relationship between morphological level and linguistic context in determine the tense semantic for the Guidance (Hedaia) actions throughout the interchangeable relationship between formulation tense and contextual tense in addition to analyze some linguistic phenomena and the semantic that included in the source of (Guidance) and the derivations represented by participle and deferential verbs. In grammatical level, the research reviewed the connected relationship between grammatical level and semantic in causing the variety of transitiveness of (Guidance) action to its object, and determine the places of omissions and assessments of grammatical structures beside what some letters of meaning indicates of semantics. Some important matters the research reviewed in semantic level are the multi meanings of Guidance in Holly Qur'an and the transmission of those meanings to include other intonation have included in the meaning of (Guidance) and most of these meaningscannot be recognized unless you have to go back to the references of interpretation and some linguistic books.As for the research resources, the researcher depended mostly on ALManhal interpretation of his scientific material beside the phonetic books, morphological, grammatical, semantic books and some academic books. The researcher depends on TransformationalGenerative Approach in his study since the beginning of first level of his study, and this approach has led to shed a light on surface structure of language and then go through the deep structure of the language and then refer to some examples with mentioning their places in Holly Qur'an and put footnotes with their sources. After the this trip of science , I have to say that this humble work is the outcome of efforts and agony of linguistic research and the message which express of something of researcher's attempts in conclusion and connect the linguistic base with semantics and the semantic reflections resulted from that which has semantic affects in the meaning of (Guidance ).These are a primary attempts I have did my best make it correct and right in its implications, and if I have stumbled in my steps, my excuse will be that I am still in the beginning of the road seeking the truth and rightness.

سورة مريم (عليها السلام) : دراسة لغوية

Author name: انوار عزيز جليل الاسدي

Supervisor name: عبد الباسط خليل محمد الدرويش | سليمة جبار غانم

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - Faculty Of Education - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: This study is entitled " Surat Mariam : A Linguistic study". It has come as a result for what we have taken in our courses of linguistic approaches that covered up structuralism, TGG and syllogistics. Though these approaches \..4.... '.!·"~ a European : ..... ~..... s~i<l>"',they were by origin related to Arab heritag~ in general and to Abu Othman b'i,., Geni, the pioneer of linguistic studies in Arabic, in particular. These approaches help u.i;, to study literary texts on four levels - photentic., morphological, syntactical and Semantic - The study includes four chapters. The First is an introduction. It tackles the reason behind having " Mariam'' as a title for a complete ''Surat" in the Holy Quran it also deals with its prologue focusing the number of verses it incorporates in proportion to all verses in the Holy scripture.The second chapter tackles the phonemic impact on : ( 1) the Quranic ethythm, (2) the conveyance of meaning through the repetition of a letter, a word or a phrase, (3) the intonation of single words in relation to other words in context.Also, it highlights the significance of verse endings not only for meaning but very ' Surat'. The chapter finds out a relationship between words in their verbal forms and their meanings Chapter Three incorporates three sections. The first stresses themorphological structures of the Quranic vocabulary and their impact on differences in meaning...The second handles the semantic differences among lexicons focusing 'synonyms' as a case - study. It finds out1the Quran employs its lexions semantically in a miraculous way. The third section studies what is termed as " foreign lexicons" in the Quran. It concludes that the foreign in the Quran is what is alien to the features of Arabic language.Chapter Four deals with the relationship of syntax to semantics. It seeks account for all variations in word order, repetition or ellipsis or the use or non - use of definite or indefinite articles etc.... The chapter also attempts to elaborate on the use of'statements' in relation to the repetition of the letter 'Waw' (i.e, 'and'). It also emphasizes the significance of "brevity", circumlocution and agreement as features that go beyond stylisticsand medicine.

الفروق الدلالية في الاسلوب القراني

Author name: حسين عودة هاشم

Supervisor name: فاخر هاشم سعد الياسري

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - Faculty Of Education - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: The Quranic text is characterized by its brilliant composition and precise choice of words. It has its own manner by which it challenges what the Arabs were exellent in. Since then up to now, the Quranic style has been for a considerable study and meditation when the jurist, these jurisprudent, and the linguist have tend tn irrigate themselves from its sweetness in an attempt to contemplate 011 the distingnishcd connotations of its various manner. The linguists have been reflecting on the iilimitability and rhetoric nature of Holy Quran through using accurate vocabulary items or excellent formation of its installation in an endeavour to justify the intended significance of these marvelous points in spite of their efforts to get the semantic purpose but there was barely an uuanimous concept to happen among the schlars of the Qunrnic text not to reach to an access of the peremptory Quranic text and the real secrets behind using certain structure rather than the other or select an item instead of the other, so this study is bascdon the views of the former semantic meanings of the items and tl1eir occurrence in the context attempting to offer an opinion or to render an idea concerning the the idea of the Quranic Rhetoric through chosing a procedure based on semantic differentiation rising from thevarious Quranic style in a certain context rather than the other considering all Iinguistiv tendencies beginning from Al - Sufy to Al - Mu'jamy and this what distinguish this study from the previous ones. It comprises four sections : section one deals with the semantic discriminativity on the phonetic level through two ways; the first studies sound inside the item structure and the other investigates the comma differences because of its different places.In section two, studies the semantic differences on the level of Morphology through studying the aspect and its divergences such as replacement, suffires, elision, and the study of masculine and feminine forms. Section three is about the semantic distinction on the structured level concerning sertences ellipsis, mentioning , structured deviation, and the contertual ~'.~~~~~ally, section four deals with this aspect or semantics on t~e li~fof·.··d1.~ ·.'.i··t· ~ •. m. si~ficance in the Qnranic text divided into two parts : nomm3[,ablvrrbal a.n~#'arc followed by the results of the study.

الغزل الحضري في العصر الاموي عند الدارسين المحدثين : دراسة نقدية == Urban Love Poetry In The Ommaiyed Age Among Modern Scholars

Author name: ميسون محمد عبد الواحد

Supervisor name: نضال ابراهيم ياسين

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - Faculty Of Education - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: he research is a critical study of "Urban Love Poetry in the Ommaiyd ge among Modem Scholars". It is a study of a general human subject ecific to a certain age, i.e. "Ommaiyd Age".It studies a special manner of love poetry, "Urban Love Poetry". It s determined by a spatial determinant which is the poets of Mecca and edineh.The poets include Omar lbn Abi Rabei'a, Al'rjee, Al Ahuas, and Al Harith Al Makhzumi. Although Omar has been studied a great deal ; the other poets have been studied in a very limited way. Most of these studies focused on the social, historical and political sides. Few or them tackled the artistic side, namely the critical one.Departing from this nation, the research plan includes an introduction, a preface, three chapters, conclusion, bibliography, and an abstract in English.The introduction first contains a theoretical entry to the Urban Love Poetry. It second studies the manners of Love Poetry in the. Ommaiyed Age : the virgin love poetry, the Urban Love Poetry, and the · traditional one. Third, the purpose behind the critical study of the Urban Love Poetry discourse in the Ommaiyed Age among modem scholars is clarified.The first chapter entitled "Urban Love Poetry in the Ommaiyed Age among Modem Scholars" (concept - the causes of currency and popularity - subjects) consists of three sections. In the first section, the axis of the concept of love poetry is studied. In the second section, the axis of currency and popularity is studied. The subjects of the Urban Love Poetry is studied in the third section. The second chapter entitled "Stylistic Features of the Urban Love Poetry among Modem Scholars" includes three sections as well. In the first section, the language of the love poetry is studied. The linguistics styles are studied in the second section. In the third section, the image in the Urban Love Poetry is studied.As for the third chapter entitled "The Fictive Features of the Urban Love Poetry among Modem Scholars", it contains three sections. In the first section, place is tackled. In the second section, time is tackled.Character, plot, and poetic dialogue are studied in the third section.As for the method of the critical study, it departs from a common trend called "Criticism of Criticism". This trend adopts the criteria of eclecticism, exposition, disclosing and analysis, documenting poetic texts, criticism of explanations and critical analyses, and critical evaluation. In the conclusion, the research uncovered that most of the opinions of critics have been inaccurate and slightly subjective. These opinions depended on classical sources like Al Aghani that contain recants that are in need of much checking and documenting. Besides, the view of the modem scholars of love poetry and its kinds need to be revised critically. The research uncovers that much of Omar Ibn Abi Rabei'a, Al'rjee, Al Ahuas', and Al Harith's poetry totally hold a mild meaning of love poetry that is to some extent of the extremely eccentric and the extremely obscene. The poetry of these poets corresponds with the spirit of their age and putatively imitates the preIslamic poetry.B

النص في خطاب علي حرب النقدي

Author name: هشام يونس جاسم الياسري

Supervisor name: حسين عبود حميد الهلالي

General topic: Arabic Language and Literature

Specific topic: Literature

Degree: Doctorate

University: University Of Basrah - Faculty Of Education - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: / the text in terms of meaning and intention which used to be the text represents an essetial and most important core for modern and post - modem studies and the theories of the new critical scene. It has become a fertile field of knowledge in which critics and linguists indulged. Thus several and different theories and theses emerged, each tackling 'text' in view of its own principles , methodological and epistimological procedures, such as the russian Formalism, Neo - Criticisim, Structuralism, ~ermutics,andTextualism ,etc..These critical theories have produced different and contradictory v1s10ns of 'text' that intersects with the old vision both in its methodological and epistimological field. With the new critical visions, a bouycot has been established between the text and the writer, who used to dominate ultimate concern of critics and scholars. This bouycot eventually led to the announcement of"the writer's death".After this death of the writer, the text began to be associated with the reader, according to the 'Reader Response theory' which inserested itself in the reader and his/her reading and response.The idea of the present research started with my reading of the Lebanese writer Ali Harb's writinigs which, I believe, include an epistimological and methodological approach of the 'text' and its reading that deserves to be chosen for study. When I told my supervisor, I found that he agrees with me in his assessment of the topic's theoretical and epistimological richness embodded in the introduction of of a comprehensive and integrated textual vision enriched by a reading vision that goes along with it in addition torevealing the bases and epistimological principles out of which this vision came and flourished.The philosophical ahievement of post - modernism has become an important source from which this vision took a lot.Furthermore, this vision is an investable and applicable critical approach that can be adopted in text reading.Besides, this topic is a novel one that has not yet been studied before.The first chapter of the thesis falls into three sections. The first one deals with the etmology of the term 'text', covering its linguistic meaning, multiple meanings,and its metaphorical meanings. The second section tackles the concept of 'text' in scholastic circles and its integration into the other intermingled and overlapping concepts and its fluctuation from one specific scholar to another. Section three touches upon the definition of the term, revealing the difficuty faced in this task due to the differences among schools that used the term.Chapter Two deals with the term 'text' in Ali Harb's critical discource.It falls into three sections,too. The first tackles the the theme of textual identity; the structure of the text can be said to have two aspects : the phonological and the reading aspects. The section tries to show the characteristics of both. Section Two studies the text features; it tries to clarify each to open the way to Section Three which is devoted to study the concept of 'text' in Ali Harb's critical discourse.The third chapter studies the types of text and the bases for their differences due to which they are classified into types, showing the features of each text type. ··Chapter Four falls into two sections. The first deals with the critical possiblities for the reader and the possibilty of multi - readings for the same person of the same text. Section Two tacles the the reading of the text showing its nature, requirements, characteristics, and purposes.It, also, tackles the types of readings clarifying the epistimological vision that makes a specific treatment of a text determined by the text type. The chapter concludes with an account of Ali Khattab's reading approach which he uses in his critical endeavours.Lastly, the results of the study are introdused.

جماليات الصورة البصرية في القران الكريم

Author name: سلام حديد رسن المالكي

Supervisor name: حسن جبار محمد الشمسي

General topic: Arabic Language and Literature

Specific topic: Literature

Degree: Doctorate

University: University Of Basrah - Faculty Of Education - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

مطولات الشعر العربي الحديث رثاء الامام الحسين عليه السلام انموذجا من 1900 - 1960 م : دراسة في المضامين الموضوعية والبناء الفني

Author name: وليد جميل خفي العكيلي

Supervisor name: سوادي فرج مكلف

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - Faculty Of Education - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: a structure depending on growing units similar to the techniques of fictional structure. Also, the elegy for those poets was limited to the pure elegy ailns the tnost important feature of these long tragic poems during this period is that it was a conservative literature and a container of revolutionary iinplications : religious, historical, psychological, and political. As for the poetic language, the long tragic poem had artistic features which 1nade it more influential in the readers through the mass use of religious expressions suiting the elegy intention which aims to show sadness and weeping for affecting the passions of the readers. Concerning nai11es of famous people and setting, of.course, the natnes of Imam Hussein was the first among those fr1mous people. The researcher finds out that these long tragic poems have a lot of prominent stylistic features used by the poets for affecting listeners and attracting their attentions. They implied orders, vocations, and questions. The poets also used speech repetition with all of its types.As for rhythm, the poets tended to use meters such as Al - Raml, Al - khafif, Al - Basitc, Al - Tawil, and Al - Wafir Al - Mutakarib Concerning rhyme, the poets were divided into two sides : the first who uses one rhy111e only with the letters (111, b, and L) systemas a rhyme of same Jong tragic poems. The poetic i1nage in long tragic poems was divided into two types : static and Dynamic iinage. While the beginning in long tragic poems was on two trends : the first which has direct aim. The second which has beginning. Firally, the long tragic poems in Imam Hussein during that period was very expressive about its stage and relevant to the culture of that era. They implicate the historical events andstarting from the baUk of karhala lo c111body the reflecting situation or s11ch horrible event. Then, ii makes this battle a lightening point and a high !lag embodying a greatest sacrifice and most sacred martyrdom produced by a man and being as a sacrifice to hisrdigious beliefs and courage.

الشعر السياسي في الاندلس عصر بني الاحمر من 635 - 793 هـ : دراسة موضوعية وفنية == Political Poetry In Andalus During The Age Of Bani Al·Ahmar 5 A. H.To 793 A.H : A Thematic And Artistic Study

Author name: دريد عبد الجبار شمال كنعان

Supervisor name: نضال ابراهيم ياسين

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - Faculty Of Education - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: - e present study deals with the political poetry in the age of B n1 Al - Ahmar (635 to 793.A.H.). It investigates the artistic char teristics of this poetry due to the i1nportance of this period in t history of Muslin1s in Andalus (Spain). Some Arab pnn s of Bani Al - Ahrnar could establish an Arab Isla111ic state that ould stand in the face of its enemies and maintain the Islai · c identity of Andalusfor a bout two and a half centuries.he study falls into two parts. Part one tackles the objective (the atic) features of the political poetry of the age. It is divi d into six chapters : appraisal ; elegy ; satire , complaint , and eseech , war poetry , help - asking poetry , and pridepoetart two sheds light on the artistic character is tics of the. It is divided in to three chapters : Lanuage and style image , and artistic structure.ome of the important findings of the study are : itical appraisal was the most common type of poetry in e under study ; ts of the age had renewed the glorification of moral and e values ·vhich the kings and ministers of Bani Alwere characterized by ; ect political satire and criticism to the princes of Bani disappeared because most poets were part of the al structure of the Nasri state; r poetry was prevalent in the age due to the numerous H lp - asking poetry depicted the catastrophes of Andalw th age of Bani Al - Ahmar and before that; P de poetry represented a reflection of the speciality of e e which required every cling to be resolved and brave ; T Language of appraisal , elegy , satire , complaint , se h help - asking , and pride poetry was clear and simple rh eas war poetry included some strange words ;Political poetry was full of political terms and words 1 dicating religion , history and other disciplines.Poetic i1nages depicted various aspects of the political life fthe age.The sources of such images varied. Some of these Sources re the Holy Quran , Arabic folklore , Andalusian ' nvironment and the poets own education as well.Kings , political appraisai poems were multi - purpose.The opening lines of political appraisal poems varied in erne into love , nature and relics description , and wine. ostly , they were very pertinent to the themes of the olitical appraisal. Elegies started with mentioning the fluence of losing the dead person on people or started with wisdom.So did elegies on cities , pride , beseech , and mplaint poetry took the form of short stanzas , while satire as distributed into verse lines , stanzas , or whole poems. ar poetry took the form of poems or parts of poems mbined with political appraisal or elegiac parts. So were Ip - asking poetry. Poets were successful in making ernatic unity in their multi - purpose porns. The study is an attempt to keep the memory of those aders who left us more than a single memory that mortalized the Islamic Arabic existence in the Andalusian ninsula.

الدراسات القرانية في اثار عائشة عبد الرحمن : دراسة لغوية == The Quaranic Studies In The Works Of Aisha Abd Al - Rahman

Author name: شروق محسن كاطع

Supervisor name: قصي سالم علوان الجلبي

General topic: Arabic Language and Literature

Specific topic: Literature

Degree: Doctorate

University: University Of Basrah - Faculty Of Education - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: The Quranic Studies have occupied a distinictive place in the literary studies , due to the fact that the holy text was the centre of the attraction of the researchers. Dr. Aisha Abd Al Rahman bint Al Shatie had Al Shatie had the great favour in establishing the bases for literary interpretation.The Short suras of One single topic were the major matter for her study in applying for ideas and in her eloguent analysis. In addition , She tried to imvistigate the most remarkabh linguistic and rhetorical aspects in her interpretive analysis so as not to tresspass intellectual issues that She Surveyed in her Quranic treatments.Then , the research was divided into two parts : the first part , the •, linguistic studies. It includes two chapters. The first chapter entitled the semantic sections ; and the methods that Dr. Aisha has followed to deal with the Quranic text via lexical meaning,, the contextual meaning to reach the most important semantic phenomenon that characlerises her Quranic stndies is the phenomenon of collocation. Chapter Two delimits Some grammatical issues that She studies cwefully like Some substitution letters , extra letters , ellipsis places and contextual filteriston.The second past entitled " the rhetorical studies " consists of three chapters. The firrt one is " eloque.nt sections " We surveyed the eloguent arts that Dr. Aisha passed through in her rhetorical study of the Quranic text. We studied the linguistic metaphor, mental metaphor , etc.Chapter Two represents sections from Semantics which include many rhetorical arts : swearing, questioning, forwarding back warding , definition , economy , repetition , etc. We also studied corefully two arts : intervention and parallelism.Chapter Three includes her view of the Quranic genius via her ideas in The researchers of the geniues , and the study of the most important genius phenomenon which is suras openings. the research ends with a conclusion of the most important rcsutes.In conclusion , 1 wonld like to confess that I did m~· hcst to achieve this research.